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Motivating bad guys to become good guys? That’s worth a ‘yes’ vote

Gov. Jerry Brown is still haunted by one thing he did as a young governor 40 years ago. And he hopes to finally undo it on election day.

In 1976, pressured from the left, he signed a bill that made California prison time more fixed and less dependent on the discretion of parole boards.

Flexible sentencing, based on a board’s assessment of a felon’s likelihood of going straight once released, “was criticized because it treated people differently,” Brown told me last week.

“Nobody thought, ‘Well, wait a minute! People are different.’”

The rap by liberals on parole boards was that black and Latino prisoners were being kept behind bars longer than white people who had committed the same crimes.

So the boards lost much of their power to release prisoners based on good behavior or to keep them locked up if they still seemed dangerous. Release times were pretty much set in stone by sentencing judges.

“What I didn’t think of,” Brown says, is that with fixed sentences “there would be no incentive. You’d be released no matter what you did. Some people need a powerful incentive.”

Incentives, he says, “to buck gangs — they can slit your throat — to avoid narcotics, to not break the rules and take programs that will help you turn your dysfunctional life around.

“The idea of just putting someone in a box and waiting for time to elapse is not smart.”

Brown has been talking this way for years. He finally got around to doing something last winter. He latched onto someone else’s juvenile justice ballot initiative and inserted his criminal sentencing overhaul. The state Supreme Court ruled that was OK.

Brown’s idea became Proposition 57.

The proposal is laden with the wonky words such as “determinate” and “indeterminate.” In everyday language, they mean fixed and flexible.

Proposition 57 would return sentencing part-way back to the old days.

“It worked a hell of a lot better then,” the governor says. “Better than what the Legislature created. It’s not a place of deep reflection.”

His proposal would affect only prisoners convicted of “nonviolent” crimes, Brown says.

Nonsense, say opponents, largely prosecutors. They argue that many felons who would be eligible for early release actually committed violent offenses.

Under the measure, a prisoner could apply for parole after he had served the full sentence for his nonviolent primary offense. But he wouldn’t need to have served time for any add-on sentencing “enhancements,” such as for using a gun or being a “three-strikes” repeater.

Opponents argue that prisoners would be eligible for early parole even if they had been convicted, for example, of raping an unconscious woman, participating in a drive-by shooting or taking a hostage.

“It literally unwinds three strikes,” says San Luis Obispo County Dist. Atty. Dan Dow, Central Coast chairman of the opposition campaign.

“It’s the worst thing to happen to public safety in California in 40 years.”

Updates from Sacramento »

The prosecutor adds: “There aren’t any nonviolent inmates in prison today. You can only go to prison if you’ve committed a very serious crime.”

Brown’s earlier “realignment” program required counties to jail lower-level felons rather than send them to state prison.

Because of a federal court order to reduce overcrowding in lockups, there are roughly 50,000 fewer inmates in state institutions today than when Brown returned as governor in 2011. Prosecutors say prisons are holding only the worst of the worst.

“This is the governor at his worst,” says Merced County Dist. Atty. Larry Morse, state co-chairman of the opposition campaign. “I’m a Democrat. I’ve supported him more than I’ve disagreed. But this is the hubris of being a second-term governor.”

Actually, it’s Brown’s fourth term.

Morse says he and other prosecutors are particularly incensed that the governor didn’t invite them into the planning for Proposition 57.

“He conceived this in the governor’s office without any collaboration with district attorneys, sheriffs or police chiefs,” Morse says. “It’s a seriously flawed product.”

Brown counters that the measure “allows flexibility. The case for it is irrefutable to anyone with an open mind.”

Under Proposition 57, prisoners would get credit for good behavior, rehabilitation and education achievements.

Much less controversial is a provision that would require judges, rather than prosecutors, to decide whether a juvenile should be tried as a minor or an adult.

Practically all the campaign money is on Brown’s side. He has a political kitty stashed with millions. The opposition has practically zilch.

This is not the kind of ballot measure that excites moneyed interests. It doesn’t affect the bottom lines of corporations or labor, so there’s no motivation to bankroll the opposition campaign. In fact, the opposite is true. No outfit involved politically in Sacramento wants to cross the governor.

