Amy

CELEBRITIES have stepped out in their finery for tonight’s Pride of Britain Awards.

Looking sensational while hitting the red carpet, the likes of GK Barry, Amy Dowden and Helen Flanagan, Maura Higgins, Tasha Ghouri and many others have posed up a storm ahead of the emotional night.

The Pride of Britain Awards is an annual event that honours unsung heroes from up and down the United Kingdom.

The awards celebrate individuals who have demonstrated exceptional courage, bravery, and achievement.

They are awarded to those who have overcome adversity or made a significant difference in their communities. 

Stepping out on Monday night for the event, many famous faces gathered at the Grosvenor House Hotel in London.

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STUNNING STAR

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Helen Flanagan left onlookers stunned as she wowed in a black and white ensemble.

The very chic gown she donned was black with white edging and accents.

Sailing down to the ground, the sleek fitted dress was adorned in sparkling diamantes that glimmered beneath the lights.

Helen wore her blonde locks in an up-do and posed up a storm with her hand on her hip.

The dress had an ample amount of drama to it, and sailed down to the ground, trailing behind her.

Love Island and I’m A Celebrity… Get Me Out Of Here! beauty Maura Higgins stole the night in a completely sheer lace number.

Another Love Island alum, Ekin-Su Cülcüloğlu dared all in a very risque ensemble.

The stunning star wore a cut out black frock, which bared her hips and midriff.

She looked sensational in the corseted black gown, which was see-through and left little to the imagination.

Though the dress was made from lace and incredibly fitted, Maura’s frock boasted of a huge billowing train which jolted out from her bottom.

GK Barry was one of the first arrivals of the night, and turned heads in a sexy black lace gown.

The lace dress featured a high neck and sailed all the way down to the ground.

GK, whose name is Grace, wore her blonde locks in a sleek up-do.

Another early arrival of the night was Strictly Come Dancing star Amy Dowden.

The Welsh dancing sensation wore a striking purple frock for the occasion.

Ashley James was next to arrive, looking sensational in a metallic frock.

Posing for the cameras before heading inside to watch the prestigious and heartwarming ceremony, Ashley smiled as she displayed her stunning dress.

With a sweetheart neckline, the strapless silver gown had a corset-style upper and ruching on the midsection.

Love Island‘s Tasha Ghouri also brought the glamour on Monday night.

Stepping out in a strapless powder blue dress, Tasha looked amazing as she showed off her leg thanks to the thigh high split.

The dress had a drop waist and was ruched to one side, with the thigh high split showing off Tasha’s endless pins as the dress trailed behind her.

The Only Way Is Essex hunk Joey Essex also attended the star-studded evening.

He rocked a black suit with a white shirt, and looked ultra suave in the process.

Freddy Brazier and his pregnant ex-girlfriend looked content as they cosied up to one another on the red carpet.

He wore all green, while she opted for a lemon figure-hugging gown that displayed her bump.

Television starlet Carol Vorderman looked sensational in a sleek and slinky black gown.

Standing on the red carpet the former Countdown siren smiled sweetly as she showed off her slender curves in the understated frock.

Montana Brown channelled her inner autumn goddess as she wore a burgundy frock on the red carpet.

Looking amazing as she posed outside of the event, the former Love Island starlet held a black clutch bag as she rocked a neutral makeup look on Monday night.

Laura Kenny followed Montana’s lead in a wine-coloured frock.

The former professional track and road cyclist who specialised in track endurance events, showed off her toned pins as she posed on the red carpet.

EastEnders star Louisa Lytton made a statement in a fitted black dress, featuring a sweetheart neckline and red statement sleeves.

The stunning brunette completed the look with a red lip as she beamed on the red carpet.

Love Island’s Faye Winter wore a powdery lilac gown for the occasion.

The silk frock had a structured mid section, a lace upper, no straps and a mini train.

She wore her blonde locks down and in a wavy style, with her makeup kept glowy and bronzed.

Liberty Poole, also from Love Island, left little to the imagination in a plunging silver gown.

Showing off her cleavage, Liberty looked stunning as she wore the revealing dress with cutout sections.

Yet another Love Island alum, Gabby Allen, rocked a dazzling frock.

