author

Across five novels and three story collections, Lauren Groff has merged wide-screen history with intimate stories about women seeking and confronting power, including in her latest spirited — and triumphant — release “Brawler.” Along the way, Groff has become the rare literary-fiction author who’s a mainstay on the bestseller lists, and a three-time National Book Award finalist as well. On Tuesday, she’ll discuss her work at a Vroman’s Bookstore event at Pasadena Presbyterian Church with Danzy Senna, acclaimed author of “Colored Television” and other novels.

If you’re new to her work, here is where to start with Groff’s sprawling canon, which spans from steamy Florida swamps to medieval abbeys with a gift for the unexpected.

“The Monsters of Templeton: A Novel” by Lauren Groff

(Grand Central Publishing)

“The Monsters of Templeton” (2008): Groff’s debut novel pays tribute to her hometown of Cooperstown, N.Y., featuring baseball lore, a strange aquatic creature and a young woman investigating her family history. It’s overstuffed but establishes some of her key themes: broken families, mythology and everyday misogyny.

“Delicate Edible Birds and Other Stories” by Lauren Groff

(Grand Central Publishing)

“Delicate Edible Birds” (2009): Groff’s first story collection includes “L. DeBard and Aliette,” an off-kilter love story set during the 1918 flu pandemic that caught the attention of her longtime agent, Bill Clegg. Groff’s skill at historical detail is on fine display here, shifting from the World Wars to the present day, with particular sensitivity to the ways characters evolve over decades.

“Arcadia: A Novel” by Lauren Groff

(Grand Central Publishing)

“Arcadia” (2012): Groff’s breakthrough novel features a lead character, Bit, facing two forms of pressure: First, a New York ’60s hippies commune that slowly fails to live up to its values, then a near-future America ravaged by climate change. Deftly written, funny and spiky, it showcases Groff’s ability to conjure storms both internal and external.

“Fates and Furies: A Novel” by Lauren Groff

(Riverhead)

“Fates and Furies” (2015): Groff’s masterpiece upends the familiar domestic novel, studying the fracturing marriage between Lotto, a successful playwright, and Mathilde, his seemingly devoted spouse. Through some inventive structures and a playful rewiring of romantic tropes going back to Homer, Groff stitches together a portrait of a marriage that she then carefully unravels. As one character puts it: “Marriage is made of lies. Kind ones, mostly.”

“Florida” by Lauren Groff

(Riverhead)

“Florida” (2018): Set in Groff’s adopted home — she owns a bookstore called The Lynx Books in Gainesville, Fla. — her second story collection is concerned with troubling ferality. Here, snakes hiss, as do catcalling men, girls are abandoned, hurricanes blow through. Myth and metaphor still abound, but they’re more rooted in the everyday reality of a troubled parcel of the country.

“Matrix” by Lauren Groff

(Riverhead)

“Matrix” (2021): The first of a planned trilogy of historical novels, “Matrix” is set in an English abbey in the 12th and 13th centuries. Marie, who becomes the prioress of the abbey at 17, begins a rise to power — or as much power as a woman is permitted — using her fellow nuns to fight off political and violent incursions. The theme and premise owe much to Margaret Atwood, but Groff’s gift for the long view is wholly her own.

“The Vaster Wilds,” by Lauren Groff

(Riverhead)

“The Vaster Wilds” (2023): The New World of the 17th century, in all its beauty and violence, is the setting for her latest novel, a potent study of a young woman who escapes the safety of her British settlement and sets forth on a solo trek toward Canada. Dangers are ever-present, but the novel is a study in unsentimental indomitability, as the hero reckons with the elements and her past on her way to a heartbreaking coda.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

Our present podcast era has bred a new generation of interlocutors from the public sphere, veteran interviewees turned journalists. Harper Simon is among the many pro musicians who have taken on the role of insatiably curious interrogator. The singer-songwriter, who is the son of Paul Simon, has made four solo albums and toured the country both as a solo artist and sideman, but it wasn’t until he was tapped by music manager Michael Lustig in 2016 to host an internet series called “Talk Show” that Simon found his new avocation.

