brink

ANOTHER European airline is set to go into administration in days – impacting hundreds of thousands of passengers.

Eastern Airways, that serves different destinations in England and Scotland, has filed a notice of intention to appoint an administrator.

This means the company has 10 days to fix its problems before it officially goes bust.

However, all routes have now been suspended with all flights axed.

Selina Chadha, Consumer & Markets Director at the UK Civil Aviation Authority, said: “We urge passengers planning to fly with this airline not to go to the airport as all Eastern Airways flights are cancelled.

“Eastern Airways customers should visit the Civil Aviation Authority’s website for the latest information.” 

Read more on travel inspo

ALL IN

I found the best value all inclusive London hotel… just £55pp with free food & booze

TAKE THE FALL

50 half term days out and Halloween specials which are FREE or under £5

Eastern Airways launched back in 1997 and carries around 1.3million passengers each year.

The airline plays a key role in providing regional air travel across the UK, with current destinations including Wick and Aberdeen in Scotland, and then Humberside, Teeside International, London Gatwick and Newquay.

However, the airline has previously operated many other routes including to Gibraltar from Southampton and Birmingham.

Services to Gibraltar were launched back in 2021 but then axed just a year later.

And in March last year, the operator also cancelled its route between Cardiff to Paris Orly, France.

Only this year, did the airline also announce that it would be launching flights from Newquay in Cornwall, to London Southend Airport in Essex.

Currently, this route cannot be seen on the airline’s website.

Eastern Airways is also the number one provider of charter flights for sports teams in Europe – this includes Premier League and Championship football teams, Rugby Union teams and Super League teams.

For the 12 months to March 2024, Eastern Airways reported a net loss of £19.7million — £4.8million higher than the previous year.

The company’s total debt rose by £4.8million to £25.97million, while profit fell sharply to £454,000 from £1.55million the year before.

The Sun has contacted Eastern Airways for comment.

It isn’t the only airline that recently went bust this year.

Last month, Play Airlines announced that it would be ceasing operations with all flights being cancelled.

Play Airlines flew to a number of different European destinations likes London Stansted, Amsterdam, Paris and Faro.

And last year, Spirit Airlines – a US low-cost carrier – also filed for bankruptcy.

Monarch Airlines ceased operations in 2017, which at the time was the UK’s largest ever to collapse.

Thomas Cook then shut down in 2019 – although the airline has since relaunched.

RING GIRL

Paris Fury lets slip unknown details about daughter Venezuela’s wedding plans

GROUNDED

UK airline with 1.3m passengers on brink of administration and axes ALL flights

In other airline news, TUI has axed its own flights to popular destinations from a major UK airport.

Plus, a little-known airline is set to launch its first ever flights from a London airport.

STRICTLY Come Dancing has seen some iconic pairings during its two decades on screen.

Tonight, the class of 2025 will learn who their pro-partners are on the pre-recorded launch show.

6

But many will be hoping their Strictly partnerships don’t go the way of these past duos, who didn’t exactly see eye-to-eye, to put it politely.

Here’s a recap of some of the worst Strictly pairings ever.

Fiona Phillips and Brendan Cole

6

Former GMTV host Fiona took part in the third series of Strictly back in 2005.

She wasn’t a natural on the dancefloor, and she has claimed pro-partner Brendan Cole made his feelings on that very clear.

In her book, Remember When: My Life With Alzheimer’s, Fiona – who is battling the disease – wrote: “He could also be seen looking at my dancing and saying, ‘Pathetic, it’s not good enough!’

“Then I’m begging him to ‘stop shouting’ and worrying that I look completely ridiculous. There’s a clip where I say to the cameraman that Brendan is looking at me like he’s stepped in something.

“I really don’t remember much of that time now – maybe I blocked it out because all I recall is the sense that it was incredibly traumatic.”

She added that she was on ‘the brink of tears’ most of the time and quickly regretted her decision to sign up.

Johnny Ball and Aliona Vilani

6

Legendary TV presenter Johnny, 87, was part of the 2012 series, where he was paired with the previous years winner, Aliona.

Aliona left the early stages of the 10th series due to an injury and Johnny was paired with Iveta Lukošiūtė instead.

Johnny ended up being the first to be booted off the show, but five years later, in 2017, Johnny launched an astonishing attack on his Strictly dance partners, accusing them of fixing it so he got booted off first.

He told The Sun on Sunday: “Aliona fell on a flat floor in flat shoes and said she had broken her leg.

“The next day she flew to the South of France for a pre-arranged weekend with her boyfriend.”

The star was then paired with Iveta – and he claimed that she devised a routine that was too difficult for him.

He said: “When I was knocked out she said, ‘That’s funny, my contract ends on Tuesday’.”

Aliona later took to X to deny his claims, saying: “I am aware that Johnny Ball has made allegations regarding my fractured ankle during 2012 SCD, which I strongly deny.

“I have instructed solicitors and am taking legal action in relation to his allegations.

“It’s therefore not appropriate to comment further at this time.”

Fern Britton and Artem Chigvintsev

6

Former This Morning host Fern, 68, has spoken on a number of occasions about her experience on Strictly.

Fern was paired with Artem, 43, in series 10 in 2012 and was the fifth celebrity to be eliminated.

While her run on Strictly wasn’t long, it was tough, with Fern previously telling The Times: “He would look at my feet and just kick me or shove me.”

Artem denied Fern’s claims of him ‘kicking or shoving her’ during tense rehearsals.

He told the Daily Express: “I believe I treated Fern with respect and genuine care and these claims about me are the opposite of everything I believe in and the person I am.

“I cannot imagine what has prompted such statements which come as a shock to me.”

She added in her book, Fern Britton The Older I Get, how her confidence was knocked straightaway with Artem.

Describing the rehearsals as “challenging”, Fern added: “As the weeks went on, I found it increasingly hard to gather up my self-confidence and there were days I was crying before I even got into the rehearsal room.”

Lynda Bellingham and Darren Bennett

6

The late actress and Loose Women star Lynda Bellingham signed up for Strictly in 2009.

She was paired with series two champ Darren Bennett, but the duo were voted out on the fourth week.

Following her death in 2014 from cancer, her husband Michael Pattemore claimed in a book that Lynda had “hated” her time on Strictly.

He wrote: “There were two things about Strictly she didn’t like. One was her body image. She always thought she looked fat. I kept saying she didn’t.

“She picked this ruched gold dress and she said it made her look 20 times bigger than what she was.

“And the other thing, she said her partner Darren Bennett was such a miserable git. There was no laughter, no fun.

“All the way through rehearsals she didn’t mind training hard, but it was solid dance. He was just hard work.

“If Lynda had had a partner like Anton du Beke or someone, now they would have had some fun together.”

Danny John-Jules and Amy Dowden

6

Back in 2018, Red Dwarf star Danny was paired with pro dancer Amy Dowden.

