bonnie

THE Prince and Princess Of Wales have paid tribute to singer Bonnie Tyler, describing her as a “proud Welsh icon” following her death aged 75.

Bonnie died on Wednesday night, months after being treated in intensive care and being placed in an induced coma following emergency intestinal surgery.

A post on William and Kate’s joint Kensington Palace account said: “We are deeply saddened by the passing of Bonnie Tyler.

“A proud Welsh icon, her extraordinary voice and unforgettable music touched millions around the world and will continue to inspire generations to come.

“Our thoughts are with her husband, family, friends and all who loved her. Diolch am y gerddoriaeth (thank you for the music).”

Bonnie was made a Member of the Order of the British Empire (MBE) by the Prince Of Wales in 2023 for services to music.

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It comes after Chicago star Catherine Zeta-Jones said her “heart is broken” after the Total Eclipse Of The Heart singer’s death.

Catherine, 56, said Bonnie was a big part of her life after marrying her cousin Robert Sullivan and paid a heartfelt tribute to the Welsh singer, real name Gaynor Hopkins.

The actress shared a photograph of the pair together on Instagram which was taken the night before her wedding.

She said: “An extraordinary woman with vocals to match. A one of kind artist, who so easily could have been a comedian because she was one of the funniest people I ever met.

“Thank you Bonnie for the joy you brought so many. Sleep tight beautiful lady. We shall forever ‘Keep A Welcome In The Hillsides’ of Wales for you. Sending my love to Robert and the family.”

A statement on the singer’s official website said her family and team were “heartbroken” after she “unexpectedly passed away” on Wednesday night in a hospital in Portugal where she was being treated near her home in Faro.

Catherine was among the stars who paid tribute to the singer including Sir Cliff Richard, Sir Rod Stewart and rockstar Bryan Adams.

Sir Cliff, who sang a duet with Tyler on the 2019 song Taking Control, said she was a “wonderful friend gone too soon” in a post shared on Facebook.

He added: “Bonnie’s infectious zest for life entertained so many around the world, and to be a good friend to all, including me.

“It is shocking news to wake up to this morning and I send my love to her family at this very sad time.”

Bonnie was due to perform at the Sunshine Festival in Worcester this summer, along with a number of European dates, and was also booked to perform at Cardiff’s Utilita Arena on December 17.

Prime Minister Sir Keir Starmer also paid tribute to the singer, who he described as “one of Britain’s greatest recording artists”.

The Prime Minister’s official spokesman said: “An iconic figure, she leaves behind a catalogue of music – from Total Eclipse Of The Heart to Holding Out For A Hero – which continues to touch lives, flood dance floors and fill karaoke booths.”

He added: “The Prime Minister’s thoughts are very much with her friends and family.”

The singer achieved international fame in the 1980s with the release of Total Eclipse Of The Heart, which shot to the top of the charts in the UK and the US.

Faster Than The Speed of Night, the album which featured the smash-hit track, was also a chart-topping success and landed the singer her only UK number one album.

Recognisable for her husky voice, Bonnie released many other hit songs over the years including Holding Out For A Hero, It’s A Heartache and If You Were A Woman (And I Was A Man).

Welsh First Minister Rhun ap Iorwerth led tributes on Thursday and said Wales had “lost a true icon”.

He posted: “I am deeply saddened to hear of the passing of Bonnie Tyler.

“Wales has lost a true icon, whose music brought joy to so many.

“I extend my heartfelt condolences to her family, friends and fans across the world.”

She represented the UK in the 2013 Eurovision Song Contest in Malmo, Sweden, with the song Believe In Me finishing in 19th place.

Welsh broadcaster Carol Vorderman also paid tribute, writing: “I’m so very sorry to hear this. As a Welsh woman Bonnie and her music represented so much to us, it was about fighting and power and living life without apology.

“May you rest in Musical Glory Bonnie.”

The star, who was born in Neath in South Wales, continued to make music and perform until her death, having released her 18th studio album The Best Is Yet To Come in 2021.

Despite being a widely acclaimed and globally-renowned star, Bonnie never received a Grammy Award during her decades-long career but did receive three nominations.

Bonnie’s official website appears to have crashed since the news of her death was announced.

Bonnie Tyler, the husky-voiced, powerhouse vocalist who performed memorable and dramatic pop rock songs including “Total Eclipse of the Heart” in the 1980s, has died.

The Welsh singer died in a Portugal hospital on Wednesday night, according to a statement on her official website and social media accounts Thursday morning. Prior to her death, Tyler was hospitalized and underwent emergency intestinal surgery in May 2026. She was placed in an induced coma to aid her recovery which she awoke from in mid-June but remained “very unwell,” her family said at the time. She was 75.

