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Chris Evans and Alba Baptista have their first baby together

Chris Evans might need some new superhero gear for his next gig. Perhaps a supercharged stroller?

The Marvel alum, 44, and his wife, Portuguese actor Alba Baptista, 28, on Friday welcomed their first child together in Evans’ home state of Massachusetts, People reported Tuesday. The couple named their newborn daughter Alma Grace Baptista Evans, according to the outlet.

Representatives for Evans and Baptista did not reply immediately Tuesday to The Times’ request for comment.

Evans and Baptista, who began dating around 2021, wed in 2023 in a pair of ceremonies in Cape Cod and Portugal, Evans explained amid much fanfare during a panel that year at New York Comic Con. The couple’s East Coast nuptials were attended by Evans’ fellow Marvel legends Robert Downey Jr. (Iron Man), Chris Hemsworth (Thor), Jeremy Renner (Hawkeye) and Scarlett Johansson (Black Widow), Page Six reported at the time.

During the Comic Con panel, Evans called the festivities “wonderful and beautiful,” but said that he and his belle were happy to be winding down after the whole ordeal.

“Planning a wedding, it’s a lot,” he said. “For those of you who are married, you know, it takes a lot out of you, but now that we’re through that, we’ve just kinda been enjoying life and gearing up for autumn, my favorite season. It’s like the best time of year right now. … Now we’re just relaxing and enjoying life and reflecting.”

Evans last year confided about his aspirations toward fatherhood to “Access Hollywood,” saying he “absolutely” hoped to be a “superhero dad” like his “Red One” co-star Dwayne Johnson.

“The title of ‘dad’ is an exciting one,” the actor said.

Since passing Captain America’s shield to Anthony Mackie in 2019’s “Avengers: Endgame,” Evans has flexed his creative muscles with high(er) brow indies including Celine Song’s buzzy romance “Materialists” and Ethan Coen’s dark detective comedy “Honey Don’t.”

But despite intel from the source himself, Marvel die-hards aren’t buying that Evans’ time with the franchise has come to a close. They’ll know once and for all come December, when “Avengers: Doomsday” hits theaters.

Baptista for her part has tacked several film credits onto to her resume since Netflix canceled her cult-favorite series “Warrior Nun” in 2022. She is notably slated to appear in A24’s upcoming film “Mother Mary,” which will feature original songs by Charli XCX and Jack Antonoff and an ensemble cast including FKA Twigs and Hunter Schafer of “Euphoria” fame.

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‘The Toxic Avenger’ review: A sludgy antihero wants corporate payback

Nostalgia for extreme tackiness is surely one of the funnier outcomes of a cult film’s success. (Does one sigh wistfully at such memories or smile through a grimace?) The gleeful cine-garbage factory Troma is, at 50 years and counting, now a hallowed name in outsider movie circles, with much of its reputation stemming from an ’80s output that seemed appropriate for the Reagan era. That especially goes for its 1984 monster comedy “The Toxic Avenger,” about a head-smashing vigilante forged from green chemical sludge. It was antipollution if you wanted to be charitable, but really, it was anti-everything. Haste plus waste, made for very bad taste.

Now, of course, we all recycle trash in our daily lives. But does it work as a film principle? Troma aficionado Macon Blair, a key on-and-offscreen collaborator of Jeremy Saulnier (“Blue Ruin,” “Hold the Dark”) and a Sundance-winning writer-director in his own right (“I Don’t Feel At Home in This World Anymore”), has taken up the challenge with his own “The Toxic Avenger,” starring Peter Dinklage as this version’s mutant hero, Toxie, and maybe the worst thing one could say about it is that it’s well-made.

Cue the disconnect when, expecting to be offended by garish, cheap filmmaking, one realizes that so much of the Troma style — gratuitous gore, filthy mouths, blunt-force parody — is ubiquitous to any regular genre diet in film or TV. That leaves matters of artistic character and there’s no getting around the fact that Blair has made the conscious decision that his “Toxic Avenger,” though rude, violent and goofy to a fault, wouldn’t look bad. It’s even got appealing stars: Kevin Bacon, Elijah Wood, Taylour Paige. Is nothing sacred?

But when even the biggest-budgeted movies now look terrible, everything’s already upside-down. What Blair has assembled, then, is diverting homage-schlock: a one-joke Halloween costume you’ll never wear again. Only this time, it asserts its environmental consciousness like a middle finger. The story’s Big Pharma outfit, called BTH, is a full-on villainous entity now, run by rapacious CEO Bob Garbinger (Bacon) who’s pumping consumers with harmful lifestyle drugs when he isn’t hiring a dim-witted punk band to kill a journalist (Paige) trying to expose him. (A muckraking mentor, seen only at the beginning, is called Mel Ferd, a shout-out to the original Toxie’s name.)

