big hit

SAN DIEGO — The Dodgers claimed a series win against the San Diego Padres with a 4-2 victory Sunday, widening the gap between division rivals to 10 games.

The Dodgers (54-30), who have the best record in the majors, have won five of the first six games of a three-city trip that ends in Sacramento.

A bounce-back start from right-hander Emmet Sheehan made the Dodgers’ win Sunday possible. He held the Padres to one run, on Manny Machado’s fourth-inning homer, through five innings.

“Maybe being a little more comfortable in my mechanics,” Sheehan said after limiting the Padres to two hits. “But also just the focus in between starts of trying to get a little more execution instead of delivery thoughts. I had seven days, so I got to throw two bullpens this week, which is nice.”

It was the first time Sheehan held an opponent to a single run since May 8, when he threw 4⅔ innings against the Atlanta Braves.

“He just beared down and made pitches when he needed to,” manager Dave Roberts said, “versus feeling it with the mechanics or being uncertain.”

Mookie Betts stayed hot with his bases-loaded, two-run single off Padres starter Michael King to spearhead a three-run rally in the fifth. Betts also singled in the seventh.

Freddie Freeman had an RBI on a nine-pitch walk in the fifth, and Shohei Ohtani drove in the Dodgers’ first run with a single in the third.

“The last six weeks, Shohei’s been out of this world,” Roberts said. “Freddie’s been very consistent all year, and then now we got Mookie this last week on track. So it has been the better part of the season that we haven’t had all three of those guys. You can see it — when those three guys are threats, it just kind of takes a lot of pressure off everybody else.”

Over the three-game series, the Dodgers outscored the Padres 20-12. Here are offensive takeaways from the series:

Tucker ‘grinding’ through

Kyle Tucker hits a two-run home run against the San Diego Padres on Saturday in the Dodgers’ 15-3 win.

(Orlando Ramirez / Getty Images)

Dodgers right fielder Kyle Tucker never had been through a stretch like this. He entered Sunday with a .719 on-base-plus-slugging percentage, the lowest he’s had 77 games into a season in his career.

“I feel fine coming to the field and everything, it’s just not being as productive as I normally am, or as I want to be, kind of sucks,” Tucker said in a conversation with The Times a couple of weeks ago. “But I’ve just got to come back for the next at-bat, or the next day, and whatever, and just move on.”

Has battling this uncharacteristic slump taught him anything?

“I’d rather not suck,” he said. “But just try and grab through and just whenever anything works or clicks or whatever, just don’t let it go.”

Tucker has had moments this season when it looked like he was heading toward an offensive turnaround.

In mid-April, he homered twice in three games, including a three-hit performance. In early May, he went on a six-game hitting streak. He hit .303 over a nine-game stretch in mid-June. But none led to sustained success.

So, when Tucker logged three hits, including a home run, on Saturday as the Dodgers routed the Padres 15-3, he was cautious in his optimism. Tucker even nitpicked the nine-pitch at-bat that ended in the pull-side homer.

“There were some pitches I swung at earlier in the at-bat that I thought should’ve gotten the job done earlier, just didn’t put a great swing on it,” he said after the game.

Manager Dave Roberts was more enthusiastic about that at-bat.

“He’s handled it well,” Roberts said. “He’s frustrated, certainly. But he hasn’t run from the work. Even [Friday] night after the game, he was hitting in the cage. … You hear the word ‘grind’ a lot, but he’s grinding. It’s good to see him have some success. I just liked that one at-bat tonight where it was just compete. It wasn’t about mechanics. It was about competing and getting the job done.”

On Sunday, Tucker singled in four at-bats.

Edman’s consistency

Tommy Edman hits against the San Diego Padres on Friday.

(Derrick Tuskan / Associated Press)

There were times last year when utility player Tommy Edman could look at video of his swing and think, “OK, that doesn’t look like how I want it to look.” But there was only so much he could do in the middle of the season, while playing through nagging ankle issues.

“Part of it is kind of just breaking habits that I built last year,” said Edman, who underwent surgery on his right ankle in the offseason. “Was just getting into some bad movements with the lower body, probably just compensating for the ankle, and hips get out of whack, and that kind of stuff. So I’m hopeful that I’ll just be able to keep this up the rest of the year and just be consistent with it.”

Since returning from the injured list on June 16 to make his season debut, Edman is hitting .333 (11 for 33) with a .405 .on-base percentage. He hit his first triple and second double of the season in the Dodgers’ blowout win Saturday.

“I feel like this is kind of one of the rare times where both swings feel good, both from the right and left,” switch-hitting Edman said after that game. “It’s really tough to maintain both swings over the course of the season, so just happy that I feel that way.”