The cream of Simon’s interviews have now been collected in “Thinking Out Loud,” which is published by L..A. imprint Hat & Beard Press. I chatted with Simon about the art of the interview, Pink Floyd and Ed Snowden.

✍️ Author Chat

I have found that people who have been interviewed a lot are good at interviewing others. They know how to avoid the banal and obvious questions.

I’m not a trained journalist, so the conversations were closer to what Andy Warhol’s “Interview” magazine used to be. More of a casual back-and-forth, rather than me trying to ask questions or having someone promote their product. So the book is really a combination of folks that I’ve known my whole life and others that I just asked to interview.

Interviewing public figures can be a very stilted experience. And then you wind up not getting much of anything.

Interviews with journalists are a funny thing. There is always this weird, uncomfortable hierarchical relationship, where the journalist might feel superior, or the subject feels that way. It creates this strange imbalance. The journalist might feel the need to wrest some hot information from the subject, or find some aha moment and then the subject gets their guard up. I feel like the interviews in my book are very relaxed. You’re going to get some truth, even if it’s a modest truth. There were some interviews I left out of the book because the subjects seemed too media trained or too guarded.

Some of your interviewees, like Eric Idle and Buck Henry, are people you’ve known your entire life, having grown up with your dad in that kind of very stimulating artistic milieu. Does that help or hurt?

I think I might get better material from folks like that. There’s a warmth there, but I’m also a huge fan of their work, so I want to hear about Eric Idle’s work with Monty Python, or Buck Henry hosting “Saturday Night Live.” There are still plenty of stories that I’ve never heard.

Harper Simon, the artist and son of Paul Simon, has released three solo albums and toured the country. His latest project is a collection of interviews.

(Demme)

Someone like Pink Floyd’s David Gilmour has been interviewed hundreds of times in his career. What is there left to ask?

It’s kind of like my father, where the legacy is so familiar and well-known, what is there left to be said? What is there left to say about “Dark Side of The Moon”? But it turned out to be a really good interview. He had some great things to say about [Pink Floyd founder] Syd Barrett, how Gilmour felt like the other members had behaved callously towards him at times. He also speaks with great warmth about his own family.

Harry Dean Stanton is in the book, and I have to empathize. He was by far the most difficult interview subject I’ve ever had to deal with. A man of few words.

It’s funny, because I wound up doing some projects with Harry Dean, like this big tribute event to help raise money for Vidiots in Eagle Rock, but even after all of that, we didn’t get any closer. He was a very hard person to know.

You interviewed James Woolsey, and you guys were definitely not on the same page, but the tone remains civil. Don’t you think it’s important to have a reasoned discourse with someone you don’t agree with politically?

Absolutely, but that was one that definitely became contentious at times. James Woolsey had been the former head of the CIA under Clinton. So I came into the interview feeling very outgunned. I’m not a trained political journalist. But somehow I had gotten it in my head that I was Abbie Hoffman and he was J. Edgar Hoover or something. This was 10 years ago, and Edward Snowden was the big story in the news. So I led with that, and Jim Woolsey, being a good CIA man with very strong convictions, felt that Snowden was a traitor. But then he said he would like to see him hung by his neck, which felt aggressive. Then things really went off the rails when we somehow got locked into a discussion about Israel and Palestine. I remember him saying to me, “You’re just parroting the talking points of the Muslim Brotherhood.” Now I found those words echoing in my thoughts when I listen to some people discuss the current situation. I respected him and enjoyed the conversation but it was intense. I thought I held my own reasonably well but he was a tough guy to get in the ring with.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

“‘Second Skin’ is more sociological than sexy; more anthropological than animalistic,” writes Meredith Maran.

(Los Angeles Times illustration; book jacket from Catapult)

Meredith Maran thinks Anastasiia Fedorova’s book “Second Skin” does a great job of busting open the taboo of what is commonly regarded as deviant sexual desire. The book “advocates for a person’s right to like what they like and to get it consensually,” writes Maran.

Victoria Lancaster has a chat with Emily Nemens about her new novel “Clutch” and the challenges of writing about midlife among a clutch of close female friends. “I was cognizant of balance and understanding the lazy-Susan of it,” says Nemens. “Making sure I was spinning all the way around the table and touching each piece in each storyline.”

