Alex

Bournemouth have rejected an enquiry from Arsenal for Alex Scott and say the midfielder is not for sale this summer.

The Premier League champions want to sign a new central midfielder, with the 22-year-old understood to be one of their targets.

Scott is also attracting serious interest from other Premier League clubs, including Manchester City, Manchester United, Tottenham and Chelsea.

But Bournemouth have communicated their intention to keep the former Bristol City player and are keen to agree an extension to his current contract, which has two years left to run.

Scott was selected in his first England squad last November and was then called up into Thomas Tuchel’s extended pre-World Cup training camp in Florida, though he did not make an appearance.

Arsenal have also explored moves for Newcastle pair Bruno Guimaraes and Sandro Tonali in their search for a new midfielder.

A move for Guimaraes is currently rated more likely with Tonali’s price believed to be a stumbling block.

North London rivals Tottenham are advancing in their efforts for a move for Tonali and are growing in confidence of securing a move for the Italy midfielder.

West Ham‘s Mateus Fernandes and Lille’s Ayyoub Bouaddi have also been monitored by Arsenal.

Veteran MS NOW anchor Alex Witt is leaving the news network, which is moving away from live programming on the weekends.

The new weekend programming strategy announced Friday is a cost-saving measure that will give parent company Versant more resources for a new direct-to-consumer streaming offering that makes MS NOW available to consumers without a pay-TV subscription. The company is also looking to expand its live event business.

According to a memo from MS NOW President Rebecca Kutler, “The Weekend: Primetime,” a live discussion program launched last year, will have its final airing Saturday.

One of the program’s co-hosts, Antonia Hylton, will take over Witt’s midday shifts later this year. Hylton’s co-hosts Ayman Mohyeldin, Catherine Rampell, and Elise Jordan, will remain with MS NOW and continue to appear on other programs.

Kutler said job losses from the moves are minimal and encouraged staffers who lose their current roles to apply for 40 current job openings at the company with more on the way. MS NOW has been staffing up its news operation since separating from NBC News last year.

MS NOW changed its name from MSNBC in November. The network, along with other Comcast-owned cable channels, were spun off into Versant in January.

Weekends have long been a ratings weak spot for MS NOW, which while a distant second to Fox News, has seen audience growth in 2026 and remains ahead of CNN. The network has started to rely on podcasts such as “Pod Save America, from Crooked Media to fill some hours. The episodes have performed strongly enough for MS NOW to try similar deals with outside podcast producers.

“Throughout the summer, we will expand our taped strategy and announce new content partnerships,” Kutler said in her memo.

With the changes, MS NOW will still have 20 hours of live programming each weekend and will be staffed to handle breaking news.

Witt joined the network formerly known as MSNBC in 1999, long before it began its strong tilt toward progressive political commentary. Over the years, Witt’s weekend newscast became one of the few programs on the network that delivered straight news without opinion.

Kutler called Witt “a beloved longtime member of our MS NOW family” and “a continued, trusted, and steady presence for our audiences.”

While Witt works through the summer, Hylton will anchor the 11 a.m. weekday time period, which will eventually be handled by former NBC News White House correspondent Peter Alexander.

PERRIE Edwards is already booked and busy following her stunning wedding to Alex Oxlade-Chamberlain.

The former Little Mix songstress, 32, and her footballer husband tied the knot in an intimate ceremony less than a week ago after after nine years of dating.

But it appears Perrie is already getting back to work, and was pictured dressed up behind the scenes at the Isle of Wight Festival yesterday.

The singer got up on stage and performed for a buzzing crowd while wearing an all black skintight outfit.

Though she couldn’t help but take a moment to gush about her wedding to everyone, sharing how she is utterly “obsessed” with being able to call Alex her husband now.

Perrie and Alex jetted off to Portugal for their big day alongside friends and family.

Bridal beauty

Perrie Edwards stuns in her THIRD wedding dress at Portugal wedding

IN THE MIX

Perrie Edwards stuns in unseen wedding clip – as Little Mix bandmate spotted

Insiders said the pair married in a low-key ceremony before hosting their closest family friends at the posh Parrilla Natural restaurant.

The pair said their vows in the Igreja Matriz de Estoi church in the village of Estoi in Faro, close to where they own a villa.

Perrie, who had six bridesmaids including her sister Caitlyn wore a long-sleeved, lace gown, while Alex looked smart in a tux.

Her bandmate Jade Thirlwall missed the celebrations as she was booked to perform at Primavera Sound Festival on the same day.

A source said: “Perrie and Alex’s wedding day could not have been more special.

“It was intimate and emotional.

“Perrie and Alex’s son Axel had a special role to play in the ceremony. It was adorable to see.

“She looked absolutely radiant and Alex didn’t stop smiling. It was a truly beautiful day.”

In the days after the wedding Perrie debuted two more wedding dresses in Portugal, including a gorgeous sparkly mini dress with a detachable jacket.

Former Little Mix bandmate Jesy Nelson is said to have not received an invitation.


Fery may not be well-known outside of British tennis circles but sport is a huge part of his family life – his mother, Olivia, was a professional player, while father Loic owns Ligue 1 football club Lorient.

As a teenager, Fery opted to go on a scholarship to Stanford University in California and also played collegiate tennis.

He lost just two games in his opening-round win over compatriot Toby Samuel at Queen’s, before recording what he described as the “best result” of his career against veteran Frenchman Mannarino.

