BTS

For Santos Bravos, the first Latin American group to play KCON, pop has no borders

Under the hot lights of the Crypto.com Arena in Los Angeles, the five members of Santos Bravos stood center stage, ready to stake their claim to international stardom. It was the first night of KCON — a three-day festival of Korean pop culture, held every year since 2013 — and on Aug. 14, Santos Bravos became the first Latin American act ever to grace the bill.

Despite the band having debuted less than a year ago, the crowd was buzzing with excitement, but its energy heightened as the slashing knife sounds of “Hooligan,” a song off BTS’ latest hit album, “Arirang,” began to ring out. Because of their popularity, BTS songs are frequently covered by groups at KCON, but newcomers Santos Bravos, who are under the same parent label, Hybe, had more to prove to this audience.

Santos Bravos performs on the Artist Stage during day one of KCON at the Los Angeles Convention Center.

Santos Bravos, a Latin American boy band based in Mexico City, performs on the Artist Stage on Aug. 14 at KCON at the Los Angeles Convention Center.

(Arwen Clemans / Los Angeles Times)

“Hooligan” was produced by Spanish producers Fakeguido and El Guincho (who worked on two records with Rosalía), as well as South Korean producer Ghstloop and American producer Jasper Harris. The multicultural song, with lyrics in both Korean and English, was an apt choice for Santos Bravos — between the five members, they speak and sing in three languages and represent several Latin cultures.

For BTS fans, nothing less than near the performance level of the superstar group is acceptable. But as Santos Bravos sang the opening verses in English, the crowd roared with approval — especially as lead vocalist Kauê Penna, who hails from Brazil, slid onstage to take on the high parts of BTS lead Jungkook.

While artists from different backgrounds working together is nothing new, Santos Bravos, like the Hybe x Geffen girl group Katseye, are part of an effort to bring K-pop training, marketing methods and fandom culture to other regions of the globe.

Fans watch as members of Santos Bravos walk off the stage and into the crowd during a performance on day one of KCON.

Fans watch as members of Santos Bravos walk off the stage and into the crowd during a performance on Day One of KCON.

(Arwen Clemans / Los Angeles Times)

Off the global success of BTS, Hybe evolved from a mid-sized label into one of the biggest music and entertainment players in South Korea. Santos Bravos operates under a division called Hybe Latin America, which is based out of Mexico City, where the band calls home. They are the first Hybe group to be based in a region outside of the United States or Asia.

Selected from 17 finalists on a 2025 competition reality show called “Santos Bravos — La Serie,” the contestants had vied to become part of Santos Bravos. Along the way, they received feedback and coaching from Song Sun-deuk, BTS’s longtime former choreographer and performance director. They also worked closely with Miami-based Cuban American choreographer Cultura, who has previously worked with Maluma, J Balvin, and Karol G, among others.

The final five debuted as a group at the show’s finale in October of 2025, where they performed before an audience of 10,000 at the Auditorio Nacional Mexico. Santos Bravos’ members are Penna, 19, from São João de Meriti, Brazil; Kenneth Lavíll,16, from Veracruz, Mexico; Gabi Bermúdez, 21, from San Juan, Puerto Rico; Alejandro Aramburú, 22, of Lima, and Drew Venegas, 26, from L.A. County.

The selected members were no starry-eyed amateurs: Both Lavíll and Aramburú were professional actors in their countries, while the honey-voiced Penna won the fifth season of “The Voice Kids, Brasil” in 2020. Bermúdez, the effusive mood-lifter of the group, was gunning for a career as a soloist when he entered the ring. Venegas, a dance specialist who had performed as a backup dancer for BTS, had a brief stint as a member of the Future X, a co-ed group formed by Simon Fuller that featured members of the queer community.

Not even a year into their formation, Santos Bravos topped Billboard’s new Latin music poll. In January, they performed alongside Mon Laferte and Feid in Willy Chavarria’s Paris Runway show, “Eterno.” In June, their debut EP, “Dual,” made it as high as No. 17 on the Billboard Top Latin Pop Albums chart. That same month, the group won its first award, the fan-voted artist duo or group at the 2026 Premios Tu Música Urbano Mix.

“We’re very disciplined,” said Venegas, who called West Covina home before joining the band. I met the band inside the Los Angeles Convention Center on Saturday, after their KCON breakout moment.

“One day of training was equivalent to one week of training,” he added. “I think combining all of our cultures together, then keeping our Latin essence with the K-pop methodology, [brings] something very new and very fresh for the eye.”

Although the group doesn’t perform in Korean — unless it’s for fun — they cater to K-pop fans, which is easy to do since they too are K-pop fans. They’ve paid a visit to the Hybe headquarters in Seoul, collaborated with bands like Le Sserafim and BoyNextDoor and livestreamed to fans via Hybe’s proprietary social platform Weverse. They’ve even performed on Korean television.

