austin

Lakers lose to Rockets

From Broderick Turner: An hour before tip-off of Game 5 of the first-round playoff series against the Houston Rockets, the word came down that Austin Reaves was available to play for the Lakers, his wait over, his time away with a Grade 2 left oblique strain no longer an issue for him.

Reaves missed the first four games of the series against Houston and the last five regular-season games after sustaining the injury in Oklahoma
City on April 2. He checked into the game off the bench with 5 minutes and 39 seconds left in the first quarter to a standing ovation.

Reaves proceeded to give the Lakers a lift, but the Rockets received even more elevated play , their five starters scoring in double figures and their defense on point during Houston’s 99-93 win over Los Angeles on Wednesday night at Crypto.com Arena.

Even with Reaves scoring 22 points and handing out six assists and LeBron James producing 25 points and seven assists, the Lakers couldn’t close out this best-of-seven series they once had total command of just a few days ago.

The Lakers have lost the last two games and their once 3-0 lead heading to Houston with their lead down to 3-2.

“I mean, we don’t have a lot of time to dwell on it,” James said. “I mean, you can give yourself tonight, a little bit tomorrow. But … once we get on that plane and head down to Houston we got to forget about it and understand what we are going for and it’s going to be even harder.

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Lakers box score

NBA playoffs schedule

Lakers playoff schedule

First round
All times Pacific

at Lakers 107, Houston 98 (box score)
at Lakers 101, Houston 94 (box score)
Lakers 112, at Houston 108 (box score)
at Houston 115, Lakers 96 (box score)
Houston 99, at Lakers 93 (box score)
Friday: Lakers at Houston, 6:30 p.m., Prime Video
*Sunday: Houston at Lakers, TBD

*-if necessary

Dodgers lose to Marlins again

From Kevin Baxter: Wednesday was getaway day for Dodgers, the final game of a six-game homestand ahead of a weeklong trip to St. Louis and Houston. And that’s a good thing, first baseman Freddie Freeman said, because there are a number of players on the team that really could use a getaway, Freeman chief among them.

With Wednesday’s 3-2 matinee loss to the Miami Marlins, the Dodgers (20-11) have lost two in a row at home for the first time this season. In those two games the Dodgers scored just three runs, went four for 18 with men in scoring position and left 16 runners on base.

And the final outs Wednesday came when Freeman, batting with the bases loaded and one out, grounded into a bizarre, unassisted double play with Marlins second baseman Xavier Edwards fielding the ball, tagging Shohei Ohtani as he ran him back to first, then dragging his foot across the bag to retire Freeman.

“I hit it right at the second baseman. He tagged Ohtani and tagged first,” Freeman offered in an accurate, if hardly revelatory explanation.

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Dodgers box score

MLB standings

Angels lose to White Sox again

Rookie Sam Antonacci hit a tying triple with two outs in the ninth inning and Colson Montgomery had a winning single in the 10th, lifting the Chicago White Sox to a 3-2 victory Wednesday for a three-game sweep that extended the Angels’ losing streak to six.

Mike Trout hit his 10th home run of the season for the Angels, who have lost 10 of 11 and dropped to 12-20. Additionally, Angels starter Yusei Kikuchi left after two innings with left shoulder tightness.

Kikuchi gave up no runs on two hits and a walk with one strikeout before exiting. His average fastball velocity dropped from 94.9 mph in the first inning to 92.8 mph in the second.

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Angels box score

MLB standings

Who is the Kentucky Derby favorite?

From Jay Posner: This year’s Kentucky Derby field does not appear to have a true standout. But it could have a star.

If that sounds illogical, trainer Chad Brown, who will start Emerging Market in a bid to win his first Derby, can explain.

“There’s clearly a couple horses that are deserving favorites in the race, but there’s by no means an American Pharoah in here, at least up to this point going into the race,” Brown said, referencing the 2015 Triple Crown champion. “Now, you know, whoever wins the race and goes on, maybe one emerges and turns into one of the best 3-year-olds in the last few years.”

That’s what happened last year, when Sovereignty, the third betting choice in the race, progressed from a Derby win to victories in the Belmont and Travers and was voted Eclipse Award for Horse of the Year.

This year’s field is so deep, Brown said, that an argument could be made “for maybe half the horses in the field, if they ran their very, very best race and had a good trip, could win this race.”

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Sparks to retire a number

From Marisa Ingemi: The Sparks will retire former player DeLisha Milton-Jones’ No. 8 jersey on July 28 when the team hosts the New York Liberty as a part of the WNBA’s 30th anniversary celebration.

A three-time All-Star, Milton-Jones played 11 years for the Sparks, helping lead them to back-to-back titles in 2001 and 2002.

