attendance

Nov. 21 (UPI) — Bonuses of $10,000 will be awarded to 776 air traffic controllers and technicians with perfect attendance during the 43-day government shutdown.

The extra money was announced Thursday by Department of Transportation Secretary Sean P. Duffy and Federal Aviation Administration Administrator Bryan Bedford. The FAA is part of the Transportation Department.

“These patriotic men and women never missed a beat and kept the flying public safe throughout the shutdown,” Duffy said. “Democrats may not care about their financial well-being, but President Trump does. This award is an acknowledgement of their dedication and a heartfelt appreciation for going above and beyond in service to the nation.”

During the shutdown, essential workers, including those in air traffic control, worked without paychecks.

It ended on Nov. 12 with legislation to fund the government through January.

“I am profoundly proud and grateful for the air traffic personnel who worked during extraordinary operational challenges to keep the NAS running safely during the longest government shutdown,” Bedford said. “Their dedication represents the highest levels of public service.”

Absences caused delays and cancellations of flights, including mandated flight reductions at the largest 40 airports in the United States, which rose to 6%, though there were plans for 10% if the shutdown continued.

Some personnel were required to work six-day workweeks of 10 hours a day. They are on duty for a variety of shifts, including holidays.

Even before the shutdown, there were staffing shortages of air traffic controllers and other essential staff.

Last week, President Donald Trump mentioned the bonuses idea on Nov. 10 in a Truth Social post.

He also threatened to dock the pay of those who called out during the shutdown, telling them he was “NOT HAPPY” with them and “get back to work.”

Selected recipients will receive electronic notification next week, and their payments will be received no later than Dec. 9.

The two agencies didn’t say whether those taking planned vacations or fatigue calls will receive the bonuses, NBC News reported.

The National Air Traffic Controllers Association, which has been critical of staffing issues, said it was informed of the decision on cash bonuses hours before the announcement.

Of these receiving bosses, 311 are represented by NATCA.

“We look forward to working with the Administration to provide the appropriate recognition to those not covered by the Secretary’s announcement,” the union, which represents more than 20,000 air industry workers, said in a statement to CNBC.

The Professional Aviation Safety Specialists, which represents 11,000 FAA and Defense Department workers, including technicians, said it is “reviewing the information that has been provided by the FAA and is evaluating how best to ensure that all employees who worked during the shutdown are recognized.”

That union said 423 will get the bonus. In all, it said 6,000 worked without pay.

“It took many hands to ensure that not one delay during the historic 43-day shutdown was attributed to equipment or system failures,” PASS said in a statement.

There are about 14,000 air traffic controllers in the United States. The median salary for the position, including ones not with the FAA, was $144,580, according to the U.S. Bureau of Labor Statistics. Salaries start at $55,000 to $68,000, depending on location.

They work in control towers, approach control facilities or en-route centers.

Also, there are about 3,400 trainees, including 1,000 initially at the FAA Academy in Oklahoma City.

The mandatory retirement age is 56.

Also last week, Homeland Security Secretary Kristi Noem said Transportation Security Administration officers who screen passengers at airports would also receive $10,000 bonuses for perfect attendance.

“Despite tremendous personal, operational and financial challenges, these dedicated officers showed up to work every day for more than a month, without pay, ensuring the American people could travel safely,” DHS said in a press release.

Remember when soccer was being touted as the next big sport in the U.S.? Well, it looks like that moment has finally arrived.

Or not. It all depends on who you ask and how you interpret what they tell you.

On one hand, there’s the recent Harris Poll that found 72% of Americans profess an interest in soccer, a 17% increase from 2020. A quarter of those are “dedicated” fans and 1 in 5 say they are “obsessed” with the sport.

On the other hand, there’s the stark decline in attendance and TV viewership for the country’s top two domestic leagues, MLS and the NWSL, and the underwhelming crowds that showed up last summer for the FIFA Club World Cup and the CONCACAF Gold Cup.

LAFC fans lift up a banner honoring Carlos Vela during a ceremony to honor him before a match against Real Salt Lake at BMO Stadium on Sept. 21.

(Kevork Djansezian / Getty Images)

These contrary findings — a growing fanbase at the same time attendance and viewership numbers are falling off a cliff — come at an important inflection point for soccer in the U.S., with the largest, most ambitious World Cup kicking off at SoFi Stadium in fewer than 200 days.

