Question Time host Fiona Bruce was forced to apologise after making a huge blunder about Andrew during Thursday’s live broadcast, following the ex royal’s title removal
23:32, 30 Oct 2025Updated 01:38, 31 Oct 2025
Fiona Bruce apologised after making a blunder about Prince Andrew
The error occurred while the panel discussed the King’s decision to officially strip his brother of his remaining Royal privileges, prompting immediate corrections from guests and chuckles from the studio audience. She said: “I should remind everyone that Prince Andrew has, of course, always protested his innocence and denied the allegations.”
Matthew Goodwin and other panellists quickly jumped in to correct her, emphasising “it’s just Andrew” before she raised her hands and admitted: “Of course, it’s Andrew. Forgive me, force of habit,” reports the Express.
She continued: “Andrew Mountbatten Windsor has always denied the allegations against him and the King has said are deemed necessary notwithstanding the fact that he has continued to deny the allegations against him.”
The blunder came just hours after Buckingham Palace announced that King Charles had officially removed Andrew’s titles and honours, completing the final stage in his brother’s withdrawal from Royal duties.
In a statement, the Palace revealed a formal notice had been issued to Andrew requiring him to give up his lease at the Royal Lodge in Windsor, where he has resided for over two decades. The monarch’s decision comes after growing calls to remove the Duke from the property following continued public outrage over his connections to paedophile Jeffrey Epstein and claims made by Epstein victim Virginia Giuffre, which Andrew steadfastly refutes.
Officials confirmed the 64 year old will relocate to accommodation on the Sandringham Estate, with his future housing costs met privately by the King. The Palace stated that “Their Majesties’ thoughts and utmost sympathies remain with the victims and survivors of any and all forms of abuse.
“Formal notice has now been served to surrender the lease and he will move to alternative private accommodation.”
Meanwhile, Fiona was compelled to intervene and halt a heated clash between writer Matthew Goodwin and Labour’s Lisa Nandy.
The duo clashed during a heated debate about illegal immigration and crime, with Goodwin contending that increasing migration figures had led to “shocking cases” of violence nationwide and asserting the system was “broken and in urgent need of reform.”
Nandy immediately fired back, labelling his remarks “outrageous” and claiming he was “trying to create distrust, division and fear.” The row rapidly escalated, prompting Bruce to intervene with raised hands, calling out over the commotion: “Matt, wait one second – both of you wait one second! If you talk at the same time, no one can hear anything.”
TELLURIDE, Colo. — Jeremy Allen White asked all the questions any normal human being would ask when offered the chance to play Bruce Springsteen in “Springsteen: Deliver Me From Nowhere.” In theaters Oct. 24, it’s a movie that examines a slice of the rock legend’s career when he was battling depression and creating 1982’s incomparable exploration of alienation “Nebraska,” a record he didn’t know he was making when he recorded the songs on a primitive four-track tape machine in a rented New Jersey home. It turned out to be his favorite of all his albums.
Most of those questions could be boiled down to: Why me? White didn’t know how to play the guitar. He loves to sing but would never call himself a singer. And while he has a relationship with an audience, particularly those who have white-knuckled their way through his Emmy-winning work as Carmy, the talented and troubled chef on “The Bear,” he says it’s a far cry from the bond Springsteen has forged with his fan base for the past 50-plus years.
“The relationship a musician has with fans is so intimate,” White, 34, tells me the morning after the movie had its world premiere at the Telluride Film Festival. “You listen to him in the car, you go to see him live. He’s there in your ear and it’s just the two of you. You feel like you’re being spoken to. Bruce is so important to so many people. It was daunting. I didn’t want to disappoint.”
By the time we talked, though, White was well past any anxiety about disappointing, if only because he had the approval of the person who mattered the most: Springsteen himself.
“Jeremy tolerated me and I appreciated that,” Springsteen said at a festival Q&A, suggesting that his input on the movie was ongoing and significant — and also welcome. He noted that it was easy to sign off on director Scott Cooper’s vision for the movie, which, with its narrow focus on the deep dive of “Nebraska,” he called an “antibiopic.”
“And I’m old and I don’t give a f— what I do,” Springsteen added, laughing.
