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Award-winning BBC comedy thriller Black Ops returns to BBC One tonight with Gbemisola Ikumelo and Hammed Animashaun reprising their roles alongside Tom Stourton and Nigel Havers

The critically acclaimed BBC comedy thriller, Black Ops, is set to return for a second series on BBC One and BBC iPlayer. The first season of the show drew an impressive audience of 2.3 million viewers for its premiere episode, averaging 1.6 million across the entire series.

Gbemisola Ikumelo will be back in her role as Dom, with Hammed Animashaun reprising his character Kay, and Akemnji Ndifornyen returning as gang boss Tevin. This season also boasts a star-studded guest cast including Tom Stourton (Barbie, Poor Things), Nigel Havers (Chariots of Fire, Coronation Street), Annette Badland (Heartstopper, Ted Lasso), Ed Speleers (Star Trek: Picard, You), and Cathy Tyson (Help, Death in Paradise).

When asked about her decision to return for the second series, Gbemisola said: “Honestly, I think the love from the audience. Series one felt really, really special, and got a lot of love and recognition. How could you not want to do it again?”.

In response to whether she anticipated such an overwhelming response from viewers, Gbemisola, who also co-created and wrote the series, admitted: “Absolutely not. You always want to be able to put something out there, and if you’re proud of it, then great, and move on. But it was really lovely to hear how much love people had for this show.”

The upcoming season will see Dom and Kay working for MI5, but their roles are far from glamorous. As the synopsis teases: “They may be in the world of espionage, but their jobs are decidedly unglamorous – not everyone can be James Bond, someone has to do the admin.”

“All that changes when Dom meets a charismatic spy called Steve, offering the promise of more exciting, classified work. Dom and Kay soon find themselves embroiled in an escapade that tests their wits, their friendship, and their love of carnival to the limits.”

Speaking about what’s in store for series two, Gbemisola hinted: “It’s going to be a bigger, louder, crazier show. I’m actually quite shocked about the things we’ve been able to achieve in this series, so I’m looking forward to seeing how audiences respond to the things that I’m excited about.”

The second series launches on Thursday, January 8, available on BBC One or via BBC iPlayer from 9:30pm, reports the Express.

The opening episode’s synopsis reveals: “Dom and Kay are back and working at MI5, but they’re struggling to find their feet in the world of intelligence. Dom, ambitious and eager to prove herself, is frustrated to be stuck carrying out menial work in the archives, while Kay misses his former role as a PCSO, and the direct impact he had on the community. Dom takes a big gamble to impress a senior agent, with dangerous consequences for her and Kay.”

The series consists of eight half-hour episodes, airing weekly on Thursday evenings in the same time slot.

BBC Breakfast presenters Sally Nugent and Jon Kay spoke to a mum whose daughter was killed in a car crash in 2017

BBC Breakfast’s Sally Nugent announced some heartbreaking news on Wednesday’s show after a guest’s daughter tragically died.

Sharon Huddleston, whose 18-year-old daughter Caitlin died in a car accident in 2017, appeared on the BBC programme on Wednesday morning (January 7), reports the Express. She shared that the coroner had attributed Caitlin’s death to driver inexperience, prompting her to campaign for graduated driving licences.

Presenter Sally outlined: “Learner drivers in England and Wales could face a mandatory wait of up to six months between sitting their theory and practical tests as part of a new road safety strategy being launched by the government today.”

Her co-presenter Jon Kay chimed in: “While some campaign groups have welcomed these proposals, others have criticised the government for stopping short of introducing what are called graduated driving licences, which is where newly qualified drivers face restrictions until they’ve got a bit more experience.”

Sharon responded: “Well, it’s great that we’ve got a road safety strategy because it’s been 14 years since we’ve had one, so that’s good news. And it’s also good news that young drivers are being addressed in the strategy, but I don’t think it goes far enough. I understand that the limited period for learner drivers is a good thing because we’re seeing like 17-year-olds pass the test within a few weeks, and then they’re on the roads.

“But the element I am passionate about because of the reason why my daughter was killed is that she was a passenger in a newly qualified driver’s car, and the coroner put the crash down to the inexperience of the newly qualified driver.

“And so the element that I am passionate about, the graduated driving licence, is the passenger safety precaution, and that’s the element that I would have liked to have seen addressed in the strategy as well.”

Jon chimed in: “There’s lots in this strategy, isn’t there, for all drivers potentially of all ages, but as far as young drivers are concerned, what it’s saying then is that you would have to, if you pass your theory test, you’re going to have to wait six months to get more practice before you take the practical test. But what you would like to see is a delay in what you can do after the test, after the practical test as well.”

Sharon continued, acknowledging it as “a very positive thing” that the issue was being addressed, but emphasised that “we need more”.

“It doesn’t go far enough for us,” she expressed. “And as I say, if this element of the safety precaution of passengers was in place in 2017, my daughter would be alive.

“You know, and this law has been campaigned for for decades now. Unfortunately, I didn’t know about it until after Caitlin was killed. It was too late.”

Sally said: “And it’s really important to make the point that, as you’ve mentioned already, the coroner said it was inexperience. That’s really key, isn’t it? It was simple inexperience that contributed to this terrible tragedy.”

BBC Breakfast is broadcast on BBC One.

Viewers have been praising a BBC drama that’s been gripping them for months. Some say it’s so good they keep rewatching it, with it being deemed “better than Night Manager”

If you’re hunting for gripping viewing to see you through the bleak January evenings, BBC viewers are currently singing the praises of a particular drama series. While the broadcaster’s iPlayer platform boasts an impressive catalogue, certain shows have a knack for completely capturing audiences.

One such gem recently sparked discussion on Reddit when a user shared their obsession with a particular miniseries. They revealed they’d become utterly absorbed by it, watching it multiple times and discovering something new with each viewing. Since then, others have admitted how gripping it is, with some claiming it’s “even better than Night Manager”.

It’s not the only BBC drama to have audiences enthralled recently. Another adaptation of a well-known novel earned widespread acclaim just months back.

The Reddit user gushed: “The Little Drummer Girl is superb. At the risk of being a pretentious bore, the show really struck a chord with me. I watched it, and then immediately rewatched it. Now I’m watching it again.

“There’s a huge amount of depth here. It’s not Homeland, but it’s seriously good. Strongly recommended.”

The post triggered an enthusiastic response, with another viewer saying: “I agree with everything you just said! I LOVED Little Drummer Girl. Florence Pugh is fantastic in it. Very moving.”

