avenger

Chris Evans might need some new superhero gear for his next gig. Perhaps a supercharged stroller?

The Marvel alum, 44, and his wife, Portuguese actor Alba Baptista, 28, on Friday welcomed their first child together in Evans’ home state of Massachusetts, People reported Tuesday. The couple named their newborn daughter Alma Grace Baptista Evans, according to the outlet.

Representatives for Evans and Baptista did not reply immediately Tuesday to The Times’ request for comment.

Evans and Baptista, who began dating around 2021, wed in 2023 in a pair of ceremonies in Cape Cod and Portugal, Evans explained amid much fanfare during a panel that year at New York Comic Con. The couple’s East Coast nuptials were attended by Evans’ fellow Marvel legends Robert Downey Jr. (Iron Man), Chris Hemsworth (Thor), Jeremy Renner (Hawkeye) and Scarlett Johansson (Black Widow), Page Six reported at the time.

During the Comic Con panel, Evans called the festivities “wonderful and beautiful,” but said that he and his belle were happy to be winding down after the whole ordeal.

“Planning a wedding, it’s a lot,” he said. “For those of you who are married, you know, it takes a lot out of you, but now that we’re through that, we’ve just kinda been enjoying life and gearing up for autumn, my favorite season. It’s like the best time of year right now. … Now we’re just relaxing and enjoying life and reflecting.”

Evans last year confided about his aspirations toward fatherhood to “Access Hollywood,” saying he “absolutely” hoped to be a “superhero dad” like his “Red One” co-star Dwayne Johnson.

“The title of ‘dad’ is an exciting one,” the actor said.

Since passing Captain America’s shield to Anthony Mackie in 2019’s “Avengers: Endgame,” Evans has flexed his creative muscles with high(er) brow indies including Celine Song’s buzzy romance “Materialists” and Ethan Coen’s dark detective comedy “Honey Don’t.”

But despite intel from the source himself, Marvel die-hards aren’t buying that Evans’ time with the franchise has come to a close. They’ll know once and for all come December, when “Avengers: Doomsday” hits theaters.

Baptista for her part has tacked several film credits onto to her resume since Netflix canceled her cult-favorite series “Warrior Nun” in 2022. She is notably slated to appear in A24’s upcoming film “Mother Mary,” which will feature original songs by Charli XCX and Jack Antonoff and an ensemble cast including FKA Twigs and Hunter Schafer of “Euphoria” fame.

Nostalgia for extreme tackiness is surely one of the funnier outcomes of a cult film’s success. (Does one sigh wistfully at such memories or smile through a grimace?) The gleeful cine-garbage factory Troma is, at 50 years and counting, now a hallowed name in outsider movie circles, with much of its reputation stemming from an ’80s output that seemed appropriate for the Reagan era. That especially goes for its 1984 monster comedy “The Toxic Avenger,” about a head-smashing vigilante forged from green chemical sludge. It was antipollution if you wanted to be charitable, but really, it was anti-everything. Haste plus waste, made for very bad taste.

Now, of course, we all recycle trash in our daily lives. But does it work as a film principle? Troma aficionado Macon Blair, a key on-and-offscreen collaborator of Jeremy Saulnier (“Blue Ruin,” “Hold the Dark”) and a Sundance-winning writer-director in his own right (“I Don’t Feel At Home in This World Anymore”), has taken up the challenge with his own “The Toxic Avenger,” starring Peter Dinklage as this version’s mutant hero, Toxie, and maybe the worst thing one could say about it is that it’s well-made.

Cue the disconnect when, expecting to be offended by garish, cheap filmmaking, one realizes that so much of the Troma style — gratuitous gore, filthy mouths, blunt-force parody — is ubiquitous to any regular genre diet in film or TV. That leaves matters of artistic character and there’s no getting around the fact that Blair has made the conscious decision that his “Toxic Avenger,” though rude, violent and goofy to a fault, wouldn’t look bad. It’s even got appealing stars: Kevin Bacon, Elijah Wood, Taylour Paige. Is nothing sacred?

But when even the biggest-budgeted movies now look terrible, everything’s already upside-down. What Blair has assembled, then, is diverting homage-schlock: a one-joke Halloween costume you’ll never wear again. Only this time, it asserts its environmental consciousness like a middle finger. The story’s Big Pharma outfit, called BTH, is a full-on villainous entity now, run by rapacious CEO Bob Garbinger (Bacon) who’s pumping consumers with harmful lifestyle drugs when he isn’t hiring a dim-witted punk band to kill a journalist (Paige) trying to expose him. (A muckraking mentor, seen only at the beginning, is called Mel Ferd, a shout-out to the original Toxie’s name.)

And yet things are also, in Blair’s setup, anchored in emotional sincerity (gasp). Dinklage’s affectingly drawn Winston Goose is no mere browbeaten BTH janitor — he’s a soft-spoken widower struggling to raise a stepson (Jacob Tremblay). Winston has also been diagnosed with a terminal illness and medical insurance won’t cover it. His Kafkaesque phone call about his employee plan is almost too realistic to find funny.

Trying to rob his employer one night with a mop dipped in toxic muck, Winston is shot and thrown into said slop. Instead of killing him, though, it transforms Winston into a disfigured creature (performer Luisa Guerreiro does the post-mutation suit work) with a removable eye, blood running blue, and — in a Tromatic touch — acid for urine. His gory dispatching of criminals notwithstanding, the mop-wielding Toxie becomes a community hero for calling out BTH as “ruiners.” But it also puts a target on his splotchy, misshapen head, especially when Garbinger senses in his nemesis an exploitable biofuel.

Whether poking at superhero cliches (there’s a choice post-credit scene) or trying to be kill-clever, it’s all in dopey, gruesome fun, although, to reiterate, a “Toxic Avenger” even normies can enjoy doesn’t exactly sound like a true Troma tribute. Which may explain why its trashmonger founder (and original “Toxic” co-creator) Lloyd Kaufman’s cameo, late in the film, is him crankily muttering next to Blair, who looks just as peeved. They probably had a blast filming it.