“It’s like one of those moments where it’s Christmas, and you’re anticipating getting a gift and when the day finally is here, that feeling you can’t even describe is rather euphoric and nostalgic all at the same time, and it brings a peace about you in a way that you can’t explain,” Milton-Jones said. “Because you put so much time, energy and effort into everything that you did in that moment in your life, and now to be rewarded in this manner is just pretty big.”

Milton-Jones will be the fourth Sparks player to have her number retired after Lisa Leslie (No. 9), Penny Toler (No. 11) and Candace Parker (No. 3).

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NCAA men’s tournament could expand

From Steve Henson: Ever-growing power conferences are the driving force behind an impending expansion of the NCAA men’s and women’s basketball tournaments, which ESPN reported could be formalized within weeks and begin next season.

The field would grow from 68 teams to 76 that would include eight additional at-large teams in each tournament. The current First Four — eight teams playing four games — would expand to 12 games played by 24 teams at two sites on the first Tuesday and Wednesday of the tournament. The traditional 64-team bracket would begin Thursday as usual.

Mid-majors likely are tempering any celebration. The change might not mean more invitations to the Big Dance for underdogs because the NCAA and its media partners favor large, established schools with large, established fan bases for viewership and revenue.

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Ducks playoffs schedule

All times Pacific

at Edmonton 4, Ducks 3 (summary)
Ducks 6, at Edmonton 4 (summary)
at Ducks 7, Edmonton 4 (summary)
at Ducks 4, Edmonton 3 (OT) (summary)
at Edmonton 4, Ducks 1 (summary)
Thursday: Edmonton at Ducks, 7 p.m., TNT, truTV, HBO Max, KCOP-13
*Saturday: Ducks at Edmonton, TBD

*-if necessary

This day in sports history

1961 — LPGA Titleholders Championship Women’s Golf, Augusta CC: Mickey Wright wins her 5th major title by 1 stroke from Patty Berg & Louise Suggs.

1962 — LPGA Titleholders Championship Women’s Golf, Augusta CC: Mickey Wright wins her 8th major title in a playoff with Ruth Jessen.

1971 — The Milwaukee Bucks become the second team to register a four-game sweep in the NBA championship, beating the Baltimore Bullets 118-106.

1975 — Larry O’Brien is named the NBA’s third commissioner, following J. Walter Kennedy (1963-75) and Maurice Podoloff (1946-63). O’Brien holds the position until 1984.

1976 — Muhammad Ali wins a unanimous 15-round decision over Jimmy Young in Landover, Md., to retain his world heavyweight title.

1985 — NFL Draft: Virginia Tech defensive end Bruce Smith first pick by Buffalo Bills.

1987 — NY Islander Mike Bossy plays his final game.

1992 — The Red Wings and Canucks become the ninth and 10th teams in NHL history to rebound from 3-1 deficits to win playoff series. Detroit beats the Minnesota North Stars 5-2 in the Norris Division, while Vancouver defeats the Winnipeg Jets 5-0 in the Smythe Division.

1993 — Top-ranked Monica Seles is stabbed during a changeover in Hamburg, Germany. Guenter Parche, 38, reaches over a courtside railing and knifes Seles in the back. She has an inch-deep slit between her shoulder blades and missed the remainder of the 1993 season.

2005 — James Toney outpoints John Ruiz to win the WBA heavyweight title in New York. Toney, a former champion at three other weights, wins his third heavyweight bout, becoming the third one-time middleweight champion to take boxing’s top crown.

2010 — Tiger Woods matches the worst nine-hole score of his PGA Tour career and winds up with a 7-over 79 to miss the cut at the Quail Hollow Championship. Woods finishes at 9-over 153, the highest 36-hole total of his career. It’s the sixth time in his 14-year career he misses a cut.

2012 — Manchester City defeat Manchester United 1-0 in what is claimed to be the biggest match in the English Premier League’s history.

2014 — Anze Kopitar scores the tiebreaking goal late in the second period and Jonathan Quick makes 39 saves to cap the Kings’ comeback from three games down with a 5-1 victory over the San Jose Sharks in Game 7 of the first round. This is the fourth time an NHL team won a best-of-seven series after losing the first three games.

2015 — For the first time in 51 years, the NFL draft returns to Chicago. Florida State’s Jameis Winston is selected by Tampa Bay as the first selection.

2023 — Seattle Kraken become first NHL franchise to earn its first-ever playoff series win against reigning Stanley Cup champion, eliminating the Colorado Avalanche in seven games.

Compiled by the Associated Press

This day in baseball history

1903 — The New York Highlanders won their home opener at Hilltop Park, 6-2 over Washington.