He and Cerundolo both made nervous starts, with numerous break point opportunities, but Fery broke to serve for the set at 5-4.

However, Cerundolo won the next three games and dominated the tie-break, with the only point Fery won in it coming from a double fault from his opponent.

Cerundolo broke to start the second set but took a painful hit at the net when Fery accidentally sent a volley straight into his throat.

The Argentine fell to the floor, with Fery hopping over the net to check on him – and the pair shared a wry smile as on the next point, Cerundolo came close to hitting Fery with a passing winner.

But from that moment on, Cerundolo’s serve disappeared, and Fery restored parity before breaking to serve for the set.

A lovely serve and volley from Fery to force the deciding set established the tone, and a horrible double fault from Cerundolo handed the Briton the early initiative.

Cerundolo’s experience showed, though, as he put enough pressure on his opponents’ forehand to first break back and then secure victory on Fery’s serve.

SEATTLE — Growing up the son of an NFL wide receiver, Alex Freeman said he felt a lot of pressure to play the American version of football, not the one the rest of the world plays.

“I always got asked if football was the path,” he said last summer. “But I always had a secret love for soccer.”

And he had to keep it a secret because he wasn’t sure his father Antonio, a Super Bowl winner with the Green Bay Packers, would understand.

But his stepfather did. Jake Hinkle introduced Alex to the sport and served as his first coach while his mother Rochelle urged him on.

Now his biological father, who last played in 2004, the year his son was born, has joined the cheering section as well.

“I was with him at the hotel,” Freeman said, “and he was just giving me those kinds of speeches that you hear from a dad. He’s just telling me to be myself. I think he knows that being myself has gotten me to this point. So why change that, right?”

Instead he put a massive exclamation mark on what has been a breakout 13 months by setting up Gio Reyna for the final goal of a 4-1 win for the U.S. in its World Cup opener against Paraguay. The U.S. returns to group play Friday in Seattle where it will face Australia, with the winner of the match taking the inside track toward advancing to the knockout rounds as the group champion.

Much of that still sounds like a dream to Freeman, who was playing for Orlando City’s reserve team in MLS Next Pro during the last World Cup. He wasn’t in the national team’s plans this time around either until coach Mauricio Pochettino called him in for an audition last year, something Freeman called a big surprise.

U.S. defender Alex Freeman kicks the ball over Paraguay forward Antonio Sanabria during the second half of a World Cup group stage match on June 12.

(Kelvin Kuo / Los Angeles Times)

But Freeman earned his first international start less than three weeks later, then played all but three minutes of the Americans’ six-game run through the Gold Cup, the team’s last competitive tournament before the World Cup.

Since joining the national team, Freeman has appeared in 17 consecutive matches and has become the ninth-youngest American to start a World Cup game.

Freeman, 21, is the youngest player on a young team, the second-youngest roster the U.S. has sent to a World Cup in more than three decades. That just doesn’t bode well for the future — it’s paying off in the present, too.

Reyna is on his second World Cup team at 23. Folarin Balogun, 24, had two goals in the U.S. opener, becoming the first American to score multiple times in a World Cup game in 96 years. And Chris Richards, 26, completed all 83 of his passes in the opener, the most without a miss by a World Cup player since 1966.

With an average age of 26.8 years, the U.S. is the fifth-youngest team in the World Cup. Leave captain Tim Ream, 38, out of the equation and only Ivory Coast and Ecuador have younger rosters.

Pochettino is being rewarded for giving those young players a chance, with five players making their World Cup debuts against Paraguay.

“He has this ability to find the potential [of] the young players and he is not scared to give them the responsibility to put them on the field,” LAFC goalkeeper Hugo Lloris, who played for Pochettino at Tottenham, told CBS Sports. “I can see a lot of coaches protecting themselves and try[ing] to not take that risk with the young players. But he’s not this kind of coach. If the young player deserve[s], he will be on the field.”

With Freeman, Pochettino broke with tradition in another way. Many national team coaches won’t call up players who aren’t starting for their club team, but Freeman has played more games and minutes with the U.S. this year than he has with Villarreal, the Spanish team he joined in January after appearing in only 32 MLS games with Orlando City.

The coach explained himself by saying he was choosing the “right 26” players for the World Cup, not the best 26. And Freeman fits Pochettino’s need for a defender who can transition seamlessly between a back three and back four, allowing the U.S. to play the kind of dynamic style the coach prefers.

If questions about his presence on the team have left him feeling slighted, Freeman says he’s fueled more by the adversity he has faced than by his recent success.

“Knowing that I’ve been in different environments, different situations, it’s how can I be consistently good, consistently solid, consistently making a difference?” he said. “Especially now in the World Cup, in another different environment. It’s how can I consistently help my team?”

A decade after making a clean break from football to play fútbol, Freeman says he has no regrets.

“I had to pick,” he said. “And soccer was the clear choice by far.”

Even his father, with whom he remains close, recently admitted as much, telling his son that playing in a World Cup beats winning a Super Bowl.

“Absolutely,” the younger Freeman said. “Seeing it now, especially throughout the last year I’ve been with the national team, knowing that it’s a different type of competition, it’s a different type of atmosphere? For sure.”

Wales have been boosted by the return from injury of highly-regarded back-row Alex Callender for their uncapped encounter against Barbarians at Allianz Stadium in Twickenham on Saturday, 27 June.

