anniversary

A century and a half ago, Richard Wagner was running out of cash as he was preparing to stage his four momentous nights of opera known as the “Ring Cycle” when he got a message from the Women’s Centennial Executive Committee in Philadelphia. It offered him a princely $5,000 (around $150,000 today) to write a triumphant 12-minute orchestral score to open the Centennial Exposition in Fairmont Park celebrating the 100^th anniversary of the Declaration of Independence.

On May 10, 1876, Theodore Thomas, perhaps America’s most famous conductor at the time (he would go on to head the New York Philharmonic and help found the Chicago Symphony), led the premiere of Wagner’s “Grosse Festmarsch” with a 150-member orchestra, its brass and percussion so impressive that the addition of cannon fire Wagner suggested was not needed. The crowd was said to number well over 100,000. President Ulysses S. Grant attended and invited Emperor Dom Pedro II of Brazil to join him along with members of Congress and Supreme Court justices for what remains a unique Declaration of Independence spectacle and debacle.

The “Centennial March,” as it came to be known, turned out to be dreck. Even Wagner, who carelessly tossed it off in a couple of weeks, said the best thing about the score was the fee, which he had demanded to be paid in gold. But what sounds like something AI might come up with if asked to write a pompous march in the style of Wagner began the American obsession with celebrating the Declaration of Independence, the words and deeds of our presidents, our very democracy with the assist of the symphony orchestra and opera.

One hundred years later, the country was awash with federal, state, city and philanthropic funding for a music-happy bicentennial of exceptional ambition. “With millions available in hand and more money to come,” Time Magazine wrote in 1975, “the Bicentennial is the biggest bonanza for the American composer since Hollywood discovered the musical.”

And so it was. The centerpiece was the National Endowment for the Arts Bicentennial Orchestra Commissioning Project. That funded America’s six top orchestras to each commission a major work that all six would play. In addition, the NEA offered further support to 34 American orchestras for dozens more new scores.

Everyone got into the act. The New York State Council of the Arts alone sponsored 68 commissions. Orchestras everywhere came up with striking projects. The Pittsburgh Symphony, for instance, premiered L.A. composer John LaMontaine’s opera/oratorio “Be Glad Then America” that featured the folk singer Odetta as the Muse of Liberty and enlisted ROTC students to reenact the Battle of Lexington overhead the orchestra.

The National Symphony commissioned symphonies from Roy Harris and William Schuman as well as Alan Hovhaness’ “Ode to Freedom,” a lovely short violin concerto written for Yehudi Menuhin. The list goes on.

We are obviously not seeing or hearing much like that in a semiquincentennial year when our government’s green gets the most attention for promoting algae. Even so, the NEA does indeed have an “America250” project (though it does little to publicize it, let alone fund it on the scale of 50 years ago) that is promoting more than 50 artworks. In music, they range from the Montgomery Symphony’s premiere in February of Nkeiru Okoye’s oratorio “A Time for Jubilee,” commemorating the 60^th anniversary of the 1965 Selma-to-Montgomery civil rights marches, to a New West Symphony premiere last weekend of Michael Christie’s “A Ronald Reagan Portrait” at the Ronald Reagan Presidential Library and Museum.

The major East Coast orchestras are paying some attention. The New York Philharmonic premiered David Lang’s luminous “the wealth of nations.” The National Symphony got the most attention in its attempt to commission Philip Glass’ “Lincoln” Symphony, which the composer pulled in opposition to an un-Lincoln-like presidential takeover of the Kennedy Center. Glass then gave the rights to the Boston Symphony for a July 5 first performance.

The National Symphony did pull off the premiere of Peter Boyer’s “American Mosaic,” and it was to the Altadena composer that Philadelphia, this time around, entrusted its Declaration of Independence commemoration. Boyer’s multimedia oratorio, “A Hundred Years On,” was given its premiere by the Philadelphia Orchestra last month at the orchestra’s outdoor summer home, the Mann Center.

Upcoming will be a few repeat performances. Next month, “the wealth of nations” lands at the Aspen Festival, as does the “Lincoln” Symphony at the Cabrillo festival (with an L.A. Phil performance next season). “American Mosaic,” of which the Pacific Symphony was a co-commissioner, had its West Coast premiere in Costa Mesa last month and was scheduled to be performed at the Hollywood Bowl by the National Symphony in August, but that has now been replaced by Dvorak’s commonplace “New World Symphony.”

None of this comes close to comparing with the attempted civic zest of 1976. The NEA made it a matter of admirable policy that commissioned new works get multiple performances. Yet despite several of these being substantial works by some of our most noted and venturesome composers, few bicentennial commissions have survived. Even odder is that many of the composers did not necessarily feel compelled to explore nationalist themes. For them, American liberty implied freedom to simply write the kind of music they cared about.

The six works for the six orchestras were David del Tredici’s irresistibly over-the-top “Final Alice” (Chicago Symphony), Elliott Carter’s arrestingly impenetrable-on-first-hearing “Symphony for Three Orchestras” (New York Philharmonic), John Cage’s irrepressibly come-what-may “Renga” (Boston Symphony), Morton Subotnick’s brilliant electronic-landscaped “Before the Butterfly” (Los Angeles Philharmonic), Leslie Bassett’s introspective “Echoes From an Invisible World” and Jacob Druckman’s abstract-modernist “Chiaroscuro” (Cleveland Orchestra).