While the pair produced some great routines, rumours of behind-the-scenes tension were rife.

The Sun revealed at the time that Danny, 65, had received a final warning by show bosses for “bullying” partner Amy.

The actor had reportedly left Amy in tears during training — at one point angrily telling her: “I’m the star, not you.”

When they were voted off in week eight, Danny opted not to take part in their exit interview on spin-off show It Takes Two, leaving Amy to do it on her own.

Strictly Come Dancing starts tonight at 6.20pm on BBC One.

Far be it from me to tell anyone how to direct their career, but can I just say how glad I am to learn that Jason Bateman, who spent four seasons in the darkness of “Ozark,” is making a comedy again. (A “dark comedy,” but still.) That’s not the series he’s starring in at the moment for Netflix, however, but something called “DTF St. Louis,” for HBO, from “Patriot” creator Steve Conrad, which isn’t arriving until next year. Fingers crossed, we’ll all be around to see it.

In the eight-episode miniseries “Black Rabbit,” which premieres Thursday, Bateman and Jude Law play brothers Vince and Jake Friedkin, respectively, who long before the story begins were partners in a rock band, the Black Rabbits — successful enough that Vince is recognized in a bar (but not so successful that the fans can remember his name, or the name of the band). More recently, they had been partners in a far downtown Manhattan restaurant, also called Black Rabbit, though Vince’s level of current participation is muddy. (At one time, he ran the upstairs bar.) It isn’t a comedy, in spite of Vince’s Michael Bluth-like habit of dropping ironic quips into stressful situations.

The setting brings to mind “The Bear” — which is a comedy — as does its young genius chef, Roxie (Amaka Okafor); the New York Times is planning a review and New York magazine is putting her on the cover. We see that the restaurant, which has a VIP floor upstairs for horrible rich jerks, is a hit because the place is packed, and because there’s a lot of shouting in the barely pictured kitchen, but food, barely shown or talked about, is not really on the menu here. Jake is more interested in property and expansion — he has an inside track to lease the Pool Room, a real-life space in New York’s fabled Four Seasons Hotel, and he wants Roxie to run the kitchen and Estelle (Cleopatra Coleman), who is in a relationship with his old friend Wes (Ṣọpẹ́ Dìrísù) — now a mega successful musician, a co-owner of the Black Rabbit and a jealous guy — to design it. From camera angles and cutting, it’s clear that Vince and Estelle are attracted to one another, but as Law and Coleman have no particular chemistry, it feels more stated than felt. But it’s important.

Ṣọpẹ́ Dìrísù as Wes, a co-owner of the Black Rabbit, and Amaka Okafor as Roxie, the head chef.

(Netflix)

Vince, meanwhile, is living out west, looking like he’s ready to audition for a late-life Dennis Wilson biopic and trying to sell some valuable old coins. When he’s set up and robbed in his car, he winds up running over one of the thieves — twice. Whether by writerly intention or inattention, this will be no more of an emotional issue for Vince than it will have anything to do with the rest of the story, apart from sending him back to NYC, where he is $140,000 in the hole over gambling debts. Whenever he’s not in actual danger (which is a lot of the time), he’s weirdly happy-go-lucky.

Jake has a well-to-do ex-wife, Val (Dagmara Dominczyk), who seems nice, and a son, Hunter (Michael Cash), taking dancing lessons. They all get along fine, though Jake battles that most common of TV paternal ailments, Busy Dad Syndrome. (He does better than most.) Vince has an adult daughter, tattoo artist Gen (Odessa Young), who is not especially glad to see him back in town. Their safety will become a chip in the series’ central business, which sets Vince, and ultimately Jake, against vaguely defined mobster Joe Mancuso (Oscar-winning deaf actor Troy Kotsur, from the film “CODA,” in one of the series’ more layered performances); his sweaty idiot caricature of a wannabe tough guy son, Junior (Forrest Weber); and Junior’s less-than-efficient minder, Babbitt (Chris Coy), who is occasionally sort of likable, albeit one feels bad for sort of liking him. In the small world these characters inhabit, Mancuso was close to the brothers’ dysfunctional family back in Coney Island. But business is business.

Like most every streaming drama nowadays, “Black Rabbit” opens with a flash forward to a more exciting part of the story — here, a robbery and shooting at a crowded party — before dialing back to a calmer chronological beginning. This lets the viewer know that, though there is going to be exposition for a while, things will get crazy eventually. And they very much do, including sexual assault, murder and bad management.

Junior (Forrest Weber), Babbitt (Chris Coy) and Vince (Jason Bateman), who owes them lots of money.

(Netflix)

Jake, chasing his Pool Room dream, has his own money troubles, and the brothers’ needs will clash as one scheme after another to set things right goes wrong and their relationship rockets between heated arguments and brotherly reminiscence. It’s too easy to stop listening to the arguments, which tend to go long and not lead anywhere, but there is some relief (and nice writing) as regards the reminiscence. Still, though later episodes will reveal an early event that might explain something about Vince, it’s not enough to make one care especially what happens to them, except to worry which innocent bystanders, including the Black Rabbit staff, will be hit by shrapnel when things go boom.

A large secondary and sometimes confusing cast comes in and out to propel and complicate matters, but it’s really all about the brothers. As Vince, Bateman — who also directed the first two episodes, efficiently, with “Ozark” co-star Laura Linney helming the second two — leavens an exasperating character with his innate likability. He’s a fine actor, but he’s also Jason Bateman, America’s sweetheart. By contrast, as the tense, excitable Jake, Law doesn’t generate much warmth, or make you believe he’s actually capable of opening a high-class midtown restaurant. (The funky but chic Black Rabbit was Vince’s vision.) That may be the idea, of course. And he does love his brother.

There are only so many ways this story can go, and it does indeed go to one of them, though it’s so likely by the time we get there that it doesn’t deliver much of an emotional charge. An epilogical montage, in a complete tonal turnaround, plays like an homage to the opening of Woody Allen’s “Manhattan,” cut to Rodgers and Hart’s “I’ll Take Manhattan”; its only purpose seems to be to make you less bad than you might have otherwise felt. (Hey, Katz’s Delicatessen!) So … thanks?

Meanwhile — “DTF St. Louis!” See you next year! Knock wood.

TORONTO — In introducing the Saturday night TIFF world premiere of “Good Fortune,” his feature debut as a writer-director, comedian Aziz Ansari told the audience the three words that are scary in Hollywood right now: original theatrical comedy. But the one word that is never scary is Keanu.

Speaking from the stage of the festival’s Roy Thomson Hall, Ansari recalled that his star Keanu Reeves broke his kneecap early in production.

“I found out he broke his kneecap and I didn’t know what was going to happen,” Ansari continued, Reeves himself standing onstage just a few feet away. “It was like, ‘Oh, my God, what is Keanu going to say? Is he going to need some time off? Is he going to drop out of the movie?’”

