austin

The catalog of unrequited hopes and hearts is a long one.

Captain Ahab went mad in his vengeful search for “Moby Dick.” Jay Gatsby’s ostentatious fortune failed to win the love of Daisy Buchanan. Charlie Brown never kicked the football.

Then there’s Texas, the land of broken Democratic dreams.

It’s been half a century since the party carried Texas in a presidential election. The last time Democrats won a statewide office, back in 1994, “The Lion King” was smashing box office records, Boyz II Men ruled the radio and the World Wide Web was about to change everything.

As Texas grew increasingly Republican, and politically beyond reach, Democrats insisted every election year was the one when they’d end their futility and take back power in either Washington or Austin, the state capital.

It never happened.

But is this, finally, the year?

With Ken Paxton stomping incumbent John Cornyn on Tuesday in a fierce and astronomically expensive U.S. Senate primary, many Democrats believe so — and even neutral observers agree they’ve been handed their best shot at resurrection in a good while.

“Paxton is going to be a much tougher guy [for Republicans] to haul over the finish line five months from now as opposed to Cornyn, who never lost an election until this one,” said Richard Murray, an emeritus political science professor at the University of Houston, who spent decades surveying Texas voters. “We’re looking at a very expensive, hard-fought race.”

Paxton, Texas’ three-term attorney general, is a singularly flawed candidate. Indicted, impeached, accused by his ex-wife of adultery, the GOP nominee is, to put it mildly, “an ethically challenged individual,” as the famously understated (and concerned) Republican Maine Sen. Susan Collins put it.

But Paxton was the choice of President Trump — he, too, of impeachment, indictment and adulterous infamy — and that settled that.

Trump described Cornyn, a four-term senator and former justice of the Texas Supreme Court, as a “good man” but insufficiently supportive when “times were tough.” Among those occasions of abandonment, Cornyn voted to certify the incontrovertible result of the 2020 presidential election, thwarting Trump’s bid to illegally stay in office.

The Democratic nominee for U.S. Senate is James Talarico, 37, a state representative from Austin and a Presbyterian seminarian and former public schoolteacher who’s built a nationwide following with his articulate and scriptural takedown of Republican foes. Imagine Beto O’Rourke with a clerical collar and capacity to mint money.

In 2018, O’Rourke came from seemingly nowhere and nearly upset Republican Ted Cruz in the closest Texas Senate race in decades. Before that it was the filibustering Wendy Davis who fired up Democratic imaginations nationwide. She commandeered the floor of the state Senate to briefly block antiabortion legislation — This is the year! — before falling well short in a 2014 bid for governor.

The key difference this time, with all due credit to Talarico and his prodigious fundraising, is his damaged-goods opponent. Normally, all it takes to win in Texas is a Republican ‘R’ beside a candidate’s name. But polling suggests a not-insignificant number of GOP voters could have a hard time supporting Paxton, which doesn’t necessarily mean they’ll back Talarico. They may simply not vote in the Senate race, which could be nearly as costly.

(The counterargument is that Paxton, a martyred hero to the MAGA movement, could boost turnout among the party base at a time Trump is leaking support within the establishment GOP.)

Either way, the president’s me-first political self-indulgence is not making things any easier for his fellow Republicans as they fight to hang on to control of the House and Senate in November.

In the 2022 midterm election, Trump boosted a batch of unappealing misfits — their sole attribute being their fealty to him — with poor results. Republicans lost eminently winnable Senate contests in Arizona, Georgia, New Hampshire and Pennsylvania and, with it, their chance at control of the chamber.

Even if Paxton prevails in November, Trump’s endorsement could prove quite costly to the GOP, and not just in the figurative sense.

Democrats need a gain of four seats to flip the Senate. To do so, they must successfully defend seats in Georgia, Michigan, Minnesota and New Hampshire and then pick up at least four others from a menu that includes Alaska, Iowa, Maine, Montana, Nebraska, North Carolina, Ohio and, now, Texas.

It’s a considerable reach. But Democratic chances look a lot better than they did just a few months ago, before Trump mired the country in an Iranian quagmire and the price of gas and just about everything else began to sail through the ceiling.

Holding on to Cornyn’s seat will end up costing Republicans a kingly sum — money that “can’t be spent in two places at the same time,” as Matt Mackowiak, a longtime Texas GOP strategist and advisor to Cornyn’s campaign, noted. “It can go either to Michigan, New Hampshire, Georgia, Iowa, Alaska. Or it can go here to Texas, which is extremely expensive.”

Odds are against Talarico and Democrats winning the Senate race in November, because Texas remains, fundamentally, a Republican and conservative-leaning state. Paxton may win for that reason and that reason alone.

“This is as good an environment as Democrats are going to get realistically,” said Jim Henson, head of the Texas Politics Project at the University of Texas in Austin, who’s witnessed many highly touted Democrats fail in a blaze of unwarranted hype. “But when you start doing the math, it’s a little bit hard to see it all adding up.”

Which is not to say it can’t happen.

Truth, as the saying goes, can be stranger than “Moby Dick” or any other fiction.

Cailee Spaeny looks at Charles Melton, her co-star on the Netflix limited series “Beef,” asking for help. “Wait a minute … how long were we attached?” Melton smiles and reaches for her hand. “We’ve been attached our whole lives.”

Have they? Given how they tease and finish each other’s sentences, it sure feels that way. Spaeny and Melton were cast as Ashley and Austin, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility, a good 18 months before filming began in early 2025. To cement their bond, Spaeny, who hails from Missouri, and Melton, an Army brat who considers Kansas home, decided to return to their Midwestern roots, round up their families and go to a Kansas City Chiefs football game just before Christmas.

At one point, Spaeny looked over to see her brother-in-law having a heart-to-heart with Melton’s dad. They were crying. After the game, they all went out for barbecue. Melton surprised his dad with a gift — a truck.

