Amy

Amy Winehouse’s dad Mitch was left devastated last month after unsuccessfully suing two of her pals for selling some of the star’s belongings.

But now Amy’s closest friend, fellow singer Tyler James, has revealed he plans to auction off more items which were once owned by the late superstar.

Last month the High Court ordered Mitch to pay almost £1million in legal fees after he lost his case against Amy’s stylist Naomi Parry and her pal Catriona Gourlay.

Both women insist they were either given or loaned the items they sold by Rehab singer Amy, and had not stolen them — as Mitch claimed.

And Tyler told how he had been upset when his own Amy auction had to be cancelled after Mitch called in the lawyers.

Handwritten song lyrics and Amy’s red bowling shirt were among the lots he had planned to sell at auction.

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Tyler told me: “I’ve been through hell. I just couldn’t deal with it.

“Sotheby’s explained to me that due to Mitch’s lawyers contesting ownership, they couldn’t go ahead with the sale and that I needed a lawyer. I felt as if I had done something wrong.”

Tyler and Amy met at the Sylvia Young Theatre School and lived together for several years until her death from alcohol poisoning at the age of 27 in 2011.

Tyler — who appeared on The Voice UK in 2012 — now hopes to restart plans for his own auction, saying that last month’s High Court ruling “changes everything”.

He said: “I loved Amy more than anyone else in the world.

“I supported her through all the years of drug addiction, self-harm . . .  you name it. I wanted to protect her.

“We had been through so much together, and nothing can take away what we shared — not possessions.”

Of the previously cancelled auction, he said: “I don’t know why he [Mitch] stopped it. He knew how much Amy meant to me.

“Shortly after she passed away, we went to Amy’s place and there were two pillows on her bed. He gave me one of them.”

Of Naomi and Catriona’s recent court victory, Tyler added: “I don’t speak to the girls much any more, but I’m really pleased for them.

“But maybe — and this sounds selfish — I’m much more pleased for myself. I haven’t decided what to do yet, but I will be ringing Sotheby’s.”

October marks two decades since the release of Amy’s second — and most successful — album, Back To Black.

Something tells me fans will be lining up to bid on whatever treasures Tyler has.

It’s Paris fashion chic . . . 

No fashion is tutu much for Paris Hilton as she poses in this striking mini-dress from a new collection she has helped design.

The socialite has teamed up with Betsey Johnson for a new range, which is launching this week to celebrate the US designer’s 84th birthday.

This white bow dress costs $119 – around £88 – and it sounds like they had a hoot designing it.

Paris told People mag: “We had the best time brainstorming together, playing with looks at fittings, and making TikToks on set.

“She has this magnetic energy that lights up the room, and getting to create something with her has been such a dream.

“She is just as fun, original and full of personality as her clothes, and she brings so much creativity into everything she does.”

Rihanna doesn’t lack drive

Rihanna had a full-circle moment as she took her kids to the home she grew up in – but they didn’t look too impressed.

She shared photos on Instagram of herself with sons RZA and Riot, as well as daughter Rocki, outside the modest property in Barbados.

The street was originally named Westbury New Road but was renamed Rihanna Drive in 2017 – and her childhood crib is now a tourist attraction.

The Umbrella singer wrote: “One minute I feel like that kid from Westbury. The next minute I’m bringing my own kids back to ‘Rihanna Drive’. Trippy how life works!”

Julie hangs up her ‘Princess’ crown

She made two of the most famous movie musicals in Mary Poppins and The Sound Of Music, but Julie Andrews’ days on screen are definitely over.

The Surrey-born star, now aged 90, announced she has retired from her acting career, but will still pursue other creative paths.

It means she will not star in Princess Diaries 3 – currently in development – after playing Queen Clarisse Renaldi in the 2001 original and 2004 sequel opposite Anne Hathaway as Princess Mia.

Explaining how she passed up the chance, she said: “I think I’m retired, really, would be about the best description for that. The film’s team asked me all last year if I would be keen to do it.

“It was very, very hard to say no, but I did because I felt I had a wonderful ride, and this one would flourish very well and wouldn’t need Granny going in there at my age.”

Julie’s last on- screen role was in the children’s Netflix series Julie’s Greenroom.

In a separate interview, she added of Princess Diaries 3: “I’m not going to be in it. I think the story is slightly different, and I’m not quite sure how they’re dealing with that.

“But it’s too late for me to do it.”

Be a prop star at sale

Pop culture fans can bag themselves something special as Propstore is putting on one of the biggest-ever auctions of signed memorabilia.

More than 1,700 film, TV and music props will be up for grabs, including a 1997 Spice World T-shirt signed by the Spice Girls, and a Back To The Future poster signed by Michael J. Fox, Christopher Lloyd and other cast members.

Other notable lots include a replica sword from The Bodyguard autographed by Whitney Houston and Kevin Costner, and a vinyl LP from the cult movie Labyrinth, signed by one of its stars, David Bowie.

Before the live auction, which will run from August 26 to 29, you can see the full list of lots for yourself at propstoreauction.com.

Frankie’s binge too far

Who said the world of pop music was full of boozy antics?

S Club Juniors and The Saturdays star Frankie Bridge has revealed she’s just had her first hangover – years after her music career ended.

Speaking on the Bottoms Up podcast, she admitted: “I’m not a massive drinker. I’m a massive lightweight. I actually just had my first proper hangover last week – at the age of 37.

“It was honestly the worst day of my life and I was so pathetic, I cried. I washed my hair and then I couldn’t brush it so my friend Leah had to brush my hair for me and I was like, ‘This is a new low’.”

It came on the last day of her holiday after a night drinking mojitos, but she added: “I was fine by the time I got home and went in the gym.”

Trust me Frankie, if you were still able to go to the gym, you would never want to experience my hangovers.

Blur drummer Dave Rowntree says another reunion is a “question of when rather than if”. The band last played a gig two years ago, and he said: “I seem to remember us at Heathrow, saying, ‘We’ll do that again’. That’s my take.”

Spotify fake alert

Spotify is going to start flagging AI artists so that listeners know if they are getting computer-generated rubbish.

The streaming platform said fake acts’ profiles will be labelled “AI personas” and their music will be excluded from recommendations via its algorithm.

It’s hoped the crackdown will deliver a boost to real musicians and prevent artificial acts from taking over.

Spotify said: “True artist-fan connection can only be built on a foundation of trust and authenticity.

“In music, that means listeners need to be able to trust that the artist behind the music is who they say they are.

“That’s more essential than ever in the age of generative AI.” Good for them.

Country twist for ‘rock’ star

Dwayne “The Rock” Johnson showed off his vocals in Moana and its sequel, as well as in the new Disney live-action remake.

