The charming coastal Lancashire town of Lytham has plenty to enjoy for residents and visitors alike during a weekend away and is home to a major UK festival attracting hundreds of thousands each year
The charming village with plenty to enjoy and do all year round(Image: ad_foto via Getty Images)
Lytham, a charming coastal town in Lancashire, is the place to be when music’s biggest names come to town. The town offers plenty to enjoy all year round, from its quaint bars and boutique shops to its highly praised restaurants, but it’s during the summer that Lytham truly shines.
Since its inception in 2010 as a one-day prom concert, Lytham Festival has grown into a five-day extravaganza attracting over 100,000 attendees each year. Founded by mates and business partners Daniel Cuffe and Peter Taylor, the festival has brought some of the world’s most renowned music legends to the coast.
Over the years, the festival has boasted a line up featuring global superstars such as Stevie Wonder, Kylie Minogue, Rod Stewart, Justin Timberlake, Lionel Richie, Diana Ross, Sting, Sinitta and Shania Twain, as well as major acts like Stereophonics, Faithless, Bryan Adams, Def Leppard, The Courteeners, and The Strokes.
The 2026 edition will kick off on Wednesday, July 1, with GRAMMY-nominated singer Teddy Swims taking the stage on opening night. He’ll be joined by Lauren Spencer Smith and Jordan Rakei for support.
The second act announced is the Pet Shop Boys, who will bring their euphoric pop sound to the stage with ‘DREAMWORLD – The Greatest Hits Live’, on Saturday, July 4, reports the Liverpool Echo.
The global superstar Pitbull will be bringing the festival to a grand close on Sunday, 5 July, with his ‘I’m Back! Tour’. He’ll be joined by rapper Lil Jon, his band The Agents, and dancers The Most Bad Ones, promising a spectacular finale to the event on the Lancashire coast.
While there are still more artists to be announced, Lytham’s appeal extends beyond its star-studded line-up. The town offers plenty to enjoy throughout the year, whether you’re planning a weekend getaway or just fancy a bite to eat.
Despite its small size – you can stroll from one end of the town centre to the other in just a few minutes – Lytham is packed full of charm. Its array of delightful businesses more than compensates for its compact size, demonstrating that quality always trumps quantity.
For those in search of gifts, cards or street food, the Clifton Walk Shopping Arcade provides a quaint back-alley experience. It’s been ages since I’ve seen an arcade so well-maintained and bustling with people, which only serves to underscore the town’s enduring charm.
Lytham is also home to two of the nation’s top fish and chip shops – Whelan’s and The Haven – as declared by The Times in its recent roundup of the best seaside spots for fish and chips. The town centre is awash with flowers, trees, and lush greenery, creating a laid-back atmosphere where everyone seems to be taking their time and soaking up the surroundings.
Lytham may not be the place for a wild night out, but it’s perfect for a relaxed drink.
If you’re in the mood for some grub, Lytham House brasserie is the place to go. With an AA-Rosette to its name, it’s the town’s top spot for a posh dinner.
Spread over two floors with a buzzing cocktail bar, the menu offers a modern take on British classics to suit all tastes.
Even a night-time stroll home is something special in Lytham. The Windmill Museum comes alive after dark, bathed in a soft pink light that can be seen from miles around.
There’s loads to do in Lytham, even if you’re just there for the day. From the stunning coastline and plethora of quaint bars, shops and eateries, to the annual festival that draws in thousands of visitors and big-name stars.
This peaceful seaside town is just a short drive from Liverpool and should definitely be on your must-visit list.
Help us improve our content by completing the survey below. We’d love to hear from you!
Long Beach resident Ashley Likins was pages away from finishing “Onyx Storm,” the third installment in Rebecca Yarros’ fantasy book series, when a long-haired black kitten hopped into her lap.
Given the foster name Soup Enhancements, the cat was one of the rescues boarding at Cool Cat Collective, a cat-themed boutique at the eastern end of Long Beach’s Fourth Street Corridor. The store, which offers all manner of cat-themed merchandise from kitty treats to cat-printed coasters, doubles as a shelter for cats rescued by TippedEars, a local trap-neuter-return, or TNR, nonprofit.