“The short answer is yes, the World Cup will be a watershed moment for soccer in America. However, it’s unlikely to immediately lead to a significant increase in ticket sales for MLS and NWSL. Soccer fandom in America develops differently from that of other sports,” said Darin W. White, executive director of the Sports Industry Program and the Center for Sports Analytics at Samford University, which next year will launch a major five-year study to explore how soccer can become mainstream in the U.S.

“The World Cup will bring millions of new Americans into the pipeline. Over the next few years we expect these new fans to progress through the pipeline, giving soccer a substantial enough fan base to tip the scales and help make soccer part of the ongoing mainstream sports conversation. I am confident that the World Cup will enable soccer to reach that critical mass.”

Steven A. Bank, a professor of business law at UCLA who has written and lectured extensively on the economics of soccer, isn’t as optimistic.

“The risk isn’t that U.S. soccer will be in the same place in 10 years, but that it will have regressed,” he said.

“For the World Cup to benefit domestic leagues’ attendance, ratings, and revenue, as well as youth and adult participation rates in playing soccer, it will have to be the catalyst for more domestic investment in the game. The question isn’t whether the World Cup will convince enough people to become fans or to move from casual to dedicated or obsessive fans. It’s whether it will convince enough wealthy people and companies to risk the kind of money necessary to compete with the top leagues for the top talent.”

U.S. captain Christian Pulisic drives the ball during an international friendly against Ecuador at Q2 Stadium on Oct. 10 in Austin, Texas.

(Omar Vega / Getty Images)

That investment could be a boost to both first-tier domestic leagues, which saw their attendance and TV rating fall dramatically this year. After setting records in both 2023 and ‘24, MLS watched its average attendance fall 5.4% — to 21,988 fans per match — this season. According to Soccer America, 19 of the 29 teams that played in 2024 saw their attendance drop; more than half saw declines of 10% or more.

The TV audience also appears to be relatively small, although the fact Apple TV, the league’s main broadcast partner, rarely releases viewer data has hampered efforts to draw any firm conclusions. MLS said last month that its games attracted 3.7 million global aggregate viewers a week on all its streaming and linear platforms, an average of about 246,000 a game on a full weekend. While that’s up nearly 29% from last year, the average viewership figure is about 100,000 smaller than what the league drew for single games on ESPN alone in 2022, the last season before Apple’s 10-year $2.5-billion took effect.

NWSL also saw overall league attendance fall more than 5%, with eight of the 13 teams that played in 2024 experiencing declines. And TV viewership in the second year of the league’s four-season $240 million broadcast deal was down 8% before the midseason July break, according to the Sports Business Journal.

That follows a summer in which both the expanded Club World Cup and the Gold Cup struggled to find an audience. Although the 63-match Club World Cup drew an average of 39,547 fans per game, 14 matches had crowds of fewer than 20,000. The Gold Cup averaged 25,129 for its 31 games — a drop of more than 7,000 from 2023. And five matches drew less than 7,800 people.

“There’s a danger of taking this year’s decline out of context,” said Stefan Szymanski, a professor of sports management at the University of Michigan and author of several books on soccer including “Money and Soccer” and “Soccernomics” (with Simon Kuper). “Last year was a record year. It’s really about the diminishment of the Messi effect.

“I wouldn’t say it’s a moment of crisis. And the way MLS is looking at this strikes me that they’re entirely focused on a post-World Cup [bump], which they think they’re going to get. I’d be skeptical myself about that. I don’t think it will do that much for them.”

Szymanski said the World Cup could hurt the league by underscoring the huge difference in the quality of play between elite international soccer and MLS.

“Americans are not dumb,” he said. “They know what’s good quality sport [and] not good quality sport. And they know that MLS is low level. The only way, in a global marketplace, you can get the top talent to have a truly competitive league is to pay the salaries.”

Which brings us back to Bank’s conclusion that fixing soccer in the U.S. isn’t about the soccer, it’s about the money being spent on the sport. For next summer’s World Cup to have a lasting impact, the “bump” will have to come not just from an increase in attendance and TV viewership but in investment as well. And, as Szymanski argues, that means additional investment in players as well.

“If all it does is attract eyeballs for this competition,” Bank said “I’m not sure it does more than the Olympics does every four years when it temporarily raises the profile of a few sports for some people who were not casual fans before.”

When Los Angeles County Museum of Art director Michael Govan first stepped up to the podium at the museum’s star-packed 14th annual Art + Film Gala, the Dodgers were down one point to the Toronto Blue Jays in the eighth inning of the final game of the World Series.