And yet things are also, in Blair’s setup, anchored in emotional sincerity (gasp). Dinklage’s affectingly drawn Winston Goose is no mere browbeaten BTH janitor — he’s a soft-spoken widower struggling to raise a stepson (Jacob Tremblay). Winston has also been diagnosed with a terminal illness and medical insurance won’t cover it. His Kafkaesque phone call about his employee plan is almost too realistic to find funny.

Trying to rob his employer one night with a mop dipped in toxic muck, Winston is shot and thrown into said slop. Instead of killing him, though, it transforms Winston into a disfigured creature (performer Luisa Guerreiro does the post-mutation suit work) with a removable eye, blood running blue, and — in a Tromatic touch — acid for urine. His gory dispatching of criminals notwithstanding, the mop-wielding Toxie becomes a community hero for calling out BTH as “ruiners.” But it also puts a target on his splotchy, misshapen head, especially when Garbinger senses in his nemesis an exploitable biofuel.

Whether poking at superhero cliches (there’s a choice post-credit scene) or trying to be kill-clever, it’s all in dopey, gruesome fun, although, to reiterate, a “Toxic Avenger” even normies can enjoy doesn’t exactly sound like a true Troma tribute. Which may explain why its trashmonger founder (and original “Toxic” co-creator) Lloyd Kaufman’s cameo, late in the film, is him crankily muttering next to Blair, who looks just as peeved. They probably had a blast filming it.

‘The Toxic Avenger’

Not rated

Running time: 1 hour, 42 minutes

Playing: In wide release Friday, Aug. 29

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‘Avengers: Mightiest Friends’ is Disney Jr.’s next series with Marvel

The Avengers will soon be assembling for a much younger demographic.

Disney Jr. plans to expand its collaboration with Marvel, announcing a new series launching in 2027 titled “Marvel’s Avengers: Mightiest Friends.” It’s a partnership that began in 2021 when Disney Jr. premiered “Spidey and His Amazing Friends,” the first full-length Marvel preschool series, and has expanded to include the upcoming “Iron Man and His Awesome Friends.”

“Disney Jr. are the pros at this age group,” says Brad Winderbaum, head of Marvel Studios television and animation. “‘Spidey and His Amazing Friends’ was our first shot at giving little kids a front-row seat to the Marvel Universe.”

Currently in its fourth season with two additional seasons already greenlit, “Spidey” has been wildly successful. It’s the first Disney Jr. series to run for more than five seasons and is the second most popular streaming series (after “Bluey”) for children ages 2 to 5, according to Nielsen.

“The success of ‘Spidey’ really confirmed we were onto something and proved the demand for superhero stories designed specifically for this age group,” says Alyssa Sapire, head of original programming and strategy at Disney Jr. “It fueled this broader strategy with Disney Jr. and Marvel.”

There’s the Marvel Cinematic Universe (MCU) and now there will be the Marvel Preschool Universe. “Marvel’s Avengers: Mightiest Friends” will feature kid versions of all the MCU characters including Spidey, Iron Man, Captain America, Hulk, Black Panther, Thor and, for the first time, Black Widow. “Avengers are the ultimate learning to play nice story,” Winderbaum says. “It’s endless fun to watch Thor, Widow, Hulk and Cap learn about teamwork. That’s always a fundamental lesson for that group whether it’s in the features or the animated shows.”

Young viewers will get a sneak peek of what’s to come with two “Marvel’s Spidey and Iron Man: Avengers Team Up!” specials. The first 22-minute special premieres Oct. 16 and finds Spidey, Iron Man and all the Avengers stopping Ultron and Green Goblin from their nefarious plans. Another special, this one Halloween-themed, will debut in fall 2026.

“These characters are so timeless and have appealed to audiences across generations,” says Harrison Wilcox, who executive produces all the Marvel preschool series. “What is most important to us is to tell fun, relatable, positive stories that families can enjoy together.”

To that end, next up for Disney Jr. and Marvel is “Iron Man and His Awesome Friends” which will premiere Aug. 11 on Disney Jr. and stream on Disney+ on Aug. 12. Tony Stark and his alter ego, Iron Man, were the natural choice for the next MCU character to get the preschool treatment. “‘Iron Man’ was the film that launched our studio,” Winderbaum says. “We love the idea that a young audience who wasn’t around in 2008 can be introduced to Marvel through a character at the core of Marvel history.”

This series finds Tony Stark (Iron Man) and his best friends Riri Williams (Ironheart) and Amadeus Cho (Iron Hulk) working together to solve problems, like a villain intent on stealing everyone’s toys.

“Tony Stark is very relatable and aspirational,” says Wilcox. “He didn’t stop until he found a way to protect the entire universe. We wanted three kids that were distinct from each other but also shared some certain qualities. They’re all very intelligent. They’re all tech savvy. They all want to use their brains to make the world better.”