Showing off her slender figure, Gabby stunned onlookers as she pouted while donning a dark purple lipstick.

Emily Andre, Junior Andre, Princess Andre and Peter Andre attended the glitzy event.

Posing for a family snap on the red carpet, the foursome looked ultra glamorous and suave as she beamed for the cameras.

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Recent Love Island stunners Yasmin Pettet, Toni Laites and Shakira Khan attended as a trio.

Yasmin wore all black, Toni wore a white frock, and Shakira stunned in gold.

T.J. Holmes and Amy Robach, the former “Good Morning America” co-anchors who were embroiled in a cheating scandal in late 2022, are ready to tie the knot.

“We are sharing with all of you that we are engaged and we’ve been engaged for a month now,” Robach, 52, announced Tuesday on their “Amy & T.J.” podcast.

“We’re actually surprised we’re just now talking about it,” Holmes, 48, added. “We wanted to let you all know before anybody was able to. We learned that lesson I guess in the past about our relationship: We want to be the first to talk about it.”

The former ABC News personalities infamously found themselves at the center of controversy in December 2022, when several outlets reported they had engaged in a monthslong affair while they were still with their respective partners. Both Holmes and Robach began their ABC News tenures in 2014 and co-hosted the daily program “GMA3: What You Need to Know” starting in 2020. They were known among viewers for their playful interactions and onscreen chemistry.

News of the affair dominated headlines, prompting ABC to bench the anchors. Weeks after news of the scandal broke, ABC News parted ways with both Holmes and Robach. “We all agreed it’s best for everyone that they move on from ABC News,” a representative for the news division said at the time.

ABC filled the former co-anchors’ positions, and Holmes and Robach went Instagram official. Their respective ex-spouses also found comfort in their shared experiences and sparked up a romance of their own.

In December 2023, Holmes and Robach finally broke their silence together about their “year of hell.” The pair said they wanted to disclose their relationship before outlets including Page Six and the Daily Mail ultimately beat them to the punch. They also discussed the scandal’s toll on their mental health.

“We have had each other through it all,” Robach said during the debut of their podcast. “It has been the most beautiful relationship I have had in my life.”

AMY HUNT is prioritising “medals over men” as she adapts to life as a superstar athlete.

The 23-year-old shot to fame last month after claiming a silver medal at the World Championships in Tokyo.

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Following her achievement, Hunt claimed that she would celebrate with some karaoke.

Quizzed what she’d be singing, the confident star said: “Probably Maneater.

“That’s really boring but I feel like that was the vibe tonight, just sexy and aggressive.”

Hunt, who has a degree in English Literature from Cambridge, continues to have her eyes firmly set on further prizes.

Speaking to The Times, the 200m specialist said: “Obviously, as a female athlete, you also have to plan when you think motherhood is a feasible thing for you.

“But the world is very open to me and I will get a sense of what I want to do when the moment is right.

“I actually always joke to my coach, ‘medals before men’, that’s the quote of the day!”

Hunt has not ruled out balancing her blossoming athletics career with further studies.

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She added: “I change my mind on it every year. Immediately after coming out of university I thought about the V&A and doing a Masters — with the hope of maybe going on to do a PhD, because I always thought being ‘Dr Amy’ would be pretty cool.

“But then my mind changed and I think I’d want to actually work at a museum or gallery and curate.

“But then I’m like, no, maybe I’d do a law conversion because a lot of my friends did a law conversion out of English.

“And then maybe I’d do that, or maybe an Amal Clooney kind of thing.

“So my mind is always changing on that and I think I’ll only decide when I get to the end.”

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After last week’s worrisome Season 51 debut with Bad Bunny, it seemed like a 50/50 chance on whether the second episode of the season with guest host and beloved “Saturday Night Live” alum Amy Poehler would turn things around. Would the writing feel sharper and less obvious in the hands of a veteran sketch performer?

Poehler, host of the popular podcast “Good Hang,” made all the right moves and may have even overextended herself, appearing in almost every sketch, including the cold open and “Weekend Update” for a joke-off. You could (and should) give Poehler lots of credit for her boundless energy, which lifted weaker sketches, like one about a menopausal mom who goes goth and one where Poehler and Bowen Yang are the composers of the “Severance” opening theme (the joke is that their theme songs always start with a “Fresh Prince of Bel-Air”-like rap as their first draft).

