Blue

As the Dodgers navigate the ripple effects of a series of recent pitching injuries, they added bullpen depth on Sunday by acquiring left-hander Eric Lauer from the Blue Jays for cash considerations.

The Blue Jays designated Lauer for assignment last week, after a bumpy start to the season. Lauer had yielded a league-leading 11 home runs in eight appearances.

It was a contrast to the far steadier presence he’d provided on the mound last year en route to an American League pennant, when he posted a 3.18 ERA in the regular season and 3.12 in the postseason. Lauer didn’t give up a run against the Dodgers in two World Series appearances, including 4 2/3 innings in Game 3.

To make room on the 40-man roster, the Dodgers transferred right-hander Brusdar Graterol (right shoulder surgery recovery) to the 60-day injured list.

The Dodgers, who had to pivot to a bullpen game Friday when southpaw Blake Snell (left elbow surgery to remove loose bodies) landed on the IL, made a series of bullpen-related roster moves Sunday morning.

They put left-hander Jack Dreyer on the 15-day IL with left shoulder discomfort. Imaging showed “nothing relevant,” other than inflammation, manager Dave Roberts said. The Dodgers hope he’ll be ready to be reinstated after a minimum stint.

“He was warming up yesterday and then felt something in his shoulder, some soreness,” Roberts said. “We just wanted to be proactive.

The team also optioned left-hander Charlie Barnes to triple-A Oklahoma City. And they recalled two fresh relievers, right-handers Paul Gervase and Chayce McDermott.

TORONTO — Jo Adell hit a pair of solo homers, José Soriano struck out seven over 7⅔ innings to stop a three-start winless steak and the Angels avoided a three-game sweep by beating the Toronto Blue Jays 6-1 on Sunday.

Oswald Peraza added a two-run homer as the Angels ended an eight-game road losing streak dating to April 16, while also ending a nine-game slump in Toronto.

Soriano (6-2) gave up two hits and a walk in the first inning, including Kazuma Okamoto’s RBI double, but didn’t allow another runner until Myles Straw reached in the eighth with an infield hit, ending a streak of 20 consecutive outs.

Sam Bachman replaced Soriano after back-to-back singles loaded the bases and got Vladimir Guerrero Jr. to ground into a forceout.

Peraza hit a two-run drive in a the fifth and Adell homered in the sixth and the ninth. All three homers came off Eric Lauer (1-5), who allowed six runs and five hits in five innings. He hasn’t won since March 29 against the Athletics.

Vaughn Grissom added a two-run double.

Blue Jays right fielder Addison Barger was scratched from the lineup because of a sore right shoulder. Barger returned Saturday after missing 29 games because of a sore left ankle and made a 101.2-mph throw to retire Jorge Soler at home plate.

Up next for the Angels: Cleveland LHP Joey Cantillo (2-1, 3.43 ERA) starts a series opener against the visiting Angels.

TORONTO — Brandon Valenzuela hit a three-run home run, Ernie Clement had a solo homer among his career-high tying five hits and the Toronto Blue Jays used a seven-run fifth inning to rout the Angels 14-1 on Saturday.

Mason Fluharty (2-0) worked one inning for the win as Toronto set season-highs in runs and hits (20).

Clement had infield singles in the second and fourth, then drove in a run with a hard single off the glove of third baseman Yoán Moncada in the fifth. He homered off Mitch Farris to begin the seventh, his second of the season, then singled in the ninth.

Valenzuela went four for five, with four RBIs in his first career four-hit game, coming within a triple of the cycle. He homered on the first pitch he saw from Farris in the fifth.

Mike Trout went 0 for 3 with three strikeouts before being replaced defensively by Bryce Teodosio, ending a 23-game run of reaching base in Toronto that began in May 2015.

Adam Frazier drove in the Angels’ only run with a pinch-hit single in the top of the eighth, then stayed in to pitch the bottom half. Frazier gave up four runs and five hits including a solo homer by Jesús Sánchez.

Jack Kochanowicz (2-2) allowed nine hits and seven runs, six earned, in four-plus innings. He faced six batters in the fifth but didn’t record an out. The Angels have lost 15 of their last 19 games.

Toronto’s Addison Barger walked twice in his return after missing 29 games because of a sprained left ankle. The Blue Jays optioned Yohendrick Piñango to triple-A Buffalo.

In the second, Barger caught Vaughn Grissom’s fly ball and threw home at 101.2 miles per hour to retire Jorge Soler for an inning-ending double play. It was the fastest throw on an outfield assist by any Blue Jays player since 2015, and the fastest in the majors this season.