1919 — Philadelphia’s Joe Oeschger and Brooklyn’s Burleigh Grimes pitched complete games in a 9-9, 20-inning tie. Both teams scored three runs in the 19th inning. Oeschger gave up 22 hits and walked five, while Grimes allowed 15 hits and walked five.

1922 — Charlie Robertson of the Chicago White Sox pitched a 2-0 perfect game against the Detroit Tigers. Johnny Mostil, playing left field for the only time, made two outstanding catches.

1923 — The New York Yankees sign 20-year-old prospect Lou Gehrig to a contract paying him a salary of $2,000 and a bonus of $1,500.

1940 — James “Tex” Carleton of the Brooklyn Dodgers threw a 3-0 no-hitter at Cincinnati.

1944 — In the first game of a doubleheader split, New York first baseman Phil Weintraub drove in 11 runs and player-manager Mel Ott scored six runs as the Giants beat the Brooklyn Dodgers 26-8. Brooklyn won the nightcap 5-4.

1946 — Bob Feller struck out 11 New York Yankees en route to his second of three career no-hitters, a 1-0 victory at Yankee Stadium.

1952 — Ted Williams plays his final game before leaving for military duty in Korea.

1958 —Ted Williams of the Boston Red Sox became the 10th major leaguer to reach 1,000 extra-base hits in a 10-4 loss to the Kansas City Athletics at Fenway Park.

1961 — Willie Mays of the San Francisco Giants hit four home runs and drove in eight runs in a 14-4 victory over the Braves in Milwaukee. Hank Aaron hit two homers for the Braves.

1967 — Steve Barber and Stu Miller of the Baltimore Orioles combined on a no-hitter in a 2-1 loss to the Detroit Tigers in the first game of a doubleheader.

1969 — Jim Maloney of the Cincinnati Reds struck out 13 en route to a 10-0 no-hitter over the Houston Astros, the third of his career.

1986 — The Seattle Mariners strike out 16 more times in a 9-4 loss to the Boston Red Sox, to set a major league record of 36 strikeouts in two consecutive games.

1988 — New York and Cincinnati hooked up in a wild game at Riverfront Stadium, with the Mets winning 6-5 on a delayed call by first base umpire Dave Pallone. The call resulted in a $10,000 fine and 30-day suspension of Reds manager Pete Rose when Pallone accidentally poked Rose in the cheek and Rose shoved Pallone twice.

1994 — Toronto’s Joe Carter finished April with 31 RBIs to set a major league record for the month. Colorado’s Andres Galarraga finished with 30 to set a National League record.

1996 — Jeff King of the Pittsburgh Pirates becomes the third major leaguer to hit two home runs in one inning twice in his career.

2000 — Randy Johnson of the Arizona Diamondbacks defeats the Chicago Cubs, 6-0, as he becomes only the third pitcher in major league history to win six games in April.

2002 — Al Leiter cruised through seven three-hit innings in the New York Mets’ 10-1 rout of Arizona to become the first pitcher to beat all 30 teams in the majors.

2005 — Major league players are asked by Commissioner Bud Selig to agree to a 50-game suspension for the first offense, a 100-game suspension for the second offense and a lifelong ban after the third offense for the use of steroids.

2008 — Julio Franco announces his retirement as a player at age 49.

2012 — Ryan Braun hit three homers and a two-run triple in Milwaukee’s 8-3 win over San Diego. No player had hit three homers and a triple in a game since Fred Lynn in 1975.

2017 — Anthony Rendon had 10 RBIs, three home runs and six hits, powering the Washington Nationals past the New York Mets 23-5. Rendon went a career-best 6 for 6 and scored five times.

2019 — CC Sabathia becomes the 17th pitcher to reach 3,000 strikeouts.

2020 — The latest event to be cancelled due to the ongoing global coronavirus pandemic is the annual Little League World Series.

2022 — Clayton Kershaw becomes the Dodgers’ all-time franchise leader for strikeouts when he fans Spencer Torkelson of the Tigers in the 4th inning. With 2,697 strikeouts, he moves past Hall of Famer Don Sutton.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Less than four weeks after suffering a Grade 2 left oblique muscle strain, Austin Reaves is closing in on a return with the Lakers in position to clinch a spot in the Western Conference semifinals.

Reaves will officially be a game-time decision before Wednesday’s potentially series-clinching Game 5 against the Houston Rockets at 7 p.m. at Crypto.com Arena. He was questionable for Games 3 and 4, warming up on the court before each game, but was ultimately ruled out.

The Lakers have a 3-1 lead in the best-of-seven series despite playing without Reaves and leading scorer Luka Doncic, who is out because of a Grad 2 left hamstring strain.

