March 16 (UPI) — The board of trustees for the John F. Kennedy Center for the Performing Arts in Washington, D.C., is set to attend a meeting Monday to determine whether to shutter the facility to carry out renovations that some critics worry could result in a structural overhaul akin to the White House’s East Wing.
The agenda for Monday’s meeting, obtained by The New York Times, indicates the board will vote on whether to begin renovations starting July 6. President Donald Trump announced last month that he wants to close the Kennedy Center for two years for construction amid artist cancellations and boycotts over his cultural agenda.
Trump said the decision to close the facility came after a yearlong review in consultation with contractors, musical experts, arts institutions, and advisers and consultants. He had initially considered a partial project that would permit shows to continue, but decided the best option for the venue was a temporary closure.
Rep. Joyce Beatty, D-Ohio, an ex officio member of the board who sued to have access about the details of renovations, said she believes Trump wants to shutter the Kennedy Center in response to dozens of individuals and cultural organizations who have canceled appearances there in response to Trump trying to rename the center after himself. Beatty said the documents she received about the renovations were “inadequate.”
She said “the documents prove that there is absolutely no basis to shutter this precious living memorial and beloved institution,” she said in a statement. “It certainly looks like President Trump is shutting down the center because he is embarrassed that ticket sales are down and artists are fleeing since his illegal renaming.”
Beatty’s lawyers said she was concerned Trump might use his hand-selected board to push through wholesale changes at the Kennedy Center to design a facility more to his liking. In October, Trump had the East Wing of the White House demolished to make room for a $250 million ballroom.
In a post on Truth Social on Friday, Trump shared renderings of what he expected the so-called Trump-Kennedy Center to look like after the renovations. He said he’s not planning to rip out the facade.
“I’ll be using the steels. So we’re using the structure, we’re using some of the marble, and some of the marble comes down,” he said.
A Washington Post analysis of the renderings show very few changes to the exterior of the building, including altered cornices, updated roof and some windows, painted columns, new signage and landscaping changes.
The group Hands Off the Arts has held weekly protests outside the Kennedy Center over the changes. A participant, drag queen Tara Hoot, said “there’s no need for it to close.”
“The carpet’s brand new, right? They already have some things planned in the works to redo the Kennedy Center and parts of it, maintenance, so there’s no reason to close it,” Hoot said, according to WUSA-TV in Washington, D.C.
“There are jobs, lots of jobs, and people are going to lose their jobs. The economy is terrible right now. Why do we want more people to lose their jobs?”
President Donald Trump speaks during an event celebrating Women’s History Month in the East Room of the White House on Thursday. Photo by Bonnie Cash/UPI | License Photo
President Trump announced on social media Friday that Richard Grenell, the former ambassador to Germany who Trump appointed as president of the John F. Kennedy Center for the Performing Arts more than a year ago, is stepping down. Grenell will be replaced by Matt Floca, the vice president of facilities operations at the center.
“Ric Grenell has done an excellent job in helping to coordinate various elements of the Center during the transition period, and I want to thank him for the outstanding work he has done,” Trump posted on Truth Social, adding that after an upcoming two-year closure for renovations, the center “will be, at its completion, the finest facility of its kind anywhere in the World!”
The tumult continues at the John F. Kennedy Center for the Performing Arts as the National Symphony Orchestra’s executive director, Jean Davidson, steps down from her role to become executive director and chief executive of the Wallis Annenberg Center for the Performing Arts. Davidson will assume her new position May 4, the Wallis announced Friday.
“I’ve learned a lot in the last three years, and I think it’s no secret that it’s been a hard year,” Davidson told The Times, adding that the politicization of the Kennedy Center was a factor in her decision-making. “I had intended to stay through the [orchestra’s] 100th anniversary in 2031, but found it more and more difficult to achieve the goals that we had set out to achieve given the external forces that are at work that are just so far beyond my control.”
It seemed like “I had reached a natural ending point,” she said.
With the imminent closure of the Kennedy Center, speculation has swirled around the NSO’s future, especially in light of the Washington National Opera’s decision in January to cut ties with the storied venue, which has been its home since 1971. The Kennedy Center’s Trump-appointed leadership, however, made it clear that it intended to support the NSO in the long term, and the orchestra’s board chair assured musicians that the orchestra and its staff would remain intact.
Davidson said the NSO is in the process of identifying venues for the next two years, and that the orchestra has been told by the Kennedy Center that its financial support is not in question.
“Many venue operators in the D.C. area have been very generously reaching out to us, asking how they can help,” she said. “Of course, we plan our seasons years in advance, and so next season was already planned. We already have conductors and soloists and all of that, and so it’s a bit of a jigsaw puzzle aligning our existing programming and obligations to those artists with venues that are appropriate for those programs.”
It will take several more weeks to come up with a cohesive plan and it will probably include several venues, “but we will have a season,” Davidson said. “And we hope that everybody will come.”
In many ways, Davidson said, the NSO is stronger than it has been in quite some time. During her tenure, Davidson helped reboot the orchestra’s international and domestic touring, which includes upcoming shows at New York’s Carnegie Hall in May and at the Hollywood Bowl in August. The orchestra also extended acclaimed music director Gianandrea Noseda’s contract through 2031.
“The orchestra is just playing at such a high level and they really have never sounded so good,” said Davidson, echoing what notable critics have also been saying. “We’re still welcoming many new players after our audition process, and I think that’s all very positive for the NSO.”
Davidson knows that leaving her role will be difficult for the orchestra, but she believes it will emerge stronger.
“I care deeply about the NSO and I am so proud of everything that we’ve accomplished together. I think the world of Gianandrea, of [principal conductor] Steven Reineke, our musicians, our staff and board — it’s a great community of people,” said Davidson.
Davidson also believes that the upcoming renovations to the Kennedy Center will ultimately result in a better experience for audiences and artists. She just wishes there had been much more advance notice.
“Usually orchestras will plan for being out of their hall years in advance, and we only have months to do that, so it is causing a bit of strain,” she said. “I think the most important thing is that our audiences and donors continue to support the NSO during this transition period.”
Davidson will now embark on her own transition as she moves from D.C. to L.A., rejoining her husband who has stayed in the area as a music professor at UC Irvine.
“This is an opportunity that’s been on my bucket list of things that I want to do in my life and it seems like the right time,” said Davidson of her new role at the Wallis in Beverly Hills.
Compared with the NSO, the Wallis is practically brand new, having opened in 2013.
Davidson is excited that there is lots of room for growth, and that the Wallis has evolved into one of the region’s most exciting multidisciplinary performing arts presenters and home base to a variety of local arts groups.
“I think anytime you’re starting a new role, there’s a lot of learning that needs to occur,” Davidson said. “And I’m not somebody that is prone to walking in with a big vision that’s going to suddenly change course. I think they’ve been doing a lot of great work and so I’m looking forward to collaborating with the team that’s there — to learn and to create a shared vision for the future.”
It’s an exciting time to be in Los Angeles, Davidson said.
“The last decade or so has seen a lot of growth in the art sector, and there are so many talented artists and organizations in L.A. that need a place to perform.”
Embattled Hollywood mogul Casey Wasserman, who is facing mounting pressure to resign from his position at the helm of the 2028 L.A. Olympics, also holds another important cultural appointment on the Los Angeles County Museum of Art’s board of trustees.