The 25-year-old missed Wales’ Women’s Six Nations campaign because of injury, but is set to return for a fixture that follows a men’s international against the Barbarians in a double-header at the home of English rugby.

Head coach Sean Lynn’s 33-strong training squad includes 14 uncapped players, while 24 members of the squad play for Wales-based teams Brython Thunder or Gwalia Lightning.

Lynn has his eye on the future after Wales suffered a winless Six Nations and emphasised that focus.

“It’s a real opportunity to continue to build our playing philosophy and to have a look at the exciting young talent now coming through our pathway and through the Celtic Challenge teams, Wales U21s and Wales U18s,” said Lynn.

“All the players have been told there is a real opportunity to play against an experienced Barbarians side and not to assume that they will or will not play.

“The door is open for selection, and this is a good opportunity for our younger players to taste what is expected at international level.”

Kelsey Jones, Bethan Lewis, Sian Jones, Lleucu George, Hannah Dallavalle, Nel Metcalfe, Sisilia Tuipulotu, Jorja Aiono and Alaw Pyrs were all involved with Gloucester-Hartpury in Sunday’s Premiership Women’s Rugby semi-final defeat by Ealing Trailfinders.

They have not been named in Wales’ initial squad and will be assessed on Thursday.

Saracens duo Georgia Evans and Donna Rose, and Trailfinders back Carys Cox, will be involved in the PWR final on the same weekend as the Barbarians game so will not be involved for Wales.

The BBC star was absent from her usual space on the green sofa as JB Gill and Angelica Bell fronted the programme.

Things looked slightly different during the latest episode of The One Show as people were quick to notice Alex Jones’ absence.

The Welsh star usually fronts the programme alongside a plethora of rotating presenters, including Roman Kemp, Vernon Kay and Clara Amfo.

However, on Wednesday night (June 10), BBC fans saw Angellica Bell and JB Gill opening the programme as they explained where the 49-year-old was.

Angellica said: “If you’re wondering where Alex is tonight, she’s at the Royal Academy Summer Exhibition before it opens to the public next Tuesday.

“Last night, we revealed the successful artists, both amateur and professional, who were selected to have their work displayed in the world-famous gallery. Tonight, we’ve been invited to a special launch party to celebrate.”

The camera then cut to a clip of Alex inside Burlington House, where the event is taking place, as she walked through one of the rooms holding the artwork.

She said: “It’s one of my favourite nights of the year. Oh my goodness, there is so much to see here. Now, we’ve been following some of the artists all week who are hoping to get their work on the wall.

“Tonight, after 22 years of submitting, Vincent will finally see his on one of these walls, it’s going to be quite an emotional moment, I think.

“Also, you should see the guest list! There are celebrities everywhere here, and I might just get one for a chat later, who knows.”

The BBC star later spoke with Vincent who was overcome with emotion when he saw his artwork on the wall after two decades trying to achieve his goal.

Elsewhere on the show, Nikki Fox informed viewers that they won’t be seeing her on-screen for a while as Watchdog was taking a hiatus.

She told viewers: “We’re having a little break now. Going to have a little lie down and a bacon roll!

“But we are going to be back very soon with plenty more investigations from me, Matt and our new team members! We’ve got Nick Stapleton, who you saw tonight and Amanda Haque.”

As she wrapped up, Angellica told fans the Watchdog segment would return again in September.

The One Show is available to watch weeknights on BBC One from 7pm

Venezuela is becoming increasingly important in Colombia’s presidential election, though not necessarily from a policy perspective. The three leading candidates are not offering radically new approaches toward Caracas. Instead, they broadly accept that Colombia will not shape Venezuela policy in a vacuum, but within a regional framework increasingly defined by Washington.

Even among the Colombian Right, the differences are narrower than the rhetoric sometimes suggests. Some candidates favor preserving parts of the thaw in relations initiated under Gustavo Petro, while others align themselves more openly with the Trump administration’s emerging three-phase approach toward Venezuela, combining pressure, negotiation, and eventual normalization while maintaining support for María Corina Machado and the democratic opposition.

The real competition is happening elsewhere.

As Bogotá increasingly adapts itself to strategic realities designed in Washington, Venezuela has become less a matter of concrete policy and more a source of symbolic legitimacy inside the Colombian Right. The question is no longer simply who has the best Venezuela strategy, but who is most closely aligned with the hemisphere’s most internationally legitimized anti-chavista figure.

Both Paloma Valencia and Abelardo de la Espriella have sought proximity to Machado, likely recognizing her growing political value among Colombian-Venezuelan voters and sectors of the Colombian Right that increasingly view her as a hemispheric democratic symbol after July 28, 2024. Early in the electoral cycle, both candidates publicized meetings with Machado and members of her team, presenting themselves as politically aligned with the Venezuelan opposition’s struggle. Valencia recently traveled to Panama to meet Machado personally, while De la Espriella has repeatedly emphasized his relationship with anti-chavista circles to position himself as part of a broader regional conservative realignment.

Yet the two candidacies embody very different political instincts.

Support from figures close to Machado, Trump-world Republicans, Miami exile networks, and conservative media ecosystems now carries political value extending far beyond Venezuela itself.

Valencia represents a more traditional conservative internationalism tied to institutional anti-chavismo, democratic legitimacy, and Atlanticist conservatism. De la Espriella, meanwhile, has increasingly embraced a far more populist style of politics, openly presenting himself as a Colombian version of Nayib Bukele that promises to build ten CECOT-style mega prisons in Colombia.

