Brad

BRAD Pitt’s estranged son Maddox has dropped the actor’s surname for his credit on his new film with mum Angelina Jolie.

Maddox, 24, served as the production assistant on Angelina’s critically acclaimed 2024 Maria Callas biopic and is now an assistant director of her latest feature, Couture.

For the first time, he’s been credited as Maddox Jolie rather than Maddox Jolie-Pitt.

The new flick sees Angelina play the lead role of Maxine, an American film director diagnosed with breast cancer before jetting to France to shoot the film that will open Paris Fashion Week.

Brad and ex-wife Angelina, 48, have six kids — they adopted Maddox, Pax, 22, and Zahara, 21, and also have their biological children Shiloh, 19, and 17-year-old twins Knox and ­Vivienne.

Maddox isn’t the first child to ditch the Pitt name.

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Shiloh made the same decision in 2024. The legal forms were published in the LA Times for a month before a judge finalised the move as per California law.

Brad was reported to have been upset by the name change.

A source told People: “He’s aware and upset that Shiloh dropped his last name. The reminders that he’s lost his children, is of course not easy for Brad. He loves his children and misses them. It’s very sad.”

The same year Vivienne only used her mother’s name when she was credited as a producer on Broadway musical Playbill for The Outsiders.

While Zahara presented herself as ‘Zahara Marley Jolie’ at her introduction to the Alpha Kappa Alpha sorority at Spellman College in 2023, this despite Brad describing her enrolment at the college as “really beautiful” months earlier.

The Once Upon a Time in Hollywood actor’s marriage to Angelina came to an end in 2016 after an explosive row in front of their kids on a private jet. Brad allegedly clashed with Maddox on the same flight.

As the bitter divorce rumbled on, it became clear the kids were on their mum’s side.

An insider told The Sun: “As far as Maddox, Pax and Zahara go, the word is that they are totally in support of their mother and Brad doesn’t hear from them these days at all — certainly not the boys, and it’s been that way for a very long time.”

The source suggested Brad still had contact with his biological kids, Shiloh, Knox and Vivienne.

They said: “He still sees Shiloh and the twins whenever he can, though not as often as he would like.”

The multi-millionaire fought a long, bitter and expensive battle to try to gain equal custody rights with Angelina.

And in May 2021, a judge ruled he could jointly share access.

But just a few months later that was overturned following an appeal by Jolie on the grounds that the judge had financial connections to Brad’s legal team.

None of that stopped Brad from seeing the children under supervision, which he had to book in advance.

Following the break-up, Brad joined Alcoholics Anonymous and he has spoken about drinking too heavily for much of his life.

Pax’s private Instagram post in 2020 on Father’s Day suggested the kids experienced problems before and beyond the plane incident.

He wrote: “You time and time and again prove yourself to be a terrible and despicable person.

“You have no consideration or empathy toward your four youngest children who tremble in fear when in your presence.

“You will never understand the damage you have done to my family because you’re incapable of doing so.”

A viral AI-generated video of actors Brad Pitt and Tom Cruise fighting atop a building is causing a stir online.

The 15-second video comes from the latest AI video-generation platform, Seedance 2.0. The platform was launched this week by its owner, ByteDance, the same Chinese parent that oversees TikTok. As the video circulates online, the Motion Picture Assn. and other industry stakeholders have called out the video for its unauthorized use of copyrighted works.

Charles Rivkin, chief executive of the Motion Picture Assn., wrote in a statement that the company “should immediately cease its infringing activity.”

“In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorized use of U.S. copyrighted works on a massive scale,” wrote Rivkin. “By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs.”

The video was posted on X by Irish filmmaker Ruairi Robinson. His post said the 15-second video came from a two-line prompt he put into Seedance 2.0.

Rhett Reese, writer-producer of movies such as the “Deadpool” trilogy and “Zombieland,” responded to Robinson’s post, writing, “I hate to say it. It’s likely over for us.”

He goes on to say that soon people will be able to sit at a computer and create a movie “indistinguishable from what Hollywood now releases.” Reese says he’s fearful of losing his job as increasingly powerful AI tools advance into creative fields.

“I was blown away by the Pitt v Cruise video because it is so professional. That’s exactly why I’m scared,” wrote Reese on X. “My glass half empty view is that Hollywood is about to be revolutionized/decimated.”

Reese isn’t alone in thinking AI could potentially “decimate” Hollywood and take away jobs. Creating protections against AI was one of the main reasons both SAG-AFTRA and the Writers Guild went on strike in 2023. But some members argue that those measures — now nearly three years old — did not go far enough.

As SAG-AFTRA reentered contract negotiations with the studios earlier this week, AI is still one of the union’s highest priorities. It’s expected that the actors union could propose what has been called the Tilly tax, a fee that studios would have to pay to the union in exchange for using an AI-generated actor — a response to the introduction of Hollywood’s first AI actor, Tilly Norwood.

In a statement to The Times, SAG-AFTRA confirmed that the union stands with the studios in “condemning the blatant infringement” from Seedance 2.0, as video includes “unauthorized use of our members’ voices and likenesses.”

“This is unacceptable and undercuts the ability of human talent to earn a livelihood. Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent,” wrote a spokesperson from SAG-AFTRA. “Responsible A.I. development demands responsibility, and that is nonexistent here.”

Brad Arnold, the 47-year-old cofounder and lead singer of the Mississippi rock band 3 Doors Down, died Saturday, nine months after revealing a diagnosis of kidney cancer.

The band announced Arnold’s death in a social media post, which said he had “helped redefine mainstream rock music, blending post-grunge accessibility with emotionally direct songwriting.”

In May 2025, Arnold announced that the band would be canceling its summer tour because he had advanced-stage kidney cancer that has spread to his lungs.

“That’s not real good,” he said of his diagnosis. “But you know what? We serve a mighty God, and He can overcome anything. So I have no fear. I really sincerely am not scared of it at all.” He added, “I’d love for you to lift me up in prayer every chance you get.”

He was public about his battle with alcoholism. He said he started drinking in his teens, an addiction fueled by the pressure of stepping on a tour bus at 20 years old.

“It’s just a lot to hand a 20 year old,” he told a Christian podcaster. He thanked religion for his sobriety and took to proclaiming his faith on stage.

Born in Escatawpa, Mississippi in Sept. 1978, Arnold formed the band with friends Todd Harrell and Matt Roberts in the mid-1990s.

As a 15-year-old in algebra class, he wrote the song “Kryptonite,” drumming out the beat on his desk.

“I used to be our drummer,” he told the lead vocalist of the band Candlebox in an interview. “I only became the singer because we didn’t have a singer. That beat just came from just sitting on a desk. I probably wrote that song in the length of time that it took to me to just to write it down. It really was just one of those that kind of fell out of the sky.”

It became the band’s breakout hit in 2000 and earned a Grammy nomination.

“The Better Life,” the first of the band’s six albums, sold more than 6 million copies, and the 2005 album “Seventeen Days” entered the national charts at No. 1. That year, reviewing a Los Angeles performance, a critic noted Arnold’s “heartland drawl” and sleeveless denim shirt, calling him “less punk than Springsteen.”

The band released its final album, “Us And The Night,” in 2016. The following year, the band played at the inauguration of President Donald Trump. Arnold is survived by his wife, Jennifer.