“That was very sweet and emotional,” Spaeny says of the day. “There’s a lot of filling in the blanks when your families are from the same part of the country. They’re down-to-earth, churchgoing families. It felt easy. We’re cut from the same cloth.”

When the Palisades and Eaton fires delayed the start of filming, Spaeny and Melton decamped to Solvang, rented an Airbnb with some friends and continued what Spaeny calls their “weird prep” for playing the series’ besotted couple. They cooked dinners together, played games and even watched “Riverdale,” the CW series that catapulted Melton to fame a decade ago.

“We also watched ‘Wicked’ too many times,” Spaeny, 27, says.

“You were singing a lot,” Melton, 35, tells her.

“I don’t think I sang once,” Spaeny counters.

“Oh she did,” Melton says. “She’s a singer. Sing for us.”

“Guys, what are we doing?” Spaeny says, burying her head in her hands.

Whatever it is, we’re not stopping. We have, as Melton notes much to Spaeny’s chagrin, “caught a vibe.”

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You two represent different generations …

Melton: What? Excuse me?

Charles, you’re a millennial. Cailee is Gen-Z.

Spaeny: Oh my God. You’re so Gen-Z coded.

Melton: I’m a zillennial.

Spaeny: Did you feel like there was an age gap between us?

Melton: I feel like we’re the same age. You know I’m an old soul. My exterior is just goofy. Cailee is wise beyond her years.

What’s the biggest difference between the two generations?

Melton: I think the generations are more alike than different. As a millennial and zillennial, I’ve done my share of weird self-diagnosing.

Spaeny: TikTok therapy for sure. Holding onto words that make us feel more seen through the internet. The comment “I just read the headline. I need to start reading the articles.” It’s sad but it’s true. And I think everyone does it.

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1. Charles Melton. 2. Cailee Spaeny. (Erik Carter / For The Times)

Do you relate to your characters’ Gen-Z resentment that previous generations screwed them over? “Everyone grabbed the bag before we could.”

Spaeny: There was a time when having a house by your 30s was guaranteed. Now, you’re having to choose whether you want to have children or stay afloat in your career. We’re all riddled with this feeling of the life we feel we deserve …

Melton: And what will make us happy. Ashley gets the promotion. But the social climb is never enough. It’s “if you do this thing, you’ll get the this thing.”

Spaeny: It’s the constant chase.

You’ve both defied the odds and enjoyed successful careers as actors. Can you be content and sit with that?

Spaeny: We try. But it also feels like it’s set up in a way where you can’t sit. You have to look for the next thing because if you wait, people will get bored with you. You’ll book a job and hopefully it pays well and then you might not work again for two years. It’s easy to be in a place of desperation. Actors are also naturally people-pleasers. So, unfortunately, I think it was too easy for us to relate to our characters.

Melton: Maybe part of your question, which led to your beautiful answer, is: Where’s acceptance? I’m a father now. Sometimes, I’m super tired, but the best thing is I get to read to my kid. Looking at life through a place of abundance … but that can be a tough thing to do.

Spaeny: It’s not just the entertainment industry. I go back home and I’m with my sister, who is an amazing mother and soccer mom. And you can feel that itch inside of people back home too. Have I done enough for my children? Do I need to go to more soccer tournaments? Am I going to church enough?

Melton: It’s everywhere. And under the umbrella of class and healthcare and how expensive everything is, it’s tough. The bill we had just to have a baby was so ridiculous.

Spaeny: Oh yeah. My favorite line in “Beef” was, “Do you know the 16-piece meal at KFC is $52.99 now?” That sums it up.

(Erik Carter / For The Times)

I looked that up. It’s true, though you can get the 16-piece chicken-only meal for about $37.

Melton: But you can’t just eat the chicken. You have to have the sides and biscuits, right?

How about Austin’s line: “All we need is each other … and the beach.”

Melton: That’s what I love about Austin, this optimism but considered to be naivete. Really, at the end of the day, I’ll look at my partner and I’ll look at my daughter and be like, “This is absolutely all I need.”

Spaeny: [Sighs] I would love to get to that point.

Melton: But then to put food on the table, you’re required to do things that take you away from the things that you say are all you need.

Spaeny: The great thing about this show is that it’s zeroing in on everyday impossibilities of life, the things that should be so simple, but drive us all up the wall.

You both talk about Midwest sensibility. Do your roots help ground you?

Spaeny: I just got back from home last night, and I always feel a layer gets peeled off when I’m there. With work, I’m always on edge and trying to hold onto this thing that could be taken away from me any day. When I go back home, I feel like it can really be that simple. But it doesn’t last. That’s the problem. The itch comes back.

There’s nothing wrong with a little ambition.

Spaeny: I’m finding ambition more and more unattractive these days. Maybe that’s me just getting older and wanting more outside of the job.

Melton: We’ve talked about this. If we’re always going from one thing to the next, how can I bring the humanity and soul of my life into my work? If I had my way, I’d take three to six months off between jobs just to live and put my feet on the grass. Cailee and I connect in many ways. I love your determination and drive and passion for the work. Some people want to act like they don’t care, but I think it’s cool to care.

Timothée Chalamet does too, but he got flack for saying that out loud, that he “wanted to be one of the greats.”

Melton: I thought that was f— awesome. You want to be great? We all do.

Spaeny: It’s what every actor is thinking except they’re feigning …

Melton: We love Chalamet over here.

Spaeny: Maybe he didn’t say all the right things, but that speech, that’s why we’re in the building.

Melton: It’s very much the athlete’s mentality. Like Deion Sanders is one of the greatest of all time. “You look good, you feel good, you play good.”

It’s OK for an athlete to say that, but if an actor does, the world gives them grief.

Melton: That kind of sincerity is the default in Kansas and Missouri. You know, growing up as an athlete, I was pretty good. I ran the 100-meter dash in 10.9 seconds. Make sure you write that in. [Laughs] You have to have a vision. And the artists that speak on that vision, that’s awesome. Visualization is essential. I wouldn’t be here talking with one of my best friends and one of the greatest actresses ever …

Spaeny: What are you doing?!?