On a separate thread, someone else declared: “I thought it was fantastic, one of the best spy thrillers I’ve ever seen. I chase the high of that show sometimes from other things, but nothing ever quite scratches the itch.”

A third gushed: “It’s a classic. My first exposure to Florence Pugh and loved her moments in just as she’s sassing Skarsgård. All episodes enraptured me to the very end. Excellent acting from everyone, excellent story, plot, masterful directing. Definitely would rewatch again. Recommended to anyone who enjoys political thrillers, espionage and/or spy fiction.”

Meanwhile, a fourth shared: “I watched the show first because I am a huge Park Chan-Wook fan and that is actually how I discovered Le Carré. I absolutely loved it. I thought the performances, cinematography and direction were phenomenal.

“Funnily enough, I haven’t actually read the book yet. When I tried to, I only read a few pages and put it down. Wasn’t in the right headspace for it, and was afraid I might dislike it.”

Other viewers have hailed the series as “magnificent”, calling it essential viewing. The stellar cast has also received widespread acclaim.

What’s the storyline?

For those unfamiliar, The Little Drummer Girl is a British spy thriller series adapted from John le Carré’s 1983 novel of the same title. The initial six-part series premiered on BBC One in 2018 and remains popular with audiences, still streaming on iPlayer.

The narrative unfolds in 1979, following a young English actress who gets recruited by Mossad. Her mission involves going undercover to infiltrate and dismantle a Palestinian organisation planning terrorist attacks across London and elsewhere in Europe.

The series features an exceptional cast, with stars such as Michael Shannon, Alexander Skarsgård and Florence Pugh all earning acclaim from viewers for their performances.

In certain cases, audiences have gone so far as to suggest the adaptation surpasses the original novel – remarkable praise by any measure. One viewer commented: “The book is a bit too long and meandering in parts, but the TV series definitely is worth watching.”

Another added: “Thought it was more engaging than Night Manager.”

The Night Manager has returned to BBC One, with a tense clip from episode two showing villain Teddy Dos Santos complaining about someone making his life difficult

The Night Manager could be in for a shocking twist, with a teaser clip showing baddie Teddy Dos Santos hinting that he wants someone killed.

The BBC drama, which stars Tom Hiddleston as MI6 agent Jonathan Pine, has returned for its second series, a decade after the first series captivated audiences. The initial series followed Pine, a night manager at a Cairo hotel, who was enlisted by Angela Burr from the Foreign Office (Olivia Colman) to infiltrate the inner circle of arms dealer Richard Roper (Hugh Laurie).

The second series, which premiered on New Year’s Day, picks up several years later, and a gripping snippet from the second episode shows Pine coming face-to-face with his new adversary.

Pine is now a low-ranking MI6 officer overseeing a discreet surveillance unit in London. However, things take a turn when he identifies one of Roper’s former mercenaries, with a synopsis stating it “prompts a call to action and leads Pine to a violent encounter with a new player: Colombian businessman Teddy Dos Santos.”

An exclusive preview of the second episode reveals him covertly listening in as Teddy (Diego Calva) engages in a sinister conversation with a General, reports the Express.

Teddy informs the General that a man named Alejandro Gualteros is “making my life difficult”, claiming that he has frozen his bank accounts and is attempting to inspect one of his shipments.

“That cannot happen,” he cautions.

The General reassures Teddy that he’ll handle it, to which the arms dealer responds: “Make it quick. No money. No operation.”

In a conversation between Teddy and Pine, Pine masquerades as a businessman who has spent his career in a Hong Kong bank, aiming to gain the villain’s trust.

“You’re English?” Teddy asks during their encounter at a tennis club. “I’m from Hong Kong,” Pine responds. “Swiss Bank. I’ve been there for 10 years.”

When questioned about his presence in Colombia, he coolly answers: “Let’s just say it’s getting more complex to work with our Chinese friends. So I’m seeking new opportunities.”

“You are a risk taker,” Teddy observes. “In life as in on the court,” Pine retorts with a smile.

The latest series of the drama also stars actress and model Camila Morrone as Roxana Bolaños. She portrays a businesswoman who is close to Teddy and reluctantly assists Pine in penetrating his arms operation.

The plot summary concludes: “As allegiances splinter, Pine races to expose a conspiracy designed to destabilise a nation. And with betrayal lurking around every corner, he must decide whose trust he needs to earn and how far he’s willing to go before it’s too late.”

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website.

The Night Manager is broadcast on BBC One.

The Night Manager has returned with both Tom Hiddleston and Hugh Laurie as executive producers.

The Night Manager season two has landed, but it didn’t take fans long to complain about a glaring problem.

Tom Hiddleston fans have been eagerly awaiting his return to The Night Manager, an unforgettable BBC drama that originally aired in February 2016.

Starring opposite Hugh Laurie and Olivia Colman, The Night Manager season one revolved around ex-soldier Jonathan Pine (played by Tom Hiddleston), who was hired to infiltrate the inner circle of a secretive arms dealer.

Despite series one getting rave reviews, viewers had given up hope that it would return for a second season, but to everyone’s delight, the series two renewal came in April 2024.

The Night Manager season two finally made its debut this evening, Thursday, January 1, once again focusing on Pine, now known as Alex Goodwin, who works as part of the nocturnal surveillance unit, the Night Owls.

But it isn’t too long before he spots a familiar face from his past with Richard Roper (Hugh Laurie), taking him down yet another dangerous path.

Fans couldn’t wait to tune into the new series, but many couldn’t help but make the same complaint on X, formerly Twitter, as they struggled to remember season one.

“Watching #TheNightManagerS2 when you already have a notoriously bad memory,” someone joked.

A second echoed: “Was going to watch the #TheNightManagerS2 but I can’t remember #thenightmanager so will have to rewatch series one. Anyone else doing the same thing?”

“I have no idea what is going on”, a third began.

“Not sure if it would be easier to follow if they didn’t keep cutting back to characters from 10 years ago that I have forgotten about.”

A fellow user remarked: “Was struggling to understand why I couldn’t for the life of me remember what happened in season 1 of #TheNightManagerS2 only to Google it and see that it aired TEN years ago?????? Girl bye.”

Someone else posted: “The recap hardly helped, I can’t remember what happened last week, let alone what I watched on TV 10 years ago”, as another added: “The Night Manager is really testing everyone’s memory right now.”

Despite fans having an issue with remembering what happened in series one, others have also been praising the new season.

