announces

THE upcoming Eden Project Morecambe has unveiled its biggest attraction yet – a £4.5million immersive experience.

Called ‘The Elder Tree’ it will guide visitors through a unique journey when it opens in 2028.

The £100million garden attraction set to be built on Morecambe Bay has revealed its centrepiece called ‘The Elder Tree’.

It has been described as “one of the most significant elements” of the attraction.

It’s being built at the cost of £4.5million, which was donated from a charity lottery.

The 65 foot tree will guide visitors on a journey from its roots to the trunk hollows in a one-of-a-kind immersive experience.

SCHOOL’S OUT

Just 6 weeks until school summer hols! Cheap all inclusives where kids go FREE

CHEAP DATE

Our fave cheap European destinations with flights under £20 & hotels from £24pp

It is set to show people how to “reconnect” with and “restore nature”.

The Eden Project in Morecambe will be the newest of its kind in 25 years with the only other attraction being in Cornwall.

Inside the new attraction will be two very different experiences called The Realm of the Sun and The Realm of the Moon.

The Realm of the Sun has been described as “a bright, lush landscape of the near future — a place where humanity has rediscovered how to repair and re-engage with the broken rhythms of the natural world”.

The Realm of the Moon is as an immersive but “darker” space with a hyper-real rockpool which will have sped-up cycles of tides.

Also inside the domes will be 1.5 acres of landscaped gardens, which will open earlier than the other exhibits in 2027.

Other details that have been previously mentioned include hanging plants, mini gardens, a multi-sensory area, a waterfall and a ‘Town Square’.

Between the two realms, there is expected to be an area called Metronome, where visitors will buy their entry tickets.

There will be a 750-capacity Tidal Theatre, a 300-capacity restaurant and a shop at the attraction as well.

Once open, Eden Project Morecambe is expected to bring in around £80million to the local area. 

Andy Jasper, Eden Project CEO, said: “The funding has specifically secured The Elder Tree – which will sit at the heart of the experience for visitors.

“More than a striking landmark, it will help tell the story of our changing relationship with the natural world and inspire people to imagine what an incredibly positive future could look like.”

The National Aeronautics and Space Administration, better known as NASA, has unveiled the crew for its upcoming Artemis III spaceflight, a preparatory mission as the United States plans to return to the Moon.

On Tuesday, it was revealed that astronauts Andre Douglas, Frank Rubio, Luca Parmitano and Randy Bresnik will be leading the flight. Serving as a backup is veteran test pilot Bob Heintz, who is able to substitute into any role.

Their two-week mission will focus on collecting research and practising in-space docking procedures in preparation for a future Moon landing.

While no women were named to the Artemis III flight, the newly announced crew represents a range of experiences and backgrounds.

Making his first spaceflight is Florida-born engineer Douglas, 40, who was a backup crew member for NASA’s last major spaceflight, Artemis II, which flew a loop around the Moon.

Douglas will serve as mission specialist on Artemis III, and his presence on the flight will make him one of roughly two dozen African American people to travel to space, out of a population of hundreds of space travellers so far.

Also serving as mission specialist will be Rubio, a 50-year-old Salvadoran American physician who used to pilot Black Hawk helicopters for the US Army. He currently holds the record for the longest single-duration spaceflight by a US astronaut, at 371 days.

The oldest member of the four-man crew is its 58-year-old commander, Bresnik. A former US Navy test pilot and Marine, Bresnik is the only Artemis III crew member to have participated in a space shuttle mission, back in 2009. That programme has since been retired.

More recently, in 2017, Bresnik served as the commander for the International Space Station.

The fourth and final member of the Artemis III mission is its pilot, Parmitano, 49. He will be the only astronaut on the mission who is not a US citizen.

Born in Paterno, Italy, Parmitano has a background in his country’s air force. In 2019, he too served as commander on board the International Space Station, becoming the first Italian to do so.

“ Each of you possess a unique background,” said NASA administrator Jared Isaacman, who introduced the astronauts. “Your vast experience and unwavering dedication to NASA’s mission enables you to help make us and take this next great step in space exploration.”

The Artemis III mission will be a public-private partnership. Three rockets will blast off as part of the initiative.

One will carry the four-man crew into orbit around Earth in an Orion spacecraft. Another two rockets will bear aloft Moon lander models from Blue Origin and SpaceX, private firms owned respectively by tech entrepreneurs Jeff Bezos and Elon Musk.

The Orion spacecraft will then practice rendezvous procedures with each of the two landers, in preparation for similar manoeuvres during future Moon missions. The Artemis III flight is set to take off before the end of 2027.

