backlash

The “Harry Potter” team did not need a divination expert to know its cast would encounter some “unpleasant and aggressive behavior.”

HBO boss Casey Bloys told multiple outlets this week that the network had taken precautions anticipating the vitriol the “Harry Potter and the Philosopher’s Stone” actors would face. Ghanian-English actor Paapa Essiedu recently spoke out about the racist abuse and death threats he has received since the announcement that he had been cast as potions professor Severus Snape.

“With all actors on any kind of big IP shows — and this is obviously one of those where you’ve got, you know, passionate fans, people with a lot of opinions — it can get scary in places,” Bloys told Variety in an interview published Tuesday. “So for any show like that, we anticipated it and tried to have training, you know, best practices in terms of social media and how to handle it. And obviously we’ve got a serious security team.”

Essiedu, who is portraying the enigmatic but ultimately heroic Hogwarts professor first brought to life by Alan Rickman in the original “Harry Potter” films, has opened up about the racist abuse he has received from those who believe a Black man should not be playing the fictional wizard.

“I’ve been told, ‘Quit or I’ll murder you,’” he said in an interview with the Times of London. “The reality is that if I look at Instagram, I will see somebody saying, ‘I’m going to come to your house and kill you.’”

“[N]obody should have to encounter this for doing their job … And I’d be lying if I said it doesn’t affect me emotionally,” Essiedu added.

This is not the first time that fans of J.K. Rowling’s Wizarding World novels expressed outrage over the casting of a Black actor in an adaptation. There was a similar outcry in 2016 when Noma Dumezweni was cast to play Hermione Granger in the original London production of “Harry Potter and the Cursed Child.”

It’s also not a situation unique to “Harry Potter.” Racist vitriol has been hurled toward actors in other genre franchises, including fantasy shows such as “House of the Dragon” and “The Lord of the Rings: The Rings of Power,” as well as those involved in “Star Wars” and the Marvel Cinematic Universe.

Bloys also told Deadline in an interview published Wednesday that they had “anticipated there would be a lot of interest in all of [the actors], and interest can tip over into more unpleasant and aggressive behavior.”

“We talked to them about what to expect, what to expect on social media and how we handle it, but any kind of security that’s needed is an unfortunate aspect of doing IP shows,” he said. “We just try to be mindful and monitor it.”

Essiedu also told the Times of London that “the [racist] abuse fuels” him.

“[It] makes me more passionate about making this character my own, because I think of how I felt as a kid,” he said. “I would imagine myself at Hogwarts on broomsticks, and the idea that a kid like me can see themselves represented in that world? That’s motivation to not be intimidated by someone saying they’d rather I died instead of doing work I’m going to be really proud of.”

Four weeks into the war on Iran, the White House continues to confuse the public and the press with constant pivots and contradictions.

Now the administration faces even more pressure as many of its own supporters have started to turn against it. This war has split up the MAGA movement, with an intriguing debate currently happening outside the mainstream and in the midst of their own media sphere.

Contributors:
Jamal Abdi – President, National Iranian American Council
Jude Russo – Managing editor, The American Conservative
Ben Lorber – Senior research analyst, Political Research Associates

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This week, the Israeli parliament approved the first vote on a bill that introduces a mandatory death penalty by hanging. This applies to any Palestinian convicted of killing Israelis in attacks defined as “terrorism” or motivated by “hatred”. Ryan Kohls reports on how this bill has been promoted in the media.

Memes, trash talk and AI – the online war between Washington and Tehran

The propaganda war in the ongoing war on Iran has taken a new form.

Beyond the traditional tactics, both the US and Iran are increasingly using memes and trash-talk mockery of the adversary through AI-driven animations, designed with virality in mind. We look at the strategies behind the different messaging coming out of Washington, Tel Aviv and Tehran.

Featuring:
Meredith Clark – Professor, University Of North Carolina
Roger Stahl – Documentarian and author, Militainment, Inc.
Marc Owen Jones – Associate professor, Northwestern University In Qatar

FORMER glamour model Katie Price has sparked mystery as her new travel business venture has been shut down just two weeks after its launch amid backlash.

