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‘Heart of the Beast’ review: A good boy plus someone named Pitt?

Something’s in the air this fall — and it’s not just the autumnal chill. For some reason, survival thrillers are all the rage; there are even two featuring a man and his dog. First, we had Ridley Scott’s “The Dog Stars” with Jacob Elordi and a Belgian Malinois traversing a postapocalyptic landscape.

The latest is “Heart of the Beast,” an Alaskan-set story about two combat veterans — one human, one canine — who set out for a post-retirement camping trip and find themselves in a perilous situation after the human, retired Special Forces officer James (Brad Pitt), suffers a heart attack while piloting his seaplane. James and his combat dog Odin survive the crash, just barely, but they’re stranded deep in the wilderness, miles from civilization.

The film is directed by David Ayer, a purveyor of wild action flicks and ballads of masculinity; the screenplay is the debut effort of Cameron Alexander. Their intent is to deliver something muscle-bound and emotional — if a man can’t cry about an Army dog, what can he cry about? But until the last two minutes of the film, “Heart of the Beast” is essentially “Homeward Bound” for adults. You know, the 1993 kids adventure film featuring a golden retriever, a bulldog and a cat named Sassy who have to make their way home through the wild. Marry the structure of that film with a Jack London-inspired milieu, add some blood, gore and rather cheesy Iraq war flashbacks, and you have “Heart of the Beast.”

We watch James as he’s rained on, chewed on, pulls trunks out of an icy lake, falls off a log, breaks his arm, faces down a bear, fights off wolves, sustains many head injuries and inexplicably keeps going, in hopes of saving if not himself his dog, the most important creature in his life.

And oh, is Odin worth it. Played by four different dogs named Uber, Seeka, Ryker and Hondo, the performance that these dogs collectively deliver is worthy company to an Oscar winner — the dogs may even eclipse Pitt for sheer screen presence. With every whimper, sigh, howl, bark and head tilt, these dogs create an empathetic portrayal of a highly intelligent creature that has been through battle and has the scars (and nightmares) to prove it. Odin is a bionic dog, with titanium teeth and a prosthetic foot from injuries sustained during wartime, but nothing slows him down, not even a plane crash. However, the film does have its limitations when it comes to the other wildlife, all digitally created and the CGI isn’t convincing in the slightest.

“Heart of the Beast” is an onslaught of danger and misery, alleviated only by the pleasure of watching James’ survival skills and ingenuity. This man makes a lot of mistakes on this journey (he’s constantly calling himself “stupid” and “dumb”), but he’s also kind of a MacGyver. He starts a fire with cotton balls and Neosporin. He carries an alarming number of knives. He splints his own arm. If anything, it’s an excellent lesson on carrying the right gear and always taking medical supplies on a camping trip — if you ever go camping again after this.

Pitt typically excels when there’s a little (or a lot) of levity for him to exercise his loose-limbed charms and there’s precisely none of that in “Heart of the Beast.” Ayer pushes the emotional and physical extremes and it feels like a dirge: a forced march through the muddy Alaskan wilderness with plenty of body horror on top. The one moment of camaraderie comes in the beginning, when James shares a beer with a mysterious stranger (J.K. Simmons) who happens upon his camp and might even be an apparition of an old miner. James does share moments of affection and victory with Odin but there’s nothing to relieve the constant danger, even though structurally, the film has already sapped its potential suspense.

“Heart of the Beast” has its highs and lows but cinematically, it’s a mixed bag — entirely predictable and just not great. Nevertheless, there’s no denying that the star of the movie is indeed Odin and he’s a very, very good boy.

Walsh is a Tribune News Service film critic.

‘Heart of the Beast’

Rated: PG-13, for violence, peril, bloody/injury images and some language

Running time: 1 hour, 41 minutes

Playing: Opens Friday. Sept. 25, in wide release

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Three El Camino Real soccer players commit to Cal State Northridge

If El Camino Real’s boys’ soccer team wins its third consecutive City Section championship this season, then Cal State Northridge soccer fans should be feeling good because three of the team’s players are taking their talents to CSUN.

Jayden De La Cruz, Diego Apolinar and Roman Holiday are teammates at El Camino Real, play on the same club team and also will be college teammates next year.

Holiday is the goal scorer, with De La Cruz and Apolinar serving as the playmakers to get him in position to score.

The Royals will be this year’s City title favorite, but rival Birmingham is lurking, and the two teams are scheduled to open West Valley League play on Jan. 6 at El Camino Real.

When asked if the team was ready to face Birmingham, Holiday suddenly got excited.

“Oh my God, yes,” he said.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

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Rescuers race to save10-year-old Algerian boy trapped in deep well | Newsfeed

Rescue teams in Algeria are racing against time to save a 10-year-old boy named Ayoub, after he fell into an 80-metre-deep well in El Ghassoul municipality in southwest Algeria. Ayoub reportedly fell into the well two days ago.

