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Who pissed off Ariana Grande? Well, who didn’t?

On her new album, “Petal,” the pop superstar opens the spigot on what she’s described as an “unfiltered rage” to blast any number of feckless exes, a prying public obsessed with her body and her personal life — and not least herself for allowing anyone the power to hurt her in the first place.

“Tell me who’s to blame — is it the people or myself?” she wonders against the icy synth stabs of the title track.

Her answer, delivered as a sneering little aside: “Yeah.”

“Petal” marks a dramatic shift from Grande’s previous LP, 2024’s “Eternal Sunshine,” a tender and melancholy electro-pop collection that laid out a kind of emotional philosophy of heartbreak. She recorded the new album with the same team — the hit-making writer-producers Ilya Salmanzadeh and Max Martin — but here they go for a murkier, more percussive sound to match Grande’s dark mood.

Tolling electric guitar accompanies her in “Freak” as she muses on “all of the life I’ve been denied,” while “Oh Well” puts a jittery U.K. garage beat under her sneering farewell to an unnamed antagonist: “Good luck on your way to hell.” In “Hate That I Made You Love Me,” which debuted at No. 1 on Billboard’s Hot 100 when Grande released it as “Petal’s” lead single, she sings, “I’ve held your projections when you’ve felt so insecure,” over a trudging groove that moves like a funeral march.

These downcast observations arrive at what would seem to be a professional high point for Grande, who recently wrapped her extended stay in the “Wicked”-verse and who’s in the middle of a tour that’s drawn adoring fans to arenas across the country.

But perhaps that’s the point: Almost every song on “Petal” can be interpreted two ways — as a story about a broken relationship between two people or as a tale about the toxic connection between an idol and her audience. (More than once did this record make me think about Taylor Swift’s “The Tortured Poets Department.”)

“My pain is music — do you hear me everywhere?” Grande asks in “Warning Signs (Interlude),” which climaxes with a pithy diagnosis of pop stardom in the parasocial age: “You don’t deserve me / You know you don’t, you never have / But I want you to feel me / I wish someone could hear me.”

Complaints about celebrity can be pretty tedious, of course; sometimes it feels as though famous pop singers have forgotten how to write about anything other than life in the social-media fishbowl.

Yet “Petal” gets some creative traction from how Grande chooses to use her voice; instead of belting, she rarely rises above a whisper, which gives a spooky, slightly creepy quality to her thoughts on being endlessly scrutinized. The airiness of her singing provides some comedy too in a hard-edged song such as “Like I Do,” where after noting that “all that s— talk keeps me well-fed,” she tells whoever needs to hear it, “No one f— you like I do.”

Having gotten all this off her chest, Grande finishes the album by allowing in some light: Over a zippy new wave arrangement, “Bad Thing (Bunny Hop)” ponders the renewing energy of a fresh romance — or maybe a rekindled old one — while the glistening “Nowhere, Nobody” has her taking deep breaths with a lover she’s convinced might finally give her what she needs.

“Convinced” is probably the wrong word.

“Hard to believe in a perfect ending,” she admits, “But that’s all right.”

A NEW “world-class” arena is being plotted for an iconic UK seaside resort.

The Government has pledged £20million to explore the possibility of bringing the development to life.

A new indoor arena has been proposed for Blackpool, as part of the area’s continued bid to become the UK’s City of Culture for 2029.

Currently dubbed the Phoenix Pavilion Arena, the venue would become the focal point of the city’s wider regeneration strategy.

With a proposed capacity of 15,000 to 20,000, Carters Building Consultancy said the site would host major concerts, sporting events, festivals, trade shows and live performances.

It would also create a new waterfront hospitality area, with cafes, bars and restaurants facing the promenade.

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Blackpool South MP, Chris Webb, began a petition in November last year supporting the proposal, which has since been signed by thousands of local residents.

As a result, the Culture Secretary, Lisa Nandy, has now pledged £20million to explore the next stage of the development.