No orchestra has brought back its commission over the last half century, and only Chicago and New York recorded their commissions. No recording at all exists of L.A.’s, although Subotnick’s inventive uses of electronic music with a standard symphony orchestra went on to have considerable influence. None of these works, it appears, are likely to be heard anywhere in America this year, with one sort-of exception.

An explanation for that may be that, while 1976 was a fraught time for America — the country was recovering from the Vietnam War, we had a president and vice president who were not elected, there was runaway inflation, etc. — the music of the time represented optimism. Many works around the country explored new electronic music technology. It was the year Glass wrote “Einstein on the Beach” and Steve Reich created “Music for 18 Musicians” — the composers’ first masterpieces — demonstrating that Minimalism mattered.

That sense of liberation is clearly behind Del Tredici’s “Final Alice,” an hourlong romp around the ending of “Alice in Wonderland” for superhuman soprano and orchestra. It is so obsessively and addictively wild that its tamest moments sound like Richard Strauss on LSD. It does have a cult following although performances are few and far between.

Cage’s score is an abstract work based on the Japanese form of collective poetry known as renga, in which each poet attempts to write a line that is as distant as possible in meaning from the preceding line. Cage translates that to an independence of instrumental parts. While “Renga” can be performed alone Cage further suggests it be played along with an actual bicentennial work he wrote separately, “Apartment House 1776.” That is what Boston and the other orchestras did.

Indeed, “Apartment House” got the lion’s share of bicentennial attention and ridicule. When Zubin Mehta conducted it at the Dorothy Chandler Pavilion, the L.A. Philharmonic did not take it seriously and many walked out on it.

The work features four vocal soloists who represent Native American, Sephardic, African American and Protestant religious traditions, along with instrumental music based on early American hymn tunes. Everything is cut up and put together through chance operations into what Cage called a Musicircus. Under the circumstances “Renga” was hardly noticed, although two decades later, “Renga” came into its own when Michael Tilson Thomas famously conducted it with the San Francisco Symphony and the surviving members of the Grateful Dead.

Still the idea that “Apartment House” need not stand alone, that our traditions and those of long-ago Japan belong together, represented for Cage a future for America. We need not act like a superpower, he noted, but merely be one nation, no more and no less, among many.

We are obviously not that nation. A half-century later, “Apartment House” tends to exist mainly in its own right. An excellent London new music ensemble calls itself Apartment House. Detroit Opera recently staged it with a 2026 need to give the singers the opportunity to select their own music rather than reflect on our heritage. If American music in 1976 represented a collective, inquisitive, inventive American spirit of discovery, the semiquincentennial in the age of social media has become more about the individual identity.

As a sign of how we think about ourselves, the Los Angeles Philharmonic begins its Hollywood Bowl season five days after the 4^th with a program of American music conducted by Thomas Wilkins that opens with Valery Coleman’s “Fanfare for Uncommon Times,” which was written five years ago.

But for now, the work that stands out is Lang’s “the wealth of nations.” It balances harsh thoughts of how the promise of capitalism has failed society and how racism remains with music of stunning beauty and glory, to gently but forcefully show us, in our age of American dissatisfaction, the direction in which we might go to make us proud again. It needs many performances.

Demonstrators mark the second anniversary of a 2024 protest where 60 people were killed by security forces.

Kenyan police have dispersed protesters in the capital and detained others who took to the streets in memory of the demonstrators who were killed in anti-government rallies against tax rises two years ago.

Interior Minister Kipchumba Murkomen said on Thursday that a total of 355 people were arrested in various parts of the country. He called those detained “criminals” and apologised for the use of barricades and other security measures aimed at containing the protests.

“We regret the inconveniences occasioned by these measures, and at the same time appreciate their effectiveness in securing the city and other parts of the country,” Murkomen told reporters.

A correspondent for the Reuters news agency also saw police fire tear gas to disperse people who were gathering peacefully outside of Nairobi’s police station after forces detained six people outside parliament, where they had laid flowers.

According to the Kenya National Commission on Human Rights, organisers had planned to mark the second anniversary of the demonstrations that had left at least 60 people dead after protesters had breached parliament grounds in 2024.

But in Nairobi, shops and restaurants in the central business district remained closed as police set up roadblocks with water-cannon trucks.

Reporting from Nairobi, Al Jazeera’s Malcom Webb explained that the heavy police response to the protest was due to the government’s desire to avoid a repeat of the events two years ago.

“This comes following a series of different protests in recent weeks, some led by [President William] Ruto’s political opponents, others by transport unions over increases in fuel prices and a state of simmering discontent that hasn’t really recovered since that day two years ago when dozens of people were killed,” he said.

Opposition leaders joined the victims of alleged police brutality and families of protesters who were killed in the crackdown before they headed to parliament.

“As parents, we sought permission just to come here … to mourn and lay flowers for our children. But when we arrived, we were shocked because the police blocked us,” said Edith Wanjiku, whose 19-year-old son Ibrahim Kamau was killed in 2024.

“That is very shameful,” she continued.

“And one thing I would ask of President Ruto: those police officers who killed the children – because they are known – I am only asking for justice for those children and also compensation,” she added.