White and I are sitting in the sun outside his hotel, basking in the warmth the day after a steady rain. Wearing a battered Yankees cap, jeans, boots and a blue pullover, he’s sporting the casual uniform of the festival, if not the Boss himself. White asks if I mind if he lights an American Spirit. He reaches for his lighter. The premiere is over and his mood is light. We dive right in.
Jeremy Allen White in the movie “Springsteen: Deliver Me From Nowhere.”
(Macall Polay / 20th Century Studios)
Was there an immediate point of connection with Springsteen? The more I talked with him, the more I learned. And at the point in his life we show in the movie, he was feeling so fraudulent. Not in his work, but as a human. He felt like he was being caught in a lie all the time. And I don’t want to speak for all actors, but I’ve certainly dealt with that kind of feeling.
It feels like there’s a line between your Springsteen and Carmy on “The Bear,” two men carrying generational trauma and emotional baggage they have no idea how to deal with. Do you see that? For sure, you can draw that line. They’re cousins. And they’ve both got their art, something they feel confident about. What Bruce was feeling in his relationship with his father and the environment he grew up in, is he felt incredibly unsafe. And that made it difficult for him to trust people and form real connections. For a long time, the only connection he felt was in that three hours he spent on stage.
But then what do you do the rest of the time? Absolutely. And I’m familiar with those feelings. But my home life as a child was more loving and supportive, so I had to do some creative work to find that tether to Bruce.
You mentioning Springsteen’s dad just popped a thought into my head. Is Carmy’s dad alive? [Long exhale] We don’t know. That’s a decision that’s up to [showrunner] Chris [Storer].
It’s above your pay grade. Well above.
You’re really good at playing men who have trouble articulating their feelings, which puts a lot of weight on your shoulders to convey an interior life through close-ups. Do you like that kind of acting? I do. You have to have an understanding. The camera knows. If you’re just staring at a wall and you don’t have anything going on, the camera will know. The audience will, too.
You do also get to rock out and sing “Born to Run” and “Born in the U.S.A.” How did your vocal chords feel afterward? I spent an afternoon singing “Born in the U.S.A.” and I got a migraine and I lost my voice. I saw Bruce afterward and he asked, “What’d you do today.” And I said [affecting a hoarse voice], “Uh, I recorded ‘Born in the U.S.A.’” And he smiles and says, “Sounds about right.”
Most of your singing is the “Nebraska” songs, these delicate acoustic songs about despairing characters who have lost hope. Putting across their stories in these songs feels like its own imposing challenge. I was so focused on just sounding like Bruce and my coach, Eric [Vetro], asks, “What are you singing about? What’s the story? Where’s Bruce coming from? Is he singing from his perspective? Is about his childhood? Is he playing a character?” All these questions that, for an actor, should be right at the front of mind. Because I was so anxious about sounding like him, I found myself blocked by the real thing, which was: How can I just sing the song as honestly as possible?
What song was the breakthrough? “Mansion on the Hill.” Bruce listened to it and said, “You do sound like me. But it’s you singing the song.” And that gave me permission, not just in recording the music, but making a film where I could tell his story but not be afraid to bring myself to it.
Did you have a favorite song? Probably “My Father’s House.” It seemed like a warning for me. There’s regret in it. What I heard is a song about a young man not wanting to regret that he didn’t reach out for his father, who he had a love and connection with earlier. There was an immediacy to it, which you then see with Bruce and his father in the film.
Did it make you want to call your dad? I called him right after recording that song in Nashville. Like many fathers and sons, we have a loving relationship, but we’ve also gone through periods where things have been difficult and it was hard to communicate. Making this film and singing this song has given me another perspective. It also coincides with getting older and having children of my own.
I’m glad you made the call. You can’t have those conversations after a certain point. That’s what I mean about the warning of that song.
You told me yesterday that you and Springsteen had a debate about “Reason to Believe.” What was the source of the disagreement? It’s the last song on the album and Bruce says people confuse it as being hopeful. He says that’s not correct. The song is about a woman whose husband has left her and she stands at the end of the driveway every day, waiting for him to come home. And I hear that, and I think, “Oh, that’s real love. That’s romance. Someone’s gonna drive down that road at some point.”