Wasserman, 51, joined LACMA’s board in 2004 when he was 30, two years after he founded his eponymous talent and marketing agency. Just last week, Wasserman announced he would sell his agency after racy emails between himself and convicted sex trafficker and Jeffrey Epstein associate, Ghislaine Maxwell, emerged at part of the Justice Department’s latest release of millions of documents related to the Epstein files.
Wasserman, the grandson of legendary studio exec Lew Wasserman, arrived at LACMA as part of a wave of relatively young additions to a notoriously older board. His addition also heralded the dawning of an era in which LACMA actively sought to strengthen its connections with the entertainment world. In 2011, LACMA launched its glitzy Art + Film Gala, an annual party co-chaired by Leonardo DiCaprio that serves as a melting pot for A-list celebrities and art world stars.
“There was an understanding — the message was there needed to be a change in the board,” museum director Michael Govan told The Times in a 2015 interview. “The board was in extreme need of refreshment.”
Now that Wasserman’s leadership in other roles is being questioned , will his relationship with LACMA follow? LACMA did not respond to a request for comment. Although the board generally meets a few times a year, it may not be an issue that has come to the fore as of yet.
Thus far, LA28 has stood by Wasserman, noting in a recent statement that his emails with Maxwell were sent years “before Mr. Wasserman or the public knew of Epstein and Maxwell’s deplorable crimes … This was his single interaction with Epstein.”
“The Executive Committee of the Board has determined that based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” LA28 wrote.
L.A. Mayor Karen Bass said in a recent CNN interview that she believed Wasserman should step down, and that it is “unfortunate” that Olympic organizers remained in support of him.
In a memo to staff at his talent agency, Wasserman wrote that he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”
I’m arts editor Jessica Gelt with this week’s arts and culture news.
You’re reading Essential Arts
The week ahead: A curated calendar
FRIDAY
The cast of “Cinderella: A Salsa Fairy Tale.”
(South Coast Repertory)
Cinderella: A Salsa Fairy Tale The classic fairy tale moves to the basketball court in this hip-hop fueled musical adaptation for young audiences with a book and lyrics by Karen Zacarías and music by Deborah Wicks La Puma. Directed by Sara Guerrero. Through March 8. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Dr., Costa Mesa. scr.org
Dear Little Friend: Impressions of Galka Scheyer The exhibition from the German-born art dealer’s collection includes portraits and ephemera, featuring such artists as Maynard Dixon, Peter Krasnow, Beatrice Wood and Edward Weston, as well as gifts from the Blue Four artsist, whose work Scheyer championed: Alexei Jawlensky, Lyonel Feininger, Paul Klee and Vassily Kandinsky. Thursday-Monday, through July 20. Norton Simon Museum, 411 West Colorado Blvd., Pasadena. nortonsimon.org
The Industry LAB 2026 The innovative opera company partners with REDCAT for this series featuring new works: a shared program of Guillermo E. Brown’s “The Instrument, Romance, Bee Boy” and Carmina Escobar’s “Our Voice Is Not at the End of Anything” (8 p.m. Tuesday-Wednesday; 8 p.m. Friday and Saturday; 3 p.m. Saturday-Sunday); and Matana Roberts’ “spiral resonance: a study in the abstract,” an immersive sound and moving image installation exhibition (noon-6 p.m., daily through March 1) with solo activation performances in the space by Patrick Shiroishi (8 p.m. Tuesday); Ryan Sawyer (8 p.m. Wednesday); Roberts (8 p.m. Feb. 27); Kyp Malone (8 p.m. Feb. 28); and Judith Berkson (3 p.m. March 1). Through March 1, 2026 REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Wallace Berman/Bruce Conner A pair of solo exhibitions highlighting extraordinary mark-making: “It Don’t Mean a Thing (If It Ain’t Got That Swing)” salutes the centennial of post-war counter-culture artist Berman with a rare showing of his large-scale photographic collages; “Inkblots and Felt Tip Drawings” focuses on an often overlooked aspect of multimedia artist Conner’s work. A selection of Conner’s experimental films are being exhibited at Marciano Art Foundation (see below). Tuesday-Saturday, through April 25. Michael Kohn Gallery, 1227 North Highland Ave. kohngallery.com
Missa Solemnis Gustavo Dudamel and the Los Angeles Philharmonic are joined by more than 100 voices from the Cor de Cambra of the Palau de la Música Catalana and Orfeó Català of Barcelona for this Beethoven mass that is rarely performed due to its ambitious scale. 8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Jon Serl: As One, As Many Starting in vaudeville before moving to California and working as a Hollywood voice actor and gardener, Serl became a painter following World War II with a long, expressive career illustrated in this retrospective. Fittingly, the artist had his first museum exhibition in 1981 at the Newport Harbor Art Museum (now UC Irvine Langson Orange County Museum of Art). Through June 7. UC Irvine Langson/Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art
Marco Perego “The Being” is a solo exhibition featuring video, installations and drawings by Italian-born artist. Through April. Jeffrey Deitch, 7000 Santa Monica Blvd., Los Angeles. deitch.com
Christina Kirk and Norbert Leo Butz, seated, with the cast of “The Recipe.”
(Rich Soublet II/La Jolla Playhouse)
The Recipe Christina Kirk and Norbert Leo Butz star as Julia and Paul Child in the world premiere of Claudia Shear’s play about the world-famous chef. Directed by Lisa Petersen. Through March 22. La Jolla Playhouse, 2910 La Jolla Village Dr. lajollaplayhouse.org
Puppet Up! – Uncensored Created by Brian Henson and directed by Patrick Bristow, this irreverent, ever-changing show features the Miskreant puppets plus classic Jim Henson sketches unseen by live audiences for decades. 7 p.m. Friday and Saturday; 5 p.m. Sunday; 7 p.m. Feb. 27-28; 5 p.m. March 1. The Montalbán, 1615 Vine St., Hollywood. puppetup.com
SATURDAY Kyreeana Breelin Alexander The interdisciplinary artist performs “We Cool,” a solo autobiographical coming-of-age story fueled by rhythm and movement. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
Judith F. Baca With “The Great Wall Of Los Angeles: The 1970’s — A Decade Of Defiance And Dreams,” the artist’s organization SPARC (Social and Public Art Resource Center) exhibits the latest complete segment in the monumental work’s expansion. Opening reception, 6-8 p.m.; through April 4. Jeffrey Deitch, 925 N. Orange Dr. deitch.com
Bruce Conner, “Crossroads,” 1976. 35mm, black/white, sound, 37 min. Digitally Restored, 2013.