“JJ [Redick] specifically was like you have to be comfortable with your body and what you can do to go out there and help us be successful,” Reaves said of his coach in his first comments to reporters since suffering the injury on April 2. “And I want to get back out there as fast as I can. But like I said, I feel good and trending in the right direction and can’t wait to wake up tomorrow and attack another day.”

Reaves said he typically has a very high pain tolerance. Even though he finished the game against Oklahoma City on April 2, he wasn’t surprised the injury that left him grabbing at his left side repeatedly during the game turned out to be significant enough to sideline him for several weeks.

The game was especially painful for the Lakers, who also lost Doncic on the same night. Reaves’ regular-season ending injury news came a day after Doncic’s. The Lakers, then in third place in the Western Conference, came crashing down from a 15-2 record in March. They suddenly looked like sitting ducks in the playoff hunt.

At least only to those outside the locker room.

“Our confidence doesn’t waver as a team,” Reaves said. “Basically the message from that day forward was … that they were going to do everything as a team to give us an opportunity to come back and play. And they’ve done exactly what they said.”

The Lakers finished the regular season with three consecutive wins to hold onto home-court advantage as the fourth seed. They raced out to a 3-0 series lead against the Rockets, who staved off elimination with a blowout win in Game 4.

Doncic is progressing in his return, but still has not started playing one-on-one yet. Last weekend, he improved enough to incorporate movement into his on-court work instead of just standstill shooting.

Lyle Lovett performed Friday evening in Stagecoach’s Palomino tent with the group of killers he calls his Large Band. After the show, I sat with the singer and actor in the front seats of what I’ll call his Large SUV. “It’s a rental,” he said.

We’re in here because you want to protect your voice?
You know, I don’t smoke marijuana.

Anymore, or period?
Period. I have no moral judgment for other people, but I don’t think it’s good for me. When I smell it, I get concerned that it’s going into my body, and so I just try to stay away from it. In the artist tent, there were plumes everywhere. In fact, at our set, two songs in, I called over our assistant tour manager and I said, “Can you put some fans blowing back out into the audience?”

To send the weed back from whence it came.
Well, I don’t want people to waste it either — they paid good money for it. Jackson Browne asked me once in the parking lot of Conway [Recording Studios] — we were doing “The Road to Ensenada,” and he said, “Is it true you’re not cool with weed?” I said, “You know, I’m not.”

Where do you live these days?
In a couple of places, but in Austin, mainly.

People from Texas have strong opinions about the hierarchy of its cities. What’s the best city in Texas?
I can’t answer that.

You wouldn’t deign to.
It’s your thought, not my thought. The cities in Texas are distinct — wildly different from one another. Houston is one of the most international cities in the world. Austin is the most liberal city in Texas but it’s also being transformed by tech money. What’s going on there is analogous to what the oil business did in Houston and Dallas. San Antonio is the gateway to South Texas — it’s like 85% Hispanic. You feel the difference in culture there, and that’s wonderful. That’s my answer.

Did you ever have a move-to-L.A. moment?
I leased houses three different times. The first album I made in Los Angeles was “Joshua Judges Ruth,” in 1991, and the house belonged to a college professor who took a job at New Mexico State. It was on a street called Multiview, one switchback down from Mulholland — between Laurel and Nichols Canyon on the Valley side. I had a beautiful view of Universal City and the 101 as it came in. I remember this professor, when he was showing me the house, he called it “the river of lights.” So I lived there and then later rented the same house two different times, years apart, on a street called Torreyson, right below the Lautner [Chemosphere].

You’re set to get a star this year on the Hollywood Walk of Fame.
I don’t know if that’s true. I think I’m eligible.

It’s true — I checked.
We’ll see.

Let’s say it happens, which it will. How’s that strike you?
I think it’s always an honor to be recognized by any official organization. But that sort of stuff seems completely separate from the work I’m concerned with. What’s important is the work and how you get to do it.

Which of your albums would you say is your best?
It’s impossible to say. I’m proud of the Nashville records — the budgets were smaller and I had to record those records more quickly. But when I went to Los Angeles and spent too much money recording “Joshua Judges Ruth,” that was one of the most expansive creative experiences I ever had.

Define “too much,” right?
It was too much. Instead of recording three or four songs a day, we recorded two songs. Two weeks later, you didn’t love the take, let’s record it again. There was time to search for ideas, not just document ideas — that was the biggest difference for me. The natural way of doing things — just knocking it out — is absolutely valid. But from my point of view, I was more comfortable spending more money [laughs].

Where’d you like to eat when you were working in L.A.?
When we worked at Conway, we’d have lunch every day at Lucy’s El Adobe to the point that I gave them a credit on the albums.

HOUSTON — A Houston city ordinance that limited police officers’ cooperation with federal immigration agents was amended on Wednesday after Texas’ governor threatened to take away millions of dollars in public safety grants.

