Beyonce

JAY-Z and Beyonce have returned to the Cotswolds just months after calling off a permanent move to the celebrity hotspot.

I’m told the power couple are back in the idylic region ahead of his two huge concerts at the Tottenham Stadium next week.

And while they will be staying in the Cotswolds during their short stay in the UK, my music insiders have told me Jay-Z has locked down a huge music space in East London for his rehearsals.

No expense is being spared, with Jay chartering a helicopter to fly him to and fro every day.

A source said: “It’s like the circus has come to town now Jay-Z and Beyonce have arrived.

“They’re staying on an estate in the Cotswolds but Jay is rehearsing in London.

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“The set-up is massive.

“They’ve taken over a whole unit and have blocked off a car park so Jay’s helicopter can land on the site.

“Yesterday morning there were almost 30 box vans with his crew and dancers arriving on the site.

“Loads of precautions have been put in place to make sure he has total privacy.

“The walk from the helicopter landing site to the entrance Jay is using is only about 30 yards, but there is a van on standby to drive him.

“He likes to have his sets totally locked down and this one is no exception.

“The shows at Tottenham are going to be a real spectacle and Jay will be in rehearsals with his team for the next ten days to make sure everything is perfect.”

Jay-Z will take to the stage on September 4 and 5, his only dates in the UK this year.

He is celebrating two major milestones with the performances — the 30th anniversary of his debut album Reasonable Doubt and the 25th anniversary of his critically acclaimed sixth record, The Blueprint.

Beyonce will be marking her birthday at the first show next Friday, along with the 20th anniversary of her album B’Day.

So I won’t be surprised if she pops up on stage too.

Adela’s Sombr moment

Sombr was joined by special guest Adela to make his grand entrance at Belgium’s Pukkelpop Festival.

They posed for this snap before cameras captured them driving backstage and then making their way to the main stage.

It has become a staple of the American singer’s festival shows to be joined by a “walk-up girl”, with Zara Larsson accompanying him earlier this month.

They are both having huge years, with Sombr still riding high on the success of his hits including Homewrecker, 12 To 12 and Back To Friends.

Meanwhile, pink-haired Adela has just scored a Top 40 hit with Ain’t In LA and will release her debut album Prima on September 4.

Kooks warm up Cruz

Cruz Beckham slotted in a cheeky warm-up ahead of his debut at Reading and Leeds, where he will perform with band The Breakers this weekend.

He joined The Kooks at Rock N Roll Circus Norwich on Saturday as the group marked the 20th anniversary of their killer debut album, Inside In/Inside Out.

Cruz, whose new EP Wear & Tear came out on Friday, surprised fans by coming on stage for a rendition of one of my favourite Kooks tracks, Jackie Big T*ts.

Pussyhat Doll

Nicole Scherzinger enjoyed her last days of peace by taking it easy in Hawaii.

She chilled out ahead of a 16-hour flight to the UK this week, where she will get cracking on Pussycat Dolls rehearsals.

Nicole posed in a lei po’o – the traditional term for a flower crown – as she relaxed at a hotel on the island.

She’s about to do a hell of a lot of dancing when the group’s European tour kicks off in Copenhagen in a fortnight.

Confirming preparations, Ashley Roberts, who is in the current line-up with Nicole and Kimberly Wyatt, wrote on Instagram: “Back to rehearsals with my dolls this week.”

Louis a soprano wise guy

Louis Walsh steered some of the world’s biggest pop acts – but now has his sights set on opera.

The former Boyzone and Westlife manager has jumped on board to guide the career of vocal powerhouse Claudia Boyle.

The Irish soprano was shocked that the one-time X Factor judge came knocking and she said: “I never really watched The X Factor, but of course I knew who Louis was. Who doesn’t? This is a new thing for me.”

With Louis’ showbiz connections, I am sure Claudia will break into the mainstream in no time.

Jordan help for Jade split

Jordan Stephens is getting a helping hand after splitting from Jade Thirlwall – by doing a one-day workshop on “healing through relationships”.

The Rizzle Kicks singer revealed he went on a £175 course with therapist Donna Lancaster, which is aimed at stopping people “repeating the same old negative cycles”.

A blurb on the website says it helps people “understand why you might struggle with certain relationships and offer resources as to how to heal and connect in new healthier ways”.

And it sounds like it’s done wonders.

In a testimonial on the website, Jordan, who has split with the former Little Mix singer after six years, said: “Within 20 minutes of Donna’s relationship workshop, I was spun into awareness seemingly without a choice.

“I left with a sense of understanding and promise.

“I would recommend it to literally everyone.”

Good for him.