Someone labelled the debut episode as “outstanding” and “brilliant”, while a fellow viewer commented: “Well that didn’t disappoint!!! Episode 1 of The Night Manager- Phew – must resist the temptation to binge!”

Thankfully, fans won’t have to wait very long for the second episode, with the next instalment set to air on Sunday, January 4, at 9pm.

After this, The Night Manager will continue to be shown every Sunday in the same timeslot.

The Night Manager is available to watch on BBC One and BBC iPlayer.

Tom Hiddleston is set to make his anticipated return to The Night Manager after almost 10 years

Almost a decade after its explosive finale captivated over 10 million viewers, hit BBC spy thriller The Night Manager is officially back with a bang.

Based on the characters created by John le Carré, the series followed Jonathan Pine (Tom Hiddleston), a night manager of a luxury hotel in Cairo and a former British soldier, who was recruited by the manager of a Foreign Office task force to infiltrate the inner circle of a dangerous arms dealer.

The award-winning drama returns to BBC One tonight (January 1) at 9pm as Pine takes on an explosive new case. The official synopsis teases: “Jonathan Pine thought he’d buried his past. Now living as Alex Goodwin – a low-level MI6 officer running a quiet surveillance unit in London – his life is comfortingly uneventful.

“Then one night, a chance sighting of an old Roper mercenary prompts a call to action and leads Pine to a violent encounter with a new player: Colombian businessman Teddy Dos Santos.”

Pine later meets a businesswoman who reluctantly helps him infiltrate Teddy’s Colombian arms operation. Once in Colombia, Pine is plunged deep into a deadly plot involving the training of a guerrilla army.

The logline concludes: “As allegiances splinter, Pine races to expose a conspiracy designed to destabilise a nation. And with betrayal at every turn, he must decide whose trust he needs to earn and how far he’s willing to go before it’s too late.”

Alongside Tom Hiddleston, the new season also stars Diego Calva as Teddy, as well as Camila Morrone as Roxana, Indira Varma as Mayra, Paul Chahidi as Basil, and Hayley Squires as Sally.

Olivia Colman reprises her role as Angela Burr, alongside returning cast members Alistair Petrie as Sandy Langbourne, Douglas Hodge as Rex Mayhew, Michael Nardone as Frisky, and Noah Jupe as Daniel Roper.

Where was The Night Manager filmed?

The Night Manager filmed across several diverse locations for season two, including the UK, Spain, Colombia and France.

Colombia serves as a major backdrop for the new storyline, with filming taking place at a villa in Girardot – four hours from the capital of Bogotá.

On the preparations that took place before production began in South America, screenwriter David Farr explained at the season two premiere: “Colombia is a very, very complex country, massively misunderstood. Everyone thinks it’s just completely dangerous and it’s totally not true. But for me, I think it was really important to sort of engage in that seriously. So we did.

“We went there properly, we met people, fantastic people. That’s the great luxury of being writers.”

Director Georgi Banks-Davies added: “We went on a massive global adventure because I’m a realist… I think we shot 96, 97 days across six months because of the travel.

“That meant going to the depths of every place, and that’s brutal. It’s really, really hard. You just can’t fake it, and my god, it was hot!”

Executive producer Stephen Garrett concluded: “We ended up slightly mad, Georgi and I and a couple of others. There were a few of us who ended up in daily shirt wars, just because they would be destroyed on a daily basis, because we got, sorry to say, so sweaty.

“Weirdly, one of the challenges we had in post [production] was communicating the heat that we were actually experiencing.”

The Night Manager season 2 premieres on BBC One and BBC iPlayer from 9pm on Thursday, January 1

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The DIY SOS team stepped in to help a youth club in East Yorkshire on Tuesday

DIY SOS star Nick Knowles fought back tears as he unveiled the “most challenging” build on Tuesday (December 30).

The latest episode of the hit BBC programme saw Nick and the team step in to help a youth club that had lost its home in the town of Beverley, East Yorkshire.

The Cherry Tree Community Centre once gave local children a safe place to meet up and find support, but when the pandemic hit, the building was turned into a food hub for families, leaving the kids out in the cold.

With another harsh winter on the way, Nick, designer Gabrielle Blackman and the DIY SOS regulars enlisted the help of local tradespeople to construct a new, purpose-built youth centre on the edge of the park. They were joined by Gladiators stars Jodie Ounsley, Tom Wilson, Lystus Ebosele and Jamie Christian-Johal – aka Fury, Hammer, Cyclone and Giant.

Just before the build began, Nick fought back tears as he shared the importance of the project, after growing up on an estate himself.

“I grew up in a place like this. The kind of places that people say, ‘Oh, don’t bother building anything nice there, it will just get destroyed,'” he said.

“You have to build stuff in tough places, you have to make a difference,” Nick continued, before pausing as he became emotional.

The crowd began clapping, before Nick said: “I didn’t expect it to get me. You will make this happen, you will change the futures of young people round here with what we’re about to do.”

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EastEnders newcomer Ronni Ancona famously impersonated characters on the BBC soap years before the news she would join the cast as Linda Carter’s old classmate Bea

Comedian and actress Ronni Ancona has revealed all about joining the EastEnders cast, teasing twists and turns ahead.

The star, who famously performed impressions of the soap’s characters and cast in the Big Impression show, will take on the role of Linda Carter’s old schoolfriend Bea. Viewers will see her debut at a school reunion where she and Linda come face-to-face for the first time in years.

We’re set to find out more about Linda’s time at school, as Bea is left gutted by their different perspectives. Teasing the scenes, Ronni shared: “Bea was in a more senior year at school than Linda, but that didn’t stop her being intimidated by her. They have both got very different perspectives on what happened at school, and initially she is very upset and slighted by that.

“There are lots of twists and turns and lots of unexpected developments. She’s a mercurial character who is witty, and charismatic, yet vulnerable as well.” Teasing what fans can expect from her character, Ronni shared: “Ben [Wadey, Executive Producer] loves comedy and wanted to bring in a character who was both tragic and funny.

READ MORE: EastEnders legend Pam St Clement admits struggle with emotional returnREAD MORE: Coronation Street stars tease Becky’s downfall as they share Corriedale spoiler

“Bea is misunderstood, and there’s a touch of desperation about her. When she feels cornered, she can become rather dangerous. Deep down, she just wants to be loved and to fit in. She’s the sort of person who ‘window-shops’ other people’s lives, trying to reshape herself into whoever she thinks others want her to be.