These resident kittens at Cool Cat Collective spend most of their time in a luxury “catio” in the back corner of the boutique, but twice a month, they are released to roam about during after-hours fundraising events. A popular silent reading party, co-hosted by reading club LB Bookworms, mimics a cat cafe, and according to the book club’s founder, Martha Esquivias, the event has sold out nearly every month since its debut last November.
Deb Escobar reads a book as foster kitten Poolboy creeps around her during a silent reading night at Cool Cat Collective.
It was during the silent reading event in early August that Likins sat, second-guessing the decision she’d made a few days prior to adopt Soup Enhancements. She adored the cat; still, she worried she’d been impulsive and wasn’t truly ready for the responsibility of pet ownership.
But as she watched the kitten nod off in her lap, she glimpsed the future in which the pair would do this routine a thousand times over with Likins devouring a book and the cat sleeping soundly below.
“I’m not just in a kitten craze,” Likins recalled thinking to herself. “This is my cat.”
Share via
It’s that kind of moment Jena Carr, 39, had dreamed of when she and her husband, Matt, 40, opened Cool Cat Collective last year.
Former Washington, D.C., restaurateurs, the Carrs moved to Long Beach in 2022 to be closer to Jena Carr’s family. Once they settled in, Carr threw herself into kitten rescue, a longtime interest. She started as a foster owner and kitten rescue volunteer before assisting TippedEars with its work tracking and capturing cats in Compton.
“Once you start realizing the extent of the cat overpopulation problem, you quickly realize that we can’t foster or adopt our way out of it,” Carr said, calling TNR “the solution that gets to the root of the problem.”
One day during peak kitten season, Carr was out with TippedEars co-founder Renae Woith when she was struck by the number of sick and injured cats on the streets and the challenges of understaffed rescues working to home them.
“It kind of got her wheels working, like, ‘What can I do as a business?’” Woith said.
1
2
1.Foster kittens Bisque, Poolboy and Chauffeur play together during a silent reading night.2.Foster kitten Sesame walks around a display in the store.
Almost a year later, Cool Cat Collective was born.
It was still warm outside on an early September evening as the last of the daytime visitors left the cat boutique. Once they were gone, Carr made her final touches for the night’s silent reading party: laying cushions in store corners and scattering toy mice across the floor.
In the catio, Poolboy, a domestic shorthair, licked a Churu treat from a visiting reader’s hand. When he and his siblings — all named after blue-collar jobs — arrived in late July, they were timid. But at this silent reading party, they bounded about the room, crawling on attendees’ laps between wrestling matches.
“It makes me so happy when the shy ones become social,” Carr said.
A sign hanging outside the catio tallied good news: 93 adoptions since July 2024. TippedEars co-founder Vita Manzoli said that’s about double the numbers the rescue used to see before the boutique opened.
TippedEars’ partnership with Cool Cat Collective has been a boon for the nonprofit, which receives 100% of the proceeds from the cat boutique’s “First Thursday” silent reading parties and “Third Thursday” doodle nights, which both cost $15 to attend. But it’s not only the financial support that has made a difference for TippedEars cats.
“We’ve gotten volunteers from them — donors, adopters, obviously, but the byproduct of that is really just educating people about the cat overpopulation crisis, what TNR is and how they can help,” Woith said.
Placing rescues at Cool Cat Collective, where they are comfortable and their personalities are on full display, has also allowed TippedEars to give them a better chance at being adopted.
“The cat they may not have looked twice at online, they now are the one [adopters are] taking home, because they actually got to meet them,” Woith said.
“This is a beautiful marrying of my interests,” silent reading party attendee Regan Rudman said of the event. “It also provides a great third space that we’re really missing nowadays.”
Carr has a spreadsheet of potential resident kittens always on her mind, so she’s eager to facilitate adoptions. But everyone is welcome at Cool Cat Collective, whether they’re looking to adopt or not.
“You don’t even have to be shopping,” Carr said. “That was part of our goal: to create a space with a really low barrier to access for people who are cat-curious or just need a little moment of cat joy in their day.”