“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” the statement read.

A three-time Grammy Award nominee, Tyler first rose to fame in the late 1970s. She was known for her raspy vocals, offering listeners an edgier sound that also melded rock and pop. Tyler released a total of 18 studio albums, beginning with her debut, “The World Starts Tonight,” in 1977. But she solidified her place in music with collaborations with songwriter-producer Jim Steinman, a hitmaker who worked with Meat Loaf, Air Supply and Celine Dion.

Tyler contributed her powerful voice to Steinman’s dramatic “Total Eclipse of the Heart,” which was released in 1983 ahead of her fifth studio album, “Faster Than the Speed of Night.” Steinman initially envisioned the power ballad as a core piece in a musical adaptation of “Nosferatu,” but with Tyler, the number took on a different life.

“Total Eclipse of the Heart” climbed music charts and earned Tyler a Grammy nomination for female pop vocal performance in 1984. In addition to its commercial and critical success, Tyler’s moody hit became a mainstay in pop culture, covered in the musical TV series “Glee” and finding new life in versions by One Direction, Kelly Clarkson and several other musical acts.

“When I first heard it, I couldn’t believe it had been given to me to record. I just cried at the intense emotion of it and was so happy to have that song,” Tyler told the Guardian in 2009. “Now when I go on stage and sing ‘Total Eclipse,’ everybody sings with me. So many people say they fell in love to it and it means a hell of a lot to them. It’s such an anthem, and such a wonderful feeling, I never get tired of singing it.”

“Total Eclipse of the Heart” wasn’t the only celebrated hit from Tyler.

A year later, she performed “Holding Out for a Hero,” produced by Steinman and co-written by Dean Pitchford, for the 1984 film classic “Footloose,” starring Kevin Bacon. The energetic anthem, which features Tyler’s thunderous voice over a racing beat, also climbed the Billboard Hot 100 (it peaked at No. 34) and went on to be featured in other screen projects, including a pivotal scene in the animated comedy “Shrek 2,” with Jennifer Saunders performing the hit.

Tyler, also known for “Bitterblue,” written and produced by Dieter Bohlen, continued releasing music throughout the ’90s and early aughts. Amid the process of creating her 16th album, “Rocks and Honey,” Tyler joined the Eurovision Song Contest in 2013 to represent the United Kingdom. Though she finished 19th, she said at the time she was glad she competed “because it was an incredible experience,” likening it to the Grammy Awards. She released “Rocks and Honey” that same year, her penultimate album, “Between the Earth and the Stars,” in 2019 and her final album, “The Best Is Yet to Come” in 2021.

In 2022, she was appointed a Member of the Order of the British Empire during Queen Elizabeth’s Platinum Jubilee, recognizing Tyler’s contributions to music.

Tyler was born Gaynor Hopkins on June 8, 1951, to homemaker Elsie and coal miner Glyndwr, and was one of seven children. She was raised Protestant and cared for by her grandparents in the small Welsh town of Skewen. Her passion for music could be traced to watching British charts program “Top of the Pops” with her father, writing down lyrics to the hits of the time and singing them herself. Tyler officially caught the singing bug after placing second at the talent show hosted by a local rugby club.

After the contest, the singer continued her artistic pursuit, performing with a handful of bands including Bobby Wayne & the Dixies and, later, Imagination. She was eventually scouted and traveled to London to record a few demos but did not immediately hear back. “After two years, someone called me out of the blue and told me I’d got a record deal on the same label as Elvis,” she recalled to the Guardian.

The singer underwent several name changes over the course of the career. First she pivoted to Sherene Davis to avoid confusion with fellow Welsh vocalist Mary Hopkin. Then once more, at the behest of RCA Records, to Bonnie Tyler — a name she conjured up by mixing and matching names she read in a local newspaper.

Now Bonnie Tyler, the singer released her debut single “My! My! Honeycomb!” in 1976 and her debut album the following year. However, she would not come into her signature sound until the spring of 1977. Tyler suffered nodules on her vocal cords and underwent surgery to remove them. She feared her career would end as a result, though that would be far from the case.

Tyler, after a brief recovery period, returned to the recording studio with a huskier, edgier voice. “It turned out losing my voice was not too treacherous for me,” she told the Guardian. She released “It’s a Heartache” in 1977 with her raspy voice front and center.

“I had my first hit in America with my new husky voice on ‘It’s a Heartache,’” she said. “Maybe my husky voice was what that song, and my career, needed.”

