Preview the engrossing biopic of a Hollywood icon's early years
Based on a true story, starring Toby Jones, Lesley Manville and Harry Lawtey
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Based on a true story, starring Toby Jones, Lesley Manville and Harry Lawtey
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“Chainsaw Man — The Movie: Reze Arc,” the Japanese anime from Crunchyroll and Sony, claimed the top spot at the domestic box office this weekend, taking in an estimated $17.25 million, according to Comscore.
The R-rated movie, based on Tatsuki Fujimoto’s popular manga series, follows teen demon hunter Denji, who is betrayed by the yakuza and killed as he attempts to pay off the debts he inherited from his parents. His beloved chainsaw-powered dog Pochita makes a deal and sacrifices his life, fusing with Denji who is reborn with the ability to transform parts of his body into chainsaws.
“Chainsaw Man,” already a global hit, delivered a blow to Disney and 20th Century’s biopic “Springsteen: Deliver Me From Nowhere,” starring Jeremy Allen White, which came in a disappointing fourth place with an estimated $9.1 million.
Based on the 2023 Warren Zanes book of the same name, the film plumbs Springsteen’s life and career through the creative process, during the making of his 1982 acoustic album “Nebraska.”
The Times described the movie as a “thoughtful exploration of the creative process” that runs out of steam by the end, “meandering aimlessly into a depressive period of Springsteen’s, and it never quite regains its footing.”
In its second week out, the horror sequel “Black Phone 2” took the No. 2 slot, earning an estimated $13 million over the weekend, giving the Universal and Blumhouse movie a domestic total of $49.1 million.
Rounding out the third spot is Paramount’s romantic drama “Regretting You,” the latest film adaptation of novelist Colleen Hoover (“It Ends With Us”). Starring Allison Williams and Dave Franco, it opened to an estimated $12.5 million domestically.

IT’S hard to believe, but at the age of 68, Gloria Estefan, one of the biggest-selling and most-celebrated artists of all time, is marking her 50th year in music.
She has had a stellar career, racking up everything from a slew of Grammy awards to the Presidential Medal of Freedom.
But after her musician daughter Emily performed with Cyndi Lauper at Glastonbury last year, she now has one more thing she wants to strike off her bucket list – a major slot on the prestigious Pyramid Stage.
In an exclusive chat, she told Bizarre’s Howell: “It’s very exciting, big and complex from what I hear from Emily. Like, it was crazy. But that would be super exciting.
“If I’m still around, I would love to do that. Now, Glastonbury likes all kinds of artists.”
With hits like Rhythm Is Gonna Get You, Dr Beat and, of course, Conga, she would have plenty of songs to entertain Worthy Farm.
And she may soon be wowing even more viewers, with a big-budget biopic on the cards.
For the first time, she has confirmed Rachel Zegler, who shot to fame in Steven Spielberg’s West Side Story, Disney’s Snow White and recently in Evita on the West End, is set to play her.
She said: “I think she’s awesome. I think she’s incredible. I know she’s killed it in Evita.
“We’re still working on the green light because we’re figuring out where to do it, how to do it.
“This has been in the works for quite a few years now. And that’s how it is. You work, you work, you work, and then all of a sudden, boom, the trigger’s pulled and you’ve got to do it right away. But she’s lovely.”
But asked if she thinks Rachel will take the part, she continued: “I think she would. I just need to offer her an actual part. So we need to be greenlit completely and we’re almost there.
“I met her by Zoom. She’s got a beautiful singing voice and she’s a great actor. So absolutely.”
It was originally claimed the film will be an adaptation of her 2015 jukebox musical On Your Feet! although that idea has changed.
The star explained: “The movie’s not going to be the show. There’s a lot in there.”
Gloria was born in Cuba but her family fled to the US during the Cuban Revolution and she has now become one of Miami’s most famous residents.
And as one of the city’s stars, she has become pals with David and Victoria Beckham, who have a home there and have become key to the area with Becks’ football team Inter Miami CF.
But it’s clear they all move in the upper echelons when Stateside.
In a major name drop when quizzed on hanging out with them, she said: “I’ve been at their home. It’s lovely. David is such a lovely man – and Victoria.
“We actually went to a dinner at their home and President Obama was there, and the head of Reddit, and Jeff Bezos. It was really cool.
“It was small, but only the most powerful people in that room. It was great.