Polls show Proposition 57 heavily favored by voters. And Brown retains a high job approval rating.

The proposition’s central question is: Should a felon’s sentence only reflect the evil he committed on a particular day? Or should he be given an opportunity for partial redemption by trying to turn his life around over several years of incarceration?

People usually act better when there are rewards for being good and punishment for misbehaving — that’s the concept of heaven and hell.

Opponents have good points. Brown should have conferred with more experts in planning. And he should have better defined “nonviolent.”

But the broad goal of motivating bad guys to become good guys is worth a “yes” vote.

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ALSO

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Two-thirds of Californians favor Gov. Jerry Brown’s plan to revamp prison parole rules



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How Bad Religion guitarist Brian Baker’s iPhone photos became a visual punk rock diary

On the shelf

The Road, by Brian Baker
128 pages, $37.27
If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.

As a guitarist, Brian Baker has punk rock and hardcore credentials that are unparalleled. From effectively launching “hardcore” as a genre with Minor Threat when he was a teenager to bringing in the more melodic side of the scene with Dag Nasty and then joining Bad Religion in the mid ’90s, it’s hard to argue that any guitarist has been more influential to their scene than Baker.

“I think I just have a knack for being at the right place at the right time,” Baker says when asked about his contributions to the aforementioned legendary bands. “The key is to respect that legacy and not f— it up. I understand it’s a big deal to a lot of people — much more than it is to me. I’m just the guy who’s playing guitar, but I’ve been fortunate enough to be in bands that have been foundational for a lot of people. I think about that when I get on stage every day. I want to do a great job every time. As long as I’m able to still deliver a performance that I have respect for, hopefully other people will too.”

Standing at a high-top table under a white awning backstage at Riot Fest (Chicago’s massive punk rock festival where most of the acts are either friends of Baker or inspired by one or more of his bands) after nearly a half-century of allegedly just happening upon one iconic band after another, Baker recently released a new project — one that he’s worked on for almost 20 years during his ongoing run with Bad Religion.

A pile of guitars on a wood pallet.

A shot of Baker’s guitars on a wood pallet.

(Brian Baker)

Every time the legendary Los Angeles punk band goes on the road, Baker (like most touring musicians) finds himself with entirely too much time to kill before and after their nightly performances. To fill those long hours in strange cities, the 60-year-old D.C. native often turns to the piece of technology that so many use to occupy their free time, his smartphone. But rather than mindlessly scrolling social media or watching YouTube videos, Baker discovered a new passion for photography, constantly using each and every camera lens on the iPhones that have been in his pocket since the original released in the late 2000s.

Until recently, the fruits of Baker’s photography hobby had effectively only existed on his personal Instagram. That was until things started falling into place (“Like many things in my career,” Baker says, consistent in his refusal to take credit for the majority of his successes) for him to release some of his favorite photos as a book, appropriately titled “The Road” (released Nov. 4 via Akashic Books).

A coffee mug with a band photo on it sits on a porch.

A mug shot of Baker’s first band, D.C. hardcore pioneers Minor Threat.

(Brian Baker)

“My wife suggested for a long time that people might want to look at my photographs, and I was like ‘OK, that’s great,’ but never really thought about it,” Baker says, his bandmates and other longtime friends circulating through Chicago’s Douglass Park. “Eventually, a good friend of ours named Jennifer Sakai — who’s a great photographer and has made books in the past — made a mock-up from my Instagram of what a book could look like. I wasn’t looking to make a book, but she basically presented a finished product to me, so I contacted a guy I went to elementary school with, Johnny Temple — who plays [bass] in Girls Against Boys and Soulside and has a publishing company. Much like my more successful rock bands, I walked in after everyone did all the work, and now I’m just going to coattail it.”

With or without the new book, Baker says his time-killing love of photography was born out of the veteran guitarist feeling as though he was forgetting too much and missing some of his key memories from his time on tour. Once he gave up drinking, Baker realized that he needed a way to embrace the 20+ hours each day he wasn’t spending on the stage or getting ready. He started filling his days with long walks and visits to his favorite locales — old churches, interesting buildings, graveyards (“That’s not the goth in me saying this,” Baker jokes) and anywhere else where he entertain himself away from people. And rather than trying to tell the story of the last 18 years through his iPhone camera, he’s happy just documenting those certain moments and “a lot of different ways to spend your time” in “The Road.”