“In her mind, that’s the only way to earn love and attention – which is, unfortunately, quite misguided. Bea is intelligent, but she’s never achieved what she hoped for, so there’s an underlying frustration that her life hasn’t lived up to her potential.

“She has shades of a Walter Mitty–type character; you’re never entirely sure how much of what she says is real. She’s complex, nuanced, and unusual – someone who has become convinced by her own narrative.” Ronni confessed it was “bizarre” to step onto the soap after years of impersonating its legendary characters. She revealed: “It all felt rather bizarre and completely surreal.

“We always made those sketches with real respect and affection for the show and its cast, so stepping onto the actual set for the first time was an especially strange experience. Although thinking about it I think they let us film our ‘EastEnders the Musical’ on the outside lot, which would have been the old set.

“My first scene was on the bench in the middle of Albert Square – exactly where Alastair [McGowan] and I had once filmed our sketch ‘The Bench of Tears.’ That moment was so surreal I immediately phoned him to say, ‘I’ve just done a scene on the bench of tears,’ and he practically shouted, ‘NO WAY!’

“To add to the oddness, several members of the crew had worked with me years ago on Big Impression and The Sketch Show with Lee Mack, so it felt like past and present were colliding. Filming in the Vic for the first time was unexpectedly emotional. I couldn’t help remembering my impression of Peggy Mitchell, played by the much-missed Barbara Windsor.

“I adored her, and I know she enjoyed the impression, so walking into her domain properly was a real moment. I’ll admit I was a bit nervous about meeting some of the cast I’d impersonated, but they all have a brilliant sense of humour.

“Jessie Wallace even did my impression of her back at me, which was hysterical. I may now have to do my impression of her impression, it could become an endless loop.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Thomas Frake beat an array of talent, including Natalie Coleman and Brin Pirathapan, to the title of Champion of Champions 2025 in the programme’s Christmas edition

Chef Thomas Frake was last night crowned MasterChef’s Champion of Champions 2025 in its festive special.

Frake, who won MasterChef in 2020, took home the winning title after outcooking three former champions – 2013’s Natalie Coleman, 2023’s Chariya Khattiyot and 2024 winner Brin Pirathapan – on the BBC One cooking competition special, MasterChef Festive Extravaganza: Champion of Champions.

The chef, who runs a village pub called The Silks in Marlborough, Wiltshire, said: “This feels amazing. I’m grateful more than anything.

“MasterChef is what got me onto this journey in the first place. To come along five years later and be validated that my food was worthy again of another trophy is incredibly special. The first trophy will stay at home, this trophy is going straight to my pub.”

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Taking on two demanding challenges, the returning champions had to first deliver an end of the year showstopper for the judges and critic Tom Parker Bowles.

Next they had to prove just how far they have come since they first appeared on MasterChef as amateur chefs, tasked with creating two of the best courses they have ever cooked.

Frake’s final winning menu consisted of a main course inspired by a dish he cooked for Dent in 2020, a roast venison marinated in treacle, served with a venison and pear barley stew, wild garlic puree, charred shallot, bubble and squeak, and a venison and port sauce.

For dessert he made a brioche bread and butter pudding, coated in panko breadcrumbs, topped with butterscotch raisins, in a Pedro Ximenez sherry sauce, served with a brown butter ice cream.

During the judges’ deliberations over all their cooking that day, John Torode, who was a judge on the festive special alongside Grace Dent, said: “I need to be truthful, that was probably the best food I’ve ever eaten in the history of MasterChef. That was extraordinary.”

He later added: “Thomas’ love of great British food and what he likes to call pub grub is so infectious that it’s only when you eat his food that you understand what sort of cook he’s become since he’s left the competition.”

Meanwhile, Dent described Frake as a “fascinating chef”. She added: “He cooks crowd-pleasers absolutely beautifully with loads of finesse and that’s why Thomas is our champion of champions.”

Torode’s appearance, which was filmed earlier this year before he was sacked, marked his final time on MasterChef. The presenter’s contract was not renewed following an allegation of using racist language which was upheld as part of a report into claims of misconduct on the show.

The Australian chef will be replaced by Irish chef Anna Haugh from the show’s next series, MasterChef: The Professionals. MasterChef Festive Extravaganza: Champion of Champions is available to watch on BBC iPlayer.

Death in Paradise returns for a festive special episode tonight, with a guest cast set to join DI Mervin Wilson

Death in Paradise is gearing up for another festive special episode, ahead of welcoming a fresh series in 2026. The BBC programme has proved a massive success since it first hit our screens in 2011, with Ben Miller originally taking the lead detective role.

Don Gilet has stepped into Death in Paradise as the newest lead detective, DI Mervin Wilson, making his debut in the 2024 Christmas Special before headlining the complete Series 14 in early 2025, replacing Ralf Little.

Discussing his return to the role of Detective Inspector Mervin Wilson, Don Gilet shared with the BBC: “It felt good. Slightly daunting, but in a positive sense because you want to do the same again, if not better.

“I jokingly describe it as the second album. The first album went really well, but you can’t rest on your laurels and be complacent, there’s still more audience out there to win over. So, I went out to Guadeloupe with a renewed appetite. It was great to come back and reconnect with the characters and the actors,” reports the Express.

The BBC has now revealed what audiences can anticipate from the Christmas special, scheduled to broadcast tonight (December 28) on BBC One, featuring a new guest lineup appearing in this year’s standalone episode.

Death in Paradise Christmas special 2025 cast

• DI Mervin Wilson- Don Gilet
• Detective Sergeant Naomi Thomas- Shantol Jackson
• Officer Sebastian Rose- Shaquille Ali-Yebuah
• Catherine Bordey- Elizabeth Bourgine
• Officer Darlene Curtis- Ginny Holder

Guest cast

• Josie Lawrence (Outside Edge)
• Kate Ashfield (Shaun of the Dead)
• Pearl Mackie (Doctor Who)
• James Baxter (Waterloo Road
• Billy Harris (Ted Lasso)
• Oriana Charles
• Alix Serman

Death in Paradise Christmas special 2025 plot

The BBC has revealed a thrilling plot for the upcoming Christmas special of Death in Paradise. The office Christmas do takes a sinister twist when four colleagues wake up with pounding heads, only to find an unknown man shot dead in their villa’s pool.

DI Mervin Wilson and his squad manage to locate the murder weapon, but they’re left scratching their heads when they realise it was locked away in a drawer at the time of the shooting… and that drawer was thousands of miles from the crime scene, all the way back in Swindon. All the suspects insist they’ve never crossed paths with the deceased before.