“They’re very kind people. And he’s done amazing things for soccer or football, as you call it here.”
And there have been more Brits in Miami, with Dua Lipa performing there last month, when she covered Gloria’s 1985 hit Conga.
“I was so sad that I wasn’t in town,” Gloria said.
“She had invited me to go and do that with her. And I love her. I’m a big fan of Dua Lipa. And that’s the sexiest conga you’re ever going to see, hands down.”
After such an illustrious career, she recently released her 30th album Raíces, which is largely Spanish-language escapism and the perfect soundtrack for a soiree or relaxing evening in.
And it was her husband of 47 years, producer Emilio, who made it happen.
Gloria, who was writing another musical at the time, explained how the salsa record poured out of him.
She added: “It’s got beautiful, romantic ballads. Emilio said, ‘I wrote you a love song’. I go, ‘Babe, you’re going to sing it?’.
He goes, ‘No, you’re going to sing it for me’.”
Charming.
And as for retirement after five decades in the game? Don’t count on it.
She giggled: “In ten years time, I hope to still be alive. That’s my first plan. Who knows?
“I only choose what I really, really want to give my time to. It’s just that. I had all these amazing opportunities. And they just converged this year.”
KRISTEN STEWART didn’t let the falling temperatures bother her as she headed out in this white mini-dress.
The Twilight actress showed off a stark fringe and bare legs as she left a screening of her new film The Chronology Of Water at the Curzon Mayfair on Thursday night.
It was part of the BFI London Film Festival and the movie, an adaptation of US writer Lidia Yuknavitch’s memoir, is her directorial debut.
LILY ALLEN has confirmed my story that she is about to make a return with her fifth album.
And on it, she seemingly accuses ex-husband David Harbour of cheating on her.
The Smile singer married the Stranger Things actor in 2020.
But things crumbled last year, with the relationship inspiring the latest record which is expected to be released imminently.
A new interview with Lily came out in Vogue magazine yesterday.
It features lyrics from two tracks that suggest David romanced other women while they were together and the pair then decided to “open” their marriage.
On one song, Sleepwalking, Lily sings: “You let me think it was me in my head, and nothing to do with them girls in your bed.”
On another, called Dallas Major, she reveals: “You know I used to be quite famous, that was way back in the day.
“I probably should explain how my marriage has been open since my husband went astray.”
And Lily didn’t hold back in her interview, either.
She told the magazine: “I’ve had real problems with my food over the past few years.
She added that during their break-up “it got really, really, really bad”.
Lily, who is sober, said: “The feelings of despair that I was experiencing were so strong.
“The last time I felt anything like that, drugs and alcohol were my way out, so it was excruciating to sit with those [feelings] and not use them.”
KYLIE JENNER says being a pop star is her lifelong dream – despite being mocked this week when she sang on Terror JR’s new song Fourth Strike.
Having just started singing under the name King Kylie, she said: “You know this is my dream. I’ve been talking about this since I came out of the womb… that like I wanted to be a pop star.
“I just never had the confidence or… I think turning 28 just does something to you. Like I’m going to be 30 soon and I don’t want to look back on life and have any regrets.
“This is something I’ve always wanted to try.”
JENNIFER LOPEZ is up for returning to the Super Bowl stage in February – six years after her stellar half-time show with Shakira.
The singer, whose parents are from Puerto Rico, waved the country’s flag during her performance and next year will see rapper Bad Bunny, who is from there, playing the show.
Quizzed on US TV whether they could do something together there, she said there had been “no talk” of a collaboration but that she would be open to it.
She said: “There’s no talk. I have not gotten any calls. So I just want to put the expectation down. But of course if he wanted me to do something, I would definitely do it.”
ABBEY CLANCY and Peter Crouch are slowly turning their home into a zoo – and the next animal they are adding is a bearded dragon.
The couple, who live in Surrey with their four children, already own two dogs, cats and a horse but now they are adding reptiles to the menagerie.
Crouchy says they are getting the reptile, which is native to Australia, because their son is desperate for one as a pet.
As well as the lizard, Abbey wants to also get lambs and chickens.
Peter said: “The more animals the better, apparently. Bearded dragons are next on the horizon. My little boy has wanted one for years. They’re actually all right. I thought it would be a nightmare, but I’ve been down the shop and held them.