Two new novels about game-changing women in history — Janet Rich Edwards’ “Canticle” and Paula McLain’s “Skylark” — find favor with Bethanne Patrick. What these books “get right about their very different heroines and time periods is that change doesn’t happen overnight. … [But] change can and does happen, one determined woman at a time.”

Finally, on the occasion of the new screen adaptation of “Wuthering Heights,” six authors weigh in on their love of Emily Brontë’s enduring romance novel.

📖 Bookstore Faves

Skylight Books on Vermont is a staple of the Los Feliz literati.

(Joel Barhamand/For the Times)

Let us praise Skylight Books, which for over 30 years has remained a pillar of its Los Feliz community, with the main shop and the arts annex just a few doors away from each other on Vermont Boulevard. Store manager Mary Wiliams tells us what her customers are sweeping off the shelves right now.

What is selling right now?

“Vigil” by George Saunders is our biggest seller right now. Aside from that, it seems like great recent fiction in paperback is dominating the bestseller list — “Rejection” by Tony Tulathimutte, “The City and Its Uncertain Walls” by Haruki Murakami, “Martyr!” by Kaveh Akbar, and “All Fours” by Miranda July all are books that keep on selling really well for us, month after month.

Do you sell more fiction than nonfiction, or is it a tie?

We sell a good amount of both, but fiction is the bigger seller. Especially literary fiction, which is our bread and butter. On the nonfiction front, “Everything Now” by Rosecrans Baldwin is a perennial bestseller out of our Regional section — it’s a great collection of essays about Los Angeles. And everything Patti Smith touches turns to gold, so her book “Bread of Angels” is also a hit here.

Your arts annex is unlike anything else in L.A. I suppose there is still a market for cool periodicals and expensive art books that the internet hasn’t knocked out?

Our goal with the annex is for it to be a place of discoverability — where you can find the weird cool art book, comic or magazine you didn’t know you needed. We hope even our customers who are well-versed in art books find something new every visit. A fair amount of what we carry isn’t widely available online in the U.S., so when we put it on our website in our Annex Picks section and advertise it in our newsletter, we get orders from around the country.

Skylight Books in Los Angeles is located at 1818 North Vermont Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Michael Silverblatt, the longtime host of the KCRW radio show “Bookworm” — known for interviews of authors so in depth that they sometimes left his subjects astounded at his breadth of knowledge of their work — has died. He was 73.

Silverblatt died Saturday at home after a protracted illness, a close friend confirmed.

Although Silverblatt’s 30-minute show, which ran from 1989 to 2022 and was nationally syndicated, included interviews with celebrated authors including Gore Vidal, Kazuo Ishiguro, David Foster Wallace, Susan Orlean, Joan Didion and Zadie Smith, the real star of the show was the host himself, the nasal-voiced radio personality who more than once in life was told he did not have a voice for his medium.

His show represents one of the most significant archives of conversations with major literary powerhouses from the late 20th and early 21st centuries.

But Silverblatt knew that he was as much a character as the people he interviewed.

“I’m as fantastical a creature as anything in Oz or in Wonderland,” he said during a talk in front of the Cornell University English department in 2010. “I like it if people can say, ‘I never met anyone like him,’ and by that they should mean that it wasn’t an unpleasant experience.”

Born in 1952, the Brooklyn native learned to love reading as a child when he was introduced to “Alice’s Adventures in Wonderland.” Neighbors would see him walking the streets of Brooklyn with his head in a book and would sometimes call his parents out of fear he might get hurt.

But until he left home for the University at Buffalo, State University of New York, at the age of 16, Silverblatt has said, he had never met an author.

His college, however, was filled with such famous authors as Michel Foucault, John Barth, Donald Barthelme and J.M. Coetzee, who were all working as professors.

Silverblatt was shy and too embarrassed to speak during class because of his inability to clearly pronounce the letter “L,” which appears three times in his own name. Yet he considered the authors to be his friends, even if they did not know it yet, he said during the Cornell talk.

He would approach them after class to speak about their work.