Protest organisers have said that they want a credible investigation into past police conduct and guarantees against the use of excessive force.

While Ruto has acknowledged what he called “instances of excessive and extrajudicial actions by members of the security services” and said last week that two billion Kenyan shillings ($15.5 million) had been set aside for victims of protest-related abuses, some activists have said it was not enough.

June 19 (Asia Today) — North Korea marked the second anniversary of its defense treaty with Russia on Friday by calling the agreement an “essential legal weapon” for achieving global strategic stability and pledging to further strengthen bilateral ties.

The Rodong Sinmun, the newspaper of North Korea’s ruling Workers’ Party, published an article titled “The Power of the North Korea-Russia Alliance Is Being Demonstrated More Forcefully” to commemorate the anniversary of the treaty.

The newspaper described the agreement as “a reliable guarantee” for establishing a new international order and securing a brighter future for humanity.

“It is the unwavering position and will of the government and people of our republic to permanently expand and develop the traditional North Korea-Russia friendship through close and multifaceted solidarity in all fields on the basis of the new interstate treaty,” the newspaper said.

North Korean leader Kim Jong Un and Russian President Vladimir Putin signed the Treaty on Comprehensive Strategic Partnership in Pyongyang on June 19, 2024. The agreement includes a mutual defense clause requiring either country to provide assistance if the other comes under armed attack.

The Rodong Sinmun said the treaty had led to an unprecedented increase in communication across politics, economics, culture, defense, diplomacy and security.

It also said cooperation had expanded in trade, science and technology, education, public health and the arts.

The newspaper cited the construction of a North Korea-Russia friendship hospital, the resumption of direct flights between Pyongyang and Moscow and North Korea’s participation in Russia’s war against Ukraine as results of the closer relationship.

“The victory of the sacred common cause of the peoples of North Korea and Russia is certain,” it said. “The great friendship between the two countries, forged in blood and growing stronger by the day, will remain immortal.”

North Korea has sent troops and weapons to support Russia’s war against Ukraine. Pyongyang and Moscow have presented their military cooperation as an implementation of the strategic partnership treaty.

Separately, Kim Yo Jong, the sister of North Korean leader Kim Jong Un and a senior Workers’ Party official, condemned a Group of Seven statement calling for the denuclearization of North Korea.

In a statement Thursday, Kim accused the G7 leaders of repeating what she called an outdated demand and said denuclearization was a matter that had been permanently closed.

“The nuclear weapons we acquired to defend ourselves after being subjected to constant and persistent nuclear threats from our adversaries should cause concern to no one except those who intend to harm us,” Kim said.

She said North Korea’s nuclear status was written into its constitution and portrayed the country’s arsenal as a defensive and retaliatory capability.

“Possession of nuclear weapons is our core interest that must be firmly defended, and denuclearization is an irreversible line that can never be crossed,” Kim said.

She warned that challenging the core interests of what she called a nuclear-armed state would be “the worst and most disastrous choice.”

South Korea’s Unification Ministry reiterated that Seoul remains committed to pursuing North Korea’s denuclearization through a phased and realistic approach.

“Our position remains unchanged that, based on reality, we must develop phased and feasible measures that are acceptable to both sides to achieve a nuclear-free Korean Peninsula,” Deputy Ministry spokeswoman Jang Yun-jeong said at a regular briefing Friday.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260619010006805

TOM Parker’s pregnant widow Kelsey has revealed her emotional struggle ahead of the first anniversary of her stillborn baby’s death.

Kelsey, 36, tragically lost her son Phoenix in June 2025 after he was born sleeping.

Kelsey has two children with The Wanted singer Tom, who died in 2022 aged 33, – Aurelia, six, and Bodhi, four – but had been expecting her third child with new partner Will Lindsay.

In May, she announced she is pregnant with her rainbow baby but she explained she is now set to tackle a bittersweet weekend.

Amid her pregnancy joy, it will be the one-year anniversary of Phoenix’s passing and in a candid Instagram upload, she admitted she “deeply misses my little boy and wish things had been different”.

Kelsey uploaded a selfie showing her in the sunshine, wearing a white vest top and sunglasses with a gold chain.

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In a frank message posted alongside it she put: “I’ve been really quiet on here the last couple of days.

“Truthfully, I’ve been working a lot, trying to keep busy and just processing the fact that Sunday is a big day.

“It’s Phoenix’s first anniversary and it’s Father’s Day too.

“Grief is a strange thing. Some days you can keep going and stay busy, and other days it all catches up with you.

“I’m learning that both things can exist at once. I can feel excited about this next chapter of life, be grateful for everything I have, and still deeply miss my little boy and wish things had been different”.

Giving advice to her followers, Kelsey added: “If you’re navigating grief, anniversaries or simply carrying something heavy right now, please know you’re not alone.

“As always… stop waiting, start living. But also, give yourself permission to feel it all”.

Recently, the brave mum appeared on ITV daytime series Good Morning Britain to reveal her home was “treated like a crime scene” after Phoenix arrived into the world.

Kelsey’s spouse Tom died in 2022, aged 33, following a brain tumour battle.

She previously admitted that that grieving Phoenix was “harder than grieving Tom” as she spoke on the Mum’s The Word podcast.

She shared: “It was so hard. I think with Phoenix, it was harder than it was with Tom.