Now the hardman actor is eyeing a career as a singer – by getting into country music.

The former wrestler said: “Music has always been such an anchor for me, and very specifically in genres that I love, like traditional country music.

“We’re exploring that now. I’ve reached this point in my life and career where, honestly, when I wake up in the morning I swing my legs out of bed, and whatever the thing is that I’m doing, I wanna feel like I’m just running towards it.

“And the most gratifying things we do are when it’s for us, because we have enough pressure to deliver for so many other entities.”

Country music is on the rise, with US singer Luke Combs playing three sold-out shows at Wembley Stadium last month, while Taylor Swift went back to her country roots for her Toy Story 5 soundtrack single I Knew It, I Knew You, which topped the charts.

But Dwayne will be keen not to follow in Hollywood star Will Smith’s footsteps. Last year, he released his comeback album, Based On A True Story – but it sold just 268 physical copies in the UK in its first week.

I have faith The Rock won’t settle for that type of knockout.

Hunt could have as many as three opportunities to add to her tally this week, as se competes in the 200m and both the women’s and mixed 4x100m relay events.

Typically not the quickest off the blocks at almost six-foot tall, Hunt was seventh in the eight-athlete final after the first 10m.

But she held her form superbly to overhaul her rivals and end her wait for gold, just two years after finishing seventh in the previous European final in Rome.

“I just had such a magical feeling,” Hunt said.

“I’ve won English Schools here, raced here as a 13, 14-year-old. I just had a feeling that this was going to be my night.

“My first gold. I think it was definitely time for an upgrade, and I’m now kind of fully established.”

British record holder Asher-Smith lined up in Birmingham as the defending champion – but the 30-year-old could not force her way into medal contention.

Asher-Smith, bidding to win a historic seventh gold and become the joint-most successful athlete in the history of the championships, finished fifth in 11.10, as Poland’s Ewa Swoboda (11.02) and Belgian Delphine Nkansa (11.06) completed the podium.

Like Hunt, Asher-Smith will have further opportunities to draw level with Croatian discus thrower Sandra Elkasevic and Norway’s Jakob Ingebrigtsen, who earlier won a superb 5,000m gold on his comeback from injury.

Both will return to action on Wednesday, when attention turns to the women’s 200m medals before the weekend’s relays.

AMY Childs has broken her silence after taking time away from social media following a break-in at her £1.7million mansion.

The former Towie star, 36, addressed concerned fans after the terrifying incident last week.

Amy wrote: “I’ve taken some time away from social media recently, so thank you so much for all the lovely messages and for checking in on me. I’m absolutely fine, I promise!

“I’ve just been enjoying some time with my family, slowing down a little and, behind the scenes, I’m working on something SUPER exciting.

“I can’t wait to share it all with you very soon!”

Amy is mum to Polly, nine, Ritchie, seven, and three-year-old twins Billy and Amelia, whom she shares with her husband, Billy Delbosq, 42.

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It comes after The Sun revealed that the former Towie star’s £1.7million Essex mansion had been “ransacked”.

The property is a stunning five-bedroom mansion complete with a cinema room.

The family had been enjoying a sunny holiday before returning to discover their home had been broken into.

A source told us on Tuesday: “Amy and her family returned from holiday to find that thieves had broken into her home and completely trashed the place.

“She’s absolutely heartbroken.

“She is just grateful that she and the kids were away when it happened, because it would have been terrifying if they had been there when the burglars came.

“She can’t even bear to think about that, but it’s still left her shaken.

“At the moment, she isn’t sure exactly what’s been taken as the place is totally wrecked and police have been there along with forensics.

“It’s a total nightmare and really freaked her out.”

A representative for Amy confirmed the burglary and said: “No one was hurt, which is the main thing. The police are all over it.”

AMY Schumer has displayed her incredible 50lb weight loss in a bikini while soaking up the sunshine.

The 45-year-old actress and comedian, who revealed last year that she was taking weight loss jab Mounjaro, has shown off her slender figure on a boat.

“I never knew there would be days like this. No filter as per ushe,” Amy, who filed for divorce from her husband in January, penned in the caption.

Fans and friends flocked to the comments to swoon over the stunning snaps.

“I’m so happy you’re happy,” said one person.

“So beautiful, Amy. Happy and thriving,” wrote another.

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“Sensational,” gushed a third, while a fourth said: “Yeah get it girl!”

More than a year ago, the Trainwreck star revealed she was taking Mounjaro in an Instagram video.

In the video she shared last March, Amy noted how the drug is not covered by insurance unless a patient has diabetes or severe obesity.

“Which most of the internet thinks I have,” she joked.

“But I’m having a really good experience with it, and I wanted to keep it real with you about that.”

Amy previously confessed to having taken Ozempic and having a “horrible experience” with it.

Speaking on The Howard Stern show, she said: “I have this gene, GDF15, which makes you extremely prone to nausea, which is why I was so sick during my pregnancy.

“So, I tried Ozempic almost three years ago and I was, like, veteran.

“I was, like, vomiting — and then you have no energy. But other people take it and they’re all good. God bless them.”

She explained how she “lost 30 pounds so quick” but noted how the nausea she experienced was awful.

In 2024, the actress and director revealed she had been diagnosed with Cushing’s Syndrome, which was caused by having steroid injections in high doses.

She then spoke out about how the trolling she received over her “moon face” led to her diagnosis.

Speaking on the Call Her Daddy podcast hosted by Alex Cooper last year, she said: “A year ago, the Internet really came for me.”

Amy was referring to how last January she appeared on The Tonight Show Starring Jimmy Fallon, when people commented on her “puffy” and “swollen” face.

JULY 23, 2011, was one of those days when most of us remember where we were.

It was the day Amy Winehouse died.

In my case, it was a music festival in Gateshead on the banks of the river Tyne.

The tragic news spread through the crowd like wildfire that balmy late Saturday afternoon.

The initial reaction was a combination of shock and dismay at the loss of Britain’s finest female singer.

But, for me and for those I spoke to that day, there was also an air of inevitability about Amy’s death at 27, joining an unwanted “club” with Jimi Hendrix, Janis Joplin, Jim Morrison and Kurt Cobain.

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She was a shooting star, burning bright for a fleeting moment and then she was gone.

Fifteen years on from her passing, the love for Amy and her music only gets stronger and deeper.

She had the voice, the image, the songs, the wit, the heart and the soul — but the story she told through her music was also filled with pain.

Her second album Back To Black charted in unflinching detail her turbulent relationship with Blake Fielder-Civil as well as her persistent problems with alcohol.

Of course, it scored an emotional bullseye with her listeners, becoming a ­Grammy-grabbing chart-topping sensation.

