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Poverty can be and often is crushing. For Hermanos Espinoza — who are in the midst of promoting their debut studio album “Linaje,” released Friday — growing up in a family that struggled financially after a string of failed restaurants turned out to be the greatest motivator.

Since 2021, the quintet led by the sibling duo of Joel and Leonel Espinoza have steadily built an audience with their brand of new wave norteño, pairing the prominent sounds of the accordion and the bajo quinto with lyrics about making it big thanks to a combination of unrelenting working-class grit, familial love and faith.

Hermanos Espinoza were one of the most buzzed about bands at the 40th South by Southwest music festival, which took place earlier this month in Austin, Texas. At the De Los showcase — one of three appearances the band made during SXSW — the rooftop of the Mala Fama nightclub was at capacity well before the brothers set foot on stage, and a line to get in extended past the door.

“Y que c— su madre la pobreza,” lead vocalist and accordionist Joel Espinoza, 24, belted out from the stage, opening their set with their 2024 hit “Dios Por Delante.” The popular Mexicanism translates to “F— poverty.”

The crowd cheered and danced, letting loose on a late Sunday night.

“I saw my family go through so much because of money, because of poverty. They didn’t deserve it but I understand the world works in a certain way,” he would later tell De Los in a video call. “I just hated it.”

The dynamic singer delivered every lyric with his whole body as he frenetically tapped the buttons of his brightly colored accordion, doing his best to make the squeezebox sound like an electric guitar. The drum set and bajo quinto kept pace, making the set feel more like a rock show than a backyard kickback.

(Cat Cardenas / For De Los)

With “Linaje” — it translates to lineage, a term often associated with nobility and pedigree — the brothers are intent on sharing their hard-earned success with those they love most.

“Some people refer to ‘Linaje’ as royalty, or people who come from money, but for us, it’s the complete opposite,” said Joel. “Our family is hardworking and we wanted to give them credit too. To us, that’s royalty.”

The Espinoza brothers grew up in the South Texas city of McAllen, in the Rio Grande Valley, helping out at their family’s Mexican restaurants. They can still recall prepping food from the early morning hours to late at night. They say it was tedious work that made them disciplined, punctual and appreciative of the value of a hard-earned dollar.

“You see life through a different perspective,” said Leonel, who is 20 years-old.

(Cat Cardenas / For De Los)

The brothers say they brought that same work ethic in their pursuit of music; both were heavily involved in their school’s marching band as part of the drum line, which helped them master rhythmic timing, coordination and motor skills. In high school, Joel picked up the accordion — he describes playing the 49-key instrument as a “love-hate” situation — and Leonel the bajo quinto.

Their mother helped book their first gigs singing serenade covers. But by 2021, house party gigs had slowed down.

“I used to work with my dad back at his restaurant and one of those days I was just feeling really down, ready to give up on my dream of music, but he held me down,” said Joel.

It wouldn’t be long before all that hard work paid off. Hermanos Espinoza gained traction on YouTube and TikTok with their self-released tracks, “Prueba De Fuego” (2022) and the aforementioned “Dios Por Delante,” which describe leaving behind the treachery of poverty for a better life.

“People started tattooing ‘Dios Por Delante’ on their forearms and neck and that’s when we realized that this was more than music, it’s a movement,” Joel said of the impact of the latter song.

Resilience and faith remain at the core of “Linaje,” which was mixed and produced by Ernesto “Neto” Fernández, who has worked with the likes of Peso Pluma and Xavi.

The 15-track LP, a solid representative of the ever-evolving norteño sound coming from the Texas borderlands, begins with a blessing, “29:11.” The title refers to a Bible verse in the Book of Jeremiah: “‘For I know the plans I have for you,’ declares the Lord, ‘plans to prosper you and not to harm you, plans to give you hope and a future.’”

“A big part of this album was just letting go of trying to control everything,” said Joel. “I put it into [God’s] hands and we just let things flow.”