Houston, Austin and Dallas — three of the state’s biggest cities and Democratic strongholds — are being confronted by GOP Gov. Greg Abbott with threats of losing public safety dollars over policies that dictate how law enforcement interacts with federal immigration authorities. The three cities are being threatened with the loss of about $200 million in public safety funding, including tens of millions expected to cover security at World Cup matches this summer in Dallas and Houston.

Two weeks ago, the Houston City Council passed the ordinance, which eliminated a requirement that Houston police officers wait 30 minutes for agents with U.S. Immigration and Customs Enforcement to pick up someone with a nonjudicial administrative warrant. If ICE agents didn’t show up in time, police officers took a detained person’s information and then released them.

But Abbott warned city officials that the new ordinance and its limitation on cooperating with ICE agents violated the terms of $110 million in state grants Houston had received for police and security during the World Cup games the city is hosting in June.

Texas Atty. Gen. Ken Paxton had also filed a lawsuit against Mayor John Whitmire and members of the City Council over the ordinance, accusing them of violating a 2017 state law that prevents cities from adopting policies that limit the enforcement of immigration laws and that also banned “sanctuary city” policies in the state. There is no strict definition for sanctuary policies or sanctuary cities, but the terms generally describe limited cooperation with ICE.

After more than two hours of discussion during its weekly meeting, the Houston City Council voted 13 to 4 to make changes to the ordinance. Whitmire said he had consulted with Abbott’s office about making changes that would prevent Houston from losing its funding.

The amended ordinance deletes language that highlighted that administrative warrants — versus warrants signed by a judge — that ICE agents use to take individuals into custody are not enough for officers to arrest or detain an individual.

Houston Mayor John Whitmire speaks during a City Council meeting on Wednesday.

(Raquel Natalicchio/AP)

“We have no alternative for Houston to survive, prepare for [the World Cup], patrol these neighborhoods,” Whitmire said. “We’ve got to have today the restoration of the $114 million.”

Andrew Mahaleris, a spokesperson for Abbott, said the governor expects any policy Houston police adopt has to comply with the city’s certification that it will fully cooperate with the Department of Homeland Security.

“This vote is a step in the right direction after Houston leaders put public safety at risk with reckless policies that undermined law enforcement,” Mahaleris said in a statement.

Councilmember Abbie Kamin, one of three members who had pushed for the ordinance, voted against amending it, saying that doing so was giving in to bullying tactics from state leaders.

“If we roll over now to a bully, what will he come for next?” Kamin said.

Councilmembers Edward Pollard and Alejandra Salinas, who also pushed for the ordinance, said they remained hopeful the changes approved Wednesday would not violate individuals’ constitutional rights and wouldn’t result in people being held on nonjudicial warrants.

Nikki Luellen, an advocate for criminal justice reform for the ACLU of Texas, called the amended ordinance “a green light for deeper collaboration between ICE and the Houston Police Department.”

Martha Castex-Tatum was one of several council members who had supported the ordinance but voted in favor of amending it in order to protect the city’s finances.

“For some people, this may feel like surrender. It’s not. It’s real stewardship,” Castex-Tatum said.

Dallas officials have said they are committed to ensuring public safety.

Austin Mayor Kirk Watson, a moderate Democrat, said the local policy complies with state law. He said Abbott’s threat to cut nearly $3 million in Austin would cut trauma aid for police officers and sexual assault victims.

“We don’t have the time and will not play into this political theater,” Watson said.

Austin officials have since indicated they could try to negotiate with Abbott.

The debate in Houston and other Texas cities comes during fraught times. Whitmire and other local leaders in many of Texas’ left-leaning urban areas have tried not to draw the federal government’s attention amid the aggressive immigration crackdown by President Trump’s administration.

Lozano writes for the Associated Press. AP writer Jim Vertuno in Austin contributed to this report.

The elephant in the room for the Lakers as they enter the playoffs has been, and will continue to be, the status of their starting backcourt, Luka Doncic and Austin Reaves.

Both are out because of injuries — Doncic with a grade 2 left hamstring strain and Reaves with a grade 2 left oblique strain — and neither is expected to play in the best-of-seven, first-round playoff series against the Houston Rockets that begins Saturday at 5:30 p.m. at Crypto.com Arena.

After practice Friday, coach JJ Redick was quick to say “there’s not” when asked about an update on Doncic and Reaves.

After Doncic and Reaves were injured on April 2 at Oklahoma City, the Lakers said both would be out until the end of the regular season. According to people not authorized to speak on the matter, both are expected to be out four to six weeks.

Doncic went to Spain to get treatment, and Reaves has been working diligently in L.A., with the hope that they can return sooner.

