award

It is based on a true story but some find it difficult to watch

An award winning and 100% rated drama that ended up causing controversy at the BAFTA ceremony has just been added to Netflix.

I Swear has just been included on the streamer’s extensive library as of today (March 10). Originally released in cinemas for a limited run just last year, the title tells the true life story of John Davidson, who grew up with Tourette syndrome in 1980s Scotland.

According to the synopsis, he was diagnosed at just 15 and was targeted as ‘insane’ by his peers. The film shows how he struggled with a condition few had witnessed.

He eventually becomes a campaigner to increase public awareness and fighting for acceptance of the condition of Tourette’s as an adult. He finds his life’s purpose and accepted his MBE from the Queen in 2019.

While the film is a dramatised version of John’s life, he has appeared in documentaries before. He starred in a BBC film back in 1988 and a documentary released in 2009 called I Swear I Can’t Help It.

The biopic was welcomed with overwhelmingly positive reviews by critics upon its release. So much so that it boasts a perfect 100% rating on website Rotten Tomatoes.

However, more recently the film’s subject was attached with some controversy. While leading man Robert Aramayo picked up the BAFTA for Best Actor thanks to his performance, it was not the most talked about event of the night.

The subject of the film John Davidson was also in attendance on the night. His presence became apparent by those watching along from home at first as they heard some shouting during the show.

Actor and host of The Traitors US Alan Cumming was presenting and he asked for patience from the audience at the time. He told them during the show: “You may have noticed some strong language in the background. This can be part of how Tourette’s syndrome shows up for some people as the film explores that experience. Thanks for your understanding and helping create a respectful space for everyone.”

However, in one instance, while actors Michael B Jordan and Delroy Lindo were on the stage, a racial slur was shouted out by John and included on the BBC’s broadcast. It eventually lead to the stream of the awards ceremony being removed from the iPlayer.

In an interview after the Baftas, Davidson has said the BBC should have “worked harder to prevent anything that I said” being broadcast. He added that he shouted about 10 different offensive words during Sunday’s ceremony as a result of his tics.

Some have argued that the incident only highlights the importance of the film itself. As one person posted online: “I Swear is an audacious biopic that has no issues tackling the roots of a serious topic, and its dedication to that task does lead to some scenes that will certainly be upsetting to some viewers.”

Another added: “Robert Aramayo delivers a fearless, deeply human performance in this compassionate biopic. I Swear balances humour and heartbreak while shedding light on Tourette syndrome, reminding us how much empathy society still owes.”

While a third commented: “Honestly I left the cinema seriously thinking if I’d ever seen a better movie! It’s so perfect from the casting to the time jumps. It’s a beautiful written story that really captures the essence of what it is to be different and how hard it must be to live with Tourette’s. Several goosebumps moments with a lot of humour!”

Someone else said: “This is a fabulous film which made me laugh and cry in equal measure. It captured the difficulties and complexities of living with Tourette’s syndrome with a startling level of authenticity. The acting was superb and I came out realising that I’d seen something very special. I’ll be thinking about it for weeks.”

I Swear is streaming on Netflix.

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Amy Madigan is now a first-time Actor Award winner.

The “Weapons” actor scored in the supporting actress category Sunday for her performance as the unhinged Aunt Gladys in the Zach Cregger-directed horror film. She beat out Teyana Taylor (“One Battle After Another”), Odessa A’Zion (“Marty Supreme”), Ariana Grande (“Wicked: For Good”) and Wunmi Mosaku (“Sinners”).

The win shakes up the Oscars race for supporting actress, which prior to Madigan’s Actor Award victory seemed to be in Taylor’s favor.

“It’s such an honor to be here. I’ve been doing this a long ass time,” Madigan said as she accepted the honor Sunday evening.

“Gladys has surprised me. She’s getting a lot of love back,” Madigan said. “I didn’t know y’all want to hang out with her.”

The actor also offered a message of camaraderie to her fellow SAG-AFTRA members, citing the Chicago upbringing that made her a “union person.”

“We’re all union people,” she continued, “and I don’t care what somebody says. They’re not going to bust us, ever.”

Madigan went on to give a shout-out to her fellow “Weapons” cast members Julia Garner, Josh Brolin and others.

Madigan was the sole “Weapons” star nominated at this year’s Actor Awards. She also received nominations from the Golden Globe Awards, Critics Choice Awards and Academy Awards. She earned her last Oscar nomination 40 years ago for her performance as the fiery Sunny in “Twice in a Lifetime” (1985).

“I haven’t done this in a while, so it feels like a new experience for me, but I know what it is very well,” Madigan told The Times in a November interview about the awards buzz.

“It’s a little daunting at times,” she added.