Webb said: “This funding gives Blackpool the opportunity to properly test whether the project is commercially viable and put us in the strongest possible position to attract an experienced private-sector partner with the expertise to develop, operate and programme a world-class venue.

“It has the potential to attract visitors throughout the year, support our hotels, restaurants and local businesses, create high-quality jobs and strengthen Blackpool’s position as the UK’s entertainment capital.”

The investment will assess whether the construction of the arena is financially feasible and whether it would be the right investment for the area.

It also places the proposal in a better position to attract private investors.

This comes as part of Blackpool’s £2billion regeneration program set to transform the seaside city.

Completed projects include the Talbot Road tramway extension – which connected the Promenade to Blackpool North railway station – and construction is currently underway on a new £65million, high-tech university campus.

NEW YORK — Donald Trump was booed loudly by fans inside Madison Square Garden when he was shown on video screens during the national anthem prior to Game 3 of the NBA Finals on Monday night.

Trump was shown for several seconds giving a military salute. The boos ended when the U.S. flag followed him on the screens, and fans cheered when New York Knicks players were shown. Mentions of the San Antonio Spurs also elicited loud boos.

Trump is watching from Knicks owner James Dolan’s suite, along with granddaughter Kai, personal adviser Boris Epshteyn and Cabinet secretaries Lee Zeldin, Sean Duffy and Doug Burgum. He is the first sitting president to attend an NBA Finals game.

Trump’s Marine One helicopter flew from his home in New Jersey and landed near Wall Street before his motorcade made its way up through Manhattan and to the arena roughly an hour before tipoff. He encountered a handful of people making rude gestures, and outside the area, one group held signs saying “Trump must go.”

He settled into Dolan’s suite shortly afterward.

During the afternoon before Trump’s arrival, the New York Police Department and the U.S. Secret Service set up a large perimeter surrounding Madison Square Garden. Fans lined up to get inside the arena more than four hours before tip-off, in a scene more closely resembling New Year’s Eve in Times Square than the usual leadup to a basketball game.

They were required to provide a ticket or pass to get past various checkpoints, along with going through a Transportation Security Administration-style magnetometer. Secret Service personnel and police were positioned at every corner and in large numbers. Daily commuters, tourists and fans were all confounded at various times as they tried to maneuver the security.

New Yorkers forced to adjust

After traveling from his new home in Florida for the game, Knicks fan Greg Weldon said the main inconvenience he’s faced so far has been the lack of information.

“We’ve asked so many cops, Secret Service, guys with machine guns, what to do, where should we go,” he said. “Nobody knows.”

Knicks coach Mike Brown and Spurs counterpart Mitch Johnson downplayed any concept of being inconvenienced by the closures and enhanced security because of Trump.

“There’s a lot going on, and I’d much rather be a part of it than not,” Johnson said.

With security stepped up, a watch party outside was canceled, and ticket holders were not allowed to bring bags inside the Garden. Fans had gathered near the arena to watch games during this playoff run, during which the Knicks have won 13 games in a row to reach the Final for the first time since 1999 and move two victories from their first NBA title since 1973.

“We are looking forward to bringing back watch parties for Game 4,” Police Commissioner Jessica Tisch said at a news conference Monday. “But I think New Yorkers are used to presidents coming to town, and they understand that that generally means lockdowns of areas and that’s what you’re going to see tonight at the Garden.”

Incidents heighten attention to Trump’s security

This is the latest major sporting event Trump has attended during his time as president, and the security measures have created major hassles for fans.

Thousands of fans missed the start of last year’s U.S. Open men’s singles final between Carlos Alcaraz and Jannik Sinner because of lengthy security lines. Even though the U.S. Tennis Assn. pushed back the start of the match by a half hour, many fans still couldn’t get in because added measures meant that they had to go through screening not only when they arrived at the Billie Jean King National Tennis Center, but again in front of the steps into Arthur Ashe Stadium, where Trump watched from a suite.