There was no giant screen in the massive tent where a decadent dinner was being served Saturday night in celebration of honorees artist Mary Corse and director Ryan Coogler. Instead guests in elaborate gowns and tuxedos discreetly glanced at their phones propped on tables and at the base of flower vases across the star-packed venue. This became apparent when Miguel Rojas hit a game-tying home run at the top of the ninth inning and the whole room erupted in cheers.

Michael Govan, CEO of LACMA, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

When Govan returned to the stageto begin the well-deserved tributes to the artist and filmmaker of the hour, the game had been won, the effusive cheering had died down, and the phones had been respectfully put away.

“Go Dodgers!” Govan said, before joking that LACMA had engineered the win for this special evening. The room was juiced.

It made Los Angeles feel like the center of the universe for a few hours and was fitting for an event that famously brings together the city’s twin cultural bedrocks of art and cinema, creating a rarefied space where the two worlds mix and mingle in support of a shared vision of recognizing L.A.’s immeasurable contributions to the global cultural conversation.

“This is a celebration that can only happen in L.A. — where art, film and creativity are deeply intertwined,” Govan said. “I always say this is the most creative place on Earth.”

The event raised a record $6.5 million in support of the museum and its programs. Co-chairs Leonardo DiCaprio and LACMA trustee Eva Chow hosted a cocktail party and dinner that drew celebrities including Dustin Hoffman, Cynthia Erivo, Cindy Crawford, Queen Latifah, Angela Bassett, Lorde, Demi Moore, Hannah Einbinder, Charlie Hunnam and Elle Fanning alongside local elected officials and appointees including U.S. Rep. Sydney Kamlager-Dove (D-Los Angeles); L.A. County Supervisors Holly Mitchell and Lindsey Horvath; L.A. Councilmember Katy Yaroslavsky; West Hollywood Councilmember John M. Erickson, and Kristin Sakoda, director of the Los Angeles County Department of Arts and Culture.

Sakoda said she thoroughly enjoyed the festivities “as representative of the incredibly diverse culture of Los Angeles and how that speaks to our entire nation.”

1

2

3

1. George Lucas arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 2. Elle Fanning arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press) 3. Angela Bassett arrives at the LACMA Art + Film Gala on Saturday. (Jordan Strauss / Invision via Associated Press)

A special nod of gratitude went to previous gala honorees in attendance including artists Mark Bradford, James Turrell, Catherine Opie, Betye Saar, Judy Baca, George Lucas and Park Chan-Wook. Leaders from many other local arts institutions also showed up including the Hammer Museum’s director, Zoe Ryan; California African American Museum Director Cameron Shaw; and MOCA’s interim Director Ann Goldstein.

Rising in the background was LACMA’s new David Geffen Galleries, the 110,000-square-foot Peter Zumthor-designed building scheduled to open in April as the new home for the museum’s 150,000-object permanent collection.

“Every day I’m in that little building behind installing thousands of artworks,” Govan said to cheers. “I can’t wait for people to rediscover our permanent collection, from old favorites to new acquisitions. It’s a monumental gift to L.A., and in addition to L.A. County and the public, I would like to thank the person whose generosity brought us to this landmark moment, Mr. David Geffen.”

Geffen sat in a sea of black ties and glittering gowns, near Disney CEO Bob Iger and DiCaprio — who had been filmed earlier in the week in attendance at Game 5 of the World Series at Dodger Stadium.

Govan also gave a special acknowledgment to former LACMA board co-chair, Elaine Wynn, who died earlier this year and was one of the museum’s most steadfast champions. Wynn contributed $50 million to the new building — one of the first major gifts in support of the effort. Govan noted that the northern half of the building will be named the Elaine Wynn wing.

Honoree Ryan Coogler, wearing Gucci, speaks onstage during the 2025 LACMA Art+Film Gala.

(Amy Sussman / Getty Images for LACMA)

Left unmentioned was the fact that earlier in the week LACMA’s employees announced they are forming a union, LACMA United, representing more than 300 workers from across all departments, including curators, educators, guest relations associates and others. One worker told The Times there were no plans to demonstrate at the gala, which raises much-needed funds for the museum.

The crowd sat rapt as the night’s guests of honor, Corse and Coogler, humbly spoke of their journeys in their respective art forms, with Govan introducing them as “artists whose brilliant groundbreaking work challenges us to see the world differently.”

The night concluded with an enthusiastic performance by Doja Cat on an outdoor stage in the shadow of the David Geffen Galleries, the lights girding its massive concrete underbelly like stars in the sky.

“It was a beautiful evening of community coming together around something that reminds us of our shared humanity at a time when we need it,” said Yaroslavsky with a smile as the evening wound down.