Melton: I’d rather give you flowers all day than talk about what I think. All that to say is that I wouldn’t be doing this if I did not have vision when I was in Kansas to leave with $500 in my pocket, 60 cans of chicken noodle soup and 60 cans of tuna. You have to dream.

Spaeny: A dollar and a dream!

I’ve got to ask. Sixty cans of chicken noodle soup on a road trip? Do you just pop the top and down it cold?

Spaeny: Great question.

Melton: I’d just take off the top and lay it in the sun for two or three hours and it’s good to go.

Spaeny: Please stop.

Melton: OK. I’d just dip my finger in it and because I’m so hot, it just boils.

Spaeny: You see what I’m saying? He’s such a dad.

(Erik Carter / For The Times)

May 18 (UPI) — Authorities said Sunday night that officers arrested three teenagers, ending a weekend shooting spree through southern Austin that left four people wounded, including one critically.

The shootings began Saturday afternoon, with the first calls to police recorded at about 3:45 p.m. CDT. A shelter-in-place order was issued amid the shootings and was lifted shortly before 4:30 p.m. Sunday.

At least 12 separate shootings, mostly in south Austin, were recorded in the crime spree, according to authorities, who said at least two separate fire stations were struck, as were several buildings and homes.

Authorities had been searching Sunday for a stolen white Kia in connection with the shootings. When police pulled it over, three people exited the vehicle and ran. Officers pursued and arrested two suspects — identified as a 15-year-old and a 17-year-old — at the scene, authorities said.

The Manor Police Department announced later Sunday that the third suspect, identified as a Hispanic male in his mid-to-late teens, had been apprehended.

Austin Police Chief Lisa Davis told reporters during a press conference held Sunday night prior to the third arrest that police had been searching for the 15-year-old and 17-year-old and were unsure of the third suspect’s involvement.

Davis described the gunmen as firing indiscriminately from a stolen vehicle that would be abandoned, followed by the theft of another vehicle. More than four vehicles were stolen during the spree, she said.

“And so a motive? I don’t know what a motive is. I don’t know what motive would drive anybody to come and drive around senselessly in the city and in multiple parts of the city shooting,” Davis said.

The investigation began when police were notified of a stolen vehicle from an apartment complex, followed by the alleged theft of a firearm by the 15-year-old from a gun store, Davis said. The 17-year-old was also wanted in connection with an earlier firearm theft from the same store, she said.

“At that point, we were not aware that these two cases were connected. What transpired after that was an estimated of 20 service calls related to these individuals, predominantly in south and east areas of Austin,” she said.

The identities of the victims have not been disclosed.

Davis said a woman was shot from a moving vehicle as she was speaking to another person on Saturday. On Sunday, a man was shot in the back while walking his dog.

All four victims, three with non-life-threatening injuries, were transported to local trauma centers, authorities said.

There was a moment when the Lakers were humming along near the end of the NBA’s regular season, when they went 16-2 in the month of March as Luka Doncic, Austin Reaves and LeBron James found their groove together as a dynamic threesome.

But on April 2 at Oklahoma City, Doncic (Grade 2 left hamstring strain) and Reaves (Grade 2 left oblique muscle strain) went down with injuries and it was left to James to lead the group.

James did, leading the Lakers past the Houston Rockets in the first round of the Western Conference playoffs. Reaves joined James in Game 5 of that series and the two of them led the charge into the Western Conference semifinals against the Thunder, a series in which Los Angeles got swept, 4-0.

Through it all, Doncic was and still is the center of the Lakers’ universe.

So with James and Reaves looking at free agency, Lakers president of basketball operations and general manager Rob Pelinka said Tuesday at the team’s exit interviews that the organization wants both players back to team up with Doncic.

James, 41 and in his 23rd season, made $52.6 million last season but will be a free agent this offseason, when he can retire, return to the Lakers or play for another team.

“I think in terms of LeBron, we probably haven’t seen a player that has honored the game to the extent that he’s honored the game. He’s given so much to his teammates, to this organization,” Pelinka said. “And the thing we want to do more than anything else is honor him back. And I think the first order of business there is allowing him to spend the time he needs to decide what his next steps are.

“Does he want to play another year in the NBA? And that’ll be, as he said to you guys last night, family time [and] I think time with his inner circle. And we just want to honor that for him. Of course, any team, including ours, would love to have LeBron James on their roster. That’s a blessing in itself just with what he does.”

Reaves is expected to opt out of his contract that will pay him $14.8 million next season and become a free agent. The Lakers can pay Reaves the most, a maximum deal of $241 million over five years, with a starting salary of about $41.5 million next season. Reaves could sign with another team that has cap space, but that deal would be for four years and about $178 million.

“He started his journey here as a Laker and has made it very clear to us that he wants his journey to continue as a Laker,” Pelinka said. “And we feel the same way. We want his odyssey to continue to unfold in the purple and gold. As you know, there’s rules and timing to all of that, but I think both sides have made it abundantly clear that we want to work something out where he continues his prolific career here.”

The Lakers have their star in Doncic and will collaborate with him going forward.

He led the NBA in scoring (33.5 points per game), was third in assists (8.3) and was a most valuable player candidate.

Doncic, who missed the last five regular-season games and all of the playoffs, signed a three-year extension last summer for $165 million.

The Lakers want to build on that.

“He’s an incredible partner,” Pelinka said of Doncic. “His basketball IQ on the court is something we get to see as fans. [Lakers coach] JJ [Redick]) and I get to see his basketball knowledge in terms of other players in the league and the way he wants to play and who he wants to play with.

“His knowledge-base is vast and so those collaborations with him are really inspirational. He also does it in a way that he wants to do his job great, and he wants to let JJ do his job great and let me do my job great. So, they really are productive conversations through that lens.”

OKLAHOMA CITY — Austin Reaves has officially entered the Lakers’ postseason chat. It might still be too little, too late.