Regan Rudman, a recent Long Beach transplant, can’t have a cat of her own for health reasons. Still, she visits Cool Cat Collective every month. She tried for three months to snag a ticket to the store’s silent reading night before she secured a spot for the September event.
“Getting to actually interact with cats in an environment that they feel comfortable in just makes my heart so happy,” Rudman said.
Rudman, who works at a publishing company, made an effort to focus on her book during the silent reading hour, but she also hoped her ruffled leg warmers would entice a curious kitten to come over.
“I think everyone is a little distracted by the cats,” said silent reading party attendee Mathilde Hernandez, who befriended foster cat Gumball.
Other attendees, lounging on cushions throughout the boutique, gazed down at their e-readers but peeked as cats bounced around like pinballs in their periphery.
Poolboy and sibling Chauffer, who would find their forever home together that weekend, were particularly rowdy. On the other hand, Bisque — from a litter Carr called “the Soups” — hid in a cardboard house for an hour before she finally stretched a paw out, like a jazz hand through the “front door.”
“There’s always some antic happening,” Carr said. “People are reading, but they also have one eye on the cats as they’re reading. I’d be curious asking people, like, how far into their book they actually get.”
Attendee Lien Nguyen, whose love for the kittens overrode her cat allergy, admitted she’d drop her book the second a cat came into her vicinity. But no matter how hard they tried, scarcely an attendee could successfully attract a kitten. The cats chose their company, not the other way around.
“Part of our goal was to create a space with a really low barrier to access for people who are cat-curious or, you know, just need a little moment of cat joy in their day,” said Jena Carr, co-founder of Cool Cat Collective.
“It was like rejection therapy whenever they went away,” Nguyen said.
That’s why Likins was so touched when Soup Enhancements found her at the August silent reading party. She nearly burst into tears, she said.
Later that evening, she was moved even more when her boyfriend, Max Mineer, bonded with his feline soulmate, Handyman. Happily, Handyman happened to be the only cat Soup Enhancements tolerated.
Now, the two cats live together in Likins and Mineer’s Long Beach apartment. They sleep together, clean each other and, despite being from different litters, generally behave like siblings.
The day Likins brought the cats home, staffers at Cool Cat Collective and TippedEars gave her every resource imaginable, including a 20% off coupon for Chewy products and scratch post recommendations. And there was an easy out: If anything went wrong, the couple could bring the cats back, no questions asked.
“It really made me trust them more to know that they were thinking to the future about these cats,” Likins said. “It wasn’t just a process of making sure that a cat got a home. It was making sure that a cat got a life.”
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
Among this week’s new releases is “28 Years Later,” the third film in the series that dates back to 2002’s “28 Days Later.” The new project reunites the core creative team from the first movie: director Danny Boyle, screenwriter Alex Garland, cinematographer Anthony Dod Mantle and producer Andrew Macdonald.
This time out the “rage” virus that turns people into crazed cannibal monsters has been isolated to the U.K., which has been quarantined from the rest of the world. A small community of uninfected survivors live on a coastal island and make their way to the mainland to hunt and for supplies. A teenage boy (Alfie Williams), having made one expedition with his father (Aaron Taylor-Johnson), goes back with his ailing mother (Jodie Comer) in search of a doctor (Ralph Fiennes) rumored to be able to help them.
In her review of the film, Amy Nicholson wrote that it “has a dull central plot beefed up by unusual ambition, quirky side characters and maniacal editing. It’s a kooky spectacle, a movie that aggressively cuts from moments of philosophy to violence, from pathos to comedy. Tonally, it’s an ungainly creature. From scene to scene, it lurches like the brain doesn’t know what the body is doing. Garland and Boyle don’t want the audience to know either, at least not yet.”
Screenwriter Alex Garland, left, director Danny Boyle and cinematographer Anthony Dod Mantle, photographed in London in June.
(Jennifer McCord / For The Times)
“28 Years Later” is the first film in a planned trilogy, with the second film, directed by Nia DaCosta, having already been shot.