“I used to take a film camera on tour, and I’d shoot a couple rolls and then forget about the camera and leave it at the hotel or something,” Baker says. “I didn’t really do a good job of being a photographer, because I’m not a photographer. I’m just a guy with a cellphone, but having the phone always on me, I just kept taking pictures of stuff for no real reason. It was like ‘Hey, look at this weird thing’ or “Look what we ate tonight” or “That church is f— up” with no intention of it being a collection or anyone really seeing it beyond my friends and family. Eventually, I got an Instagram account and some of the stuff would go there, but I’m not really a social media maven either.”

Bad Religion bassist Jay Bentley plays a fuzzy white bass

Bad Religion bassist Jay Bentley playing a bass.

(Brian Baker)

Aside from his photography skills, the release of “The Road” has also allowed Baker to flex his storytelling muscles at the various bookstores, record shops and more that he’s hitting this fall (including early October dates at West Hollywood’s Book Soup and Fullerton’s Programme Skate & Sound). Although it’s a more intimate setting than he’s used to and he’s lacking his signature guitar, Baker jokes that it’s not so different from performing music, because he’s still “on a stage with a microphone and wearing black pants.”

The book tour has also been an opportunity for Baker to connect with fans and reflect on Bad Religion and his prior bands (along with various side projects like supergroup Fake Names and Beach Rats). While he maintains that his involvement in punk history mostly comes down to happenstance, he believes that Bad Religion’s multi-generational staying power stems from always being “uniquely unfashionable” and having intelligent lyrics about topics that are still relevant. Add in the fact that they’re always improving as musicians and just enjoy getting together without looking at the bigger picture, and “not having a plan has proven to be effective” for the stalwarts.

An amp sits by a guitar.

Photo of Baker’s first amp and guitar

(Brian Baker)

But more than anything, Baker’s lack of planning or direction around his photography brings him back to the DIY nature of his early days creating albums that are now viewed as the very foundation of a four-decade-old global hardcore movement.

“Anybody can do this, so it does remind me of making records when I was very young,” Baker says. “We were just making our own records ourselves and selling them in high school, and that was Minor Threat. You think about how significant that is now, 45 years later, it’s the same thing with taking pictures. I just took a bunch of pictures, and now someone’s made a book out of them. It’s something you can do yourself, and I love that about it.”

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Grammys 2026: Bad Bunny, the Marías break into Big Four categories

Among the nominees for the 68th Grammy Awards announced Friday morning were a slate of Latinx artists, with Bad Bunny leading the way with six and making Grammys history in the process.

The Puerto Rican singer became the first Spanish-language artist to earn nominations in several top categories for his critically acclaimed album, “Debí Tirar Más Fotos,” including record of the year, album of the year and song of the year.

The 31-year-old is also up for música urbana album, global music performance (“EoO”) and album cover — a new category.

To date, Bad Bunny has won three Grammys out of 10 nominations. He also leads the 2025 Latin Grammy Awards nominations with 12, including record of the year, album of the year and song of the year. The Latin Grammys will take place Nov. 13 at the MGM Grand Garden Arena in Las Vegas.

The not-so-new band the Marías — led by singer María Zardoya — were nominated in the ever-perplexing new artist category. This marked the long-present L.A. indie group’s first ever Grammy nomination.

Global girl group Katseye — which features Venezuelan Cuban American dancer/singer Daniela Avanzini — also picked up a nomination in the new artist category, as well as a nod in the pop duo/group performance category for the track “Gabriela.”

Colombian hitmaker Karol G’s “Tropicoqueta” received a Latin pop album nomination.

Recording Academy darling Edgar Barrera nabbed his third consecutive songwriter of the year (non-classical) nomination for his work with Karol G, Juanes, Shakira, Fuerza Regida, Grupo Frontera, Young Miko, Marco Antonio Solís, Manuel Turizo and Carlos Santana.