Despite his interest in literature, Silverblatt’s parents wanted him to become a mail carrier, he said. The summer after his freshman year, Silverblatt worked a New York City mail route, delivering letters to the mayor’s mansion on an Upper East Side route that took him past numerous old bookstores and used-books shops. During that job, he said in the Cornell talk, he purchased the complete works of Charles Dickens.

Silverblatt moved to Los Angeles after college in the mid-1970s and worked in Hollywood in public relations and script development.

Like many young writers in Los Angeles, he wrote a script that never got made.

It was in Los Angeles that Silverblatt met Ruth Seymour, the longtime head of KCRW.

Seymour had just returned to the United States from Russia and was at a dinner party where everyone was discussing Hollywood. There, she and Silverblatt became immersed in a one-on-one discussion of Russian poetry.

“He’s a great raconteur and so the rest of the world just vanished,” Seymour told Times columnist Lynell George in 1997. “Afterward I just turned and asked him: ‘Have you ever thought about doing radio?’”

For the next 33 years, that’s exactly what he thought about.

“Michael was a genius. He could be mesmerizing and always, always, always brilliant,” said Alan Howard, who edited “Bookworm” for 31 years.

“It’s an extraordinary archive that exists, and I don’t think anyone else has ever created such an archive of intelligent, interesting people being asked about their work,” Howard said. “Michael was very proud of the show. He devoted his life to the show.”

Silverblatt once dreamed of being on the other side of the microphone, as a writer in his own right, Howard said. But he faced bouts of writer’s block through his 20s and gave up writing.

“Eventually, he came to find peace with the reality of that,” Howard said.

Instead of writing, he became an accumulator of a vast amount of other writers’ work — in his library as well as the repository in his head. He had an incredible memory for the books he read.

Silverblatt converted the apartment next to his Fairfax apartment into a library where he kept thousands of books, Howard said.

“It was heaven,” he said. “It was a fabulous library.”

“He was such a singular person,” said Jennifer Ferro, now the president of KCRW. “He had a voice you would never expect would be on radio.”

Alan Felsenthal, a poet who considered Silverblatt a mentor, called Silverblatt’s voice “sensitive and tender.”

Felsenthal said the show was about creating a space of “infinite compassion,” where writers could share things they might not share in everyday conversation.

“Michael was one of a kind, truly singular. And his voice is too,” Felsenthal said.

One of the most important tenets of Silverblatt’s approach was that he not only read the book he was discussing on his show that day, but also read the entire oeuvre of the authors he interviewed.

“A significant writer would come in and be bowled over by Michael’s depth of vision of the work at hand,” Howard said.

David Foster Wallace, in one interview, said he wanted Silverblatt to adopt him.

Silverblatt said he strove to read an author’s entire body of work, but he never claimed to have read it all if he hadn’t.

“In general I try to read the author’s complete work. … That’s not always true, and I never say it if it isn’t true. But more often than not, I have, at least, read the majority of the work. And sometimes it’s a superhuman challenge,” he said in the 1997 Times column.

The voracious reader said that the best books, those that brought him happiness, were not the ones that ease our way in this strange and difficult world.

“The books I love the most made it harder for me to live,” he said.

Silverblatt is survived by his sister, Joan Bykofsky.

With his six-volume magnum opus “My Struggle,” Karl Ove Knausgaard became one of Europe’s most acclaimed contemporary novelists.

At once epic and intimate in scope, the books used the raw material of Knausgaard’s life to answer questions about male identity, the obligations of fatherhood and marriage, and what it takes to become a serious artist. In his new novel, “The School of Night,” Knausgaard further explores the mysteries of artistic greatness, using as his template Christopher Marlowe’s 16th century play “Doctor Faustus.” Knausgaard sets his story in mid-1980s London, where two aspiring photographers named Kristian and Hans try to find their footing in the art world.

I spoke to the Norwegian writer about the devil, photography and Radiohead.

✍️ Author Chat

Your novel’s plot and characters are based on Christopher Marlowe’s 16th century play “Doctor Faustus,” which is about a scholar who sells his soul to the devil. Was this something you’ve been thinking about for a while?

