Blake

DETROIT — The same old story played out for the Dodgers on Saturday. They got a strong outing from their starting pitcher and an uninspiring performance by their offense, resulting in a close game.

This time the Dodgers lost, 2-1, despite left-hander Blake Snell’s five innings of one-run baseball.

The Dodgers’ last five games have been decided by one run. They’ve lost all but one of them.

It was Snell’s fourth game back from arthroscopic elbow surgery in May. He’s limited opponents to one run or none in every start. Saturday marked the first time he threw fewer than six innings since being activated this month.

He limited the Tigers to three hits and issued three walks. Four of those six baserunners reached before Snell briefly left the game in the third inning.

Snell had cruised through the first two innings, a Texas leaguer into shallow right field the only blemish on an otherwise perfect beginning.

The third inning, however, started to go haywire. Snell walked Javier Báez, traditionally a free swinger, to open the frame. Tigers rookie Max Clark laid down a sacrifice bunt, but Dodgers third baseman Max Muncy lost control of the ball as he tried to throw to first, enabling Clark to reach base as Báez advanced to second.

Against Gleyber Torres, Snell left a changeup too far over the plate for a ground-rule double. The high hop over the yellow line on the right-field fence saved a run, sending Clark back to third, but the Tigers pulled ahead 1-0.

Snell threw two pitches to Hao-Yu Lee and then, after a conversation with home plate umpire Chris Guccione, headed off the field and disappeared down the dugout tunnel.

There was no immediate explanation provided by the team or the umpires. Snell soon returned and resumed with a 1-and-1 count on Lee.

Snell got out of the inning without further damage, inducing Lee to pop out and, after walking Kevin McGonigle, striking out Dillon Dingler and Eduardo Valencia.

Snell made it six straight punch-outs by striking out the side in the fourth and kicking off a scoreless fifth with another. Snell’s outing ended with Dingler waving at an outside fastball for strike three.

The Dodgers’ offense, however, failed to give him run support. Through five innings, they mustered only two baserunners against Tigers starter Keider Montero.

In the sixth, they finally strung multiple hits together and got a run out of it. Alek Thomas led off with a double to left that ricocheted off the wall on a hop. Shohei Ohtani grounded out on a close play at first, moving Thomas to third. Then Freddie Freeman lined an RBI single to right.

The Dodgers went on to load the bases with one out. But, following a concerning pattern, they failed to squeeze any more runs out of the opportunity.

The Dodgers entered Saturday batting .211 with the bases loaded this month, putting them in the bottom third in the majors. When Tommy Edman grounded into a double play to end the sixth inning, it was their third with the bases loaded this month.

In the ninth, the Dodgers were a few feet from pulling ahead. With two outs and a runner on first, the Tigers brought in closer Kenley Jansen, the former Dodger, to face Teoscar Hernández.

In an 0-and-2 count, Hernández sent a cutter for a ride to deep left-center. But Báez made an over-the-shoulder catch a few steps from the wall.

Dodgers left-hander Jack Dreyer took the mound for the bottom half and, with runners on the corners, gave up a walk-off single to McGonigle.

The heroes for the Dodgers on Sunday needed no introduction.

Fans have known them in blue for entire days.

Alek Thomas. Hunter Feduccia. And a refreshingly rebooted Kyle Tucker, the $60-million-per-year outfielder who for weeks was colder than dry ice.

On a sweltering afternoon when everyone in the seats was using programs to fan themselves, Blake Snell was fanning Pittsburgh Pirates — six strikeouts in six innings of work — and the bottom of the order played like the top of the lineup, providing ample offensive spark for a 4-0 victory that stretched the Dodgers’ winning streak to six games.

Thomas and Feduccia, both understudies to All-Stars, had back-to-back singles to right in the fourth inning to drive in a pair of runs — one of which was Tucker, who earlier reached base with his own single to right. That turned a familiar one-run game into a Sunday stroll and a consecutive sweep, first of Colorado then of Pittsburgh.

In consecutive days, the Dodgers (80-51) got strong performances from starters Yoshinobu Yamamoto, Tarik Skubal and Snell, who combined for 26 strikeouts, five walks and five earned runs in 19 innings.

That was a welcome breeze for the Dodgers, who earlier this month saw a losing streak grow to seven and eight of nine.