Betts is back

When Betts went three for four, a triple short of the cycle, in the Dodgers’ series finale in Minnesota last week, he couldn’t put his finger on a cue that had snapped his swing into shape over the last couple of weeks.

“Today, I was able to just find something,” he said then. “I don’t even know really what I found. After the home run the first at bat, I wasn’t sure what I did, but I just kind of stayed there. And I think that was the beauty of it. And not really fully knowing and just kind of going to play kind of let me know my training is paying off.”

It continued playing off. That performance kicked off a three-game homer streak. And by the end of his two-week heater, Betts had raised his OPS from .591 to .737.

By Saturday night, Roberts was ready to declare that Betts was back.

“I say ‘back’ because I just think there’s more intent with him in the batter’s box and a lot less indecisiveness,” Roberts said. “So for me, if he can have that kind of proactive approach, aggressive approach, then everything else is going to take care of itself.”

Betts credited his resurgence to a shift in how he prepares for games. Instead of taking 100 swings in the cage with a specific cue, he’s building up from a blank slate every day.

“I used to have things I would think about that would produce a swing, and now I’m actually just training my body every day,” he said. “So kind of one in the same, but they’re just two completely different ways of going about it. And still trying to get fully used to it, but it’s working, so I’m not changing it.”

Jared Grindlinger is not ready to say goodbye to his friends at Huntington Beach High. The likely first-round draft pick didn’t have to play for the Oilers in the Southern California Division I regional playoffs, let alone pitch. But he did both to help Huntington Beach knock off San Diego Open Division champion Patrick Henry 10-3 on Tuesday.

Grindlinger went four for four, including a home run, and finished with three RBIs. He also struck out five in three innings on the mound. Dane Cunningham had a three-run home run. Huntington Beach advances to play the winner of Wednesday’s game between Corona and Chula Vista Eastlake on Thursday.

Cathedral Catholic 4, St. John Bosco 2: The impressive two-year run of St. John Bosco’s baseball team has come to an end. The Braves had the bases loaded with one out in the bottom of the seventh but couldn’t push across any runs and were eliminated in a first-round Division I game. They won the Southern Section Division 1 title the last two seasons and the regional title last season.

La Mirada 7, Liberty 6: A three-run seventh inning helped the Matadores enjoy their bus ride home from Bakersfield. The big hit was a three-run home run by Justin Torres. La Mirada will face Cathedral Catholic on Thursday in the semifinals.

Arroyo Grande 4, Loyola 3: An RBI single in the eighth inning by Colton Gotchal pushed Arroyo Grande to victory over top-seeded Loyola in Division 2. Jack Murray had a home run and two RBIs for Loyola.

Newport Harbor 2, Madison 0: Gavin Guy threw the shutout with seven strikeouts.

South El Monte 3, Brentwood 2: South El Monte went on the road and pulled off the upset of Division 6 champion Brentwood. Anthony Mata had an RBI single and Gabriel Canchola limited the Eagles to four hits while striking out nine in six innings.

Westview 7, Carson 1: Leadoff hitter Eli Irvine had three hits for the winners.

North Torrance 2, Bell 0: Seth Narasaki and Joey Banuelos combined for the shutout.

Verdugo Hills 11, Rolling Hills Prep 2: Cutlor Fannon finished with three hits and three RBIs for the Dons.

In the weeks before Justin Bieber’s headlining performance at this month’s Coachella festival — the 32-year-old teen-pop survivor’s first major concert after a lengthy stretch in the celebrity wilderness — speculation began to mount that he planned to play only songs from his recent “Swag” and “Swag II” albums.

And indeed, for 45 minutes or so last Saturday, it seemed like that was what he’d come to do as he sang new song after new song on Coachella’s giant main stage. But then he pulled out a laptop, fired up YouTube and started singing along with some of his old hits — a thrilling subversion of our expectations for a big festival set and a poignant act of self-examination by an artist who’s lived more than half of his life on our screens.

For the singer, Bieberchella was clearly a trip down memory lane. But it also offered the audience a chance to look back on a career that’s encompassed virtually every major shift in pop music over the last two decades.

Ahead of Coachella’s second weekend, then, here’s a list, ranked from worst to best, of every hit that Bieber has put inside the Top 10 of Billboard’s flagship singles chart, the Hot 100. Pop, of course, is an art as much as a science, meaning statistics get you only so far: Some important Bieber songs aren’t here, not least among them “Lonely,” which may be his finest vocal performance but stalled out at No. 12 on the chart. Other throwaways made it on the list thanks to Bieber’s gamesmanship or Billboard’s methodological quirks.

Yet these 27 songs tell a fascinating story about a boy, about a man, about a talent possibly more vital today than ever before.