(The Conner Family Trust/Michael Kohn Gallery)
Bruce Conner “Recording Angel” brings together seven of the artist’s experimental films, composed of found, scavenged and original footage, and re-cut using his influential rapid-fire editing techniques. Through July 18. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org
Patti LuPone The Broadway star marks the 25th anniversary of her concert “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe. 7:30 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org
John Snow The bassist and his band explore “The Poetry in Music” through works by John Coltrane, Joni Mitchell, Patti Smith, Langston Hughes, Hoagy Carmichael, Bob Dylan and others. 8 p.m. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com
Tap Fest: Listen to This! Dancers Derick Grant, Sam Weber and Josette Wiggan join the Colburn’s tap faculty and students for a program exploring the concept of the Tap Artist as both a dancer and musician. 7 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
SUNDAY Zhanna Kadyrova A collaboration with Kyiv to LA, an ongoing project supporting Ukrainian artists through a Los Angeles-based residency, and the Thomas Mann House, the solo exhibition “Sliced Realities” explores the artist’s anti-war practice and coincides with the four-year anniversary of Russia’s full-scale invasion of Ukraine. Sunday-Feb. 28. Thomas Mann House (1550 N San Remo Drive, Pacific Palisades. vatmh.org
Museums Free-For-All An Southland tradition in which Southern California arts and cultural institutions open their doors for free general admission. Participants include the Academy Museum of Motion Pictures, the Autry Museum of the American West, The Broad, California African American Museum, the Getty Center and the Getty Villa, UCLA Hammer Museum, LACMA, MOCA, Skirball Cultural Center and many, many more. At some locations, tickets are limited and reservations may be required. All-day Sunday. See complete list of participating institutions at socalmuseums.net/free
Queen Elisabeth Music Chapel Colburn Conservatory of Music welcomes the Belgian conservatory and its master-in-residence, cellist Gary Hoffman, for a joint performance of Fauré’s “Piano Quintet No. 1” and Messiaen’s “Quartet for the End of Time.” 3 p.m. Colburn School, Thayer Hall, 200 S. Grand Ave., downtown L.A. colburnschool.edu
Sueño Perro This film Installation by Alejandro G. Iñárritu both marks the 25th anniversary of his debut “Amores Perros” and serves as a “resurrection” using projections of never-before-seen fragments from that film’s production. Through July 26. Los Angeles County Museum of Art, BCAM, Level 1, 5905 Wilshire Blvd. lacma.org
We Hold These Truths: A Celebration of Black History Month Over 100 Years The contributions of Black Americans to the cause of democracy over the years are recognized in this collaboration of performers from across artistic mediums. Featured artists include actor Phil Morris, composer Tamar-kali, dancer Ishaun Jackson-Moaney, the West Angeles COGIC Victory Dance Company, opera baritone Derrick Lawrence and promising talent out of the USC Thornton School of Music, opera mezzo-soprano and producer Raehann Bryce-Davis, poet Alyesha Wise and arts scholar and activist Derrell Acon. 3 p.m. Nocturne Theatre, 324 N. Orange St., Glendale. eventbrite.com
TUESDAY Flashback Fun Six Disney classics return to the big screen: “Muppet Treasure Island” (Tuesday); “The Aristocats” (Wednesday); “Dumbo” (Thursday); “The Rescuers” (Feb. 27); “Bolt” (Feb. 28); and “Oliver and Company” (March 1). The El Capitan Theatre, 6838 Hollywood Blvd. elcapitantheatre.com
Filmmaker Jafar Panahi at the Toronto International Film Festival last September.
(Kate Dockeray/For The Times)
It Was Just an Accident: Live Read Film Independent presents writer-director Jafar Panahi’s “incisive drama,” winner of the Palme d’Or at Cannes in 2025 and nominated for international feature film and original screenplay at this year‘s Academy Awards, to the Wallis stage read by a new cast. 7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org
Haegue Yang “Star-Crossed Rendezvous” pairs two of the Korean-born, Berlin-based artist’s large-scale installations employing utilitarian objects. The first, “Sol LeWitt Upside Down — K123456, Expanded 1078 Times, Doubled and Mirrored” (2015) is a monochromatic installation inspired by the cube structures of the American conceptual artist. Across the gallery, “Star-Crossed Rendezvous after Yun” (2024) is an homage to composer and political dissident Isang Yun (1917–95). Synchronized to Yun’s “Double Concerto” (1977), an array of moving lights animate vibrant geometric structures to create an ever-changing, multisensory experience. The L.A. Philharmonic will perform Yun’s piece on March 10 at Walt Disney Concert Hall, with a pre-concert viewing of the installation at MOCA Grand. Through Aug 2. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org
WEDNESDAY L.A. Art Week It happens every February. Thousands of artists, collectors, curators and gallerists descend on the city, swelling an already vibrant local scene with a global reach into a week of discovery, creative adventure and fashion flamboyance. The Big Kahuna, of course, is Frieze Los Angeles (Thursday-March 1. frieze.com), a fair with a primarily contemporary focus, approximately 100 galleries, installations and pop-ups restaurants from around L.A.; Butter Fine Art Fair (Thursday-March 1. Hollywood Park, 1237 District Drive, Inglewood. butterartfair.com) features artists representing the African diaspora; Enzo (Wednesday-Saturday. 1634 W. Temple St. enzolosangeles.com) presents nine New York City galleries in an Echo Park warehouse; Felix Art Fair (Wednesday-March 1. Hollywood Roosevelt, 7000 Hollywood Blvd. felixfair.com) showcases exhibitors from around the world in a classic Hollywood setting; the cheekily-named The Other Art Fair Los Angeles (Thursday-March 1. 3Labs, 8461 Warner Dr., Culver City. theotherartfair.com) promises “the bizarre, unexpected, and never normal” with work from 160 independent artists; Post-Fair (Thursday-Feb. 28. 1248 5th St., Santa Monica. post-fair.com) is a dealer-led event in a historic Santa Monica Post Office building; and Start Up Art Fair (Friday-March 1. The Kinney Venice Beach, 737 Washington Blvd. startup-art.com) brings together 150 independent artists, collectors, curators and art professionals. It’s mostly next weekend but we wanted to give you a heads-up. Be sure to watch for Times reporter Malia Mendez’s upcoming preview. Happy art hunting and people watching.
THURSDAY Beethoven and Ortiz with Dudamel Gustavo Dudamel and the L.A. Phil are joined by Grupo Corpa and the L.A. Master Chorale for this charged program pairing Beethoven’s “Seventh Symphony” with Gabriela Ortiz’s ballet “Revolución diamantina (Glitter Revolution).” 8 p.m. Thursday and Feb. 27; 2 p.m. Feb. 28-March 1. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Norbert Leo Butz The Broadway star and two-time Tony Award winner (currently performing in “The Recipe” at La Jolla Playhouse, above) will perform excerpts from his signature roles, original compositions from his four solo records and covers from Tom Waits, Elton John and Bruce Springsteen. 7 p.m. Thursday-Feb. 28. Segerstrom Center for the Arts, Samueli Theater, 300 Town Center Dr., Costa Mesa. scfta.org
Arts anywhere
Something to read, something to hear and something to watch wherever you are.
The Art Book: Mini Format
(Phaidon Press)
The Art Book What’s it like to hold art history in the palm of your hand? Find out with the new Mini edition of this beloved text celebrated for bringing art appreciation to the masses. First introduced in 1994, the updated edition of this A-Z survey features more than 600 artists from medieval times to the present. It’s far from stuffy, including overlooked and contemporary figures including Berenice Abbott, Romare Bearden, Guerrilla Girls and more; plus Takashi Murakami and Wolfgang Tillmans, who The Times happened to interview recently and have L.A. shows (see below). Phaidon Press: 592 pp., $20. phaidon.com
Yunchan Lim
(IMG Artists)
Goldberg Variations Live at Carnegie Hall, New York, 2025 Recorded fewer than 30 blocks form where Glenn Gould laid down his own landmark recording of Johann Sebastian Bach’s masterpiece, pianist Yunchan Lim’s new album has been topping the classical charts since its release earlier this month. If you missed his performance of the Variations at Disney Hall last October (or if even if you didn’t), this is a must listen. Decca Records: $8-38. Available on vinyl, CD and digital download. deccarecordsus.com
An image from Frederick Wiseman’s ‘Titicut Follies.’
