The BBC aired a special tribute to Bonnie Tyler on Saturday, July 25, just weeks after the Welsh singer’s death at the age of 75, leaving fans in floods of tears
22:49, 25 Jul 2026Updated 22:49, 25 Jul 2026
Viewers were left in tears watching the Bonnie Tyler tribute (Image: David Redfern/Redferns/Getty Images)
The star, who split her time between South Wales and her home in Faro, Portugal, had been due to embark on a European tour later this year but was hospitalised in May.
In the wake of her passing, the BBC announced a special tribute programme would broadcast on Saturday, July 25. It showcased highlights from her 50 year career, including interview segments and electrifying performances.
Tuning in to the show on BBC Two, viewers were moved to tears. One fan wrote: “What a distinctive voice Bonnie Tyler had. It’s a heartache is a banger. Even if I can only hear it’s a hard egg.”
Another said: “Bonnie Tyler was brilliant.” A third wrote: “Crying at Bonnie Tyler at the BBC, RIP Queen.”
The BBC had earlier announced: “This special tribute compilation celebrates the great Bonnie Tyler’s incredible 50 year career, as fans come to terms with the sad news of her death earlier this month.
“The only Welsh performer to have a US Number 1, Bonnie’s distinctive husky vocals and powerful performances made her one of Britain’s best-loved and most enduring artists.
“This collection from the BBC archive showcases some of her biggest and very best moments from over the decades.”
Bonnie Tyler’s funeral and celebration of live service will also be available for fans to watch in an online broadcast. The service will be held at St Mary’s Church in Swansea on August 17, and will be streamed on the singer’s website.
Bonnie Tyler at the BBC is available to watch on BBC iPlayer.
As a special tribute celebrates the extraordinary 50-year career of Bonnie Tyler, the Mirror takes a look at the Total Eclipse of the Heart icon’s wild life behind the scenes, including the accident that changed everything
Bonnie Tyler died earlier this month(Image: Corbis via Getty Images)
With her unmistakable husky voice and theatrical music videos, there was nobody quite like Bonnie Tyler.
Her unexpected death earlier this month at the age of 75 came as a great sadness to those who’ve followed her distinctive work over the decades.
A legend of ’80s power ballads, many a fan has attempted a karaoke version of Holding Out for a Hero or Total Eclipse of the Heart. But few could hope to hold a candle to Bonnie’s signature rasp and melodramatic stage presence.
The Welsh singer’s extraordinary 50-year career will be celebrated this weekend in a special tribute compilation aired on BBC Two. And it will perhaps surprise no one that magnetic Bonnie’s personal life was every bit as explosive as her musical output.
Little-known real name
While the name Bonnie Tyler may adorn her Platinum-status records, it wasn’t actually the singer’s real name, and it took some time for her to find one that fit.
Britain’s First Lady of Rock was originally christened Gaynor Hopkins, a name she never much cared for as a budding star growing up in the sleepy village of Skewen, near Swansea.
In the early days of her career, young Bonnie began trying out the name Sherene Davies as a stage name, hoping to distinguish herself from the celebrated Welsh folk singer-songwriter, Mary Hopkin, who was just one year her senior.
Speaking with the Leicestershire Press in 2023, Bonnie revealed: “I never really liked my name, so it was a lovely opportunity to change it. My sister had a little girl called Sherene, and I loved that name – it was my name for seven years.”
It wasn’t to stick, however, and after being signed by RCA Records – Elvis Presley’s old label – Bonnie was told that Sherene just wouldn’t do, as it sounded, to their ears, “like a belly dancer”. A search began for a third moniker, with Bonnie taking a creative approach.
She remembered: “I bought two broadsheet newspapers, and I made a list of all the Christian names in one list and all the surnames in another list, and I matched them up until I came up with Bonnie Tyler. It’s been a great name for me, I reckon Steven Tyler must’ve been in the paper that day.”
Scream injury
She is often referred to as ‘the female Rod Stewart’, but the vocal similarities only became apparent after a grim post-surgery accident.
Speaking with the Mirror in 2023, the It’s a Heartache songstress shared how, as her star began to rise in the glitzy ’70s era, belting out ballads began to take a strain. And in 1977, she had to undergo surgery.