That contradiction becomes particularly striking when placed alongside one of the defining professional relationships of De la Espriella’s career: his representation of Alex Saab during the height of the CLAP era. Saab became one of the clearest symbols of late-stage chavismo’s corruption architecture, embodying the opaque financial networks, sanctions arbitrage, and humanitarian corruption that increasingly defined the Maduro era.

The irony of Saab’s former lawyer attempting to embody Colombia’s hardest anti-chavista and anti-corruption posture is difficult to ignore. But the contradiction also reveals something deeper about contemporary Latin American politics, where anti-establishment rhetoric and proximity to opaque power structures are no longer necessarily disqualifying contradictions.

The contradictions are perhaps most visible within parts of the Venezuelan opposition’s own media ecosystem. Some anti-chavista pundits spent years cultivating reputations as uncompromising anti-corruption crusaders, often accusing opposition figures of moral weakness, accommodationism, or hidden financial interests. Their enthusiastic support for Abelardo de la Espriella, despite his long professional relationship with Alex Saab during the height of the CLAP era, suggests that ideological affinity and political aesthetics are increasingly overriding the moral rigidity that once characterized parts of anti-chavista discourse.

Venezuela’s role in the Colombian election is not primarily about foreign policy. It is about political identity.

At the same time, other sectors of Machado’s broader international coalition appear more naturally aligned with Valencia’s institutional conservatism. The result is an increasingly visible fragmentation within the anti-chavista ecosystem itself, one that reflects broader tensions inside the Latin American Right between institutional conservatism, populist maximalism, and Bukele-style punitive politics.

Washington has only reinforced those dynamics. As the US once again becomes the principal external actor shaping Venezuela’s political future, different Colombian candidates increasingly compete to position themselves as the preferred interlocutors of the emerging regional order. Support from figures close to Machado, Trump-world Republicans, Miami exile networks, and conservative media ecosystems now carries political value extending far beyond Venezuela itself.

In that sense, Venezuela’s role in the Colombian election is not primarily about foreign policy. It is about political identity.

And perhaps more importantly, it may also offer a glimpse into the future political terrain of a post-transition Venezuela itself. If chavismo eventually collapses or evolves into some form of negotiated transition, the country will not emerge into a region defined by liberal democratic consensus. It will emerge into a hemisphere shaped by Bukele, Milei, Trumpism, social media maximalism, and deep public exhaustion with traditional political elites.

The rise of figures like De la Espriella suggests that the post-chavista Right may not necessarily resemble the liberal democratic opposition that spent decades fighting chavismo. It may instead reflect a harsher, more punitive, and more performative political culture, one forged not despite the region’s prolonged crises, but because of them.

May 18 (UPI) — Alex Saab, a billionaire Colombian businessman and longtime ally of ousted Venezuelan leader Nicolas Maduro, appeared in a Miami federal courtroom on Monday, days after he was extradited to the United States.

Saab, 54, made his initial court appearance in the Southern District of Florida, where a federal indictment was unsealed, charging him with conspiracy to launder money through U.S. banks.

U.S. authorities have long accused Saab of corruption, specifically of using his connections to the Maduro regime to skim money from government programs intended to benefit Venezuela’s poor and of helping Maduro evade sanctions.

The case is centered on the Venezuelan government program Local Committees for Supply and Production, known as CLAP, an acronym of its Spanish name. Created in 2016 in response to the collapse of Venezuela’s economy, CLAP was intended to provide subsidized food to the country’s poor.

Federal prosecutors allege that Saab and his unnamed co-conspirators paid bribes to Venezuelan government officials to be awarded the CLAP contracts to import food, but instead enriched themselves by siphoning hundreds of millions of dollars from the program.

The charging document further accuses Saab and others of expanding the scheme to include the illegal sale of Venezuelan oil, starting in at least 2019 and continuing until the return of the indictment, which is dated Jan. 14.

The U.S. charges stem from the accusation that at least some of the allegedly ill-gotten money was transferred through U.S.-based bank accounts. If convicted, Saab faces a maximum penalty of 20 years in prison.

“When illicit proceeds are moved through the United States financial system, our courts have jurisdiction and our prosecutors will act,” U.S. Attorney Jason Reding Quinones of the Southern District of Florida said in a statement.

The indictment announced Monday is the second a Trump administration has brought against Saab, and his extradition on Saturday is the second time he has been sent to the United States to face criminal charges.

Maduro’s government has been a target of President Donald Trump since his first administration, which sought to oust the authoritarian leader through a so-called maximum pressure campaign of sanctions, including designating Saab in 2019 over the alleged CLAP scheme.

Saab was then arrested in June 2020 in Cape Verde at the request of the United States and was extradited.

But he was returned to Venezuela by the Biden administration in 2023 in exchange for 10 detained Americans. As part of the prisoner exchange, Saab was issued a full pardon for charges included in the first indictment.

After his re-election in 2025, Trump ousted Maduro and brought him to the United States to face narco-terrorism charges in a clandestine early January military operation.

Then in February, under the government of Maduro’s former vice president, Delcy Rodriguez, who was elevated to president following her predecessor’s U.S. arrest, Venezuelan authorities detained Saab at the request of the United States.

Saab’s return to U.S. custody now raises speculation that he could be used in the federal prosecution’s case against Maduro, given his former proximity to Maduro and members of Maduro’s family.