Either that or this poor woman is just going to be walking up and down her driveway the rest of her life. And no one’s gonna be there. It depends how your ear is on a song.
But you choose to believe. I choose to walk to the end of the driveway. Absolutely.
Would you call yourself an optimist? No. [Laughs] Not really.
“Nebraska” came out in 1982 and was informed by the idea that there was a growing divide between the wealthy and the poor and that what we think of as the American Dream was becoming more elusive. Where do you think the album sits more than four decades later? People are angry. That’s what seems to define our country right now. Anger. And it doesn’t seem to be going away. The songs on “Nebraska” are still going to be speaking to us four decades from now. They’re timeless.
Jeremy Allen White in the movie “Springsteen: Deliver Me From Nowhere.”
(Macall Polay / 20th Century Studios)
Did your early dance background help you with the physicality of the role, the way he carries himself on stage or even just walking around? For sure. Finding the way he holds his gravity was important. I put little lifts in the boots and that made my posture change, my legs a little longer. Wearing the pants up to here [he points to a spot above his hips], that gets your gravity in your belly button, where I’m crouched over all the time.
There’s a lot of scenes in diners where he’s sitting with one arm over the back of the booth … … like he’s on his way out almost all the time. One foot in, one foot out.
Musician friends turned you on to “Nebraska” in your early 20s. What music were you listening to then? My folks are a little older so I grew up listening to a lot of music that Bruce listened to — Sam Cooke, Otis Redding, the Beatles, the Stones, Aretha Franklin.
Your parents had a strong record collection. Still do. And I grew up in in Brooklyn in the ’90s, so I got really heavy into hip-hop in my teenage years. I discovered Nas and Jay-Z and Big L and Wu-Tang. Tribe. De La Soul. And then I was around for an exciting time in the New York scene. I was young so I couldn’t really experience it, but the Strokes were coming out and LCD Soundsystem. I felt lucky to be close that stuff as it was happening.
The way you’re talking about all this, it feels like music is a fundamental part of your life. Absolutely. I love that it’s always with you. I’ve taken a couple of cross-country trips, and I love putting on Motown. I go through periods where I listen to the same 20 songs for a couple of weeks. But then I’ve got thousands of “liked” songs. And the nice part about a long drive is you can shuffle that and it’s like you’re traveling in time. I love getting to visit past versions of myself through music.
Springsteen takes an eventful cross-country trip in the film. What’s your most memorable one? I did one by myself when I was about 24. I thought I was going to give myself about two weeks to go from New York to L.A. The first week was great. I was enjoying my solitude, listening to a lot of music. Then when I hit Utah, I got incredibly lonely.
Did the landscapes get to you? Maybe. I had a certain amount of anonymity, which I enjoy on a road trip. You don’t know anybody in these towns and that allows you to be whoever you want to be, passing through. I remember getting to Utah and just being desperate to see somebody who knew who I was. And I got a flat in St. George, Utah. It was a disaster. My phone had died. I didn’t have a spare. I was out on the side of the road trying to borrow somebody’s phone. I took that as a sign. After I got it repaired, I raced to have dinner with a friend, because I felt this this crazy loneliness.
Springsteen says everyone has their “genesis moment,” an experience that charts your path. His was watching Elvis Presley perform on “The Ed Sullivan Show” in 1956. What’s your genesis moment? I had been dancing on stage but I didn’t act until I was 14 when I got up in front of a group in middle school. I had this great teacher, John McEneny, and he was having us do this improvisational exercise — two characters, one speaking, one quiet. And my friend, Yael, was playing a mother and I was playing her child who didn’t know how to speak yet. So I wasn’t speaking, like so much of my work [Laughs].
It’s Carmy’s genesis moment too. Yes. And I remember feeling a presence. I had a hard time focusing as a child, a hard time being present. Still do. But I remember even in silence feeling so at ease and present. And of course I remember the eyes. And even without me doing anything or speaking, I felt attention, people waiting to see what I would do next. And I went, “Whoa.” I felt at peace. I felt present and people were interested. And I thought, “Let me follow this a little bit and see where we can go.”