Bonnie said: “I started to get a sore throat because all the singing was taking its toll. A doctor discovered that I had nodules on my vocal cords. The only option was for them to be surgically removed. After the procedure, I was told by my surgeons not to talk, let alone sing, for six weeks.”
Unfortunately, after realising she’d forgotten to take strawberries to her brother, Lynn, who was hospitalised with a leg injury, Bonnie momentarily forgot about the doctor’s warning and let out a scream of frustration.
Detailing the incident in her 2023 memoir Straight from the Heart, Bonnie recalled: “I was so frustrated that I’d have to drive all the way back home, I let out an ‘Oh no!’ scream. When I went for a check-up with the specialist, he looked at me and said, ‘You could have done permanent damage’.”
While medics weren’t best pleased, Bonnie’s producer, David Mackay, was impressed by the gravelly sound her vocals produced, once healed. Bonnie said: “I’d always had quite a husky tone to my voice anyway, but as David joked, I now sounded like a female Rod Stewart!”
Marriage to Olympic athlete
Bonnie may have sung about doomed love affairs, but her marriage to a former Olympic judo athlete Robert Sullivan was a long and happy one. The couple first locked eyes back when Bonnie was still singing in Swansea nightclubs, and Robert was a nightclub manager. They tied the knot on July 4, 1973, with Bonnie officially becoming Mrs Gaynor Sullivan – her fourth name.
In a 2012 interview with The Guardian, Bonnie spoke fondly of those early days together, and it appeared the pair were just as smitten as they were as twentysomething newlyweds just starting out. She shared: “I married Robert, my first serious boyfriend, in 1973, when I was 22. I am still very much in love with him and he with me. We never fall out. He is very easy on the eye, which helps.”
And speaking to the Times about Robert, who went into property development after hanging up his judo belt, she said, “I think the secret to our success is that we met before I was famous.
“We don’t have children because we left it too late to stop taking precautions, and then I had a miscarriage when I was 40. I was unlucky, but I love all my nieces and nephews. Our house in Mumbles is like Paddington Station because everyone wants to come and visit Auntie Gaynor.”
Bonnie and Robert owned at least 25 properties together, including 22 homes across Berkshire and London, plus a sizeable farm in New Zealand. However, their seaside home in Mumbles and their villa in Albufeira proved to be their favourites, and it was between these two much-loved residences that they split their time.
Bonnie Tyler at the BBC airs July 25 at 8:30 pm on BBC Two.
Do you have a story to share? Email me at julia.banim@reachplc.com.
For a certain swath of millennials, Dan Finnerty’s rendition of Bonnie Tyler’s “Total Eclipse of The Heart” in the frat comedy “Old School” is its definitive performance.
In the 2003 film, the Dan Band’s sweaty, inappropriately exuberant version of the ’80s power ballad upstages Will Ferrell’s wedding. The scene forever changed the lyrics of Tyler’s hit to something much more profane, but no less yearning.
After Tyler’s death at 75, Finnerty (who played a similar role in “The Hangover,” among many other comedies) reflected on his sideways journey into Tyler’s career, and how one quick scene on a two-decade-old comedy still endures.
You’ve had a pretty unique relationship to Bonnie Tyler’s music, how are you feeling after she passed?
It’s definitely sad. Everybody is texting me. I never met her, but what an impact she had on me. I grew up right when “Total Eclipse” came out in the ’80s, and it was such a huge song at the time. It had never left my head. I was always just belting that song out because it’s so epic, from Jim Steinman’s writing to Bonnie’s performance.
Why does that moment from “Old School” still endure? It arrived at the last cusp of the DVD era before culture transitioned into the internet and streaming video.
Without YouTube and the internet, you really had to grab pop culture moments from your memory. That’s definitely one of the reasons why pulling it out seemed obscure when we did “Old School.” People were like, “Oh my God, yes, I love this f— song.” Which is so different now because everything’s at your fingertips, so you can’t really rely on like pulling back some nostalgia moment because it’s always around anyway now with the internet. But people were reacting as much to me dropping the f-bombs as the nostalgia of the song, and rediscovering it and realizing that the song kicks ass and never stops kicking it.
Was the song already in your repertoire when you filmed “Old School?”