The Lakers miss their combined output of 56.8 points, 13.8 assists and 12.4 rebounds per game. Doncic led the NBA in scoring (33.5) and was third in assists (8.3); he was second on the Lakers in rebounding (7.7).

During the week of practice, Reaves was around his teammates and seen shooting after a few practices. He appeared to be in good spirits. Doncic was supposed to be back by Friday.

“We love having Austin here and we’re glad he is in a position to do his return-to-play [work], however long it takes with us,” Redick said. “Excited to get Luka back and be around the group. Austin and I talk just about every day about different things. So he’s … just being a part of this. …

“The mindset for our team and for those two guys, like we’re gonna try to make this season as long as possible so that we can get those guys back at some point. We don’t know what that is, and that’s just our job. And their job is to do everything they can to be in a position to come back at some point. It may not work, but that’s what we’re trying to do.”

The theme of the Lakers’ week at practice was to “elevate” their work.

Yes, they won’t have Doncic and Reaves, but that didn’t mean the Lakers couldn’t work harder.

When they worked on box-out drills in preparation for the way the Rockets attack the offensive boards, the Lakers went hard. When they watched film and had practice sessions, the Lakers worked with a purpose.

“The word we’ve used all week is ‘elevate.’ I think that’s what it is,” Redick said. “We all know the playoffs are different. They’re harder. There’s no easy matchups, and you have to be able to elevate your play. But beyond that, it’s elevating your recovery, your attention to detail, your preparation.

“I talked about that with my coaches as we started this week on Monday morning. It was an off day for the guys, but we were in there for six hours and we’ve all collectively gotta elevate. And particularly when you’re missing two of your top guys, part of elevating is elevating each other and the belief that the group as a whole can be great.”

The Rockets are a tough and rugged team that is good on defense and at rebounding.

They ranked fourth in the NBA in points given up (110.0) and tied for fifth in opponents’ field-goal percentage (46.0). They were tops in rebounding (48.1) and offensive rebounds (15.0).

That has the Lakers’ attention and is why they worked so hard during practice.

“It’s been great. The level of focus and attention to detail, the communication, everything has been elevated,” forward Jarred Vanderbilt said. “We’ve got a lot of guys that’s been to the playoffs and know what it takes.

“Like you said, everything elevates around this time and having a veteran group that’s kind of been there and had a taste of the playoffs, we all know what it takes to win games in the playoffs. It’s everybody going out and doing their job and paying attention to the game plan.”

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.

AUSTIN, Texas — Defender Maya Yoshida scored a first-half goal, Erik Thommy tallied in the second and the Galaxy beat Austin FC 2-1 on Saturday.

Yoshida took a pass from Marco Reus in the 34th minute and scored for the first time this season to give the Galaxy a 1-0 lead. Yoshida has six goals in 80 appearances for the Galaxy. Reus has three assists this season and 15 in 34 career appearances.

Thommy gave the Galaxy a two-goal lead in the 78th minute with his first goal for the club. Thommy had 19 goals in 101 appearances over four seasons with Sporting Kansas City. Defender Emiro Garces subbed into the match in the 66th minute before notching his first assist this season and his third in 36 appearances. Goalkeeper JT Marcinkowski also snagged an assist.

Austin cut it to 2-1 in the 85th minute on Myrto Uzuni’s second goal of the season and his eighth in 34 career matches. Defender Guilherme Biro earned his first assist after collecting one through his first 67 appearances and Facundo Torres grabbed his fourth in his first season with Austin after tallying 16 in three seasons with Orlando City. All four of Torres’ assists have come off set pieces.

The Galaxy’s Erik Thommy points to the sky after scoring against Austin FC on Saturday in Austin, Texas.

(Scott Wachter / Getty Images)

Marcinkowski turned away five shots for the Galaxy (2-3-2) in his third start this season.

Brad Stuver totaled five saves for Austin (1-3-3).

The Galaxy picked up their first road win of the season while handing Austin its first loss at home.

Austin swept the Galaxy last season — 1-0 at home and 2-1 on the road.

Up next

Galaxy: Visit FC Dallas on Saturday.

DALLAS — The Lakers will be without their starting backcourt for the rest of the regular season — five more games — after Austin Reaves was diagnosed with a Grade 2 left oblique strain on Saturday.

Lakers coach JJ Redick said Reaves underwent an MRI exam on his left olbique/rib area Saturday.

The team learned earlier this week that Luka Doncic has a Grade 2 left hamstring strain and will be out for the remainder of the regular season — and perhaps beyond.

The Lakers are also dealing with an injury to guard Marcus Smart, who has missed the last six games because of a right ankle contusion and is questionable for the game.