After her tenure with RCA Records, Tyler signed with CBS Records in 1982, leading to her memorable collaborations with Steinman. At the end of the ’90s, Tyler signed with Hansa/BMG Ariola and, eventually, with EastWest Records and continued to find success in continental Europe. In addition to her albums, Tyler embarked on several tours, most recently her Between the Earth and the Stars live tour in 2019. Her most recent release was “Together” in July 2025, produced by electronic music artist David Guetta, which samples the chorus of “Total Eclipse of the Heart.”

Tyler married former Olympic martial artist Robert Sullivan in 1973. The pair never had their own children — the singer suffered a miscarriage at age 39 — but experienced “no shortage of children,” she told the Guardian in 2012. Tyler had numerous godchildren, more than a dozen nieces and nephews and multiple great-nieces and great-nephews. With her fame, Tyler supported her family and purchased several properties including a home in Mumbles, Wales, and a home in Portugal.

When Tyler reflected on her decades-long career for the BBC in 2019, she said she had long exceeded her own expectations.

“I didn’t expect ever to be making records,” she said at the time. “I was just happy being in a band, singing.”

BONNIE Tyler fans have some incredible songs to remember her by after the sad news of her passing in Portugal on Wednesday night.

On Thursday it was confirmed that the singer had died aged 75, weeks after undergoing emergency surgery and being put in an induced coma.

The star was put into a coma back in April at Faro Hospital, later suffered complications, but woke up from the coma in June.

Her heartbroken family shared a statement that she had passed away from an illness last night.

Bonnie, who was born in Gaynor Hopkins in Mumbles, South Wales, shot to fame in the 70s and has had an amazing singing career.

Over the years, according to Official Charts, Bonnie has had one UK No.1, five UK top 10s, seven UK top 40s, and 12 UK top 75s.

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Her single Total Eclipse Of The Heart, which was released in 1983, peaked at No.1 and was there for a total of two weeks.

Meanwhile the 1984 tune, Holding Out For A Hero, peaked at number 96 in the charts.

It’s A Heartache, which was released in 1977, got to number 4 and was in the charts for 12 weeks.

And the 1976 tune Lost In France hit number nine and was there for a total of 10 weeks.

Married Men, which was released in 1979, peaked at 35 and was in the charts for 42 days.

The 1983 song Fasted The The Speed Of Night was in the charts for 35 days and managed to get to number 47.

And Have You Ever Seen The Rain?, released in 1983, hit number 47 and was in the charts for three weeks.

She’s also had a number of other chart-topping songs including A Rockin’ Good Way, Getting So Excited, Holding Out For A Hero, and Believe In Me.

Over the years she also released over 15 studio albums.

Her album, Faster Than The Speed Of Light, peaked at No.1 in 1983 and was there for one week.

It stayed in the charts for an amazing 45 weeks.

The Greatest Hits peaked at number 18 in 1986 and was in the charts for 21 weeks.

Her other albums include The World Starts Tonight (1977), Natural Force (1978), Diamond Cut (1979), Goodbye to the Island (1981), Secret Dreams and Forbidden Fire (1986).

Some of her others are Hide Your Heart (1988),Bitterblue (1991), Angel Heart (1992), Silhouette in Red (1993), Free Spirit (1995), All in One Voice (1998), Heart Strings (2003), Simply Believe (2004), Wings (2005), Rocks and Honey (2013) and Between the Earth and the Stars (2019).

And most recently, The Best Is Yet to Come, which was released five years ago.

It comes after a statement published on the singer’s website today (9 July 2026) confirmed the legendary singer passed away last night following an illness.

It read: “Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for.

“We will issue a further statement shortly but for now ask for privacy to deal with this tragedy.”

In April, she began to feel intense abdominal pain shortly after arriving in Portugal, where she has a second home, following tests in London.

It was announced in May that Bonnie had been rushed to hospital with a serious tear in her bowel and had to have emergency surgery.

But complications from the operation meant doctors had to place the singer in an induced coma.

Portuguese media claimed Bonnie went into cardiac arrest when doctors first tried to bring her out of her induced coma several weeks ago.

She was due to perform at the Sunshine Festival in Worcester this summer, along with a number of European dates.

Bonnie had also been booked to perform at Cardiff’s Utilita Arena on December 17.

The singer who was married to property developer Robert Sullivan since 1973.

She competed at the Eurovision Song Contest for UK in 2013 and finished the competition in 19th place with her song Believe In Me.

“For Want of a Horse,” a play by Olivia Dufault receiving its world premiere in an Echo Theater Company production at Atwater Village Theatre, wants to have a rational conversation about a taboo topic that can provoke instant outrage.

The subject is zoophilia, not to be confused with bestiality, though for many of us it will be a distinction without much of a difference.

Calvin (Joey Stromberg), a good-looking, mild-mannered married accountant, has harbored a secret for much of his life. He has a thing for horses. His erotic interest began at an early age, and all his efforts to lead a normal life have left him depressed and contemplating suicide.

