beef

Two lawsuits already serve as backdrops to the unseemly sequence of events that led to Bryce Harper sending Thanksgiving wishes on behalf of FanDuel to an admitted sports gambling addict.

Could there be a third?

Legal experts say Harper might have grounds to sue FanDuel for false endorsement, misappropriation and invasion of privacy.

The Philadelphia Phillies All-Star first baseman said in a statement posted on Instagram that he created a personalized 21-second video on behalf of FanDuel but would not have done so had he known the online sportsbook allegedly intended to use it to entice VIP customer Terry Thompson to continue gambling.

“I did not know FanDuel would do this,” Harper wrote. “I did not consent to it, and FanDuel had no right to do it.”

Harper said he received a request on Cameo in November 2024 to read a message provided by FanDuel VIP host Bryttanni Morgan for a personal “holiday video for Terry.”

“Hey, Terry? What’s up, brother? Hey, man, your host Bryttanni from FanDuel wanted to make sure your Thanksgiving was extra special,” Harper says in the video.

Thompson sued FanDuel, Morgan, DraftKings and the NFL in March, alleging that the sportsbooks caused him to lose about $1.6 million while betting an estimated $18.5 million over a four-year period.

“Had I known FanDuel’s true intent, I would not have made the video,” Harper said. “The same is true had I known anything about Terry or his situation, or about any alleged ‘partnership’ between Cameo and FanDuel.”

The lawsuit filed by the nonprofit Public Health Advocacy Institute on behalf of Thompson and fellow gambler Christopher Sage alleges that FanDuel and DraftKings intentionally fostered addiction by providing enticements such as Super Bowl tickets, hotel accommodations and access to athletes and celebrities.

Thompson said his home fell into foreclosure after he took out second and third mortgages. He borrowed money from family and friends and burned through his savings, losing his last $10,000 on a DraftKings parlay bet in February.

He describes in the lawsuit feeling so desperate that he reached out to his therapist, who called police officers to his home to prevent him from harming himself.

Sportico legal analyst Michael McCann wrote that Harper likely has grounds to sue FanDuel over the video.

Harper, an eight-time All-Star and two-time Most Valuable Player, has earned nearly $252 million in salary over his 15-year MLB career and is owed another $75 million before his contract expires after the 2031 season. He also earns about $9 million a year in endorsements, according to Sportico.

In a legal action, Harper could seek monetary damages by alleging that the video tarnished his reputation. The perception that he urged a gambling addict to continue destructive behavior could negatively impact his ability to land endorsement deals.

“Section 43(a) of the federal Lanham Act prohibits false endorsements, including when a business draws from an athlete’s NIL and other identifying characteristics without permission,” McCann wrote. “There can be a viable claim when that unauthorized use leads consumers to believe the athlete endorses the business’s product or service.

“Harper could also sue over unauthorized use of his name, image, voice and other uniquely identifying features. To that end, he could argue the video constitutes misappropriation or invasion of privacy.”

FanDuel, in turn, could counter by pointing out that Harper agreed to create the video as part of his relationship with Cameo, a company that connects fans with celebrities and creators for personalized digital interactions.

“False endorsement and misappropriation, FanDuel could insist, are inapplicable to a personalized video setting where the video’s talent voluntarily assents in exchange for compensation,” McCann wrote. “Further, FanDuel could assert that Harper was, or should have been, aware of a potential connection between the video and FanDuel and, more generally, sports betting.”

FanDuel issued a statement after the Harper video came to light in an investigative story published July 9 in the Philadelphia Inquirer.

“We are committed to fostering a culture of responsible gaming and protecting our customers,” the statement said. “Unlike illegal offshore sportsbooks, FanDuel employees are trained to recognize and flag signs of problem gambling and offer resources and tools, and we continue to review and strengthen our policies to ensure we have the industry’s strongest consumer protection initiatives.”

FanDuel and DraftKings, the leading sportsbooks since the U.S. Supreme Court ruled in 2018 that states could legalize sports betting, have developed lucrative partnerships with leagues in all major sports. The 2022 MLB collective bargaining agreement opened the door for players to do promotional work for sportsbooks.

Yet the collaborations have not come without problems. The MLB players union’s licensing and marketing arm filed a lawsuit in 2024 that accused DraftKings, FanDuel and Bet365 of using without permission or compensation photos of players on its betting app and in social media posts.

Coincidentally, Harper became embroiled in that lawsuit, in which the plaintiffs pointed to images of Harper’s face on the DraftKings app as evidence. The two sides reached a settlement in April ahead of trial.