I was doing my show with the Dan Band in Los Angeles, and [director] Todd Phillips ended up coming to one of the performances. I met him afterwards, and he was like, “There’s actually a wedding scene in this movie. What song would you sing at a wedding?” I had just started working on a medley of “Total Eclipse,” and I think at the time I was going to do “Holding Out for a Hero,” but then I just merged it with “Private Dancer,” and he was like, “Oh my God, I love it.” The following Monday, he called and he’s like, “Can you put that together?”
The bit works because you totally commit to the song’s hugeness, and the profanity slips by like it’s spontaneous. You can tell you love the song on the merits.
I had never done it before. But Todd had seen my show, and when we went to do the first take, I didn’t think I was allowed to swear. But I obviously was swearing during my live show in all my little medleys. He came running up and he’s like, “Are you gonna swear like you do in the show?” I’m like, “Am I allowed to?” And he’s like, “Yeah.” So I’m like, “Buckle the f— up.”
But basically, what I was doing was honestly trying to match Bonnie’s commitment at the level she did with her voice, which is what I loved about all of her performances and Jim Steinman’s music. It’s just over-the-top commitment and drama. The swearing was just me being like, “How can I bump this up one notch when they’ve already just nailed it?”
Did you ever hear from either of them about what they thought about the film?
I’d tried to get Bonnie to do a duet of “Total Eclipse,” and I reached her management. He was like, “Well, Bonnie’s willing to do the song as long as there’s no profanity because she’s not a profane person.” I was like, “Well, neither the f— am I. I was an altar boy.” It didn’t end up working out, because I knew if I did the song without the swearing, people would be like, “What the f—?” But later, met Jim Steinman. I mentioned it to Steinman, and he was like, “Oh, I wish they called me because I can make Bonnie do anything, she’d love the swearing,” which killed me.
You did kind of alter her song forever for a certain generation.
I was just picturing them both hating how I bastardized their song. So when I finally met Steinman, he was like, “No, no, no! I f—ing loved it. In fact, I’ve always thought of all those epic booms, the Kurzweil, all the big hits in ‘Total Eclipse,’ those were musical f—s.”
Mostly I wanted to just find Bonnie and apologize to her for all the drunk guys I have pictured over the years at her concert screaming “F—” ever since that movie.
That song became your biggest hit as a comedian. How’d it change your life?
It got funnier the older we got. When I would do “Total Eclipse” right after “Old School” came out, it would get the biggest reaction. There was one set early on at the Playboy Mansion, we were hired to play some party there. There were just a bunch of drunk guys at the mansion and a couple Playboy bunnies that were contractually hired to walk around and wave. They’re like, “Play ‘Total Eclipse,’” and so I did. Then they’re like, “Play it again.” I’m like, “OK.” Then “Play it again.” I was like, “Here we go, give them what they want.” It was the least amount of work I had to do for a song that was pre-loved from a moment in a movie.
God, I hope she knew how much I loved her and apologize for all the drunk guys that had probably f-bombed the hell out of her concerts.
Before that song, people were like, “Do you have a flier for your next show?” I’m like, “For what?” But once “Old School” happened, suddenly a record label was like, “We want to do a live album.” I’m like, “Who’s gonna buy it?” But my manager is like, “Don’t say s— like that. There’s a record label that wants to make an album with you, dumbass.”
The whole thing has just been a surprise, but it’s been a good one. We’re playing this festival in Canada next weekend, and God, that song’s going to be such a big moment.
Bonnie Tyler, the husky-voiced, powerhouse vocalist who performed memorable and dramatic pop rock songs including “Total Eclipse of the Heart” in the 1980s, has died.
The Welsh singer died in a Portugal hospital on Wednesday night, according to a statement on her official website and social media accounts Thursday morning. Prior to her death, Tyler was hospitalized and underwent emergency intestinal surgery in May 2026. She was placed in an induced coma to aid her recovery which she awoke from in mid-June but remained “very unwell,” her family said at the time. She was 75.
“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for,” the statement read.
A three-time Grammy Award nominee, Tyler first rose to fame in the late 1970s. She was known for her raspy vocals, offering listeners an edgier sound that also melded rock and pop. Tyler released a total of 18 studio albums, beginning with her debut, “The World Starts Tonight,” in 1977. But she solidified her place in music with collaborations with songwriter-producer Jim Steinman, a hitmaker who worked with Meat Loaf, Air Supply and Celine Dion.