But Poehler also benefited from much stronger sketch premises compared to last week’s, from a beautifully performed sketch about a TV psychic, Miss Lycus, who rushes everyone because she has a hard out at 7 p.m., to a spot-on parody of Netflix’s “The Hunting Wives,” with a guest appearance from Poehler’s “Parks & Recreation” co-star Aubrey Plaza. The writing afforded Poehler with big, broad characters, like a CEO giving birth during a meeting with her employees, the matriarch in a family of jerks called The Rudemans and an elderly lawyer who interrupts a TV commercial to one-up other lawyers on the basis of having the most experience.

Poehler also got a little help from some long-time friends and alums, including Tina Fey, appearing as Homeland Security Secretary Kristi Noem in the cold open, and Seth Meyers, returning to the “Weekend Update” desk with Poehler and Fey.

Maybe podcasting has allowed Poehler to store some stage energy to burst-fire on “SNL”; she put in a great performance for a solid episode overall.

Musical guests Role Model performed “Sally, When The Wine Runs Out,” with a surprise appearance from Charli XCX as Sally, and “Some Protector.” Before the close, “SNL” memorialized Diane Keaton, whose death was announced Saturday, in a title card. She never hosted “Saturday Night Live” but was portrayed on the show multiple times.

The cold open this week parodied Atty. Gen. Pam Bondi’s contentious meeting this week with the U.S. Senate Judiciary Committee. Poehler appeared as Bondi and responded to questions from Democratic senators with a series of withering insults she described as “roast-style burns I have on this piece of paper.” After mocking them and avoiding questions about the indictment of James Comey and the Jeffrey Epstein files, Bondi makes way for Noem (Fey, returning to “SNL” cold open politics), who joins in the mocking, telling one senator, “That makes me laugh more than the end of ‘Old Yeller.’ ” After being reminded that a dog gets shot at the end of that film, she responds, “Dogs don’t just get shot. Heroes shoot them.” While the first half of the cold open was shaky, with insults that weren’t landing despite Poehler’s forceful delivery, Fey’s appearance livened things up and ended strong with a call-and-response between Fey and Poehler that made fun of ICE recruitment ads. “Do you take supplements that you bought at a gas station?” Noem asked, “buckle up and slap on some Oakleys, big boy, and welcome to ICE!”

Poehler’s monologue was sweet, wistful and self-deprecating. “I found my first love here,” she said, “being famous.” She went on to describe her life now, saying, “I am a podcaster. If that’s not a recession indicator, I don’t know what is.” She also pointed out that this episode marked the actual 50-year anniversary of “SNL,” which first aired on Oct. 11, 1975. “Just like (host) George Carlin, I am extremely high,” she said. Poehler poked fun at AI actors who’ve been in the news and might want to take her job. “You’ll never be able to write a joke, and I am willing to do full frontal, but nobody’s asked me, OK?” she concluded defiantly.

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It may be a little late to the party (the show came out in July), but this mock trailer for Netflix’s “The Hunting Wives” hits all the right notes with Poehler as frequently topless Margo and Chloe Fineman as Sophie (Malin Ackerman and Brittany Snow, respectively, on the series). The trailer promises that as the women get hornier and drunker, thighs will be squeezed and guns will be drawn. Aubrey Plaza appears as a new wife from California and soon she’s being caressed by all the other women in the cast as they make mimosas. A few great lines from this one: “It’s like ‘Call Me By Your Name’ for women who shop at Bass Pro Shop,” and “Don’t watch it on a plane.”

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Pohler’s character in the Psychic Talk Show sketch was very funny, but the sketch about one-upping lawyers edges it out only because it goes to some extremely weird and dumb places for much longer than needed and incorporates what looked like the entire cast. What starts as a basic personal injury lawyer commercial explaining how the firm has 50 years of combined experience ends up including long-living turtles, Sarah Sherman as a vampire attorney named Dracu-Law, and an ageless tree, Yggdrasil (Yang), who once represented Zeus.