Thomas is replacing center fielder Andy Pages, who suffered a fractured hand when he was hit by a pitch in Friday night’s win over Pittsburgh. The former Arizona Diamondback made a splash in his Dodgers debut Saturday, collecting a hit that drove in Tucker in what would become a 4-3 win over the Pirates (63-69).

Feduccia is one of a rotation of catchers filling in for Will Smith, who is working his way back from a neck injury.

Tucker has been one of the more compelling stories this season. He came into the weekend hitting .189 at Dodger Stadium, and he had gone 0 for 19 in his last homestand. That futility was starting to spill over to his defense, too, as he dropped a routine foul ball in front of a crowd whose patience had long since worn thin.

But on Friday night, there was a concerted effort by Dodgers fans to cheer him loudly every time he stepped to the plate, in hopes of lifting him out of the ditch. Three years ago, fans of the Philadelphia Phillies famously buoyed the spirits of underperforming shortstop Trea Turner by giving him the same kind of standing ovation.

Did it work for Tucker? He had the winning hit Saturday, a two-run single in the fifth inning.

“I haven’t had a hit in the last three homestands,” he said after the Saturday game. “I don’t keep up with stats like that. I just go out there and take the next [at-bat] and try to have a good quality AB.”

Díaz accepts Dodgers’ decision

Meanwhile, Edwin Díaz said before Sunday’s game that he understands the Dodgers’ decision to use him in lower-stake situations rather than immediately relying on him as a closer. The rationale is that strategy will help him rediscover his confidence.

“I know I haven’t done my job,” said Diaz, speaking to reporters at his locker before Sunday’s game. “If I had done my job, I would be in the ninth inning.”

He praised Tanner Scott, who has thrived in that role.

“He’s doing a great job,” Diaz said. “I’m really happy for him.”

Diaz, the team’s biggest offseason acquisition, had elbow surgery early in the season and was out from April to late July. His return wasn’t triumphant, as he had three blown saves and two more shaky outings in non-save situations.

After a game against the Colorado Rockies last week, he complained of a neck issue and was placed on the injured list. He has more than a week remaining before he returns.

Diaz said he underwent an MRI scan on his neck and nothing unusual was revealed. He’s working with coaches on making a small adjustment to his delivery.

“They showed me a couple videos from last year — my arm slot’s always a little low,” he said. “We’re working now to get it higher and more consistent in that position.”

The goal, naturally, is to make good on the expectations the Dodgers had for him when they signed him to a three-year, $69-million deal.

“That’s why they signed me here,” he said. “To be the closer.”

Pages update

The wait could be longer for Pages, who underwent a minor surgery to repair the fracture in his left hand and is expected to miss at least four weeks.

The team acquired Thomas, who’s strong defensively but has some big cleats to fill in replacing the offensive production of Pages.

“Andy’s shown he’s the complete player,” manager Dave Roberts said. “And so we kind of backfilled the defensive part of it. But to lose the bat, that’s a big loss.”

Thomas did his part at the plate in both weekend games, however.

Ohtani’s pitching timeline

Shohei Ohtani is on the mend from a left knee injury and could be ready to return to the pitching rotation soon.

Ohtani threw 30 pitches in a live batting-practice session Saturday at Dodger Stadium, marking his first time facing hitters since his last start on July 3. Roberts said that outing puts him in position to return to action soon.

The right-hander is scheduled to throw a bullpen session during the upcoming series at Atlanta, and the Dodgers will then decide whether he’s ready to rejoin the rotation or needs to throw more live batting practice. Roberts said there’s a possibility Ohtani could return as soon as the first week of September.

Last year, when Ohtani was returning from a second career Tommy John surgery, the Dodgers eased him into pitching slowly, starting with one inning and then adding an inning each appearance. Apparently, the team won’t be quite as cautious this time.

“I would say it’d be a little bit more aggressive,” Roberts said.

Asked if that could mean, theoretically, the Ohtani could build up to five innings by the end of the season, the manager said: “In theory, yes.”

Dodgers southpaw Blake Snell called his shot.