As the team delves deeper into a tangled web of secrets and criminal activity, it becomes apparent they’ll need all the assistance they can muster to crack this perplexing case. Maybe a familiar face spending the festive season back in the UK could be persuaded to chip in.

Meanwhile, the Yuletide celebrations on Saint Marie are in full swing. The annual nativity is underway, and Mervin has a role to fill. But the DI has other matters preoccupying him.

A few months ago, he reached out to a brother he’d only recently discovered, but he’s yet to hear back. Can Mervin sort out his family issues and embrace the holiday cheer for the sake of his team and the island?

The Death in Paradise Christmas special airs Sunday, December 28 at 8:30pm on BBC One

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EastEnders Executive Producer Ben Wadey has teased what BBC soap fans can expect in 2026, and in the fallout to Max Branning’s special flash forward episode on New Year’s Day

If fans thought the end of EastEnders 2025 was dramatic, wait until they see what’s in store in 2026.

Executive Producer Ben Wadey has dropped huge hints at the storylines on the way, and the characters set to take centre stage. We already know Max Branning will be a key character, and the Brannings in general.

They feature in a flash forward episode this New Year’s Day, which pans into the same day in 2027. With details being kept under wraps, Ben teased the fallout of the episode.

What was also shared was the other big plots unfolding across the next 12 months, with Ben confirming the return of abusive teenager Joel Marshall. Linda Carter and Honey and Billy Mitchell also feature in new drama, as does Harry Mitchell, Ravi Gulati and Phil Mitchell.

READ MORE: EastEnders’ Max Branning’s huge wedding mystery in flash forward episodeREAD MORE: EastEnders spoilers: Anthony’s cause of death as killer revealed and Patrick grieves

Ben spilled of what fans can expect: “We’ve got lots ahead, lots of new stuff that I’m excited about. You may have seen we’ve just announced Ronni Ancona joining the show, which I am very, very excited about. I’m a huge fan of her work and she brings such a unique tone to it.

“I was really interested in just having a story that has a bit more kind of tragic comedy coming through it. She’s an old school friend of Linda’s and she’s called Bea. Bea arrives and her memory of Linda is very different to Linda’s memory of Linda.

“Bea is the sort of character who might attach herself onto people so she kind of comes in and gets to reacquaint herself with Linda. It’s also going to be a big story for some other characters.

Billy and Honey are going to be big in the new year and will be involved in that story as well, so it’s a story which, as a team, every time we watch it and read it we love it. We laugh and we cry and it’s really, really fun.

“Honey and Bea. After the misogyny story last year where we saw Joel was arrested, we’ve got his trial coming up so we’re gonna see Joel again as he faces the consequences of his actions. He’s pleading not guilty, and I think everyone’s struggling with why on Earth he’s put everyone through a trial.

“Vicki’s really going through the ringer of that, and Vicki, who wants to be committed so badly to Ross, but associates Ross now with everything that happened with Joel, her eye has been wandering slightly towards Zack.

“So we’ve got a big soapy love triangle in the mix of the new year. We’ve got a big story for Ravi going forward as he faces the consequences of his actions and all the awful things that he did in the previous few months, and what that starts to do to his psyche and his family.

“A revenge plot from Harry Mitchell kicks us off early in the new year, and the continuation of Phil and Nigel’s story. That beautiful episode, that will continue through and give us heart and warmth and just realism, and just gorgeous performances. Those relationships kind of see us through further into 2026.”

On the fallout to the flash forward, he went on: “You don’t have to wait an entire year to get all the answers, you’ll be getting answers from almost the episode after and then through every month, we’ll be giving you little bits. But also we twist a lot in that episode.

“Things are not as they seem so things that you will assume are going on there when you watch them in a year’s time will actually have quite a different light on them. But there’ll be lots of things within that episode that within the first few weeks and months, quite big answers you will start to get as an audience which I hope will be really satisfying that it kind of comes comes throughout the year.

“The plan is we’ll re-see elements of that [episode] which will make sense in the new light. There’ll be new scenes, there’ll be additional elements, so without giving too much away, it will be I think a very satisfying kind of coming together of two halves that I think will answer questions and be very satisfying to watch.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

The Big Night of Musicals Christmas special aired on BBC One on Saturday night (December 27) with viewers spotting a vital detail

Big Night of Musicals viewers were left scratching their heads after spotting a glaring detail during the festive BBC programme.

On Saturday night (December 27), Jason Manford presented what was billed as the Christmas compilation of this year’s finest stage musicals.

The show featured performances from the casts of Matilda, Mary Poppins, and Wicked, alongside numbers from cherished films such as Back to the Future, and tributes to music legends like Tina Turner.

However, within minutes of the broadcast beginning, sharp-eyed fans noticed a dead giveaway that this wasn’t actually a fresh compilation but rather a repeat.

Flocking to X – previously Twitter – numerous viewers highlighted that several audience members could be seen wearing face masks throughout the performances, reports the Express.

It wasn’t long before astute watchers realised this television round-up contained footage filmed during the coronavirus pandemic.

One viewer wrote: “When was the Tina Turner bit filmed if people are in masks?” whilst another questioned: “Erm… I’ve seen this exact performance before? ? ? Is this a repeat?”

A third viewer confirmed their suspicions, stating: “YUP… This entire this was a repeat.”

Nevertheless, despite the programme being a rerun from a previous year, many fans still relished the musical spectacular and flocked to social media to heap praise upon it.

One enthusiastic viewer wrote: “Loving Big Night of Musicals with @JasonManford, great that the schools and colleges have been shown too, not just established productions. I’m looking forward to next month even more now [musical notes emoji].”

Another fan concurred: “Really enjoying watching #BigNightOfMusicals on @BBCOne with @JasonManford,” while a third chimed in: “That was brilliant @JasonManford [green heart emoji]. Only problem is now I want to book to see Wicked, Matilda, and Mary Poppins again [crying emoji, laughing emoji].”

The National Lottery’s Big Night of Musicals is gearing up for its fifth dazzling instalment next month, featuring showstopping performances from West End smashes including Wicked, Miss Saigon, Jesus Christ Superstar and many more.

The show will once again be hosted by Jason Manford and will take place at Manchester’s AO Arena on 26 January 2026. Speaking about the upcoming extravaganza, Manford enthused: “I’m absolutely thrilled to be hosting The National Lottery’s Big Night of Musicals for the fifth year running.