I spoke with Boyle, Garland, Mantle and Macdonald for a feature story that will be in print on Sunday. Whereas the original “28 Days Later” was notable for its use of consumer-grade digital video cameras, this time the production used modified iPhones to capture most of its imagery. The result is a fresh and distinctive look with both a sense of immediacy and an unexpected beauty.
“What was great about the script is that although you were inheriting some DNA from the original film, it was a completely original story,” said Boyle. “And deserved to be treated like that.”
Cinématographe heads to L.A. theaters
Norm Macdonald, left, and Artie Lange in the 1998 movie “Dirty Work,” recently restored to an extended “Dirtier Cut.”
(Jack Rowand / MGM)
This week the boutique home video label Cinématographe is participating in screenings all over town, further cementing the evolving relationship between physical media and the local revival scene.
Curated and produced by Justin LaLiberty as an offshoot of the Vinegar Syndrome label, Cinématographe is among a handful of companies that create releases meant to look as nice on your shelf as they do onscreen. With beautiful restorations presenting the titles as optimally as possible, the releases come with many extras highlighting their production and what makes them special, alongside new critical essays on the films. Among the titles released by the company so far are John Dahl’s “Red Rock West,” Paul Schrader’s “Touch,” Robert Altman’s “Thieves Like Us” and Martha Coolidge’s “Joy of Sex.”
“Cinématographe has a very specific kind of curatorial approach,” said LaLiberty in a Zoom call this week from his home in Connecticut. “And it also has a mission in that it’s trying to shine a light on these movies that have fallen into obscurity for one reason or another.”
Working in conjunction with the local screening collective Hollywood Entertainment in pulling together some of the local events, LaLiberty got a sense of the current repertory scene in L.A. and hopes that putting on Cinématographe screenings here is something that can become a regular occurrence.
“What I like about L.A.’s cinema scene, without being there, is seeing how the spaces cater to different audiences,” said LaLiberty. “It happens in New York to an extent too, but I’ve noticed it a lot more with L.A. where I think just by virtue of geography, those theaters have to build a community that’s a lot more specific to whatever their mission may be or whatever audience they’re trying to cultivate is. So that’s what I tried to do with these screenings is kind of hone in on what demographic those spaces are going to reach and what film made the most sense for each one.”
The cover art for the Cinématographe home video release of Jim McBride’s 1983 remake of “Breathless.”
(Cinématographe)
On Sunday at Brain Dead Studios there will be a restored 4K screening of the exuberant 1983 remake of “Breathless” with director Jim McBride in person. That will be followed by the Los Angeles premiere of the 4K restoration of Bob Saget’s 1998 comedy “Dirty Work,” starring Norm MacDonald, in its newly created “Dirtier Cut,” which restores the film to a version screened for test audiences before it was chopped down to earn a PG-13 rating. Co-writer Frank Sebastiano will be in attendance.
On Monday, LaLiberty will be at a pop-up at the Highland Park video store Vidéotheque, selling discs from Cinématographe, Vinegar Syndrome and affiliated titles from OCN Distribution — including some that are out of print. (Discs will be on sale at all the events too.)
On Tuesday at Whammy Analog Media, 1994’s essential lesbian rom-com “Go Fish” will show in a 4K restoration with director and co-writer Rose Troche in person. On Wednesday, there will be a 45th anniversary screening at Vidiots of the 4K restoration of Ronald F. Maxwell’s 1980 “Little Darlings,” starring Tatum O’Neal and Kristy McNichol as two teenage girls having a private competition at summer camp to lose their virginity.
On Thursday, in conjunction with Cinematic Void, the Los Feliz 3 will host a showing of John Badham’s 1994 action-thriller “Drop Zone” starring Wesley Snipes, with the director in person.
And while it may seem counterintuitive for a home video label to be encouraging people to go see movies in theaters, for LaLiberty the two go hand in hand.
“My ultimate mission is for these films to find an audience,” LaLiberty said. “‘Little Darlings’ is one of those movies that was out of circulation for so long that now that it’s back and people can find it — to me that’s the work. The end goal is that these films are brought back and that they’re available for people to see and talk about and share. Theaters can play them and have them look great. I don’t see it as cannibalizing. I see it as just being a part of the job.”