“I think because they [her kids] were so much younger, it’s like I could just be like, ‘daddy wasn’t coming back.’ 

“And you know, when I said about the angels taking daddy, ‘we won’t see daddy again’, it was like they accepted that and we sort of moved on. 

“And now as time’s gone on, they asked me more questions about their dad and stuff, but that initial I suppose with Bod as well. He was 18 months old. It wasn’t a question that he even thought.”

At the time of Tom’s death, Aurelia was around three, and Kelsey’s co-host Georgia pointed out: “They were almost ages where they didn’t understand. 

“So you almost didn’t have to explain it too much. You obviously have to explain it, but it’s very different to having a child that completely understands, knows what death is”.

WASHINGTON — An upcoming celebration of the nation’s 250th anniversary, “The Great American State Fair,” recently had several musical guests back out, partly over the event’s ties to President Trump. Now, Trump himself is slated to headline the festivities.

“I understand Artists are getting ‘the yips’ having to do with their performance,” Trump posted on his social media platform Saturday. With a boastful and derisive flourish, he adding that he was thinking of bringing “the man who some say is the Greatest President in History (THE GOAT!), DONALD J. TRUMP, to take the place of these highly paid, Third Rate ‘Artists.’”

The group organizing the June fair on Washington’s National Mall, Freedom 250, confirmed the billing in a statement Saturday, writing, “We are excited to announce that President Trump will personally kick off this historic celebration on Wednesday, June 24.”

Danielle Alvarez, a spokesperson for Freedom 250, said the fair that is officially scheduled from June 25 through July 10 will feature exhibits, family friendly attractions, flyovers and musical performances — by those still remaining on the program.

Trump was dismissive of the acts that backed out, insulting them and suggesting in a follow-up post that the solution is to “Cancel it.”

“We should have a giant MAKE AMERICA GREAT AGAIN RALLY, for 250, instead of having overpriced singers, who nobody wants to hear, whose music is boring, and yet who do nothing but complain,” he wrote.

Freedom 250 is billed as nonpartisan, but it was launched last year by Trump and is led by a former State Department appointee from the president’s first term. Several artists, including Bret Michaels, the Commodores and Martina McBride dropped out last week.

Michaels and other artists have said that they were misled about the theme of the shows or were otherwise wary of being caught up in a political fight. McBride, in a statement on Instagram, said she had been “presented with an opportunity to perform at a nonpartisan event but that turned out to be misleading.”

Other artists plan to attend, including Flo Rida, Fab Morvan of Milli Vanilli and Vanilla Ice. The latter’s representative previously said that the “Ice Ice Baby” rapper was “proud to help celebrate America’s 250th Anniversary!”

Bedayn and Binkley write for the Associated Press. AP writer Eric Tucker contributed to this report.

WASHINGTON — Yet another White House construction project is underway, though this one is meant to be only temporary.

Crews are erecting an octagon-shaped cage on the South Lawn that will host next month’s UFC bout, helping mark the nation’s 250th anniversary — and President Trump ‘s 80th birthday.

Online renderings depict what the completed, wire-mesh-fence-ringed fight space is expected to look like ahead of the June 14 event. It will be ringed by a red, white and blue stage under a towering arch featuring stars and stripes patterns and two large screens carrying the action live.

The cage and stage will themselves be surrounded by thousands of temporary seats, including ringside space for a full marching band that can set the entire scene to blaring music.

The project is part of a series of events celebrating the semiquincentennial of the Declaration of Independence’s signing on July 4, 1776. Other planned functions include an IndyCar race that will pass by the White House and the Great American State Fair taking place on the National Mall.

Trump has said that the finished UFC project will feature “a 5,000-seat arena right outside the front door of the White House.” Additional large screens broadcasting the fights will be set up in a park at the nearby Ellipse, and the UFC has said it plans to issue as many as 85,000 free tickets to accommodate spectators at both locations.

“I have never seen anybody want anything so much as people want those tickets,” Trump said recently of demand to attend the UFC fight, adding, “That’s gonna be something.”

The card has been panned by fans online as underwhelming, featuring just two championship fights. Brazil’s Alex Pereira will meet France’s Ciryl Gane for the interim UFC heavyweight title. Then Spanish-Georgian lightweight champion Ilia Topuria takes on interim champ Justin Gaethje, one of just two Americans who currently hold even a share of the UFC’s 11 championship belts.

The octagon and surrounding structures are the latest project in the White House building boom Trump is leading.

The president’s other efforts to leave his mark include tearing up part of the Rose Garden to make room for a patio space reminiscent of his Mar-a-Lago estate in Florida, affixing partisan plaques to the wall of the colonnade for a Presidential Walk of Fame, redoing the bathroom attached to the Lincoln Bedroom and renovating the Palm Room, placing new flag poles on the north and south lawns and demolishing the entire East Wing for a sprawling ballroom.

The president also wants to repaint the Eisenhower Executive Office Building beside the White House and build a 250-foot arch at the nearby Lincoln Memorial — the same monument where weigh-ins for the upcoming UFC fight are scheduled to take place, bout organizers say.

Weissert writes for the Associated Press.

IT’S the news that all Mis-Teeq fans have been waiting for – the band have announced they are reuniting.