There’s a scene in the movie, taken from real life, where Springsteen is flipping through the channels one night and stumbles upon Terrence Malick’s “Badlands,” a movie that ultimately influences “Nebraska.” With streaming, we don’t really have those serendipitous discoveries any more. Have you ever had a moment like that? I can’t think of one. But “Badlands” was a favorite of my parents and they showed it to me when I was 13 or 14. Martin Sheen was cool as hell in that role, and I was so impressed with his commitment to that character. And Sissy Spacek conveys so much with so few words.
And like “Nebraska,” “Badlands” was difficult to make. There was a lot of pushback against Malick and what he was trying to do. There was a lot of confusion going on. They weren’t on the same page. Like with Bruce, it took a lot of diligence on Terrence Malick’s part to realize his vision. It’s so beautiful when you hear about the process of making a film is so difficult, and then something so beautiful and perfect comes out.
Where do you like to see movies in L.A.? I love the New Beverly. I saw “2001: A Space Odyssey” at the Egyptian not long ago. The Aero, if I’m on the Westside. I miss the Cinerama Dome and the Arclight. New movies, probably the Sunset 5. My favorite thing is go to a movie on a Tuesday at like one in the afternoon. You’re there by yourself. I like seeing movies by myself. Some people get out of a movie and like to start talking about it. I like getting out of a movie and being quiet for awhile.
Did you see “Weapons”? That was my favorite movie theater experience this summer. I loved “Weapons.” And obviously, it’s a great horror film and funny at times and that ending is just crazy. But also I found myself very emotionally affected. To me the horror of the movie was about, from the child’s perspective, looking at all these adults who were totally incapable, whether it was due to addiction or narcissism.
Bringing this full circle, I’m watching this movie about kids feeling unsafe and I thought of the times in Bruce’s upbringing where he felt a similar way and how that made it so difficult to grow up and be trusting. That he ultimately got to that place is so beautiful. I hope people come away from watching this movie feeling that and, if they’re in a place that’s not so good, maybe thinking that connection can still be possible.
Aug. 10 (UPI) — Tammy Bruce, the former conservative radio host and Fox News contributor who now serves as the spokesperson for the U.S. State Department, has been nominated by President Donald Trump to serve as the next deputy representative to the United Nations.
“I am pleased to announce that I am nominating Tammy Bruce, a great patriot, television personality, and bestselling author, as our next deputy representative of the United States to the United Nations, with the rank of ambassador,” Trump said on Truth Social.
“Since the beginning of my second term, Tammy has been serving with distinction as spokesperson of the State Department, where she did a fantastic job. Tammy Bruce will represent our country brilliantly at the United Nations. Congratulations Tammy!”
Bruce’s nomination will require confirmation by the U.S. Senate after its monthlong recess. It was not immediately clear who would replace her at the State Department.
Mike Walz, Trump’s former national security adviser, has been nominated to serve as the U.S. ambassador to the United Nations. He testified at his Senate confirmation hearing last month, but his confirmation has since stalled. It is the last cabinet-level position that has not been confirmed by the Senate.
BERLIN — In a country that saw its democracy die in 1933, the more than 170,000 people crowding into three of Germany’s biggest soccer stadiums for Bruce Springsteen’s rock concerts in recent weeks have been especially receptive to his message and dire warnings about a politically perilous moment in the United States, one that has reminded some of Adolf Hitler’s power grab in the ’30s.
At these gigantic open-air concerts in Berlin, Frankfurt and Gelsenkirchen, which have been among the largest concerts to date in Springsteen’s two-month-long, 16-show Land of Hope & Dreams tour across Europe, the 75-year-old rock star from New Jersey has interspersed short but poignant political speeches into his exhausting, sweat-drenched performances to describe the dangers he sees in the United States under the Trump administration.
“The mighty E Street Band is here tonight to call upon the righteous power of art, of music, of rock ’n’ roll in dangerous times,” Springsteen says to cheers at the start of each concert. “In my home — the America I love, the America I have written about — the America that has been a beacon of hope and liberty for 250 years is currently in the hands of a corrupt, incompetent and treasonous administration. Tonight, we ask all who believe in democracy and the best of our American experience to rise with us, raise your voices against authoritarianism and let freedom ring.”