The trio works out of Iron Quarters (IQ) with Vision as their de facto supervisor. “We thought it would be nice to have someone who could sort of act as the caretaker of our kids,” Wilcox says of including the beloved android in the series. “We wanted our audience to know that these characters were loved and supported. Even though they have superpowers, someone’s looking out for them.”

Each superhero also brings something new for the young audience to connect to. One thing that will separate the upcoming “Iron Man” series from “Spidey” is that Iron Man doesn’t have a secret identity. Everyone knows Tony Stark is Iron Man. “We saw there was this differentiation we could really lean into,” Sapire says. “They’re real kids who use their ingenuity and smarts for the good of the community.”

When bringing these characters to the under 5 set, every detail matters. “Even in this Marvel superhero space, we’re always tapping into that preschool experience,” Sapire says. “We take the responsibility to entertain naturally curious preschoolers very seriously. When we have their attention, we want to honor that time with them with stories that inspire their imaginations and bring that sense of joy and optimism.”

They approach the legendary Marvel villains with care as well. “Iron Man” features Ultron (voiced by Tony Hale), Swarm (Vanessa Bayer) and Absorbing Man (Talon Warburton). “You have to make sure the villain is not sympathetic,” Wilcox says. “But also not frightening. We rely heavily on our partners at Disney Jr. for that and their educational resource group, which provides us a lot of feedback to make sure our preschool audience is engaged in the story and they feel the stakes of the story, but they are still watching in a comfortable space.”

While all the series remain true to the overall MCU, they don’t get too tied up in what is and isn’t canon. “These shows are about what makes each character tick, more than the lore that surrounds them,” Winderbaum explains.

And, like in the movies, the superheroes will make mistakes. “Marvel does not put their characters up on a pedestal,” Wilcox says. “We want our characters to reflect real people in the real world. So that’s always been important to us is that there’s a certain level of relatability. Everyone can see a part of themselves in a Marvel hero and learn and grow just like our characters do.”

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‘Fantastic Four’ post-credits scenes, ‘Doomsday’ connections explained

This story contains spoilers for “The Fantastic Four: First Steps.”

Marvel’s First Family has finally made its formal MCU debut, which means it’s time to engage in everyone’s favorite tradition: breaking down the movie’s post-credits teases to suss out what’s next.

Directed by “WandaVision” helmer Matt Shakman, “The Fantastic Four: First Steps” introduces audiences to Reed Richards (Pedro Pascal), Sue Storm (Vanessa Kirby), Ben Grimm (Ebon Moss-Bachrach) and Johnny Storm (Joseph Quinn). The movie, which officially opens Friday, pits the quartet of superpowered astronauts against Galactus (Ralph Ineson), a cosmic entity with an insatiable hunger for planets.

As the title teases, “First Steps” marks the beginning of Phase 6 of the Marvel Cinematic Universe, which will culminate with a pair of massive “Avengers” crossover films.

Like most MCU installments, “The Fantastic Four: First Steps” features multiple post-credits stingers. The first, which is shown midway through the end credits, sets up the superhero team’s next big adventure.

The mid-credits scene takes place four years after the Fantastic Four’s showdown with Galactus. It shows Sue sitting on a couch, reading a story to her and Reed’s son, Franklin Richards. After finishing the book, she steps away to grab another, turning down robo-assistant H.E.R.B.I.E.’s suggested title. Sensing something is wrong, Sue starts charging her powers. She rounds the corner to check on Franklin and finds a mysterious cloaked figure interacting with her child.

While his face is not shown, his green cloak and the mask he is holding make it clear to fans familiar with their Marvel lore that this is Doctor Doom.

This marks the first appearance of the iconic villain in the MCU. The character, also known as Victor von Doom, made his comic book debut in “Fantastic Four” No. 5 (1962) and has been a foe of Marvel’s First Family ever since. In the comics, the character is both a scientific genius and a sorcerer hailing from the fictional country of Latveria. (The name of the country is briefly shown in “Fantastic Four: First Steps.”)

Vanessa Kirby's Sue Storm holds her baby in "The Fantastic Four: First Steps."

Sue Storm (Vanessa Kirby) and her son, Franklin (Ada Scott), in “The Fantastic Four: First Steps.”

(Marvel Studios)

Doom’s introduction into the MCU has been highly anticipated since Marvel Studios’ presentation last year at San Diego Comic-Con. Among the major announcements was that the fifth “Avengers” film had been retitled “Avengers: Doomsday” and that “Iron Man” actor Robert Downey Jr. would be returning to the franchise as Doctor Doom.

While Doom’s exact interest in Franklin is not revealed, it’s easy to assume that the child’s powers would be appealing to a supervillain. This encounter also hints at the reason why the Fantastic Four eventually make their way to the universe where the rest of the MCU heroes reside.