“And you know what Keanu said?” Ansari added. “Nothing. He just kept showing up to work and never complained, not once,” Ansari said. “He worked through what surely must have been excruciating pain and delivered a hilarious, touching performance, and he is the soul of this movie.”

The film opens with Reeves standing atop L.A.’s iconic Griffith Observatory with a small pair of angel wings on his back. Reeves, in a change of pace from his recent action work in the “John Wick” movies, plays Gabriel, a low-level angel given the task of stopping people from texting and driving. That is until he sees Arj (Ansari), who is struggling to make ends meet while working both at a big-box hardware store and as a food delivery driver.

Hoping to show him the grass isn’t always greener, Gabriel switches Arj’s life with that of Jeff (Seth Rogen), an ultrarich tech investor whose days seem to largely consist of going back and forth between his sauna and his cold plunge.

Perhaps not surprisingly, Arj much prefers Jeff’s life to his own and is reluctant to switch back. The situation becomes more complicated for Gabriel as he loses his job as an angel and must learn the tribulations and joys of being human, while still trying to fix the problem with Arj and Jeff.

For all the film’s gentle humor and quietly humanist spirit, “Good Fortune” is also rife with a palpable anger at the income inequality that motivates its story, the reality that robots are replacing the work of humans and that the excesses of the few seem predicated on the deprivation of many.

Aziz Ansari, left, and Keanu Reeves in the movie “Good Fortune.”

(Eddy Chen / Lionsgate)

The day after the film’s premiere, 42-year-old Ansari is upbeat and dapper in a gray plaid coat, black turtleneck and black slacks as he sat down for an interview in Toronto to discuss the movie and all that led up to it. After the end of his Emmy-winning series “Master of None” in 2021, Ansari had begun shooting a feature called “Being Mortal” that was shut down in 2022 a few weeks into production over allegations of misconduct by its star Bill Murray. Then production of “Good Fortune,” Ansari’s pivot away from “Being Mortal,” was delayed by the Hollywood labor strikes of 2023. Seemingly at long last, Ansari’s debut opens Oct. 17.

When “Being Mortal” got shut down, did you feel like, “Am I ever going to get to make a movie?”

I didn’t feel that way. Steven Spielberg has this story of — what’s the movie he did? “1941.” That didn’t do well and he was like, just immediately throw yourself in another thing. And I really thought about that, and that’s what I did. I just immediately went into “Good Fortune.” I mean, I had a couple of days where I was like,“Oh, no” and it was also so shocking. I think your mind doesn’t process it because it’s not really sinking in that this is what’s really happening. It probably still a piece of me [in which] it hasn’t really sunk in. It was definitely disappointing, but part of me is like, this is what needed to happen. This is the movie that should be out first.

“Being Mortal,” it’s funny, but it’s heavy. The Atul Gawande book, it’s about end-of-life issues. So it’s like, “Oh, OK. It’s another heavy drama thing.” People may have just gotten pissed, like, “What’s this guy doing?” So “Good Fortune” is definitely, to me, if you like those first two seasons of “Master of None,” I feel like what you’d hope I’d do is kind of evolve that style into a feature film and raise the level of it by having Seth and Keanu and Keke [Palmer] and Sandra [Oh], and as a feature film rather than a show.

As sweet and funny as the movie is, there also is a real righteous anger behind it. Where does that come from?

I think I got it from when I was interviewing all these people about the subject matter in the film, when I was doing research to write the Arj character. That attitude seeps in there.

“It was definitely disappointing, but part of me is like, this is what needed to happen,” Ansari says of “Being Mortal,” his first attempt at directing a feature, one that ran into production troubles with its star, Bill Murray,

(Christina House / Los Angeles Times)

During the opening credits of the movie, you say the line “The American Dream is dead.”

But that’s a frustration a lot of people like that guy Arj feel.

But then, you are a very successful entertainer —

Oh, yeah. Me and Seth are Jeff, no question.

How do you reconcile that? Are you concerned some people might dismiss the movie out of hand for that simple reason?

If you’re writing, you have to be able to write outside your own experience — for someone who’s like Arj, who doesn’t have the platform to tell these stories. When I did “Master of None,” we did an episode called “New York, I Love You.” And there was a segment about taxi drivers, a segment about a doorman and a segment about a woman who’s deaf. And doing that episode taught me a process of interviewing people and figuring out how to get these stories right when they’re not your experience. We did an episode in Season 3 about a woman going through IVF. I’d never done that or anything, and it had never been a part of my life. But I talked to all these people, and from the feedback I got, we got it right. And that’s what I did with this.

I don’t want to spoil anything, but for a movie coming out from a Hollywood studio, Seth gives a speech at the end that is politically radical, about how rich people can’t expect to have so much without others getting angry.

It’s kind of nuts. Some of the stuff that’s in there, I’m like, “Whoa, we really got away with something here.” Some of the stuff that’s in there, and the trailer kind of hides a little bit of that stuff, I think there are people that’d be like, “Oh, s—.”

At the premiere, there was big applause for the line, “F— AI.” Is that your feeling as well?

I’d rather say that I’m pro-human. I’m pro-people.

Keanu Reeves, left, Seth Rogen and Aziz Ansari in the movie “Good Fortune.”

(Eddy Chen / Lionsgate)

The movie is very ambitious in combining the character stories and the attention to the notion of income inequality. Was it hard for you in balancing the characters and that theme? Was the work of that more when you were writing it or when you were editing what you’d shot?

It was both. And that’s the difference between a TV show and a movie. You have a different canvas. But it was a tough thing to do. And it was my first time doing it. I remember writing a second one while I was editing, and it was such a great help because you kind of see a few moves ahead. You’re like, “Oh, wait a second, I should get to this faster.” You kind of can see your mistakes a little bit in an earlier stage because you have more experience. This is another reason I really want to get into it again and start working on the next thing because I feel like I learned a lot from it.

That’s the thing that’s so interesting about doing stand-up and doing filmmaking. Stand-up, it’s so easy to “get to the gym,” right? If I really wanted to go to do stand-up tonight, I could do it. I could go find a club in Toronto and jump on a show. But If I wanted to go direct, that’s a big journey to get to the gym. So you have fewer opportunities to kind of get the reps in.

Shooting a movie is in L.A. has become such an economic and political issue for the city. Was that a consideration in making the movie in Los Angeles?

I wanted it to be in L.A., I felt like this movie had to be set in L.A. Jeff’s not going to be living in whatever place that gives you the tax credit. And L.A. really is the perfect backdrop for the story to me. And it was challenging, but you also get the benefit of working with some of the greatest technicians in the world in L.A. And I also just love being a part of the lineage of films that are set in L.A. I watched that documentary, “Los Angeles Plays itself,” and that was so fun to watch that and just see how every movie has its own L.A., whether it’s “Heat” or “Tangerine” or “Chinatown.”