Rehab, You Know I’m No Good, Love Is A Losing Game, Tears Dry On Their Own and the title track are all indelibly etched into our collective consciousness.

Though she drew comparisons with some of the greatest soul/jazz voices — Billie Holiday, Sarah Vaughan and Etta James — there has been nothing quite like Back To Black before or since.

With that rich expressive contralto, she could hold us in the palms of her outstretched hands.

In 2004, the year after she released her debut album Frank, Amy, then 20, was asked by Jonathan Ross if music industry types had told her to change the way she looked or spoke or behaved.

“Yeah, one of them tried to mould me into a big triangle shape,” she replied, laughing and forming a triangle with her ­fingers. “And I went, ‘Nooo’.

“I’ve got my own style and I write my own songs. If someone has so much of something al­ready, there’s very little you can add.”

When she chatted to my SFTW colleague Jacqui Swift to mark Back To Black’s release, Amy, 23 by then, opened up about her inspirations while also displaying more of a fiercely independent nature.

She described reaching her lowest ebb and being begged by management to go into rehab, to which she famously responded “No, no, no!”

“Rehab is like Butlin’s — it’s a holiday camp,” she said. “It’s an everyday thing for some people, like going to Tesco’s.”

She elaborated further: “I was having a particularly nasty time with things and just drinking and drinking.

“My management decided to stop buying for me and said they were taking me to rehab. I asked my dad (Mitch) if he thought I needed to go. He said: ‘No, but give it a try.’

“So I did, for 15 minutes. I went in, said hello, and explained that I drink because I am in love and have f***ed up a relationship. Then I walked out. I didn’t need help because, if I can’t help myself, I can’t be helped.”

Five years after she aired those feelings, Amy lost her life at her house in Camden, North London, the coroner recording a verdict of “death by misadventure”, an unintended consequence of heavy drinking after a period of sobriety.

The tragedy led to acrimony and blame games around why she wasn’t given enough support.

Blake, her family and record company execs were all in the firing line at various times.

Some believed it was her own self-destructive nature — but it is Amy’s voice and songs that define her legacy.

Musically, she and legendary “Godmother Of Punk” Patti Smith had little in common apart from their raw, honest approach and unbridled spirit.

But soon after Amy died, Patti recorded a heartfelt tribute in the form of a poem set to music, beginning with the lines, “This is the girl for whom all tears fall”.

During a trip to London, she told me: “I’m heartbroken as a fan and as a human being.

“What Amy did was magnificent and I had been looking forward to see how she would evolve. It would have been wonderful to go through life hearing what Amy did next.”

Though Patti vividly remembered herself at Amy’s age, wild and impulsive, This Is The Girl came from a different perspective.

“I actually looked at Amy in a maternal way, she was a similar age to my kids,” she said. “I was very concerned about how things were managed around her.”

What to her, I asked, was so special about Amy’s music?

“I loved Joan Baez when I was young and Darlene Love and all the R&B singers,” said Patti. “I really love Adele’s voice but Amy was a cut above us all I think.

“She had a gift you seldom hear. There was an authenticity to her voice. She understood R&B and jazz from the deepest part of her. It was organic.

“Not only did Amy have that thing from the Forties, Fifties and Sixties but she was modern. When she sang Rehab or Back To Black, she wasn’t stuck in the past or nostalgic.”

In 2026, Amy’s legacy is plain to witness through those who followed in her wake, including fellow BRIT School alumni Raye and current chart favourite Olivia Dean.

Just as she was breaking through, Olivia paid this tribute to her fellow Londoner: “I don’t think Amy had any interest in being a pop star — she just wanted to be herself.

“It was clear in her music that she was using it as a form of therapy and then we just so happened to be hearing it. It was so personal.”

Of Back To Black, she added: “My interpretation of the lyrics is that you can’t have all of her. Amy was a free spirit. We were very lucky to have her.”

Another BRIT School success story, Adele, had this to say: “Amy paved the way for artists like me. She made people excited about British music again.

“I don’t think she ever realised just how brilliant she was and how important she is.”

From the States, where Back To Black was equally huge, Lady Gaga gave a typically singular view: “I don’t believe what I do is very digestible and somehow Amy was the flu for pop music.

“Everybody got a little bit of the flu — and fell in love with Amy Winehouse. And now, when more flu comes along, it’s not so unbearable.”

Lana Del Rey, a singer like Amy known for her retro styling, said: “I believe in Amy Winehouse. I know she’s not with us any more but I believe in who she was, and, in that way, she got it right.”

As if to prove that Amy’s flame burns as bright as ever, the Rolling Stones recorded her You Know I’m No Good for their recent No1 album Foreign Tongues.

Guitarist Ronnie Wood told me that he, Mick Jagger and Keith Richards jumped at the chance to pay their respects.

“Amy was such a jewel,” he told me last month. “A very lost jewel in a jewell­ery box but she was ­wonderful.”

Ronnie remembered how he had provided a shoulder to cry on “shortly before she died”.

“She was asking me, ‘Oh Ron, what am I going to do? And I was going, ‘Don’t worry because everyone knows you’ve got vodka in your water bottle. Just don’t hide it and try to go on stage tonight’.

“Amy needed a carer or else she went off the rails.”

But Ronnie also recognised her stellar talent and added: “She was like Billie Holiday. She had that once-in-a-lifetime deep blues.”

Back To Black co-producer Mark Ronson told SFTW: “Amy was an incredible singer. She had so much power in that tiny frame.

“I was so spoilt because everything she was coming out with was so spectacular.”

Salaam Remi, who worked on both of her studio albums, gave us a wonderful insight into Amy’s playful character.

He said: “She was one of those people who could make you cry with laughter — or say something deep. Her character was a big part of her talent.

“She cleaned my kitchen one time and it was better than any cleaning lady.

“It was three or four shades whiter when she’d finished. She said, ‘I’m meant to be a Jewish mum, of course it’s sparkling.’ ”

One of Amy’s final recordings was with the last of the legendary crooners, Tony Bennett.

She was so nervous that there were several false starts before they nailed the sultry jazz standard Body And Soul.

It was typical of Bennett’s kind manner that he was able to put his duet partner at ease.

He said afterwards: “People think that anyone can sing jazz, but it’s a spirit you’re born with . . . or not. Amy was born with that spirit.”

It’s also important to salute Amy’s striking image, developed during the Back To Black era in step with her Sixties girlband influences such as The Shangri-Las — her sky-high bee­hive, that winged cat-eye make-up and those daring halterneck minidresses.

She once said: “I’ve always had my own style. I’ve always been different.

“I don’t like to wear anything that anyone else is wearing because it’s very important for me to make a statement.”