“First Steps” is set on Earth-828 — a tribute to “Fantastic Four” co-creator Jack Kirby, who was born Aug. 28, 1917 — a retrofuturistic world in a separate corner of the Marvel multiverse. But the “Thunderbolts*” post-credits scene shows the Fantastic Four’s spacecraft Excelsior appearing in their world on Earth-616. Could Doom have kidnapped young Franklin and taken him to an alternate universe? Whatever the reason, Samuel Sterns’ warning from the “Captain America: Brave New World” post-credits scene was apt: The multiverse is coming.

Fans might wonder how the “Fantastic Four” post-credits scene might have played out had the studio not altered its original plans to feature Kang the Conqueror as the franchise’s next big bad. In the comics Kang and Franklin are part of the same family tree so it’s easy to imagine him as the surprise interloper Sue sees. Either way, a magical nanny might have been helpful. (Marvel Studios pivoted from its original plan after Kang actor Jonathan Majors was convicted on assault and harassment charges in 2023.)

The second “Fantastic Four: First Steps” credits scene is shown after the full credits roll and serves more as a fun bonus and tribute to the eponymous superhero team’s animated past.

“Avengers: Doomsday,” hitting theaters Dec. 18, 2026, will be a massive MCU crossover featuring members of the Fantastic Four, the Thunderbolts/New Avengers and more. Confirmed “Doomsday” cast members include veteran “Avengers” stars Chris Hemsworth (Thor), Anthony Mackie (Sam Wilson/Captain America), Sebastian Stan (Bucky Barnes), Paul Rudd (Scott Lang/Ant-Man) and Tom Hiddleston (Loki), as well as Florence Pugh (Yelena Belova), David Harbour (Alexei Shostakov/Red Guardian), Lewis Pullman (Bob Reynolds), Wyatt Russell (John Walker) and Hannah John-Kamen (Ava Starr/Ghost).

Up next for the MCU is “Wonder Man,” a series starring Yahya Abdul-Mateen II that will debut on Disney+ in December. The next Phase 6 film is Marvel and Sony’s “Spider-Man: Brand New Day,” slated for a July 2026 release.

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‘Avengers: Doomsday,’ ‘Avengers: Secret Wars’ new release dates set

The Avengers will return slightly later than expected.

Disney is pushing back the release dates of its next two “Avengers” movies. “Avengers: Doomsday” is now slated to hit theaters Dec. 18, 2026, and “Avengers: Secret Wars” will be released Dec. 17, 2027. Both films were previously planned for May in their respective years.

Marvel Studios initially unveiled “Doomsday,” its fifth “Avengers” film, at San Diego Comic-Con in July. The movie marks the return of Marvel Cinematic Universe stalwarts Anthony and Joe Russo — who previously directed “Captain America: The Winter Soldier” (2014), “Captain America: Civil War” (2016), “Avengers: Infinity War” (2018) and “Avengers: Endgame” (2019) — as well as “Iron Man’s” Robert Downey Jr., as new villain Doctor Doom.

In March, Marvel revealed, in a five-plus hour livestream, 27 members of the “Doomsday” cast, which includes veteran “Avengers” stars Chris Hemsworth (Thor), Anthony Mackie (Sam Wilson/Captain America), Sebastian Stan (Bucky Barnes), Paul Rudd (Scott Lang/Ant-Man) and Tom Hiddleston (Loki), as well as “Thunderbolts*” (a.k.a. New Avengers) actors Florence Pugh (Yelena Belova), David Harbour (Alexei Shostakov/Red Guardian), Lewis Pullman (Bob Reynolds), Wyatt Russell (John Walker) and Hannah John-Kamen (Ava Starr/Ghost).

“Doomsday” will also feature members of the MCU’s newest superhero team, the Fantastic Four. Pedro Pascal (Reed Richards), Vanessa Kirby (Sue Storm), Joseph Quinn (Johnny Storm) and Ebon Moss-Bachrach (Ben Grimm) will make their debut in the upcoming “The Fantastic Four: First Steps,” which bows in theaters July 25. “First Steps” will mark the beginning of the MCU’s Phase 6. For now, Sony and Marvel’s “Spider-Man: Brand New Day” is the only MCU film expected to be released between “First Steps” and “Doomsday” on July 31, 2026.

The MCU’s Phase 5 will officially conclude on TV with the upcoming series “Ironheart,” which premieres June 24 on Disney+.

Amid the “Avengers” release date shuffle, Disney also revealed that its “The Devil Wears Prada” sequel, which will reportedly see Meryl Streep’s Miranda Priestly navigating the decline of magazine publishing (too real, says this reporter), is scheduled to open May 1, 2026, while Ridley Scott’s adaptation of the post-apocalyptic “The Dog Stars” will hit theaters March 27, 2026.

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