Up next: Angels RHP José Soriano (5-2, 1.74 ERA) is scheduled to face Blue Jays LHP Eric Lauer (1-4, 6.03) on Sunday.

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

TORONTO — Dylan Cease struck out 10, reaching double digits for the third time in eight starts this season, and the Toronto Blue Jays stopped a four-game losing streak with a 2-0 win Friday night that sent the Angels to their 14th loss in 18 games.

Angels pitcher Alek Manoah returned from Tommy John surgery that had sidelined him since May 29, 2024, and faced his former team for the first time. The 28-year-old right-hander struck out one in a perfect eighth inning, reaching 93.8 mph with his fastball while throwing seven of 11 pitches for strike.

Cease (3-1) gave up five hits and walked none over seven innings in his 28th double-digit strikeout game.

Toronto (17-21) scored twice in the third on Kazuma Okamoto’s RBI single and Ernie Clement’s sacrifice fly off Reid Detmers (1-2), who gave up two hits and a career-high six walks in 3⅔ innings. The Angels dropped to 15-24.

Louis Varland earned his fifth save with a perfect ninth.

Up next: Angels RHP Jack Kochanowicz (2-1, 3.05) and Blue Jays RHP Trey Yesavage (1-1, 0.96) start Saturday.

WHEN Brits choose to have a staycation, most will head down to Cornwall or Devon for their beautiful beaches, but there’s a ‘secret’ isle that has just as much to offer – or possibly more.

The Isle of Wight is the largest island off the south coast of England and Darragh Gray has holidayed there almost 100 times – speaking to Sun Travel, he reveals his favourite beaches and where you can find the UK’s only blue sparkling wine.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Originally from Northern Ireland, Darragh’s family made the journey to the island every summer during the school holidays from when he was three-years-old.

Darragh explained: “I’ve been going as long as I can remember, every summer as a child we’d drive to Hampshire and take a ferry over.

“As a kid it always felt magical, like going to a secret island – and I fell in love with the landscape, the coastline and if anything, it’s only deepened as I’ve gotten older.”

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When the school holidays ended, Darragh continues to visit and has been to the island almost 100 times – he already has four trips planned for this year.

He added: “Even though it’s a really short ferry journey, it feels like going to a different world. It looks and feels like England, with a hint of the exotic.

“Parts of it almost feel Mediterranean. A lot of people say it’s like stepping back in time and I think there’s a lot in that.

“It’s full of history with its old buildings and villages, but it also has a vintage feel and a slower pace of life – but in saying that, it doesn’t feel stuck in the past.

“There are great restaurants, attractions and lots of lovely places to stay.”

The Isle of Wight is the largest island off the south coast and can be reached in as little as a 22-minute ride on the Wightlink ferry from Hampshire.

It doesn’t take long to explore the Isle of Wight as you can drive from one end to the other in one hour – but Darragh says there are so many places to explore in the middle, and around the coast.

When it comes to beaches, Darragh suggests heading to West Wight, the rural, western coastal region with dramatic cliffs and sandy beaches.

Darragh said: “Compton Bay is a lovely spot that feels remote, and you can go fossil hunting on the beach.

“Freshwater Bay is interesting because on a stormy day it looks wild with huge waves on the edge of the Atlantic – but on a calm summer’s day, you can feel like you’re on a Greek island.”

The Isle of Wight also has busier beaches with shores for building sandcastles and propping up windbreaks for a picnic.

“If you’re looking for a beach with all the fun of the traditional seaside – you can’t beat Sandown. It has miles of sand that run from a pier at one end to the cliffs at the other.

“Another great spot is a beach resort called Ventnor, which has the striking red and gold sand and shingle; that’s a lovely one to visit.”

When it comes to grabbing a bite to eat, there are plenty of pubs on the island – but some of Darragh’s favourites are two you might not naturally stumble upon.

“What I love about the pubs on the island is there’s so many beautiful historic ones and lots with awesome sea views.

“In Shanklin, tucked under the cliffs, is the Fisherman’s Cottage; it’s a lovely pub away from the main beach – sitting on the patio is one of my favourite places to be.

“On the south side of the island, in Ventnor, is the Buddle Inn, which dates back to the 16th century and used to be a spot for smugglers back in its day. It’s lovely to sit by the fire in the winter, or in the garden in the summer.”

When it comes to food, the Isle of Wight makes a lot of its own produce from tasty tomatoes to fresh seafood, and uniquely, blue wine.