In her short life Amy made a statement — and then some.

The last words are with Dale Davis, her bass guitarist and musical director who still leads The Amy Winehouse Band on its frequent tours.

He told me: “For a long time I was her favourite person to go anywhere with — then I was second after Blake. After they split up, I was back to being her favourite person.

“If she liked you, she really liked you. If she loved you, she loved you hard.

“She was a warm, beautiful, generous person who made me feel special right from the off.”

Dale estimated they played around 170 shows together, the last being a desperate performance at an outdoor venue in Belgrade in June 2011.

“That final one was my most difficult night on stage,” he said. “To this day, I can’t believe we played for an hour and 20 minutes.

“It was a funny thing with Amy because I thought she only needed to take one step to be happy, but that step was too difficult. She was never far from being OK.”

Amy and Dale’s final conversation took place by phone on the night she died at her Camden townhouse.

Clearly finding the memory painful, he recalled: “I talked to her at 11.30pm, three hours before she went to bed. She was on good form.

“She said, ‘Dale, I’ve just been watching myself on YouTube and I can sing, can’t I?’.

“I replied, ‘Of course you can sing. You’re the best’.”

IT was 15 years ago today that the shocking news broke that Amy Winehouse had died, aged just 27.

She had released just two albums during her eight-year career, but her massive success and larger-than-life character meant her death sent shockwaves around the world — and today her impact on culture is more apparent than ever.

In music, fashion and art, she has inspired an entire generation of artists. British music is being dominated by women whose sound, style and brand is packed with references to the late superstar.

In recent weeks rapper Cardi B and actress Zendaya have been spotted dressed like Amy, with her trademark beehive hairdo.

And one artist who is frequently compared with Amy is Raye, who, much like the late singer, has become a celebrated industry darling, thanks to her brassy Motown influences and brutally truthful lyrics.

But Raye feels the weight of comparison more than most, and said: “I’m aware that what she did is irreplaceable and inimitable.

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“Amy did it so well that no one can ever do what she did. And, God rest her soul, she gave her whole life for us to enjoy the music that she left behind.”

Like Amy, Raye went to South London creative arts academy The Brit School, whose starry former pupils also include Adele and Olivia Dean.

Raye recalled her years at the school, and how she would walk down the corridors and see photos on the wall of alumni such as Amy and say: “That’s gonna be me one day.”

Amy’s star certainly burned brightly, but all too briefly. Her body was discovered at her home in Camden, North London on July 23, 2011, by her security guard Andrew Morris.

Toxicology reports later revealed her blood alcohol content was five times the legal drink-drive limit, and the coroner’s report stated her “sudden and unexpected” death was caused by misadventure due to alcohol poisoning.

Amy had battled drug addiction for years, inspiring her 2006 single Rehab, but she had got clean from illegal substances before she died.

As a fiercely unapologetic woman in the music world, she blazed a trail for a new way to be an artist — and for future star Lola Young, who was just ten years old when Amy died, she was an inspiration.

The One Thing singer carries a gritty London identity similar to Amy’s and produces familiarly confessional lyrics.

She is even managed by Nick Shymansky, the same industry executive who guided Amy’s career during her breakout success.

After Amy, he swore he would never manage another artist, but was so won over by Lola’s talent — and subtle similarities to Amy — that he decided to take her on, and she has since sold millions of records.

When Amy found fame in the Noughties the music landscape was dominated by indie and processed pop, but she forged a new path with her neo-soul, Sixties pop and jazz sound — and now that sound is everywhere.

Olivia Dean’s easy-listening collection The Art Of Loving is on course to be the biggest-selling album in the UK this year, despite the fact it was released last September.

And even more recently, British newcomer Sienna Spiro has followed Amy with her vintage aesthetic and her breakout single Back To Blonde — mirroring Amy’s 2006 album and single Back To Black.

It is paying off, as last week Sienna shot to No2 in the charts with her debut album Visitor.

The impact of Back To Black, Amy’s second album, was felt worldwide. With classic songs such as Rehab and Tears Dry On Their Own, it became the fifth best-selling album of the 21st century so far, shifting 20million copies.

Amy sang about toxic co-dependency, addiction, dating disasters and her flaws, all in graphic detail, then wrapped them up in palatable and catchy songs.

It was all the more interesting for listeners, as her tumultuous personal life, including a rollercoaster relationship with her boyfriend and then husband Blake Fielder-Civil, and her drug use, became front-page news.

The saga taught lessons to youngsters such as future superstar Billie Eilish, who saw the tragedy unfold as she was growing up in California.

She said: “The things that inspire me about Amy are also the kind of things that are sad about it.

“You knew she wasn’t doing anything that she did for attention or in a weird, fake way because from what I gather, she didn’t really want that s**t, you know.

“It showed me that she was kind of raw for what she was creating, and she wasn’t trying to be anything she wasn’t, because she didn’t even want to be that.

“She changed a whole generation of music. Everyone, when listing off the people that inspired them, Amy Winehouse is always in that list.

“Everything about her, she just mixed a whole bunch of stuff together, and created the most beautiful things.”

And it’s not just female fellow stars who are Amy’s admirers.

Mark Ronson, who produced her Back To Black album and co-wrote the song of the same name, has credited Amy with his entire career.

Accepting the Outstanding Contribution to Music prize at February’s Brit Awards, he said his multiple chart-topping collaborations with other artists would never have happened if it wasn’t for her.

He said: “I realised on the way here that on Thursday, March 6, it’ll be 20 years to the day that Amy Winehouse came up to my studio in New York City. We went upstairs and talked for four hours and that night we wrote Back To Black, and that day changed my life for ever.”

Mark has since gone on to sell millions of records by working with superstars such as Lady Gaga, Bruno Mars and Miley Cyrus.

But he added: “I know the music I made with Amy is the reason any of them know who I am anyway. That’s why I’ll always treasure her voice, her talent, our bond, all of it.” And this month The Rolling Stones have celebrated Amy’s legacy by covering her song You Know I’m No Good on new album Foreign Tongues.

Guitarist Keith Richards said: “Loved the song. Always thought that Amy was a sad story in many ways, but she was one of the best to come out of England, and probably had so much more potential.”

Such was her star power, she shared the stage with the Stones at the 2007 Isle of Wight Festival, covering the Temptations’ Ain’t Too Proud To Beg, just four years after releasing her debut album Frank.

Street artist Pegasus was a close friend of Amy’s and launched his career on the day she died.

He has since become famous for his stencilled portraits of the singer, such as his “Fallen Angel” mural near Camden Lock, close to where they used to hang out.