‘Rebels of the Neon Millennium’
Shu Qi in Hou Hsiao-hsien’s 2001 film “Millennium Mambo.”
(Kino Lorber)
The American Cinematheque is launching a series looking at films from Southeast Asia made around the turn of the 21st century and shot through with the energy of specific Y2K anxieties. These were films that felt cutting-edge and of the moment when they were released, but now perhaps function at least in part as memory pieces of their time and place. This is a sharp, smartly put-together series that contextualizes a group of films and filmmakers.
Kicking off with Wong Kar-wai’s 1995 “Fallen Angels,” the series also includes Hou Hsiao-hsien’s 2001 “Millennium Mambo,” Tsai Ming-liang’s 1992 “Rebels of the Neon God,” Fruit Chan’s 1997 “Made in Hong Kong,” Shunji Iwai’s 2001 “All About Lily Chou-Chou” Jia Zhangke’s 2002 “Unknown Pleasures” and Lou Ye’s 2000 “Suzhou River.”
Writing about “Fallen Angels” in 1998, Kevin Thomas called it “an exhilarating rush of a movie, with all manner of go-for-broke visual bravura that expresses perfectly the free spirits of his bold young people. … Indeed, ‘Fallen Angels’ celebrates youth, individuality and daring in a ruthless environment that is wholly man-made, a literal underworld similar to the workers’ realm of ‘Metropolis’ — only considerably less spacious. Life proceeds at a corrosive rock music beat.”
Points of interest
‘Dogtooth’ in 4K
An image from Yorgos Lanthimos’ movie “Dogtooth.”
(Kino Lorber)
Greek filmmaker Yorgos Lanthimos’ second feature, “Dogtooth,” was his international breakthrough, winner of the Un Certain Regard section at Cannes and nominated for an Oscar. Yet even its most ardent admirers at the time would likely never have imagined Lanthimos would become the maker of commercially successful, Oscar-winning (and still weird) films such as “The Favourite” and “Poor Things.”
A new 4K restoration of “Dogtooth” will screen at the American Cinematheque at the Los Feliz 3 on Saturday, Tuesday and Sunday the 29th. The story feels abstracted and fractured, as a family lives in comfortable isolation, creating their own rules and language as the parents attempt to keep their children, now young adults, in a state of arrested development.
When it was first being released, “Dogtooth” struggled to find screens in Los Angeles. In my January 2011 review, I referred to it as “part enigma, part allegory and even part sci-fi in its creation of a completely alternate reality.”
When the film had its local premiere as part of the Los Angeles Greek Film Festival some seven months earlier, I spoke to Lanthimos, who perhaps pointed the way to some of his future work when he said, “It’s much more important to me for the audience to be engaged and to think about things themselves. If they miss any information, I’m OK with that instead of explaining every little detail and telling everyone what they should be thinking and how exactly things are.”
Lanthimos added, “People ask me if the film is about home-schooling or if it’s political, about totalitarian states or the information we get from the media. And of course all those things were not in our minds as we were making the film, but it was intentional to make the film so people can come in and have their own thoughts about it.”
‘The Seven Year Itch’ 70th anniversary
Marilyn Monroe and Tom Ewell re-create a scene from 1955’s “The Seven Year Itch” on the Fox Studio Lot on Stage 9.
(Twentieth Century Fox)
On Wednesday the Laemmle Royal will present a 70th anniversary screening of Billy Wilder’s “The Seven Year Itch” introduced by film writers Stephen Farber and Michael McClellan. Starring Marilyn Monroe and Tom Ewell, “Itch” was written by Wilder and George Axelrod, an adaptation of the hit Broadway play that also starred Ewell.
Though the movie does include the iconic scene of Monroe standing over a subway grate, it deserves to be remembered for much more than that. It’s a bracing satire of midcentury masculinity, with Ewell playing a mild-mannered family man who lets himself be taken away by fantasies of what may happen while he is on his own for a summer with a young single woman living upstairs from his New York apartment.