“There’s one commercial vineyard on the island called Adgestone, and what you can buy from there is sparkling wine: white, red, and blue.

“I once took the wine to a barbecue and everyone was fascinated by it.

“The colour blue comes from the skin of the grapes, and I don’t know how they do it – but it’s an incredible turquoise-blue colour – it’s very tasty.”

Of course a trip to the Isle of Wight wouldn’t be complete without at least one chippy tea.

Darragh told us: “There are two I really like, the Happy Haddock in Shanklin, and Stotesburys in Newport – both are great value for money.

“For ice cream, there’s a fantastic Victorian ice cream parlour in Ventnor called Crave – they make a whole range of ice cream on site every day.

“There’s also a family business called Minghella, which has been going for years, and they make delicious ice cream. Their ginger ice cream is incredible.”

Places to stay on the island range from boutique hotels to Airbnbs, but another option is its holiday parks.

There are around 20 holiday parks on the island, some small, and others like Parkdean and Away Resorts, which offer affordable stays – Darragh has even booked week-long off-peak stays from £41.

And if you’re thinking about booking your own trip over to the isle and are wondering which season is best, Darragh has some advice.

“I go at all times of the year, and I love to see the island during different seasons.

During the winter, not everything is open, and it can be a bit more of a challenge getting about, especially on the buses.

“But it’s so lovely, quiet, and peaceful, and I would say if you have some time off and you’re worrying about if you’ll be bored during the winter, I’d say no – you can also get some great deals on accommodation.

“My favourite time, though, is around now, early spring and early summer. Everything’s green, there are lots of wildflowers, and it doesn’t have the summer holiday traffic.

“September into October is a lovely time to go, you still haven’t gotten into the depths of winter. It’s brilliant all year round.

“Even in peak summer, I’m always amazed, you don’t have to go too far for peace and quiet, there are so many hidden corners on the island to be discovered.”

SYDNEY Sweeney left very little to the imagination as she almost fell out of a blue corset dress at Stagecoach.

Stunning Sydney, 28, made a surprising appearance on stage at Diplo’s Honkytonk during the 2026 Stagecoach Festival.

The Euphoria star looked sensational as she handed out knickers while on stage.

Sydney’s baby blue corset dress looked as though it was held up by luck alone as she appeared on stage.

Fans were so shocked by Sydney’s appearance at the festival, with many overjoyed to see her on stage.

After handing out panties from her SYRN lingerie line, she and Diplo took part in a fun karaoke session

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A video of Sweeney and Diplo was posted via the underwear brand’s Instagram stories on Saturday evening, with the caption: “@diplo Thanks for stopping by!!!”.

Fans rushed to the comments of the main post shared on SYRN’s Instagram reels, which showcased all of the famous guests who stopped by.

One fan said: “This whole look, I am in love.”

While another added: “The people’s princess.”

And a third wrote: “She’s too hot, it’s almost uncomfortable.”

Meanwhile, since the footage of Sydney made its way onto X, one person on the platform penned: “Love it. Love how she doesn’t give 2 sh*t’s about her haters and living her absolute best life with no apologies needed!!!”

“I love her so much,” said a second.

“She owns the damn place. She can do whatever the F she wants,” wrote a third.

“She looks stunning and she also looks happy and free. Haters gonna hate,” chimed a fourth.

While a fifth said: “Sydney is an ALL AMERICAN BADDIE!!”

“I love sydneys outfit,” swooned a sixth.

And a seventh gushed: “Sydney Sweeney is literally perfect.”

This comes as Sydney continues to enrage fans with her portrayal of Cassie in Euphoria.

Sydney plays the role of Cassie Howard in one of TV’s steamiest shows, with fans left angered by the level of raciness in its third season.

Cassie’s controversial new career choice as an OnlyFans model with a montage of raunchy photoshoots.

In one compromising position, Cassie licks a melting ice cream cone as it drips down her entire naked body – including on her bare chest.

Another shot showed Cassie, butt naked in nothing but a backwards baseball hat on her head and her hand covering her modesty.

These have not been the only controversial scenes in Euphoria season three thus far.

Sydney is dressed as a baby with a pacifier in her mouth in episode one.

Posing in a suggestive way with her legs open, fans were left fuming over the NSFW display.

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

Mike Trout homered, Nolan Schanuel homered and hit a three-run double and Jose Soriano worked five shutout innings as the Angels beat the Toronto Blue Jays 7-3 on Wednesday to avoid a series sweep.