(courtesy of Zipporah Films)
Frederick Wiseman The filmmaker, who died Monday at 96, was a master storyteller and craftsman who mainly inhabited the nonfiction realm of the documentary. His perceptive explorations of public and cultural institutions was unparalleled and he was honored with an honorary Academy Award in 2016. If you would like to revisit Wiseman’s work or want an exhaustive introduction, check out the Frederick Wiseman Essential Films Collection at kanopy.com. Virtually every film he ever made is available and all you need is a public library card (an apt requirement!). His final film, “Menus-Plaisirs Les Troisgros” from 2023, can be viewed via the PBS Passport membership portal.
— Kevin Crust
Culture news and the SoCal scene
A detail of miniature “sportraits” during a preview of award-winning animator and visual-effects artist Lyndon J. Barrois’ exhibit, “Futbol Is Life” at LACMA.
Jefferson Mays in “Amadeus” at Pasadena Playhouse.
(Jeff Lorch)
A new take on Peter Shaffer’s “Amadeus” premiered at Pasadena Playhouse last week, and it may be the Tony Award-winning regional theater’s most lavish production to date. I got a behind-the-scenes tour of the theater’s amazing on-site scene shop to write about what it took to put the set, lighting and costumes together; and Times theater critic Charles McNulty attended opening night. Director Darko Tresnjak, writes McNulty in his review, “treats the play as though it were a tragedy wearing the mask of comedy. He doesn’t resist the melodrama that’s inherent in the material, but he refuses to overindulge it. This production hasn’t convinced me that ‘Amadeus’ is a world classic… But I doubt I’ll have the opportunity to see a better revival in my lifetime.”
McNulty also caught a performance of “Sylvia Sylvia Sylvia,” Beth Hyland‘s new play that recently had its world premiere at the Geffen Playhouse, and explores the lives of married writers living in the Boston apartment once occupied by the poet Sylvia Plath and her husband Ted Hughes. “World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision,” McNulty writes.
Meanwhile, “Here Lies Love,” David Byrne’s disco musical about the Ferdinand Marcos regime arrived at the Mark Taper Forum in a show directed by Center Theatre Group’s artistic director Snehal Desai. The Times’ Malia Mendez sat down with members of the all-Filipino cast to discuss the ways the show’s exploration of the perils of authoritarianism dovetail with the modern political moment.
Japanese artist Takashi Murakami sits in front of his painting at Perrotin Gallery on Feb. 13, 2026 in Mid City in Los Angeles, Calif.
(Ariana Drehsler/For The Times)
I had the opportunity for a one-on-one chat with artist Takashi Murakami about his solo show at Perrotin, Los Angeles, which features 24 new canvases that explore the connection between the ancient Japanese art of ukiyo-e and Impressionism. A trip to Monet’s gardens in Giverny, France, cemented Murakami’s idea for the paintings.
Contributor Steve Appleford wrote a thoughtful profile on German photographer Wolfgang Tillmans, who is currently staging his ninth Los Angeles exhibition at Regen Projects. “In 2000 Tillmans became the first photographer and first non-British artist to win the prestigious Turner Award. Tate Britain staged his mid-career retrospective in 2003 and the Hammer Museum in Westwood mounted his first major U.S. retrospective that same year, which traveled to Chicago’s Museum of Contemporary Art and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.,” Appleford writes.
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A sketch from architect Paul R. Williams’ archive at The Getty Center.
(Juliana Yamada/Los Angeles Times)
Paul Williams, the first Black architect licensed west of the Mississippi, is the focus of a series of upcoming shows to be staged from August through July 2027 at the Getty, LACMA and USC Fisher Museum of Art. Throughout the course of his six-decade career Williams designed more than 3,000 projects, including for clients such as Frank Sinatra, Lucille Ball and the Beverly Hills Hotel. The exhibitions will feature architectural drawings, photographs, plans and memorabilia, some of which have never been on view to the public before.
Los Angeles Master Chorale announced Artistic Director Grant Gershon’s 25th anniversary season featuring work by Brahms, Bruckner, Arvo Pärt, Bach, Morten Lauridsen and Orlando di Lasso. Guest artists will include the National Chorus of Korea, composer Eric Whitacre, violinist Anne Akiko Meyers, Baroque ensemble Le Concert d’Astrée and theater director Peter Sellars. Subscriptions are available now, and single tickets will go on sale June 1.
The nonprofit arts organization, Los Angeles Nomadic Division (LAND), announced the four artists chosen to receive its 2026 Mohn LAND Grants. They are Shana Hoehn, Angela Anh Nguyen, Harrison Kinnane Smith and Adam Thompson. Winners receive a $5,000 award as well as $5,000 in production funds to use towards a new work commission.
That is how the president of the United States, a man convicted of fraud, described his new team focused on international relations. A team that does not include representatives from our closest neighbors — Mexico and Canada — but did save room for leaders accused of war crimes by the International Criminal Court.
Now, we do not know whether President Trump created his “Board of Peace,” which this week held its first meeting, specifically to undermine the authority of the United Nations. But we do know that the president has pledged $10 billion in tax dollars to the board’s mission while still owing the U.N. half that amount in back payments. We do not know whether Trump, who is indefinitely the leader of this peace board, intends to relinquish that power after he leaves the White House. But we do know he is still trying to overturn the results of the 2020 election. Whether the “Board of Peace” is the most prestigious panel ever assembled is debatable. What is not debatable is that it was conceived by an adjudicated sexual abuser who is referenced in the released Epstein files some 38,000 times.
That is not my take.
That is simply what is happening.
Which is why the president encourages his supporters to ban books and reject journalism. He doesn’t want voters to pay attention. He doesn’t want voters to understand his actions.
Ten years ago this month — after his Nevada caucus victory speech — Trump said, “I love the poorly educated.” And his reliance on this base is why, over the past decade, he and other conservatives have purposely misconstrued the term “woke” as a catch-all slur toward progressive and far-left policies. It used to mean “aware” and “informed.” The term was not born out of modern politics but rather the need to understand the history of the social economic systems we all are living in. The alternative is to be blindly led by an unscrupulous leader most concerned with his own well being.
Being “woke” is why the Boston Tea Party happened in 1773; it is why Thomas Paine published “Common Sense” in 1776; it is why Republicans formed the Wide Awakes to help get Abraham Lincoln elected in 1860. When voters understand the context in which decisions are made, we are better equipped to address shortcomings at the ballot box and in our daily lives.
Trump’s self-proclaimed love for the poorly educated has nothing to do with progressive policies or college degrees and everything to do with whom he can convince to believe him. And by making “woke” an insult, Trump and other conservatives have politicized the very tool necessary to help the country fulfill its promise: information.
This threat is the reason his administration attacks, and even arrests, journalists; the reason he refers to reports he doesn’t like as “fake news”; the reason he fired the labor statistics chief after an unflattering jobs report last year. He’s waging a war on information.
When Trump returned to the White House, he made lowering the U.S. trade deficit a key component to his economic policy. In 2024, the deficit was $903.5 billion. In 2025, it was $901.5 billion — and America’s families paid $230 billion more for goods because of his yo-yo tariff policies.