“We’re actually going to get one. They grow to be quite big but they’re quite chilled.”
MICHAEL McINTYRE’s firm raked in more than £3.2million last year – making him one of the biggest earners on TV.
He had another stellar year presenting Saturday-night series Michael McIntyre’s Big Show and quiz The Wheel.
The comedian’s TV production firm Hungry McBear paid £805,000 in corporation tax in its last financial year up to December 31.
That rate suggests he made just over £3.2million.
Reserves in the company now stand at £1,718,407.
The firm is jointly controlled by Michael and TV producer Dan Baldwin, who is married to Holly Willoughby.
It makes all of Michael’s shows, including Christmas and Easter one-offs and Michael McIntyre: Showman for Netflix.
But the cash doesn’t include earnings from his stand-up tour, so he will be raking in even more.
In recent years, film festivals haven’t felt all that festive. Audiences have dwindled, streaming has upended viewing habits and the pandemic and Hollywood strikes have rattled the industry, leaving even the most glamorous events to fight for their place on the cultural calendar.
Then there’s Telluride. For more than a half-century, the tiny mountain gathering has thrived as a kind of anti-festival: no red carpets, no prizes, no tuxedos, just movies. Perched 8,750 feet up in a box canyon in the Colorado Rockies, it’s reachable only by twisting roads or a white-knuckle drop into one of the nation’s highest airports. Festival passes are pricey and limited in number, which makes Telluride feel at once intimate and exclusive. With its mix of industry insiders and devoted film lovers, that isolation and tight-knit atmosphere have become part of Telluride’s mystique, and the promise of early Oscar buzz keeps filmmakers, stars and cinephiles making the pilgrimage. Since 2009, only five best picture winners have skipped Telluride on their way to the top prize.
“It’s so hard to get to Telluride — you don’t end up here by accident,” festival director Julie Huntsinger says by phone. “We’ve always felt it’s incumbent on us to show either brand-new things or extraordinary things that make your time worth it. You know how cats will bring you a mouse? I always feel like I’m bringing you a mouse or a bird, and I just hope you’ll like it.”
Rolling out over Labor Day weekend, the 52nd Telluride Film Festival will supply a slate of fresh offerings, including a handful of world premieres. Scott Cooper’s “Springsteen: Deliver Me From Nowhere” drops Jeremy Allen White into the boots of the Boss, tracing the creation of his stark 1982 album, “Nebraska.” Chloé Zhao’s “Hamnet” unites Jessie Buckley and Paul Mescal in a haunting portrait of grief. Edward Berger’s “Ballad of a Small Player” finds Colin Farrell wandering Macau as a gambler chasing luck and redemption. And Daniel Roher’s “Tuner” gives Dustin Hoffman a rare return to the screen in a crime thriller about a piano tuner who discovers his ear is just as effective on safes as on Steinways.
Also in the mix are a number of films coming from Cannes and Venice: Yorgos Lanthimos’ “Bugonia,” Noah Baumbach’s “Jay Kelly,” Kelly Reichardt’s “The Mastermind” and Richard Linklater with a double bill, “Blue Moon” and “Nouvelle Vague,” proof that Telluride remains a haven for auteurs.
At last year’s Telluride, politics dominated the conversation on- and off-screen. Hot-button issues, from abortion access to climate change to the Israeli-Palestinian conflict, ran through the program, while guests such as Hillary Clinton, James Carville and special prosecutor Jack Smith joined the usual roster of actors and filmmakers. Ali Abbasi’s “The Apprentice,” a searing portrait of Donald Trump’s early years, was one of the buzziest titles.
This year the lineup is broader, though politics still runs through it. Ivy Meeropol’s “Ask E. Jean” follows writer E. Jean Carroll through her legal battles with Trump, while Kleber Mendonça Filho’s “The Secret Agent” uses a 1970s-set thriller to revisit Brazil’s military dictatorship, with Wagner Moura (“Narcos”) as a professor on the run. “This year is pretty political too,” Huntsinger insists. “There are a couple of films that, if you’re paying attention, have important things to say. I just hope everybody feels a little braver after a lot of the things we show.”
German-born director Edward Berger, who brought his papal thriller “Conclave” to last year’s edition, returns with a strikingly different film in “Ballad of a Small Player.”