But for the members of Santos Bravos, the cultural exchange goes beyond marketing.

“In Mexico,” Venegas said, “when you’re eating we say, ‘Buen provecho,’ which is like ‘Enjoy your food,’ No matter who it is, no matter who you’re walking by. Food is a big part of acknowledging somebody, and that’s what we have in [common with Korean culture].”

Mostly talking to each other in Spanish — both Venegas and Penna learned to speak it as a second language — they occasionally forget which language they are speaking to each other in.

“Sometimes I find myself talking to Kenneth or Kauê in English when I don’t need to,” interjected the soft-spoken Aramburú, who plays the guitar — and, in between his shifts as a pop star, is finishing up his music degree at USC.

“The fact that we learn so many languages opens so many doors for us,” Aramburú said. “Personally, wherever we go, I love to learn the language. I’m on Duolingo learning Korean right now.”

Penna sees language as a way to not only open doors for Latin artists, but also reach people through their music.

“Thank God Latin America is being watched,” said Penna. “You know, people can see what we’re doing, and people also are interested in in our languages, in our culture. And in every country we [visit], we try to learn as much as possible about the culture. Now we’re focusing on Portuguese” — a language they test-drove in the song “Velocidade” — “and of course, English.”

Venegas has found that his experience as a Mexican American who didn’t grow up speaking Spanish resonates with some people.

“There were a couple of fans who came up to me who were of Mexican descent, but they didn’t get the chance to learn like me growing up,” he said. “And immediately, they were at a loss for words and kind of filled with emotions. I started getting emotional because I can feel the heartache and … feeling scared, like you don’t belong … and that’s what I felt like. Being able to speak with them and hear what they say made me feel like I’m not alone and like I do matter. Hearing, ‘OK you didn’t grow up getting spoken to in Spanish, but you were still called mijo like I was called mijo.’ ”

Asked why some people struggle to grasp multiracial Latino identity — Cardi B is brought up as an example — Penna weighed in.

“Being in Santos Bravos as an Afro Latino is something so important to me,” said Penna. “I feel like this ‘thing’ of being this or being that… It’s just cultural differences. I’m also working to understand how another culture sees me. As Brazilians, we are very mixed. Of course, I have my Afro side, my mom’s side, I have my Indigenous side… but of course, I am very open and very proud [with] what I’m representing in Santos Bravos.”

“People in general like to categorize,” said Bermúdez, who grew up idolizing Puerto Rican singer Chayanne. Raised in Puerto Rico by parents with both Boricuan and Cuban heritage, Bermúdez bristles at attempts to divide Latinos.

“We as Santos Bravos want to transmit to the world that Latin America is one,” he said

Santos Bravos

Santos Bravos

(Ronaldo Bolanos / Los Angeles Times)

On the Monday after KCON, I met up a second time with the members of Santos Bravos, who were milling about in the Hybe America offices in Santa Monica. Venegas scrolled through his phone while Penna shuffled past us to grab a drink from the office fridge. I ask whether he’s tired. “A little” he replies, but he’s good.

Upstairs, walking past a large poster of BTS, I met with Juanse Arenas, president of Hybe Global Label Services, who promotes artists outside of their home markets. He said the company looked closely at data and research when conceptualizing the group.

“Mexican regional music became really big, Bad Bunny himself went global,” Arenas said. “You have Karol G, J Balvin, all these massive artists who come from our countries. Latin music is no longer just Latin; it’s global, right? Now, there is a methodology that exists in K-pop that has produced very successful groups. But you can’t just apply that methodology blindly to new regions and to new places — you have to [consider] where the members are coming from, what makes them tick, what drives them and the audience they’re speaking to.”

After posing for individual promo portraits, they gathered for a group photo before singing an acapella version of the uptempo ballad “MHM” for social content. They also greeted their fans on the Weverse livestream, where they expressed sadness over leaving L.A.

“Nos vamos pronto de L.A., mi gente,” said Lavíll to fans. “Y estamos tristes.”

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Medical experts, ex-mother-in-law testify for defense in Clancy trial

Aug. 18 (UPI) — Medical experts and a family member testified in a Massachusetts courtroom Tuesday that Lindsay Clancy’s mental health was so precarious that she cannot be held responsible for the strangulation deaths of her three children.

A trio of doctors and Clancy’s former mother-in-law, Susan Clancy, each testified in her defense as her attorneys sought to show the 36-year-old defendant is not guilty of murdering her children — 5-year-old Cora, 3-year-old Dawson and 8-month-old Callan — at their Duxbury, Mass., home on Jan. 24, 2023 due to mental illness.

While not denying she killed the children, they contend she is not criminally responsible because she was suffering from bipolar disorder and postpartum psychosis.