Glenn Close is not going to be ignored this time around, as the eight-time Oscar nominee will finally receive recognition from the academy this fall.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, working up a healthy World Cup fever even if it’s just an excuse to head to Lucky Baldwin’s for a pint or two and watch Cristiano Ronaldo one last time.

But let’s circle back to American football and my digital cover story with “Beef” stars Cailee Spaeny and Charles Melton, who watched a Super Bowl together, though they were cheering for different teams.

That Super Bowl in question was Super Bowl LIX, pitting the Philadelphia Eagles against the Kansas City Chiefs. Melton hosted a watch party, and since he considers Kansas home and played football for Kansas State University, you might think he’d be rooting for the Chiefs.

Nope.

“When I was living in Germany, I fell in love with Donovan McNabb,” Melton, an army brat, tells me, name-checking the longtime Eagles quarterback.

Spaeny, it turns out, was the only Chiefs fan at the party. To enter Melton’s home, she had to step on a doormat that was fitted with a red-and-white Chiefs jersey. (“It got real dirty,” Melton says with pride.)

Melton and Spaeny enjoy a relaxed and playful give-and-take, borne from the months they spent preparing to play Austin and Ashley, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility in “Beef.”

(Erik Carter / For The Times)

The most memorable episode they shared found the couple in an overcrowded, ninth-circle-of-hell emergency room with Ashley, uninsured, experiencing severe ovarian torsion. Her concerns are dismissed and she begs for someone to save her.

“Unfortunately, it’s an all-too-common experience,” Spaeny says. “I probably have a conversation once a month with female friends who go to the doctor’s office and are gaslit by the system, just being made to feel like what they’re experiencing isn’t really happening or they’re making it up. It’s scary.”

Still, being “Beef,” the episode has its share of mordant humor, like the scene where a nurse asks Ashley to rate her pain, zero being pain-free and 10 being excruciating.

“Oh, I thought it was like Letterboxd,” Ashley replies, referring to the movie review social platform. “Two-and-a-half stars out of five is average.”

“My whole life I’ve been a six or seven,” Melton says, noting his own personal pain scale. “I’ll have a cold and I’ll be like, ‘Six or seven.’”

“That sounds like you,” Spaeny says.

“I can get pretty dramatic,” Melton says. “It’s really like the end of the world when I’m sick.”

Spaeny deleted her Letterboxd account because she gets anxious about anything online containing reviews.

“It takes two buttons to click on a movie that I’ve been in and see what people say about me,” Spaeny says. “So I forgot my password and left it that way.”

Melton is an enthusiastic adopter and says he has twice shared his four favorite films, a feature where actors, usually on the red carpet, list a quartet of beloved movies. (Here’s one at the “May December” premiere where Melton enthuses over “The Matrix,” “In the Mood for Love,” “Brokeback Mountain” and “Persona.”)

“I saw them at another event and they were like, ‘Charles, so good to see you.’ And I was like, ‘Do you want my four favorite films?’ And they said, ‘No, you’ve already done it enough,’” Melton laughs. “What can I say? I love movies!”

Cailee Spaeny looks at Charles Melton, her co-star on the Netflix limited series “Beef,” asking for help. “Wait a minute … how long were we attached?” Melton smiles and reaches for her hand. “We’ve been attached our whole lives.”

Have they? Given how they tease and finish each other’s sentences, it sure feels that way. Spaeny and Melton were cast as Ashley and Austin, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility, a good 18 months before filming began in early 2025. To cement their bond, Spaeny, who hails from Missouri, and Melton, an Army brat who considers Kansas home, decided to return to their Midwestern roots, round up their families and go to a Kansas City Chiefs football game just before Christmas.

At one point, Spaeny looked over to see her brother-in-law having a heart-to-heart with Melton’s dad. They were crying. After the game, they all went out for barbecue. Melton surprised his dad with a gift — a truck.

“That was very sweet and emotional,” Spaeny says of the day. “There’s a lot of filling in the blanks when your families are from the same part of the country. They’re down-to-earth, churchgoing families. It felt easy. We’re cut from the same cloth.”

When the Palisades and Eaton fires delayed the start of filming, Spaeny and Melton decamped to Solvang, rented an Airbnb with some friends and continued what Spaeny calls their “weird prep” for playing the series’ besotted couple. They cooked dinners together, played games and even watched “Riverdale,” the CW series that catapulted Melton to fame a decade ago.

“We also watched ‘Wicked’ too many times,” Spaeny, 27, says.

“You were singing a lot,” Melton, 35, tells her.

“I don’t think I sang once,” Spaeny counters.

“Oh she did,” Melton says. “She’s a singer. Sing for us.”