Ozzy gig film for Crimbo

A documentary film on Ozzy Osbourne’s last live performance will finally be released in December, nearly 18 months after it happened.

The project centred around the Back To The Beginning show at Villa Park in Birmingham had been slated for release at the beginning of this year.

But the late rocker’s wife Sharon pushed it back as she was finding the editing process difficult.

I am now told the documentary is finished and will be on screens by Christmas.

“It’s going to be a great Christmas gift for fans of Ozzy and Black Sabbath,” my mole explained.

“The film is looking really good and features so many moving moments of Ozzy interacting with his friends and performers.

“It moves around from footage of the gig to artists backstage. It is very powerful because it captures Ozzy’s final moments in the limelight.”

Following the release of the film, Sharon will be looking ahead to Ozzfest next summer.

The rock festival, started by Sharon and Ozzy in 1996, will return to Villa Park.

Charli lake break

Charli XCX looks ready to soak up the sunshine in this bikini during her first holiday for years.

She’s jetted off to Lake Como in Italy with husband George Daniel, drummer with The 1975.

Also there are pals including filmmaker Aidan Zamiri, who she has jokingly referred to as her second husband after they bonded while making mockumentary film The Moment. Charli said on X: “I feel like I haven’t stopped for three years.”

She shared pics of the group on a speedboat, with the caption: “A girl on a lake with her friends and her husbands!”

Charli is back on stage this weekend at Reading and Leeds festivals, and is then set to announce the UK leg of her Music, Fashion, Film tour.

Gotta get a move Ron

Ronnie Wood was forced to rush through his set after the venue threatened to pull the plug.

The Rolling Stones guitarist spent too long on stage at North London’s Kentish Town Forum on Friday, so organisers warned they’d shut him down if he didn’t hurry up.

Ronnie, who was performing songs from throughout his career with the help of Irish singer Imelda May, moaned: “We’ve got to move on or they’re gonna cut the power.”

He then steamed through a series of tracks, including Faces hit Stay With Me and Stones rarity Country Honk, so he could finish the set in time.

Despite the faff, Ronnie was beaming as he headed off stage. He got a hug from his wife Sally, who was watching from the side of the stage with their ten-year-old twins Gracie and Alice.

Dani ads to workload

The countdown to endless celebrity Christmas adverts is on.

Dani Dyer is one of the first out of the blocks to film a new festive campaign.

I’m told the Strictly Come Dancing contestant and ex-Love Islander has landed a bumper pay-day for renewing her deal with high street clothing chain Peacocks.

She’s filmed a telly ad alongside former England footballer Michael Owen and singer Louise Redknapp.

A source said: “The Christmas ads are all being filmed now and Dani’s one for Peacocks is already in the can.

“Louise and Michael are seen getting a bit flirty in a lift, while Dani stays true to form and just snaps loads of selfies.

“It’s the easiest money she’s ever earned.”

I’d say. Peacocks is preparing to roll out the campaign just in time for Strictly, meaning Dani is going to be on the box non-stop this year.

I revealed earlier this year she re-signed for the BBC dancing show after being forced to pull out of last year’s series.

She had been paired with pro dancer Nikita Kuzmin but fractured her ankle during rehearsals, meaning she never got a chance to have a whirl on the dancefloor.

But this time around, I’m told Dani is absolutely nailing her training and is pushing herself to try to lift the Glitterball trophy.

In the Mid-City neighborhood where Syd grew up, lots of people now refer to this 34-year-old musician as the mayor.

“During COVID, I’d spend all day on the grass waving at everybody,” she says with a laugh. More recently, a bunch of “unruly teenagers,” as Syd describes them, have been doing doughnuts in the street near her parents’ house.

“I’m out there talking about, ‘Hey! Stop!’ I had one of my trucks parked in front, so I was like, ‘Y’all ain’t finna mess my s— up.’ But also they were hanging out the window — it was really dangerous.” She laughs again.

“I’m an old head when it comes to safety.”

Syd’s new album happily embraces a sense of maturity — of “feeling more sure of myself than I ever have,” she says. Released last week, “Beard” — the title was inspired by Syd’s wife’s request that she maintain the peach fuzz on her upper lip — sets thoughts of romantic commitment and professional achievement against gleaming R&B grooves that occasionally nod toward Afrobeats or bossa nova. It’s Syd’s third solo LP since she emerged nearly two decades ago as a member of the Los Angeles hip-hop collective Odd Future; it also comes eight years after her most recent album with the Internet, the Grammy-nominated soul-music combo she shares with Matt Martians and Steve Lacy (the latter of whom dropped his new “Oh Yeah?” on the same day Syd dropped “Beard”).