Just as the saga of the Epstein files reveals he is not the protector of women and young girls that he claimed to be.
Just as his recent attacks on the 1st, 2nd, 4th and 14th Amendments show he was never the defender of the Constitution he took an oath to be.
Acknowledging the laundry list of untruths tied to his promises and presidency is not political or a symptom of “Trump Derangement Syndrome.” It’s simply having information: the one thing that helps voters understand why things are the way they are. The one thing the president hopes his supporters never wake up to see for themselves.
The following AI-generated content is powered by Perplexity. The Los Angeles Times editorial staff does not create or edit the content.
Ideas expressed in the piece
The Board of Peace, while described by the president as the most prestigious ever assembled, excludes the country’s closest neighbors in Mexico and Canada while creating space for leaders accused of war crimes by the International Court[2][3].
The administration is pledging $10 billion in tax dollars to the board’s mission while the United States still owes the United Nations $5 billion in back payments, raising questions about priorities and institutional commitment.
The board represents a potential threat to the UN’s authority and the multilateral international order, with the president positioned to lead indefinitely without a clear succession mechanism independent of his personal tenure.
The use of the term “woke” as a political slur by the president and conservatives serves to discourage informed and critically aware voters from engaging with factual information and journalism, undermining democratic participation.
The administration’s economic policies have demonstrably failed, including tariff strategies that burdened American families with $230 billion in additional costs while the trade deficit marginally decreased from $903.5 billion to $901.5 billion, a result inconsistent with promised outcomes.
The president’s record of attacks on the press, dismissal of unfavorable reporting as “fake news,” and removal of officials for releasing unflattering data represents a broader assault on the free flow of information essential to accountability.
Different views on the topic
The Board of Peace represents a vital step in implementing the president’s 20-point plan for Gaza, which was endorsed by United Nations Security Council Resolution 2803 and initially received broad international support from Western democracies[1][3].
More than two dozen nations have signed on as founding members of the board, with member countries pledging $5 billion toward Gaza’s reconstruction, demonstrating substantial international engagement with the initiative[2].
The Executive Board comprises leaders with expertise across diplomacy, development, infrastructure, and economic strategy, positioning the mechanism to provide strategic oversight and mobilize international resources for Gaza’s stabilization[1].
The board functions as an overarching body designed to implement demilitarization and reconstruction efforts through subsidiary mechanisms including the Gaza Executive Board and the National Committee for the Administration of Gaza, with operational structures intended to deliver governance and development outcomes[1][3].
The initiative was conceived as a focused mechanism to support stabilization and reconstruction in Gaza within the framework of the UN-endorsed 20-point plan, anchoring its original purpose in internationally recognized diplomatic processes[3].
“Another gateway to the occupation of Palestine.” Many Palestinians in Gaza reacted to the inaugural meeting of Donald Trump’s so-called “Board of Peace” with deep scepticism, seeing it as a way to further Israel’s illegal occupation of the territory.
Donald Trump announces pledges to a Gaza reconstruction fund during the first meeting of his Board of Peace.
Donald Trump has told the first meeting of his Board of Peace that nine member nations have pledged $7bn to a reconstruction fund for the Gaza Strip, with five countries agreeing to deploy troops to an international stabilisation force for the Palestinian territory.
Addressing the board in a meeting in Washington, DC, on Thursday, the United States president said the US will make a contribution of $10bn to the Board of Peace, although he didn’t specify what the money will be used for.
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Kazakhstan, Azerbaijan, the United Arab Emirates, Morocco, Bahrain, Qatar, Saudi Arabia, Uzbekistan and Kuwait have raised an initial down payment for Gaza reconstruction, Trump said.
“Every dollar spent is an investment in stability and the hope of a new and harmonious [region],” said Trump. He added, “The Board of Peace is showing how a better future can be built right here in this room.”
The funds pledged, while significant, represent a fraction of the estimated $70bn needed to rebuild the Palestinian territory that has been decimated after more than two years of Israel’s genocidal war.
Proposed stabilisation force
Meanwhile, Indonesia, Morocco, Kazakhstan, Kosovo and Albania have pledged to send troops for the Gaza stabilisation force, part of Trump’s 20-point plan to end Israel’s war on Gaza. Egypt and Jordan have committed to training police officers.
Indonesian President Prabowo Subianto announced his country would contribute up to 8,000 troops to the proposed force “to make this peace work”.
The force, led by a US general with an Indonesian deputy, will start in the Israeli-controlled city of Rafah and train a new police force, eventually aiming to prepare 12,000 police and have 20,000 troops.
While the disarmament of Hamas was a part of Trump’s 20-point plan for Gaza, the group has been reluctant to hand over weaponry as Israel continues to carry out daily attacks on Gaza.
Hamas spokesperson Hazem Qassem said any international force must “monitor the ceasefire and prevent the [Israeli] occupation from continuing its aggression.” Disarmament could be discussed, he said, without directly committing to it.
Trump first proposed the board last September as part of his plan to end the war. But since the October “ceasefire”, Trump’s vision for the board has morphed, and he wants it to have an even more ambitious remit to tackle other conflicts worldwide.
The board has faced criticism for including Israeli representatives but not Palestinians.
Reporting from Gaza City, Al Jazeera’s Hani Mahmoud said that Palestinians want to see concrete solutions rather than pledges.
“Past experiences with conferences, with regard to reconstruction, with regard to the peace process, all ended up with large needs for funding that were delayed or [plans] that were not implemented,” he said.
“Palestinians don’t want to see this again; they don’t want to see the Board of Peace as another international body that falls into the category of crisis management rather than finding a tangible solution to this longstanding problem, the Palestinian problem,” Mahmoud noted.
More than 40 countries and the European Union confirmed they were sending officials to Thursday’s meeting. Germany, Italy, Norway, Switzerland and the United Kingdom are among more than a dozen countries that have not joined the board, but are taking part as observers.
Washington, DC – United States President Donald Trump is set to hold his first “Board of Peace” summit in Washington, DC, an event where the US leader likely hopes to prove the recently launched panel can overcome scepticism – even from those who signed on in support – in the face of months of Israeli ceasefire violations in Gaza.
The summit on Thursday comes nearly three months to the day since the UN Security Council approved a US-backed “ceasefire” plan amid Israel’s genocide in Gaza, which included a two-year mandate for the Board of Peace to oversee the devastated Palestinian enclave’s reconstruction and the launch of a so-called International Stabilization Force.
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Disquiet has surrounded the board since the November security council vote, with many traditional Western allies wary of the US administration’s apparent wider ambitions, which some have viewed as an attempt to rival the United Nations in a Trump-dominated format.
Others, including countries that have already signed on as members, have raised concerns about the board’s fitness to effect meaningful change in Gaza. Several regional Middle East powers have joined the board, with Israel becoming a late, and to some, disconcerting addition in early February.
As of Thursday’s meeting, the board still has no Palestinian representation, which many observers see as a major obstacle to finding a lasting path forward.
“What exactly does Trump want to get out of this meeting?” Yousef Munayyer, the head of the Israel-Palestine programme at the Arab Center Washington DC, questioned.
“I think he wants to be able to say that people are participating, that people believe in his project and in his vision and in his ability to move things forward,” he told Al Jazeera.