I read Thomas Mann’s novel “Doctor Faustus” when I was 19 and it made a big impression on me. It’s been with me ever since then. The devil theme has hovered over some novels I’ve written, so it remained, and then I wanted to set this novel in London, where I now live, and where Marlowe was murdered. I wanted all of this in the background, but I didn’t know how to use it. That came during the writing.

The two young artists in “The School of Night” are photographers, an art form that has long been associated with the occult and summoning the unseen world. One thinks of the spirit photography trend of the 19th century in England.

I wrote about the first photograph in the novel, shot by Daguerre in 1848. I have it on my wall in my office. It’s a Paris street, which I find very unsettling and spooky, because even though it’s daytime there are no people on the street because the exposure was too slow to capture them. There’s just this lone figure, in the center of the frame who looks like the devil. I find it intriguing that the devil might have been present when the first photograph was taken.

Karl Ove Knausgaard, one of Europe’s most acclaimed contemporary novelists, sets his newest novel, “The School of Night,” in mid-1980s London.

(Solve Sundsbo for D2)

I think one of the reasons for the enduring appeal of the Faust legend is, if given the chance, most people would sell their souls for success, especially artists.

I think you’re right. And it is also a way of explaining something that is really mysterious, how a kind of normal, maybe even mediocre person could achieve something great overnight. When I was 19, I could have cut off my left arm to just have a book published. And when I wrote “My Struggle,” I was so frustrated in my writing, I was willing to go to extremes, to just make something happen. And then I didn’t think much about that when I wrote “The School of Night.” But it’s all kind of obvious to me afterwards that I use that feeling of doing something I really shouldn’t, and I could have stopped, but I still did it.

To your point: Kristian, your protagonist, has an artistic breakthrough when he photographs a dead cat that he has boiled. I guess my question is: A boiled cat?

Oh, that’s just due to the way I write. I never know what’s going to happen in a book. He’s starting to think about inner structures that keep up life somehow. And then, he thinks, how could he take photos of that? Well, maybe a cat. And then you have to practically get a cat. And then it’s like 25 pages of me describing how to boil a cat. I never planned it, you know.

Do you not outline your novels beforehand?

No, never, I’ve never done that. I do really try to be present and see what happens there. And then there will always be consequences of the choices you make, and that will eventually be the novel. And in this case, the character is different from me, so his choices will be different, and that creates a different trajectory, really.

Your characters are music obsessives in ways that only men in their 20s can be: curating their record collections, and so on.

When I was young, music really meant almost everything to me. When I was 15, I went to a local newspaper and asked to review records for them. And I had my own radio show. I’m not obsessed anymore, but I did see Radiohead at the O2 Arena recently. They are the last band I really wanted to see, and it was absolutely fantastic. I had tears running down my cheeks.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

George Saunders’ new novel might be the dark humor read you need right now, writes Robert Allen Papinchak.

(Los Angeles Times photo illustration; cover from Riverhead Books)

George Saunders has published a new novel called “Vigil,” and Robert Allen Papinchak is besotted by it, calling it a “virtuoso achievement, an immersive experience for the reader.”

Nathan Smith had a Zoom chat with author Martha Ackmann about her new Dolly Parton biography, “Ain’t Nobody’s Fool,” and got the lowdown on how Parton’s fixation with over-the-top wigs began. “Her promotions man happened to be dating an actress who had a big part in the television series ‘Mr. Ed,’ ” Ackmann tells Smith. “This actress took her around, showed her L.A. and they went to the Max Factor store and tried on wigs.”

In an excerpt from this new book, “Football,” Chuck Klosterman makes a case for America’s favorite sport as best viewed in the privacy of our living rooms. “It’s not just that you can see a game better when you watch it on television,” he writes. “Television is the only way you can see it at all.”

Finally, Bethanne Patrick gives us the lowdown on the must-read books of February.

📖 Bookstore Faves

Fear not, grown-ups: Our kids are not digital zombies just yet. In fact, children’s bookstores are thriving in Los Angeles. Children’s Book World is the largest independent bookstore of its kind in the city, with over 80,000 titles for sale. The store is a wonderland of printed matter for kids, with readings, book clubs and even musical performances. I spoke with the store’s manager Brien Lopez to get the lowdown on what our kids are reading.