Yet for all the growing up she’s done, “ironically, I feel younger than I’ve ever felt,” Syd says. “Beard’s” blurry cover photo, which shows her shaved head and slightly doleful eyes, “captures exactly what I was trying to portray with the music,” she adds. “It’s kind of this nonbinary image, where if you’re looking at it and you don’t know who I am, you might wonder: Is that a 12-year-old boy?”

Syd and I are talking over coffee at a crowded spot on Jefferson Boulevard that she says she visits every day. (So many people say hi to her that I’m inclined to believe it.) The restaurant isn’t far from her house, which itself is just an eight-minute drive from her folks’ place; eventually, she says, her parents plan to swap homes with Syd and her wife, the model Simone Clay, so that the couple can fulfill their dream of becoming foster moms in the larger house.

“With all my privilege and with all the peace I’ve been able to create for myself, I would love to spread that,” says Syd, whose full name is Sydney Bennett and whose younger brother Travis (known as Taco) also came up through Odd Future before finding success as an actor.

Syd recorded “Beard” between a studio she built at her parents’ place and a studio in North Hollywood owned by Raphael Saadiq, the veteran R&B star whom Syd counts as something of a mentor. The singer says she can relate to the way Saadiq moves between making solo records, working in a band (in his case Tony! Toni! Toné!) and writing and producing for other artists, as Syd did on Beyoncé’s 2022 “Renaissance” album.

“Syd is just looking for things in music that are breathing,” says Saadiq, who plays bass and co-produced several cuts on “Beard.” “She keeps developing, and she’s not developing to be relevant — she’s developed because she loves doing it. People like Syd and myself, we’ve been at this since we were kids. We were the ones in the neighborhood who’d walk outside and say, ‘Anybody want to get on this track? Anybody want to play?’”

Songs on “Beard” like “Closet” and “My Love” reflect recent changes in Syd’s life, not least her decision to get hitched last year, which she attributes in part to an uncertainty about how long same-sex marriage will remain legal in the United States.

“You know the Supreme Court,” she says with a shrug.

She also quit drinking after realizing that she was waking up more often than not with a hangover. “People around me weren’t like, ‘She be drinking,’” Syd says. “But it was every day, and it was just at the crib. Everybody has a different relationship to it, and I found that mine was tied to boredom, which I think is probably better than it being tied to sadness. But that’s also what made it a little bit harder to call it a problem, you know what I mean? I had to realize: OK, this might not be a problem for someone else, but it’s not serving me.”

So two and a half years ago, she stopped — and on a holiday some can’t imagine without booze.

Says Syd: “I raw-dogged New Year’s Eve, bro.”

“Ironically, I feel younger than I’ve ever felt,” Syd says.

(Nabil)

“Beard” encompasses shifts in Syd’s business too. After fulfilling her contract with the Columbia label, the singer signed last year to Warner Records, where an old high school pal, Tim Hinshaw, oversees a boutique label called Free Lunch. The new deal inspired her to mix up her creative process and hold a songwriting camp with an assortment of writers and producers, among them the duo Nova Wav, who’ve also worked with Beyoncé; on “Beard,” the duo co-wrote and co-produced the hooky “Callin” and “Jasmin 17,” a lusty boudoir jam titled after the unisex fragrance. (Additional collaborators on the album include James Fauntleroy, Van Hunt, Rodney Jerkins, Big Sean and Jordan Ward.)

Given her high-profile gig writing and producing Beyoncé’s “Plastic Off the Sofa” — a sensual retro-soul number that went on to win a Grammy — I tell Syd that I assume the offers came rolling in immediately afterward to join other A-list acts in the studio.

“To be honest, that opportunity didn’t give me any more producing opportunities,” she answers, to my surprise. “Nobody was reaching out — like, ‘Hey, can I get beats?’” She’s not bothered, though, since what the experience did do was “give me the confidence to produce this album for myself.”

And anyway, she’s got a solo tour coming up, not to mention a long-awaited Internet LP to finish. The band has been recording intermittently at her place, and last month she spent a week working at Martians’ studio in rural Georgia.

“We’re closer than we’ve probably ever been,” Syd says of the band, whose drummer, Christoper Smith, put out yet another solo record on the same day as “Beard” and Lacy. Syd doesn’t want to reveal too much about the Internet’s new music. But she will say that so far the group has avoided using Auto-Tune, the vocal-processing software that she feels has become sadly ubiquitous.

“I want nuance, I want texture, I want the lack of perfection,” she says. “I’d rather mess up naturally than not mess up unnaturally.”