Pegasus, whose real name is Chris Turner, told The Sun: “Amy was one of those people who come along every so often, makes a massive impact, unfortunately isn’t around for long but leaves a lasting legacy.

Her light will always shine bright. Her unique style, her love for the greats, like Etta James, Billie Holiday and Nina Simone, introduced and inspired a generation of artists that came after her.

“I am always seeing bits of Amy everywhere and it makes me so proud.”

The full line-up for Celebrity Hunted on Channel 4 has been released, with stars from Strictly Come Dancing, EastEnders, Love Island and more battling the Hunters.

Celebrity Hunted is officially returning to our screens, with a fresh batch of stars going on the run to help raise money for Stand Up To Cancer.

More than a decade after the first series of Hunted aired on Channel 4, the hit show will be returning to our screens very soon – as a string of famous faces will become fugitives in August.

EastEnders icon Brian Conley will be competing with his daughter Lucy, while Strictly Come Dancing stars Amy Dowden and Carlos Gu are also hoping to go unnoticed by Ray Howard and his “elite team of Hunters”.

Love Islanders Chris Taylor and Toby Aromolaran will be taking part, beside JJ Chalmers and Sophie Morgan, and presenters and siblings Scarlette and Stuart Douglas. Comedians Jen Brister and Laura Smythe also make up the line-up.

The celebrity pairs will have to “vanish into mainland Britain, cutting themselves off from the lives – and the fame – they’ve always relied upon. For 14 relentless days they must stay hidden, think fast and trust no one because the moment they leave a trail, the hunt is on.

“In a world where almost every movement leaves a footprint, can these celebrity fugitives escape the glare of the spotlight and remain under the radar, or will the Hunters bring every fugitive into custody before the 14 days are up?”

While Hunted first aired in 2015, the celebrity version began two years later – The Wanted singers Jay McGuinness and Siva Kaneswaran outwitted the Hunters to take home the crown in 2017.

The most recent season aired at the beginning of last year, with Christine McGuinness and Duncan James defeating the Hunters.

Shedding light on the upcoming season of Celebrity Hunted, which will begin filming next month, Factual Entertainment Commissioning Editor for Channel 4 Ian Dunkley said: ”When celebrities go on the run and are forced to engage the help of us mere mortals, chaos and comedy inevitably ensue.

“Hunted down by a motivated team of police and security professionals, this series reveals what it takes to remain hidden when everybody knows what you look like.’’

Matt Bennett, Director of Programmes for Shine TV, added: “Celebrity Hunted is the only TV series – alongside its cousin, Hunted – which continues to remind us of the powers of the state in an entertaining and engaging way.

“This is our most ambitious series yet, beginning with a breathtaking aerial launch amongst the skyscrapers of London, then a daring escape at the end of the run for any who evade capture… with a great deal of entertaining mischief in between.”

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THE Rolling Stones and Amy Winehouse — somehow it was a match made it heaven.

On June 10, 2007, the original rock and roll miscreants invited the supremely gifted but wayward singer on stage at the Isle Of Wight Festival.

Amy was all the rage that summer with her second (and final) album Back To Black riding high in the charts. Britain and the world had taken her songs to their hearts — Rehab, You Know I’m No Good, Tears Dry On Their Own and Love Is A Losing Game among them.

At the festival, Amy wore a pristine white shirt, skinny black jeans, a chunky belt, ballet flats and THAT towering beehive.

She looked every inch at home next to the man with all the moves, Mick Jagger — a lean, sinewy T-shirted figure in an all-black outfit.

Together, they belted out a wild rendition of The Temptations’ soul classic Ain’t Too Proud To Beg.

Together, they perfectly captured the rebellious spirit of rock and roll.

When Amy died four years later aged just 27, the world lost a generational talent — a sultry, emotionally wrought voice for the ages.

Now, in 2026, the Stones are releasing a cover of Amy’s You Know I’m No Good on their vibrant, age- defying 25th studio album, Foreign Tongues.

I’ve had the chance to speak to guitarist and lovable rogue Ronnie Wood about the song, his close friendship with Amy — and all things related to the eclectic 14-track album.

By Stones standards, it’s a rapid-fire follow-up to 2023’s Hackney ­Diamonds and a freewheeling ­confection of rock, soul, dance, country, blues and balladry.

“We just loved to pay tribute to Amy because she was such a jewel,” Ronnie says with typical warmth.

“A very lost jewel in the jewellery box but she was wonderful.”

At the time of Isle Of Wight, Ronnie was still battling alcohol addiction himself and he discovered an immediate bond with troubled Amy.

“We came back on the ferry together and had such a laugh,” he recalls. “Then shortly before Amy died, I had a real in-depth [chat] with her in the garden of a hotel in Rio.

“She was asking me, ‘Oh Ron, what am I going to do? And I was going, ‘Don’t worry because everyone knows you’ve got vodka in your water bottle. Just don’t hide it and try to go on stage tonight.

“Her band pleaded with me. They went, ‘Ronnie, please get her to go on — she’s trying to pull out of the gig.’ Anyway, I talked her through stuff and she did go on.”

“Amy needed a carer all the time otherwise she went off the rails, which of course she did.”

I ask Ronnie where Amy ­Winehouse should be placed in the pantheon of great female singers, past and present.

“There are some lovely singers around,” he answers. “They arrive in spasms. Chanel Haynes from my band is great — she played Tina Turner [in the stage musical] and really has the essence of Tina. I also like Jessie J.

“But Amy was like Billie Holiday. She had that once-in-a-lifetime deep blues. It’s a pity she was her own worst enemy.”

Of the Stones’ rousing rendition of You Know I’m No Good, Ronnie says: “I love the way Mick has put the harmonica over the brass riff.”

Mick himself reflected on the song this week at an intimate fan playback at Metropolis Studios in Chiswick, West London, where much of Foreign Tongues was recorded.

“We decided we wanted to cover this Amy Winehouse song. We do it in the same key as her. There’s a well-known horn lick on that record and I thought, ‘Yeah, I can do that. I’ll do it on the harmonica.”

Mick is accompanied by Ronnie but minus Keith Richards, who’s at home in the States and sends a video message saying “god bless you all”.

Wearing a floral shirt beneath a black leather jacket despite the heat outside, Mick, the planet’s most sprightly octogenarian, is in expansive mood. He saunters into the room and greets the assembled throng from countries far and wide with a World Cup quip, “Apologies to anyone from Mexico!” Cue much laughter.

With his face wreathed in smiles, he peers around the sound-proofed room and says: “We had a lot of fun making this record in this very room.

“It didn’t look quite like this,” he adds before waving his arms in ­different directions.

“The drums were over there, Ronnie was there, I was there, Keith was there.” Ronnie also can’t help a reference to important football matters when he describes the band’s preparations for the sessions at Metropolis.