27. ‘Never Say Never’ (peaked at No. 8 in March 2011)

Co-written and co-produced by the guy who would later top the Hot 100 with “Rude” by the band Magic, this booming kiddie-rap track was introduced as the theme song for Jaden Smith’s 2010 remake of “The Karate Kid” before Bieber used it in a 2011 concert film of the same title. The voice is high; the beat is blah.

26. ‘Monster’ (peaked at No. 8 in Dec. 2020)

Just a month after he dropped “Lonely,” Bieber returned to his teen-idol woes — far less movingly, alas — in this dreary duet with Shawn Mendes.

25. ‘Stuck With U’ (peaked at No. 1 in May 2020)

The nicest thing you can say about the doo-woppy “Stuck With U” is that Bieber and Ariana Grande donated the song’s proceeds to first responders navigating the early months of the COVID pandemic. Do not rewatch the video unless you want to be reminded of the smiley horrors of Zoom life.

24. ‘No Brainer’ (peaked at No. 5 in Aug. 2018)

We’ll get to Bieber’s convivial 2017 hook-up with DJ Khaled and friends. As for this shameless sequel, Khaled’s “another one” tag has never been less necessary.

23. ‘Cold Water’ (peaked at No. 2 in Aug. 2016)

Sleek. Pretty. Forgettable.

22. ‘As Long as You Love Me’ (peaked at No. 6 in Sept. 2012)

How high was Bieber riding as he prepared to release 2012’s “Believe” LP? High enough to swipe the title of the Backstreet Boys’ classic teen-pop ballad for this junior-dubstep jam. Stick around (or don’t) for Big Sean’s guest verse about needing “you” to spell both “us” and “trust.”

21. ‘Holy’ (peaked at No. 3 in Oct. 2020)

In which Bieber and Chance the Rapper preach about marriage like two horny youth pastors.

20. ‘Anyone’ (peaked at No. 6 in Jan. 2021)

What if Phil Collins had recorded “In Your Eyes” instead of Peter Gabriel?

19. ‘10,000 Hours’ (peaked at No. 4 in Oct. 2019)

Timed to commemorate his and Hailey Baldwin’s wedding among the salt marshes of South Carolina, Bieber’s crack at high-gloss country music was warmly welcomed by the Nashville establishment; it even spent two weeks atop Billboard’s Country Airplay chart. No surprise, really: To listen to earlier stuff by Dan + Shay, Bieber’s collaborators on “10,000 Hours,” is to hear how extensively white-soul singing had reshaped country by the early 2010s.

18. ‘I Don’t Care’ (peaked at No. 2 in May 2019)

Has any would-be song of the summer ever song-of-the-summered harder? Bieber and Ed Sheeran’s breezy dancehall bro-down was clearly modeled on the sound — and the success — of Sheeran’s “Shape of You.” (Call it “Shape of II.”) Yet the duo’s chemistry feels real enough to believe that all of these hooks — hey, they just happened.

17. ‘I’m the One’ (peaked at No. 1 in May 2017)

Bieber’s first Khaled collab has a merry bounce that softens the braggadocio from him, Quavo, Chance the Rapper and Lil Wayne, whose verse opens pricelessly like so: “Looking for the one?/ Well, b—, you looking at the one.” Fun chart fact per Billboard: The week after “I’m the One” bowed atop the Hot 100, Bieber became the first artist ever to score new No. 1s back to back when his remix of “Despacito” replaced “I’m the One.”

16. ‘Boyfriend’ (peaked at No. 2 in April 2012)

A decade after Justin Timberlake stepped out from NSYNC, JB blatantly ripped JT’s “Like I Love You” for this heavy-breathing flirtation. “Baby, take a chance or you’ll never, ever know/ I got money in my hands that I’d really like to blow,” Bieber pants over a spacey, Neptunes-style beat. (Later, he suggests fondue.) In an ironic twist, given the song’s all-grown-up-at-18 energy, “Boyfriend” was blocked from No. 1 by “We Are Young” from Jack Antonoff’s old band, Fun.

15. ‘Ghost’ (peaked at No. 5 in April 2022)

A hurtling lost-love lament that doubles as a farewell to a departed grandparent (as in the song’s music video, which stars the late Diane Keaton).

14. ‘Let Me Love You’ (peaked at No. 4 in Oct. 2016)

In the final Top 10 hit of Bieber’s EDM era, a pleading tenderness in the singer’s vocals cuts appealingly against DJ Snake’s strobing Sahara Tent beat.

13. ‘Baby’ (peaked at No. 5 in Feb. 2010)

New puppy, old love.