“Guys, what are we doing?” Spaeny says, burying her head in her hands.

Whatever it is, we’re not stopping. We have, as Melton notes much to Spaeny’s chagrin, “caught a vibe.”

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You two represent different generations …

Melton: What? Excuse me?

Charles, you’re a millennial. Cailee is Gen-Z.

Spaeny: Oh my God. You’re so Gen-Z coded.

Melton: I’m a zillennial.

Spaeny: Did you feel like there was an age gap between us?

Melton: I feel like we’re the same age. You know I’m an old soul. My exterior is just goofy. Cailee is wise beyond her years.

What’s the biggest difference between the two generations?

Melton: I think the generations are more alike than different. As a millennial and zillennial, I’ve done my share of weird self-diagnosing.

Spaeny: TikTok therapy for sure. Holding onto words that make us feel more seen through the internet. The comment “I just read the headline. I need to start reading the articles.” It’s sad but it’s true. And I think everyone does it.

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1. Charles Melton. 2. Cailee Spaeny. (Erik Carter / For The Times)

Do you relate to your characters’ Gen-Z resentment that previous generations screwed them over? “Everyone grabbed the bag before we could.”

Spaeny: There was a time when having a house by your 30s was guaranteed. Now, you’re having to choose whether you want to have children or stay afloat in your career. We’re all riddled with this feeling of the life we feel we deserve …

Melton: And what will make us happy. Ashley gets the promotion. But the social climb is never enough. It’s “if you do this thing, you’ll get the this thing.”

Spaeny: It’s the constant chase.

You’ve both defied the odds and enjoyed successful careers as actors. Can you be content and sit with that?

Spaeny: We try. But it also feels like it’s set up in a way where you can’t sit. You have to look for the next thing because if you wait, people will get bored with you. You’ll book a job and hopefully it pays well and then you might not work again for two years. It’s easy to be in a place of desperation. Actors are also naturally people-pleasers. So, unfortunately, I think it was too easy for us to relate to our characters.

Melton: Maybe part of your question, which led to your beautiful answer, is: Where’s acceptance? I’m a father now. Sometimes, I’m super tired, but the best thing is I get to read to my kid. Looking at life through a place of abundance … but that can be a tough thing to do.

Spaeny: It’s not just the entertainment industry. I go back home and I’m with my sister, who is an amazing mother and soccer mom. And you can feel that itch inside of people back home too. Have I done enough for my children? Do I need to go to more soccer tournaments? Am I going to church enough?

Melton: It’s everywhere. And under the umbrella of class and healthcare and how expensive everything is, it’s tough. The bill we had just to have a baby was so ridiculous.

Spaeny: Oh yeah. My favorite line in “Beef” was, “Do you know the 16-piece meal at KFC is $52.99 now?” That sums it up.

(Erik Carter / For The Times)

I looked that up. It’s true, though you can get the 16-piece chicken-only meal for about $37.

Melton: But you can’t just eat the chicken. You have to have the sides and biscuits, right?

How about Austin’s line: “All we need is each other … and the beach.”

Melton: That’s what I love about Austin, this optimism but considered to be naivete. Really, at the end of the day, I’ll look at my partner and I’ll look at my daughter and be like, “This is absolutely all I need.”

Spaeny: [Sighs] I would love to get to that point.

Melton: But then to put food on the table, you’re required to do things that take you away from the things that you say are all you need.

Spaeny: The great thing about this show is that it’s zeroing in on everyday impossibilities of life, the things that should be so simple, but drive us all up the wall.

You both talk about Midwest sensibility. Do your roots help ground you?

Spaeny: I just got back from home last night, and I always feel a layer gets peeled off when I’m there. With work, I’m always on edge and trying to hold onto this thing that could be taken away from me any day. When I go back home, I feel like it can really be that simple. But it doesn’t last. That’s the problem. The itch comes back.

There’s nothing wrong with a little ambition.

Spaeny: I’m finding ambition more and more unattractive these days. Maybe that’s me just getting older and wanting more outside of the job.

Melton: We’ve talked about this. If we’re always going from one thing to the next, how can I bring the humanity and soul of my life into my work? If I had my way, I’d take three to six months off between jobs just to live and put my feet on the grass. Cailee and I connect in many ways. I love your determination and drive and passion for the work. Some people want to act like they don’t care, but I think it’s cool to care.

Timothée Chalamet does too, but he got flack for saying that out loud, that he “wanted to be one of the greats.”

Melton: I thought that was f— awesome. You want to be great? We all do.

Spaeny: It’s what every actor is thinking except they’re feigning …

Melton: We love Chalamet over here.