Federal law enforcement officials have been reexamining Trump’s security in light of three incidents in the past two years: a shooting at a 2024 rally in Butler, Penn.; the discovery of a man armed with a rifle as Trump played golf in West Palm Beach, Fla., later that year; and the recent shooting at the White House Correspondents’ Assn. dinner.

Asked Sunday his thoughts on Trump attending, Knicks center Mitchell Robinson said: “Cool, I guess. We can still get out there and play [no matter] who’s here and who’s not.”

New York City Mayor Zohran Mamdani and other dignitaries were also at the game.

It was already hard enough for Knicks fans to get inside Madison Square Garden because of astronomical ticket prices. The get-in price for a ticket is higher than the average cost of monthly rent in New York, surging over $5,000. The best seats are tens of thousands of dollars. Mamdani said he bought his ticket, which he said was standing room only, for about $1,000 directly from Madison Square Garden.

The difficulty of seeing the game in person has prompted fans to crowd bars, streets and watch parties all over the city. The watch party near the Garden has become a major event all through the playoffs, but with Trump attending, that event was moved a few blocks away outside the security perimeter, at Bryant Park.

“We improvise,” said Knicks guard Jose Alvarado, who is a New York native. “We’re New Yorkers. We’re going to find a way to watch a game, and that’s what we’re doing.”

Whyno and Price write for the Associated Press.

Hall of Famer Lisa Leslie didn’t expect to ever get a statue outside Crypto.com Arena. After all, it had been 15 years since her jersey retirement and no other Sparks player was featured among the Lakers and Kings heroes outside the area.

After years of hearing from fans that she deserve to be immortalized, Leslie learned she would join Sue Bird in Seattle as the second WNBA player to be honored with a statue at a franchise’s home arena.

“One thing I never had on my bucket list was a statue,” Leslie told The Times on Thursday. “I grew up seeing the statues of some of the amazing Lakers, so I’m just really grateful to be alive and to be one of the first, especially in the WNBA for L.A. Sparks. It means a lot to me, and I’m really hoping that our community will really rally around it.”

The Sparks announced Thursday morning that Leslie will receive a statue to be unveiled during a ceremony on Sept. 20 before a game against the Portland Fire.

During her 12-year career with the Sparks, Leslie won three WNBA titles and league MVP honors. She also won four Olympic gold medals. She was the first player in WNBA history to dunk in a game and her No. 9 jersey was retired in 2010.

She was one of the Sparks’ original players in 1997 and is the franchise’s career leader in points, rebounds, blocks, field goals, free throws, offensive rebounds, defensive rebounds, minutes and games played, and is third in the WNBA in blocks and double-doubles.

“I’ve known Lisa for nearly three decades and believe that she is beyond deserving of this incredible honor,” fellow statue honoree and Lakers great Magic Johnson said in a news release. “She was the driving force behind bringing back-to-back championships to the Los Angeles Sparks franchise in 2000 and 2001, and Lisa’s hard work and commitment has made her one of the best to ever play the game.”

Johnson, who is part the Sparks ownership group, accepted responsibility for the team’s skid two years ago and promised to do more. The Sparks owners, who also own the Dodgers and Lakers, have responded to losing at a boom time in the WNBA by executing a coaching change, breaking ground on a new practice facility and installing the first Sparks statue outside Crypto.com Arena.

“Lisa’s legacy isn’t just measured by championships and accolades, though; it’s defined by the doors she opened and the standard she set for generations to come,” Johnson said in the news release. “More than an athlete, she is a pioneer, a cultural icon and a force who elevated women’s basketball to new heights. This statue celebrates her excellence, her leadership and the future she helped create, and it ensures her impact will forever be part of the fabric of this city.”

Leslie said that she noticed fans lobbying for her to get a statue beginning in 2019, and the timing for her and the Sparks felt right during the 30th anniversary season.

“It couldn’t be better with the new [practice] facility coming, the new CBA, everything is aligning so properly,” she said. “It’s more perfect than it would have been a few years before.”