The Plymouth County, Mass., District Attorney’s Office, however, argues that Clancy was not experiencing psychosis when she strangled the children and jumped from a window, suffering permanent paralysis from the waist down.

After the prosecution rested its case last week, the defense continued with its own case.

Among the medical experts taking the stand Tuesday was Dr. Paul Zeizel, a clinical and forensic psychologist who testified about meeting with Clancy at the hospital after the killings.

After testifying that Clancy told him she had “fuzzy” memories of the killings, he said she told him she heard a man’s demanding she kill the children and then herself.

Zeizel forcefully suggestions of having “planted” that story with Clancy.

Also testifying for the defense was another medical expert, former medical examiner Dr. Elizabeth Laposata, who spoke about the injuries Clancy suffered in her suicide attempt in an apparent effort to counter prosecutors’ suggestions that she had not jumped out a window.

Another medical witness, Dr. Donald Condie, testified that Clancy exhibited symptoms consistent with postpartum depression, such as brain fog and anxiety.

The day’s testimony also included emotional words from Susan Clancy, the mother of Patrick Clancy, who said the couple had a “very good relationship,” WBTS-TV reported.

“She was very nurturing, very loving, she was a wonderful mother. Wonderful,” she said of Lindsay. “She loved her children, all of them, very, very much.”

A former nurse, Susan Clancy she said she noticed a change in Lindsay’s personality after the birth of Callan, the youngest child.

“She reached out to me in November and told me that she felt unwell,” she said. “Mostly, she had insomnia, she was losing her appetite, she was very anxious and sad.”

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BTS won’t submit music for Grammys, after new Asian music category introduced

The K-pop megastars BTS will not submit music for next year’s Grammys. The news comes despite — or perhaps because of — a new category specifically designed to honor Asian pop.

The seven members of BTS — RM, Suga, Jin, J-Hope, Jungkook, V and Jimin — each shared the same message across their social media Wednesday, announcing the news and saying, “We hope our music can be heard and loved for what it is, rather than being divided by region or language. We thank Army and everyone who has always stood by us.”

The Grammys’ new Best Asian Pop Music Performance category “recognizes artistic excellence in Asian pop music performances originating from or widely recognized within Asian markets, including but not limited to K-pop, J-pop and C-pop, with meaningful use of one or more Asian languages. Awards are presented to the performing artist(s).”

BTS’ comeback album “Arirang,” its first after the band members’ mandatory South Korean military service, was widely expected to compete for the award. The new category came as part of a bevy of added or tweaked awards and nominating rules that will debut at next year’s ceremony on Feb. 7.

BTS has a mercurial relationship with the Grammys, having been nominated five times in various categories since becoming the first K-pop group nominated in 2019, and performing for the live telecast. They have never won.

The band joins the Weeknd and Drake as high-profile artists who, at least for some time, declined to submit their music to the Recording Academy in protest of its policies or nominating processes.

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World Cup ‘feud’ kicks off as Madonna and Justin Bieber are ‘locked in tug-of-war’ ahead of epic halftime show

A POP clash is thought to have broken out ahead of the World Cup final halftime show between Madonna and Justin Bieber.

Insiders say the upcoming show has turned into a ‘bitter competition’ between the queen of pop and the Canadian singer.

Justin Bieber is set to take to the stage at the World Cup Final Credit: Getty
Madonna is sure to put on a memorable show Credit: Getty

Coldplay singer Chris Martin – who is in charge of organising the historic music event at MetLife Stadium in New Jersey – is said to be trying to ‘figure it out before it gets out of hand’.

While the Yellow singer has put together an impressive lineup featuring Madonna, Bieber, Shakira and BTS, he is reportedly struggling to creatively manage the two headliners.

An insider told The Daily Mail: “Neither wants to walk away feeling like they played second fiddle.

“Their different approaches have created real tension behind the scenes.”

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Justin Bieber surprises fans at Fanatics Fest a day before World Cup final

Queen of pop Madonna is performing alongside a host of big names Credit: Getty
The action will take place at the Met Life Stadium in Northern New Jersey Credit: Getty

The major comeback opportunity for Justin follows his latest stripped-back performance at Coachella festival.

According to the publication, the Sorry singer wants to keep his appearance ‘straightforward and risk-free’ – with the music ‘clean, controlled and no distractions’.

“His mindset is simple,” the source continued: “Don’t overcomplicate it, don’t take unnecessary risks and absolutely don’t have a performance that becomes a story for all the wrong reasons.”

On the other hand, it’s said that Madonna wants to make a statement on stage and feels the show should be ‘unforgettable – not safe’.

The insider added: “She believes a stage this massive calls for something people will be talking about for years.”

The closing ceremony will also feature Post Malone, Tom Cruise, Nicole Scherzinger, Robbie Williams and YouTuber IShowSpeed.