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Arizona group home provider at center of pay-to-play scandal escapes penalties for boy’s death

The staff caring for Jakob Blodgett said he already had been sneaking candy and refused to take his insulin. An employee at the Arizona group home where the 9-year-old boy was being cared for texted a supervisor about the boy’s elevated blood-glucose reading.

The response? Give him water.

After two missed doses of the long-lasting insulin he needed, he was taken to the hospital. He was diagnosed with brain swelling, put on a ventilator and died in 2022 of complications from Type 1 diabetes.

There were no penalties imposed for Blodgett’s death, and Arizona’s largest group home provider now stands at the center of a political controversy swirling as Democratic Gov. Katie Hobbs seeks reelection. Records show Sunshine Residential Homes made political donations beneficial to Hobbs and months later received a rate increase from the state for providing beds for children.

The Arizona attorney general, a fellow Democrat, found no evidence of bribery. But Republican legislators are pushing back with their own questions, and the state auditor general’s office is conducting a separate investigation.

The boy’s death and the pay-to-play allegations highlight questions about Arizona’s congregate-care capacity for children, training for workers who care for them and oversight of providers and other contractors who hold leverage over the state simply due to their size and influence.

Alleged political favors become campaign fodder

Hobbs maintains she wasn’t involved in the decision to increase rates for Sunshine Residential Homes. But Republican challenger, U.S. Rep. Andy Biggs, has made the scandal a centerpiece of his campaign to unseat her.

“That was all handled by the department,” Hobbs said, “and they made the decision based on what was in the best interest of the department and the kids in their care.”

The allegations were first reported by The Arizona Republic and prompted an investigation by Democratic Attorney General Kris Mayes. However, Mayes’ office said it couldn’t find evidence to support bribery charges against Hobbs and concluded that Sunshine’s rate increases were the result of its “outsized leverage” as the state’s largest group home provider, not because of politics.

The company had threatened to reduce its bed capacity if it didn’t get an increase, saying it would instead use beds to house unaccompanied immigrant children for the federal government, officials said. Child welfare officials have said a reduction in Sunshine’s beds would significantly affect the state’s ability to place children in homes and would likely lead to siblings in foster care being split up and sent to different homes.

In all, Sunshine made $550,000 in contributions, including $100,000 to Hobbs’ inaugural fund in December 2022 and $150,000 to a legal defense fund for Hobbs between November 2023 and May 2024, according to records.

A separate investigation by the state auditor general’s office and Maricopa County Attorney Rachel Mitchell, a Republican, is continuing.

The Maricopa County Sheriff’s Office also has interviewed several Sunshine employees as part of an ongoing criminal investigation into Blodgett’s death. No one has been charged.

Blodgett isn’t the only diabetic child to die after a stay at an Arizona group home. In July 2024, a 15-year-old boy staying at a group home in Mesa operated by another company died of diabetic ketoacidosis after staff said the boy refused to take insulin, according to records.

Text messages outline concerns over a diabetic coma

Blodgett was staying at a foster home in metro Phoenix where only the house manager was trained in managing his diabetes.

Staff members said the boy was refusing to take his medicine. The manager advised an employee via text to tell the boy that the manager would be called if he refused to take his medicine.

“We don’t want him to go into a diabetic coma,” the manager texted.

The employee texted back about whether the child should get insulin. The manager didn’t respond.

The next day, the employee texted the boy’s blood glucose reading to the manager and asked what to do. The manager said to give Blodgett water but didn’t give any instructions about insulin, according to lawyers for the state and Blodgett’s family. The day after missing his second dose, Blodgett was taken to a hospital.

Violation nets no penalties

Two weeks before approving a 30% rate increase in May 2023, the Arizona Department of Child Safety issued a licensing violation against Sunshine over Blodgett’s case. The agency declined to specify to The Associated Press which policy was violated.

Robert Pastor, an attorney representing the family in a wrongful death lawsuit, said the violation was for not giving Blodgett the insulin as prescribed. The lawyer said Sunshine’s staff missed the signs of ketoacidosis, a serious complication caused by a lack of insulin, and waited too long to take Blodgett to the hospital. He also disputed claims that the boy had refused medication.

The state didn’t fine Sunshine or suspend or revoke its license as a result of the violation, according to court records. The agency said it detailed the steps Sunshine had to take to come into compliance, but declined to reveal to the AP what those steps were.

Pastor agreed with the attorney general’s conclusion that Sunshine has a lot of leverage over the state due to reliance on the company’s beds.

“That leverage gave Sunshine an increased rate increase,” Pastor said. “We also know that that leverage that Sunshine has over DCS means that when they kill a child, there will be no consequences. There will be no accountability.”

