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CAROLINE Quentin has revealed she may never buy another home after selling her sprawling six-bedroom farmhouse, art collection and jewellery.

The Men Behaving Badly actress, 66, has deliberately stripped back her lifestyle after admitting her huge Devon property and its grounds had become “a bit too much”.

She and husband Sam Farmer now rent a smaller home in Somerset, with Caroline saying they are perfectly happy to remain tenants.

Speaking to Saga, she said: “We’ve been in Somerset for just over a year, with a more manageable garden. We’re really happy. I don’t think we’ll buy again.”

Opening up about her former property, she added: “It had a two-acre vegetable garden, a two-acre orchard and a pool. The veg alone was exhausting.”

Caroline also revealed she auctioned off her art collection and jewellery after deciding possessions were no longer important to her.

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She said: “Possessions aren’t important to me any more. I got rid of a lot of things two years ago. I took them to auction and sold them.

“I had quite a big art collection and a lot of jewellery, and I sold it all.

“Now we live in a rented house and I don’t have much stuff. That was very deliberate.”

It marks a change of heart for the actress, who previously said she and Sam hoped to buy a smaller cottage and create a new garden.

Speaking to Gardens Illustrated in February 2024, she said: “My big beautiful garden in Devon came with a big house and it was all getting a bit too much for me.

“My husband Sam and I are renting a lovely cottage in Somerset and are looking for a cottage nearby where I can start a new garden and a new gardening adventure.”

Caroline is best known for playing Dorothy in Nineties sitcom Men Behaving Badly, as well as starring in Jonathan Creek and Blue Murder.

She married Sam in 2006 and the couple share two grown-up children, Emily Rose and William.

VOGUE Williams has joked that husband Spencer Matthews is no longer interested in sex as she enters the final weeks of her pregnancy.

Speaking to Joanne McNally on their My Therapist Ghosted Me podcast, the 40-year-old admitted she had not taken kindly to the apparent turn of events.

“I’m trying to look good today because I don’t think Spenny fancies me anymore,” Vogue confessed.

Her podcast co-host Joanne McNally jokingly replied: “Of course he doesn’t! You’ve been married for ages now, come on!”

Laughing off the comment, Vogue continued: “No, because I think our fun times are over, if you get me. I’m too pregnant now.

“I don’t want to. I was just being a nice wife and a good participant.

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“But then when he was like, ‘Yeah, well, you’re really pregnant,’ I was like, ‘Excuse me? Sorry, are you not into it anymore?’

“And he’s like, ‘Vogue, you’re giving birth any minute now.’”

Later in the podcast, Vogue described having to get up for yet another trip to the loo during the night.

“What part of me do you not find attractive?” she joked.

Pregnancy can cause women to need the toilet more frequently as the growing baby puts pressure on the bladder.

Their producer Joe then offered his take, saying: “I can’t speak for the whole male population, but I suspect on his part there comes a point where you’re sort of thinking more about the presence of a baby than the woman herself.”

Vogue hit back: “Well, do you know what, Joe? People are mad for pregnancy porn. Loads of people fancy pregnant people.”

Spencer and Vogue are expecting their fourth child, a baby boy, this autumn.

They are already parents to sons Theodore, seven, and Otto, three, as well as daughter Gigi, five.

“More is more and less is a bore.” ― Iris Apfel

After spending decades collecting clean-lined Midcentury Modern furniture and accessories, stylist Wendi Weger felt it was time to give her Silver Lake apartment a playful update.

“Everything was brown,” Weger says as she sits on a plush sofa covered in pink and chartreuse striped Christian Lacroix fabric. “It looked like a UPS truck in here. I mean, look at me,” she adds, fluffing the ruffles of her Accidente Con Flores dress, her intricately manicured fingers decorated with colorful Zuni Toons rings. “That is not me.”

In this series, we spotlight L.A. rentals with style. From perfect gallery walls to temporary decor hacks, these renters get creative, even in small spaces. And Angelenos need the inspiration: Most are renters.

Indeed.

Weger, who grew up in Madison, Wis., studied cinema during graduate school at NYU and later moved to Los Angeles to work in Hollywood as a producer and stylist, is no minimalist. Always expressive, she describes her style as more akin to a “Victorian parlor meets hunting lodge.”

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So it’s no surprise that her one-bedroom apartment, in a Storybook-style fourplex built in 1922, is just as dramatic as she is.

Wendi Weger views her Silver Lake apartment as her creative studio. “I don’t mind a lot of frenetic activity,” she says.

A wall covered in hollyhock wallpaper from House of Hackney stands out in Weger’s bedroom, along with a handmade quilt signed by Grace Verburg that includes crochet, beadwork and hundreds of ribbon rosettes.

Weger thrives on “kinetic energy,” be it color, texture or a pair of bedazzled Italian loafers. In her bedroom, she mixes floral textiles and modern art with a quirky stepstool shaped like an ear of corn. In the dining room, vintage Doyle Lane ceramic beads dangle from a Mission-style wooden clock while designer handbags are draped over chairs and hat racks.

On her fireplace, an ornate gilded mirror from the 1940s she found at Sunbeam Vintage is flanked by porcelain figurines. A porcelain Capodimonte lamp nestled under vintage Japanese prints is described as “Rococo on acid.” Nearby, a handmade chandelier by artist Helen Stickler, decorated with vintage Swarovski crystals and beads, adds to what Weger describes as her “Candyland vibe.”