“It’s it’s lingering soreness in the ankle,” Redick said.

Even with all of this, Redick said the Lakers’ “mission hasn’t changed.”

“We want to get the third seed and we want to win a first-round series,” Redick said.

The Lakers are the third in the Western Conference, but Denver, Houston and Minnesota are within striking distance. The Lakers hold the tiebreaker over all three.

They’ll try to hold on to the No. 3 seed over the final five games of the regular season without Doncic, who leads the NBA in scoring (33.5 points per game) and is fourth in assists (8.3).

“I know Luka’s gonna do everything he can to get back on the court,” Redick said. “We don’t know what this recovery timetable looks like.”

The Lakers likely will have to lean more on LeBron James, a role the 41-year-old is more than willing to take on. James has been designated the third option behind Doncic and Reaves yet has still averaged 20.6 points per game, 6.9 assists and 6.0 rebounds in his 23rd season.

“It probably is going to look a little bit differently with Luka being out,” James said after practice. “I’ll figure that out and then, obviously, the coaches will figure it out as well.”

The Lakers are making the mental adjustment of playing without Doncic. After the Mavericks, they’ll have tough games against Oklahoma City, Golden State and Phoenix before finishing against lowly Utah.

“I mean, it’s a challenge for us,” James said. “It’s always got to be a next-man-up [mentality]. But there’s no way you can replace that type of impact. So, it’s going to be a collective group. We all have to figure out a way to do a little bit more. But even now, you got to be even more tightened up on the things that we do. When you lose a special player like that, you can’t have as many mistakes. So, we got to figure that out.”

For Redick, speaking for the first time since news of Doncic’s injury, he had to check on the temperature of his team to make sure his group was in the right space.

The practice Saturday on the campus of Southern Methodist helped.

“I think making sure that everybody’s in the right frame of mind, first of all, and then you know we worked on just offensive stuff, just cleaning up some stuff and being really explicit with what we want to run,” Redick said. “Did some offensive breakdown. It was definitely more of an offensive day.

“We did work on defense to start the practice, but that’s again that’s the primary sort of focus. How do we score, how do we score efficiently, and our defense again is, it’s we’re interchangeable. We’ve been interchangeable now for two-and-a half-months.”

James controversy

James created a bit of controversy when he said on “Bob Does Sports” YouTube video that Memphis should relocate to Nashville.

“I’m not like the first guy to even talk about it in the NBA. We all like, ‘You guys have to move. Just go over to Nashville,” James said.

James, when asked if he wanted to clarify his remarks, then mentioned Milwaukee also as one of his least favorite cities.

“I said Milwaukee as well,” James said. “I’m 41 years old (and) there’s two cities I do not like playing in right now — and that’s Milwaukee and that’s Memphis. What is your problem with it? I don’t like going home [to Cleveland] either. … And I’m from there. People are ridiculous. They also get mad at my son [Bronny James] being on the [Lakers] team, too.

“So, what are we talking about? People need to figure out other ways to put their energy to other things that’s important. Like, seriously? I’m not talking about the city, like the people in Memphis. I don’t like staying at the Hyatt Centric [hotel]. What’s wrong with that? Nothing. What are we talking about? What are we talking about? People need to chill the hell out.”

Chip Taylor, the songwriter behind the Troggs’ rock hit “Wild Thing” and actor Angelina Jolie’s uncle, has died. He was 86.

Taylor died Monday in hospice care, according to Page Six, citing Taylor’s longtime friend, producer Billy Vera.

Taylor, born James Wesley Voight in Yonkers, N.Y., in 1940, was actor Jon Voight’s brother, but built a formidable music career outside of his famous sibling’s shadow.

As a teen guitarist, he joined the band Town & Country Brothers, which toured with Neil Sedaka. His songwriting submissions to RCA Records impressed the artist Chet Atkins, who championed his tunes in the country music scene. Taylor also wrote out of the same 1650 Broadway building in New York where Gerry Goffin and Carole King were based.

In 1966, Taylor penned “Wild Thing” for the garage-rock band the Troggs, which rocketed to No. 1 and kicked off a new mode for rock ’n’ roll that favored grungier musicianship and more overt sexuality. “That upstrum, there? You wouldn’t play that if you were properly schooled,” he told the Independent in 2023. “I did it because I didn’t know any better. I ended up with this innocent energy. It came out of me looser that way, the feeling just flew out of me.”

Jimi Hendrix famously performed the song at Monterey Pop in 1967 in a fever of sexual tension (it featured in the 1968 concert documentary), making it an era-defining rock hit and Taylor’s most famous tune. He also wrote “Angel of the Morning,” popularized by Juice Newton and Merrilee Rush, and penned songs performed by Willie Nelson, Linda Ronstadt, Johnny Cash and Janis Joplin, among many others.