“We had a lot of rehearsals — a bit like practising for the World Cup — at Electric Lady Studios in New York and on the West Coast at Jim Henson’s studios.”

The subject soon moves on to how the Stones have kept going nearly 65 years after Jagger and Richards met on Platform 2 of Dartford railway station and decided to be in a band together.

Listen to Foreign Tongues and you’ll be astonished by Mick’s still jaw-dropping range.

So how does he keep his most precious instrument — his vocal cords — in shape?

He says: “With other instruments, you can see them — a guitar, a piano — but you can’t see your vocal cords.

“So, you can’t say, ‘Oh they look really good today, I’ll do this.’

“If anything goes wrong, the doctor has to look at them. You have to keep them in shape like a muscle.” How does Ronnie keep his fingers nimble enough to dance across the fretboard? “There are exercises for the hands,” he replies. “And I put arnica [a herbal remedy] on them because they can hurt a lot.”

Mick says: “The thing with Ronnie is that he’s very good because he doesn’t stop playing, either with another band or doing his own gigs.”

This helps explain why Ronnie’s guitar work is a prominent feature of Foreign Tongues.

“When the first mix was finished, Ronnie came to my house and I played him the whole record,” reveals Mick. “I said, ‘So, what do you think Ron?’ And he said, ‘I didn’t really get any solos.’”

That comment was a classic piece of Ronnie mischief because, as Mick points out, “No one else gets a guitar solo on the record apart from Ronnie!

“I get a harmonica solo but Keith doesn’t really get a solo,” he adds before turning to his bandmate and asking, ‘Why is that, Ronnie?’ Ronnie gives a knowing smirk and says: “Keith told me, ‘Anyone can play a solo, it’s the riff that matters!’

“And I said, ‘OK, you’ve done the groundwork there but I’ve got the icing on the cake.”’

This brings us to a wider discussion about the Foreign Tongues sessions which prompts Ronnie to chip in with: “We’re much more civilised than we used to be.”

Mick picks up the thread: “I’m always the last to arrive. I’m not sure how that happens.

“We usually start about half past three and finish at about ten, ­having agreed the night before what we’re going to do.”

Ronnie salutes producer Andrew Watt, the live-wire American ­producer who helmed Hackney Diamonds and Paul McCartney’s recent album, The Boys Of ­Dungeon Lane. “We need someone to boss us around, and Andrew did that.”

Mick interjects: “Otherwise, it would all fall to bits! So we’re very pleased that Andrew herds us into doing it.”

Ronnie comes back in with a very telling comment: “Mick never lets anything fall to bits because the Rolling Stones is his baby — and he won’t let anything destroy that.”

The Stones’ approach these days clearly has something to do with the fact they’re all sober.

Yet Foreign Tongues has drawn comparisons to 1978’s Some Girls, Ronnie’s first album as a full-time member — recorded when things were far less civilised.

For instance, the disco-inflected Jealous Lover, with Mick still able to produce his best falsetto, is reminiscent of Miss You. Elsewhere, the band summons the raw energy of Respectable or Shattered.

The frontman sifts through the mists of time to the sessions at Pathé Marconi in Paris: “In the late Seventies, I’d have to dig Ronnie and Keith out of a late-night pizza place. I’d go in there at 1am and say, ‘It’s time for the studio, lads!’

“And poor Bill Wyman [bassist] had been in the studio since six o’clock waiting for us.

“We’d get there at 2am and we’d leave at eight. We’d run into the factory workers getting their ­morning coffees.”

Ronnie laughs: “We played for so long back in those days that Bill would have a sleep, come back and we’d still be playing.”

With the album out tomorrow, Mick is asked about his hopes for a good reception for Foreign Tongues. It prompts a comparison with an album many regard as the Stones’ finest, released in 1972.

With 14 new songs about to be unleashed, he accepts that it’s “a lot of music” and says: “It’s longer than Exile On Main St. When that came out, reviewers generally said things like, “It’s kind of rambling and all over the place.”

“It was too much for people to take in all at once. But, from the reviews I’ve seen, we are getting very good ones [for Foreign Tongues].

The album is notable for guest appearances — Steve Winwood, The Cure’s Robert Smith and Red Hot Chili Peppers’ Chad Smith.

One song, the “punky” Hit Me In The Head features the late effortlessly cool Stones drummer Charlie Watts. Mick explains: “People would say, ‘Charlie’s such a subtle drummer, he loves jazz — you can hear that soft touch.

“Well, not on this one. This one sounds banging, banging, banging — very punk. We recorded it in 2021.”

In my chat with Ronnie, he talks about Paul McCartney’s bass playing on Covered In You, reprising his role on Hackney Diamonds track Bite My Head Off.

He says: “Oh Paul was so lovely.  He said playing with the Stones was one of his biggest ambitions. He loved it, like a kid in a toy shop.”

He remembers how in The Beatles and Stones’ early days, he was a bystander in a band called The Birds,” but told himself that one day he would join Mick, Keith and co.

Why the Stones? “Because I’m more of a jazzer and a bluesman,” he replies. “I respected The Beatles’ music, their adventurousness, but I liked the funk and the women around the Stones.

“I thought, ‘That looks like a good job.’ Then, like a jigsaw, all the pieces fell into place.”

Finally, I beg the question: Is there’s more in the tank from the world’s greatest rock and roll band?

“There is, but what we’ve got to do is survive!” says Ronnie.

ROLLING STONES

Foreign Tongues

★★★★★

AS Mick Jagger says, this is “a lot of music.”

But over 14 tracks, the Stones have a blast.

There’s the ragged majesty of Rough And Twisted, the dance floor-primed Jealous Lover, the politically charged Mr Charm, the country twang of Ringing Hollow, the three-minute punk mayhem of Hit Me In The Head, a yearning Keith Richards lead vocal on Some Of Us and the raw delta blues of Chuck Berry’s Beautiful Delilah.

At times, it needs to be a little rougher around the edges, but this high-energy album is nothing short of a miracle from rock and roll’s great survivors.   

RAPPER Cardi B pays homage to the late Amy Winehouse with a style just like the Brit singer’s — including her trademark beehive.

The US star, 33, sported winged eyeliner, similar to Amy’s signature look, along with a purple, figure-hugging dress to a party at Paris Fashion Week.

Amy also wore a purple frock to the premiere of the film Psychosis in London in 2010.

This month marks 15 years since the Back To Black singer’s death at the age of just 27.

During her career, Amy had a string of showbiz spats, including mocking singer Dido and putting an Alexander McQueen dress on a barbecue after a fall-out.