“Saab would be a powerful witness in the prosecution of Maduro — and could offer insights into Delcy’s role in building South America’s prototypical kleptocracy,” Benjamin Gedan, a foreign policy scholar and director of the Stimson Center’s Latin America Program, said in a social media statement.

Caracas, May 17, 2026 (venezuelanalysis.com) – The Venezuelan government turned over former minister and diplomatic envoy Alex Saab to the US to face charges on Saturday.

The executive led by Acting President Delcy Rodríguez announced the “deportation of Colombian citizen Alex Saab Morán” through a statement issued by the Administrative Service for Identification, Migration, and Immigration (SAIME).

The statement said the measure was adopted “taking into consideration that [Saab] is implicated in various crimes in the United States of America, as is publicly known and widely reported.”

According to local media reports, Saab was transferred under custody from the El Helicoide detention center in Caracas to Simón Bolívar International Airport in Maiquetía, where a US government airplane was waiting for him. The operation reportedly involved agents from the FBI and the CIA, under the supervision of the US Justice and State Departments.

EFE confirmed Saab’s arrival at Opa-locka Airport in Miami-Dade County at 9:15 p.m. local time, escorted by Drug Enforcement Agency (DEA) personnel. Footage of his arrival showed him placing his fingerprints on a biometric scanner upon entering the airport terminal. 

US authorities have yet to issue a public statement on Saab’s detention. The charges against Saab reportedly include criminal conspiracy, money laundering, and bribery of Venezuelan officials. According to the indictment filed in the Southern District Court of Florida, he is accused of having falsified documents and used intermediaries to facilitate international transfers of public funds.

Rumors of Saab’s detention in Caracas, allegedly at Washington’s request, began to circulate in February, with Venezuelan authorities offering no confirmation or denial on his status and whereabouts.

A Colombian-born businessman who later received Venezuelan citizenship, Saab was previously detained on US charges in 2020, during a plane refueling stop in Cape Verde while on a trip to Tehran to negotiate food and fuel imports amid shortages in Venezuela. He was charged with conspiracy to commit money laundering.

Saab’s arrest and subsequent forced departure to US soil saw the Nicolás Maduro administration launch a significant effort to denounce the “kidnapping” of a government diplomatic envoy and demand his release. The “Free Alex Saab” campaign saw Venezuelan authorities and international solidarity movements organize multiple demonstrations and digital campaigns demanding the envoy’s liberation from US custody.

In 2021, Venezuelan National Assembly President and lead negotiator Jorge Rodríguez suspended a dialogue process with the Venezuelan opposition in Mexico following what he described as “the brutal aggression against Saab’s diplomatic status,” insisting at the time that Venezuela would exhaust “all available legal and diplomatic resources” to secure his release.

The Maduro government secured Saab’s return in December 2023, with US President Joe Biden granting him a presidential pardon, as part of a prisoner exchange. Venezuelan authorities released 10 US citizens, including two former Green Berets who had taken part in a failed mercenary incursion. The Venezuelan government hailed Saab’s release as a “victory of truth and dignity.”

He was appointed president of the International Center for Productive Investment (CIIP) in January 2024 and minister of industry in October 2024. Acting President Delcy Rodríguez replaced him in both posts in January, three weeks after the US military strikes and kidnapping of President Maduro and First Lady Cilia Flores.

Saab’s wife, Camilla Fabri, was likewise removed from her government responsibilities as communications vice-minister and head of the “Return to the Homeland” migrant return program.

During his prior detention, Saab’s legal team argued that the Barranquilla-born businessman had acquired Venezuelan nationality and was entitled to diplomatic immunity as a government special envoy. His Venezuelan citizenship allowed him not only to serve as minister, but also to vote in the 2024 presidential elections. Under Article 69 of Venezuela’s Constitution, Venezuelan citizens cannot be extradited.

However, the SAIME communiqué refers to Saab exclusively as a Colombian citizen, without explaining the legal procedure for his removal from the country. Likewise, the statement frames the move as a “deportation” rather than an extradition, although Saab was immediately flown to US territory. At the time of writing, there has been no judicial sentence publicly issued to approve the surrender of the former minister to US authorities.

Edited by Ricardo Vaz in Caracas.

CALL Her Daddy host Alex Cooper is pregnant and expecting her first child.

The podcast host revealed that she and husband Matt Kaplan were about to become parents in a new social media upload.

Alex flashed her bare baby bump as she sweetly looked into Matt’s eyes in the new snaps.

She could also be seen laughing as she gently placed a hand underneath her bump.

Alex added the caption: “Our family.”

She then took to her stories to re-post the announcement along with the additional caption: “Daddy Gang, there is something I’ve been waiting to share with you…”

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In another snap, Alex could be seen sat on Matt’s lap as she showed off her baby bump once more.

Her fans and celebrity pals were quick to react with congratulations over the baby announcement.

One person said: “I’m screaming!!!!!! I’m so happy for you guys!!!!!!!!”

Love Island USA star Huda Mustafa added: “IM GONNA CRY OMGGGG IM SO HAPPY FOR UUUUU!!!!!”

Another penned: “Call her MOMMY!”

With a fourth then stating: “Missed opportunity for the caption to be call him daddy.”

Alex has become the leading female talent in the podcast space thanks to her successful show.

She has welcomed guests including Victoria Beckham, Kim Kardashian and Zara Larsson to her couch.

Alex has been the world’s second biggest and second highest-earning podcaster since 2024, only behind Joe Rogan.