“But I don’t think that you’re going to see any major commitments until there are clearer resolutions to the key political questions that so far remain outstanding.”
‘Only game in town’
To be sure, the Board of Peace currently remains the “only game in town” for parties interested in bettering the lives of Palestinians in Gaza, Munayyer explained, while simultaneously remaining “extremely and intimately tied to the persona of Donald Trump”.
That raises serious doubts over the board’s longevity in what is likely to be a decades-long response to the crisis.
“Regional players that have a serious concern over the future of the region and concern over the genocide have no choice but to really hope that their participation in this Board of Peace allows them to have some leverage and some direction over the future of Gaza in the next several years,” Munayyer said.
He assessed the greatest opportunity for member states who “understand the challenges and understand the context” would be to focus on “what realistically can be achieved in the time period … to focus on the immediate needs and address them aggressively”. That includes health infrastructure, freedom of movement, making sure that people have shelter, pushing for an end to ceasefire violations, to name a few, he said.
At least 72,063 Palestinians have been killed in Gaza since October 7, 2023, with 603 killed since the October 11, 2025, “ceasefire” went into effect. Nearly the entire population of 2.1 million has been displaced, with more than 80 percent of buildings destroyed.
For his part, Trump, who has previously envisioned turning Gaza into a “Middle East Riviera”, struck a positive tone ahead of the meeting. In a post on his Truth Social account on Sunday, Trump touted the “unlimited potential” of the board, which he said would prove to be the “most consequential International Body in History”.
Trump also said that $5bn in funding pledges would be announced “toward the Gaza Humanitarian and Reconstruction efforts” and that member states “have committed thousands of personnel to the International Stabilization Force and Local Police to maintain Security and Peace for Gazans”.
He did not provide further details.
Meanwhile, Trump’s son-in-law, Jared Kushner, who is a member of the panel’s so-called “Gaza executive board”, unveiled the clearest vision yet of Washington’s “master plan” for Gaza in January.
The plan, assembled without any input from Palestinians in Gaza, outlined gleaming residential towers, data centres, seaside resorts, parks, and sports facilities, predicated on the erasure of the enclave’s urban fabric.
At the time, Kushner did not say how the reconstruction plan would be funded. He said it would begin following full disarmament by Hamas and the withdrawal of the Israeli military, both issues that remain unresolved.
Pressure on Israel?
As the US administration stargazes over sweeping construction plans, it is likely to face a starker reality when it meets with a collection of the 25 countries that have signed on as members, as well as several others that are sending observers to the meeting, according to Annelle Sheline, a research fellow in the Middle East programme at the Quincy Institute for Responsible Statecraft.
Any progress to show the board’s “proof of concept” would all-but-surely require asserting unilateral pressure on Israel, she noted.
“Trump is hoping to have countries back up his claim about the $5bn, to get actual commitments on paper,” Sheline told Al Jazeera.
“This is probably going to be challenging, because – especially the Gulf countries – have been very clear that they’re not interested in financing another reconstruction that’s just going to be destroyed again in a few years.”
Israel’s decision to join the board, which Israeli Prime Minister Benjamin Netanyahu had initially opposed, has piqued concerns about further influence over US policy. An act of good faith by the US to advance a more lasting peace could be the inclusion of a Palestinian official on the board, Sheline added.
She proposed widely popular Palestinian political prisoner Marwan Barghouti, who is continuing to serve consecutive life sentences in Israel, as a possible candidate. His release, she said, could be an example of an area where Washington could use its leverage to immediate effect.
In the shorter term, “[interested member states] are largely waiting for the security situation to resolve. Israel violates the ceasefire daily and moves the yellow line”, Sheline said, referring to the demarcation in Gaza behind which Israel’s military was required to withdraw as part of the first phase of the “ceasefire” agreement.
Indonesia’s government has said it is preparing to commit 1,000 troops to a stabilisation force, which could eventually grow to 8,000. But any deployment would likely remain delayed without better ceasefire guarantees, she said.
“It’s still an active warzone,” Sheline added. “So it’s very understandable that even Indonesia, which has hypothetically said it would contribute troops to the stabilisation force, is likely going to say we’re not actually going to do that until the situation is stable.”
An opportunity?
Ensuring an actual ceasefire is enforced – including creating accountability mechanisms for violations – remained “by far the most critical” task for the board’s inaugural meeting, according to Laurie Nathan, the director of the mediation programme at the Kroc Institute for International Peace Studies at the University of Notre Dame.
Trump’s Board of Peace is “not going to be able to play a meaningful reconstruction role in the absence of stability in Gaza, and stability requires adherence to the ceasefire”, he told Al Jazeera.
The next key step – and a major development that could come from Thursday’s meeting – would be a commitment of troops, although Nathan noted any deployment would still likely be deadlocked until a voluntary Hamas disarmament agreement is reached.
On the face of the situation, Trump would appear increasingly incentivised to use Washington’s considerable leverage over Israel to foster a stability in Gaza that the president has closely aligned with his own self-image.
After all, Trump and his allies have regularly portrayed the US president as the “peacemaker-in-chief”, repeatedly touting his success in conflict resolution, even if facts on the ground undermine the claims. Trump has been vocal in his belief that he should be awarded the Nobel Peace Prize.
Still, “Trump’s motivation is multifold,” Nathan explained.
“Does he care about peace? I think he does. Does he want to be a peace broker? Yes. Does he genuinely want the Nobel Peace Prize? Yes.”
“On the other hand, he is performative … it’s never quite clear how much of it is serious for him,” he added. “The further problem is that personal interests are always involved when Trump is doing these things.”
Wider ambitions?
Both Washington’s Western allies and experts in conflict resolution have scrutinised what appears to be the yawning scope of the Board of Peace, far beyond the Gaza purview approved by the UN Security Council last year.
A widely reported founding “charter” sent to invited countries did not directly reference Gaza as it took digs at pre-existing approaches to peace-building that “foster perpetual dependency and institutionalise crisis rather than leading people beyond it”. Instead, it envisioned a “more nimble and effective international peace-building body”.
Critics have further questioned Trump’s singular and indefinite role as “chairman” and sole veto-holder, which largely undermines the principles of multilateralism intended to be enshrined in organisations such as the UN. They have argued that the structure fosters a transactional approach both in dealings with the US government and Trump as an individual.
Richard Gowan, the programme director of global issues and institutions at International Crisis Group, said those concerns are unlikely to subside any time soon. Still, he did not see that precluding European countries from supporting the board’s effort if it is able to make meaningful progress.
“I think, in practical terms, you will see other countries trying to support what the board is doing in the Gaza case, while continuing to keep it at arm’s length over other issues,” he said.
Thursday’s meeting could indicate the Board of Peace’s dynamic and tone going forward.
“If Trump uses his authority under the charter to order everyone around, block any proposals he doesn’t like, and run this in a completely personalistic fashion,” Gowan said, “I think even countries that want to make nice with Trump will wonder what they’re getting into.”
“If Trump shows his mellower side. If he’s actually willing to listen, in particular to the Arab group and what they’re saying about what Gaza needs, if it looks like a genuine conversation in a genuine contact group,” he added, “that won’t erase all the questions about the board’s future, but it will at least suggest that it can be a serious sort of diplomatic framework.”
Ian Choudri, CEO of the California High-Speed Rail Authority, was arrested Feb. 4 at his home on suspicion of domestic battery. He took an administrative leave on Tuesday, Feb. 17.