‘Weekend Update’ winner: Someday, that 13-pound baby is going to watch this

On a packed “Weekend Update,” Sherman debuted over-caffeinated Long Islander Rhonda LaCenzo, who rails against New York City mayoral candidate Zohran Mamdani. And Marcello Hernández and Jane Wickline returned as a seemingly mismatched couple discussing their Halloween plans. But it was an epic joke-off featuring past “Update” anchors Poehler, Fey and Meyers facing off against current ones Colin Jost and Michael Che to make fun of the birth of a nearly 13-pound baby born in Tennessee. “It was so big that he slapped the doctor on his ass!” Poehler began. Some of the better jokes: “The woman zipped around the room like a deflated balloon.” “Did she give birth or did it drive out?” “The baby’s name is AHHHHH!” Poehler rounded out the contest by declaring, “The record was for loosest vagina and the previous held… by me!”

Strictly Come Dancing professional Amy Dowden has opened up about her cancer journey, admitting that it can be ‘very difficult’ and ‘worrying’ at times

Amy Dowden has opened up about a “difficult” part of her cancer journey, admitting it was “worrying”. The Strictly Come Dancing star was diagnosed with breast cancer in May 2023.

The Welsh dancer revealed she was initially scheduled for a lumpectomy after doctors discovered the tumour. This surgical procedure involves removing just the cancerous lumps and some surrounding tissue.

Cancer Research UK explains that this is often the chosen route when the tumour only affects one area of the breast. However, an MRI scan revealed that Amy, 35, had more tumours than first thought.

This led to doctors deciding she would need to undergo a full mastectomy. Speaking on the Breast Cancer Uncovered podcast, Amy confessed that making such quick decisions about your health can be “very difficult”.

She shared: “For me everything happened so quickly, at first I was having a lumpectomy and then after my MRI, there were more tumours so I needed a mastectomy, and all of a sudden you’re trying to make these decisions so quickly and you’re not really thinking rationally because you’re so emotional, it’s very difficult within the time.

“I do think it’s so important to be given all your options and to understand fully. I also didn’t know what I was going to wake up with, that’s quite worrying and scary as well.

“I didn’t know if it was going to wake up with it open or closed, I didn’t know if I was going to have an expander in, or an implant. Even going down to surgery, and I wanted the honesty, you don’t know what you are going to wake up with or what it’s going to look like.”

Amy’s cancer diagnosis forced her to sit out the 2023 series of Strictly following chemotherapy treatment.

In February last year, Amy revealed medics told her they discovered “no evidence of the disease” in her body, paving the way for her Strictly comeback.

She made her return to the programme a year ago, paired with JLS singer JB Gill. However, she was rushed to hospital in October, pulling out of the competition on November 4.

At the time, a Strictly spokesperson said: “Sadly, Amy Dowden MBE will not be partaking in the rest of the competition this year. While Amy focuses on her recovery following a foot injury, fellow professional dancer Lauren Oakley will step in as JB’s dance partner.

“The health and wellbeing of everyone involved in Strictly are always the utmost priority. The whole Strictly family sends Amy love and well wishes.”

Caerphilly-born Amy has made her comeback to the current series of Strictly, teamed up with former Apprentice hopeful Tom Skinner.

The reality TV personality said: “I’m beyond excited to be joining Strictly Come Dancing. I’ve tackled the boardroom and some big breakfasts in my time but stepping onto the dance floor under that glitter ball is next level stuff!

“I’ve never danced in my life (other than at weddings) but I’m ready to graft and of course have a laugh. Bring on the sequins, sambas and most importantly, the BOSH to the ballroom!”.

AMY HUNT is sprinting herself to the top of the athletics charts after putting on a scintillating display in Tokyo.

The Team GB star secured a silver medal in the Women’s 200m final at the 2025 World Athletics Championship.

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And it was a result that reduced Hunt to tears with her podium finish being so unexpected.

SunSport can bring fans up to speed on the British sprinter’s background.

Who is Amy Hunt?

Born on May 15, 2002, Amy Hunt is a British sprinting sensation who was raised in Newark, Nottinghamshire.

Hunt rose to prominence when she set a new world record of 22.24 seconds in the Under-18 women’s 200m race in Mannheim, Berlin during the summer of 2019.