The Sun has contacted Justin’s rep for comment.

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S. Korea’s exports of K-pop albums hit record high of US$257.48 mln in H1

K-pop exports reached a record high in the first half of 2026, South Korean government data showed Friday, In this March 21 photo, a billboard advertising the Netflix livestream of a BTS concert is seen in Seoul. File Photo by Thomas Maresca/UPI | License Photo

South Korea’s exports of K-pop albums hit a record high in the first half of the year, government data showed Friday, driven in part by BTS‘ fifth studio album, “Arirang.”

K-pop album exports reached US$257.48 million in the January-June period, up 125 percent from a year earlier, according to import and export trade statistics from the Korea Customs Service.

The United States was the largest importer of K-pop albums during the period, with imports totaling $74.12 million, followed by China and Japan at $61.18 million and $45.61 million, respectively.

Rounding out the top 10 were Germany, Taiwan, Hong Kong, the Netherlands, Britain, France and Poland.

BTS, one of the world’s top boy bands, released its first new album in three years and nine months in March. Both the album and its lead single topped Billboard’s main charts.

Earlier in February, BLACKPINK released its third mini album, “Deadline,” which had sold nearly 2 million copies as of June.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

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BTS ARMY puts Chilean government under pressure

A sign welcoming ARMY, the fandom of K-pop superstars BTS, hangs outside a convenience store near Gwanghwamun Square in central Seoul in Maech The band returned for “BTS The Comeback Live: Arirang,” its first concert in nearly four years after going on hiatus in 2022 to complete mandatory military service. File Photo by Thomas Maresca/UPI | License Photo

SANTIAGO, Chile, July 7 (UPI) — Chile’s government is facing an unexpected political controversy after the suspension of three BTS concerts scheduled for October prompted coordinated protests by the K-pop group’s fans across the country.

President José Antonio Kast’s administration has been forced to reconsider its decision to bar the concerts from the National Stadium after ARMY, BTS’ global fan community, organized simultaneous demonstrations in 11 Chilean cities.

About 5,000 fans marched Sunday to protest cancellation of the performances at Chile’s main sports venue, where all tickets had already sold out. Authorities cited technical concerns over the impact the concerts could have on the stadium’s playing field.

BTS, one of the world’s most successful K-pop groups, uses a 360-degree stage that weigh about 600 tons. The structure would be installed in the center of the field, directly above the stadium’s irrigation system.

Sports Minister Natalia Duco said the production could damage “the country’s most important sports asset” and declined to authorize the venue for the concerts. About 200,000 people were expected to attend the three shows.

“It is impossible to cancel something that was never confirmed,” Duco said after criticism of the decision began.

The move prompted an immediate backlash from BTS fans. ARMY Chile, which has more than 130,000 followers on Instagram alone, organized through social media to pressure the government and called for demonstrations in the streets and outside La Moneda presidential palace.

Supporters also flooded the social media accounts of the Sports Ministry, Duco and concert promoter DG Medios with messages demanding that the shows be held at the National Stadium. “BTS at the National Stadium” became the movement’s main slogan.

“All our support to our Chilean sisters. We sincerely hope this situation can be resolved in the best possible way and that you will receive good news very soon,” ARMY Peru wrote on social media.

The dispute has also spilled into politics. Opposition lawmakers criticized the government and demanded an explanation for the decision, while other public officials and even soccer clubs have offered their stadiums as alternative venues.

Facing mounting pressure, the government said it is willing to reconsider its decision if the concert promoter can meet the conditions required to protect the playing surface. Meanwhile, thousands of fans continue campaigning on social media as they await a final decision.

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BTS’ Jungkook tops 3 bln Spotify streams with ‘Seven,’ first for Korean artist

BTS member Jungkook, seen here performing in New York’s Central Park in September 2023, topped 3 billion Spotify streams with his single “Seven,” his agency BigHit Music said Tuesday. File Photo by John Nacion/UPI | License Photo

“Seven,” a hit solo track by BTS member Jungkook, has surpassed 3 billion streams on Spotify, making him the first Korean artist to hit the threshold with a single song, his agency BigHit Music said Tuesday.

“Seven” is also the only song released in 2023 globally to reach the milestone, according to the agency.

A passionate serenade about wanting to spend every day with a loved one, “Seven” blends a catchy melody with a warm acoustic guitar sound and rhythms from UK garage, a genre of electronic music that emerged in Britain in the early 1990s.

The song’s music video surpassed 600 million views on YouTube in April.

Since its release, “Seven” has enjoyed worldwide success, debuting at No. 1 on the U.S. Billboard Hot 100 and reaching No. 3 on the British Official Singles Chart Top 100.

K-pop supergroup BTS, to which Jungkook belongs, is currently on its largest-ever scale world tour, “Arirang.”

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

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