SACRAMENTO — The head of California’s High-Speed Rail Authority took a voluntary leave Tuesday after news reports circulated about his recent arrest on suspicion of domestic battery against a spouse.
Ian Choudri was arrested Feb. 4 at his Folsom home in the 500 block of Borges Court.
The rail authority said in a statement Tuesday that Choudri agreed to take a temporary leave to allow its board of directors and the California State Transportation Agency to review and assess the situation.
Choudri’s attorney said Monday that the Sacramento County district attorney’s office declined to file charges in the case. Police were called to Choudri’s home by a third party, Choudri’s attorney told The Times.
“This matter is over and no further action will be taken,” said Allen Sawyer, who is representing Choudri.
The district attorney’s office did not respond to a request for comment.
Choudri is among the highest-paid state employees in California, having earned $563,000 last year, according to payroll records obtained by The Times from the state controller’s office.
The High-Speed Rail Authority did not answer a question about whether Choudri would receive pay during his absence.
The board of directors is scheduled to meet next on March 4.
The day before his arrest, Choudri had appeared with Gov. Gavin Newsom in Kern County to announce the completion of a 150-acre facility that would serve as a hub for construction of the high-speed rail project in the San Joaquin Valley.
California’s grand vision for a bullet train, originally to connect San Francisco to Los Angeles, has become a flash point in national politics.
President Trump and Republicans have seized on the billions of dollars in cost overruns and slow progress to cast the project as a Democratic boondoggle and waste of taxpayer money.
Newsom, eager to show some advancement before he leaves office, has refocused construction on building a segment from Merced to Bakersfield. His office said earlier this month that 119 miles were under construction and 58 structures, including bridges, overpasses and viaducts, have been completed.
The California High-Speed Rail Authority’s Board of Directors approved Choudri as chief executive in August 2024. Newsom praised the decision and commended his more than 30 years of experience in the transportation sector.
Choudri replaced former CEO Brian Kelly, who retired. Choudri joined the agency from HNTB Corp., an infrastructure design firm where he previously held the position of senior vice president.
Choudri did not respond to requests for comment. Newsom’s office directed questions to the High-Speed Rail Authority.
Warner Bros. Discovery is cracking open the door to allow spurned bidder, Paramount Skydance, to make its case — but Warner’s board still maintains its preference for Netflix’s competing proposal.
Warner’s move to reopen talks comes after weeks of pressure from Paramount, which submitted an enhanced offer to buy Warner last week. Paramount’s willingness to increase its offer late in the auction attracted the attention of some Warner investors.
On Tuesday, Warner Bros. Discovery responded with a letter to Paramount Chairman David Ellison and others on Paramount’s board, giving the group seven days to “clarify your proposal.”
“We seek your best and final proposal,” Warner board members wrote. Warner set a Feb. 23 deadline for Paramount to comply.
The closely watched sale of the century-old Warner Bros., known for “Batman,” “The Big Bang Theory,” “Casablanca,” and HBO, the home of “Game of Thrones” and “Succession,” is expected to reshape Hollywood.
The flurry of activity comes as Warner Bros. Discovery and Netflix are seeking to enter the home stretch of the auction. Warner separately issued its proxy and set a special March 20 meeting of its shareholders to decide the company’s fate.
Warner Bros. Discovery is recommending that its stockholders approve the $82.7-billion Netflix deal.
“We continue to believe the Netflix merger is in the best interests of WBD shareholders due to the tremendous value it provides, our clear path to achieve regulatory approval and the transaction’s protections for shareholders against downside risk,” Warner Chairman Samuel A. Di Piazza, Jr., said in a Tuesday statement.
Still, the maneuver essentially reopens the talks.
Warner Bros. is creating an opportunity for Paramount to sway Warner board members, which could perhaps prompt Netflix to raise its $27.75 a share offer for Warner’s Burbank-based studios, vast library of programming, HBO and streaming service HBO Max.
Netflix is not interested in buying Warner Bros. Discovery’s basic cable channels, including CNN, TBS, HGTV and Animal Planet, which are set to be spun off to a stand-alone company later this year.
In contrast, Paramount wants to buy the entire company and has offered more than $30 a share.
Last week, Paramount sweetened its bid for Warner, adding a $2.8-billion “break fee” that Warner would have to pay Netflix if the company pulled the plug on that deal. Paramount also said it would pay Warner investors a “ticking fee” of 25 cents a share for every quarter after Jan. 1 that the deal does not close.
“While we have tried to be as constructive as possible in formulating these solutions, several of these items would benefit from collaborative discussion to finalize,” Paramount said last week as it angled for a chance to make its case. “We will work with you to refine these solutions to ensure they address any and all of your concerns.”
Netflix agreed to give Warner Bros. Discovery a temporary waiver from its merger agreement to allow Warner Bros. Discovery to reengage with Paramount, which lost the bidding war on Dec. 4.
“We granted WBD a narrow seven-day waiver of certain obligations under our merger agreement to allow them to engage with PSKY to fully and finally resolve this matter,” Netflix said Tuesday in a statement. “This does not change the fact that we have the only signed, board-recommended agreement with WBD, and ours is the only certain path to delivering value to WBD’s stockholders.”
Netflix has matching rights for any improved Paramount offer. The company renewed its confidence in its deal and its prospect to win regulatory approval.
“PSKY has repeatedly mischaracterized the regulatory review process by suggesting its proposal will sail through, misleading WBD stockholders about the real risk of their regulatory challenges around the world,” Netflix said in its statement. “WBD stockholders should not be misled into thinking that PSKY has an easier or faster path to regulatory approval – it does not.”
Warner Bros. Discovery acknowledged that Paramount’s recent modification “addresses some of the concerns that WBD had identified several months ago,” according to the letter to Paramount.
But Warner Bros. Discovery added Paramount’s offer “still contains many of the unfavorable terms and conditions that were in the draft agreements … and twice unanimously rejected by our Board,” Warner Bros. Discovery said.
Warner’s board told Paramount it will “welcome the opportunity to engage” during the seven-day negotiation period.
Paramount has been pursuing the prized assets since last September.
“Every step of the way, we have provided PSKY with clear direction on the deficiencies in their offers and opportunities to address them,” Warner Chief Executive David Zaslav said in a statement. “We are engaging with PSKY now to determine whether they can deliver an actionable, binding proposal that provides superior value and certainty for WBD shareholders.”
Thomas Pritzker, pictured in 2017 giving a speech in Tokyo, resigned as executive chairman of Hyatt Hotels Corporation over his relationship with Jeffrey Epstein and Ghislaine Maxwell. Photo by Franck Robichon/EPA
Feb. 16 (UPI) — Thomas Pritzker, executive chairman of Hyatt Hotels Corporation, announced that he would leave his role at the company, weeks after his association with sex predator Jeffrey Epstein came to light.
Pritzker, who is the cousin of Illinois Gov. J.B. Pritzker, on Monday said in a letter to Hyatt’s board that he decided to leave in order to provide “good stewardship” to the company he has led for more than two decades, CBS News and CNBC reported.
In the letter, which was released by the Pritzker Organization, the 75-year-old said that he had “regret” over his connection to both Epstein and convicted sex trafficker Ghislaine Maxwell, who helped the pedophile in his schemes of abuse.