She also called US rapper Kanye West the C-word on stage at Glastonbury in 2008.

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Now Cardi has revealed her own feuds have cost her lucrative brand deals, following ding-dongs with fellow rappers Nicki Minaj, Latto and BIA.

The New York-born star told her followers on X: “No lie, last year when I went off, I lost about three deals.

“I lost about three deals when I was bugging out and violating, and giving b*****s the f***ing business.”

Paris Fashion Week will continue until tomorrow evening, with a series of A-listers travelling to the French capital for a schedule of high-end events.

Fresh from attending Taylor Swift’s wedding to Travis Kelce in New York on Friday, Jennifer Lopez, 56, was photographed heading to a party on Monday in a halter-neck evening gown.

Meanwhile, singer Sabrina ­Carpenter, 27, wore a white dress to Dior’s haute couture autumn/winter fashion show held on the same evening.

AMY Childs has shown off her weight loss with a new swimsuit snap from Albania, where she is currently filming for the upcoming series of Towie.

The reality star, 35, opened up about slimming down earlier this year, admitting she had lost more weight than originally planned due to stress.

Filming herself in a new Instagram Story, Amy donned a cut-out black swimsuit which showed off her slender figure while posing in the mirror.

Tagging Albania as her location, Amy joked she “couldn’t miss out” on jetting off with her castmates to film for Towie.

It comes after she has sat out previous overseas trips on the show due to having family commitments back home.

Amy is a mum to daughter Polly and son Ritchie, whom she welcomed during previous relationships, and shares twins Milly and Billy with her husband Billy Delbosq.

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In January, she confirmed she wouldn’t be joining the cast trip to Vietnam due to mum duties.

She appears to be making the most of the welcomed break now the cast have arrived in Albania for the show’s upcoming season.

However, showing it’s not easy being away, she also shared a snap of the twins and admitted: “I miss you babies”.

It comes after Amy revealed in February that she was working to get to a healthy weight after going on a fitness journey and shedding more than planned.

Explaining she is now working with a trainer to put some more weight on, she said at the time: “So I decided to lose weight, during that process, I battled with stress and lost a little more than I wanted, and now I am working with Jon to start phase 2!! Which I am so excited about.”

With Amy often sharing her shrinking fame online, some fans have been left concerned for the star and have expressed worry underneath her social snaps.

Addressing her weight loss and the backlash, Amy explained in May that her mum suffering a heart attack led to increased stress as she was unable to eat for several months.

“When I lost all my weight, I must admit I went so skinny. At one point, I was around 6 stone 13 lbs,” said Amy.

She continued: “It was about 3, 4 months after [the heart attack], I was so skinny. I couldn’t train, I just had this anxious, anxiety.”

Amy then confirmed she is feeling much better now and says she is training and eating well again.

The Strictly Come Dancing star learns of her ancestor’s devastating fate in a new episode of Who Do You Think You Are?

Amy Dowden discovers a shocking family tragedy as she delves into her ancestry.

The Strictly Come Dancing icon has taken part in BBC’s Who Do You Think You Are? where she learns about her lineage.

At one point, Amy is left in tears as she hears of a family member who suffered from breast cancer and died at a young age, leaving several children behind.

The Welsh dancer is left devastated, as she reflects on her own cancer battle, having been diagnosed with breast cancer in May 2023 and suffering health setbacks as she underwent treatment.

Elsewhere during the programme, Amy learns of a 13-year-old who was shot dead in an awful accident.

After hearing of a rumour of a murder from her mum’s side of the family, Amy begins her journey in west Wales, where she seeks to find out if her ancestor was the victim or the perpetrator.

“Was there a murder, was one of my family involved? Detective Dowden on a mission,” Amy declares.

She meets her distant cousin Wyn at his home in Ceredigion, where he shows Amy a family Bible that belonged to her three-times great-grandfather.

Inside it, she reads the name Elinor Jenkins, with information revealing that she was shot dead by the “cruel man Offley Owen” in November 1888, when she was just a teenager.

“Why would somebody want to shoot a 14-year-old girl?” Amy wonders, shocked to hear the distressing news of her ancestor’s murder.

“When I heard of this mysterious death, I didn’t think it would be somebody within our family who was killed, I assumed one of our family members shot somebody. I was not expecting this and not expecting a child,” she says.

Elinor was Amy’s three-times great aunt, and was killed at a nearby farm, Berthlwyd, where she worked as a servant.

The dancer meets historian Dr Angela Muir, who confirmed that Elinor was actually aged 13, and was working at the farm with a 17-year-old boy called Offley Owen.

She reads newspaper reports that detail what happened, revealing that Elinor had been sent to fetch water before a witness heard Owen saying “I’ve shot Nelly dead”.

Owen had taken up the gun “with a purpose of showing her”, but was unaware it was loaded, and was supposedly being playful.

He did, however, tragically kill her, with Elinor being shot in the mouth.

“This is awful,” Amy says. “That would have been an instant death.” The historian agrees, saying: “It’s quite horrific.”

However, Amy finds it difficult to believe the death came about as an accident. She wonders: “He obviously had intention to use that gun,” adding: “To me, this was planned.”

Amy hears about the coroner’s inquest that took place after Elinor’s death, leaving her “confused”.

The reports eventually confirmed that Owen was charged with manslaughter, and would have been tried in the assizes court in Carmarthen.

“I’m horrified by what I’ve read, it’s going to take a little time to process it,” Amy admits.

In Carmarthen, Amy meets another historian who explains that Owen pleaded not guilty at court and the prosecution announced they would call no witnesses.

She’s stunned to discover that Owen was discharged, which would often happen in cases like these during those times, as the court took into account that he had never been in trouble with the law before.

“Some part of me is not satisfied with this,” Amy says, hearing that the victim’s family didn’t get justice after the tragedy.

Seeking comfort after hearing of the outcome, Amy travels to a church in Blaenpennal, where Elinor was laid to rest.

She says: “At first when I heard that he was found not guilty, I was like, how did the family move on? How did they start to process the grief? But it does seem like it was an accident and I guess, after time, they started to forgive.”

She learns that Elinor was remembered “as a young person of more than ordinary ability”, and also that a valley near the farm where she lost her life is now named after her.

Amy says: “I never realised that a member of my family has landscape named after her, I think that’s something quite special, really touching.”

Amy Dowden’s episode of Who Do You Think You Are? airs on Tuesday 2 June at 9pm on BBC One and iPlayer

KATIE Price’s sister has revealed how her mum Amy was left so “p***ed off” with the star after another debacle involving husband Lee Andrews.

Last week, following his ‘disappearance’, Katie posted a cover version of the song Get Here and said her desire to record the song had come after being left missing Lee.