The Lakers guard responded to his worst playoff performance with his best, recording a playoff career-high 31 points Thursday in the Lakers’ 125-107 loss to the Oklahoma City Thunder at Paycom Center.

But against the powerful Thunder, Reaves didn’t get a chance to punctuate his comeback night with any emphatic celebration. He instead ended the game in a heated conversation with officials, surrounded by almost all of his teammates as the Lakers felt they were battling the referees and the Thunder in equal measure.

Reaves’ game-high scoring effort wasn’t enough to fend off the relentless defending champions that had six players score in double figures, including three with 20 or more points. Shai Gilgeous-Alexander and Chet Holmgren each had 22 points for the Thunder, who take a 2-0 lead as the best-of-seven series turns to Los Angeles for Game 3 on Saturday.

With Luka Doncic sidelined because of a hamstring injury that is expected to keep him out for three more weeks, the Lakers are still outmanned in the Western Conference semifinals despite Reaves’ recent return. He rushed back from a Grade 2 left oblique strain in time to play in the Lakers’ first-round series but has struggled to find his rhythm after a month-long absence.

He shot a dreadful three for 16 from the field in Game 1 against the Thunder, finished with only eight points and missed all five of his three-point shots. Including his two first-round games, Reaves had missed 14 consecutive three-pointers entering Game 2.

Criticism of Reaves dominated social media after Game 1. The 27-year-old guard is due for a new contract this summer that would solidify his status as one of the sport’s star players. A slow start to these playoffs and last year’s postseason struggles made Reaves an online punching bag for fan frustrations.

But the low-key Reaves is “one of the least chronically online NBA players there is,” Lakers coach JJ Redick said before the game. The extent of Reaves’ social media usage is his long-time friend Trent Swaim posting golfing videos on the duo’s “Hillbilly Bogey” accounts and Reaves asking his representatives to post sponsored content for his endorsement deals.

He doesn’t need to troll internet comments to fuel his game. Reaves can do that on his own.

Lakers guard Austin Reaves, center right, talks with referee John Goble, center left, after the team’s loss in Game 2 on Thursday night in Oklahoma City.

(Nate Billings / Associated Press)

“He’s got a great sense of self-accountability to where he’s his own worst critic,” Redick said before the game, “and he’s going to hold himself to a standard of how he wants to play.”

Reaves drove aggressively into the paint early Thursday, tying the score 16-16 in the first quarter on a three-point play after the Lakers erased an early seven-point deficit. He had 13 points in the first half as the Lakers took a one-point lead into the locker room. He scored or assisted on the Lakers’ first 11 points of the third quarter as the team built a five-point lead with 8:35 to go in the third.

“That’s what we need Austin to be,” guard Luke Kennard said. “Even though he missed some shots last game, he was aggressive and he just got back into it. … I know a lot of people can think it’s easy to just come back and play a basketball game but at this level, what he’s done last series and now, it’s impressive. We need him to continue to be aggressive. He’s such a good teammate, easy to play with. It’s good to see him have a really good game and, hopefully gives him confidence going into the next one.”

The Lakers need to play near-perfect basketball to have a chance to knock off the defending champions. The Thunder took a 2-0 series lead against the Lakers despite relatively quiet performances from Gilgeous-Alexander. The reigning most valuable player had 18 points in Game 1 and was limited to less than 28 minutes Thursday because of foul trouble.

When Gilgeous-Alexander picked up his fourth foul with 10:34 remaining in the third quarter Thursday, the Thunder trailed 66-61. They didn’t need their star to rip off a 27-19 run to finish the quarter and take a commanding 13-point lead into the fourth.

The Lakers had seven turnovers during the decisive stretch. Reaves had five of the Lakers’ 21 total giveaways and the miscues turned into 26 points for the Thunder, who led the league in points off turnovers during the regular season.

“It starts with the turnovers,” Reaves said. “I think you’re not going to be perfect; you’re going to have turnovers. Just trying to eliminate the live-ball turnovers where they get easy fast-break layups or threes or dunks.”

Lakers lose to Rockets

From Broderick Turner: An hour before tip-off of Game 5 of the first-round playoff series against the Houston Rockets, the word came down that Austin Reaves was available to play for the Lakers, his wait over, his time away with a Grade 2 left oblique strain no longer an issue for him.

Reaves missed the first four games of the series against Houston and the last five regular-season games after sustaining the injury in Oklahoma
City on April 2. He checked into the game off the bench with 5 minutes and 39 seconds left in the first quarter to a standing ovation.

Reaves proceeded to give the Lakers a lift, but the Rockets received even more elevated play , their five starters scoring in double figures and their defense on point during Houston’s 99-93 win over Los Angeles on Wednesday night at Crypto.com Arena.

Even with Reaves scoring 22 points and handing out six assists and LeBron James producing 25 points and seven assists, the Lakers couldn’t close out this best-of-seven series they once had total command of just a few days ago.

The Lakers have lost the last two games and their once 3-0 lead heading to Houston with their lead down to 3-2.

“I mean, we don’t have a lot of time to dwell on it,” James said. “I mean, you can give yourself tonight, a little bit tomorrow. But … once we get on that plane and head down to Houston we got to forget about it and understand what we are going for and it’s going to be even harder.

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Lakers box score

NBA playoffs schedule

Lakers playoff schedule

First round
All times Pacific

at Lakers 107, Houston 98 (box score)
at Lakers 101, Houston 94 (box score)
Lakers 112, at Houston 108 (box score)
at Houston 115, Lakers 96 (box score)
Houston 99, at Lakers 93 (box score)
Friday: Lakers at Houston, 6:30 p.m., Prime Video
*Sunday: Houston at Lakers, TBD

*-if necessary

Dodgers lose to Marlins again

From Kevin Baxter: Wednesday was getaway day for Dodgers, the final game of a six-game homestand ahead of a weeklong trip to St. Louis and Houston. And that’s a good thing, first baseman Freddie Freeman said, because there are a number of players on the team that really could use a getaway, Freeman chief among them.