It wasn’t quite Babe Ruth pointing from the batter’s box. The moment won’t make its way into any movie. But Snell did tell manager Dave Roberts over text message that he was going to throw six innings in his first start back from the injured list after undergoing surgery to remove loose bodies from his elbow.

Then, en route to a 5-4 walk-off Dodgers victory in 10 innings against the Royals, Snell did just that.

“I knew that’s what the plan was coming in, and I really wanted to execute that plan,” Snell said after limiting the Royals to one run and three hits.

Despite Snell’s resume, the two-time Cy Young winner wasn’t guaranteed a smooth return. It had been three months since he’d last started a major-league game. And it was only his second start of the season, after a late buildup in spring training due to shoulder fatigue, a May season debut against the Braves, and surgery shortly after.

Eventually getting back this version of him, however, was key to the Dodgers’ postseason aspirations.

“I think the biggest thing was just being aggressive,” Snell said. “Be in the zone, attack. I know how good my stuff is, so I didn’t want to just be nibbling and then complaining like, ‘Oh that’s a strike.’ I didn’t want to do any of that again like I did versus Atlanta.”

That was a short and not so sweet season debut. He exited after three innings, having put his team in a five-run (four earned runs) hole.

The difference Tuesday was “stark,” as Roberts put it.

To clear room on the roster to activate Snell, the Dodgers (72-48) optioned left-handed pitcher Charlie Barnes to triple-A and transferred right-handed reliever Blake Treinen (right elbow inflammation) from the 15-day IL to the 60-day. Though he has not yet begun a minor-league rehab assignment, manager Dave Roberts said Treinen has not had a setback.

Snell, who had 10 strikeouts Tuesday, kept the Royals off balance all night leaning on a fastball that had a little extra life to it, a curveball that generated a 63% whiff rate, and a changeup that was especially effective against right-handed hitters.

Max Muncy and teammates celebrate after his walk-off single Tuesday.

(Eric Thayer / Los Angeles Times)

“I was more calm than I thought I was going to be, so that was good,” Snell said. “But the curveball’s finally coming back to how I remember it being. It was always a pitch that was a wipeout, I could throw it, but now I’m finally releasing it where I need to release it. And I’m kind of releasing everything in the same slot out in front.”

Counterintuitively, Snell pointed to his last rehab start, in high-altitude Salt Lake City, as another factor that helped lock him in for Tuesday. It’s a notoriously difficult place to pitch, with the thin mountain air affecting the way the ball moves.

“To have that start and be that frustrated pitching knowing that I can’t throw anything that I want with any shape,” Snell said, “to be able to come here and just pitch and know I can throw a curveball where I want, whenever I want, and a fastball, that felt way better.

“But Salt Lake was so difficult. Oh my God. If I played in Salt Lake growing up, I don’t know if I’d be here today.”

Roberts set expectations low in his pregame availability, saying the hope was to get Snell through five innings. Snell had other plans.

He struck out the side in the first inning and retired the first 10 hitters he faced.

When he finally gave up back-to-back singles to the Royals’ Bobby Witt Jr. and Jac Caglianone, neither was particularly well struck — a soft line drive and a grounder that found a hole on the right side of the infield.

With runners on the corners and one out, Snell gave up the only run of his start, on a sacrifice fly by Salvador Perez.

The next inning, Snell worked around a leadoff hit — a blooper into shallow right field that speedy Tyler Tolbert stretched into a double — and a stolen base, to strand Tolbert at third.

Back out for the sixth, Snell retired the side in order. He finished his outing by getting Perez to chase a changeup below the zone and pop it up behind second base.

“He was fantastic tonight,” Roberts said. “And you know we pushed him a little bit into the six and through the six, but just because he was so efficient, certainly that extra inning was huge for us.”

It was especially important once the back and forth in late innings pushed the game into extras.

Hard-throwing right-hander Seth Halvorsen tossed a scoreless tenth inning in his Dodgers debut, setting up Max Muncy for a walk-off single in the bottom half of the inning.

“That’s the Snell that we’re used to seeing,” Muncy said. “And hopefully we have him for the next two, three months — for the long run.”

TAYLOR Swift and Blake Lively’s feud has taken a new turn with the latter ‘threatening to release intimate texts’.

The pair’s friendship had seemingly started to unravel in the last few years and came to a head when Blake was left off Taylor and Travis Kelce’s Superbowl guest list.

