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OLIVIA Attwood has stripped to her bra and showed off her “glossy t**s” as she compared herself to a “blow up doll.”

The former Love Island star, 35, recently jetted off to New York and has been sharing what she’s got up to on social media.

Olivia took to Instagram with a new video and captioned it: “If you also want to look like a blow up doll.”

In the clip, the TV host looked stunning in a lacy black bra as she answered a fan’s question about her glossy t**s routine.

Wearing a blue satin jacket over her bra, she said: “Sierra has the job of glossing my boobs.

“And the product is Patrick Ta in she’s on Vacation – that body balm thing.”

Fans flocked to comment and one wrote: “Stunning! Loving the hair right now.”

Another said: “Obsessed with this look.”

A third added: “Absolute stunner!”

While a fourth wrote: “Liv you absolute goddess.”

This comes days after Olivia left jaws on the floor as she rocked Margot Robbie’s iconic The Wolf Of Wall Street lingerie.

Olivia looked incredible in a blue navy La Perla slip dress with cream floral lace for a night out – which was the exact one that actress Margot, 36, wore during the 2013 blockbuster.

She accessorised with knee high boots, a silver clutch and oversized Gucci sunglasses.

It comes after Olivia almost fell out of a tiny lace bra as she glammed up for New York Fashion Week.

The ITV star recently attended her first red carpet event with her new man Pete Wicks.

The pair looked loved up as they locked lips at the National Television Awards last week.

And Pete recently opened up about huge birthday gesture from Olivia that made him cry – and her awkward reaction.

“American Idol” is packing up its stars after 25 years in Hollywood.

In the latest blow to Los Angeles film production, ABC’s long-running program will move its upcoming season to the Atlanta area, according to Fremantle, which produces the show with 19 Entertainment, owned by Sony Pictures Television.

Fremantle declined to comment further.

The move comes as Los Angeles’ production levels have tumbled, prompting concern from film workers, union leaders and elected officials who are scrambling to address the crisis. California, despite boosting its tax incentive program, has been struggling to compete against other states that offer more lucrative credits.

TV production activity in the L.A. region was down 27% in the second quarter compared with the same period a year ago, largely because of fewer reality TV shoots, according to the nonprofit FilmLA.

Earlier this year, another broadcast TV stalwart, Fox’s “The Masked Singer,” made plans to vacate its space on the Fox lot on West Pico Boulevard in Los Angeles and head to New Jersey, also in search of more lucrative tax credits. Another ABC hit, “Shark Tank,” also is relocating to Atlanta from its longtime home base on Sony’s Culver City lot.

“American Idol” has been a local economic engine since launching on Fox in 2002. For years, the show ranked as the No. 1 show on TV and employed hundreds of workers each season as aspiring singers hoped for their big break.

The most recent season originated from Red Studios in Hollywood.

Georgia offers generous tax incentives, including up to a 30% tax credit for reality television productions that spend at least $500,000 in the state. Unlike California, Georgia’s tax program allows compensation for actors and other so-called above-the-line workers to be included.

Like California, Georgia has been grappling with lower production levels. For more than a decade, its soundstages attracted colossal movie productions, but the region was dealt a blow when the Walt Disney Co. recently shifted production of its Marvel superhero films to facilities near London.

On Tuesday, a bipartisan coalition of lawmakers, the Motion Picture Assn., industry unions, Hollywood special ambassador Jon Voight and filmmaker Steven Paul made a pitch for a federal film and television tax credit to keep jobs in Hollywood and in the U.S. broadly.

Rep. Laura Friedman (D-Glendale) plans to introduce a bill into Congress as early as this month in collaboration with Rep. Brian Jack (R-Ga.), who represents a district southwest of Atlanta. The MPA released a study estimating a federal tax credit could add 143,000 film and TV jobs.

This year, in particular, has seen big swings as the California Film and TV Tax Credit Program expanded eligibility to include competition shows.

Large-scale competition shows are eligible under the state’s incentive program if they have a minimum budget of $1 million per episode. The credit, however, does not include traditional reality shows, game shows, talk shows or docu-follow television programs.

Changes in California’s formula resulted in a jump to 676 shoot days in the second quarter, compared with 463 shoot days during the first three months of the year. Nonetheless, this year’s April-June quarter still reflected an almost 40% decline when compared with the same time last year.

FilmLA said that over the last five years, reality productions have plummeted nearly 63%.

ABC in late July announced “American Idol” was returning, marking its 10th season on the Walt Disney Co. network. Producers are auditioning potential contestants this week during stops in Georgia, North Carolina and South Carolina.

ABC declined to comment on the move.

Ryan Seacrest has long hosted the show, which last season featured Lionel Richie, Luke Bryan and Carrie Underwood, a previous “American Idol” champion, as the celebrity judges.