“The 2026 line-up is phenomenal; some of the biggest shows in the world are coming together for one night only, and I can’t wait for audiences to experience it. This event is also a huge thank you to National Lottery players whose support keeps theatre alive and accessible.

“Without their contributions, so many productions, training programmes, and venue restorations simply wouldn’t be possible.”

For those unable to attend the event, the fifth instalment will be broadcast on BBC One and BBC iPlayer in Spring 2026.

Big Night of Musicals is available on BBC iPlayer

EXCLUSIVE: Death in Paradise star Don Gilet has teased the return of a familiar face in Sunday night’s Christmas special

Don Gilet, known for his role as Mervin Wilson in the BBC series Death in Paradise, has hinted at the reappearance of a well-known character in the upcoming Christmas special. In an exclusive chat with Reach PLC and other media outlets, Don gave a sneak peek into what viewers can anticipate from the festive episode airing this Sunday.

Without revealing too much, Don hinted that fans should brace themselves for the return of a familiar face – a speculation some fans believe they’ve already figured out.

He revealed, “It’s a very interesting thing to think about that one of the characters, who is the beating heart of this whole thing that has been there from the beginning, the thought that, from a character perspective, they may not be there anymore, and what hole that leaves.

“Because I suppose, in terms of family, they are the closest thing, and then to think, Mervin is back to feeling like an orphan again, just when he’s starting to embrace what Saint Marie has to offer.”

Speaking on the UK crossover in the holiday episode, Don added, “I think it’s great to see what the UK looks like at the very same time as Mervin is solving crimes in the beautiful sunshine,” reports the Express.

This revelation follows Don Warrington’s surprise cameo in Beyond Paradise’s Christmas special last weekend. Warrington, who portrays Commissioner Selwyn Pattison in Death in Paradise, was seen reuniting with Humphrey Goodman (played by Kris Marshall) and Martha Lloyd (portrayed by Sally Bretton) as the pair finally tied the knot.

The episode concluded with Selwyn receiving a phone call from Mervin, hinting at the Commissioner’s appearance in the upcoming festive episode.

Fans took to a Facebook fan page to share their theories and excitement. One viewer exclaimed, “What a surprise ending and lead into DIP Christmas special.”

Another chimed in, “Should be interesting, looking forward to it.”

A third fan added, “Loved the crossover with Selwyn involved.”

Yet another commented, “Intriguing about the Commissioner’s phone message, and hopefully we will find out in the DIP Christmas special.”

The synopsis for the Christmas episode teases: “The office Christmas party of a lifetime takes a dark turn when four co-workers wake up to find a stranger dead in the pool of their Caribbean villa.

“DI Mervin Wilson and the team identify the murder weapon, but they’re left baffled when they find that it was locked in a drawer when the murder took place… thousands of miles away from the crime scene, in Swindon!”

“Stranded in Saint Marie, the team enlists the help of a familiar face to solve the case. Meanwhile, Mervin anxiously awaits news from his newly discovered brother, which hinders him from fully embracing the Christmas festivities of Saint Marie. Can Mervin resolve his family situation and get into the festive spirit – for the sake of his team and the island?”

Death in Paradise is set to air on Sunday at 8.30pm on BBC One.

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The new series of BBC’s Call The Midwife will feature a brand new cast playing some of the much-loved characters at the ages they were when WWII broke out

The prequel of BBC One’s Call the Midwife, set at the start of World War Two and featuring younger versions of at least three of the show’s best-known characters, will launch next year on Christmas Day.

Despite the audience not knowing the actors who will play the earlier models of Jenny Agutter’s Sister Julienne, Pam Ferris’ Sister Evangeline or Judy Parfitt’s Sister Monica Joan, BBC bosses have such confidence that the show’s loyal fans will tune in, that the drama is expected to keep its prime festive slot.

Executive producer Pippa Harris, of Neal Street Productions, revealed that the prequel would kick off in the place usually reserved for Call the Midwife. Introducing the upcoming 15th series, she was asked if BBC bosses were concerned about being left with “a blank space” for 2026 and replied: “No, it will be on at Christmas.” That festive outing will be the first glimpse that viewers have of the wartime spin-off, which came about after writer Heidi Thomas had a desire to go further back in time.

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“Having wept, laughed, and raged my way from 1957 to 1971, I found myself yearning to delve into the deeper past,” she has explained. The brand new series, which does not yet have a title and will film next year, is set in 1939, nearly two decades before Jennifer Worth’s original memoirs began in 1957.

Heidi admits she needed a “temporary pause in the usual pattern” after 15 years of Call the Midwife. “I don’t think any other show has produced a series every year for that period of time,” she said. “So I think this is a lovely opportunity for us to press pause and refresh a little bit and come back with more exciting things.”

She stressed that a 16th series, picking up in 1973, would follow on TV in due course. “We’re not going anywhere,” she stressed, “Except for maybe Australia.” A movie version for cinema release, set in 1972 and featuring the regular cast, is likely to be set in Australia.

On the film, to be shot at the end of next year, Heidi said: “Australia is likely, I can say that. But there are a number of places within Australia where that could be, all of which would be very different. We won’t be making any official announcements until we know exactly .” One possibility is that Miriam Margolyes will make a welcome return as Mother Mildred, as the actress is based in Australia.

Helen George, who has played nurse Trixie Aylward since the first episode aired in 2012, said she was happy to have a year off before returning to make the movie. “The truth is no one knows who’s going to be in the film yet,” she admitted. “It has to make sense that all of these characters end up in Australia. So even though I may want to go – of course I bloody do! – it can’t be so extraordinary that it doesn’t make sense.”

She said a feature-length film would provide the “space and the time” to explore their characters further. “Australia is so beautiful, when we did the South African Christmas special it was so cinematic and the lighting is all different. This would be their missionary work potentially, because this is what the nuns would do. It makes complete sense for them to branch out into the world.”

Trixie wasn’t born in 1939, but Helen, 41, believes that expanding the Nonnatus world backwards is also a fantastic idea. “The prequel will have characters that we know so well, but we’ll be going back and seeing the start. When we first began, we’d have sets with the remnants of buildings that had been bombed in the Blitz. It’s fascinating to go even further back, and I will definitely be watching.

“The fact that the British public still want us around is amazing,” she laughed. “It’s right to change the format – we all need a new lease of life.”