And I feel like “Good Fortune” has its L.A., and it’s exciting to show some of these neighborhoods, to see people responding to seeing Eagle Rock or Los Feliz. Whenever I was writing the movie, I always thought about that taco place in Hollywood — it’s across the street from Jitlada. I always thought about that place. I thought there was something so cinematic, and it was a hard location to clear. And our guy [location manager] Jay Traynor, he made it happen. And finding Jeff’s house was so hard. But it all came together, and I loved showing Koreatown and that Gabriel works at a Korean barbecue restaurant. Just showing all these parts of L.A.

I want to be sure to ask you about working with Keanu. People are really responding to this role. And I’m having a hard time putting my finger on what that is about.

No, I’m feeling this. Even since [the premiere], I’m feeling it. I knew people would like him, but it’s hitting on another level.

Why do you think that is? What is the alchemy of Keanu in that role?

I was thinking about this when I was eating lunch. If you look at the roles he’s done that are comedic, whether it’s in “Bill & Ted” or in “Parenthood,” there’s this innocence, this sweetness and this kindness that’s in there. And then Gabriel, to me, is the progression of that. And it’s also that you have Keanu at 61, where when I first met him, I was like, “Hey, there’s something about you that people are responding to and who you are as a real person that I don’t think I’ve seen onscreen. And I think you can show some of that with Gabriel.”

It also has all of his comedy superpowers just dialed to the max. And we were just having so much fun. It just became playtime. We were coming up with bits all the time: Oh, he’s never used the internet before. Let’s just write a quick scene where he’s using the internet for the first time. What’s he gonna do? He’s gonna look at photos of baby elephants. It became such a fun joke bag. You could just make him do anything. And it was funny, the guy’s never done anything — if he takes a bite of a taco goes, “Wow!” It’s really the funniest character I’ve ever written for.

An eerily familiar set of headlines is making the rounds in Ethiopia, troubling many in the fragile, northern Tigray region.

Successive delegations of civil society and religious leaders have, in recent weeks, travelled to the Tigrayan capital, Mekelle, for “dialogue”. For some, it is a reminder of the events that played out in the final weeks before Tigray descended into war in November 2020.

That war left 600,000 people dead and some five million displaced. It brought global attention to Ethiopia’s fractured politics and tarnished the reputation of Prime Minister Abiy Ahmed, who had won a Nobel Peace Prize for mending long-severed ties with neighbouring Eritrea.

A ceasefire two years later was supposed to end the war; instead, analysts say, another conflict might be looming. This time, it could involve not just the Tigrayan regional authorities, but also Eritrea, and potentially, that country’s own allies. It is not a conflict that the region can withstand, experts fear.

“We are now at a point where we are all frightened at another conflict in Tigray, and with Eritrea,” analyst Abel Abate Demissie of the Chatham House think tank in the United Kingdom told Al Jazeera. “It would be extremely devastating.”

Fractured agreements signed back in November 2022 that ended the war between the regional Tigray People’s Liberation Front (TPLF) and the federal government are at the root of the tensions. However, it is the deepening resentment between neighbours Eritrea and Ethiopia that analysts say is the scariest development this time.

Ethiopia is a key player in East Africa, and war there could derail regional stability as neighbouring Sudan, South Sudan, and Somalia deal with ongoing armed conflict. It could also affect Africa’s self-reliance in the aviation sector, as Addis Ababa is one of Africa’s most important air travel hubs.

Peace agreement pushed aside

War broke out in Tigray in November 2020 after Ethiopia’s Abiy accused the TPLF of attacking a command centre of the national army, the Ethiopian National Defence Force (ENDF).

For decades, the TPLF dominated the ruling coalition in Addis Ababa in what experts say was an autocratic system. The group was disliked in nearly all 10 regions of Ethiopia, a country where regions form along ethnic lines. Eritrea, which fought a border war with TPLF-dominated Ethiopia in 1998, also had gripes with the party. When Abiy, an Oromo, was elected in 2018, though, he established peaceful ties with Eritrea and set about implementing reforms for a stronger central government. The TPLF, however, saw Abiy’s moves as a threat to its power and sought to overthrow his government.

Addis Ababa, in its military response to the TPLF attack, teamed up with other TPLF-opposed entities, including the Amhara army and allied militias, as well as Eritrean forces. All sides were accused of attacking civilians; however, rights groups also accused the federal government of deliberately blocking aid to Tigrayans and causing a near-famine. The United States called attacks by Amhara militias “ethnic cleansing” while many Tigrayans claim the war was a genocide. Many were forcibly displaced from western Tigray, which the Amhara region claims. Thousands of women were raped.

In November 2022, Addis Ababa and TPLF signed the Pretoria peace agreement. The ceasefire deal mandated that the TPLF disarm and a new government be jointly appointed by both sides. It also mandated that Addis Ababa oversee the safe return of displaced people and that all third-party armies withdraw.

However, a power struggle emerged in the TPLF between the Abiy-appointed Tigray mayor, Getachew Reda, and the TPLF head, Debretsion Gebremichael. It began when Getachew attempted to implement the disarmament clause. Core TPLF members, however, accused him of being a sellout. In March, the TPLF faction aligned with Debretsion staged a coup, seized the Mekelle radio station, and forced Getachew to leave Mekelle for Addis Ababa. The coup was a direct affront to Abiy, analysts say. Although he has since appointed another interim president from Debretsion’s camp, Addis Ababa and TPLF have traded insults and threatened attacks.

“Both sides have downplayed their responsibility,” said Abel of Chatham House, speaking of how both sides appear to have moved away from the Pretoria agreement. The TPLF accuses Addis Ababa of failing to resettle people, with some 1.6 million still displaced, and is threatening to forcibly return them. It also blames the government for revoking its licence as a political party, although the national electoral body says it is because the TPLF has failed to hold a general assembly as it previously mandated.

Addis Ababa, on the other hand, has faulted the TPLF for failing to disarm, and also accuses the party of allying with Eritrea.

In a speech in parliament in July, Abiy urged religious leaders and civil society members to warn TPLF leaders against escalation, because when conflict starts, “it would be too late”.

Getachew, who has been expelled from the TPLF, has formed a new party, the Tigray Democratic Solidarity Party. Analysts say it is possible that the party might be installed in Tigray instead.

Meanwhile, Amhara militias and the TPLF continue to clash. Many young people who joined the TPLF in the 2020 war have defected to form new militias allied with Getachew’s faction and attempted an attack on the TPLF in July.

The problem with Eritrea

Ethiopia’s perpetual entanglement with Eritrea has taken on a different dimension since 2020, with both again at loggerheads.