Deadline first reported the planned move to Georgia.

Game shows are also leaving L.A.

A growing number of programs long based around Hollywood and New York have headed across the ocean to Ireland and Britain to take advantage of tax credits that bring down the cost of production as broadcast network executives contend with shrinking audiences and lower profit margins.

Fox currently has several prime-time game shows produced overseas, including “The Floor,” “Celebrity Name That Tune” and “Beat Shazam.

Staff writer Stephen Battaglio contributed to this report.

Michelle Keegan has reportedly quit a drama just weeks before she was set to begin filming and now a former Doctor Who star has is said to have taken over the role

Michelle Keegan has quit a drama just weeks before she was set to begin filming.

The actress, 39, is said to have been gearing to take on the part of a working class barrister in a new series that has been penned by Sherlock creator Steve Thompson, with cameras set to roll from November.

But it’s now thought that Michelle, who has to Palma, 18 months, with husband Mark Wright, has pulled out of the project in what is being called a “huge blow” for the production.

A source said: “Michelle was really keen to take on the meaty role, but the heavy filming schedule would take her away from daughter Palma for too long.

According to reports, former Doctor Who actress Jodie Whittaker has been drafted into the role instead but fans of Michelle will soon be able to see her in in Netflix drama The Woods, which is based on the Harlan Coben thriller of the same name.

Speaking to The Sun, the source added: “The hours were quite intense and the project was starting straight after her Netflix drama The Woods and she just couldn’t commit. She is dedicated to her acting career, but like all working mums has to prioritise being there for her family, juggling work, parenting and being present for Palma.”

Michelle shot to fame when in 2008 when she was cast as Tina McIntyre on Coronation Street, and stayed with the soap for seven years before making a permanent exit when the much-loved Rovers barmaid was killed off as part of a whodunnit plot. Since then, she has Michelle has become one of the most famous actresses in Britain, starring in top-rated programmes like Brassic and Ten Pound Poms.

Michelle previously starred in Fool Me Once for Netflix, which was based on Coben’s 2016 thriller, but this time round, she will play Lucy Silverfield, who helps her former partner, played by Tom Bateman. In

When the latest adaptation of The Woods was first announced, Coben said in a statement: “The Woods is a haunting and very personal story. It has everything you expect from us – twisty, turning, gasp-inducing – but at the core is a story of old love and yearning.

“Working with a cast led by Tom Bateman, Michelle Keegan, Mandeep Dhillon, Pearce Quigley, James Buckley, Tom Allen – it’s an embarrassment of riches.”

Penned by Danny Brocklehurst, the upcoming eight-part thriller begins with a mysterious disappearance 20 years ago that leaves a family devastated.

When new evidence comes to light that convinces barrister Paul ‘Cope’ Copeland (played by Bateman) his missing sister could be alive after all, he begins a relentless investigation to unearth the truth.

The Mirror has contacted Michelle’s representatives for comment

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José Ramírez drove in five runs with three doubles, Steven Kwan had five singles and the streaking Cleveland Guardians overcame an early five-run deficit to beat the Angels 8-6 in 10 innings Tuesday night.

Kwan capped his second career five-hit game with a leadoff single in the 10th against reliever Blake Weiman (0-1), advancing automatic runner Brayan Rocchio from second base to third. Travis Bazzana popped out, but Ramírez laced a two-run double to left-center to give the Guardians an 8-6 lead.

Cleveland reliever Erik Sabrowski (5-2) struck out the side in the ninth. Cade Smith fanned Denzer Guzman and Adam Frazier with runners on second and third in the 10th for his 35th save, sealing the Guardians’ sixth straight win.

The Angels took a 6-5 lead on Vaughn Grissom’s second homer of the game, a solo shot off reliever Logan Allen leading off the fifth. The Guardians tied it 6-all in the eighth when Kwan singled and scored on Ramírez’s RBI double.

Cleveland center fielder Angel Martínez preserved the tie when he made a leaping catch at the wall to rob Mike Trout of a potential two-run homer to end the bottom of the eighth.

Angels starter Walbert Ureña gave up three runs and five hits in 3 2/3 innings, striking out three and walking five. Guardians starter Gavin Williams was rocked for five runs and six hits in 1 1/3 innings, his shortest start this season.

Grissom hit a two-run homer in the first, and the Angels pushed the lead to 5-0 in the second on Christian Moore’s solo homer, Guzman’s RBI double and Zach Neto’s RBI single.

Bazzana lined an RBI double to cut the deficit to 5-1 in the fourth, and Ramírez’s two-run double made it 5-3.

Cleveland tied it 5-all in the fifth on two-out RBI singles by Rocchio and Kwan.