The talented Brit then went on to win gold medals in both the 200m and 4x100m at the European Under-20 Championships.

But then sadly, her transition into senior athletics was disrupted by COVID-19 before a serious leg injury in 2022 put her out of action for several months.

However, Hunt returned to the track late in 2022 and by 2024, the super sprinter found herself securing a bronze medal at the 2024 Diamond League in Stockholm.

She then went on to picking up her first title as part of GB women’s 4x100m team that took gold at the European Championships in Rome before finishing second in the 100m at the 2024 British Ahtletics Championships in Manchester.

All of the above helped Hunt deservedly earn a spot for Team GB at the 2024 Paris Olympic Games and her spectacular leg saw the Brits win a second medal in the 4x100m relay.

Now fast forward a year later, Hunt stunned the world by coming second in the 200m women’s final at the World Athletics Championships.

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What did Amy Hunt study at Cambridge University?

In 2020, Hunt started an undergraduate degree at Cambridge University.

She went on to graduate with a degree in English in 2023, where she was a Corpus Christi Alumna.

This delayed Hunt’s sprinting training as it only allowed her to start practicing in early June 2023.

However, she came fifth 5th in the 100m final at the British Championships and was part of the winning U23 British 4x100m relay squad in Espoo, Finland.

SIMI VALLEY — Jadyn Winsett twisted her new engagement ring around her finger, scanning the sea of navy sport coats, sailor stripes and string pearls at the Ronald Reagan Presidential Library for a glimpse of a Supreme Court justice.

Across the room stood Amy Coney Barrett, the high court’s youngest member, who could hardly have picked a more dramatic moment to turn up.

A day earlier, Barrett joined the conservative majority in a decision that cleared federal immigration agents to detain people in Southern California simply because they have brown skin or speak Spanish.

The response across much of Los Angeles was outrage and concern that the 4th Amendment has been trampled.

But at the Reagan Library, the mood was triumphant.

Winsett, 23, and her fiance were among the admirers who gathered to hear Barrett speak about her new memoir, “Listening to the Law.” For the supporters who turned up, Barrett evokes values cherished by President Trump’s faith-driven acolytes: beatific motherhood, Southern charm, Christian piety and steadfast constitutional originalism.

A Texas native, Winsett’s partner had popped the question two days before at Yosemite National Park. She said the proposal was the highlight of the couple’s California holiday. But the chance to meet Barrett at Reagan’s final resting place was a close second.

“I sent [my fiance] so many text messages in the span of a couple minutes just being excited that this event was going on, and we had to come,” Winsett said. “I’m a really big fan of Justice Scalia … so knowing [Barrett’s] book is supposed to bit of an expansion on Justice Scalia’s ‘Reading Law,’ that’s gonna be really cool. “

Jadyn Winsett, left, and Reese Johnson, a newly engaged couple from Texas, planned their trip to attend the justice’s book launch.

(Al Seib / For The Times)

Barrett said almost nothing about her controversial rise to the court or the jurisprudence behind her most contested decisions during Tuesday’s event, instead dishing out details about Justice Brett M. Kavanaugh’s race with the Nationals’ foam-headed Lincoln and Roosevelt mascots and how she’d brought Starbucks coffee to the Supreme Court cafeteria.

But the previous day’s immigration raid ruling still hovered in the air.

When asked to explain the court’s “shadow docket”, she ad-libbed a hypothetical all but identical to Monday’s real decision.

“Let’s say that some policy of the administration has been enjoined,” Barrett said. “The administration might say, ‘While we are litigating this case, having this injunction in place is irreparably harming us in a way we can’t recover from, so in the interim, please stay this injunction.’”

A packed room listens and watches monitors as Supreme Court Justice Amy Coney Barrett takes questions at the launch of her new book.

(Al Seib / For The Times)

Later, when asked about constitutional interpretation, she opined about the slippery text of the 4th Amendment, the same amendment implicated in Monday’s unsigned order.

“[Look at] the protection against unreasonable search and seizures,” she invited the audience.

“When you have a word like that, ‘unreasonable,’ there’ll be a range where everybody will say, outside of this, we all agree this is unreasonable,” Barrett explained. “Then, there’s a range right here where we all say this is reasonable. But then there’s going to be a band where there’s room for disagreement. One of the great things about the Constitution is that it leaves some of that play in the joints.”