Spaeny: Maybe he didn’t say all the right things, but that speech, that’s why we’re in the building.

Melton: It’s very much the athlete’s mentality. Like Deion Sanders is one of the greatest of all time. “You look good, you feel good, you play good.”

It’s OK for an athlete to say that, but if an actor does, the world gives them grief.

Melton: That kind of sincerity is the default in Kansas and Missouri. You know, growing up as an athlete, I was pretty good. I ran the 100-meter dash in 10.9 seconds. Make sure you write that in. [Laughs] You have to have a vision. And the artists that speak on that vision, that’s awesome. Visualization is essential. I wouldn’t be here talking with one of my best friends and one of the greatest actresses ever …

Spaeny: What are you doing?!?

Melton: I’d rather give you flowers all day than talk about what I think. All that to say is that I wouldn’t be doing this if I did not have vision when I was in Kansas to leave with $500 in my pocket, 60 cans of chicken noodle soup and 60 cans of tuna. You have to dream.

Spaeny: A dollar and a dream!

I’ve got to ask. Sixty cans of chicken noodle soup on a road trip? Do you just pop the top and down it cold?

Spaeny: Great question.

Melton: I’d just take off the top and lay it in the sun for two or three hours and it’s good to go.

Spaeny: Please stop.

Melton: OK. I’d just dip my finger in it and because I’m so hot, it just boils.

Spaeny: You see what I’m saying? He’s such a dad.

(Erik Carter / For The Times)

It’s a tight three-way race at the top, with a second helping of “Beef,” which won eight Emmys for its first serving, barely ahead of Richard Gadd’s “Baby Reindeer” follow-up, and a suburban noir with abundant heart from Steven Conrad, the maker of “Patriot.”

Glenn Whipp says, “ ‘DTF St. Louis’ is the standout limited series, a murder mystery in form that’s really about suburban loneliness, particularly the isolation that can cripple middle-aged men.”

While Lorraine Ali calls “Half Man” “the series to watch in this race,” not all of her Buzzy buddies are as enthusiastic: “I fear that ‘Half Man,’ Richard Gadd’s aggressively unpleasant follow-up to ‘Baby Reindeer,’ will get a knee-jerk nomination here,” says Kristen Baldwin, “but that vote would be better spent on PBS’ superb adaptation of ‘The Count of Monte Cristo’ or Riz Ahmed’s ‘Bait.’ ”

Tracy Brown says, “Recent trends suggest this race might come down to voters’ appetites for bleak British miniseries” such as “Half Man,” but “ ‘Adolescence’ co-creator Jack Thorne’s ‘Lord of the Flies’ adaptation was a bit more in my lane so I’ll give it the edge.”

The twice-cooked “Beef” isn’t to all the panelists’ tastes, either. Matt Roush says it “left me cold but probably has a better chance than the streamer’s terrific historical drama ‘Death by Lightning.’ ”

More predictions: Limited / TV movie actor | Limited / TV movie actress

1.“Beef”
2. “Half Man”
3. “DTF St. Louis”
4. “Love Story: John F. Kennedy Jr. and Carolyn Bessette”
5. “All Her Fault”
6. “The Beast in Me”
7. “Bait”
8. “Lord of the Flies””

Los Angeles Times

Lorraine Ali

1. “Half Man”
2. “Bait”
3. “DTF St. Louis”
4. “All Her Fault”
5. “The Beast in Me”

“ ‘Half Man’ is the series to watch in this race, but what should you watch on your screen at home? ‘Bait,’ which follows a struggling British Pakistani actor (Riz Ahmed) as he auditions to become the next James Bond. Is the world ready for a brown Bond? Not really. Hilarity ensues.”

Freelance Critic

Kristen Baldwin

1. “Love Story: John F. Kennedy Jr. and Carolyn Bessette”
2. “Beef”
3. “The Beast in Me”
4. “DTF St. Louis”
5. “All Her Fault”

“I fear that ‘Half Man,’ Richard Gadd’s aggressively unpleasant follow–up to ‘Baby Reindeer,’ will get a knee-jerk nomination here, but that vote would be better spent on PBS’ superb adaptation of ‘The Count of Monte Cristo’ or Riz Ahmed’s ‘Bait,’ a surreal blend of showbiz satire and immigrant-family comedy.”