With Wednesday’s 3-2 matinee loss to the Miami Marlins, the Dodgers (20-11) have lost two in a row at home for the first time this season. In those two games the Dodgers scored just three runs, went four for 18 with men in scoring position and left 16 runners on base.

And the final outs Wednesday came when Freeman, batting with the bases loaded and one out, grounded into a bizarre, unassisted double play with Marlins second baseman Xavier Edwards fielding the ball, tagging Shohei Ohtani as he ran him back to first, then dragging his foot across the bag to retire Freeman.

“I hit it right at the second baseman. He tagged Ohtani and tagged first,” Freeman offered in an accurate, if hardly revelatory explanation.

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Dodgers box score

MLB standings

Angels lose to White Sox again

Rookie Sam Antonacci hit a tying triple with two outs in the ninth inning and Colson Montgomery had a winning single in the 10th, lifting the Chicago White Sox to a 3-2 victory Wednesday for a three-game sweep that extended the Angels’ losing streak to six.

Mike Trout hit his 10th home run of the season for the Angels, who have lost 10 of 11 and dropped to 12-20. Additionally, Angels starter Yusei Kikuchi left after two innings with left shoulder tightness.

Kikuchi gave up no runs on two hits and a walk with one strikeout before exiting. His average fastball velocity dropped from 94.9 mph in the first inning to 92.8 mph in the second.

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Angels box score

MLB standings

Who is the Kentucky Derby favorite?

From Jay Posner: This year’s Kentucky Derby field does not appear to have a true standout. But it could have a star.

If that sounds illogical, trainer Chad Brown, who will start Emerging Market in a bid to win his first Derby, can explain.

“There’s clearly a couple horses that are deserving favorites in the race, but there’s by no means an American Pharoah in here, at least up to this point going into the race,” Brown said, referencing the 2015 Triple Crown champion. “Now, you know, whoever wins the race and goes on, maybe one emerges and turns into one of the best 3-year-olds in the last few years.”

That’s what happened last year, when Sovereignty, the third betting choice in the race, progressed from a Derby win to victories in the Belmont and Travers and was voted Eclipse Award for Horse of the Year.

This year’s field is so deep, Brown said, that an argument could be made “for maybe half the horses in the field, if they ran their very, very best race and had a good trip, could win this race.”

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Sparks to retire a number

From Marisa Ingemi: The Sparks will retire former player DeLisha Milton-Jones’ No. 8 jersey on July 28 when the team hosts the New York Liberty as a part of the WNBA’s 30th anniversary celebration.

A three-time All-Star, Milton-Jones played 11 years for the Sparks, helping lead them to back-to-back titles in 2001 and 2002.

“It’s like one of those moments where it’s Christmas, and you’re anticipating getting a gift and when the day finally is here, that feeling you can’t even describe is rather euphoric and nostalgic all at the same time, and it brings a peace about you in a way that you can’t explain,” Milton-Jones said. “Because you put so much time, energy and effort into everything that you did in that moment in your life, and now to be rewarded in this manner is just pretty big.”

Milton-Jones will be the fourth Sparks player to have her number retired after Lisa Leslie (No. 9), Penny Toler (No. 11) and Candace Parker (No. 3).

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NCAA men’s tournament could expand

From Steve Henson: Ever-growing power conferences are the driving force behind an impending expansion of the NCAA men’s and women’s basketball tournaments, which ESPN reported could be formalized within weeks and begin next season.

The field would grow from 68 teams to 76 that would include eight additional at-large teams in each tournament. The current First Four — eight teams playing four games — would expand to 12 games played by 24 teams at two sites on the first Tuesday and Wednesday of the tournament. The traditional 64-team bracket would begin Thursday as usual.

Mid-majors likely are tempering any celebration. The change might not mean more invitations to the Big Dance for underdogs because the NCAA and its media partners favor large, established schools with large, established fan bases for viewership and revenue.

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Ducks playoffs schedule

All times Pacific

at Edmonton 4, Ducks 3 (summary)
Ducks 6, at Edmonton 4 (summary)
at Ducks 7, Edmonton 4 (summary)
at Ducks 4, Edmonton 3 (OT) (summary)
at Edmonton 4, Ducks 1 (summary)
Thursday: Edmonton at Ducks, 7 p.m., TNT, truTV, HBO Max, KCOP-13
*Saturday: Ducks at Edmonton, TBD

*-if necessary

This day in sports history

1961 — LPGA Titleholders Championship Women’s Golf, Augusta CC: Mickey Wright wins her 5th major title by 1 stroke from Patty Berg & Louise Suggs.

1962 — LPGA Titleholders Championship Women’s Golf, Augusta CC: Mickey Wright wins her 8th major title in a playoff with Ruth Jessen.

1971 — The Milwaukee Bucks become the second team to register a four-game sweep in the NBA championship, beating the Baltimore Bullets 118-106.

1975 — Larry O’Brien is named the NBA’s third commissioner, following J. Walter Kennedy (1963-75) and Maurice Podoloff (1946-63). O’Brien holds the position until 1984.

1976 — Muhammad Ali wins a unanimous 15-round decision over Jimmy Young in Landover, Md., to retain his world heavyweight title.

1985 — NFL Draft: Virginia Tech defensive end Bruce Smith first pick by Buffalo Bills.

1987 — NY Islander Mike Bossy plays his final game.

1992 — The Red Wings and Canucks become the ninth and 10th teams in NHL history to rebound from 3-1 deficits to win playoff series. Detroit beats the Minnesota North Stars 5-2 in the Norris Division, while Vancouver defeats the Winnipeg Jets 5-0 in the Smythe Division.

1993 — Top-ranked Monica Seles is stabbed during a changeover in Hamburg, Germany. Guenter Parche, 38, reaches over a courtside railing and knifes Seles in the back. She has an inch-deep slit between her shoulder blades and missed the remainder of the 1993 season.