The noughties girlband, made up of Alesha Dixon, 47, Sabrina Washington, 47, and Su-Elise Nash, 45, shared their exciting news this morning.

Announcing the news in Vogue, the trio revealed they would be doing a one-off show at Wembley Arena in September.

Revealing why they got back together, Alesha said: “We’ve been offered reunion stuff over the years, but it’s never felt right.

““This time, everything just lined up.”

The BGT star added: “It feels like it is just slotting back into place, guys.

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“It’s just like it used to be – me saying too much and them two looking at me like, ‘Oh, here she goes!’”

The band’s reunion is to celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

The record, which came out in October 2001, peaked at No3 in the Official Album Charts and bagged them five Top Ten singles including All I Want, One Night Stand and B With Me.

The Sun revealed in January that the band would be getting back together.

A source said at the time: “Alesha has been excitedly talking about this for a while and would love a Mis-Teeq reunion with Sabrina and Su-Elise to happen.

“Fans shouldn’t expect a Girls Aloud-style comeback tour, though.

“At the minute, lots of things are being discussed and one thing that has come up is the idea of a one-off show. It could be an intimate gig for their die-hard fans or a performance on a big TV programme such as Britain’s Got Talent — which Alesha is a judge on.

“Nothing has formally been offered but nothing is off the table.

“Lickin’ On Both Sides launched Alesha, Sabrina and Su-Elise’s music careers and that record holds a really special place in their hearts.

“They want to celebrate that album with their fans.”

More on this story to follow…

Video shows German police violently hitting and pepper-spraying protesters as thousands gathered in Berlin to mark the 78th anniversary of the Palestinian Nakba.

Thousands of protesters marched through central London on Saturday to mark the 78th anniversary of the Nakba, the forcible displacement of 800,000 Palestinians during the creation of Israel in 1948.

SPICE GIRLS fans might not be getting a reunion tour for their 30th anniversary — but they could be enjoying something a lot more futuristic.

Victoria Beckham has confirmed they are in discussions about a hologram spectacular, a year after I revealed talks were under way with former manager Simon Fuller.

With a full-blown comeback looking unlikely, Posh said the girls all reckon a digital show would be “great” — and have already been chatting about it over dinner.

The concept would follow in the footsteps of ABBA Voyage, which turned the Swedish band into digital avatars and has been raking it in since launching in East London in 2022.

Victoria said on SiriusXM radio: “I think it would be a great idea.

“The principle of it would be great.

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“We were talking about it at dinner, but we’ll see.”

It comes after Melanie C poured cold water on reunion hopes, insisting a tour “is not happening”.

So fans shouldn’t hold out for the band hitting the road together anytime soon.

Still, a Spice Girls show without the stress of rehearsals, travel or arranging five schedules sounds very on- brand.

And if anyone can make Girl Power go digital, it’s music boss Simon, who first dreamed up ABBA’s avatar take

My insiders first told me of the girl-group’s plans last May, with Simon keen to celebrate their greatest hits with the show.

A source added: “Simon is desperate to have one last hurrah with the Spice Girls and this is his latest idea.

“He was the person who came up with the original idea for Abba and their digital show and he thinks this model could work perfectly for the group.

“Simon knows this plan would mean the band would be making money in their sleep and it would open up their music to a whole new generation.

“It’s a really exciting concept and he thinks he could make it work.”

Now he’s got Posh on board, I don’t think there is anything stopping them.

DAMON: TOO BUSY TO WIPE

SUCCESSFUL musicians can be lazy sods after years of having lackeys looking after their every whim.

And Damon Albarn has revealed he’s become so high and mighty, that he’s decided to stop doing anything not worth his time.

The result, my friends, is absolutely disgusting.

The Blur frontman said: “Sometimes I don’t even really wipe my bum properly.

“No, it’s not all the time, but you know what I mean. I just don’t allow many of the conventions that slow the day down to get in my way.”

Defending his toilet habit, Beatlebum singer Damon, insisted: “It’s more of the principle of the thing.

“If I’m in a hurry, I won’t waste extra time doing something that is not necessary to do at that moment.”

Remind me to never sit down wind of him at a party.

DUA TO LINE UP TOUR FILM?

HOLIDAY-loving Dua Lipa wore denim and stripes as she zipped off on another trip with her actor fiancé Callum Turner.

They have just returned from a romantic getaway to Copenhagen and she shared snaps online of them together and him tucking into a burger.

But it sounds like she may soon have a surprise up her sleeve, after sending fans wild with a message about a potential film of her Radical Optimism tour, which kicked off in November 2024 in support of her third album.

Dua shared a video on WhatsApp of herself performing and people screaming in the crowds.

In an accompanying note to fans, she wrote: “Happy 2 years of Radical Optimism . . . how should we celebrate?”

Her song End Of An Era features in new flick The Devil Wears Prada 2 and with the singer already hard at work on her next album, now would be the perfect time to close the book on her previous one.

OLIVIA’S STRIP TEASE BEFORE BARCA GIG

THE World Cup kicks off in just over a month and Olivia Rodrigo is already proving she’s on the ball when it comes to the beautiful game.

But rather than getting behind the US team, she’s more focused on La Liga champs Barcelona, teaming up with the Spanish club and Spotify to create a limited-edition jersey.