Taylor’s career pivoted in the ’80s, when he became a professional gambler and a rogue on the Atlantic City casino strip. Yet he had a later career resurgence in the 2000s, after he met fiddle player Carrie Rodriguez at the South by Southwest Music Conference in Austin, Texas. The pair released several acclaimed alt-country albums together. Taylor’s 2012 single “F— All the Perfect People” prominently featured on the soundtrack for the hit Netflix series “Sex Education.”

Taylor said the song was inspired by performing concerts for prisoners, some of his favorite gigs. “I’ve always liked talking to prisoners because, for the most part, they’re extremely honest,” he said. “I never met a prisoner I didn’t have empathy for. I wrote that at 6 a.m. one morning when I realized I had some shows for prisoners coming up and I wanted to write something that was just for them.”

Taylor’s final album was 2025’s “The Truth and Other Things.” He is survived by several children and grandchildren. His wife, Joan Carole Frey, died in 2025.

For the third year in a row, De Los, the Latino-centric vertical of the Los Angeles Times, will be returning to South by Southwest in Austin, Texas, and things are a little different this time around. While the music portion of the festival has typically been given its own weekend to shine, in 2026, it’ll be “folded into” a week-long event alongside film, TV and interactive programming.

But despite these changes, one thing is clear: After a banner year for Latin music at SXSW in 2025, it seems like everyone’s doubled down in 2026, with the festival welcoming a historic number of Latin artists to Austin. That includes the De Los showcase.

If our 2024 event was more of an intimate kickback, 2025 was an all-out party. Thanks to energetic sets from acts like trap corrido pioneers Arsenal Efectivo and the clashing cumbia punk stylings of Sultanes del Yonke, the crowd was up on their feet dancing, twirling and even forming a mosh pit at one point — all into the early hours of the morning. We hope to bring those same vibes back to SXSW this year.

If you’re in Austin for the festival, join us at Mala Fama, located at 422 E. 6th St., Austin, on Sunday, March 15 starting at 8 p.m. As always, the festival is a great opportunity to discover new artists and exciting new sounds, so whether or not you’ll be joining us in Texas, we hope this lineup might inspire you to find a new favorite artist, song or band.

Here’s who’s playing at the 2026 De Los showcase.

Hermanos Espinoza

With their South Texas upbringing (Puro 956!), it shouldn’t come as a surprise that this duo’s Norteño sound has plenty of Tejano flair too. Hailing from Edinburg, brothers Joel and Leonel Espinoza broke out not long after making their debut in 2022, when their song “Prueba de Fuego” hit more than 100 million streams. Their lively, accordion-rich music feels classic enough to be right at home on the playlist for your next carne asada.

Noteworthy track: “Dios por Delante”

Vanita Leo

Music is in Vanita Leo’s DNA. Born and raised in San Antonio, the singer’s father and aunt are both Tejano musicians who inspired Leo to take up the family mantle and put her own spin on the genre. With a love for the old-school sound of the 1990s, Leo manages to weave together her flirty, unserious humor with vintage romance, writing songs that’ll either validate your heartbreak over a bad ex or have you ready to dance it off and forget they ever existed.

Noteworthy track: “Caballito”

Tropa Magica

The second sibling duo on our lineup, Tropa Magica is the brainchild of brothers David and Rene Pacheco. Their signature sound, much like the East L.A. neighborhood they grew up in, is a melting pot of influences, combining old-school cumbias, ’90s grunge, and psychedelic rock into something completely unique to them. Since coming onto the scene in 2018, the band has gotten the stamp of approval from established acts like Bomba Estéreo, Los Tigres Del Norte and Chicano Batman.

Noteworthy track: “Ojos de Lágrimas”

Eddy

This is set to be Eddy’s year. Born Eduardo Hernández Payán, Eddy first made waves when he was discovered by corridos singer-songwriter Diego Millán (Calle 24) and signed to his Ondeados Mafia label. Last year, he built up a reputation for being an artist to watch in the Regional Mexican space thanks to collaborations with Gabito Ballesteros and Ed Maverick. Now, Eddy is prepping for the release of his debut album, “Náufrago,” later this month.

Noteworthy track: “Ultimo Cigarro”

Nezza

Many of you might know Nezza from her viral moment last summer, when she went viral for singing the national anthem in Spanish at Dodger Stadium — her form of protest against the immigration raids that had been taking place all over L.A. But just take a listen to the Dominican-Colombian singer’s original music, and you’ll see that she’s much more than a viral moment. With her Spanglish lyrics, soulful vocals and glittery production, Nezza has her sights set on international pop stardom.

Noteworthy track: “Tasty”