The 47-year-old had created a “Katie Price Travels” Instagram page, trying to recruit agents for InteleTravel under the brand Travel Smarter Group.

She set up the part-time venture alongside her pal TV personality Danielle Lloyd.

Travel Smarter Group “co-founded” by Danielle, promises travel perks, training and financial protection but does not include clear details of its host agency.

One advert on her feed encouraged people to: “Join Katie Price and Danielle Lloyd.

“Hear how you can earn more from travel around your other commitments. Work flexibly. Travel more. Earn extra income.”

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The podcast host received a slew of backlash from the travel industry, who branded the venture a “gimmick” and a “slap in the face.”

Katie was most notably called out by Inspire Europe chief executive Lisa Henning.

She criticised the star’s move and accused her of bringing down the industry name amid the ongoing war in the Middle East.

Lisa wrote, as reported by Travel Weekly: “I very rarely comment publicly on things like this. But seeing this today is a step too far.

“For the past 12 days I have worked non-stop, 24/7, supporting our clients and our agents through the disruption affecting Dubai and other destinations.

“I’ve seen agents in tears because they care so much about their clients and are genuinely worried about what’s happening.

“To see promotions suggesting that you can simply ‘earn money from travel’ with a glossy campaign featuring Katie Price and Danielle Lloyd — positioning the role of a travel agent as something you do casually around other commitments — honestly feels like a huge mockery of our industry.

“This isn’t a side hustle. This isn’t a gimmick. And it certainly isn’t ‘easy money while you travel’.”

Lisa continued: ” Seeing this kind of messaging feels like a real slap in the face to the thousands of dedicated agents who work tirelessly behind the scenes every single day.

“Well done and thank you to all of those who continue to give our industry a good name by doing this job ‘properly’. Always book with a ‘real travel agent’.”

Following the negative response, the model appears to have now deleted her travel page on Instagram.

Katie’s PA has responded to the remarks, according to Travel Gossip.

“Katie has never stated that she personally books travel. She is simply sharing this platform with others to help people become independent travel agents and create an additional income – whether that be part-time or full-time.

“All agents within the community receive full training and are committed to supporting their clients.”

She added: “Katie was simply advertising an opportunity call.”

ANASTACIA Kingsnorth has been a queen of social media since starting her YouTube Channel aged 11 – but now a fierce backlash is threatening her empire.

The Brit content creator, 25, has ventured into podcast hosting, has written her own book and been the face of many ad campaigns.

Yet this year, the TikTok star – who has a rumoured net worth of over £1million – faced a sticky spot after her boyfriend appeared to cause “jealous” tension with her pal, Love Island alum Saffron Barker.

And now fans have reacted in fury after her latest paid partnership with Air Up featured a clip created by AI.

Earlier this week, Oh Anna podcast host Anastacia took to her socials to upload a clip promoting the German based brand’s latest flavoured water.

Scenes showed a giant version of the star wearing a lemon polka dot co-ord as she strolled through the London streets.

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Her height meant she could scoop up a pink water bottle branded with the Air Up logo before she took a sip.

The slurp appeared to transport her into both a new location – the roof of Buckingham Palace – and a new denim pinstripe outfit.

She wrapped the clip by visiting locations including St Paul’s Cathedral and Big Ben.

Yet on TikTok, her followers have alleged she has used AI to create the scenes – and claimed the technology goes against Air Up’s environmentally friendly credentials.

Criticisms came from two angles – the nature of content creation as a creative process, and also for AI using huge volumes of water, seemingly going against green principles.

The Sun has gone to Anastacia’s rep for comment.

Fans have claimed Anastacia, whose content focusses on lifestyle, leisure and beauty, has abandoned the “creative process” with her latest venture.

One TikTok user, who works in marketing, ranted: “Honestly, I am not happy about it.

“And I don’t think a lot of people are, judging by the comments on the video”.

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She added: “It really cuts down on what content creation really is.