Perhaps we just forget about her trip to Stamford Bridge in 2023 to see Chelsea when it was proudly claimed she was a Blues fan.

The women’s team will wear the tops in their home match against Levante on Thursday. On Saturday, Olivia will play a Spotify Billions Club Live gig there.

Olivia, who follows acts such as Ed Sheeran, Drake and The Rolling Stones by featuring on the club’s kit, said: “Seeing ‘OR’ on a Barcelona jersey, I don’t even know how to process that.

“Getting to perform for the fans who’ve been listening since day one, in a city like Barcelona, is going to be special.”

EUPHORIA actor Jacob Elordi has broken his foot.

The Page Six gossip column in the US said the Aussie heartthrob’s injury means he is out of the running to be on the Cannes Film Festival jury, which he was expected to be part of.

The festival starts next Tuesday, but the injury means we are unlikely to see him striding down the red carpet.

HELL OF A START FOR DEVIL 2

THERE were plenty of doubters and mixed reviews – but The Devil Wears Prada 2 certainly hasn’t fallen out of fashion.

It has topped the box office worldwide, and over the weekend banked $233.6million, including $77million in North America.

That’s more than double the $27.5million the original 2006 flick made in its opening weekend.

It’s finally proof there is demand for female-fronted films, after male movies such as Michael and Project Hail Mary dominated in cinemas.

Meryl Streep, Emily Blunt and Anne Hathaway reprise their roles, with all eyes back on Runway magazine and its editor Miranda Priestly.

Unlike the fictional mag, there’s nothing to worry about with these bumper figures.

CAMERON DIAZ has become a mum for the third time, aged 53.

She and hubby Benji Madden, of rock band Good Charlotte, have welcomed a baby boy called Nautas.

The Charlie’s Angels actress, who had daughter Raddix and son Cardinal by surrogate, previously said she was conscious about being an older mum.

FUTRA LIGHT

RIHANNA gets fruity in an new shoot for her Savage X Fenty’s latest undies range.

The singer, who looked stunning in sett decorated with strawberries, wrote on X: “It’s giving everything but basic for your everyday basics.”

Rihanna has been really quiet lately, with all whispers of new music once again dying down – a decade after the release of her last album, Anti.

C’mon girl, it’s what we RiRi want.

KATY AND JUSTIN GET PICKLED

KATY PERRY and Justin Trudeau have got themselves in a right little pickle.

The singer proved her unlikely romance with the former Canadian Prime Minister had gone from strength to strength – when she shared loved-up photos on Instagram, including one of their personalised jar of pickles.

The label shows the couple under the name “Katy & Justin’s Pop + Policy Pickles.”

Customised jars like theirs set customers back £22, but she clearly enjoyed the savoury souvenir, given that she shared the photo with her 200million followers.

Katy, pictured with her arms wrapped around her boyfriend, will head out on a six-week tour next month with stops in Dublin, Cardiff, and Isle of MTV festival in Malta.

At least with this momento stashed in her suitcase, she will have a reminder of home.

BOBBY’S BOO TO ROCK SIRS

PRIMAL SCREAM frontman Bobby Gillespie has taken a swipe at rock royalty, accusing some of music’s biggest names of getting too cosy with the Royal Family.

The singer didn’t hold back as he blasted those who accept honours, taking aim at the likes of Sir Brian May, Sir Paul McCartney and Sir Rod Stewart.

At the launch of the David Bowie: You’re Not Alone immersive experience in London, Bobby said: “David Bowie was one of the few admirable rock stars who never took an honour from the Royal Family, which I think is incredibly cool.

“Maybe the coolest thing he ever did.

“The rest of them grovel on their knees, Bowie was like, nah. Too cool.”

Bobby made it clear his admiration for Bowie goes far beyond just snubbing a title, though.

He added: “I was a teenager in the Seventies so I’d be going to school in the morning and my mum would have the radio on and The Jean Genie would be blasting out, or Suffragette City or Golden Years.

“So since I was a conscious kid, a teenager, a pop music fan, he’s always been there.”

Bobby also praised Bowie’s constant reinvention, which he says helped shape his own band’s sound.

He added: “The way that he changed as an artist from album to album – he did different styles, as did The Beatles – that’s been a big influence on Primal Scream.”

ROBBIE WILLIAMS had to grin and bare it after breaking off half of his front tooth.

He shared this smiley selfie with the damaged gnasher on full display, telling his Instagram followers he hadn’t noticed it was missing until getting into bed with his wife Ayda Field.

Robbie revealed: “She said I look like Dumb And Dumber. Fair enough, I guess I do.”

But Rob is in Miami and his dentist is in Los Angeles, so he’s in a quandry over whether to fly five hours to get it fixed before his upcoming shows.

Whatever he does, I doubt he will be taking PALOMA FAITH’s advice.

She commented: “Knock them all out to match.”

That sounds more like a threat than a solution.

The passports are part of broader plans to celebrate the milestone anniversary of the United States Declaration of Independence.

United States President Donald Trump will feature on a new, limited-edition US passport being issued to mark the country’s 250th anniversary in July, officials said, the latest area of public life to receive Trump’s personal branding.

The commemorative passports are part of broader plans to celebrate the milestone anniversary of the US Declaration of Independence, with events planned across the country next July.