Money is the focus in the tracks like “La Moneda,” with Joel’s voice echoing through the backdrop as he proclaims that cash might change some tacky, incompetent chumps, but not him. Almost halfway through the set list is a hazy track, “No Puedo Amarte,” where the singer sours over an unresolved love; the crooning track is reminiscent of a twinkling sad sierreño genre, with an accordion alternating volumes between a bold tremolando and a silky legato.

Still, at its core, “Linaje” fundamentally underscores their grit in tracks like “Modelo V,” the first single under Double P Management that celebrates the journey that led them to success, which honors the lessons taught by their father.

“No matter all the adversities we face, the thing about my dad is that he’s always stayed true to himself and who he is,” says Joel. “That’s how we were raised and how we live day to day.”

Reality star Loana Petrucciani, who shot to fame after having sex in the pool while appearing on the French edition of Big Brother, has been found dead at her home

A TV star who became known for having sex in the Big Brother pool has been found dead. Loana Petrucciani, who won the first series of Loft Story France 1, was just 48-years-old.

It’s reported that the reality star, simply known as Loana, was found dead at her home in Nice. Prosecutor Damien Martinelli stated that an investigation has since been opened to “find the causes of death”, before stating the TV star had been dead for “several days”.

Loana gained fame in 2001 when she entered the Loft Story house, living with strangers for ten weeks under constant surveillance from cameras, mirroring the Big Brother format. In the wake of her death, TV network M6 said: “An iconic figure of the first season of ‘Loft Story’, she will forever remain a personality who profoundly marked an entire generation of viewers,” before praising her for “her pontaneity, sensitivity and authenticity.”

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Alexia Laroche-Joubert, CEO of Loft Story’s production company Banijay France, said: “It is with immense emotion that I learned of Loana’s passing. Our paths crossed 25 years ago, and I am honoured to have shared so many memories with her. I witnessed her successes and her struggles.

“My thoughts are, of course, with her mother, Violette, her daughter, her brother, and the other housemates who were part of this adventure. Let us never forget that behind her public image was a sensitive and extremely intelligent woman.” Benjamin Castaldi, presenter of Loft Story said: “There are some faces we never forget. And hers, Loana’s, is part of our collective history.

“Thought we would watch a show. In fact, we were witnessing a revolution. The first one. The truth. The one that changed television forever… and maybe also our view on humans. Loana was not a character. She was a woman. A real one. With its cracks, its sweetness, its fragility in the open sky. And that’s precisely why we loved it.

“But that’s also why we dropped her. We applauded his light… not protecting his shadow. His authenticity has been consumed… without measuring the price she would pay. We’ve watched her live, love, fall… without ever really wondering who would pick her up after. The truth is, we’re all a little responsible. Because we all watched. Cuz we all commented Because we’ve all, at one point, looked away when it got too hard.

“She embodied raw innocence in a world that didn’t forgive anything. And we couldn’t match what she gave us. Today, there’s only a television memory. There’s still an emotion. Embarrassment. A regret. The one of not being human enough to someone who deeply was. So yeah… We lived a revolution together. But maybe we forgot, along the way, the important thing: Behind the phenomenon… There was a woman.”

It was on Lost Story that Loana became known for sleeping with co-star Jean-Edouard Lipa, sparking outrage across the country. Despite the scandal, she walked out of the house as the champion and was welcomed as she paraded down the Champs-Élysées.

With her newfound fame came magazine deals, gracing the cover of Elle, photographed by Jean-Baptiste Mondino and her deeply personal memoir several months later.

In her memoir, the Cannes-born star opened up about the highs and lows of her career in the spotlight, as well as previous suicide attempts. Speaking about entering Loft Story, she said previously: “I went there feeling very insecure. I was worried. The casting director said to me, ‘Aren’t you ashamed to come dressed like that?’ I took it very badly, especially since he was asking everyone that question.”

She added: “He asked me to flirt with the camera: I don’t know how to do that, it’s impossible. I blushed, I stammered. Then they asked me to dance and sing. I left and thought to myself, ‘I didn’t show them anything.'” She said of her fame: “There are two women inside me. The public loved both. Before, we saw a lot of the extroverted Loana who danced on the catwalks, but we didn’t see the other side, because she was too shy to express herself. But, in Loft Story, we saw that there was another side to her.”