The statue was created by sculptors Julie Rotblatt Amrany and Omri Amrany and will join 15 others outside of Crypto.com Arena, including Johnson, Wayne Gretzky, Oscar De La Hoya, Chick Hearn, Jerry West, Kareem Abdul-Jabbar, Luc Robitaille, Shaquille O’Neal, Bob Miller, Elgin Baylor, Dustin Brown, Kobe Bryant (2), Gigi Bryant and Pat Riley.

“I hope she looks good,” Leslie said of the statue. “People don’t realize how hard it is to make a statue look good. … They helped me to be super specific about every little thing down to my earlobe and fingernail tip. So I’m excited about all the little details that have been added that people can kind of find on their own as well.”

Movie theaters are no longer just for watching stories — they’re becoming live entertainment portals. In a pivot toward live music entertainment, AMC is launching a real-time, interactive concert experience across 300 of its locations.

Unlike the static concert films of the past, the new tech allows artists on a remote stage to see, hear, and respond to the theater audience, effectively turning your local cinema into a stadium.

Pop stars Bebe Rexha, Paris Hilton, Kim Petras and Maren Morris are the first headliners for the concert series hitting AMC screens this June. The program moves away from pre-recorded content, opting instead for live broadcasts that allow artists to perform for a national theater audience in real time.

The movie theater chain is partnering with live entertainment company, Arena One, to bring this technology to 89 markets across the country.

“This is a highly immersive, communal experience, combining the energy of a live concert with the scale, comfort, accessibility and affordability unique to AMC,” Adam Aron, the chief executive officer of AMC Entertainment said during an earnings call Tuesday afternoon.

These one-night-only live events are meant to simulate the look and feel of going to a concert in-person — without the often-pricey cost of admission. According to AMC, the prices for these tickets will range from $40 to $75, depending on the artist and the market.

“The next chapter of live shows isn’t about proximity to big venues, it’s about creating visceral, intimate, affordable live connection between artists and fans no matter where they are,” Rohit Kapoor, Arena One’s founder, said in a statement.

“Arena One gives artists a new cinema-native canvas to create live performances, while amplifying the raw energy and shared fandom that makes live shows unforgettable.”

Music has been a hot topic for movie theaters of late as the industry continues to navigate rough waters amid hopes of a durable post-pandemic recovery.

Between box office-topping biopics like “Michael,” documentaries like “EPiC: Elvis Presley in Concert” and concert films like the forthcoming Billie Eilish movie “Hit Me Hard and Soft: The Tour,” movies rooted in music are consistently drawing sizable and enthusiastic theater audiences.

Aron, AMC’s CEO, added, “We believe that this innovation can open an entirely new chapter in live entertainment while driving incremental attendance and revenue across our circuit.”

Skip Bayless is returning to ESPN’s “First Take” — but for a very limited time only.

Bayless will join Stephen A. Smith on Friday’s episode of the popular sports debate show in what the network describes as “a one-time reunion” between the two men who haven’t hosted the program together in nearly 10 years.

Bayless appeared on “First Take” from the show’s inception in 2007 until he left ESPN in 2016. Smith has remained on “First Take,” which he currently hosts with Shae Cornette.

It was Smith’s idea to bring back Bayless as a special guest, according to a person familiar with the situation but not authorized to discuss it publicly.

After leaving ESPN, Bayless joined Fox Sports, where he co-hosted similarly formatted show “Undisputed” — for much of the time with co-host Shannon Sharpe — from 2016- to 2024. He currently hosts a podcast, “The Skip Bayless Show,” and is a regular contributor on the digital sports show “The Arena: Gridiron,” starring Gilbert Arenas.

In 2024, Smith addressed rumors of Bayless possibly re-joining “First Take.”

“Skip Bayless and Stephen A. Smith, together as partners, working across from each other on a debate show, is over,” Smith said on his podcast. “It’s been over. And this is not the first time I’ve said it. There’s no negativity or shade being thrown on Skip Bayless. I have moved on.”