“If you work in marketing like myself you will know that this is totally wrong.

“The whole point of content creation is creative process”.

Fans of Anastacia, who has previously collaborated with ITV bosses for a Love Island promotion, continued to take to the comments in fury.

One simply posted: “Who’s idea was this?? Omg”.

A second mused: “I do like some of their content, but Ana and her family don’t seem hugely aware or maybe even that bothered by environmental issues unfortunately. (a LOT of consumption etc!)”.

A third added: “The funny part about it is , the ad is for a refillable water bottle (to try and tackle plastic waste etc) but then it the ad is literally AI!! you couldn’t write it honestly”.

A fourth mused: “The hypocrisy of these ‘influencers’ is gross tbh”.

“I’m surprised the brand approved it to be honest…says a lot about them too! I think being aware of the environmental impact AI has is important too”.

And another user surmised: “For me its the context of the ad being for a refillable water bottle while using AI which uses tons of water. It is a little ironic”.

Campaigners have previously flagged the significant carbon, energy and water use that AI requires.

Previously, Sasha Luccioni, climate lead at AI company Hugging Face told The Guardian: “What I’m worried about is that we’re deploying AI in such a way that we don’t have a good idea of the energy use.

“We’re essentially operating on the hypothesis that it’s not a problem – or that if it is a problem it will somehow be solved – instead of getting ahead of it.”

While Anastacia has posted the video to her Instagram grid, the brand is yet to feature it on their page.

MOLLY-MAE Hague has faced backlash over her Maebe fashion event as an influencer called out a “disturbing” detail.

The former Love Island star, 26, has brought her premium womenswear brand to a one-day pop up in Bayswater, London, giving her fans a chance to check out the clothing in person while immersing themselves in the experience.

However, after visiting the pop up during an influencer event prior to it being open to the public today, TikTok star Nas Ganev has claimed there was a lack of diversity in the room when he was there.

He posted a video of himself at the event and alleged: “You should avoid maybe village and here’s why. I went today and although it’s so pretty inside,

“I saw something very disturbing. There were only white women in the room. There was no diversity at all.

“And in a city like London that immediately stood out to me. Walking to a place that’s meant to celebrate women and seeing a room that looks like that felt really uncomfortable.

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“If you booked your tickets because of me, I’d recommend cancelling them. Follow for more London pop-ups.”

The experience is available from 9am to 7pm today and is a ticketed event, with tickets having gone on sale on Thursday 26 February.

Contrary to the claims, the Maebe Instagram account have been posting attendees on their stories and they appear to be from all diverse walks of life.

The Sun contacted Molly-Mae’s representative but they declined to comment.

The mum-of-one and her team previously teased of the experience: “An immersive experience of shopping, coffee, food and wine, celebrating the women who shape Maebe in honour of International Women’s Day.

“It takes a village to create something meaningful, and we’re proud to give back to the women who make it all happen.”

She launched the clothing brand back in September 2024, with the first drop selling out in 24 minutes after being in the works for two to three years.

This isn’t the first time she’s faced backlash with Maebe as fans have previously hit out the high price point as well as the struggles to actually purchase the items due to the high demand.

One potential buyer wrote: “It’s very over-priced for what it is, but I genuinely just liked the set!

“It’s a rubbish experience, it’s just a game of whoever can type the fastest or who has their details saved, most shops allow you a bit of time to check out.”

Molly-Mae directly responded to the comment on YouTube as she candidly expressed: “couldn’t agree with you more on the stock front, it’s really frustrating.

“Unfortunately I just didn’t back myself enough when we planned these quantities a very long time ago.

“I promise you this is something I am in total agreement with you on and it’s something that in the New Year we will improve upon now that we have an understanding of the demand.

“I’m really sorry you feel let down – I’m learning as I go and will make this a better buying experience for you as soon as we can.”

Despite some backlash, new accounts for her firm MMH International Ltd stated that Maebe made around £300,000 in profit for the 12 months to the end of March last year.

As of December 2025, cash deposits in the firm stood at £231,155, having risen from £65,071 the previous year.