Kooky Argentine duo Ca7riel and Paco Amoroso received their first ever Grammy nomination under Latin rock or alternative album for their nine-track EP, “Papota.” If they win, they will be the second Argentine group to win in that category; Los Fabulosos Cadillacs won back in 1998 when the category first appeared.

The boisterous San Bernardino band Fuerza Regida are also first-time nominees, receiving a música mexicana album nomination for their joint EP with Grupo Frontera, “Mala Mía.” The Texas norteño group is also up in the same category for their album “Y Lo Que Viene.”

Sacramento alt-metal group Deftones nabbed a rock album nomination for “Private Music,” the band’s fourth overall Grammy nod and first in this category.

On Tuesday, the Recording Academy announced that voting members of the Latin Recording Academy had been invited to join the Recording Academy as part of its 2025 new member class.

“This year’s class reflects the vibrancy of today’s diverse music landscape,” said Harvey Mason Jr., chief executive of the Recording Academy. “The addition of many Latin Recording Academy voting members underscores that music has no borders and that our mission to serve music people, regardless of where they are from, is stronger than ever.”

The Grammy Awards will take place on Feb. 1 at L.A.’s Crypto.com Arena. The awards show will broadcast live on CBS and stream on Paramount+ starting at 5 p.m. PT.

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Bad Company’s Paul Rodgers will miss Hall of Fame induction

Sad news for Bad Company fans.

Paul Rodgers, one of the original members of the English rock supergroup, announced Tuesday that he will miss the Rock & Roll Hall of Fame induction ceremony Saturday where Bad Company will be honored as part of the 2025 class.

“My hope was to be at the Rock & Rock Hall of Fame Induction Ceremony and to perform for the fans, but at this time I have to prioritize my health,” Rodgers wrote in a statement posted to Bad Company’s Instagram page. The singer had planned to reunite with former bandmate and drummer Simon Kirke on stage to perform a couple songs at the ceremony.

While Rodgers did not elaborate on his health in the statement, in 2023 he told CBS News that he had suffered two major strokes in 2016 and 2019, as well as 11 minor strokes, which had temporarily stripped him of his ability to speak.

“I have no problem singing, it’s the stress of everything else,” Rodgers’ statement continued. “Simon along with some outstanding musicians will be stepping in for me — guaranteed to rock.”

Best known for hits such as “Can’t Get Enough,” “Feel Like Makin’ Love,” “Ready for Love” and, of course, “Bad Company,” the hard rock group formed in London in 1973. In addition to Rodgers and Kirke, who had played together in the rock band Free, Bad Company’s original members included guitarist Mick Ralphs and bassist Boz Burrell.

The band initially disbanded in 1982 but over the years reunited to record or tour, though not always with the same lineup. Rodgers and Kirke are Bad Company’s only surviving original members — Burrell died in 2006, followed by Ralphs this June.

In addition to Bad Company, the 2025 Rock & Roll Hall of Fame inductees include Chubby Checker, Joe Cocker, Cyndi Lauper, OutKast, Soundgarden and the White Stripes in the performer category. Additional inductees Salt-N-Pepa, Warren Zevon, Thom Bell, Nicky Hopkins and Carol Kaye will all be honored either for musical influence or excellence, while Lenny Waronker is the recipient of the Ahmet Ertegun Award for lifetime achievement.



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Emmerdale fans ‘knew it’ as villain returns from dead – and it’s bad news for April

Emmerdale’s April Windsor is set for worrying scenes on the ITV soap, as a villain of sorts, Callum, ‘returned from the dead’ in a twist on Wednesday, and April has no idea

There was a dark twist on Emmerdale on Wednesday, as a murdered character was confirmed to be very much alive.

It’s bad news for April Windsor to some degree, as she’s been allowed to believe the person is still dead. This will continue too, with her kept in the dark about the character’s true fate.

Last week we saw April left in danger, as drug dealer Ray Walters sent her on a job with a client. When he tried to force her into sleeping with the client to pay off her debt, she was horrified.

When April told Callum, the client, she couldn’t go through with it, he turned on her. Grabbing her and trying to force himself on her, he said there was no escape and he’d “do it anyway” even after her stating she did not want to have sex with him.