What’s selling right now?

T.Z. Layton’s “The Academy” series, which is about a global soccer competition for tweens, is one of our best sellers. This series has lots of boys who were not avid readers becoming strong fiction readers because they are about a subject they love and they are really fun reads.

What kind of YA books are popular right now?

For our particular store we sell lots of sunshine romance particularly targeted to new teens like Lynn Painter’s books, as well as both mysteries and suspense thrillers like Jennifer Lynn Barnes’ “Inheritance Games” series. Dystopian sci fi is also popular, like Soyoung Park’s “Snowglobe” duology.

Who are the popular authors?

We just had a 2,000-person event with Dav Pilkey for his new “Dog Man” book and how he gets kids excited about books and reading just can’t be underestimated. We also had big events with beloved authors Katherine Applegate, Stuart Gibbs and Max Brallier. Middle grade fiction and graphic novels are very popular at our store.

Are kids still interested in books, despite all the distractions in their lives?

Kids definitely are interested in books if they are allowed to read about subjects they enjoy and books they love. The moment you tell a child there is a good book versus a bad book to read you have stopped that kid’s reading journey in its tracks. Let kids read the books they love and they will do it for a lifetime.

Children’s Book World in Los Angeles is located at 10580 1/2 W. Pico Blvd.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Writer Neil Gaiman denied sexual misconduct allegations first brought forth against him over a year and a half ago in a statement released Monday.

Gaiman, the bestselling fantasy author behind “The Sandman” comic books, and novels and shows “American Gods” and “Good Omens,” called the allegations, which emerged in the summer of 2024, a “smear campaign” that are “simply and completely untrue.”

“These allegations, especially the really salacious ones, have been spread and amplified by people who seemed a lot more interested in outrage and getting clicks on headlines rather than whether things had actually happened or not,” Gaiman wrote.

Five women first accused the 65-year-old British author of sexual misconduct in the summer of 2024, appearing in the Tortoise Media podcast “Master: The Allegations Against Neil Gaiman.” The women claimed Gaiman had them call him “master” during their alleged sexual encounters.

Eight women then accused the author of assault, abuse and coercion in an article published by New York magazine just over a year ago.

Scarlett Pavlovich, Gaiman’s former nanny, filed a lawsuit against the author and his estranged wife Amanda Palmer, almost exactly a year ago, accusing the couple of human trafficking. She alleged that she was brutally and repeatedly raped and sexually assaulted by Gaiman while working for the couple without pay.

“Gaiman repeatedly physically and emotionally abused Scarlett, raping her vaginally and anally, humiliating her, forcing her into sexual conduct in front of Gaiman’s child, and forcing her to touch and lick feces and urine,” the complaint states. Gaiman called Pavlovich “slave” and ordered her to call him “master,” the complaint states.

The abuse took place while Pavlovich was providing babysitting services for the couple in New Zealand in 2022, according to the suit.

All other allegations against the author stemmed from the 1990s to 2022, when he was living in the United States, Britain and New Zealand.

The author has sold more than 50 million copies of his books worldwide, and many have received film and television adaptations over the years. His work drew a large female readership, typically uncommon for comic-book writers. The allegations clashed with the self-proclaimed feminist writer’s public persona.

Gaiman has spent the last year out of the spotlight, after publishing company Dark Horse Comics cut ties with him shortly after the New York magazine article was published. Gaiman was also dropped from various film and TV adaptations of his work, including the final season of Amazon’s “Good Omens” and the streamer’s new “Anansi Boys” TV series.

He was also left out of press for the final season of Netflix’s “The Sandman” last year and Disney halted development of “The Graveyard Book” months after the initial allegations.

The author last publicly addressed the allegations a day after the New York magazine article was released, and wrote he had stayed quiet “both out of respect for the people who were sharing their stories and out of a desire not to draw even more attention to a lot of misinformation.”

At the time, Gaiman wrote that he “could have and should have done so much better,” admitting that he “was obviously careless with people’s hearts and feelings, and that’s something that I really, deeply regret. It was selfish of me. I was caught up in my own story and I ignored other people’s.”