Back in 2024, Blake made an appearance alongside the singer in a VIP suite for the Superbowl. 

Clips from the night went viral but when the Kansas City Chiefs returned for the championship game in 2025, Blake was nowhere to be seen. 

It’s now been claimed that the actress was left ‘livid’ and ‘humiliated’ by being left off the guest list. 

Sources have reported to The Daily Mail, that Blake allegedly demanded through her legal team that Taylor create a post on social media detailing how much she regretted that Blake couldn’t join her. 

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The message was reportedly to read along the lines of: “So sad, my bestie couldn’t come to the Super Bowl”.

This was to give the impression that there was no ongoing feud between the pair and to explain away Blake’s absence.  

After the songstress refused a ‘threat’ was allegedly made by the Gossip Girl alum that she would expose ‘ten years’ worth of private and intimate messages to the public.

The conversations touch on Taylor’s high profile romances and other personal exchanges.

“It was the ultimate blow to their friendship,” the source said. 

“The threat to expose Taylor’s most intimate confidences unless she posted something to explain why Blake was missing at the Super Bowl was outrageous.

“There was no going back from that.”

Michael Gottlieb, Lively’s attorney, denied that any threat occurred, stating: “This is categorically false. We unequivocally deny all of these so-called allegations, which are cowardly sourced to supposed anonymous sources, and completely untethered from reality.”

The BFFs’ close bond took a hit in 2024 after Taylor got dragged into Blake’s lawsuit against her It Ends with Us co-star and director, Justin Baldoni.

Blake alleged that Justin, 41, sexually harassed her on the set of the film, in which they played love interests, and pushed for a retaliatory smear campaign.

However, the legal drama didn’t just remain between the former co-stars, as numerous other big names were pulled into their messy beef.

Taylor couldn’t escape the court battle, as Justin allegedly accused Blake of using her friendship with the billionaire performer to exert control over the film.

In January, texts between Taylor and Blake were unsealed, in which they discussed the toll the film took on the Gossip Girl alum and how it affected their friendship.

The pair became friends in 2015 and Blake’s children James, Inez and Betty have even provided a voice cameo for Taylor’s song Gorgeous. 

But as their fallout has continued Taylor, who is the children’s godmother, has had to allegedly ‘remove herself’ from the role.

Sources to The Daily Mail had said that: “It was one of the toughest decisions she’s ever had to make”

“It was very emotional because she loves the girls. It hurt her heart, but she had no choice given the circumstances.”

The decision was reportedly made a few months ago considering there was no written agreement about being the girls’ godmother.

The bitter legal battle between Blake Lively and Justin Baldoni over allegations of misconduct and retaliation tied to the making of “It Ends With Us” moved closer to a conclusion Friday after a federal judge ordered Baldoni and his production company to pay Lively’s attorneys fees related to his unsuccessful defamation lawsuit against her, while rejecting her bid for additional damages.

In a 47-page order, U.S. District Judge Lewis Liman found that Lively was entitled to recover legal fees under a California law intended to protect people who report sexual misconduct from retaliatory defamation claims, ruling that Baldoni’s side had failed to show she acted with malice when making her allegations.

But Liman denied Lively’s request for treble and punitive damages, concluding that the procedural mechanism her lawyers used permitted recovery of attorneys fees and costs but not broader financial penalties.

Lively’s attorneys, Esra Hudson and Michael Gottlieb, called Friday’s ruling a victory for their client and emphasized that the judge found “there was no evidence she acted with malice.”

“The Court is awarding Ms. Lively attorneys’ fees and costs and has explained that a prevailing defendant under Section 47.1 may seek damages using different procedural mechanisms,” the attorneys said in a statement. “The parties’ settlement agreement expressly preserves Ms. Lively’s rights to obtain those damages.”

While the judge rejected Lively’s request for additional damages in this particular motion, her legal team said she could still seek them through other legal avenues permitted under the statute.

Bryan Freedman, Baldoni’s attorney, sharply disputed Lively’s characterization of the ruling, arguing that the court’s prior decisions had substantially undercut many of her original claims.

“There was no sexual harassment. There was no retaliation. There was no smear campaign,” Freedman said in a statement. “The court recognized it, the record reflects it, and we have maintained it from the very beginning.”