Cracks appeared in their parley after Abiy’s government agreed to peace with the TPLF. President Isaias Afwerki, who has been Eritrea’s de facto leader since 1994, was reportedly angered as he did not feel sufficiently consulted, even as Eritrean troops are still in Tigray.

A bigger problem, however, is Abiy’s comments since 2023 about landlocked Ethiopia’s “existential” need to access a seaport. Asmara has taken those statements as a threat that Addis Ababa might invade and seize the coastal areas it previously lost after Eritrea fought to secede in 1993. In one comment, Abiy described Ethiopia losing sea access as a “historical mistake”.

Since then, Eritrea has been building up defences, sending military tanks to the border, according to analysts, with Ethiopia doing the same. In February, Eritrea put out calls for conscription into the army. Asmara is also reportedly in cahoots with the TPLF to undermine Abiy, although officials deny this.

Both sides do not really want to go to war and are merely posturing, analyst Abel said. Eritrea would meet in Addis Ababa a formidable enemy, and Ethiopia is not eager to mar its reputation as a growing regional leader where the African Union has its headquarters.

“The problem, though, is it only takes one small act to ignite a war, even if both sides don’t want it,” the analyst said.

In March, Abiy attempted to downplay the tensions while speaking in parliament.

“Our intention is to negotiate based on the principle of give and take,” he said, implying that any port deals would be commercial. “Our plan is not to fight but to work together and grow together.”

It is not only Asmara that has been angered by Abiy’s bid to find a port. Neighbouring Somalia nearly declared war last year after Abiy sealed a port deal with the self-declared state of Somaliland. Somalia, which views Somaliland as part of its territory, was furious, but Turkiye, Somalia’s close ally, mediated repairs between the two in December. Before they reconciled, Eritrea held meetings with Somalia, as well as Egypt, which is also angry with Addis Ababa over the Grand Renaissance Dam, which it says will limit its water supply from the Nile.

Can all sides find peace?

Analysts say the work of finding common ground rests mostly with Abiy as Asmara, for one, is not strong on diplomacy, and the TPLF appears more confident with reported Eritrean backing.

The big unknown is whether Abiy is willing and able to restore ties with either the TPLF or Eritrea without either side feeling sidelined. In the background, as well, are the Amhara militias who are still present in disputed western Tigray. Any attempts to remove them could lead to conflict.

In any case, Abiy is already suffering a crisis of legitimacy, analyst Micheal Tsegay Assefa concluded in a brief for the Atlas Institute for International Affairs.

“Regional leaders, particularly from Amhara and Oromia, increasingly question the central government’s capacity to secure peace and manage inter-regional conflicts,” he wrote, due to Addis Ababa’s inability to enforce the peace deal.

Meanwhile, as the sabre-rattling continues, Tigrayans are once again fearing for their lives. The recent tensions have sent scores of people fleeing from the region, with some risking deadly routes to get out of the country altogether.

Researchers say Ethiopian migrants attempting, and dying, to enter Yemen via the Gulf of Aden increasingly appear to be from Tigray, based on the clothing or jewellery found by rescuers during shipwrecks.

Analysts say another war simply must not happen.

“Conflict only needs one side to go rogue,” Abel said. “I really hope that sanity will prevail and all sides will apply wisdom.”

The Greek island was once a “model of co-existence” but has been left with “nothing but bars” as tourism has sucked the life out of it, a local has claimed

A stunning Greek island once “teeming with children and shops” has been left with nothing but bars due to tourism, according to a local resident.

Iosif Stefanou, an architect, urban planner and professor at the National Technical University of Athens (NTUA), has spent decades working to preserve traditional Cycladic architecture on Syros, and shared his concerns with Greek publication ekathimerini.com about how the tourist industry has drained the area of its character.

Speaking to the publication during a stroll through the neighbourhood, Stefanou lamented that whilst the island’s capital Ermoupoli had previously been “self-sufficient”, it now “only has bars — in summer, it’s crowded with people; in winter, it’s dead”..

The academic previously viewed the island as “a model of co-existence. A mother would hear her neighbor’s baby crying and would run there first”, but properties now sit empty for months whilst their proprietors are elsewhere, he said.

“Now most houses are closed for most of the year because they’ve been bought by foreigners or Athenians,” Stefanou explained, according to the Express.

“Fortunately, most of them respected and saved the houses. Many of the locals think about easy profit, which is why only bars have sprung up recently. They don’t understand they’re cutting the branch they’re sitting on. They see Mykonos on the horizon and envy it, but they don’t learn from its current state.”

Local music teacher, Aristos Vamvakousis, told the outlet: “We are fighting, and as long as such efforts exist, Syros won’t become just a tourist destination.”

In addition to his school, he said “there are many theatre groups, dance groups, sports clubs, and groups of people who fight to provide variety and stimuli during the months outside the summer season. That’s what saves us, life in the winter.”

Vamvakousis expressed concern that graduates from his music school struggle to find places to play traditional music, with many rembetiko venues now shut.

“After October, you can hardly find a taverna to eat in,” he revealed to the outlet. “The reason is that catering businesses are now owned – after the Covid pandemic – by non-locals who don’t care about keeping the shops open during the difficult months.Syros major Alexandros Athanasiou has been contacted for comment.Popular Greek holiday spots like Mykonos and Santorini are among the most impacted by overtourism in the country.

Greek Prime Minister Kyriakos Mitsotakis made a commitment in June to address overcrowding and manage the number of visitors on the islands, including limiting the number of cruise ships allowed to dock.

Mr Mitsotakis acknowledged that the Cycladic Islands were “clearly suffering”, amid complaints from locals about the effect on their daily lives and the cost of living, according to Bloomberg reports.

The Greek Prime Minister has highlighted Santorini as the “most sensitive” to overcrowding, with around 800 cruise ships docking last year, closely followed by Mykonos with 750 in 2023.

In April last year, Athens was rocked by furious protests, with demonstrators reportedly shouting: “They are taking our houses while they live in the Maldives”.

Anna Theodorakis, a local resident, told France24 about being forced out of her home in the Metaxourgio neighbourhood of Athens, stating: “I think the answer is to go in the streets and block everything and just not do something because people are losing their homes. It is very depressing.”

Ms Theodorakis criticised the surge of Airbnbs in the city for “wiping out the traditional places”, expressing that she felt like “a foreigner in my own country”.

Meanwhile, Dimitri, a property developer converting a former warehouse into Airbnbs, conceded that excessive tourism was causing harm to Athens.

Each morning before Cameron Brink pulls on her Sparks jersey, she scans a taped-up collage in her closet. Olympic rings, a WNBA All-Star crest, snapshots with her fiancé and a scatter of Etsy trinkets crowd the board.

The canvas is a handmade constellation of who Brink is and who she longs to be. Between magazine clippings and scribbled affirmations, Brink sees both the grand arc and the small vows that tether her: to show up as a teammate, a daughter and a partner.