People line up to get their book signed at the Reagan Library.

(Al Seib / For The Times)

Earlier in the evening, Barrett and her husband, Jesse, had paid their respects at the Reagan Memorial and briefly admired the chunk of Berlin Wall, flanked by a coterie of federal agents while protests raged outside.

Many in the crowd said they, like the Catholic justice, were devout Christian believers and credited her with casting the decisive vote to end abortion as a constitutional right in the United States.

“I’m a born-again Christian and I believe it was the hand of God that put her on the court … to be able to overturn Roe vs. Wade,” said Glovioell Dixon of Pasadena, who’d arrived hours before the program to beat the crowds.

Others were taken with Barrett’s command of the law — several mentioned the fact she’d barely used notes at her confirmation hearing — and her poise under pressure.

“She’s one of the smartest people I’ve ever observed,” said Elizabeth Pierce of Newbury Park, the lone red baseball cap in a field of cognac loafers and Chanel-inspired skirt suits. “This is the chance of a lifetime.”

A few even credited the justice for realizing their American dream.

Sean Chen, 52, of East Los Angeles said he’d just attended his daughter’s medical school white coat ceremony and praised Barrett’s 2023 ruling to strike down race-based affirmative action in the case Fair Admissions vs. Harvard.

“That’s directly related to the future of my kids,” Chen said. “Without the work from the Supreme Court [overturning affirmative action], maybe I wouldn’t even have that chance.”

A Chinese immigrant, Chen called the opportunity to learn from one of the nation’s nine law-givers part of his journey to becoming “spiritually American.”

Barrett divulged little Tuesday about her memoir, for which she was paid $425,000 in 2021, the first tranche of a reported $2-million advance, according to financial disclosures.

“We’re gonna pray we’re gonna get our books signed!” an event coordinator encouraged those near the back of the line as the sun set over the golden hills.

Die-hard fans were reminded not to try to snap selfies, though keepsake photos would be taken and could be purchased after the event.

Julia Quiroz, 23, left, and her mom, Gaby Quiroz, in line waiting to get their book signed by the Supreme Court justice.

(Al Seib / For The Times)

Julia Quiroz, 23, waited with her mother to have her book signed.

“I see her as exemplary in her vocation as a mother,” Quiroz said of Barrett.

Her mom, Gaby, agreed — mostly.

As a Catholic, Quiroz said she agrees with Barrett’s rulings on abortion, but despaired of realizing the family’s dream of ending the procedure from coast to coast.

“She’s going to do the right thing for the country and the law,” Gaby Quiroz said. “I don’t know that her decisions will always align with ours.”

Other attendees said they were in lockstep with Barrett and her rulings in support of the president’s agenda — whatever its impact on their neighbors.

“I’m very happy,” said Kevin Rivero of Palmdale. “She is ensuring the president has the power to do what the executive branch is empowered to do. As an L.A. citizen, I’m for it.”

Dixon, the Pasadena Christian, said she agreed with the Supreme Court’s ruling on immigration raids even though her ex-husband was once an undocumented immigrant, who could have faced deportation had they not gotten married.

“America’s for everyone. We’re a welcoming country, you know?” Dixon said. “Bring us your poor — what was that saying on the Statue of Liberty? That line? I’m all for that. But do it in a way that honors our country.”

Audiences once adored big adult comedies. Jay Roach’s champagne-fizzy “The Roses” is a seductive attempt to lure them back into theaters.

As bright, mean and ambitious as its lead characters, Theo and Ivy Rose (Benedict Cumberbatch and Olivia Colman), this resurrection of the ’80s-style R-rated crowd-pleaser is a remake of — or really, an across-the-room nod to — the 1989 hit “The War of the Roses,” which starred Michael Douglas and Kathleen Turner as divorcees who fight to the death over their fancy chandelier.

Inspired by the venomous novel by Warren Adler, both films are metaphors for building a home and then tearing it down, although the chandelier this time is merely incidental. This snarky, self-aware couple is the type to build themselves a smart house and name its system HAL.