2005 — James Toney outpoints John Ruiz to win the WBA heavyweight title in New York. Toney, a former champion at three other weights, wins his third heavyweight bout, becoming the third one-time middleweight champion to take boxing’s top crown.

2010 — Tiger Woods matches the worst nine-hole score of his PGA Tour career and winds up with a 7-over 79 to miss the cut at the Quail Hollow Championship. Woods finishes at 9-over 153, the highest 36-hole total of his career. It’s the sixth time in his 14-year career he misses a cut.

2012 — Manchester City defeat Manchester United 1-0 in what is claimed to be the biggest match in the English Premier League’s history.

2014 — Anze Kopitar scores the tiebreaking goal late in the second period and Jonathan Quick makes 39 saves to cap the Kings’ comeback from three games down with a 5-1 victory over the San Jose Sharks in Game 7 of the first round. This is the fourth time an NHL team won a best-of-seven series after losing the first three games.

2015 — For the first time in 51 years, the NFL draft returns to Chicago. Florida State’s Jameis Winston is selected by Tampa Bay as the first selection.

2023 — Seattle Kraken become first NHL franchise to earn its first-ever playoff series win against reigning Stanley Cup champion, eliminating the Colorado Avalanche in seven games.

Compiled by the Associated Press

This day in baseball history

1903 — The New York Highlanders won their home opener at Hilltop Park, 6-2 over Washington.

1919 — Philadelphia’s Joe Oeschger and Brooklyn’s Burleigh Grimes pitched complete games in a 9-9, 20-inning tie. Both teams scored three runs in the 19th inning. Oeschger gave up 22 hits and walked five, while Grimes allowed 15 hits and walked five.

1922 — Charlie Robertson of the Chicago White Sox pitched a 2-0 perfect game against the Detroit Tigers. Johnny Mostil, playing left field for the only time, made two outstanding catches.

1923 — The New York Yankees sign 20-year-old prospect Lou Gehrig to a contract paying him a salary of $2,000 and a bonus of $1,500.

1940 — James “Tex” Carleton of the Brooklyn Dodgers threw a 3-0 no-hitter at Cincinnati.

1944 — In the first game of a doubleheader split, New York first baseman Phil Weintraub drove in 11 runs and player-manager Mel Ott scored six runs as the Giants beat the Brooklyn Dodgers 26-8. Brooklyn won the nightcap 5-4.

1946 — Bob Feller struck out 11 New York Yankees en route to his second of three career no-hitters, a 1-0 victory at Yankee Stadium.

1952 — Ted Williams plays his final game before leaving for military duty in Korea.

1958 —Ted Williams of the Boston Red Sox became the 10th major leaguer to reach 1,000 extra-base hits in a 10-4 loss to the Kansas City Athletics at Fenway Park.

1961 — Willie Mays of the San Francisco Giants hit four home runs and drove in eight runs in a 14-4 victory over the Braves in Milwaukee. Hank Aaron hit two homers for the Braves.

1967 — Steve Barber and Stu Miller of the Baltimore Orioles combined on a no-hitter in a 2-1 loss to the Detroit Tigers in the first game of a doubleheader.

1969 — Jim Maloney of the Cincinnati Reds struck out 13 en route to a 10-0 no-hitter over the Houston Astros, the third of his career.

1986 — The Seattle Mariners strike out 16 more times in a 9-4 loss to the Boston Red Sox, to set a major league record of 36 strikeouts in two consecutive games.

1988 — New York and Cincinnati hooked up in a wild game at Riverfront Stadium, with the Mets winning 6-5 on a delayed call by first base umpire Dave Pallone. The call resulted in a $10,000 fine and 30-day suspension of Reds manager Pete Rose when Pallone accidentally poked Rose in the cheek and Rose shoved Pallone twice.

1994 — Toronto’s Joe Carter finished April with 31 RBIs to set a major league record for the month. Colorado’s Andres Galarraga finished with 30 to set a National League record.

1996 — Jeff King of the Pittsburgh Pirates becomes the third major leaguer to hit two home runs in one inning twice in his career.

2000 — Randy Johnson of the Arizona Diamondbacks defeats the Chicago Cubs, 6-0, as he becomes only the third pitcher in major league history to win six games in April.

2002 — Al Leiter cruised through seven three-hit innings in the New York Mets’ 10-1 rout of Arizona to become the first pitcher to beat all 30 teams in the majors.

2005 — Major league players are asked by Commissioner Bud Selig to agree to a 50-game suspension for the first offense, a 100-game suspension for the second offense and a lifelong ban after the third offense for the use of steroids.

2008 — Julio Franco announces his retirement as a player at age 49.

2012 — Ryan Braun hit three homers and a two-run triple in Milwaukee’s 8-3 win over San Diego. No player had hit three homers and a triple in a game since Fred Lynn in 1975.

2017 — Anthony Rendon had 10 RBIs, three home runs and six hits, powering the Washington Nationals past the New York Mets 23-5. Rendon went a career-best 6 for 6 and scored five times.

2019 — CC Sabathia becomes the 17th pitcher to reach 3,000 strikeouts.

2020 — The latest event to be cancelled due to the ongoing global coronavirus pandemic is the annual Little League World Series.

2022 — Clayton Kershaw becomes the Dodgers’ all-time franchise leader for strikeouts when he fans Spencer Torkelson of the Tigers in the 4th inning. With 2,697 strikeouts, he moves past Hall of Famer Don Sutton.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Less than four weeks after suffering a Grade 2 left oblique muscle strain, Austin Reaves is closing in on a return with the Lakers in position to clinch a spot in the Western Conference semifinals.

Reaves will officially be a game-time decision before Wednesday’s potentially series-clinching Game 5 against the Houston Rockets at 7 p.m. at Crypto.com Arena. He was questionable for Games 3 and 4, warming up on the court before each game, but was ultimately ruled out.

The Lakers have a 3-1 lead in the best-of-seven series despite playing without Reaves and leading scorer Luka Doncic, who is out because of a Grad 2 left hamstring strain.