“You have a choice every day to have a good outlook or a bad outlook,” said Brink, the Sparks’ starting forward. “I try to choose every day to be positive.”

That choice seemed to matter most when the future felt furthest away. The practice emerged in the thick of a 13-month recovery from a torn anterior cruciate ligament. Brink — the Stanford star and Sparks No. 2 draft pick — was forced to measure life in the tiniest ticks of progress after injuring her left knee a month into the 2024 season.

Sparks teammates Cameron Brink and Dearica Hamby clap hands as they pass each other on the court during a game against the Storm in Seattle on Aug. 1.

(Soobum Im / Getty Images)

Sparks veteran Dearica Hamby recognized how rehab was grinding down the rookie. One afternoon, she invited Brink to her home, where the dining table was set with scissors, glue sticks, stacks of magazines and knickknacks.

“I’ve always been taught growing up that your mind is your biggest power,” Brink said. “So I’ve always been open to stuff like that. I heavily believe in manifesting what you want and powering a positive mindset.”

Hamby had been building vision boards for years and believed Brink could use the same practice — both as a pastime and as a mechanism to combat the doubts that surfaced during her lengthy and often lonely rehab.

“If she can visualize it, she can train her mind the opposite of her negative thoughts and feelings,” Hamby said. “When you see it, you can believe it. Your brain is constantly feeding itself. And if you have something in the back — those doubts — you need something to counter that.”

The board dearest to Brink wasn’t crowded with stats or accolades. She crafted what she calls her “wonderful life,” layering in snapshots of her fiancé, Ben Felter, and framed by symbols of family and team.

“You’re a product of your mind,” Brink said. “Everything in my life, I feel like I’ve fought and been intentional about.”

Fighting was what the year demanded. However inspiring the boards looked taped inside her closet, the reality was gradual and often merciless.

From the night she was carried off the court last June to the ovation that greeted her return in July, Brink’s progress unfolded in inches — from the day she could stand, to the day she could walk to the day she touched the hardwood again.

Sparks forward Cameron Brink, left, and guard Rae Burrell, who are injured, shout and celebrate from the bench after their team scored against the Chicago Sky on June 29.

(Jessie Alcheh / Associated Press)

“It’s been such a journey,” Sparks coach Lynne Roberts said. “Cam’s mentality was just trying not to freak out. She was really focused on not being anxious about it.”

Brink came to practice with her game on a leash, her activity hemmed in by doctors’ timelines. While teammates scrimmaged, she studied sets from the sidelines.

Roberts praised her patient attitude as “great,” a skill Brink sharpened by the ritual of opening her closet and trusting the journey.

Kim Hollingdale, the Sparks’ psychotherapist, worked closely with Brink during her recovery. While bound by confidentiality, she spoke to how manifestation tools can anchor an athlete through the mental strain of long recovery.

“Being able to stay in touch with where we’re ultimately trying to get to can help on those days when it’s feeling crappy,” Hollingdale said. “Visualization helps us be like, ‘OK, look, we’re still heading to that vision. This is part of the journey.’ It gives purpose, direction and a little hope when you’re in the mud of recovery.”

That sense of purpose, she added, is about giving the brain something familiar to return to when progress stalls — a way for the mind to rehearse what the legs can’t.

For Brink, that meant keeping her game alive in pictures she ran through her head. Putbacks in the paint became reruns in her mind, and Hollingdale said the brain scarcely knows the difference: If it sees it vividly enough, the muscles prime themselves as if the movement truly happened.

What mattered wasn’t just mechanics. Tuning out noise became essential as Brink was cleared to return as a WNBA sophomore by calendar yet a rookie by experience. What could have been crushing pressure was dimmed by the vision boards — the “mental rehearsal,” as Hollingdale labeled it.

Sparks forward Cameron Brink shoots a three-pointer against the Connecticut Sun on Aug. 7.

(Luke Hales / Getty Images)

“I didn’t want to focus on stat lines or accolades coming back from injury,” Brink said. “I learned the importance of enjoying being out there, controlling what I can control, always having a good attitude — that’s what I reframed my mindset to be about.”

During Brink’s return against the Las Vegas Aces on July 29, she snared an offensive rebound and splashed a three-pointer within the first minute. And since, she has posted 5.9 points and four rebounds an outing, headlined by a 14-point performance through 11 minutes against Seattle.

Hollingdale tabbed Brink’s return a rarity. She often prepares athletes to weather the gauntlet of “firsts” — the first shot that clangs, the first whistle, the first crowd cheer — without expecting much beyond survival.

But upon Brink’s return, those firsts weren’t looming unknowns. They were rehearsed memories.

“That is a testament to her being able to manage herself, her emotions and her anxiety and all the stress and pressure,” Hollingdale said. “To come out and make a meaningful difference to your team straight away speaks to the ability to stay locked in and cut out the noise.”

By refusing to sprint through recovery, Hamby said Brink insulated herself from the pressure that shadows young stars. The vision boards, Hamby added, became a tangible expression of Brink’s decision to trust herself.

“She’s done it differently,” Hamby said. “For her, it’s more of a mental thing than a physical thing. She took her time, not listening to people tell her she should have been back sooner.”

When Brink shuts the closet door and heads to Crypto.com Arena for game day, she’s already spent the morning tracing the steps of the night.

On the next blank corner of her canvas?

“Being an All-Star and going to the Olympics,” she said.

Almost hidden in a mocha pair of sweatpants and sweatshirt, and wearing those same fire-red Air Jordans from his Aug. 4 return to Los Angeles, Clippers royalty Chris Paul adorned the Sparks’ bench.

And though the 20-year veteran barely lifted a palm — leaving the cheering to his wife and daughter — Paul’s court savvy still seemed to seep across the hardwood, finding its way to the Sparks’ Kelsey Plum.

Plum, who can very well be the tale of any Sparks game, but “chooses to win,” as coach Lynne Roberts says, seemed to be scoring and assisting at will through a coast-to-coast battle against the New York Liberty, a tug-of-war that stayed taut until the rope finally slipped from the Sparks’ grasp, 105-97.

The Sparks’ stalwart finished with 26 points alongside five rebounds and five assists.

“It came down to them scoring 105 points,” Plum said, “like, 97 is a lot of points.”

Across the court, with veteran Breanna Stewart sidelined with a a right knee bone bruise, the internationally seasoned presence of Emma Meesseman assumed control to keep the Liberty’s offense in rhythm, its poise intact and restart its win streak.

Emma Meesseman, who made her Liberty debut soon after Stewart’s exit, looked nothing like someone fresh off a lengthy league layoff on Thursday. The 2019 Finals MVP returned Aug. 3 after a three-year hiatus from the WNBA — time she spent competing for Belgium — and scored a season-high 24 points with nine rebounds.