“I would defy anyone to stack up his films and say they’re by the same filmmaker,” Huntsinger says. “This is a beautiful, very dreamlike, nonlinear exercise in spirituality and introspection. ‘Conclave’ felt disciplined — not that this film is undisciplined but it exists on a totally different plane.”
Zhao, who won the directing Oscar for 2020’s “Nomadland,” has adapted “Hamnet” from Maggie O’Farrell’s acclaimed novel about the death of Shakespeare’s only son in what Huntsinger describes as one of the festival’s most emotionally powerful selections.
“Chloé is a person of immense depth,” Huntsinger says. “She has such a deep feel for human beings. This is a sad, mournful but beautiful meditation on loss. People should be prepared to cathartically cry. There isn’t a false note in it.”
Another festival favorite, Lanthimos makes his third trip to Telluride with “Bugonia,” a darkly comic sci-fi satire that reunites him with Emma Stone following their earlier collaborations on “The Favourite” and “Poor Things.” A remake of the 2003 Korean cult film “Save the Green Planet!,” it follows a conspiracy-minded beekeeper (Jesse Plemons) who kidnaps a powerful pharma executive (Stone) he believes is an alien bent on destroying Earth.
“Be prepared to get your a— kicked,” Huntsinger says. “Emma is outstanding, and we should never take her for granted, but Jesse Plemons steals the show. He next-levels it in this one.”
Baumbach also marks his return to Telluride with the dramedy “Jay Kelly,” which centers on an actor (George Clooney) and his longtime manager (Adam Sandler) as they journey across Europe, looking back on the choices and relationships that have shaped their lives. Huntsinger likens the film to a cinematic negroni: “It’s substantial but also fun, with an almost summery feel. It’s about where you’re headed after a certain stage in life, told without heavy-handedness.”
The filmmaker and screenwriter, who previously brought “Margot at the Wedding,” “Frances Ha” and “Marriage Story” to the festival, will be honored this year with a Silver Medallion. He shares the award with Iranian director Jafar Panahi, whose drama “It Was Just an Accident” won the Palme d’Or at Cannes, and Ethan Hawke, represented in the lineup with Linklater’s “Blue Moon” and his own documentary about country singer Merle Haggard, “Highway 99: A Double Album.”
Few films in the lineup will be more closely watched than Cooper’s Springsteen biopic, with Emmy-winning “The Bear” star White channeling the Boss during the making of one of his most uncompromising albums. “Jeremy delivers in the same way that Timothée Chalamet did in [the Bob Dylan biopic] ‘A Complete Unknown,’ where you just think, Jesus, what can’t this kid do?” Huntsinger says. “Scott’s a great filmmaker, and the movie delivers on its promise.”
The music thread continues with Morgan Neville’s documentary “Man on the Run,” drawn from never-before-seen home movies Paul McCartney shot in the early 1970s, not long after the Beatles’ split. The footage shows McCartney retreating to Scotland with his family and offers what Huntsinger describes as a revelatory glimpse at a less-mythologized moment. “You also understand there wasn’t a villain in the Beatles breakup,” Huntsinger says. “It’s an expansion on history that’s really needed.”
Elsewhere in the documentary lineup, Oscar-winning filmmaker Laura Poitras returns with “Cover-Up” (co-directed by Mark Obenhaus), an exploration of investigative journalist Seymour Hersh’s career that builds on her politically charged films like “Citizenfour” and “All the Beauty and the Bloodshed.”
For all its flannel-and-jeans ethos, Telluride isn’t immune to the economics of 2025. Lodging and travel costs have soared, amplifying concerns that the showcase has become a festival largely for the well-off. Huntsinger concedes the expense but points out pass prices haven’t budged in more than 15 years as she works to keep it accessible.
“I was concerned for a while because our audience was aging, but we’ve really worked on making sure that younger people and people on fixed incomes can come,” she says. “I can see the difference — it’s not just people of means. And I promise you, I’ll keep fighting for that. I hope the lodging people will realize they got a little out of hand and start lowering prices too.”
For all the turbulence and doomsaying that has rattled Hollywood in recent years, Telluride has managed to hold fast to its identity.
“The devotion people have to this weekend makes me think there’s hope,” Huntsinger says. “They’re not coming here for anything but film-loving. To hear people say, ‘I would not miss this for the world’ makes me really proud and hopeful. After everything we’ve all been through, I think we still have reason to keep doing this crazy little picnic.”