As well as landing various other endorsement, her podcast alone is understood to net the star $20million a year.

Alex Saab was once presented by the Venezuelan state as a symbol of national sovereignty. Today, the same state refers to him simply as “the Colombian citizen Alex Naim Saab Morán.”

That contradiction is not a side detail in the Saab saga. It is the story.

For years, chavismo invested extraordinary political and symbolic capital into transforming Saab from a relatively obscure businessman into something much larger: diplomat, political prisoner, sanctions-era patriot, and eventually minister of commerce. When he was detained in Cape Verde in 2020 on U.S. money laundering charges, the Maduro government reacted as though a senior state official had been kidnapped by a hostile empire. State media launched nonstop campaigns demanding his release. Venezuelan diplomats lobbied internationally on his behalf. Officials presented copies of his Venezuelan passport in foreign courts. Delcy Rodríguez herself described him as an innocent Venezuelan diplomat persecuted by Washington.

The regime did not merely defend Saab. It fused his fate with the idea of Venezuelan sovereignty itself.

And yet today, after reports that Saab was quietly detained inside Venezuela for months before being surrendered to the United States, the same state apparatus appears eager to emphasize something entirely different: his Colombian nationality.

The legal logic is obvious enough. Venezuelan law generally prohibits the extradition of Venezuelan nationals. Saab’s status as a naturalized citizen may have provided the government with the legal flexibility needed to facilitate his transfer while preserving a veneer of constitutional procedure.

But politically, the reversal is extraordinary.

Until recently, Saab was not treated as a foreign intermediary operating on behalf of Venezuela. He was treated as Venezuela. Attacks on Saab were framed as attacks on the republic itself. His return from Cape Verde during the Biden-era prisoner exchange was celebrated as a geopolitical victory. In January, Delcy Rodríguez publicly thanked him for his “dedication and commitment to the homeland” while announcing he would assume “new responsibilities.”

Only months later, he became deportable.

The Saab affair exposes how late chavismo governed through mutable political realities rather than stable institutional principles.

What changed was not merely the regime’s opinion of Saab. The operative meaning of Saab himself changed according to political necessity. He was successively businessman, envoy, diplomat, patriot, minister, revolutionary symbol, and now effectively a legally manageable Colombian citizen. The categories surrounding him  (citizenship, sovereignty, legality, loyalty) were treated less as fixed institutional realities than as flexible political instruments.

This is what gives the entire saga its distinctly Orwellian quality.

The issue is not simply propaganda. All political systems engage in propaganda. The issue is the degree to which political reality itself became fluid. Yesterday’s indispensable patriot becomes today’s silent liability. Yesterday’s sovereign diplomat becomes today’s extraditable foreign national. The contradiction is not resolved so much as administratively absorbed.

For Venezuelans, this dynamic has become painfully familiar. Years of institutional improvisation, overlapping authorities, constitutional contortions, and contradictory official narratives have gradually normalized incoherence as a governing method. People learn not to ask whether political narratives are internally consistent, but whether they remain operationally useful.

The Saab saga condenses that evolution into a single character arc.

And yet this is not merely a story about narrative manipulation. It is also a story about how chavismo itself changed under the pressure of sanctions, isolation, and survival.

During the years of maximum international pressure, Saab’s networks reportedly became central to the regime’s economic adaptation. Food imports, opaque oil transactions, offshore procurement systems, sanctions workarounds, and parallel financial structures increasingly blurred the distinction between state policy and survival improvisation. Saab occupied a hybrid role inside that world: part businessman, part diplomat, part financial operator, part sovereign representative.

That ambiguity was not accidental. It reflected the logic of a state learning to survive siege conditions.

But survival systems often produce figures who become simultaneously indispensable and dangerous. The very people who help preserve a regime during periods of extreme pressure can later become liabilities once strategic priorities shift. As Venezuela moved from total isolation toward tentative normalization, figures associated with the sanctions-era architecture increasingly carried diplomatic, financial, and political costs.

The fall of Tareck El Aissami and the PDVSA crypto scandal had already hinted at this transition. Entire internal networks once tied to the regime’s survival mechanisms suddenly became objects of public investigation and selective purge. Saab’s extradition pushes that logic much further. Unlike the internal anti-corruption campaigns of previous years, this was not simply the revolution disciplining itself. It was the state externally relinquishing one of its own.

And perhaps that is why the Saab affair feels so psychologically significant inside chavismo itself.

For years, the movement functioned through implicit assumptions about loyalty and protection. Certain figures appeared untouchable because they embodied too much of the system’s operational history and symbolic legitimacy. Saab seemed to belong to that category. His sudden transformation from protected patriot to expendable liability suggests that the category itself may be disappearing.

That does not necessarily mean the regime is collapsing. Authoritarian systems can survive long after ideological coherence erodes. But it does suggest a deeper transformation underway: the gradual evolution of chavismo from revolutionary movement into survival-oriented governing apparatus.

Revolutionary systems rely on myths that are supposed to remain stable over time. Survival systems prioritize flexibility instead.

The Saab affair reveals what happens when that flexibility extends not only to policy, but to reality itself.

The third rounds of golf tournaments are commonly known as ‘moving day’, and Saturday at the US PGA Championship lived up to the billing as stars and lesser lights jostled for position on a crowded and fast-moving leaderboard.