But in a new episode of their sister’s podcast, The Katie Price Show, Sophie revealed how Katie had originally told their mum she had recorded it for her.

The track came about as Katie enjoyed a recording session for her upcoming single.

During a break, she revealed how she had asked to record a cover of Get Here as a treat for her mum with the song being a family favourite.

Katie then sent the track to her mum but shortly after posted it online and dedicated it to Lee.

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The move left Amy feeling “p***ed off” with Katie according to Sophie.

Katie originally said: “I did it for mum.

“I said to mum, ‘I know you love this song’.

“But… she’s so p***ed off.”

Sophie interjected to add: “She was so p***ed off right because you put that Reel up…

“Kate called mum and was like I’ve been in the studio and made this song for you.

“Then Kate put it up on Instagram and was like, ‘oh it’s for Lee and for the situation.”

Katie went on to say: “I thought, do you know what, these words actually resonate with what’s going on.

“So then I put it up for Lee.”

Katie proceeded to sing some of the lyrics which included the lines: “You can reach me by sail boat, you can reach me on an airplane.”

The Strictly Come Dancing star turns detective to investigate the mysterious death of her 14-year-old great-aunt in 1888, before uncovering a heartbreaking truth about why her grandfather was the only one of six siblings to be given up for adoption

Strictly Come Dancing star Amy Dowden is set to turn detective this week as she delves into her Welsh family history – uncovering a potentially murderous story and a heartbreaking family secret that left her in tears.

The professional dancer, 35, takes centre stage in the second episode of Who Do You Think You Are?, airing tonight, as she embarks on an emotional journey through West Wales that will see her investigate a rumoured murder and discover the painful truth behind her grandfather’s adoption.

Amy’s investigation begins with the death of her three-times great aunt Elinor, who died aged just 14 on a farm in 1888. Playing detective, the Caerphilly-born dancer travels through Ceredigion and Carmarthenshire, desperate to uncover what really happened to her young relative all those years ago.

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“I really enjoyed playing detective but, gosh, what we unravelled there,” Amy says. “I found myself really wanting to learn more, faster and quicker. I didn’t want to wait to have to go to court or wait to learn more from another historian, you get really hungry wanting all the answers as quickly as possible.”

While the murder mystery remains open-ended, Amy discovers something special along the way – that a valley in Wales, Cwm Nell, is named after one of her relatives. “It’s so beautiful to be able to see the impact she made in her short life,” she adds.

But it’s on her father’s side where Amy makes the most devastating discovery. Determined to find answers for her dad, who never had information about his own father Frank’s birth family, Amy uncovers why her grandfather was the only one of six siblings to be unofficially adopted.

Frank was informally adopted as a baby after his mother Louisa died of breast cancer aged 39 and his father Bill, a Welsh miner, was left struggling to support six children during the 1921 miners’ strike.

“It was really shocking and emotional, but it was the answer to so many questions,” she explains. “Before we struggled to understand why my grandad Frank, who was one of several siblings, was the only one given up. We could never really understand why. But from the information we learnt, I think we felt a real sense of empathy, and then the sadness and heartache for them took over, really.

“My dad’s reaction to the news was that he was really shocked and quite upset.”

The journey also sheds light on her great-grandfather’s honourable service during the war and the harsh conditions faced by her working-class mining family. “You know about the history, but I don’t think you ever know about the severity of it all,” Amy reflects. “When you’re reading and seeing how it affected your own family it hits differently.”

For Amy, who is Welsh “through and through,” the experience has only deepened her connection to her homeland. “It’s made me even more proud to be Welsh,” she says. Her parents were so captivated by her discoveries that they retraced her steps, visiting every location from the programme.

The episode has brought together family members together, including Amy’s second cousin. “It really brought families who had never met before together. It’s been really heartwarming, really lovely.”

Who Do You Think You Are? airs on BBC One tonight at 9pm

Strictly Come Dancing star Amy Dowden was left in tears after uncovering a heartbreaking family discovery.

Strictly Come Dancing star Amy Dowden was left fighting back tears after uncovering a heartbreaking family secret during her appearance on BBC’s Who Do You Think You Are?

The beloved dancer delved into her ancestry on the popular genealogy programme, where she made a series of shocking discoveries about her family’s past.

Among them was the devastating revelation that a 13-year-old relative had been murdered, prompting Amy to seek out the truth behind the tragedy.

However, it was another discovery that truly struck a chord with the Welsh star. Exploring her dad’s side of the family after learning her grandfather had been adopted, Amy uncovered the story of her great-grandmother Louisa, who passed away young, leaving behind several small children.

The emotional revelation hit particularly close to home for Amy, who was diagnosed with breast cancer in May 2023, aged 32, after finding a lump before her honeymoon with husband Ben Jones.

Upon learning that Louisa had died in 1921 at just 39 years old from breast cancer, Amy was visibly overcome with emotion, reports Wales Online.

“Oh my goodness,” Amy said, speechless for a moment. “That’s made me a little bit emotional.”

Pausing to compose herself, she tearfully shared, “She was only in her 30s. I wonder if there’s a link between her and me.”

Amy continued: “What an awful few years they went through, the war and then this cancer diagnosis, never mind then the Lockout with the collieries.

“My mum had breast cancer and witnessing her go through it, that was tough. Just the thought of the family having to go through what we went through, and it would have been worse then.

“But also, knowing the timing as well. Poor Bill, losing his wife to breast cancer and then having six children.

“Also, she had one of the same type of breast cancers as me, and I’d love to find out more, did she get surgery, did she have treatment? Was there a chance of cure?”

She added, “Knowing what she went through is horrible, but I’m lucky, I’m still here; it took her life, so it’s a bit raw.”

Hearing of the treatment that wouldn’t have been available for Louisa, with cancer at the time known as an incurable disease, Amy shared: “I can’t imagine, I know what it’s like to have a cancer diagnosis, but I’m a lucky one, I’ve been able to come out the other side.”

Louisa’s six children were aged between 11 years old and just one year old, including Amy’s grandfather Frank, who was informally adopted after her death.

“You instantly just feel for these children,” Amy said. “To lose their mum, the girls grew up without a mother and probably also had to become a mother really to the younger siblings.”

She continued, “It’s heartbreaking to see a family go through losing a mum. I couldn’t imagine what it was like to be told you’ve got cancer, and knowing then that was a death sentence.

“I’d imagine Louisa and Bill had to make a very difficult decision, most likely together, about my grandfather Frank, and that must have been absolutely heartbreaking.”

Amy Dowden’s episode of Who Do You Think You Are? airs on Tuesday 2 June at 9pm on BBC One and iPlayer, with Zoe Ball’s episode airing tonight.