“JJ [Redick] specifically was like you have to be comfortable with your body and what you can do to go out there and help us be successful,” Reaves said of his coach in his first comments to reporters since suffering the injury on April 2. “And I want to get back out there as fast as I can. But like I said, I feel good and trending in the right direction and can’t wait to wake up tomorrow and attack another day.”

Reaves said he typically has a very high pain tolerance. Even though he finished the game against Oklahoma City on April 2, he wasn’t surprised the injury that left him grabbing at his left side repeatedly during the game turned out to be significant enough to sideline him for several weeks.

The game was especially painful for the Lakers, who also lost Doncic on the same night. Reaves’ regular-season ending injury news came a day after Doncic’s. The Lakers, then in third place in the Western Conference, came crashing down from a 15-2 record in March. They suddenly looked like sitting ducks in the playoff hunt.

At least only to those outside the locker room.

“Our confidence doesn’t waver as a team,” Reaves said. “Basically the message from that day forward was … that they were going to do everything as a team to give us an opportunity to come back and play. And they’ve done exactly what they said.”

The Lakers finished the regular season with three consecutive wins to hold onto home-court advantage as the fourth seed. They raced out to a 3-0 series lead against the Rockets, who staved off elimination with a blowout win in Game 4.

Doncic is progressing in his return, but still has not started playing one-on-one yet. Last weekend, he improved enough to incorporate movement into his on-court work instead of just standstill shooting.

Lyle Lovett performed Friday evening in Stagecoach’s Palomino tent with the group of killers he calls his Large Band. After the show, I sat with the singer and actor in the front seats of what I’ll call his Large SUV. “It’s a rental,” he said.

We’re in here because you want to protect your voice?
You know, I don’t smoke marijuana.

Anymore, or period?
Period. I have no moral judgment for other people, but I don’t think it’s good for me. When I smell it, I get concerned that it’s going into my body, and so I just try to stay away from it. In the artist tent, there were plumes everywhere. In fact, at our set, two songs in, I called over our assistant tour manager and I said, “Can you put some fans blowing back out into the audience?”

To send the weed back from whence it came.
Well, I don’t want people to waste it either — they paid good money for it. Jackson Browne asked me once in the parking lot of Conway [Recording Studios] — we were doing “The Road to Ensenada,” and he said, “Is it true you’re not cool with weed?” I said, “You know, I’m not.”

Where do you live these days?
In a couple of places, but in Austin, mainly.

People from Texas have strong opinions about the hierarchy of its cities. What’s the best city in Texas?
I can’t answer that.

You wouldn’t deign to.
It’s your thought, not my thought. The cities in Texas are distinct — wildly different from one another. Houston is one of the most international cities in the world. Austin is the most liberal city in Texas but it’s also being transformed by tech money. What’s going on there is analogous to what the oil business did in Houston and Dallas. San Antonio is the gateway to South Texas — it’s like 85% Hispanic. You feel the difference in culture there, and that’s wonderful. That’s my answer.

Did you ever have a move-to-L.A. moment?
I leased houses three different times. The first album I made in Los Angeles was “Joshua Judges Ruth,” in 1991, and the house belonged to a college professor who took a job at New Mexico State. It was on a street called Multiview, one switchback down from Mulholland — between Laurel and Nichols Canyon on the Valley side. I had a beautiful view of Universal City and the 101 as it came in. I remember this professor, when he was showing me the house, he called it “the river of lights.” So I lived there and then later rented the same house two different times, years apart, on a street called Torreyson, right below the Lautner [Chemosphere].

You’re set to get a star this year on the Hollywood Walk of Fame.
I don’t know if that’s true. I think I’m eligible.

It’s true — I checked.
We’ll see.

Let’s say it happens, which it will. How’s that strike you?
I think it’s always an honor to be recognized by any official organization. But that sort of stuff seems completely separate from the work I’m concerned with. What’s important is the work and how you get to do it.

Which of your albums would you say is your best?
It’s impossible to say. I’m proud of the Nashville records — the budgets were smaller and I had to record those records more quickly. But when I went to Los Angeles and spent too much money recording “Joshua Judges Ruth,” that was one of the most expansive creative experiences I ever had.

Define “too much,” right?
It was too much. Instead of recording three or four songs a day, we recorded two songs. Two weeks later, you didn’t love the take, let’s record it again. There was time to search for ideas, not just document ideas — that was the biggest difference for me. The natural way of doing things — just knocking it out — is absolutely valid. But from my point of view, I was more comfortable spending more money [laughs].

Where’d you like to eat when you were working in L.A.?
When we worked at Conway, we’d have lunch every day at Lucy’s El Adobe to the point that I gave them a credit on the albums.

HOUSTON — A Houston city ordinance that limited police officers’ cooperation with federal immigration agents was amended on Wednesday after Texas’ governor threatened to take away millions of dollars in public safety grants.

Houston, Austin and Dallas — three of the state’s biggest cities and Democratic strongholds — are being confronted by GOP Gov. Greg Abbott with threats of losing public safety dollars over policies that dictate how law enforcement interacts with federal immigration authorities. The three cities are being threatened with the loss of about $200 million in public safety funding, including tens of millions expected to cover security at World Cup matches this summer in Dallas and Houston.

Two weeks ago, the Houston City Council passed the ordinance, which eliminated a requirement that Houston police officers wait 30 minutes for agents with U.S. Immigration and Customs Enforcement to pick up someone with a nonjudicial administrative warrant. If ICE agents didn’t show up in time, police officers took a detained person’s information and then released them.

But Abbott warned city officials that the new ordinance and its limitation on cooperating with ICE agents violated the terms of $110 million in state grants Houston had received for police and security during the World Cup games the city is hosting in June.

Texas Atty. Gen. Ken Paxton had also filed a lawsuit against Mayor John Whitmire and members of the City Council over the ordinance, accusing them of violating a 2017 state law that prevents cities from adopting policies that limit the enforcement of immigration laws and that also banned “sanctuary city” policies in the state. There is no strict definition for sanctuary policies or sanctuary cities, but the terms generally describe limited cooperation with ICE.