His wife, Bonnie (Jenny Soo), is a permissive kindergarten teacher who’s having difficulty restraining a girl in her class who has discovered the joys of masturbation. Worried about her husband, she discovers through his browsing history that he’s once again visiting strange animal sites.

She suggests he keep a horse, explaining that she doesn’t want to end up a widow or divorcée. Calvin is taken aback by her generosity but has come to recognize that his preference is more than a kink. It’s part of his identity — and maybe the only part that makes his life seem worth living.

Joey Stromberg and Jenny Soo in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

A horse named Q-Tip (Griffin Kelly) enters the couple’s lives. A stable is secured, and the mare, who senses that something strange is going on, is indulged with apples and caresses.

Kelly, a statuesque presence in a dress, harness and boots, brings the horse to life with wild, unpredictable movements. The sheer size of the animal poses a threat to humans. One kick, as Q-Tip herself explains in one of her thought-bubble monologues, is capable of penetrating a steel wall. But controlling an animal’s food supply is an effective way of winning over its trust.

Calvin has found support in the online zoophilia community. PJ (Steven Culp), a man whose current inamorata is a bichon frise, is considering moving to a country where zoophilia isn’t illegal. He’s tired of the shame and the secrecy. He’s proud of his attachment to pooch, even if his thing for dogs has cost him contact with his daughter and ex-wife.

Dufault doesn’t shy away from sexual details. For PJ, intimacy depends on peanut butter. Calvin describes the physical signals that reveal Q-Tip’s erotic satisfaction. The play occasionally descends into sitcom humor. (PJ says he’s considering creating a human-dog dating app called Rin Tin Tinder.) But mostly the subdued tone steers clear of sensationalism.

The production, directed by Elana Luo, is scrupulously well-acted by the four-person cast. Stromberg makes Calvin seem not only reasonable but surprisingly sensitive. Soo’s Bonnie sweetly embodies the excesses of a kind of progressive piety. As PJ, Culp gruffly embraces his role as the play’s polemical fire-starter. And Kelly’s Q-Tip, in the production’s most physically demanding performance, straddles the human-animal divide with theatrical aplomb.

Steven Culp, left, and Joey Stromberg in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

The open-mindedness that Dufault, a trans playwright, brings to the play creates some dramatic slack. Possibly the same fear of making value judgments that has inhibited Bonnie from imposing common-sense discipline in her classroom has robbed “For Want of a Horse” of a propulsive point of view.

The play moves monotonously between Calvin and Bonnie’s bedroom and the stable. Scenic designer Alex Mollo has worked out an efficient way of shifting between these realms by employing the same set of wooden trunks. But the argument of the play doesn’t so much build as elapse.

Time takes its toll, and Calvin eventually has to make a decision. But the character who interested me most was Bonnie, whose reality is only glimpsed. The play tacitly uses her husband’s threat of suicide as a trump card. Zoophilia isn’t merely a fetish for Calvin but a nonnegotiable part of his identity.

This questionable assumption can be psychologically scrutinized not only from Calvin’s point of view but also from his wife’s. The play wants to have an intelligent debate, but it doesn’t want to interrogate certain political positions too skeptically.

At one point, Bonnie objects when Calvin compares his situation to that of homosexuality, but the conversation ends there. The reality is that the right wing has been making a similar claim, arguing that same-sex marriage opens the door to bestiality, polygamy and incest. “For Want of a Horse” inadvertently lends legitimacy to this line of reasoning.

Griffin Kelly in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

Not that extremist positions should be off limits, but they ought to be more rigorously addressed. Similarly, Bonnie’s concern about the issue of consent — how can a horse say yes to intercourse with a human — is introduced only to be dismissed in a shrug of mild-mannered bothsidesism.

While watching “For Want of a Horse,” I recalled a program on PBS called “My Wild Affair” that wasn’t about zoophilia but about the problematic nature of human bonds with untamed animals. Relationships with a seal, an elephant and a rhino, for example — obsessive, protective, loving friendships — all seemed to end if not in outright tragedy, then in shattering heartbreak.

Q-Tip is rightfully given the play’s last word, and Kelly, an actor (HBO’s “The Book of Queer”), writer and comedian, is the production’s driving force. We can never know what’s inside this mare’s mind because Q-Tip’s brain has evolved so differently from our own. Kelly plays the anthropomorphic game while retaining some of the inscrutability of a four-legged creature.

It is through language that we, as humans, traverse the chasm separating us from one another. That’s not possible with animals, even with our closest domestic companions. (Try explaining a necessary medical procedure to a cat.)

“For Want of a Horse” sets out to speak about the unspeakable, but its construction may be too tame for such a wild subject.