Gaiman’s most recent statement comes just days after an unidentified Substack user who goes by TechnoPathology posted the latest in a series of articles over the last year defending the fantasy author.

Gaiman claimed he hasn’t been in contact with the anonymous poster but would “like to thank them personally for actually looking at the evidence and reporting what they found, which is not what anyone else had done.”

He said “the actual evidence was dismissed or ignored” by most reporting, including “mountains” of “emails, text messages and video evidence that flatly contradict” the claims.

The author also announced in the statement that he’s been working on a book throughout the “strange, turbulent and occasionally nightmarish year and a half.” The project is his longest since the 450-plus-page “American Gods,” he said.

“It’s a rough time for the world,” Gaiman wrote. “I look at what’s happening on the home front and internationally, and I worry; and I am still convinced there are more good people out there than the other kind.”

Demond Wilson, who was best known for playing Lamont Sanford, the son of Redd Foxx’s character on the 1970s TV show “Sanford and Son,” died in his sleep at his home in the Coachella Valley on Jan. 30. He was 79.

Wilson’s publicist, Mark Goldman, confirmed that he died from complications related to cancer.

“Demond was surrounded by love throughout his final days,” Goldman said in a statement. “A devoted father, actor, author, and minister, Demond lived a life rooted in faith, service, and compassion. Through his work on screen, his writing, and his ministry, he sought to uplift others and leave a meaningful impact on the communities he served.”

Demond Wilson attends the 2016 Chiller Theater Expo at the Parsippany Hilton in New Jersey on April 22, 2016.

(Bobby Bank / WireImage)

Grady Demond Wilson was born in Valdosta, Ga., on Oct. 13, 1946, and grew up in New York City. His mother, Laura, was a dietitian, and his father, Grady Wilson, was a tailor. Wilson learned tap dance and ballet and appeared on Broadway at just 4 years old. After serving in the Army from 1966 to 1968 in Vietnam, where he was wounded, he made his TV debut in 1971, playing a burglar alongside Cleavon Little in Norman Lear’s sitcom “All in the Family.” That role led to his casting in “Sanford and Son” in 1972, which was notable at the time for having a nearly all-Black cast.

Redd Foxx, left, broods next to Demond Wilson about one of the 3,000 pieces used on the “pleasantly junky” set of “Sanford and Son.”

(NBC)

Although “Sanford and Son” was his most famous role, Wilson also appeared in “Baby, I’m Back,” “The New Odd Couple” and “Girlfriends.” His last TV appearance was in “Eleanor’s Bench” in 2023.

Despite his success, Wilson left acting, sold his Bel-Air mansion and Rolls-Royce and became an interdenominational preacher in 1983.

The change was not surprising given his background. “I was raised a Catholic, was an altar boy, and at 14 I seriously considered becoming a priest,” Wilson told The Times in 1986. When he was 12, his appendix ruptured and he nearly died, leading him to promise to serve God as an adult. “I was always aware that God was the guiding force in my life,” he said.

Disillusioned with Hollywood, Wilson moved his wife and children to what he jokingly called a “respectable, Republican, upper-middle-class” neighborhood in Mission Viejo. He wanted his five children at the time to have “normal childhoods.” “We’ve left the rat race and false people behind,” he said.

Wilson was also an author. He published “The New Age Millennium: An Exposé of Symbols, Slogans and Hidden Agendas” in 1998, and his autobiography, “Second Banana: The Bittersweet Memoirs of the Sanford & Son Years,” in 2009. He also wrote 11 children’s books.

Wilson is survived by his wife, Cicely; his six children, Nicole, Melissa, Christopher, Demond Jr., Tabitha and Sarah; and his two grandchildren, Madison and Isabella.

The stunning circular walking trail, perfect for a relaxed day out, is believed to have inspired one of the most famous authors of our time — and it’s right here in the UK.

A breathtaking walking route in Lancashire boasts an incredibly famous link to a bestselling author and has formed the inspiration behind a mammoth blockbuster film trilogy.