Remarkably, 14 players held at least a share of the lead at some point and 30 will go into Sunday’s final round within five shots of surprise leader Alex Smalley who is at six under after a two-under 68.

Over the first two days at Aronimink, with the more severe aspects of the course set-up generating much discussion, it felt more like the brutal examination usually reserved for the US Open.

Scottie Scheffler and Rory McIlroy – the world’s top two players – were among those to weigh in with less than complimentary observations, with the former going as far as describing some of Friday’s pin positions as “absurd”.

The PGA of America listened. The governing body moved some tees up and made several pins more accessible which, coupled with more benign conditions, has produced a classic major leaderboard that houses a mix of heavy hitters and less illustrious names.

Several big-time players capitalised on more favourable scoring conditions in the early stages.

McIlroy, who was outside the top 100 after a four-over opening 74 on Thursday, bettered Friday’s 67 by one to improve to three under and boost his hopes of following last month’s successful Masters defence with his third US PGA title.

Other major winners to vault up the leaderboard included Justin Rose, whose superb 65 left him at two under and revived his hopes of landing an elusive second major, and Jon Rahm, who is two off the lead after carding a 67 to maintain his push for the third leg of a career Grand Slam.

Rose isn’t the only man trying to end a 107-year wait for an English winner of this championship, with Aaron Rai alongside Rahm, Ludvig Aberg, Nick Taylor and Matti Schmid on four under.

Not everyone prospered. Scheffler, who shot a Saturday 65 on his way to winning last year’s US PGA, surprisingly stuttered to a 71 and is five adrift.

More to follow.

The Dodgers beat the San Francisco Giants 5-2 on Thursday night, reclaiming first in the National League West after San Diego lost to Milwaukee. The Dodgers also escaped a third straight series loss at home ahead of their weekend road series against the Angels.

Designated hitter Will Smith, whom Dodgers manager Dave Roberts described earlier in the day as “unflappable,” hit from the leadoff spot and homered to right-center field in the first inning to set the tone for the series-splitting win.

The decision to put Smith in the leadoff spot allowed Roberts to maximize the 31-year-old’s plate appearances without moving other players after Shohei Ohtani was held out of the lineup.

The Dodgers (26-18) are trying to lighten Ohtani’s workload after his recent struggles at the plate. It’s the first time a healthy Ohtani has been out of back-to-back batting orders, except for the paternity list, since the universal designated hitter rule was implemented in 2022.

Though the Dodgers outlasted the Giants (18-26) without Ohtani’s help, the team’s compounded mistakes almost cost it a win.

In the second inning, the bottom of the lineup strung together two hits to score Max Muncy, who reached on a walk. However, after Miguel Rojas softly hit a ground ball to Giants starter Landen Roupp, Teoscar Hernández found himself stranded in no-man’s land after running toward home from third — there was no force play at the plate.

Rojas, who stood on the basepath, slammed his helmet down in frustration after Smith struck out to end the inning.

Will Smith gets a face full of sunflower seeds from teammate Andy Pages after hitting a leadoff home run in the first inning for the Dodgers on Thursday.

(Gina Ferazzi / Los Angeles Times)

Rojas wasn’t the only one upset. Dalton Rushing was shown on the game broadcast breaking his bat in the dugout and slamming his leg guard on the back bench after striking out in the fourth inning. Dodgers starter Emmet Sheehan shared some words of encouragement with the catcher and patted him on the back.

Sheehan’s night was relatively uneventful before the fifth. He put together three hitless innings before San Francisco’s Rafael Devers hit a one-out single to left field.

From there, things got worse. In the fifth, Jung Hoo Lee hit an inside-the-park home run when Hernández misread the ball off the left-field wall in foul territory, allowing the ball to roll past him. Rojas’ relay throw was too high for Rushing to catch, and Lee slid into home to become the first Giants player to hit an inside-the-park homer at Dodger Stadium.

But the Dodgers responded in the sixth. After Max Muncy reached base on a force out at second and was moved over to third on a single from Hernández, Alex Call delivered a pinch-hit, two-run single to right field. Rojas then blooped a ball over the infield to drive in Call.

Sheehan finished his night after six innings, giving up two earned runs, two hits with six strikeouts and two walks. With combined efforts from relievers Tanner Scott, Alex Vesia and Edgardo Henriquez, the Dodgers shut down the Giants the rest of the way.

Rivals’ Rupert Campbell-Black star may be a literary sex god but his wife gave a blunt response to his nude scenes.

Rivals actor Alex Hassell met his wife at drama school and she warned him to be wary.

Rivals fans are on the edge of their seats awaiting the arrival of season two on Disney+, starring Alex Hassell as the entitled millionaire Tory MP Rupert Campbell-Black.

The new outing will continue to follow the rivalry between Campbell-Black and Lord Tony Baddingham (David Tennant), while treating viewers to more tantalising romps.

Essex-born actor Hassell’s character may spend a lot of time in the nude, but the star’s famous wife once warned him about avoiding nude scenes.

The 45-year-old star previously told inews that his wife said to him him he’d better stop “before I get a name for myself”, going on to say he’s “not particularly body shy”.

Here is all you need to know about the star’s famous wife and how they met.

Who is Alex Hassell’s wife?

Hassell, from Southend, is married to actress Emma King and the pair tied the knot in January 2011.

King has previously taken on guest roles in Netflix’s Cowboy Bebop, The Vanishing and The Cry, and she often appears alongside her husband at red carpet events.