Tyler contributed her powerful voice to Steinman’s dramatic “Total Eclipse of the Heart,” which was released in 1983 ahead of her fifth studio album, “Faster Than the Speed of Night.” Steinman initially envisioned the power ballad as a core piece in a musical adaptation of “Nosferatu,” but with Tyler, the number took on a different life.
“Total Eclipse of the Heart” climbed music charts and earned Tyler a Grammy nomination for female pop vocal performance in 1984. In addition to its commercial and critical success, Tyler’s moody hit became a mainstay in pop culture, covered in the musical TV series “Glee” and finding new life in versions by One Direction, Kelly Clarkson and several other musical acts.
“When I first heard it, I couldn’t believe it had been given to me to record. I just cried at the intense emotion of it and was so happy to have that song,” Tyler told the Guardian in 2009. “Now when I go on stage and sing ‘Total Eclipse,’ everybody sings with me. So many people say they fell in love to it and it means a hell of a lot to them. It’s such an anthem, and such a wonderful feeling, I never get tired of singing it.”
“Total Eclipse of the Heart” wasn’t the only celebrated hit from Tyler.
A year later, she performed “Holding Out for a Hero,” produced by Steinman and co-written by Dean Pitchford, for the 1984 film classic “Footloose,” starring Kevin Bacon. The energetic anthem, which features Tyler’s thunderous voice over a racing beat, also climbed the Billboard Hot 100 (it peaked at No. 34) and went on to be featured in other screen projects, including a pivotal scene in the animated comedy “Shrek 2,” with Jennifer Saunders performing the hit.
Tyler, also known for “Bitterblue,” written and produced by Dieter Bohlen, continued releasing music throughout the ’90s and early aughts. Amid the process of creating her 16th album, “Rocks and Honey,” Tyler joined the Eurovision Song Contest in 2013 to represent the United Kingdom. Though she finished 19th, she said at the time she was glad she competed “because it was an incredible experience,” likening it to the Grammy Awards. She released “Rocks and Honey” that same year, her penultimate album, “Between the Earth and the Stars,” in 2019 and her final album, “The Best Is Yet to Come” in 2021.
In 2022, she was appointed a Member of the Order of the British Empire during Queen Elizabeth’s Platinum Jubilee, recognizing Tyler’s contributions to music.
Tyler was born Gaynor Hopkins on June 8, 1951, to homemaker Elsie and coal miner Glyndwr, and was one of seven children. She was raised Protestant and cared for by her grandparents in the small Welsh town of Skewen. Her passion for music could be traced to watching British charts program “Top of the Pops” with her father, writing down lyrics to the hits of the time and singing them herself. Tyler officially caught the singing bug after placing second at the talent show hosted by a local rugby club.
After the contest, the singer continued her artistic pursuit, performing with a handful of bands including Bobby Wayne & the Dixies and, later, Imagination. She was eventually scouted and traveled to London to record a few demos but did not immediately hear back. “After two years, someone called me out of the blue and told me I’d got a record deal on the same label as Elvis,” she recalled to the Guardian.
The singer underwent several name changes over the course of the career. First she pivoted to Sherene Davis to avoid confusion with fellow Welsh vocalist Mary Hopkin. Then once more, at the behest of RCA Records, to Bonnie Tyler — a name she conjured up by mixing and matching names she read in a local newspaper.
Now Bonnie Tyler, the singer released her debut single “My! My! Honeycomb!” in 1976 and her debut album the following year. However, she would not come into her signature sound until the spring of 1977. Tyler suffered nodules on her vocal cords and underwent surgery to remove them. She feared her career would end as a result, though that would be far from the case.
Tyler, after a brief recovery period, returned to the recording studio with a huskier, edgier voice. “It turned out losing my voice was not too treacherous for me,” she told the Guardian. She released “It’s a Heartache” in 1977 with her raspy voice front and center.
“I had my first hit in America with my new husky voice on ‘It’s a Heartache,’” she said. “Maybe my husky voice was what that song, and my career, needed.”
After her tenure with RCA Records, Tyler signed with CBS Records in 1982, leading to her memorable collaborations with Steinman. At the end of the ’90s, Tyler signed with Hansa/BMG Ariola and, eventually, with EastWest Records and continued to find success in continental Europe. In addition to her albums, Tyler embarked on several tours, most recently her Between the Earth and the Stars live tour in 2019. Her most recent release was “Together” in July 2025, produced by electronic music artist David Guetta, which samples the chorus of “Total Eclipse of the Heart.”