“Artemis III will be an extraordinary demonstration of what is possible when the greatest aerospace companies across the United States, alongside our European partners, come together to showcase the technological might and ambition of the free world,” said Isaacman, a Trump appointee who has experience commanding private space flights for SpaceX.

Explosion prompts concern

The mood at Tuesday’s unveiling ceremony was celebratory, as each newly announced astronaut took the stage to soaring music and standing ovations.

But looming over the event were concerns related to the explosion of an uncrewed Blue Origin New Glenn rocket in Florida on May 28.

That blast sent a mushroom cloud billowing above the city of Cape Canaveral, and it caused severe damage to a launchpad complex where the takeoff was scheduled.

Representatives from both NASA and Blue Origin, however, took the stage to wave aside any concerns.

“While we recognise there are questions about how Blue Origin’s recent anomaly impacts our plans, setbacks are a learning opportunity,” said Jeremy Parsons, NASA’s acting deputy administrator.

He added that NASA was taking an “active role” with its partners to “ensure the right outcomes are achieved”. The private firms, in turn, were granted “unparalleled access” to NASA experts, technology and test facilities.

“We are confident that New Glenn will be ready for Artemis III, together with Blue Origin,” Parsons said.

John Couluris, a representative for Blue Origin, likewise described the May 28 explosion as an “anomaly”.

“We’ve redoubled our efforts and are moving forward,” Couluris said, describing Blue Origin’s factories as “running around-the-clock shifts” to be ready for the Artemis III launch.

“We will measure ourselves not only by our successes but how we respond to setbacks.”

Race to the Moon

The race to beat China’s space programme was another theme that cropped up during Monday’s ceremony.

Several speakers alluded to China’s growing lunar landing programme, a rival to NASA’s efforts.

Earlier this year, the China Manned Space Agency announced its intentions to place a person on the Moon by 2030. Already, in 2024, China became the first country to retrieve soil samples from the far side of the Moon using robotics.

But lunar missions have been a point of pride for the US, which holds the distinction of completing the first crewed mission to the Moon in 1969.

Last April, the Artemis II flight marked the US’s return to lunar travel. For the first time since 1972, a crewed capsule flew beyond low Earth orbit, and it broke records for the farthest crewed flight into space.

Next year’s Artemis III mission is set to build on that effort. The administration of US President Donald Trump has signalled it would like to see astronauts land on the Moon before the Republican leader’s term ends in January 2029.

NASA officials have also described the Artemis programme as a stepping stone to establishing a permanent base on the Moon. Various speakers on Monday highlighted that vision.

Couluris, the Blue Origin representative, called the Moon an “eighth continent” for humans to explore.

NASA scientist Nicky Fox, meanwhile, described the Artemis III mission as part of the preparatory work that would enable the US “to plant astronaut boots back on the lunar surface — to stay”.

But the US’s lunar programme has faced numerous setbacks, as NASA engineers work to address technical issues that could otherwise cause life-threatening situations in deep space.

Originally, Artemis III was supposed to mark the US’s return to the Moon, bearing a crew to the lunar surface. But in February, that plan was scrapped in favour of the present-day project, which focuses on conducting practice drills in low Earth orbit.

“We will use this mission to reduce risk for our future crewed Moon missions with lander test articles from both Blue Origin and SpaceX, to ensure we will beat China back to the Moon,” Parsons said on Tuesday.

“This mission is deliberately designed to take calculated risks so that future crews will be safer and ultimately successful when we put boots on the lunar surface.”

Still, officials applauded Artemis III as a major step towards human beings reaching the Moon once more.

In a recorded statement, Senator Ted Cruz suggested that the Artemis III mission would also put the US a step ahead of China.

“At a time of growing competition with China in space, this mission will strengthen America’s leadership, expand our economy, and help secure a lasting American lunar presence,” he said.

“When America commits to a mission, we lead and we succeed.”

Start sending out “Smoke Signals.” Phoebe Bridgers finally announced her upcoming phone-free arena tour, and it includes two spooky nights in the Los Angeles area.

Bridgers shared details about the Lost Tour on Friday morning, following a sold-out show the previous night at Madison Square Garden in New York City and a series of secret pop-up shows across the United States.

The tour will kick off in Indianapolis in September and cap off the North American run with back-to-back shows at Inglewood’s Intuit Dome on Oct. 30 and 31, fitting dates for the skeleton suit-wearing singer-songwriter. A European leg will follow in November.