Trout’s eighth homer of the season was a 428-foot solo shot in the bottom of the fifth. That hit tied the 34-year-old Trout with the late Garret Anderson for the Angels’ franchise record of 796 extra-base hits. Anderson died last week of an acute necrotizing pancreatitis at the age of 53.

Soriano, who is 5-0, gave up three hits and struck out five in five innings before leaving with a 3-0 lead. He lowered his ERA to an MLB-leading 0.24. The 27-year-old right-hander is the first MLB pitcher since 1900 to allow no more than one run in the first six starts of a season, and he has the lowest ERA (with a minimum of 30 innings pitched) through a pitcher’s first six starts of a season since 1913, when earned runs became official in both leagues.

Despite his impressive outing, Soriano did not figure in the decision after the Blue Jays rallied in the seventh. Ernie Clement’s RBI single with two out cut the deficit to 3-1. Toronto then capitalized on a walk, an error and an RBI double by Vladimir Guerrero Jr., tying the game at 3.

The Angels countered in the bottom half. Schanuel, who hit a solo homer in the fourth, hit a three-run double to left that gave the Angels a 6-3 lead. They added another run on Hunter Renfroe’s RBI single.

Brent Suter (1-1) struck out two and worked a scoreless seventh for the win. Tommy Nance (0-2) allowed two runs in 1 1/3 innings and took the loss.

April 19 (UPI) — Blue Origin successfully launched its New Glenn rocket and landed its booster stage, but it delivered a communications satellite into an orbit too low to be useful.

New Glenn-3, the third launch of the company’s rocket, cleared the tower just before 7:30 a.m. EDT on Sunday morning and roughly six minutes later its first stage touched down on the “Jacklyn” drone ship in the Atlantic Ocean.

The fully reusable booster, called “Never Tell Me The Odds,” was making its second landing as the mission hit its second stage engine cutoff, entered orbit and released AST SpaceMobile’s BlueBird 7 satellite successfully.

The release was successful and the satellite powered up properly, but had been placed into “an off-nominal orbit,” Blue Origin said in a post on X.

“During the New Glenn 3 mission, BlueBird 7 was placed into a lower than planned orbit by the upper stage of the launch vehicle,” AST said in a press release.

“While the satellite separated from the launch vehicle and powered on, the altitude is too low to sustain operations with its on-board thruster technology and will de-orbited,” the company said. “The cost of the satellite is expected to be recovered under the company’s insurance policy.”

AST’s BlueBird 7 satellite is part of a space-based cellular broadband network the company is building that will be accessible using normal smartphones.

The satellite would have been the eighth the company has put in orbit for the network, has satellites number through 32 in production and expects BlueBird 8, BlueBird 9 and BlueBird 10 to be completed in the next month.

AST said that it plans to continue launching satellites roughly every other month for the rest 2026 using “multiple launch providers,” with a goal of 45 satellites in orbit by the end of the year.

Blue Origin, in addition to launching satellites for commercial and government entities, is also building a prototype MK1 “Endurance” lander as a test vehicle in an uncrewed moon landing later this year, Space.com reported.

The prototype is a test run for its MK2 lunar lander that will be used in NASA’s Artemis program to explore the moon and establish a permanent human presence there.

ROBBIE WILLIAMS could be getting back in the studio — this time with boyband Blue.

It comes after Rob wrote the lads’ new single Flowers, which is on the setlist for the UK leg of their 25th Anniversary world tour.

Biz on Sunday’s Emily caught up with Blue members
Antony Costa, Simon Webbe, Lee Ryan, and Duncan James at the Eventim Apollo in Hammersmith, West London, this week.

The band are on their milestone tour following the release of seventh studio album Reflections.

Antony said: “We would love to work with Robbie’s people and that is the conversation that is happening.

“Karl Brazil (Robbie’s music director) is very much on our side.

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“He is championing Blue and us and the lads have spoken to Karl separately and together.

“You never know, watch this space.”

Antony revealed that Robbie reached out to the band after watching their story on the BBC documentary Boybands Forever.

He said: “It resonated with him because we were all young and he was a young lad in Take That.

“Take That went on a different journey than us, but we still wanted that same goal.

“Robbie has always been there and he’s been a big supporter of me and the boys.”

Duncan said: “We’re so lucky that after 25 years we’re still getting to sell out gigs, still touring around the world and we’ve got the adoration from the fans.

“We’ve had the nod from Robbie to write that song for us, so it’s almost like the industry is opening the door again and we’re feeling the love.”