In the series starting next month, it is 1971 and the midwives and nurses are getting to grips with the women’s liberation movement. In one scene, some of the Nonnatus regulars are seen burning their bras, and while she didn’t do that herself, actress Linda Bassett, who plays nurse Phyllis Crane, said she did get involved in other ways.

“I was involved in various women’s groups – it affected all our relationships, people were very enthused,” she recalled. “I was very young and we had groups where we sat in a circle and got out speculums and looked up our own vaginas, at the cervix. That was what we did! I don’t think Heidi wanted to put that in the film. It was all about being free and feeling at one with your body and not being ashamed.”

Linda, 75, said she didn’t actually burn her bra. “That was a publicity thing. People did it and I’m not knocking it but no, I didn’t.” Annabelle Apsion, who plays Poplar’s much-loved mayor and shop-owner Violent Buckle, said it had been fun to film the bra burning, with some members of the team finding it quite emotional.

“Lisa, who directed it, was crying, because she remembered all of that. A lot of young women now don’t realise how things were. It would probably be a big shock to them to hear that women didn’t get the same pay for the same job.

“It was a beautiful day and it was hilarious how the men, like Dr Turner, were saying things like ‘have you left me a casserole?’”

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BBC thriller The Night Manager is set to return to screens after its successful debut back in 2016

BBC thriller The Night Manager is set to return to screens for its second season.

Based on the characters created by John le Carré, the series followed Jonathan Pine, a night manager of a luxury hotel in Cairo and a former British soldier, who was recruited by the manager of a Foreign Office task force to infiltrate the inner circle of a dangerous arms dealer.

The show won multiple BAFTAs, Emmy Awards, and Golden Globes, including Best Actor for Tom Hiddleston as Pine.

Almost ten years after its explosive finale captivated over ten million viewers, the hit BBC spy thriller is now back with a bang as Pine takes on an explosive new case.

The official synopsis teases: “Jonathan Pine thought he’d buried his past. Now living as Alex Goodwin – a low-level MI6 officer running a quiet surveillance unit in London – his life is comfortingly uneventful.

“Then one night, a chance sighting of an old Roper mercenary prompts a call to action and leads Pine to a violent encounter with a new player: Colombian businessman Teddy Dos Santos.

“On this perilous new journey, Pine meets Roxana Bolaños, a businesswoman who reluctantly helps him infiltrate Teddy’s Colombian arms operation. Once in Colombia, Pine is plunged deep into a deadly plot involving arms and training of a guerrilla army.”

The logline concludes: “As allegiances splinter, Pine races to expose a conspiracy designed to destabilise a nation. And with betrayal at every turn, he must decide whose trust he needs to earn and how far he’s willing to go before it’s too late.”

Here’s everything you need to know about the BBC thriller’s return, including release date, cast, and episode details.

When will The Night Manager be released?

The first episode of season two is set to premiere on BBC One on Thursday, January 1 at 9pm. The new series will then be available to stream on Prime Video from January 11.

Who is in the cast of The Night Manager?

Tom Hiddleston returns as former British intelligence operative, Jonathan Pine, with Diego Calva as Teddy, and Camila Morrone as Roxana. They are joined by Indira Varma as Mayra, Paul Chahidi as Basil, and Hayley Squires as Sally.

Olivia Colman reprises her role as Angela Burr, alongside returning cast members Alistair Petrie as Sandy Langbourne, Douglas Hodge as Rex Mayhew, Michael Nardone as Frisky, and Noah Jupe as Daniel Roper.

The cast and creatives have promised “danger, espionage, betrayal, love, heartbreak, drama, and suspense” in the next chapter of Pine’s story.

How many episodes are in The Night Manager?

The Night Manager season two consists of six hour-long episodes. After the first episode premieres on New Year’s Day, the drama will continue three days later on Sunday, January 4 at 9pm on BBC One.

The following four episodes will air every Sunday at 9pm, with the explosive finale expected to air on February 1.

For international viewers, the first three episodes will drop on Prime Video on Sunday, January 11, with subsequent instalments premiering every Sunday through to February 1.

The Night Manager season 2 premieres on BBC One and BBC iPlayer from 9pm on Thursday, January 1

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BBC One’s new Christmas drama Stuffed has been branded “iconic” by fans

A hidden treasure of a comedy on the BBC, hailed as “brilliant” by viewers, is set to air tonight.

Stuffed, starring Guz Khan and Morgana Robinson, is a comedy-drama that follows a family embarking on a once-in-a-lifetime trip to Lapland.

Khan portrays Arslan Farooqi, who, after receiving an unexpected £8,000 Christmas bonus at work, decides to take his multi-faith family on this festive adventure.

Joined by his wife Hannah (played by Robinson), his two daughters, and brother-in-law Jamie, they trade Coventry for the enchantment of Christmas in Lapland.

However, their holiday soon descends into chaos when Arslan discovers that his bonus was given in error and needs to be returned, reports Wales Online.

The BBC’s synopsis teases: “Things go downhill fast when Arslan finds out the bonus was a mistake, and to make matters worse, they have already spent every penny of it.

“What ensues is one man’s quest to salvage a Christmas he doesn’t believe in, while ideally not losing his job, his family, and everything he has ever worked for. And surprise, surprise, it doesn’t go too smoothly.”

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The film can be streamed on BBC iPlayer and will also be broadcast on BBC One tonight at 9pm.

One enthusiastic fan recommended: “If you’ve not watched it yet, try Stuffed on the iPlayer. Brilliant new addition to the Christmas film list. Guz Khan is brilliant.”

Another viewer gushed: “Absolutely loved Stuffed on BBC iPlayer with my fav man @GuzKhanOfficial, him and Morgana are a dream team working together.”

Another viewer chimed in: “Loved it, hope some more will follow!” while a fourth echoed: “We need a regular series for this! Loved it made me laugh throughout.”

One enthusiastic fan declared: “This is iconic on tv I didn’t know what to watch during the Christmas holidays, same old home alone and polar express but this… is perhaps the best drama I’ve seen.”

Guz had previously shared his apprehensions about Stuffed’s release with The Guardian, saying: “You never know when you make something. I never thought we’d ever be in this kind of slot. There’s lots of things that come along with doing a Christmas special.”

He continued: “A lot of the work I get asked to do is like: ‘Come in and do your thing.’ I just did season two of The Gentlemen, and it was such a fun week. There’s no rules. You can go absolutely crazy.

“But this was a little bit different. You have to follow some guidelines. And so it was a really good challenge for me. Where I’d usually express myself with dialogue, I had to try and get the same feeling with an expression.”