Writing about the movie in June 1955, Edwin Schallert said, “This picture is nothing for the moralists, though it may not quite satisfy the immoralists either, whoever they are.”
In other news
Tom Cruise, Dolly Parton among honorary Oscar recipients
Tom Cruise and Dolly Parton will be honored at the upcoming Governors Awards.
(Evan Agostini / Invision / Charlie Riedel / AP)
This week the motion picture academy announced four honorees for the Governors Awards in November. Dolly Parton will receive the Jean Hersholt Humanitarian Award, while honorary Oscars will go to actor, dancer, choreographer and director Debbie Allen, production designer Wynn Thomas and actor and producer Tom Cruise.
As always, it must be noted how disappointing it is that these awards will be bestowed at an untelevised ceremony and not as part of the Academy Awards telecast itself. The idea of giving an award to Tom Cruise, who has recently refashioned himself as nothing less than an international ambassador for movies and Hollywood in general, and not putting it on TV is just beyond reason.
Here is hoping that Cruise will perhaps be able to do what his co-star in “The Color of Money” Paul Newman once did, which is win a competitive Oscar after already being given an honorary one.
This “buzzy” town in northern Wales has been dubbed a tiny treasure for its impressive coastal views, historically significant castle and beloved community shops
The Menai Strait is visible from Beaumaris(Image: Hadyn Iball / North Wales Live)
One tiny seaside town has been newly minted as a hidden gem for its “winning combination” of scenic views and boutique shops. The town is situated in the Isle of Anglesey (Ynys Môn in Welsh): a small island that is a great setting to explore mainland Wales.
The travel company Breakfree Holidays has named Beaumaris in Anglesey one of the 10 best coastal towns in Northwest England and North Wales. According to Breakfree Holidays, the “buzzy” town stands out for boasting a “scenic location, a romantic castle and a burgeoning collection of enticing boutique shops, cafes and art galleries”.
The natural beauty of Beaumaris is evident in its name already – based on the Norman ‘beau marais’ which means ‘beautiful marsh’. The description was chosen by Edward I and the town’s architecture clearly outlines its medieval, Georgian, Victorian and Edwardian history.
Beaumaris Castle is one of the most signfiicant historical landmarks in Anglesey(Image: Getty Images)
The most noteworthy feature of the town – and of Anglesey altogether – is the Beaumaris Castle. Now a United Nations World Heritage Site, the castle was constructed between 1295 and 1330.
The impressive fortress has been called “the greatest castle never built” as one of the last royal strongholds created by Edward I in Wales. It has four concentric rings of fortification making it of near-perfect symmetry, as well as a moat and its own dock.
Troubling times in Scotland meant the castle was never carried out to its exacting blueprint, but it is still considered an architectural feat of the region. The castle is open to visitors all summer long with entry prices starting at £10.50.
If you are planning a visit to the castle or Beaumaris is general, consider scheduling your trip around the Medieval Festival. In 2025, the festival will run from August 23 to August 25 and feature demonstrations and workshops about all-things medieval, including leather work, cooking and how to wear armour.
Travellers embarking on the Welsh Coast Path will enjoy exceptional view of mainland Wales(Image: Getty Images/iStockphoto)
Once you’ve had your fill of medieval history, you can head to the fine sands of Beaumaris Beach to enjoy the coastal scenery of the town. Pastel-coloured houses line the shore and add a distinct charm to the serene setting.
Nearby are pubs and boutique shops to explore and the beach is also separated by the historic Beaumaris Pier. The pier is the port for boat trips to popular fishing patches and tours of the nearby Puffin Island.
Opened in 1846 and designed by Frederick Foster, the Beaumaris Pier was originally constructed of wooden piles and iron girders. It was rebuilt in 1872 after it was significantly damaged by a storm and further extended in 1895.
Travellers interested in diving deeper into the Welsh landscape can set out for the Welsh Coast Path that passes Beaumaris Beach. The Path offer exceptional views of mainland Wales and the Menai Strait, as well as the ancient monastic site of Penmon Priory.