Los Angeles Times

Tracy Brown

1. “Beef”
2. “DTF St. Louis”
3. “All Her Fault”
4. “Lord of the Flies”
5. “The Beast in Me”

“Recent trends suggest this race might come down to voters’ appetites for bleak British miniseries. I wouldn’t be surprised if ‘Baby Reindeer’ creator Richard Gadd’s ‘Half Man’ is among the nominees, but ‘Adolescence’ co-creator Jack Thorne’s ‘Lord of the Flies’ adaptation was a bit more in my lane so I’ll give it the edge.”

Blavity

Trey Mangum

1. “Half Man”
2. “Beef”
3. “Love Story: John F. Kennedy Jr. and Carolyn Bessette”
4. “All Her Fault”
5. “DTF St. Louis”

“ ‘Love Story’ was the talk of the town when it first premiered, but the last few episodes seemed to have landed softly with the majority of people. I think later entries ‘Beef’ and ‘Half Man’ are immediately dominating conversations, and at the right time.”

TV Insider

Matt Roush

1. “Half Man”
2. “Love Story: John F. Kennedy Jr. and Carolyn Bessette”
3. “Beef”
4. “DTF St. Louis”
5. “All Her Fault”

“Not the strongest field this year, though Richard Gadd’s ‘Half Man’ and Ryan Murphy’s ‘Love Story’ seem unstoppable. The offbeat ‘DTF St. Louis’ might be a spoiler. Season 2 of Netflix’s ‘Beef’ left me cold but probably has a better chance than the streamer’s terrific historical drama ‘Death by Lightning.’ ”

Los Angeles Times

Glenn Whipp

1. “DTF St. Louis”
2. “Beef”
3. “Half Man”
4. “Love Story: John F. Kennedy Jr. and Carolyn Bessette”
5. “All Her Fault”

“ ‘DTF St. Louis’ is the standout limited series, a murder mystery in form that’s really about suburban loneliness, particularly the isolation that can cripple middle-aged men. The cast — Jason Bateman, David Harbour, Linda Cardellini, Richard Jenkins and Joy Sunday — is superb. Emmy noms for all!”

Gavin Rossdale brought his band Bush to Stagecoach on Saturday — one of several groups at the festival this weekend with indelible rock hits from the 1990s. The 60-year-old, who recently premiered a television cooking show, also put in an appearance alongside Billy Bob Thornton, Wynonna Judd and Gavin Adcock at the fever dream that is Guy Fieri’s Smokehouse. I caught up with him between the two engagements.

This has gotta be your first Stagecoach.
It is. I was waiting till I got an invite. I didn’t want to just get a ticket — I wanted to be invited.

You just did a cooking demonstration with Guy Fieri. How’d that go?
Fantastic — really good fun. We had four people doing different dishes. He’s a great, great man — I love him.

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You’ve become a TV chef yourself. What’s the TV-chef-meets-TV-chef vibe?
I felt a kinship. I only had to tell him — we were talking about making the food — I said to him we could cook some secreto pork. That’s the secret, perfect part of the pork that people don’t know enough about. He was so impressed after that he left me alone to just do what I want.

Guy Fieri didn’t know about it, and neither did I.
Oh no, he did.

Clarification: I didn’t know about it. You were there with Gavin Adcock, which means that there were two Gavins.
It was a first for me.

I know that Paramount is here at Stagecoach. Are you interested in pitching an odd-couple comedy with you and Gavin Adcock? He’s a country guy, you’re a rock guy — I think we can make this happen.
He made a big steak sandwich, and I made a sort of a deep-fried chicken with rice and Japanese things. So I feel that we’re opposing sides and we could combine and make a really great balanced meal.

We’ll pitch this later tonight. How did Bush end up on a country music festival?
That is such a good question — you should’ve led with that. And I don’t have any answer for it. It’s like one of those things where I’m just excited to be here and I don’t want to screw it up.

What would screwing it up look like?
Choosing the wrong song.

The deepest cut.
A D-side. Nobody wants it. But it’s so hard to know what everyone knows. I was trying to do the set list, but I was like, Who is everyone here? Is it real cowboys? Is it Palm Springs cowboys? Is it California cowboys? What is it?

Gavin Rossdale and drummer Nik Hughes perform with Bush on Saturday.

(Allen J. Schaben / Los Angeles Times)

Bush is not the only rock band at Stagecoach. The Wallflowers are here, Third Eye Blind is here. You have any beef with these other rock bands?
Not on the culinary stage, because it was all chicken. But no, no — I don’t have beef with anyone. Life is too long for beefs.

If you were to play a country song, what would it be?
Zach Bryan’s catalog is sensational. They’re beautiful songs, and I feel that if I spent a good amount of time, I could do a faithful version à la Bush.

So Stagecoach 2029: Gavin Rossdale sings the Zach Bryan catalog.
Well, not the whole thing.