“She’s one of the best players in the world,” Roberts said, “so, there’s a lot of problems one of the best players in the world can bring you. She’s got great hands, … she’s just good. She’s so smart, skilled, big, she changes their team.”

Stewart took the hit to her knee during the last edition of the East-West rivalry on July 26. And that was also a game before Sparks sophomore star Cameron Brink returned from a 13-month-long left knee injury.

About three minutes before halftime, Brink sat on the bench while trainers wrapped her left ankle during a Sparks timeout. She never joined the team’s halftime huddle as play resumed after the break, and when she finally emerged at the 6:17 mark in the third quarter, she watched the rest of the game from her seat.

“I have not talked to the medical team yet,” Roberts said, “but yeah, she tweaked her ankle. She’s still on a minutes restriction, so the decision was made not to put her back in.”

In absence of the Sparks’ most threatening defensive presence, though, Dearica Hamby and Azurá Stevens policed the key and cleaned up under the rim to ensure the Sparks stayed close. The two combined for 38 points and 12 rebounds, but couldn’t produce the same pressure defensively.

“We’ve got to do a better job defensively,” Roberts said in reference to the Liberty’s 50% shooting from three and 55.9% from the field. “I have not lost an ounce of faith or confidence in them [the Sparks], just a tough night for us tonight.

The loudest battle, however, seemed to be the fans versus the officials.

Fans groaned and barked over whistles — and the no-calls in between — as the night wore on. Roberts shared the mood, zeroing in on referee Tyler Mirkovich during a defensive sequence late in the second quarter. She sustained dialogue through the ensuing timeout, punctuating her point with a seemingly sarcastic double thumbs-up in Mirkovich’s direction.

“I mean, I would appreciate being communicated to from an official,” Roberts said. “Nothing will piss a coach off more than not being communicated to.”

Whether the whistles were with merit, no call was going to bail the Sparks out of a 10-point ditch with 22 seconds left to play.

Thirteen months after tearing an anterior cruciate ligament, Sparks forward Cameron Brink made her season debut, stepping onto the court at the 2:39 mark of the first quarter.

Brink looked comfortable despite the long layoff, jumping into the midseason contest intensity with confidence. She was active and competitive throughout, playing 13 minutes and 55 seconds during her return.

“We’re thrilled to have her back, and I’m incredibly proud of her,” Sparks coach Lynne Roberts said. “She’s on a minutes restriction. … I told her that she needs to enjoy the moment. … It’s a hard injury to come back from mentally and physically, and she’s done it with a smile on her face.”

But the night marked the end of the WNBA’s longest active winning streak, as the Sparks fell 89-74 to the Las Vegas Aces on Tuesday night at Crypto.com Arena.

The Sparks (11‑15) trailed by double digits for most of the game and couldn’t recover against the surging Aces (14‑13), who extended their lead to as much as 21 points.

In the third matchup between the two teams this season, the Sparks came out a bit hesitant, while the Aces were the aggressors from the tip.

“That was the worst shooting we’ve had all season,” Roberts said. “We’ve got to be able to defend. It’s knowing personnel, it’s knowing tendency, it’s staying locked into the game plan even when they score the first eight points.”

The Aces leaned on strong starts from Jackie Young and A’ja Wilson, who combined for 34 points in the first half.

Wilson finished with 34 points, 10 rebounds and four assists, while Young recorded a triple-double with 18 points, 11 rebounds and 11 assists.

Dearica Hamby remained a bright spot for the Sparks, contributing 15 points and six rebounds. Hamby was named WNBA Western Conference player of the week after leading the Sparks to three wins, including a road victory over the defending champion New York Liberty on Saturday.

Kelsey Plum added 22 points, five rebounds and eight assists in the loss. Brink had five points, including a three-pointer, three rebounds, one block and one steal in 14 minutes of play.

“I was really proud of her,” Plum said of Brink. “I told her after the game, ‘It’s very impressive to come in, make the impact that you did.’ … I think she’s gonna continue to just help us a ton.”

The Sparks, who had been rolling offensively, were startled by their difficulty scoring.

“We have been so used to making shots and so I think it caught us off guard a little bit,” Roberts said.

The Sparks will look to regroup before playing the Storm in Seattle Friday night.

Wilkinson was full of praise for Seattle Reign’s Fishlock, 38, who inevitably produced Wales’ first memorable moment at a major finals, 19 years after her Wales debut, also in Switzerland.

“I don’t think you have many players anywhere in the world who are such servants to their nation,” she said.

“I mean she plays in Seattle. That flight is terrible, terrible and she’s never turned down Wales and she’s done it for years.

“She’s at the twilight of her career and whenever she chooses to call it a day she has demonstrated what it is to be a proud Welsh woman who will give everything to her country and to her team and there haven’t been so many highlights.”

Wilkinson is delighted Fishlock has now had a moment in the limelight.

“There’s been great games, there’s been fantastic performances but they haven’t quite made it to the to the world stage and she’s on it and she’s on the field and she scores that goal and everyone knows that is one of those moments that we should celebrate,” she added.

“Her career spans the whole of Welsh history on the women’s side and we are minnows. We are at the very cusp of what we’re going to be doing in Wales with women’s football and Jess is leading that charge with the group of women and I am completely in awe of this moment and this group.”

The president of the local health services union, José Manuel Maroto, told elDiario.es that club owners must start forking out for private ambulances to help ease the burden on the service

Services have been pushed to the brink in Ibiza due to partying holidaymakers.

The ambulance service on the Spanish island is facing collapse, a union has warned, due to the huge number of clubbers falling ill after taking drugs. A third of all call-outs the ambulance service makes are to clubs, some of which can hold as many as 10,000 ravers.

It is the latest strain on the Balearic island, which attracts around 3.4 million tourists a year—many times more than its 160,000 permanent residents.

The president of the local health services union, José Manuel Maroto, told elDiario.es that club owners must start forking out for private ambulances to help ease the burden on the service.

“It’s inconceivable that businesses with an income of millions of euros a year can’t provide this service, which is saturating the emergency services at the expense of the local population,” he said.

Do you have experience of this side of clubbing in Ibiza? Email [email protected]

“The clubs are obliged to employ nurses and other health workers, but not ambulances—the cost of which is borne by public services.” According to Maroto, only one major club, DC-10, uses a private service.

Although the dealing of recreational drugs such as MDMA is illegal on Ibiza, as it is in the rest of Spain, many dealers operate on the island. The high cost of drinks in many of the superclubs means taking illicit substances is often cheaper.

The Hollywood star Will Smith was at the inauguration last month of UNVRS, the island’s biggest club, where the cheapest entry is €100 (£86) and drinks can cost €25.

A study by the local paper El Diario de Ibiza showed that the island is the third most expensive destination in the Mediterranean after Saint-Tropez and Capri.