Tyler married former Olympic martial artist Robert Sullivan in 1973. The pair never had their own children — the singer suffered a miscarriage at age 39 — but experienced “no shortage of children,” she told the Guardian in 2012. Tyler had numerous godchildren, more than a dozen nieces and nephews and multiple great-nieces and great-nephews. With her fame, Tyler supported her family and purchased several properties including a home in Mumbles, Wales, and a home in Portugal.
When Tyler reflected on her decades-long career for the BBC in 2019, she said she had long exceeded her own expectations.
“I didn’t expect ever to be making records,” she said at the time. “I was just happy being in a band, singing.”
Look Mum No Computer will perform in the semi-final on Thursday night, but has already got a place in Saturday’s live grand final
(Image: Jessica Gow/TT/Shutterstock)
She was parachuted in to take on the role vacated by Scott Mills – now new Eurovision Song Contest presenter Angela Scanlon is backing the UK to do well on Saturday.
The bookies have so far placed our act Look Mum No Computer way down in 18th place, with odds of 250-1 to triumph.
But everything could change after viewers get to see the full staging in Thursday’s semi-final, including some “risky moves” by performer Sam Battle, whose song is a fusion of synths and electronic-bass.
At one point he is rumoured to be standing on a table being carried by a team of four dancers. “There’s something really exciting about an act that feels completely original – and that’s what he brings in spades,” Angela told the Mirror. “Eins, Zwei, Drei has personality, energy, and that slightly unpredictable edge that Eurovision audiences love. If the performance lands the way it promises to, I think it could really connect. And ultimately, that’s what it’s all about – creating a moment people remember.”
The Your Home Made Perfect presenter, 42, is thrilled to be hosting the two semi-finals on BBC1 alongside Rylan Clark this year, describing the event as “the world’s biggest music festival, talent show, and theatrical spectacular all rolled into one.” But she admitted that the complicated voting system, which incorporates votes from national juries as well as viewers at home all over the world, would again “test your emotional resilience”.
One source who has seen the UK’s rehearsal said: “Sam could surprise everyone with his staging. He’s very cool and there are some risky elements with him dancing on top of things. It’s precarious and a bit dangerous.”
On Thursday Look Mum No Computer will take part in the second semi – even though the UK’s place in Saturday’s final is guaranteed. Others performing on the night include former Neighbours star and judge of The Voice Delta Goodrem, for Australia, and ex-Love Islander Antigoni Buxton, who is singing for Cyprus.
Other countries vying to get through the second semi-final include Ukraine, Bulgaria and Denmark.
Rylan, who has been part of the BBC’s Eurovision coverage since 2018, when he took over from Mel Giedroyc, said he loved getting into the commentary box and meeting up with international friends old and new. “There are commentary teams from all over Europe and in that week, you all get to know each other pretty well,” he explained. “After doing it for so long, the commentary box level is one big party, and I love seeing my fellow commentators from other countries.”
Rylan was said to have been “devastated” when Mills lost his job at the BBC in March, because they had become close friends outside of work. Mills was sacked from the BBC Radio 2 Breakfast Show over personal misconduct relating to “serious sexual offences against a teenage boy”. A police probe which ended in 2019 found insufficient evidence to bring charges.
But he was also informed that he will not work for the BBC again.
Despite this Rylan, 37, has vowed to enjoy himself while in Austria for the ESC. “This year we’re heading to Vienna to have some fun.,” he insisted. “Is there anything that’s not been done? We’ve had butter churning, singing in the rain, and even Bonnie Tyler singing on a mechanical lift. It’s unique. And that’s what Eurovision is all about – the unexpected.”
The current favourite to triumph on Saturday is Finland, with Greece, Denmark, France and Australia also looking strong.
The UK has not won for 29 years, but came close in 2022 when Sam Ryder finished in second place with Space Man, drawing 466 points. Last year’s UK entry Remember Monday came 19 th with 88 points and the previous year Olly Alexander finished 18th with 46 points.
– Eurovision Song Contest, BBC1, Thursday 8pm and Saturday 8pm