In a statement, Sunshine spokesperson Tommy McKone said the wrongful death lawsuit remains active, but declined to comment on the licensing violation and the company’s policy on responding to children who refuse medications.

“Sunshine Residential followed all policies and procedures for the required care, throughout his stay at our homes, under state law,” McKone said.

In court records, lawyers for Sunshine said the state indicated Blodgett’s medical needs were minimal and didn’t inform the group home provider that Blodgett’s diabetes management was complex.

Boy was hospitalized before heading to group home

Blodgett went into foster care in December 2022 after his father was jailed on a drug charge. His blood glucose levels were high when he was brought to a welcome center operated by the Department of Child Safety, which sought medical help for Blodgett from a children’s hospital where he was treated over several days.

Once discharged, Blodgett went to a Sunshine home.

While he went two days without getting the long-lasting insulin he needed before going to bed, the staff did give him another type of insulin — fast-acting insulin after eating meals — over both days. After the boy missed a long-lasting dose, the house manager contacted the same hospital to talk about how to improve his blood glucose levels.

In a deposition, the house manager testified there was nothing the staff could do if the child refused his medication. Pastor said the claim that the boy refused insulin is a false narrative aimed at blaming the child.

More workers should have been trained

Myriam Villarreal, an official in the Department of Child Safety’s operation that licenses group homes, testified in an April 2025 deposition that Blodgett’s condition wasn’t caught in time because group home workers weren’t trained in spotting the signs of ketoacidosis.

Pressed on why the company didn’t face any penalties, Villarreal testified that the state asked for policy modifications from the company. And she said training should have been provided to the staff members who directly cared for the boy, not just the house manager.

“We didn’t look that every single staff (member) had the appropriate training,” Villarreal testified.

Billeaud writes for the Associated Press.

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Netflix reveals new shows for Kate Winslet and Richard Osman plus Top Boy spin-off

Kate Winslet and Maxine Peake staring in Netflix drama in one of many new shows.

Kate Winslet will team up with Maxine Peake to play two sisters on the run in new Netflix drama The Unheard.

The five part series was announced at the Edinburgh TV Festival and has been written by Jack Thorne who co-wrote the critically acclaimed Adolescence for Netflix.

Teasing the series Anne Mensah VP of content UK on Netflix said: “Maxim Peake and Kate Winslet are coming to join us in The Unheard. It is the best script with the best talent, we couldn’t be more happy about it.”

The two sisters, played by Winslet and Peake, go on the run “after an act of vengeance goes wrong”.

Netflix bosses have also signed up Gary Lineker and Richard Osman to be involved in live darts show Beat Luke Littler.

Lineker will host with Osman helping with stats as World Champion Littler takes on 20 top amateurs. If anyone can beat him over a leg they will take home £501,000.

In 2027, there will also be two stand alone series from the world of hit drama Top Boy which ended in 2023. Barry Keoghan is reprising his role as Jonny in five part series ‘Jonny Boy’. And ‘Jaq’ will be a new series centered on the character of Jaq with Jasmine Jobson set to return.

Jig, is a new six part mockumentary comedy series from Derry Girls Creator Lisa McGee. It is set in the high-stakes world of competitive Irish dancing, will shoot in Northern Ireland next year.

Netflix will also go into the world of Roald Dahl with a new series based on the author’s short stories for adults. The cast for the untitled drama includes ‘Bridgerton’ star Nicola Coughlan, ‘The Crown’s Imelda Staunton, and ‘The Wire’ actor Dominic West with filming beginning in Manchester this month.

Writer Danny Brocklehurst said: “The short stories of Roald Dahl were what first made me want to become a writer. His enthralling, macabre and always unexpected tales gave life to vibrant, larger than life characters like The Landlady, Mister Boggis and the mysterious Fingersmith. To be given the chance to bring these characters to life in a contemporary setting is a dream come true. I couldn’t be more thrilled to be partnering with Orchid Pictures, Netflix and this outstanding cast.”

And Bella Mackie’s bestselling novel How To Kill Your Family is being made into a Netflix series with a cast which includes Clive Owen, Orlando Norman and Anya Taylor Joy.

Mensah added: “In the amazingly competitive UK landscape, it’s not good enough to be just ok. You need to swing for exceptional.

“Across drama, comedy, entertainment, live and factual programming, our slate underscores the risks we are happy to take and the extraordinary UK creativity we are proud to champion. Bring on 2027, we can’t wait.”

She would not be drawn on the Duchess of Sussex appearing in The Gentlemen series three, saying: “Everybody has talked about it, I am boring by comparison.”

Pushed on Megan’s possible appearance, Manda Levin, director of scripted series added: “All bets are off.”

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