12. ‘Yummy’ (peaked at No. 2 in Jan. 2020)

“Hop in the Lambo, I’m on my way/ Drew House slippers on with a smile on my face,” Bieber sings — not the last time he’d plug one of his or his wife’s brands in a lyric. A country remix with Florida Georgia Line adds shout-outs to Waffle House and Chick-fil-A.

11. ‘What Do You Mean?’ (peaked at No. 1 in Sept. 2015)

The path to Bieber’s first No. 1 on the Hot 100 was cleared by a better, more interesting song that reframed him as a dreamboat experimentalist. (More on that one in a minute.) But if “What Do You Mean?” deploys a more conventional tropical-house production, it’s still built around one of the singer’s loveliest vocals. And the fake pan flute still hits.

10. ‘Despacito’ (peaked at No. 1 in May 2017)

Luis Fonsi and Daddy Yankee’s pop-reggaeton seduction had already found an enormous audience among Latin music fans when Bieber jumped on a remix after hearing the song in a Colombian nightclub. Yet the star’s presence — in a Spanish-language chorus whose lyrics Bieber learned phonetically over the course of a four-hour recording session — turned “Despacito” into a global juggernaut. In the U.S., the song became the first Spanish-language chart-topper since “Macarena” two decades earlier; it also became something of a protest tune amid the anti-immigrant rhetoric of President Trump’s first term in office. Said Scooter Braun, Bieber’s then-manager, in a 2017 interview with The Times: “A song in Spanish is all over pop radio in an America where young Latino Americans should feel proud of themselves and their families’ native tongue.”

9. ‘Essence’ (peaked at No. 9 in Oct. 2021)

Like “Despacito,” this slinky Afrobeats track was a hit before Bieber got involved. (Among its fans: President Obama, who put it on his best of 2020 list.) What distinguishes the version with Bieber is how gently he slides between the Nigerian singers Wizkid and Tems, who both joined him for a rendition of “Essence” at Coachella.

8. ‘Stay’ (peaked at No. 1 in August 2021)

At a mere 2 minutes and 22 seconds, this breakneck electro-pop duet with Australia’s the Kid Laroi (who also put in a cameo at Coachella) is the shortest of Bieber’s 27 Top 10 singles. Yet with 63 weeks on the Hot 100, it’s also his longest-lived chart hit — and his most-streamed song on Spotify.

7. ‘Intentions’ (peaked at No. 5 in June 2020)

“Stay in the kitchen cooking up, got your own bread/ Heart full of equity, you’re an asset.”

6. ‘Beauty and a Beat’ (peaked at No. 5 in Jan. 2013)

The most fondly remembered of Bieber’s teen-idol hits anticipates the EDM makeover to come even as it stays rooted in his squeaky-clean persona: “We’re gonna party like it’s 3012 tonight” is truly something only a kid would say. Seven months after “Beauty and a Beat” peaked on the Hot 100, Bieber was infamously caught on video urinating in a mop bucket in a New York City restaurant kitchen; this song would be his last Top 10 single for more than two years.

5. ‘Peaches’ (peaked at No. 1 in April 2021)

A sumptuous R&B jam about procuring one’s peaches from Georgia and one’s weed from California, this three-way joint with Daniel Caesar and Giveon was nominated for record and song of the year at the 2022 Grammys. (It lost both prizes to another sumptuous R&B jam in Silk Sonic’s “Leave the Door Open.”) Extra props here for the vivid contrast among the singers’ voices and for the Kool & the Gang-ish synth solo at the end.

4. ‘Love Yourself’ (peaked at No. 1 in Feb. 2016)

A sick burn delivered oh so sweetly.

3. ‘Where Are Ü Now’ (peaked at No. 8 in July 2015)

Behold the dreamboat experimentalist. In search of a fresh sound after Bucketgate, Bieber found it with Skrillex and Diplo, veteran dance-music producers who took a morose piano ballad that Bieber and his frequent accomplice Poo Bear had demoed and turned it into a glimmering boudoir-rave fantasia. “I was like, ‘Diplo, Skrillex — I don’t really know if that’s, like, where I wanna go,’” Bieber later told the New York Times. “They did it, I was like, ‘Oh my gosh, this is blowing my mind.’”

2. ‘Daisies’ (peaked at No. 2 in July 2025)

Is putting a nine-month-old song at No. 2 on this list an act of recency bias? Maybe. But what a song! Against a bracingly lo-fi guitar lick played by his pal Mk.gee, Bieber sings with beautifully understated soul about coming into an emotional maturity he admits he avoided for too long.

1. ‘Sorry’ (peaked at No. 1 in Jan. 2016)

A plea, a flex, a come-on — this delirious pop masterpiece contains multitudes. “Is it too late now to say sorry?” Bieber asks, and the trick of a song born from a branding problem is that it summons the sensation of endless ascent.