In the early 2010s, Loana attempted to take her own life, which left her in a coma. Her family and friends later discovered that she had made several attempts on her life prior to this.

If you’re struggling and need to talk, the Samaritans operate a free helpline open 24/7 on 116 123. Alternatively, you can email jo@samaritans.org or visit their site to find your local branch

If you have been affected by this story, Cruse Bereavement Support offers free help to make sense of how you are feeling. Click here for their website or call 0808 808 1677.

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CORTINA D’AMPEZZO, Italy — Patrick Halgren, the self-proclaimed “rock star” of the Milan Cortina Paralympics, said he could feel the presence of his late twin brother in his silver medal-winning Para alpine ski run on Monday.

“He made this happen for real. He is the ski god and he has blessed me with speed today,” Halgren said of his brother Lucas Sven Halgren.

Lucas Sven died in a motorcycle accident in New Zealand in 2016, three years after Patrick nearly died and lost most of his left leg in another motorcycle accident.

Patrick has been plastering blue-and-yellow stickers that read “ SvendIt ” around Cortina d’Ampezzo, a play on “send-it,” which is Patrick’s mantra on life and a reference to his brother who went by Sven.

“He’s the reason I’m here. I’m just a vessel to cram love and combat hate down your throats. He inspired me to live life, but life is fragile. You can die,” Patrick said. “It’s all for him. It’s for my family. It’s for the people that have struggled. He’s dead. I’m here living, talking to you guys. I’m going to have who knows how many women and champagne after this. He liked that, too, but he doesn’t get that, and I do. I recognize that.”

Halgren celebrated in front of his parents, Peter and Kathy, which he said was “pretty cool.”

“But also, it sucks not having Sven here, so ups and downs,” the 33-year-old Halgren said after winning his first medal in his second Paralympics appearance.

“They went to Tijuana, Mexico, for their honeymoon 50 years ago. They picked up their dead kid in New Zealand, and they’ve watched me win the Paralympics at the most beautiful ski valley in the world,” Halgren told the Olympics website. “This is a surreal moment for them. This is an experience that will create a memory lasting a lifetime and such a good moment.”

Halgren said it was Sven who steered him to Para alpine skiing after the 2013 crash that nearly killed him and resulted in the above-the-knee amputation of his left leg.

“I died myself. I was in a coma for a month. I died four times,” he said. “They used a defibrillator to start my heart. Blood transfusion. I get it, and I’m lucky that I have that because I know what it’s like. Not many people do.”

Now it’s hard not to miss Halgren, and not only because of his long braids that are dyed red, white and blue. Always entertaining and joking with those around him, the outspoken American has taken on a showman personality at the Games.

At the podium ceremony, he performed an air guitar solo using his crutch. He said it was just “another Monday” for him.

“I am a rock star,” he added. “I always wanted to be this guy, Jim Brown, he was my idol. He was a professional football player, played lacrosse at Syracuse. I did both those sports, and he retired at the peak of his career and became basically the first Black action movie star. I always wanted to be him, and now I am him.”

Halgren said he “learned to be un-irritable, un-embarrassable.”

“It’s about being vulnerable in this life. It’s about trying things and failing. It’s OK to be embarrassed. It’s OK to look weird.”

As he talked to the media, Halgren was congratulated by nearly every rival that passed by. He was second to Switzerland’s Robin Cuche in the men’s super-G standing.

“Medals don’t mean anything to me. The love from all the people supporting me is what means anything to me,” he said. “I can feel, I can literally feel all the people who have ever given me well wishes and ‘Thanks’ and ‘Good lucks.’ I can feel them loving me and they’re the reason I won.

“You celebrate the victories the same as the defeats. I’ve been blessed to have to develop my character over the last 11 years, losing my leg and could either roll over and die, or I could become the greatest Patrick Halgren on Earth, and that’s what you’re seeing.”

His future plans?

“I would like to dominate the Earth in every category with one leg.”

Anything else? “My horse is thirsty, I’m out.”