Springsteen’s words have had special resonance in Germany, where memories of the Nazi past are never far from the surface and the cataclysmic demise of the Weimar Republic, which led directly to Hitler’s takeover, is studied in great detail in schools and universities. With that Nazi past embedded in their DNA, German fears of President Trump’s tactics probably run higher than anywhere else.
“Germans tend to have angst about a lot of things and they are really afraid of Trump,” said Michael Pilz, a music critic for the Welt newspaper, who agrees that the death of German democracy in 1933 is a contributing factor to the popularity of Springsteen’s anti-Trump concerts this summer. “A lot of Germans think Trump is a fool. It’s not only his politics but the way he is, just so completely over the top. Germans love to see Trump getting hit. And they admire Springsteen for standing up and taking it to him.”
“The mighty E Street Band is here tonight to call upon the righteous power of art, of music, of rock ’n’ roll in dangerous times,” Springsteen says to cheers at the start of each concert.
(Markus Schreiber / Associated Press)
The crowds in Germany have been as large as they are enthusiastic. More than 75,000 filled Berlin’s Olympic Stadium on June 11; 44,500 were in Frankfurt on June 18; and another 51,000 watched his concert in the faded Ruhr River industrial town of Gelsenkirchen on June 27. All told, more than 700,000 tickets have been sold for the 16 shows in Springsteen’s tour (for concerts that last three or more hours), which concludes on July 3 in Milan, Italy.
“The German aversion to Trump has now become more extreme in his second term — Germans just don’t understand how the Americans could elect someone like Trump,” said Jochen Staadt, a political science professor at the Free University in Berlin who is also a drummer in an amateur Berlin rock band. Staadt believes Springsteen’s 1988 concert may well have helped pave the way for the Berlin Wall to fall a little over a year later in 1989. “Germans are drawn to Springsteen as someone who played an important role in our history when Germany was still divided and as someone who may have helped overcome that division with rock music.”
Springsteen has been filling stadiums across Europe in the warm summertime evenings with his high-energy shows that not only entertain the tremendous crowds but also take on Trump’s policies on civil liberties, free speech, immigrants and universities in thoughtfully constructed messages. To ensure nothing is lost in translation, Springsteen’s brief forays into politics of about two to three minutes each are translated for local audiences in German, French, Spanish, Basque and Italian subtitles on the giant video walls onstage.
To ram the message home to more people, Springsteen also released a 30-minute recording from the first stop of the tour in Manchester, England, that contains three songs and three of his speeches onstage.
“I’ve always tried to be a good ambassador for America,” said Springsteen while introducing “My City of Ruins,” a song he wrote after the 9/11 terror attacks that has taken on a new meaning this summer. “I’ve spent my life singing about where we have succeeded and where we’ve come up short in living up to our civic ideals and our dreams. I always just thought that was my job. Things are happening right now in my home that are altering the very nature of our country’s democracy and they’re simply too important to ignore.”
Springsteen’s first speech during the tour’s Manchester show on May 17 prompted a sharp rebuke from Trump on his Truth Social platform. “Springsteen is ‘dumb as a rock’… and this dried out ‘prune’ of a rocker (his skin is all atrophied!) ought to KEEP HIS MOUTH SHUT until he gets back into the Country, that’s just ‘standard fare’. Then we’ll all see how it goes for him!”
Springsteen did not respond directly. Instead, he repeated his messages at every concert across Europe. He delivered more political commentary in introducing his song “House of a Thousand Guitars” by saying: “The last check on power, after the checks and balances of government have failed, are the people. You and me. It’s the union of people around a common set of values. That’s all that stands between democracy and authoritarianism. So at the end of the day, all we’ve really got is each other.” In the song, Springsteen sings about “the criminal clown has stolen the throne / He steals what he can never own.”
His concerts also included the live debut of “Rainmaker,” about a con man, from his 2020 “Letter to You” album. At the concerts in Europe, Springsteen dedicates the song to “our dear leader,” with a line that goes: “Rainmaker says white’s black and black’s white / Says night’s day and day’s night.”
More than 75,000 filled Berlin’s Olympic Stadium on June 11, 44,500 were in Frankfurt on June 18, and another 51,000 watched his concert in the faded Ruhr River industrial town of Gelsenkirchen on June 27.