Images released by the White House and the Department of State on Tuesday show Trump’s portrait incorporated into the design, set against elements of the Declaration of Independence and the US flag. The rendering also includes the president’s signature in gold.

Another page will feature an illustration of the Founding Fathers signing the Declaration of Independence.

“As the United States marks its 250th anniversary in July, the State Department is preparing to release a limited number of specially designed US passports to commemorate this historic occasion,” said Tommy Piggott, a spokesperson for the US State Department.

The commemorative passports will be available to US citizens applying through the Washington Passport Agency, with distribution set to begin this summer and continue while supplies last.

Current US passports feature images tied to the country’s history and identity. The inside front cover shows a painting of Francis Scott Key after the Battle of Fort McHenry, when he saw the US flag still standing after an attack. This moment inspired him to write a poem that later became the US national anthem, with lines from it printed alongside the image.

Other pages include moments from American history, such as the Apollo 11 Moon landing, and symbols like the Statue of Liberty.

Trump links branding push to 250th anniversary plans

The passport redesign is the latest example of efforts by Trump and his administration to place his name, image or signature on institutions and initiatives across Washington and the country.

Some of those efforts have already been implemented. This year’s national park passes, for example, display Trump’s image alongside George Washington, a departure from the programme’s traditional focus on natural landscapes.

The United States Mint has also released draft designs for a $1 coin featuring Trump’s profile as part of the 250th anniversary commemorations.

Proposed imagery for the coin redesign includes his portrait alongside inscriptions such as “Liberty” and “In God We Trust”. The reverse depicts him raising a clenched fist in front of an American flag with the phrase “FIGHT FIGHT FIGHT”, referencing a chant he used after a 2024 assassination attempt at a campaign rally in Butler, Pennsylvania.

Trump has pushed Democratic Senator Chuck Schumer to rename New York’s Penn Station after him, linking the idea to the release of federal infrastructure funding, but the effort has failed to gain traction.

Trump has also placed his face on government buildings around Washington, DC, in the form of long banners.

Even the architecture of the US capital city is changing to reflect his tastes: Last October, he tore down the White House’s East Wing to build a massive ballroom, and he has plans to build a triumphal arch in the capital, similar to the one in Paris, France.

In December, Trump’s name was added to the Kennedy Center in Washington, DC, just one day after his hand-picked board members controversially voted to rename the art venue, the first time a national institution has been named after a sitting US president.

Within days, workers had added metal lettering to the building’s exterior, renamed as “The Donald J Trump and the John F Kennedy Memorial Center for the Performing Arts”.

JENNIFER Ellison looked incredible in a series of sexy photos celebrating her wedding anniversary.

The actress and former glamour model, 42, has been with her beau Rob for 18 years.

In commemoration of the special day Jennifer shared a series of snaps on her Instagram page, dressed to impress at the five-star Gleneagles Hotel in Scotland.

In the first snap Jennifer is wearing a sexy black strapless bodycon dress that falls at the knee.

It hugs her figure perfectly, accentuating her curves and snatching in her tiny waist.

She finished off the look by adding a pair of stiletto heels and curling loose waves through her long, blonde hair.

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Another snap shows Jennifer posing in a brown and white bikini while taking a mirror selfie in a hotel.

It features geometric patterns and high-rise bottoms, flaunting her flat stomach.

Later photos feature her and Rob posing by a mirror, both dressed smartly to enjoy a round of drinks.

Jennifer wore a black blazer and matching dress trousers, paired with large dark sunglasses and a matching black bag with gold accent details.

Meanwhile husband Rob opted for a smart navy shirt, smart trousers and a chunky watch.

Penned in the post’s caption, Jennifer gushed all about her man, saying: “18 years of me and you. Had the most gorgeous 2 nights away, from start to finish!

“Thank you for everything you have given me @tickle.rob Love doing life with you!

“My best mate, my husband, my partner in work and crime my everything. For as both as we long shall live.”

Jennifer finished the caption off by thanking a loved one for taking care of her sons while she was away with Rob.

Fans of the star left their love in the post’s comments section, wishing the couple all the best for their anniversary.

One user said: “Happy anniversary guys,” followed by a stream of red love heart emojis.

A second shared: “Such a beautiful couple.”

A third added: “Beautiful Jen, happy anniversary to you both.”

Jennifer and Rob tied the knot in October 2009 after only a year of dating.

Rob popped the big question in May of 2008 while him and Jennifer were on a trip to the Maldives.

Actress Jennifer played the role of Emily Shadwick in Liverpool-set soap Brookside between 1998 to 2000 before going on to play a supporting character in Phantom Of The Opera in 2004.

Today Jennifer mostly stays out of the spotlight, instead running her own dance studio Jelli Studios.

She prepares students who are interested in getting into the industry of dancing or musical theatre.

Jennifer also made a TV appearance in 2022 where she starred on Celebrity SAS: Who Dares wins.

ROBBIE WILLIAMS could be getting back in the studio — this time with boyband Blue.

It comes after Rob wrote the lads’ new single Flowers, which is on the setlist for the UK leg of their 25th Anniversary world tour.

Biz on Sunday’s Emily caught up with Blue members
Antony Costa, Simon Webbe, Lee Ryan, and Duncan James at the Eventim Apollo in Hammersmith, West London, this week.

The band are on their milestone tour following the release of seventh studio album Reflections.