The Roses meet-cute in a posh London restaurant when Theo asks to borrow Ivy’s knife to slash his wrists. He’s a morose architect who aspires to build risky, revolutionary designs. She’s a kooky chef whose signature seasoning is a mix of powdered anchovy and blueberry. In the cocktail of their marriage, he adds the bitterness and she adds the spice, qualities that can be either overbearing or harmonious. Their version of sweet talk is Ivy chirping, “Never leave me — but when you do, kill me on the way out.”

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Brutal humor and obstinacy bind these malcontents together for almost 15 years. Then her career takes off and his flops, upending their equilibrium. Now, they’re battling over who gets custody of their California dream mansion. Twins Hattie and Roy are secondary. (Delaney Quinn and Ollie Robinson play their kids at 10; Hala Finley and Wells Rappaport at 13.)

The script by Tony McNamara (“Poor Things”) unleashes the hilarious spouses to aim insults at each other like explosive corks. (McNamara is so skilled at putting cruel words in Colman’s mouth that he’s already helped win her an Oscar for “The Favourite.”) Theo and Ivy open the film skewering each other at marriage counseling, only to be aghast when the therapist advises them to split up. For a while, they stick together mostly to stick it to her, in defiance of the fact that contempt is the No. 1 indicator of divorce. “In England, we call that repartee,” Theo insists.

You wonder if their jokes keep them from honest communication and then you wonder if Roach, who came to fame as the director of “Austin Powers” and “Meet the Parents,” has ever been afraid of that himself. (For the record, Roach has been married to the Bangles’ Susanna Hoffs since 1993 and she here sings two cover songs for the soundtrack, “Happy Together” and “Love Hurts.”)

Mostly, you just enjoy the jokes. Colman, who burst into my awareness in the 2003 TV cringe comedy “Peep Show,” is fantastic throwing jabs around in costume designer PC Williams’ nouveau hipster wardrobe of bold, baggy lines. The actor even does an Ian McKellen impression just because. Yet, the surprise here is Cumberbatch, who seizes his rare opportunity to be flat-out funny, while occasionally rolling over to show Theo’s vulnerable belly. Flirtatiously pouting his lips at Colman, he coos, “How about a three-hour circular argument that goes nowhere?” How about three more Cumberbatch comedies for every awards-baity drama he does?

The story originally satirized materialistic baby boomers stymied by shifting gender roles. Both make interesting time capsules of the traditional man and the liberated woman who revert to smashing fusty china figurines like Neanderthals, although my sticking point with the first movie is that both Roses are too despicable. It’s hard to care about either one once you see how they treat each other’s pets.

But Roach has insightfully made this about people, not societal scapegoats. He and McNamara have changed up nearly everything in this disaster except its vibrations of dread. Since we already know that Theo and Ivy are in for a world of hurt, the film spends much of its running time rewinding to the past to prove how wonderful they could be together — and, more painfully, how sincerely they’ve tried to work out their kinks. We like Cumberbatch and Colman’s Theo and Ivy, even after they’ve become tantrum-throwing twits.

The details of their dissolution — career pressures, childcare clashes, petty jealousies — and its credible tit-for-tat dynamic are discomfitingly relatable. If this version has a larger sociological statement, it’s an indictment of how today’s quest for success is so all-consuming and exhausting that even if you can fit two egos in one house, you probably can’t merge their day planners. In the modern, highly visible, online-viralized game of life, earning money is merely Stage 1. Both Roses are driven to leave their permanent mark on the world.

Meanwhile, their two sets of American friends, Amy and Barry (Kate McKinnon and Andy Samberg) and Sally and Rory (Zoë Chao and Jamie Demetriou), are equally miserable and toxic. All four are such shallow snobs that they can’t imagine why Ivy would want to own Julia Child’s old stove when it’s, well, old. McKinnon’s Amy toggles through obnoxious progressive stereotypes: She’s a self-professed empath who pretends to be in an open marriage to wheedle Theo into bed. Barry, a depressive, gives Samberg a chance to show a deeper level of comic maturity, and also eventually doubles as Theo’s personal attorney. Otherwise, the script prunes the couple’s legal battle down to one scene with Ivy’s viperous lawyer, played by Allison Janney, who brings a rottweiler to the showdown and claims it’s her service animal.