(Markus Schreiber / Associated Press)
He also changed one line in the song from “they don’t care or understand what it really takes for the sky to open up the land,” to “they don’t care or understand how easy it is to let freedom slip through your hands.”
Springsteen’s enormous popularity across Europe has long been on a different level than in the United States, and that gap could grow even wider in the future. Springsteen’s close friend and the band’s lead guitarist, Steve Van Zandt, recently observed in an interview with the German edition of Playboy magazine that the E Street Band may have lost half of its audience back home because of the group’s unabashed opposition to Trump. (The band’s concerts in the United States are often held in smaller indoor arenas.)
Bruce Springsteen, left, performs with Steven Van Zandt: at the Olympic Stadium in Berlin, Germany, Wednesday, June 11, 2025.
(Markus Schreiber / Associated Press)
But in Europe, Springsteen and his band have been reliably filling cavernous stadiums during the long, daylight-filled summertime evenings for decades with improbably enthusiastic crowds that sing along to the lyrics of his songs and spent most of the concerts on their feet dancing and cheering. There are also large numbers of hearty Springsteen fans from scores of countries who use their entire yearly allotment of vacation to follow him from show to show across the continent. This summer, Springsteen’s message has been amplified even more, sending many in the boomer-dominated crowds into states of near-ecstasy and attracting considerable media attention in countries across Europe.
“The message of his music always touched a deep nerve in Europe and especially Germany, but ever since Trump was elected president, Springsteen’s voice has been incredibly important for us,” said Katrin Schlemmer, a 56-year-old IT analyst from Zwickau who saw five Springsteen concerts in June — from Berlin to Prague to Frankfurt and two in San Sebastián, Spain. All told, Schlemmer has seen 60 Springsteen concerts in 11 countries around the world since her first in East Berlin in 1988 — a record-breaking, history-changing concert with more than 300,000 spectators that some historians believe may have contributed to the fall of the Berlin Wall just 16 months later.
“A lot of Germans can’t fathom why the Americans elected someone like Trump,” said Schlemmer, who had the chance to thank Springsteen for the 1988 East Berlin concert at a chance meeting after a 2014 concert in Cape Town, South Africa. “We saw for ourselves how quickly a democracy was destroyed by an authoritarian. The alarm bells are ringing about what a danger Trump is. People love [Springsteen] here because he tells it like it is and because he is standing up to Trump.”
Stephan Cyrus, a 56-year-old manager from Hamburg, said Germans view Springsteen as a trustworthy American voice during a period of uncertainty.
“When Germans hear Springsteen speaking about his worries about the United States, they listen, because so many of us have so much admiration and longing for the United States and are worried about the country’s direction too,” said Cyrus, who saw the June 11 concert in Berlin. “He definitely touched us with his words.”
In one of his concert speeches, Springsteen goes after Trump without mentioning his name.
Spectators watch Bruce Springsteen and the E Street Band perform at the Olympic Stadium, in Berlin, Germany, Wednesday, June 11, 2025.
(Markus Schreiber / Associated Press)
“There is some very weird, strange and dangerous s— going on out there right now. In America, they are persecuting people for using their right to free speech and voicing their dissent. This is happening now. In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. This is happening now.”
Springsteen then adds: “In my country, they’re taking sadistic pleasure in the pain they are inflicting on loyal American workers. They’re rolling back historic civil rights legislation that led to a more just and plural society. They are abandoning our great allies and siding with dictators against those struggling for their freedom. They’re defunding American universities that won’t back down to their ideological demands. They’re removing residents off American streets and, without due process of law, are deporting them to foreign detention centers and prisons. This is all happening now. A majority of our elected representatives have failed to protect the American people from the abuses of an unfit president and a rogue government.”
He tells the audiences that those in the administration “have no concern or idea of what it means to be deeply American.”
But Springsteen ends on a hopeful note, promising his audiences: “We’ll survive this moment.”
The last time Bruce Arena and Dave Sarachan stood together on the sidelines at Dignity Health Sports Park, the Galaxy were beating the Colorado Rapids in the MLS Western Conference semifinals. That was 2016 and the win was the pair’s 18th playoff victory in eight seasons with the Galaxy.
It was also the last game they coached together in Carson.