Antony said: “We would love to work with Robbie’s people and that is the conversation that is happening.

“Karl Brazil (Robbie’s music director) is very much on our side.

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“He is championing Blue and us and the lads have spoken to Karl separately and together.

“You never know, watch this space.”

Antony revealed that Robbie reached out to the band after watching their story on the BBC documentary Boybands Forever.

He said: “It resonated with him because we were all young and he was a young lad in Take That.

“Take That went on a different journey than us, but we still wanted that same goal.

“Robbie has always been there and he’s been a big supporter of me and the boys.”

Duncan said: “We’re so lucky that after 25 years we’re still getting to sell out gigs, still touring around the world and we’ve got the adoration from the fans.

“We’ve had the nod from Robbie to write that song for us, so it’s almost like the industry is opening the door again and we’re feeling the love.”

Of their new hit Flowers, Duncan added: “A lot of people have said it sounds like a Robbie song as well.”

Blue are one of the few bands still touring with an original line-up.

Simon said: “One of the reasons we have stood the test of time is all four of us wanted to be in a boyband.

“Most are full of members who want to be solo artists but weren’t good enough.

“So all of a sudden you’ve got egos.

“We don’t understand why bands argue or why they don’t get on because when you’re a team, you’re a team player.”

The boys are playing at London’s Royal Hospital Chelsea on June 11.

I will get my prosecco and picnic blanket ready.

Tickets are on sale at myticket.co.uk.

Meanwhile, the band revealed Ellie Goulding got them to perform at her 70s-themed baby shower in January, ahead of the birth of her daughter Iris.

The boys sang their 2002 track One Love with Ellie.

Duncan added: “We didn’t realise she was a big fan of our music.”

SAM THOMPSON is stepping down from his role on Love Island: Aftersun.

The 2023 I’m A Celeb winner has been a panel regular on the spin-off since his stint in the jungle.

But an insider revealed: “Sam’s schedule is jam-packed and producers are going in a different direction so there’ll be a bit of a shake-up on Aftersun.

“ITV is really keen on harnessing new talent, especially plucking from its pool of influencers and TikTokkers to boost ratings.

“Sam may well return as a guest, but he won’t be a regular.”

A spokeswoman for Sam said: “He absolutely loved his time as part of the Love Island team and the show will always have a special place in his heart.”

NOEL SHOWS HIS SCENTS OF STYLE

NOEL GALLAGHER might have a thing for cigarettes and alcohol – but he also likes more refined smells, too.

The Oasis great shares the same taste in scent as suave Thirties and Forties playwright and composer Noel Coward.

He visited bespoke perfumer Azzi Glasser at her London studio.

Azzi, who has created scents for Kylie Minogue, Tom Hardy And Jude Law, charges £1,500 for a “fragrance workshop” to create a one-off scent to match your personality.

Noel spent £400 on candles and chose Vetiver scent by Floris London – favoured by Noel Coward.

Azzi revealed that Noel is also a fan of her £259 Mystere Vetivert.

She said: “It smells like you’re wearing a million dollars.”

IS THAT MADGE? CORSET IS

MADONNA returned to Coachella in the same jacket and corset she performed in 20 years ago as she joined Sabrina Carpenter for her headline set on Friday.

The sparkling duo performed the Queen of Pop’s hits Vogue and Like A Prayer before launching into a new song, I Feel So Free, from Madonna’s long-rumoured new album, Confessions II, set for release on July 3.

Madonna was delighted to stand four inches taller than Sabrina, who is just under 5ft.

She told the crowd: “The other thrilling thing I need to point out to everybody right now is this is probably the first time I’ve ever performed with someone who’s shorter than me.

“So, thank you for giving me that experience.”

In response, Sabrina shouted, “Amen!”.

Cute as a button.

’ROACHES ROLLING OUT AGAIN?

ROLLING STONES fans reckon there could be live dates on the horizon under their alias, The Cockroaches.

Rumours started after the rockers updated their website to include a poster of a 1977 surprise gig at El Mocambo Club in Toronto, attended by Princess Margaret , which was billed as a gig by The Cockroaches.

Keith Richards also posted a cryptic comment saying: “Great fun though huh?

A good rhythm section, a couple of mates, where else can you go.”

A source said: “There is a lot of buzz about this as next year it will be 50 years since the Stones last played live as The Cockroaches.”

TALIA MAR is hoping to work with DJ Sigala again.

The pair collaborated on 2022 dance track Stay The Night.

Asked if she would like to work with him this year, Talia told me: “Oh my God, yes. I was talking to him the other day. He is summer. I was like, ‘Can we get some new music please, because it is summer?’.”

Talia who has released new track Lady, will play at London’s Courtyard Theatre on May 16.

She said: “I want it to be really casual, I don’t want it to be glitz and glamour.

“Stripping it down is a really lovely moment.”

TIM’S CHILL TIME DOWN TO A TEE

TIMOTHEE CHALAMET has been enjoying some chill-out time on the beach.

After watching Justin Bieber at Coachella with his girlfriend Kylie Jenner last weekend, he headed for Miami to relax.

The Marty Supreme actor paid homage to his movie with a “Supreme” Wu-Tang Clan tee.

Tim was later seen catching some rays shirtless and sipping on a Coke.
Lovely.