But like her “Weapons” character, Madigan is fearless, having used a stunt double for only the very last scene in a physically demanding movie.

As for everything before that, the actor said, “I did all that running and all that ridiculous stuff.”

“I think everybody was holding their breath a little bit going, ‘Oh, I hope she doesn’t slip and crash into something,’ which I didn’t,” she said. “I’m proud of that.”

Michael B. Jordan’s awards are stacking up.

The “Sinners” star won the Actor Award for lead actor for portraying the film’s twin ex-mob enforcers turned juke joint owners, Smoke and Stack.

“I wasn’t expecting this at all,” Jordan said as he accepted his award Sunday evening. “I’m so honored and privileged to be nominated in categories with people and actors and humans that I love.”

“I love their work and what you contribute to to our craft, and this ride has been unbelievable,” he said. “So thank you for welcoming me in and making me feel seen.”

Jordan went on to reminisce about his time as an entry-level SAG-AFTRA member, aspiring toward truly belonging to “this club that I wanted to be in so bad.”

“Those guys that were talking on stage with the awards and nice suits, talking, being in fancy places like that,” the actor said. “That’s what I always wanted and that kid from Newark, New Jersey’s standing here right now.”

The “Creed” alum went on to thank his mother for driving him to his earliest auditions and director Ryan Coogler for “giving me the opportunity to show what I can do and to be fearless and to create a safe space for us to find the truth.”

Finally, Jordan extended gratitude to his fellow actors and his fans, “who’ve seen me grow up in front of the camera and in these rooms.”

Jordan’s triumph over his fellow nominees, particularly “Marty Supreme” star Timothée Chalamet, is a positive sign as the actor looks toward the Academy Awards later this month.

“Sinners” received a record 16 nominations, many of which are sure to turn into wins at the March 15 ceremony.

Harrison Ford received a standing ovation Sunday as he accepted the SAG-AFTRA Life Achievement Award.

“It’s a little early isn’t it?” Ford joked, noting that “it’s a little weird to be getting a lifetime achievement award at the half-point of my career.”

The 83-year-old is one of the industry’s highest-grossing actors after catapulting to global stardom with his role as Han Solo in the “Star Wars” franchise, a legacy further cemented by his lead role in “Indiana Jones” movies.

Ford fought back tears, thanking his fellow actors, writers, directors and cast members. He “found a calling. A life in storytelling. An identity in pretending to be other people,” he said.

“While we’re all at different stages of our lives and careers in this room, we all share something fundamental. We share the privilege of working in the world of ideas, of empathy, or imagination,” Ford said. “Because of that privilege, I’ve come to know myself.”

Ford said he was “not an overnight success,” spending the first 15 years of his career jumping between acting and carpentry before landing an acting role.

Ford thanked film producer and casting director Fred Roos and his longtime manager Pat McQueeney, all of whom he said were integral to his success.

“They’re no longer with us, but it feels important that I think of them now. I feel them here tonight. They would be happy for me,” Ford said.

SAG-AFTRA’s recognition on Sunday is one of several lifetime achievement awards bestowed upon the actor over his extensive six-decade career, which is defined by two of Hollywood’s biggest film franchises.

A highlight reel of Ford’s various acting performances played ahead of his accepting the award.

The award was presented by actor Woody Harrelson, who lauded Ford’s varied achievements and called him a “timeless American treasure.”

“There’s too much of me in this tribute to Harrison, but I’m an actor, what do you expect?” Harrelson quipped. The actor first met Ford after following him into a sushi restaurant and the pair “sealed their friendship” over lunch, during which “at one point, we laughed — and I’m not kidding — for three minutes straight,” Harrelson said.

“This is a life achievement award and he has lived a full one,” Harrelson said.

Ford hasn’t shown signs of slowing down in recent years. The actor plays therapist Paul Rhoades in the Apple TV show “Shrinking,” which earned him his first-ever Emmy nomination last year. He also recently starred in the “Yellowstone” prequel “1923” and appeared in his first Marvel movie, “Captain America: Brave New World.”

Ford “thinks working more is the antidote to aging,” Harrelson said. The actor recently reprised his iconic role as a swashbuckling archaeologist in the 2023 sequel “Indiana Jones and the Dial of Destiny.”

Despite Ford’s massive success in the industry, the actor has yet to win a major competitive acting award. The Life Achievement Award is the first that Ford snagged from the guild. He was nominated last year for actor in a comedy series for his role in “Shrinking” but lost to Martin Short for his performance in “Only Murders in the Building.”

Ford said he was “quite humbled” to be honored with the award in a room full of actors, “many of whom are here because they’ve been nominated to receive a prize for their amazing work, while I’m here to receive a prize for being alive.”