They’ll be back on Wednesday, only this time Arena and Sarachan will be in the opposite technical area, standing in front of the San José Earthquakes’ bench. And in some ways it’s a bittersweet return. Because while both men have mostly fond memories of their time with the Galaxy, they return with the home team hungry and winless through 15 games, the longest drought in franchise history.
That makes the homecoming both welcome and challenging.
“I have nothing but good memories of my time in L.A. with the Galaxy. So it’s nice to go back,” Arena said.
“I like watching them and they’ve had tough times. But they’re better than their record indicates. We’re the next team up, which will be in some ways very, very challenging because you know they’re due to have success.”
The Galaxy (0-11-4) have led in each of their last three games, only to lose two of them on goals deep in stoppage time. So Wednesday’s game could be a dangerous one for the Earthquakes (5-6-4), who are unbeaten in their last five.
“It’s almost amazing that they haven’t gotten a win,” Sarachan said. “It’s a double-edged sword because there’s a certain fragility to it. But at the same time, they’re looking to get out of this funk. They’re in a tough situation so we just have to be ready.”
Arena and Sarachan, his top assistant with both the Galaxy and men’s national team, are arguably the most successful coaching duo in U.S. Soccer history, having taken the national team to the quarterfinals of the 2002 World Cup before winning three MLS Cups and two Supporters’ Shields in five seasons with the Galaxy.
It was the most successful five-year stretch by any team in MLS history. But the Galaxy didn’t win another MLS Cup until last season, ending the team’s longest trophy drought.
Less than two years after leaving the Galaxy to return to the national team, Arena and Sarachan went their separate ways after failing to qualify the U.S. for the 2018 World Cup. They reunited this winter in San José, where they took over a team that had tied the MLS record for losses (25) and broke the record for goals allowed (78) in 2024, guiding it into playoff position after 15 games this year.
“Our goal is to get through the first half of the season where we have a good feel for our team and understand where we need to go in the second half,” Arena said. “At the end of next week we’ll be at the midway point in the season and we have a better feel for where we are.
“We’re improving. Maybe not as quick as I’d like but I think we have a chance to be a good team in the season half.”
Arena’s blueprint for turning the Quakes around is the same one he used to rescue the Galaxy team he took over midway through the 2008 season. In L.A., he remade the roster by shipping out more than 20 players that winter. In San José, he brought in 16 new ones, including former Galaxy defender Dave Romney, who leads the team in minutes played, and former LAFC striker Cristian Arango, who is third in the league with nine goals.
But while Arena celebrates his team’s success, he takes no joy from the Galaxy’s struggles.
“Listen, I did my spell there and it was time to move on, like anything else,” Arena said. “You stay in one place too long, they eventually want you to move on.
“I have the greatest respect for that organization. There are better times ahead for them. The second half of the season is going to be much improved.”
Sarachan agreed. But he’d just as soon the Galaxy hold off on that improvement until the Quakes have left town.
“Yeah,” he said, confessing to harboring no hard feelings. “I’d like to see them 0-12-4. And we can move on from that.”
President Trump is very much still hung up on the star power that boosted former Vice President Kamala Harris’ ultimately unsuccessful campaign.
In a pair of posts shared to his Truth Social platform Sunday night and Monday morning, Trump criticized several celebrities who publicly endorsed Harris in her months-long bid. Among the stars fueling the former “Apprentice” host’s ire were Beyoncé, Bruce Springsteen, Oprah and Bono. In his caps-lock-laden tirades, Trump accused the Harris camp of illegally paying Springsteen, Beyoncé and other stars to appear at campaign events and throw their support behind the Biden-era VP.
“I am going to call for a major investigation into this matter,” Trump wrote on Sunday, before accusing Harris and her team of paying for endorsements “under the guise of paying for entertainment.”
Beyoncé, Springsteen and the other stars singled out by Trump each touted their support for Harris during various stops on her campaign trail. The “Alien Superstar” singer backed Harris when the candidate stopped by the pop star’s home state of Texas in late October. The Boss campaigned for Harris in Georgia that same week.
Trump shared his first post, which also accused Harris of artificially beefing up “her sparse crowds” and criticized “these unpatriotic ‘entertainers,’” Sunday at around 10:30 p.m. Clearly, he could not shake off his gripes after a night’s rest because on Monday morning, he doubled down.