After more than two hours of discussion during its weekly meeting, the Houston City Council voted 13 to 4 to make changes to the ordinance. Whitmire said he had consulted with Abbott’s office about making changes that would prevent Houston from losing its funding.

The amended ordinance deletes language that highlighted that administrative warrants — versus warrants signed by a judge — that ICE agents use to take individuals into custody are not enough for officers to arrest or detain an individual.

Houston Mayor John Whitmire speaks during a City Council meeting on Wednesday.

(Raquel Natalicchio/AP)

“We have no alternative for Houston to survive, prepare for [the World Cup], patrol these neighborhoods,” Whitmire said. “We’ve got to have today the restoration of the $114 million.”

Andrew Mahaleris, a spokesperson for Abbott, said the governor expects any policy Houston police adopt has to comply with the city’s certification that it will fully cooperate with the Department of Homeland Security.

“This vote is a step in the right direction after Houston leaders put public safety at risk with reckless policies that undermined law enforcement,” Mahaleris said in a statement.

Councilmember Abbie Kamin, one of three members who had pushed for the ordinance, voted against amending it, saying that doing so was giving in to bullying tactics from state leaders.

“If we roll over now to a bully, what will he come for next?” Kamin said.

Councilmembers Edward Pollard and Alejandra Salinas, who also pushed for the ordinance, said they remained hopeful the changes approved Wednesday would not violate individuals’ constitutional rights and wouldn’t result in people being held on nonjudicial warrants.

Nikki Luellen, an advocate for criminal justice reform for the ACLU of Texas, called the amended ordinance “a green light for deeper collaboration between ICE and the Houston Police Department.”

Martha Castex-Tatum was one of several council members who had supported the ordinance but voted in favor of amending it in order to protect the city’s finances.

“For some people, this may feel like surrender. It’s not. It’s real stewardship,” Castex-Tatum said.

Dallas officials have said they are committed to ensuring public safety.

Austin Mayor Kirk Watson, a moderate Democrat, said the local policy complies with state law. He said Abbott’s threat to cut nearly $3 million in Austin would cut trauma aid for police officers and sexual assault victims.

“We don’t have the time and will not play into this political theater,” Watson said.

Austin officials have since indicated they could try to negotiate with Abbott.

The debate in Houston and other Texas cities comes during fraught times. Whitmire and other local leaders in many of Texas’ left-leaning urban areas have tried not to draw the federal government’s attention amid the aggressive immigration crackdown by President Trump’s administration.

Lozano writes for the Associated Press. AP writer Jim Vertuno in Austin contributed to this report.

The elephant in the room for the Lakers as they enter the playoffs has been, and will continue to be, the status of their starting backcourt, Luka Doncic and Austin Reaves.

Both are out because of injuries — Doncic with a grade 2 left hamstring strain and Reaves with a grade 2 left oblique strain — and neither is expected to play in the best-of-seven, first-round playoff series against the Houston Rockets that begins Saturday at 5:30 p.m. at Crypto.com Arena.

After practice Friday, coach JJ Redick was quick to say “there’s not” when asked about an update on Doncic and Reaves.

After Doncic and Reaves were injured on April 2 at Oklahoma City, the Lakers said both would be out until the end of the regular season. According to people not authorized to speak on the matter, both are expected to be out four to six weeks.

Doncic went to Spain to get treatment, and Reaves has been working diligently in L.A., with the hope that they can return sooner.

The Lakers miss their combined output of 56.8 points, 13.8 assists and 12.4 rebounds per game. Doncic led the NBA in scoring (33.5) and was third in assists (8.3); he was second on the Lakers in rebounding (7.7).

During the week of practice, Reaves was around his teammates and seen shooting after a few practices. He appeared to be in good spirits. Doncic was supposed to be back by Friday.

“We love having Austin here and we’re glad he is in a position to do his return-to-play [work], however long it takes with us,” Redick said. “Excited to get Luka back and be around the group. Austin and I talk just about every day about different things. So he’s … just being a part of this. …

“The mindset for our team and for those two guys, like we’re gonna try to make this season as long as possible so that we can get those guys back at some point. We don’t know what that is, and that’s just our job. And their job is to do everything they can to be in a position to come back at some point. It may not work, but that’s what we’re trying to do.”

The theme of the Lakers’ week at practice was to “elevate” their work.

Yes, they won’t have Doncic and Reaves, but that didn’t mean the Lakers couldn’t work harder.

When they worked on box-out drills in preparation for the way the Rockets attack the offensive boards, the Lakers went hard. When they watched film and had practice sessions, the Lakers worked with a purpose.

“The word we’ve used all week is ‘elevate.’ I think that’s what it is,” Redick said. “We all know the playoffs are different. They’re harder. There’s no easy matchups, and you have to be able to elevate your play. But beyond that, it’s elevating your recovery, your attention to detail, your preparation.

“I talked about that with my coaches as we started this week on Monday morning. It was an off day for the guys, but we were in there for six hours and we’ve all collectively gotta elevate. And particularly when you’re missing two of your top guys, part of elevating is elevating each other and the belief that the group as a whole can be great.”

The Rockets are a tough and rugged team that is good on defense and at rebounding.

They ranked fourth in the NBA in points given up (110.0) and tied for fifth in opponents’ field-goal percentage (46.0). They were tops in rebounding (48.1) and offensive rebounds (15.0).

That has the Lakers’ attention and is why they worked so hard during practice.

“It’s been great. The level of focus and attention to detail, the communication, everything has been elevated,” forward Jarred Vanderbilt said. “We’ve got a lot of guys that’s been to the playoffs and know what it takes.

“Like you said, everything elevates around this time and having a veteran group that’s kind of been there and had a taste of the playoffs, we all know what it takes to win games in the playoffs. It’s everybody going out and doing their job and paying attention to the game plan.”

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.