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Dwyane Wade is looking much more like himself these days.

That is, the statue of Wade outside of Kaseya Center in Miami now looks much more like the retired Heat legend than it did when it was unveiled two years ago. The sculpture’s new look, featuring a redesigned head by original sculptors Omri Amrany and Oscar Léon, was unveiled Friday.

The statue was meant to capture the iconic moment in 2009 when Wade jumped on a scorers’ table and declared, “This is my house!” Much of the public reaction, however, centered around how the piece looked less like the three-time NBA champion and more like Laurence Fishburne, Kelsey Grammer, Ken Norton Jr. and others.

“I heard the jokes. I saw the memes. I read the reactions. Everybody had an opinion about whether it actually looked like me,” Wade wrote in an essay published Friday on Substack. “At first, it was hard not to feel protective of it because I had spent so much time involved in the process. … But eventually, I had to take a step back and understand that the statue doesn’t belong only to me. It also belongs to Miami.”

He added: “I had to ask myself a pretty simple question: If people don’t feel that connection when they look at the face, why wouldn’t we try to make it better? So we listened and had honest conversations with everyone involved, and we all agreed to make adjustments to the head.”

When the statue was originally unveiled in October 2024, Wade had nothing but great things to say about it. He said it was his idea to immortalize that pose and that he had a lot of input on how the final product would look.

The original face on Dwyane Wade’s statue at Kaseya Center didn’t quite seem to capture the Miami Heat legend’s likeness.

(Lynne Sladky / Associated Press)

“I was just like, ‘Dude, that’s beautiful,’” Wade told reporters after the original unveiling. “Personally biased, I think it’s one of the best statues that’s been created because of what it represents for us and for me.”

Amrany also defended the statue at the time.

“We emphasized a two-second moment of his life when he jumped on the table and was in screaming mode,” Amrany told The Times in October 2024. “And that’s what it is, that’s what happens to the face when people are doing this activity, this facial activity.

“We are very dedicated to a very high detailed quality to deliver exactly what the exact photo is giving us. For somebody to say that this does not look like Dwyane Wade in action, they don’t know Dwayne Wade in action. Or they don’t remember that. And it’s OK for them to say whatever they want.”

Both artists explained the decision to revisit the project in a statement released to media outlets this week.

“After seeing the work at full scale and in its permanent environment, we identified opportunities to strengthen the portrait,” Amrany and Léon said. “We decided that the importance of Dwyane warranted making those refinements rather than accepting something we believed could be improved.”

According to Wade, “this isn’t about erasing the work that was already done or disrespecting the artists who put their time and talent into creating it. It’s about being willing to listen. It’s about recognizing when something carries meaning for more people than just yourself and being open enough to revisit it.”

He added: “I hope when people see it now, they see a better likeness of me. But more than that, I hope they see themselves. Because it may be my likeness, but it will always be our house.”

Based on the comments on an X post by the Heat showing off the changes, Heat fans seem to approve. As one person wrote, it’s the “first statue to have a redemption arc.”

While in London, they released their first English-language single, TRALALA, which topped YouTube’s daily music video chart on its release, ahead of videos from Shakira and Taylor Swift.

The music video was also their first to be filmed outside Turkey, with the group working with a largely British production crew in east London.

“Getting out from that safe zone was a bit stressful for us,” says Pınar.

Despite their hopes to perform on British and American stages, they’re keen to retain their Turkish identity.

“We want to reach a global audience with our Turkish songs actually, not with English ones,” says Sude Oktay.

“We want to teach people to sing in Turkish.”

Alongside Turkish girl group Hepsi, manifest cite the Spice Girls among their musical inspirations.

Pınar says her favourite Spice Girl is Baby Spice.

“Because of the pink. I’m pink and blonde, so it’s obvious,” she laughs.

They have also had the chance to meet one of the world’s biggest pop stars, Dua Lipa.

The British-Albanian singer met manifest backstage before watching them perform at her Sunny Hill Festival in Kosovo in July this year.

“She came to our backstage and said a lot of great things,” one member recalls.

“We really love her, her songs, her stage presence.”

The Atlanta Dream will host Games 3 and 4 of the WNBA Finals against the Golden State Valkyries in the building they will call home starting next season, not the one where they played most of their home games this year.

That’s good because State Farm Arena — home of the NBA’s Hawks and soon-to-be the fulltime home of the Dream — can seat around 17,000 people, while Gateway Center Arena — the WNBA franchise’s home facility since 2021 — can only hold 3,500 fans.

“This is what the players and the fans deserve,” Dream majority owner Larry Gottesdiener said in a statement. “We are grateful to all of the stakeholders who worked together to resolve the conflicts and make this happen.”

Things were looking pretty iffy for a while.

Game 3 will be played Oct. 21 at 5 p.m. PDT. The game was originally supposed to be played the following day, but a Sombr concert is taking place at the arena on that date.

Game 4 will take place Oct. 24 at 10 a.m. PDT. While that date wasn’t changed, the game was originally slated to start 2 1/2 hours later. The Hawks also pushed back the time of their home opener that evening by a half-hour to 5:30 p.m. PDT to help accommodate the WNBA game.

“The change of venue dramatically expands the seating capacity and ensures that the Dream will be able to provide an extraordinary atmosphere for the first WNBA Finals game to be played in the Atlanta market since 2013,” league commissioner Cathy Engelbert said in a statement. “We are pleased that thousands more fans across the Southeast region will have the opportunity to experience the ultimate WNBA action — the WNBA Finals — in person.”

The Dream played six regular-season games and all three home playoff games this season at State Farm Arena. Efforts to hold the Dream’s home Finals games at such area venues as Gas South Arena (around 13,000 seats) and Georgia Tech’s McCamish Pavilion (8,600 seats), didn’t work out, according to USA Today.

There has been no word on the venue for a possible Game 6 of the best-of-seven series, which the Dream are currently scheduled to host on Oct. 29, the same date as another Hawks home game.