The gags can be silly. There are two vomit scenes and a pratfall where Colman lands on her face. Yet, Roach and his team have put serious effort into their lovely symbology: a shot of Theo glumly walking down an airplane aisle from first class to coach, images of the cold Pacific crashing against rocks that recall his confession of feeling “waves of hatred” toward his wife.

When the film finally gets to its Grand Guignol climax, it rushes through the barbarity, taking no delight in it. I wanted to laugh but realized I’d fallen too much in love with Theo and Ivy, who are both so pitifully certain they’re in the moral right. The schadenfreude is just sad. It stings how much we root for them to kiss and make up. Still, despite the hasty ending, this splashy comedy deserves to woo grown-ups back to the multiplex. The Roses are estranged, but they’ve reunited us with our love for a genre — and it feels so good.

Which critics group will be the first to give Amy Madigan a prize for “Weapons”?

Might she be the standout of the summer, the one most deserving an award, other than the person who updated this billboard near LAX?

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. A forecast for a cosmic future in these parts? Hope, indeed, comes in many forms.

Madigan’s diabolical turn deserves a champion

Julia Garner and Josh Brolin in “Weapons.”

(Quantrell Colbert / Warner Bros. Pictures)

I’m going to tread lightly when it comes to spoilers for Zach Cregger’s horror movie “Weapons,” currently the No. 1 movie at the box office.

But I’m also of the mind that you should see “Weapons” knowing as little as possible about it. So anything I write could be considered a spoiler, though I should also note that I’m someone who never watches movie trailers and will go so far as to close my eyes and cover my ears in a theater to avoid them. Sometimes I think the only reason I’m still writing about movies is that the job allows me to see films in advance and not have them ruined. I love flying blind.

You probably know that “Weapons” follows what happens in an American town after 17 children disappear one night, all of them simultaneously running out the front doors of their homes, arms outstretched, at precisely 2:17 a.m. Cregger unravels the mystery from multiple, often overlapping points of view, calling to mind Paul Thomas Anderson’s audacious epic “Magnolia,” right down to the presence of a clumsy, mustachioed cop.

Well into the movie, we meet Madigan’s Aunt Gladys in a principal’s office at the school that the missing kids attended. All of the children were in the same class. Gladys says she is the aunt of the one child from the class who didn’t run off into night. There’s some understandable curiosity and concern over this boy, Alex (Cary Christopher, another standout in a very good year for child actors), and Gladys is here to reassure everyone that Alex — and his parents — are doing just fine.

Gladys is perhaps not the most reliable messenger. She is wearing a bright-red wig and multiple layers of makeup, a presentation that suggests she has spent a lifetime watching Bette Davis in “What Ever Happened to Baby Jane?” Something is off, and, hoo boy, are we about to find out what that something is.

Madigan is excellent, disarming and adept at concealing, to a point, the hidden core of good ol’ Aunt Gladys. Again, I’m treading lightly. If you’ve seen it, as I’m sure many of you have, you know just how delightfully insane her work in the movie is.

Critics groups love to reward the delightfully insane. They also love to champion genres, like horror, that tend to be marginalized at the Oscars.

So I’d expect some group — perhaps New York, maybe L.A. — could be eager to plant a flag for Madigan as a much-deserved, out-of-the-box supporting actress choice. She’s 74, has enjoyed a fine career on stage and screen and, along with her husband, Ed Harris, made a principled stand (or sit) at the 1999 Academy Awards, refusing to applaud when Elia Kazan took the stage to receive an honorary Oscar.

It’s easy to get swept up in the success of “Weapons” and the countless stories sifting through its ending and themes. Once the film leaves theaters and the fall festival awards contenders start dropping, Madigan will need a champion or two to put her back into the conversation.

History might be on her side, though: Davis earned a lead actress Oscar nomination for “Baby Jane.” And Ruth Gordon won the supporting actress Oscar for “Rosemary’s Baby” for the same kind of deliciously diabolical turn that Madigan gives in “Weapons.”

Plus, you know Aunt Gladys was taking notes on Gordon’s cosmetic routine in “Rosemary’s Baby.”

I’ll be back in your inbox Monday. Thanks, as always, for reading.

Read more of our summer movies coverage