Of their new hit Flowers, Duncan added: “A lot of people have said it sounds like a Robbie song as well.”

Blue are one of the few bands still touring with an original line-up.

Simon said: “One of the reasons we have stood the test of time is all four of us wanted to be in a boyband.

“Most are full of members who want to be solo artists but weren’t good enough.

“So all of a sudden you’ve got egos.

“We don’t understand why bands argue or why they don’t get on because when you’re a team, you’re a team player.”

The boys are playing at London’s Royal Hospital Chelsea on June 11.

I will get my prosecco and picnic blanket ready.

Tickets are on sale at myticket.co.uk.

Meanwhile, the band revealed Ellie Goulding got them to perform at her 70s-themed baby shower in January, ahead of the birth of her daughter Iris.

The boys sang their 2002 track One Love with Ellie.

Duncan added: “We didn’t realise she was a big fan of our music.”

SAM THOMPSON is stepping down from his role on Love Island: Aftersun.

The 2023 I’m A Celeb winner has been a panel regular on the spin-off since his stint in the jungle.

But an insider revealed: “Sam’s schedule is jam-packed and producers are going in a different direction so there’ll be a bit of a shake-up on Aftersun.

“ITV is really keen on harnessing new talent, especially plucking from its pool of influencers and TikTokkers to boost ratings.

“Sam may well return as a guest, but he won’t be a regular.”

A spokeswoman for Sam said: “He absolutely loved his time as part of the Love Island team and the show will always have a special place in his heart.”

NOEL SHOWS HIS SCENTS OF STYLE

NOEL GALLAGHER might have a thing for cigarettes and alcohol – but he also likes more refined smells, too.

The Oasis great shares the same taste in scent as suave Thirties and Forties playwright and composer Noel Coward.

He visited bespoke perfumer Azzi Glasser at her London studio.

Azzi, who has created scents for Kylie Minogue, Tom Hardy And Jude Law, charges £1,500 for a “fragrance workshop” to create a one-off scent to match your personality.

Noel spent £400 on candles and chose Vetiver scent by Floris London – favoured by Noel Coward.

Azzi revealed that Noel is also a fan of her £259 Mystere Vetivert.

She said: “It smells like you’re wearing a million dollars.”

IS THAT MADGE? CORSET IS

MADONNA returned to Coachella in the same jacket and corset she performed in 20 years ago as she joined Sabrina Carpenter for her headline set on Friday.

The sparkling duo performed the Queen of Pop’s hits Vogue and Like A Prayer before launching into a new song, I Feel So Free, from Madonna’s long-rumoured new album, Confessions II, set for release on July 3.

Madonna was delighted to stand four inches taller than Sabrina, who is just under 5ft.

She told the crowd: “The other thrilling thing I need to point out to everybody right now is this is probably the first time I’ve ever performed with someone who’s shorter than me.

“So, thank you for giving me that experience.”

In response, Sabrina shouted, “Amen!”.

Cute as a button.

’ROACHES ROLLING OUT AGAIN?

ROLLING STONES fans reckon there could be live dates on the horizon under their alias, The Cockroaches.

Rumours started after the rockers updated their website to include a poster of a 1977 surprise gig at El Mocambo Club in Toronto, attended by Princess Margaret , which was billed as a gig by The Cockroaches.

Keith Richards also posted a cryptic comment saying: “Great fun though huh?

A good rhythm section, a couple of mates, where else can you go.”

A source said: “There is a lot of buzz about this as next year it will be 50 years since the Stones last played live as The Cockroaches.”

TALIA MAR is hoping to work with DJ Sigala again.

The pair collaborated on 2022 dance track Stay The Night.

Asked if she would like to work with him this year, Talia told me: “Oh my God, yes. I was talking to him the other day. He is summer. I was like, ‘Can we get some new music please, because it is summer?’.”

Talia who has released new track Lady, will play at London’s Courtyard Theatre on May 16.

She said: “I want it to be really casual, I don’t want it to be glitz and glamour.

“Stripping it down is a really lovely moment.”

TIM’S CHILL TIME DOWN TO A TEE

TIMOTHEE CHALAMET has been enjoying some chill-out time on the beach.

After watching Justin Bieber at Coachella with his girlfriend Kylie Jenner last weekend, he headed for Miami to relax.

The Marty Supreme actor paid homage to his movie with a “Supreme” Wu-Tang Clan tee.

Tim was later seen catching some rays shirtless and sipping on a Coke.
Lovely.