All tickets for Bridgers’ surprise acoustic show at Madison Square Garden were sold for $20 or under, and proceeds were donated to the Community Justice Exchange’s Immigration Bond Freedom Fund, which provides bail support to ICE detainees. For the Lost Tour, Bridgers will donate $1 from every ticket sold for North American concerts to RAINN, the nation’s largest anti-sexual violence organization and operator of the National Sexual Assault Hotline.

A phone ban was also instituted at the MSG show and Bridgers’ previous pop-up sets, with attendees storing their devices in Yondr bags, which physically lock using magnets. The same policy will be in effect throughout the upcoming tour.

At the Intuit Dome, home of the Los Angeles Clippers, guests may not need their phones at all to access tickets or purchase concessions, since the arena is equipped with “GameFace ID” facial recognition technology.

The Lost Tour is Bridgers’ first full-band solo tour since Reunion Tour in support of her 2020 album “Punisher” wrapped in April 2023, though she has since toured as a member of the supergroup Boygenius. “Punisher” is her latest solo album, and her debut album with Boygenius, “The Record,” came out in 2023.

Though she debuted eight new songs at Thursday’s MSG show, she has yet to announce a new album.

Singer-songwriter Alex G will provide support on the tour’s North American leg, including the Inglewood dates, while former Black Country, New Road frontman Isaac Wood will support in Europe. The tour’s eerie imagery was created in collaboration with fine art photographer Gregory Crewdson.

In an effort to get tickets in the hands of fans, rather than scalpers or bots, there will be two days of presales before the general sale. Fans can register from now until midnight Sunday for lottery access to the Day 1 presale taking place Tuesday. There will be another presale Wednesday. Tickets go on sale to the general public June 12.

Bridgers last played in L.A. as part of a secret show at all-ages venue the Smell in February 2024, where Boygenius announced its hiatus.

In addition to touring, Bridgers has a role in the upcoming A24 feature “Primetime,” directed by Lance Oppenheim, which hits theaters in September.

Bridgers, who grew up in Pasadena and attended the Los Angeles County High School for the Arts, told The Times in 2022 that her music taste was shaped in part by her upbringing in L.A., where she attended massive music festivals and local Día de los Muertos celebrations alike.

“I learned that there can be fun in the darkness,” she said.

Serena Williams has shaken up the tennis world by announcing her competitive return to the game after a nearly four-year absence.

The 23-time Grand Slam winner and mother of two said on Monday that she will compete in women’s doubles at this month’s Queen’s Club Championships in the United Kingdom, where media reported she will play with 19-year-old Canadian Victoria Mboko.

The 44-year-old American great received a wildcard entry for the competition, which is seen as a warm-up for Wimbledon, the year’s third Grand Slam.

“I’m very happy. Me and Serena have stayed in touch, which is really, really nice because I really look up to her,” Mboko said at the French Open last week.

Williams ended months of speculation over a rumoured return with a cheeky social media video captioned: “Good news travels fast.”

‘It will bring people to watch tennis’

Former world number one Lindsay Davenport said she believes Williams could make an appearance at her home Grand Slam, the US Open, in a couple of months.

“It seems like she’s trying to work her way up maybe to the US Open, and those fans would be so ready to see her back on a singles court there,” Davenport said.

Williams won seven Wimbledon titles and six at the US Open before stepping away from the game in 2022. In doubles, she won six titles at Wimbledon and two at the US Open – all with her older sister Venus Williams.

Four-time major champion Naomi Osaka, who beat Serena Williams in the 2018 US Open final for her first major title, was excited at the prospect.

“It will bring people to watch tennis,” Osaka said. “I’m going to be tuned in to the first match, for sure. I think a lot of people are. Everyone knows Serena and Venus were my role models growing up, so it’s going to be cool to see her on the grounds again.”

Osaka was joined by several current players in sharing their excitement at the news of Serena Williams’s return.

“She’s a legend. It’s inspiring to see,” top-ranked Aryna Sabalenka said at the ongoing French Open. “I’m excited to see her play and probably face her. … It’s very good news for tennis.”

Coco Gauff, who looked up to Serena Williams growing up, chimed in as well.

“One of my biggest regrets was not being able to play her,” the world number four said.

Gauff also commented on Williams’s Instagram post, saying, “Dreams come true.”

Singles return on the cards?

Fellow American and former champion John McEnroe suggested Williams could compete in singles at Wimbledon, which starts on June 28 .

“She’s not getting any younger, but she’s Serena Williams, so I bet you she would tell me about wanting to win the whole damn thing,” McEnroe said in Paris.

The Queen’s Club tournament starts on Monday, and the Women’s Tennis Association (WTA) said Williams will play “with a partner to be announced in due course”.