Weger twirls in a pink taffeta Batsheva dress. “My apartment is basically how I dress — like an Edwardian ghost in a prairie dress who wandered into a circus and decided to keep everything,” she says.

“That’s where I am right now,” she says about the apartment she has called home for 17 years. “I feel like I can finally play. I’m trying to bring in a candy theme without making it too grandma. At this point in my life, I don’t care what anyone thinks about me.”

Her friend, creative director Dana Sidell, says self-expression is central to how Weger lives her life. “Wendi has the unique ability to bring nostalgia, whimsy and individuality all together into maximalist style,” she says in an email.

In 2020, as the film industry slowed down because of COVID-19, Weger took a chance and opened the Curatorial Dept., a vintage and designer resale shop in Atwater Village. Popular with celebrities including Lake Bell, Nick Thune and politicians Nithya Raman and Laura Friedman, the store is known for Weger’s signature “clothing sculptures,” where she layers mannequins with dozens of pieces of clothing and accessories.

“Styling is my art,” she says. “To me, clothing is sculpture.”

A silk Gucci skirt hangs alongside artworks in Weger’s bedroom. “Whether it’s producing a film, building a boutique, styling a room or a mannequin, it’s about assemblage and synergy,” she says.

To demonstrate, Weger starts layering a mannequin in her bedroom, picking from racks of clothes, handbags, color-coordinated shoes and jewelry nearby. She layers an “I’m With Stupid” T-shirt over a dress shirt and Yohji Yamamoto linen pants, then keeps adding more. “It needs a ruffle,” she says, caught up in the process, before adding a frilly collar and glittering vintage brooch.

A bright blue first-place ribbon materializes and becomes the perfect accessory. “It’s not maximalist enough,” she says with a sigh.

Weger says her apartment reflects the way she dresses, with layers of art, vintage clothes and accessories, each with its own story. She jokes that it looks like one of her clothing sculptures has “exploded across a room.”

When asked if there’s such a thing as too much, she shakes her head with conviction.

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1. Weger holds a pair of sparkling JVB X Nomasei ‘Nono’ loafers. 2. The hollyhock pattern from House of Hackney appears throughout Weger’s apartment, even on this fabric lampshade.

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1. A Gucci cashmere bunny cape hangs like an artwork in the bedroom. 2. Doyle Lane ceramic beads hang on a wooden clock above a collection of $2 bills.

“I’ll wear a baby cup as jewelry,” she says, picking up a small silver cup from a cabinet to show her point. What’s one more charm on one of several necklaces already heavy with lockets and hearts?

Weger’s home decor follows the same idea. Some pieces, like a pink silk pleated Gucci skirt by Alessandro Michele, hang on her bedroom wall next to vintage artworks, including a framed cross stitch by a friend that reads “Live. Laugh. Toaster Bath.” Others are neatly arranged in her butler’s pantry. Clothing racks fill the hallway, living room and even her bedroom. “Clothing and handbags are art to me,” she says.

Then there’s the cashmere embroidered rabbit cape by Gucci, which she purchased secondhand.

“People chase me down on the street whenever I wear it and ask me where I got it,” she says. “To me, it’s art.”

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

Humor is important to her too. In the living room, a blue resin coffee table shaped like a candy wrapper adds to the playful feel, along with vintage candy dishes.

“There’s a lot of absurdity and comedy here,” she says, pointing out the Spanish angels with guns, a series of artworks from the 1600s.

“There’s something about these Spanish archangels with weapons,” she says. “They look tough and unisex to me, with mild expressions, beautiful clothes, tights, ruffles and sleeves, plus a firearm. It’s a great symbol for being a warrior, especially as a small business owner.”

Nearly everything in her apartment is secondhand, from the vintage Audubon prints arranged salon-style in the living room to the Navajo rugs and David Shrigley print she found at a garage sale. Mixing old and new is important, she says, referring to the House of Hackney hollyhock pattern she recently added to the walls of the living room and bedrooms, as well as the dining room lampshade.

Handbags are draped over dining chairs.

Her place settings are also layered, including Weger’s grandmother’s Wedgwood china.

Her apartment is essentially her atelier, or as she calls it, “the creative engine behind” the Curatorial Dept. She often does intake for her store at her kitchen table, surrounded by needlepoint pillows made by her Great-Uncle Elliott, who was also an entrepreneur. “This is not cluttered to me,” she says. “This is just where everything gets sorted.”

“Wendi’s style has a touch of the harlequin to it — playful, theatrical and always ready for an occasion,” writer and former NYU classmate Josh Rothenberger says in an email. “Her world is a warm pastiche of vintage and bespoke, histories inherited and histories invented on the fly. Her furniture invites the kind of existential frolic that pairs best with Cuvée — only to remind us, hours later, that true beauty should never be too precious to dance on.”

Although Weger says she isn’t a “woo-woo person,” she believes her apartment and store came from asking the universe for what she wanted. “Tell people what you want,” she says. “Especially in L.A. People support you and help you reach your dreams. I said I wanted this apartment, and because of that, my friend thought of me when she was moving. The same thing happened with my shop. I was in a different industry when I told a shop owner friend I’d always wanted a shop, that I intended to have a shop, and she thought of me when hers became available.”

She’s already thinking about what she wants next: “I’ll be sure to tell everyone I know.”