It’s well known that JRR Tolkien drew inspiration from Lancashire’s spectacular countryside whilst penning The Lord of the Rings, which was clearly reflected in his portrayal of Middle Earth. For decades, countless visitors have travelled from across the globe to trace the footsteps of the legendary fantasy writer.

During World War Two, Tolkien and his spouse frequently stayed at a guesthouse within Stonyhurst College’s grounds, where their son had allegedly been evacuated. This timeframe coincided with his writing of The Lord of the Rings, reports Lancs Live.

He’s believed to have sought refuge in Hurst Green village in the Ribble Valley, whose verdant and enchanting environment directly shaped The Lord of the Rings as well as his children’s fantasy tale The Hobbit.

Indeed, devotees of The Hobbit will recognise that Hobbiton and the Shire drew their inspiration from Hurst Green’s magnificent rural splendour and neighbouring regions.

The terrain surrounding Stonyhurst College also appears within Tolkien’s bestselling novels, and there’s even a complete 5.5 mile circular route called the Tolkien Trail which guides walkers through numerous locations they’d encounter referenced – or directly inspired by – in Tolkien’s masterpieces.

Renowned for his passion for woodland scenery and the natural world, several names and locations in Tolkien’s Lord of the Rings bear striking resemblance to those found in reality around Hurst Green, including Shire Lane and the River Shirebourn, which shared its name with the very family who owned the Stonyhurst estate.

Tolkien is famously reported to have devoted considerable time ‘in a classroom on the upper gallery of Stonyhurst College’ crafting Lord of the Rings.

The Tolkien Trail itself is packed with historic sites, each more captivating than the previous. Beginning and concluding near the Shireburn Arms – a celebrated gastro pub in Hurst Green – the approximately five-and-a-half-mile Tolkien Trail guides walkers through breathtaking vistas.

The Shireburn Arms itself is a 17th-century establishment which has preserved many of its period features. Celebrated for its cuisine, this independent pub features a welcoming fireplace in the public room – particularly popular with visitors during the colder months.

The Tolkien Trail guides walkers past Stonyhurst College and the historic yet famous Cromwell’s Bridge, named after Oliver Cromwell.

Initially built in 1562, Cromwell is believed to have led his forces across the ancient bridge whilst travelling from Walton-le-Dale to participate in the 1648 Battle of Preston.

The Tolkien Trail also leads visitors past Hacking Hall – a 17th-century, Grade I listed Jacobean residence located near where the River Calder meets the River Ribble. Despite being privately-owned, it remains a beloved landmark amongst walkers, particularly those who have embarked upon the Tolkien Trail.

Tolkien’s Trail also guides adventurers through verdant fields and agricultural pathways, offering hikers classic Ribble Valley countryside panoramas.

Additional remarkable features along the route include a 19th-century observatory, the 18th century Hodder Place – a former educational establishment that initially functioned as a mill owner’s home – alongside a partially-medieval barn.

Peaceful waterside sections and endless vistas of the Bowland Area of Outstanding Natural Beauty (AONB) render the Tolkien Trail an ideal ramble for those seeking to undertake a relaxed stroll.

Between two and a half to three hours represents an appropriate timeframe to dedicate to this historical walking route.

Delighted visitors have flocked to Tripadvisor to praise the trail, with one writing: “The Tolkien Trail is a scenic 5.5-mile walk through the beautiful Ribble Valley, offering lush woodlands, riverside paths, and peaceful countryside.

“Inspired by J.R.R. Tolkien’s time at nearby Stonyhurst College, the trail is easy to follow and perfect for a relaxed day out. The mix of history and nature makes it a must for Tolkien fans and casual walkers alike. A great spot for a picnic with magical views!”.

Meanwhile another hiker said: ” Loved the walk. Great views and stunning scenery. Can understand this would inspire the imagination. Easy recommend.”

One visitor said: “The views and the surrounding area are exactly what you want on a walk, fresh air and green spaces with rolling hills and the rivers to marvel at too.”

How to get there

The village of Hurst Green is located approximately 5 miles west of Clitheroe and nine and a half miles northeast of Preston. Limited car parking is available in the village.

Regular bus services also operate between Clitheroe, Preston, and Whalley, stopping at Hurst Green.

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