Stuffed airs on BBC One tonight at 9pm and is available to watch on iPlayer.

Tess Daly and Claudia Winkleman are leaving Strictly Come Dancing the 2025 series draws to a close

Tess Daly and Claudia Winkleman’s “true feelings: about leaving Strictly Come Dancing might have been uncovered.

The beloved hosting duo shocked fans back in October when they announced that they would be stepping down from the programme at the end of the current series.

They have fronted the BBC programme together since 2014, with Claudia replacing Sir Bruce Forsyth, who presented the original series with Tess from 2004.

Tess previously took to Instagram to share a statement, and was showered in support from fans and friends alike. She wrote: “After 21 unforgettable years, the time has come to say goodbye to Strictly Come Dancing.”

The star added: “This isn’t a goodbye to glitter, sequins, or Saturday night sparkle (I could never say goodbye to those!). Strictly will forever hold a special place in my heart – but it does feel like the right time to hand over the reins.”

Tess and Claudia will present their last live show tonight (Saturday, December 20), as Strictly returns to screens for this year’s grand final. The pair will then appear on the show’s festive special on Christmas Day, where they will take part in a memorable performance.

Now, a body language expert has examined Tess and Claudia’s recent TV appearances and pointed to subtle gestures that hint at unease behind the scenes.

Speaking on behalf of Betfair Casino, Darren Stanton explained that the pair’s body language suggests that they are nervous ahead of their Strictly exit.

“What stands out for me when I watch Tess and Claudia discuss their departure in interviews is how their posture, voices, and micro-expressions always soften more than usual. It’s clear they are masking a good deal of emotion beneath a very controlled surface. From a body-language perspective, it doesn’t read like a light or casual decision,” he said.

“There are clear signs of nerves from both of them about the future, visible in subtle cues such as lip biting, the way they look at each other, and how they turn toward one another when discussing their departure, almost as if they are operating as a single unit.

“It doesn’t seem to be apprehension about the future itself, but about the difficulty of leaving something familiar.

“Tess, who has been part of the show for a long time, shows small gestures and micro expressions of nerves, like wringing her hands. Claudia shows similar gestures, proving that they both feel the impact of leaving the show.”

Since the announcement of Tess and Claudia’s exits, speculation has been swirling over who could step into their shoes, with Zoe Ball, Janette Manrara, Fleur East and Rylan Clark all in the running.

Tonight, Karen Carney, Amber Davies and George Clarke will battle it out for the chance to lift this year’s Glitterball Trophy. They will each perform three dances in the hopes of impressing the judges and voting public. These include a Showdance, Judges’ Choice, and their favourite routine from the series.

Strictly Come Dancing is available to stream on BBC iPlayer

Here’s what you need to know about potential changes to the BBC TV Licence

An annual fee in the UK could be replaced by “sliding scale” payment rates going forward. The BBC TV Licence could be due for some major changes.

The UK Government will examine reforms to the TV licence fee and explore additional commercial revenue streams for the BBC as part of proposals set out in its Royal charter review. The BBC’s existing charter, which spans a decade, concludes in December 2027.

The yearly licence fee has endured extensive examination under the previous Conservative administration, remaining static at £159 for two years before rising in April 2024 and again in April 2025 to £174.50, aligned with inflation rates.

As reported by the Daily Record, Culture Secretary Lisa Nandy has previously indicated she might be receptive to substituting the fixed licence fee with a graduated payment system. A fresh public consultation regarding these reforms has been initiated alongside the Green Paper and remains accessible until March 10, 2026.

The charter establishes the BBC’s public mission and serves as the constitutional foundation for the corporation, which is primarily financed through the licence fee, collected from UK households that watch television.

The Green Paper, outlining prospective BBC reforms was released on Tuesday and “consults on a wide range of options being considered for the future of the BBC”.

The Department for Culture, Media and Sport (DCMS) stated the UK Government will examine whether licence-fee reductions require updating, possibilities for the BBC to create additional commercial income, and funding alternatives for the World Service to ensure sustainable financing for minority-language broadcasting. Lisa Nandy expressed: “We want the BBC to continue to enrich people’s lives, tell Britain’s story and showcase our values and culture at home and overseas, long into the future.

“My aims for the charter review are clear. The BBC must remain fiercely independent, accountable and be able to command public trust. It must reflect the whole of the UK, remain an engine for economic growth and be funded in a way that is sustainable and fair for audiences.

“As a Government, we will ensure that this charter review is the catalyst that helps the BBC adapt to a rapidly changing media landscape and secures its role at the heart of national life.”

Options in the Green Paper the government is considering and seeking views on in this area include:

• Strengthening the BBC’s independence so the public continues to have trust in the organisation and its programmes and content, including considering the government’s role in board appointments
• Updating the BBC’s Mission and Public Purposes to give accuracy equal importance alongside impartiality and improving transparency of editorial decision-making to ensure the BBC explains journalistic processes and how its coverage evolves, especially during high profile events
• Giving the BBC new responsibilities to counter mis/disinformation, potentially alongside additional requirements on media literacy to help the public navigate technological change and develop digital skills, including around AI
• Introducing specific duties around workplace conduct to ensure BBC staff are protected and the organisation sets the standard for the rest of the sector to follow – including new responsibilities for the BBC Board to ensure action is taken against workplace misconduct

The DCMS said: “A BBC that is sustainably funded for decades to come to support its vital public service role.”

Options the UK Government is considering and seeking views on in this area include:

• Reform of the licence fee, whether licence fee concessions should be updated, and options for the BBC to generate more commercial revenue
• Options for funding the World Service and supporting sustainable funding for minority language broadcasting, including S4C
• Options the government is considering and seeking views on in this area include:
• Placing a new obligation on the BBC to drive economic growth, build skills and support the creative economy across the UK
• Ways in which the BBC can further support the production sector across the nations and regions, including by ensuring budgets and decision-making power for commissioners are spread across the UK, and by supporting minority language broadcasting
• Empowering the BBC to be an ethical and economic leader in adapting to new digital technologies, and enabling it to invest in Research and Development to support growth and drive public service benefits
• Encouraging the BBC to deliver more through collaborations and partnerships for growth and public value outcomes, including with organisations across the creative economy, and with local news outlets

Public consultation

People across the UK are being encouraged to give their views on the UK Government’s Green Paper public consultation and answer a set of questions.

Responses will be used to help inform policy changes which will be set out in a White Paper expected to be published in 2026.

You can view the consultation on GOV.UK.