“Queen’s Club feels like the perfect place to begin this next chapter,” Williams said in a statement. “Grass has given me some of the most meaningful moments of my career, and I’m excited to be back competing on one of the sport’s most iconic stages.”

Davenport said some current women’s players travelled to Florida to practise with Williams recently.

“I don’t think anyone’s admitted to that, but I do know that some of them were,” Davenport said. “So I think she has kind of a handle on where the level is. But I don’t know if she’s been playing a two-hour singles match, right? We’ll have to see how she can handle that physically.”

Williams, who has won 14 Grand Slam doubles titles overall in her storied career, became eligible to compete in February after reregistering for a mandatory antidoping programme six months earlier – the first step towards a comeback.

Davenport admitted that her former opponent would face a tough challenge.

“It’s not going to be easy. If anyone could do it, certainly, it could be her.”

Grand Slam social media accounts used more playful language to celebrate her return, using the goat emoji to symbolise her status as the “greatest of all time”.

Williams joins list of champions making comebacks

Williams is not the only top-level athlete with unfinished business as advancements in training and medical care have allowed for longer careers across several sports.

Seven-time track gold medallist Allyson Felix said this year that she would try to make the US squad in what would be her sixth Olympics. She is aiming to secure a spot on the mixed 4x400m relay team at the 2028 Los Angeles Games despite having previously said the Tokyo Games would be her last.

“It’s just ⁠⁠about testing the limits, kind of an experiment of what’s still left there,” the 40-year-old Felix, who gave birth to her second child in 2024, told the NBC TV network’s Today show last month.

Her fellow American Lindsey Vonn became the oldest downhill skier to win a World Cup race in December when she mounted a comeback after knee-replacement surgery.

Vonn, whose Milano-Cortina Olympics campaign ended abruptly with a horrific crash, was among the first top-level athletes to offer her encouragement to Williams on social media.

Vonn and Felix both celebrated Williams’s comeback announcement on social media.

In tennis, longtime Williams friend Caroline Wozniacki of Denmark made it to the fourth round at the US Open in 2023 and 2024 during her own comeback campaign while older sister Venus became the oldest WTA singles match winner since 2004 when she returned from a 16-month absence last year.

Serena Williams’s “return is an expression of her passion for competition”, WTA Chairwoman Valerie Camillo said in a statement on Monday. “I cannot wait to see her face a new generation.”

Another Brat summer is upon us.

Charli XCX announced Monday that her new album, “Music, Fashion, Film,” drops July 24, and it already looks iconic.

That’s because the cover art, which Charli shared on Instagram, features three icons within their fields. The Velvet Underground’s John Cale represents music, Marc Jacobs stands for fashion and beloved director Martin Scorsese symbolizes film.

“My new album Music, Fashion, Film is out july 24th,” Charli wrote on Instagram. “11 songs, 30 minutes, 5 seconds. available to pre order now, love you xx.”

She released the first two singles, “Rock Music” and “SS26,” in May. The latter, a shorthand for the fashion industry’s current “Spring, Summer ‘26” season, has an accompanying video that features the artist strutting down an X-shaped runway, singing, “We’re walking on a runway that goes straight to hell / Nothing’s gonna save us, not music, fashion or film.”

“Rock Music,” the album’s first single, was met with mixed reactions from critics and fans. The song telegraphs Charli’s genre switch from electronic pop to the titular rock music, announcing, “I think the dance floor is dead” over heavily distorted guitar.

“If I’d made another album that felt more dance-leaning, it would have felt really hard, really sad,” Charli told British Vogue in April. “What’s interesting for me is to bend the possibilities of what my perspective on [rock music] could be.” She later clarified on Instagram, “I never said i was making a rock album.”

“Music, Fashion, Film” is not the artist’s first album in 2026. She released “Wuthering Heights,” the soundtrack to Emerald Fennel’s movie of the same name, in February. Cale is featured on “House,” the soundtrack album’s lead single.

Charli has added acting and producing to her repertoire in recent years. She produced and played a somewhat fictionalized version of herself in Aidan Zamiri’s mockumentary “The Moment,” based on the “Brat” album cycle, which Times film critic Amy Nicholson called “ ‘Spinal Tap’ for the era of stan culture.”

She also co-starred in Daniel Goldhaber’s “Faces of Death” remake, released in April, and is set to appear in Gregg Araki’s upcoming erotic comedy “I Want Your Sex” and Cathy Yan’s art-world thriller “The Gallerist” by year’s end.

“I’ve always been really inspired by cinema when making my music, more so than listening to music, to be honest,” Charli told The Times at the Sundance Film Festival in January. “It’s an honor to be able to be acting, working on projects and writing and producing films. It’s kind of my dream.”