“Sometimes we make entertainment. Sometimes we make art. Sometimes we’re lucky and we make them both at the same time,” Ford said.

The awards show’s highest honor is given to performers who foster the “finest ideals of the acting profession.” Ford joins a list of seasoned actors who have received the award, including Jane Fonda, Barbra Streisand, Morgan Freeman and Robert De Niro.

SAG-AFTRA described Ford as “one of cinema’s most enduring leading men” whose performances “have become woven into the fabric of our culture,” in a December release announcing the honor.

Finalists and honorees for the 46th Los Angeles Times Book Prizes were announced Wednesday.

Writer-curator Ekow Eshun is among the biography finalists for “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them,” which parses Black masculinity as embodied by various civil rights activists, philosophers and other visionaries. Contenders in the fiction categories ranged from seasoned novelists like Michael Connelly to breakouts including Saou Ichikawa, whose debut novel, “Hunchback,” was longlisted for the 2025 International Booker Prize.

Many selected books evoke the greatest anxieties of our time, from government-sanctioned historical revisionism to the ongoing proliferation of AI.

“The Joy Luck Club” author Amy Tan will be honored with this year’s Robert Kirsch Award for lifetime achievement. Nonprofit We Need Diverse Books and novelist Adam Ross will receive the Innovator’s Award and Christopher Isherwood Prize for Autobiographical Prose, respectively.

Winners in the remaining categories will be revealed at the 46th L.A. Times Book Prizes on April 17 at USC’s Bovard Auditorium. The ceremony is a prelude to the annual L.A. Times Festival of Books, which this year runs April 18-19.

The Oakland-born Tan will be given the marquee Robert Kirsch Award, which celebrates literature with regional and thematic connections to the Western United States, for her highly awarded body of work exploring multicultural identity and its complex effects on familial bonds.

“Throughout her extraordinary career, Amy Tan has transformed American literature by shining a light on the emotional complexities of family, identity and cultural inheritance,” said Times senior editor for Books Sophia Kercher. “Her work confronts the social and cultural legacies of the American West with rich details of the immigrant experience.”

Tan’s 1989 debut novel, “The Joy Luck Club,” which interweaves the stories of four Chinese immigrant mothers and their American-born daughters in San Francisco, is a staple of the modern literary canon and was previously a finalist for the National Book Award and the National Book Critics Circle Award. “The Joy Luck Club,” along with the essays, memoirs and novels Tan has since penned — most recently 2024’s “The Backyard Bird Chronicles” — have also led her to be inducted into the American Academy of Arts and Letters and earned her a National Humanities Medal from President Biden.

We Need Diverse Books, a viral 2014 Twitter campaign turned nonprofit, is being honored with the Innovator’s Award for its efforts toward promoting diversity and inclusion in children’s and young adult publishing.

According to the WNDB website, upon the nonprofit’s launch more than a decade ago, only 8% of children’s books published in the U.S. were written by authors of color. In 2023, that figure rose to 47%, in no small part due to WNDB’s grants, library partnerships and other advocacy work, per the Cooperative Children’s Book Center at the University of Wisconsin-Madison.

“We Need Diverse Books has played an important role in publishing by championing stories that reflect our world, and opening doors for writers and readers,” said Times Executive Editor Terry Tang. “We are thrilled to recognize them with this year’s Innovator’s Award, honoring their unwavering commitment to access and representation in literature.”

Ross rounds out the L.A. Times Book Prize honorees as the winner of the Christopher Isherwood Prize for “Playworld,” a semi-autobiographical novel about a teen growing up in 1980s New York that is described as “less a bildungsroman than a story of miseducation.”

In addition to the achievement awards, the Book Prizes recognize titles in 13 categories: audiobooks, autobiographical prose (the Christopher Isherwood Prize), biography, current interest, fiction, first fiction (the Art Seidenbaum Award), graphic novel/comics, history, mystery/thriller, poetry, science fiction, science and technology and young adult literature. Each category’s finalists and winners are chosen by panels of writers specializing in that genre.

For more information about the Book Prizes, including the complete list of finalists, visit latimes.com/BookPrizes.