READ MORE: Emmerdale behind-the-scenes panic over Marlon death sceneREAD MORE: EastEnders fans fear for ‘missing’ star as they urge show to ‘fix it’

Fighting for survival, April ended up slamming him over the head with a vodka bottle in self-defence. Shaken, she escaped and told Ray and Celia Daniels that Callum was dead.

Ray headed to his home to check on Callum and when he returned to the village, he confirmed to a distressed April that he was in fact dead and she’d killed him. Both Celia and Ray taunted April about her being a murderer and said she’d go to prison.

When she declared she needed to report her crime and threatened to expose them, the criminals made it clear that if April spoke out, she and her family would be in danger. So April is now struggling to come to terms with being a killer.

Of course she has no idea, and fans didn’t either until Wednesday, that Callum isn’t dead. He’s injured but he’s absolutely fine, and survived the attack.

So Ray’s claims that he disposed of Callum’s body and that April killed him are a lie, and he and Celia know it. They’re now using it against April to keep her doing as they say, meaning more bad news ahead for April when she has to stay in line, but also if Callum reveals his fate, he could get her in serious trouble.

In a twist at the end of the episode, Callum was with Ray in his car and he talked about his head hurting. Ray told him to stay silent and take some pain relief, making it clear he couldn’t do anything about April.

Viewers were stunned by the twist but many said they “knew it”, having figured out Ray would lie to April to target her. Taking to social media, one fan said: “I knew it, I f***ing knew it.”

Another fan said: “I didn’t think he would be.” A further fan posted: “I KNEW he wasn’t dead!!!!!”

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .



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Latin Grammys 2025: Bad Bunny, Fuerza Regida, Karol G to perform

The Latin Recording Academy has added even more names to its already star-studded lineup of artists slated to perform at the 26th Latin Grammy Awards, which will be held Nov. 13.

Among the acts announced are album of the year nominee Bad Bunny, breakout Argentine duo Ca7riel & Paco Amoroso, song of the year nominee Karol G and San Bernardino-based música mexicana powerhouse group Fuerza Regida

Also added to the performers list was Mexican musical icon Marco Antonio Solís and Puerto Rican band Chuwi, who was featured on Bad Bunny’s latest album, “Debí Tirar Más Fotos.”

Next week’s show will mark the first time Bad Bunny has performed on the Latin Grammy stage since 2021, when he sang “Maldita Pobreza” from his 2020 album “El Último Tour Del Mundo.” It also will be the first time that Fuerza Regida and Ca7riel & Paco Amoroso perform on the Latin Grammy stage.

Album of the year nominee Rauw Alejandro, legendary rocker Carlos Santana, ranchero/mariachi album nominee Christian Nodal and country darling Kacey Musgraves were among the acts previously announced as performers at the Las Vegas awards show.

Other artists slated to take the stage at the show’s 26th iteration include 22-time Latin Grammy winner Alejandro Sanz; the Argentine singer Nathy Peluso; Tejano band Grupo Frontera; former best new artist winner Joaquina and Venezuelan singer-songwriter Elena Rose.

Additional artists set to perform at the MGM Grand Garden Arena are música Mexicana acts Carín León, Pepe Aguilar and Los Tigres del Norte; sad sierreño singer-songwriters Iván Cornejo and DannyLux; Latin pop icon Gloria Estefan and Colombian rock band Morat.

This year’s list of top nominees include Bad Bunny (12), Edgar Barrera (10), Ca7riel & Paco Amoroso (10), Rafa Arcaute (eight), Natalia Lafourcade (eight) and Federico Vindver (eight).

Bad Bunny’s 12 nominations this year will bring his total career nods to 52. With her eight nominations this year, Lafourcade looks to bolster her collection of 18 trophies from the awards show — the most wins for any female artist.

Nabbing eight more nominations, Edgar Barrera continues to pad his stats as the awards show’s most nominated person of all time with 72 nods, along with 24 wins. Spanish artist Alejandro Sanz received four nods this year, which brings his career total to 51.

This month’s show will be the debut of the new Visual Media field and its new category, Music For Visual Media, which will honor scores for film and television. Also added to this year’s awards is the category for best roots song.

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