Monday at 6:11 a.m., Trump further slammed Beyoncé, citing unidentified “news reports” that alleged the Grammy winner was paid $11 million to endorse his opponent: “AN ILLEGAL ELECTION SCAM AT THE HIGHEST LEVEL.” A representative for Beyoncé did not immediately respond on Monday to The Times’ request for comment.
He said the stars he named, “AND, PERHAPS, MANY OTHERS, HAVE A LOT OF EXPLAINING TO DO!!!”
Trump — who has the backing of musicians including Kid Rock and Billy Ray Cyrus — last week also aimed at Taylor Swift, suggesting in a Truth Social post on Friday that the “Cruel Summer” singer’s popularity has declined since he declared “I HATE TAYLOR SWIFT” in September 2024. Swift publicly endorsed Harris for president.
The president railed against the music stars after his four-day visit to the Middle East. . When he returned to Washington on Friday, Trump also shared his opinions on “Highly Overrated Bruce Springsteen,” who criticized the “incompetent and treasonous administration” during a May 14 concert in Manchester, England. “This dried out ‘prune’ of a rocker (his skin is all atrophied!) ought to KEEP HIS MOUTH SHUT until he gets back into the Country, that’s just ‘standard fare,’” Trump wrote on Truth Social.
“Then we’ll all see how it goes for him!” he added.
The “Born in the USA” rocker fired back at Trump on Saturday. “In my home, they’re persecuting people for their right to free speech and voicing their dissent. That’s happening now,” Springsteen said.
A transcript of Springsteen’s full monologue, an introduction to “My City of Ruins,” can be found on his website.
The beef is building between Bruce Springsteen and President Trump.
The Boss did not back down on his fiery rhetoric against Trump on the third night of his “Land of Hopes and Dreams” tour in Manchester, England, on Saturday — a day after Trump lashed out against the legendary singer on Truth Social, calling him an “obnoxious jerk,” a “dried out ‘prune’ of a rocker,” and writing that he should “keep his mouth shut.”
Springsteen didn’t oblige. In a resolute three-minute speech from the Co-op Live venue, Springsteen thanked his cheering audience for indulging him in a speech about the state of America: “Things are happening right now that are altering the very nature of our country’s democracy, and they’re too important to ignore.”
He then repeated many of the lines that he used during a previous Manchester show — the same words that upset Trump to begin with, including the administration defunding American universities, the rolling back of civil rights legislation and siding with dictators, “against those who are struggling for their freedoms.”
Trump’s Truth Social post contained what appeared to be a threat, writing of Springsteen, “We’ll see how it goes for him,” when he gets back to the country. This did not dissuade the “Born in the USA” singer.
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“In my home, they’re persecuting people for their right to free speech and voicing their dissent. That’s happening now,” Springsteen said. “In America, the richest men are taking satisfaction in abandoning the world’s poorest children to sickness and death. That’s happening now. In my country, they’re taking sadistic pleasure in the pain they inflict on loyal American workers.”
In a steady voice, he listed the many concerns of those who oppose Trump, his enablers and his policies.
“They are removing residents off American streets without due process of law and deploying them to foreign detention centers as prisoners. That’s happening now. The majority of our elected representatives have utterly failed to protect the American people from the abuses of an unfit president and a rogue government,” Springsteen said as the crowd applauded and yelled its support. “They have no concern or idea of what it means to be deeply American.”
He finished on a positive note.
“The America I’ve sung to you about for 50 years is real, and regardless of its many faults, it’s a great country with a great people, and we will survive this moment. Well, I have hope, because I believe in the truth of what the great American writer James Baldwin said. He said, ‘In this world, there isn’t as much humanity as one would like, but there’s enough.’ ”
Springsteen has long been a vocal critic of Trump, and campaigned for former Vice President Kamala Harris in the 2024 election. Trump is known for his angry diatribes against celebrities who criticize him, including Taylor Swift and Robert DeNiro.
Bruce Springsteen accused the Trump administration of persecuting dissenters during a concert in the UK, an apparent reference to the recent arrests of pro-Palestinian activists. The musician also condemned the US government for “abandoning allies and siding with dictators.”