The amount Baldoni and Wayfarer Studios ultimately may have to pay has not yet been determined. Lively’s lawyers must still submit billing records and fee calculations for court approval.

The ruling follows last month’s settlement between Lively and Baldoni, which came just before what had been expected to be a closely watched federal trial in Manhattan. Under that settlement, neither side received financial compensation. But the agreement preserved Lively’s ability to seek attorneys fees and damages under California Civil Code Section 47.1, a relatively new statute designed to shield sexual harassment and assault accusers from retaliatory defamation claims.

Lively sued Baldoni, Wayfarer Studios, Wayfarer CEO Jamey Heath and others in December 2024, alleging Baldoni and his associates orchestrated a coordinated effort to damage her reputation after she raised concerns about misconduct during production of the film, which Baldoni directed and co-starred in. Baldoni denied wrongdoing.

Baldoni and Wayfarer later filed a $400 million defamation suit against Lively, her publicist Leslie Sloane and her husband, Ryan Reynolds, that was dismissed last year. Friday’s ruling dealt specifically with whether Lively could recover attorneys’ fees and damages tied to that dismissed suit under California Civil Code Section 47.1.

The latest ruling comes after Liman earlier this year dismissed 10 of the 13 claims in Lively’s lawsuit, including sexual harassment and defamation claims, while allowing retaliation-related claims to proceed.

In Friday’s ruling, Liman wrote that Baldoni’s team had produced no evidence demonstrating Lively acted maliciously when making her allegations.

“Allegations are insufficient on their own to demonstrate that statements were in fact made with malice,” the judge wrote. “That determination requires some evidence.”

Friday’s ruling offered each side new grounds to claim vindication in a legal battle that has played out as much in public statements as in court filings. Lively’s team pointed to the judge’s finding that she acted without malice, while Baldoni’s attorneys emphasized that many of her original claims had been dismissed.

Still, the settlement agreement bars either side from appealing Liman’s ruling, potentially drawing one of Hollywood’s ugliest recent legal fights to a close.

BLAKE Lively has demanded that Justin Baldoni pay her “significant” damages – with the pair now facing a potential mini-trial despite reaching a settlement earlier this month.

The actress claimed in court docs that Baldoni, her co-star and director on the movie It Ends With Us, should be covering her legal fees after suing her.

The star also said she was owed legal fees, costs, treble damages – with punitive damages on top, according to court docs.

Lively had previously sued Baldoni for £119million in damages in 2024 for alleged sexual harassment on the set of It Ends With Us – which he denied.

In April this year, a judge dismissed most of her case and weeks later both sides reached a settlement with no money changing hands.

Now, Lively wants Baldoni to pay her for his own failed counter-lawsuit, in which he demanded £300million for defaming him.

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A judge dismissed his case last year and Lively says in court docs that because she won, Baldoni has to pay up.

During a hearing at a court in New York on Monday, Judge Lewis Liman told Lively’s lawyers to consider dropping their claims.

He said: “Your client does have the ability to end this.”

But Lively’s lawyer said she was entitled to the money and said he would be calling experts to testify in what could be a mini-trial.

Neither Lively, who is married to Deadpool star Ryan Reynolds, nor Baldoni were in court for the hearing.

Speaking after the session, Lively’s lawyer Sigrid McCawley said her film star client would be seeking “very significant” damages.

The actress’ “reputation was harmed” as was her livelihood, McCawley said.

Lively’s trial would have been taking place this week – had the case not been thrown out.

Her former BFF, Taylor Swift, was set to be one of the big names likely involved in the trial.

Lively had alleged in court docs that Baldoni added unscripted kisses to a dance scene in the movie It Ends With Us.

Lively plays a florist in the movie, while Baldoni portrays her character’s abusive neurosurgeon boyfriend.

Baldoni denied Lively’s claims, and the court dismissed most of them – including conspiracy, sexual harassment, and defamation.

Lively’s complaint allegations included the film producer being accused of going into Lively’s trailer while she was topless and breastfeeding her baby.

Lively, 38, initially filed her complaint against It Ends With Us director Baldoni, 42, in December 2024.

The star claimed in the filings that she had lost $161million as a result of the fallout.