“Good stewardship also means protecting Hyatt, particularly in the context of my association with Jeffrey Epstein and Ghislaine Maxwell, which I deeply regret,” Pritzker said. “I exercised terrible judgement in maintaining contact with them, and there is no excuse for failing to distance myself sooner.”
Hyatt’s board named Mark Hoplamazian, who already is the company’s president and chief executive officer, as chairman of its board effective immediately, the company said in a press release.
“Tom’s leadership has been instrumental in shaping Hyatt’s strategy and long-term growth, and we thank him for his service and dedication to Hyatt,” Richard Tuttle, chair of the company’s board’s nominating and corporate governance committee, said in the release.
Epstein pleaded guilty in 2008 to soliciting a minor for prostitution and was arrested in 2019 on federal child sex trafficking charges but killed himself in jail before being brought to trial.
Pritzker, who had been a member of Hyatt’s board and its executive chairman since 2004, was named in Epstein court documents released on Jan. 3 by the Department of Justice, which also named Britain’s now-former Prince Andrew, former President Bill Clinton and current President Donald Trump, none of whom were accused of wrongdoing in the filings.
The documents showed that Pritzker continued to communicate with Epstein after his 2008 plea deal.
In addition to being named in the documents, Pritzker had previously been accused by Epstein accuser Virginia Giuffre as one of several men she was trafficked to for sex, although Pritzker has denied the allegations, according to CBS News.
Pritzker is the latest person to face consequences for a relationship with Epstein and Maxwell since the Jan. 3 release and the Jan. 30 release of more than 3 million more investigative and court documents related to the two sex offenders.
Among others, ex-Prince Andrew vacated the Royal Lodge, Britain’s former ambassador to the United States is being investigated for links to Epstein, lawyer Brad Karp has resigned and Davos CEO Borge Brende is also being investigated for his links.
Xander Velzeboer of the Netherlands (C) poses with Courtney Sarault of Canada (L) and Gilli Kim of South Korea with their medals following the women’s short track speed skating 1,000 meter race at the Milano Figure Skating Arena in Milan, Italy, on February 16, 2026. Velzeboer won the gold medal, Sarault the silver medal and Kim the bronze medal. Photo by Richard Ellis/UPI | License Photo
Los Angeles Mayor Karen Bass said in an interview Monday that she does not want embattled mogul Casey Wasserman running the 2028 Summer Games.
Bass told CNN’s Dana Bass that it was “unfortunate” that the organizers of the Los Angeles Olympics are supporting Wasserman amid revelations that he exchanged flirty emails with convicted sex trafficker Ghislaine Maxwell two decades ago.
Bass initially declined to take a position on the drama surrounding Wasserman, saying two weeks ago that it was up to the board of the LA28 Olympics — the nonprofit behind the Games — to decide whether to keep him.
But Monday, Bass offered a new take on Wasserman’s fate.
“My opinion is that he should step down,” Bass said. “That’s not the opinion of the board.”
She said that “we need to look at the leadership” of LA28 and that her job is to make sure that the city is “completely prepared” for the Games.
Wasserman has previously apologized for his correspondence with Maxwell and expressed regret for having any association with both her and Jeffrey Epstein. The exchanges took place before Maxwell’s crimes became known and before she was sentenced to prison for luring teenage girls to be sexually abused by financier Epstein.
Wasserman announced last week that he would sell his sports and entertainment company because of backlash over the email exchanges.
The executive committee of the LA28 board announced Wednesday that it reviewed the mogul’s past conduct and determined that based on the facts and his “strong leadership” of the Games, he should continue to serve as chair of LA28.
The LA28 executive committee — a subset of its broader, 35-member board — said it took “allegations of misconduct seriously.”
Los Angeles Mayor Karen Bass, carrying the Olympic flag, LA28 chairman Casey Wasserman, front right, and Team USA Olympians skateboarder Tate Carew, second from left, diver Delaney Schnell, rear right, and volleyball player Micah Ma’a, top right, arrive in Los Angeles on Aug. 12, 2024.
(Damian Dovarganes / Associated Press)
It met Wednesday after hiring outside counsel O’Melveny & Myers LLP to assist reviewing Wasserman’s interactions with Epstein and Maxwell. Wasserman, it said, fully cooperated with the review.
L.A.’s Olympic leaders have yet to reveal who is on the committee. Bass’ office last week said her appointees on the executive committee include entertainment attorney Matt Johnson, real estate developer Jaime Lee and union leader Yvonne Wheeler.
At least 10 L.A.-area politicians, including a third of the 15-member Los Angeles City Council, have called on Wasserman to resign from leading the Olympics, with many arguing the exchanges are a distraction.
City Councilmember Nithya Raman, who is challenging Bass in the upcoming mayor’s race is among those calling for Wasserman to step away. Raman previously worked at a women’s rights organization formed in the aftermath of the #MeToo movement before becoming a council member.
Even before revelations about the emails, there were tensions between Wasserman and some Los Angeles politicians concerned that financial shortfalls in staging the $7-billion Summer Games will need to be covered by local taxpayers.
The relationship between the city and LA28 was further strained when the Daily Mail, a British tabloid, published allegations in 2024 that Wasserman was a “serial cheater” who’d carried on affairs with young female staff members. Wasserman, who separated from his wife, Laura, in 2021, has denied the allegations.
Former Mayor Eric Garcetti picked Wasserman, a close friend, more than a decade ago to run the Olympics.
Feb. 16 (UPI) — President Donald Trump said member states of his newly created Board of Peace have pledged more than $5 billion toward rebuilding Gaza and thousands of personnel to maintain security in the Palestinian enclave.
Trump said in a post on his Truth Social media platform on Sunday that the pledge will be officially announced on Thursday during the inaugural meeting of the board at the U.S. Institute of Peace in Washington, D.C.
“The Board of Peace will prove to be the most consequential International Body in History, and it is my honor to serve as its Chairman,” Trump said.
Specifics such as how much and what each member state pledged were not made public.
More than 20 countries have joined the board, which Trump formally launched last month on the sidelines of the World Economic Forum in Davos, Switzerland.
The board is tied to a U.N.-backed Gaza stabilization and reconstruction plan, but questions about its scope have grown because the board’s charter does not mention the Palestinian enclave and critics worry that the initiative might undermine the United Nations.
Scrutiny has also focused on its membership, which includes Belarus, which aided Russia in its war against Ukraine, and Israel, whose leader, Benjamin Netanyahu, is the subject of an International Criminal Court arrest warrant issued in November 2024 alleging war crimes and crimes against humanity in Gaza.
More than 50 nations reportedly received invitations to join, but many U.S. and Western allies have declined. Trump said he rescinded an invitation to Canada as relations between Ottawa and Washington have deteriorated during Trump’s second term.
Much of the Palestinian enclave has been damaged or destroyed since the war began on Oct. 7, 2023, when Hamas attacked Israel.
United Nations estimates state that more than 81% of all buildings and structures in Gaza have been either damaged or destroyed.
U.N. agencies have said that around $70 billion is needed to reconstruct the enclave, which measures about 25.4 miles long and between 3.7 and 7.5 miles wide along the Mediterranean.
Thousands of displaced Palestinians walk along the Rashid coastal road toward Gaza City on October 10, 2025, after the implementation of a cease-fire agreement between Israel and Hamas. Photo by Hassan Al-Jadi/UPI | License Photo