“Sadly or not, drugs are the cheaper option. Not trying to vouch for them, just saying. Drinks are crazy expensive—a vodka soda should be around €22–25, but even a beer is €16–18. Club entry is €50–100,” one Reddit user recently wrote on a forum about the costs of clubbing in Ibiza.

Unlike in the UK, where venues that serve alcohol are legally obliged to provide free water to customers, clubs in Ibiza make a huge amount of money from selling it bottled and canned to dehydrated drug takers. According to one person on Ibiza Spotlight, they were charged €13 for a 330ml can of water in the superclub Pacha.

Data on the number of recent drug deaths in Ibiza is hard to come by. However, a 2017 study in European Psychiatry found that 58 drug-related fatalities were recorded in Ibiza from 2010 to 2016. Of those, 87% were men, while more than a third were Brits—by far the biggest single group.

It has been more than a year since Cameron Brink suited up for the Sparks, and excitement is building around the return of one of the team’s biggest stars.

Sidelined by a torn ACL and meniscus, Brink has steadily progressed through drills and contact work since training camp.

Head coach Lynne Roberts, who spoke with her last week, said Brink is making significant progress and is champing at the bit to get back on the court.

There’s no set timeline, as the team remains cautious about pushing her too hard during recovery. At this point, her return depends on when team doctors and Brink agree she’s ready.

“I want to know as much as you do about when she’ll be back — and I don’t,” Roberts said. “It’ll be sooner rather than later, but soon could be a couple of weeks or it could be a month. I don’t know.”

Dearica Hamby, who is close with Brink, said she has seen “the commitment it takes not to give up and show up and pour into herself and her teammates — and being optimistic about getting back.”

Mounting frustrations

Through 17 games, the Sparks are 5-12 — just one win better than their start last season — but there’s confidence they can eventually turn the tide with a healthier roster.

Still, the process has been frustrating, not just because of the losses, but because of how many of them unfolded.

“If we don’t show up and play collectively, with a spirit, we’ll get beat,” Roberts said. “We’ve learned the hard way, too many times this year. Chicago was a good example — we had that game and just fell apart. Really frustrating.”

The return of Odyssey Sims, who missed time for personal reasons, and Julie Allemand, fresh off a EuroBasket championship, has brought renewed optimism.

“Part of the team I signed up to coach is getting close to being back,” Roberts said.

Hamby said the frustration is felt “individually and collectively, at each level — upper staff, lower staff.”

“We’re going to take those frustrations and build off them so we can learn from them to be better,” she added.

The road ahead doesn’t get easier. The Sparks now face a tough three-game trip against the defending champion New York Liberty, the Indiana Fever with a potentially returning Caitlin Clark and the WNBA-leading Minnesota Lynx.

With making the playoffs still a goal, the team currently sits 11th in the standings, as the gap continues to widen between contenders and those on the outside looking in.

Burrell practices

Rae Burrell is off crutches for the first time in six weeks after suffering a knee injury in the season opener.

Initially given a six- to eight-week timeline for recovery, Burrell returned to practice right on schedule and has begun working toward game action. The team is easing her back now that the broken bone in her knee is fully healed.

“We don’t want to throw her into the fire right off the bat,” Roberts said. “Today was her first day out there, but no contact was allowed.”

Roberts said Burrell’s reintroduction probably will move quickly based on updates from the training staff. She will travel with the team and is expected to absorb more contact starting with tomorrow’s practice.
Depending on her progress, her return to the rotation could come as early as Saturday against the Fever.

“She’s amped up,” Roberts said. “She doesn’t look tired like the rest of them — got bounce in her legs. She’s ready to roll. So it’d be good to get her back there, bringing athleticism and length to our perimeter.”

The scale of the challenge facing South Africa when they began their innings was not quite the summit of Everest, but it certainly felt a fair way above base camp.

At the start of their innings, WinViz gave South Africa a 38% chance of pulling off the joint second-highest successful chase for a Test match at Lord’s.

England chased down the same target against New Zealand – for the loss of three wickets – in 2004 while West Indies managed a nine-wicket victory against England in 1984 in pursuit of 342.

In the 148-year history of Test cricket – in excess of 2,000 matches – there have also been just 26 occasions when the team batting last has scored the highest total of the match as South Africa require here.

Having been rolled for 138 in the first innings, and up against an Australian bowling attack with more than 1,500 Test wickets between them, it felt like big ask.

The burden of history and data did not seem to weigh too heavily on the shoulders of Markram and Bavuma, though, as bat truly dominated ball for the first time in this contest.

South Africa lost Ryan Rickleton – who chased an away swinger from Starc and edged into the gloves of Alex Carey – but it did not stymie the Proteas’ intent.

Markram and Wiaan Mulder were positive rather than tentative during a 69-run stand for the second wicket which provided a solid foundation.

Mulder had reached 27 before he rather tamely chipped Starc, who had swapped to the Nursery End, into the hands of Marnus Labuschagne in the covers.

That brought Bavuma, South Africa’s leading run-scorer in Tests since December 2019, to the crease and he had an escape when Steve Smith grounded a tough chance when he was on just two.

Smith suffered a compound dislocation of the little finger on his right hand after shelling the chance and left the field to go hospital for further treatment.

All the while Markram was quietly going about his business, during an authoritative and measured knock offering barely a chance.

He carefully picked his moments to gracefully drive, square drive and guide boundaries alongside sensible accumulation on both sides of the wicket.

South Africa’s scoring rate slowed as the match headed towards stumps, but there was still time for Markram to reach three figures in the penultimate over of the day.

Hazlewood strayed on to his pads and Markram effortlessly flicked the ball square for four before he took off his helmet to salute the crowd.

The performance of Mark Daigneault’s side was an impressive response to the 143-101 thrashing they suffered in game three.

“We did a good job of staying in the moment tonight,” Gilgeous-Alexander said.

“We obviously had a bad taste in our mouth from the last game, and we just wanted to control the things that we could control tonight. I think staying in the moment was the best way to do so.

“We could have been better tonight for sure. Tonight wasn’t perfect, but we gave ourselves a chance… and we got a W.”

The Timberwolves pushed Oklahoma City all the way, with Nickeil Alexander-Walker scoring 23 points off the bench, Jaden McDaniels contributing 22 points, and Donte DiVincenzo finishing with 21.

“Everything is out there,” Alexander-Walker said.

“There’s no secrets. They know how to beat us. We know how to beat them. It’s just about going out there and doing it and who wants it more [and who is] trying to execute it more.

“We showed that at times throughout this game, but consistency, that’s all it has to be.”

Victory in game five in Oklahoma on Wednesday (01:30 BST on Thursday) will secure the Thunder a place in the NBA Finals for the first time since 2012, where they would face either the Indiana Pacers or the New York Knicks.