Robert Kirsch Award

Amy Tan

Innovator’s Award

We Need Diverse Books

The Christopher Isherwood Prize for Autobiographical Prose

Adam Ross, “Playworld: A Novel”

The Art Seidenbaum Award for First Fiction

Andy Anderegg, “Plum”

Krystelle Bamford, “Idle Grounds: A Novel”

Addie E. Citchens, “Dominion: A Novel”

Justin Haynes, “Ibis: A Novel”

Saou Ichikawa translated by Polly Barton, “Hunchback: A Novel”

Achievement in Audiobook Production, presented by Audible

Molly Jong-Fast (narrator), Matie Argiropoulos (producer); “How to Lose Your Mother”

Jason Mott, Ronald Peet, and JD Jackson (narrators), Diane McKiernan (producer); “People Like Us: A Novel”

James Aaron Oh (narrator), Linda Korn (producer); “The Emperor of Gladness: A Novel”

Imani Perry (narrator), Suzanne Mitchell (producer); “Black in Blues”

Maggi-Meg Reed, Jane Oppenheimer, Carly Robins, Jeff Ebner, David Pittu, Chris Andrew Ciulla, Mark Bramhall, Petrea Burchard, Robert Petkoff, Kimberly Farr, Cerris Morgan-Moyer, Peter Ganim, Jade Wheeler, Steve West, and Jim Seybert (narrators), Kelly Gildea (producer); “The Correspondent: A Novel”

Biography

Joe Dunthorne, “Children of Radium: A Buried Inheritance”

Ekow Eshun, “The Strangers: Five Extraordinary Black Men and the Worlds That Made Them”

Ruth Franklin, “The Many Lives of Anne Frank”

Beth Macy, “Paper Girl: A Memoir of Home and Family in a Fractured America”

Amanda Vaill, “Pride and Pleasure: The Schuyler Sisters in an Age of Revolution”

Current Interest

Jeanne Carstensen, “A Greek Tragedy: One Day, a Deadly Shipwreck, and the Human Cost of the Refugee Crisis”

Stefan Fatsis, “Unabridged: The Thrill of (and Threat to) the Modern Dictionary”

Brian Goldstone, “There Is No Place for Us: Working and Homeless in America”

Gardiner Harris, “No More Tears: The Dark Secrets of Johnson & Johnson”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Fiction

Tod Goldberg, “Only Way Out: A Novel”

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Mia McKenzie, “These Heathens: A Novel”

Andrés Felipe Solano translated by Will Vanderhyden, “Gloria: A Novel”

Bryan Washington, “Palaver: A Novel”

Graphic Novel/Comics

Eagle Valiant Brosi, “Black Cohosh”

Jaime Hernandez, “Life Drawing: A Love and Rockets Collection”

Michael D. Kennedy, “Milk White Steed”

Lee Lai, “Cannon”

Carol Tyler, “The Ephemerata: Shaping the Exquisite Nature of Grief”

History

Char Adams, “Black-Owned: The Revolutionary Life of the Black Bookstore”

Bench Ansfield, “Born in Flames: The Business of Arson and the Remaking of the American City”

Jennifer Clapp, “Titans of Industrial Agriculture: How a Few Giant Corporations Came to Dominate the Farm Sector and Why It Matters”

Eli Erlick, “Before Gender: Lost Stories from Trans History, 1850-1950”

Aaron G. Fountain Jr., “High School Students Unite!: Teen Activism, Education Reform, and FBI Surveillance in Postwar America”

Mystery/Thriller

Megan Abbott, “El Dorado Drive”

Ace Atkins, “Everybody Wants to Rule the World: A Novel”

Lou Berney, “Crooks: A Novel About Crime and Family”

Michael Connelly, “The Proving Ground: A Lincoln Lawyer Novel”

S.A. Cosby, “King of Ashes: A Novel”

Poetry

Gabrielle Calvocoressi, “The New Economy”

Chet’la Sebree, “Blue Opening: Poems”

Richard Siken, “I Do Know Some Things”

Devon Walker-Figueroa, “Lazarus Species: Poems”

Allison Benis White, “A Magnificent Loneliness”

Science Fiction, Fantasy & Speculative Fiction

Stephen Graham Jones, “The Buffalo Hunter Hunter”

Jordan Kurella, “The Death of Mountains”

Nnedi Okorafor, “Death of the Author: A Novel”

Adam Oyebanji, “Esperance”

Silvia Park, “Luminous: A Novel”

Science & Technology

Mariah Blake, “They Poisoned the World: Life and Death in the Age of Forever Chemicals”

Peter Brannen, “The Story of CO2 Is the Story of Everything: How Carbon Dioxide Made Our World”

Karen Hao, “Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI”

Laura Poppick, “Strata: Stories from Deep Time”

Jordan Thomas, “When It All Burns: Fighting Fire in a Transformed World”

Young Adult Literature

K. Ancrum, “The Corruption of Hollis Brown”

Idris Goodwin, “King of the Neuro Verse”

Jamie Jo Hoang, “My Mother, the Mermaid Chaser”

Trung Le Nguyen, “Angelica and the Bear Prince”

Hannah V. Sawyerr, “Truth Is: A Novel in Verse”