The pair met at drama school but didn’t get together until years later, after King went to see one of Hassell’s shows by his theatre group, Factory.

He explained to Square Mile: “She came to see a Factory show and we both asked for each other’s number off the same person.”

They have since worked together on multiple occasions, including at RSC productions and on an episode of Cowboy Bebop.

The publication went on to say his wife is “thrilled about Rivals”, which has become an international hit.

Hassell and King had a rather private wedding in front of friends and family, both preferring to keep their relationship out of the spotlight.

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However, King has previously shared plenty of photos of the pair on her Instagram account and she wrote a sweet tribute to her husband on their tenth wedding anniversary.

Next to a collection of snaps from their big day, she said: “Happy anniversary @alexanderhassell I never knew it was possible to feel this loved or to love this much.

“I don’t always know what I’m doing but I know I couldn’t do it without you.”

Rivals season 2 airs on Disney+ from May 15.

May 13 (UPI) — The South Carolina Supreme Court on Wednesday overturned the double murder convictions for former lawyer Alex Murdaugh for the slayings of his wife and son.

The court ordered a new trial for the 2021 deaths of Margaret Murdaugh and Paul Murdaugh. Alex Murdaugh was convicted in 2023 of the two murders — along with two counts of possession of a weapon during a violent crime — and sentenced to life in prison without the chance of parole.

In a 5-0 ruling Wednesday, though, the state’s highest court said the murder trial had been improperly influenced by county clerk Becky Hill. The justices said she “placed her fingers on the scales of justice, thereby denying Murdaugh his right to a fair trial by an impartial jury.”

“Although we are aware of the time, money and effort expended for this lengthy trial, we have no choice but to reverse the denial of Murdaugh’s motion for a new trial due to Hill’s improper external influences on the jury and remand for a new trial.”

Hill pleaded guilty last year to charges she lied to the court about showing sealed court documents to a photographer, NBC News reported. She was sentenced to one year of probation.

South Carolina Attorney General Alan Wilson said in a statement to CNN that he plans to retry Alex Murdaugh.

“While we respectfully disagree with the Court’s decision, my Office will aggressively seek to retry Alex Murdaugh for the murders of Maggie and Paul as soon as possible,” he said.

“No one is above the law and, as always, we will continue to fight for justice.”

Murdaugh’s lawyers welcomed the state supreme court’s decision.

“We look forward to a new trial conducted consistent with the Constitution and the guidance this court has provided,” they said.

“Both the State and Murdaugh’s defense skillfully presented their cases to the jury as the trial court deftly presided over this complicated and high-profile matter,” the justices wrote. “However, their efforts were in vain because Colleton County Clerk of Court Rebecca Hill placed her fingers on the scales of justice, thereby denying Murdaugh his right to a fair trial by an impartial jury.”

Clave Especial is finally taking a break.

In the last two months, the corrido tumbado band from Salinas, Calif., performed at the South by Southwest music festival in Texas—and made headlines by singing a narcocorrido; spoke to Latino students at Cornell University in upstate New York; and even embarked on a impromptu 10-hour road trip to show their support for Juan, a contestant from Mexico on one of MrBeast’s latest challenges who has become a viral sensation.

In fact, the trio— lead singer Alejandro Ahumada, guitarist Leonardo Lomeli and tololoche player Rogelio Gonzalez — felt so compelled to make the pilgrimage to the North Carolina grocery store where Juan has been sequestered for months, that they ditched all press events for their latest EP “Afterafter,” released on April 30, in order to meet and serenade him. The band even awarded a $5,000 scholarship to his son, Angel.

“Why? Because it felt so right,” said Ahumada. “His story connected with us, because we also come from hardworking parents that really gave it all for us.”

As the rush of East Coast travel wore off, Clave Especial returned to Salinas to throw a huge homecoming bash. “It’s like a full-circle moment,” said Ahumada of their May 4 performance at the Salinas Sports Complex.

They joined a video call from their childhood bedrooms to discuss “Afterafter,” a five-track project set to a fiery tempo — 140 BPM to be exact — that is nostalgic for summer days and the never-ending after-parties they bring. The songs were selected from their vault, they said, which includes a long list of tracks that didn’t make the cut for “Mija No Te Asustes,” the band’s 2025 critically acclaimed debut that featured co-signs by Fuerza Regida, Edgardo Nuñez and Luis R Conquirez.

This interview has been edited and condensed for clarity.

What was it like to perform back home in Salinas?

Alex: That’s actually the second time that we come back as Clave Especial. The first show was at the Fox Theater, which was a sold-out show. People were asking us, “Hey when are you guys coming back?” We decided to do it now at the Salinas Sports Complex.

Jumping to the EP, how did “Afterafter” come to be?

Alex: It was more like a fun concept that we kind of had in mind. We were actually working towards an album at a writers camp in Ensenada. It was at the beach. Then we jumped around to Miami, Puerto Vallarta. We caught ourselves jumping around beaches, a lot of parties. We want to give people like a summer EP, something they can slap during the summer when they’re partying.

If “Mija No Te Asustes” is an album about this confident boss man calling the shots, how would you characterize “Afterafter”?

Alex: I think it’s that same guy from the first album, he’s still living it up. In “Mija No Te Asustes” there’s some songs like “Como Capo” that introduce that vibe to this EP, so we just continued that wave. It was our biggest song yet. We knew that people liked us apart from the corridos like “Rápido Soy,” “No Son Doritos,” but I think with “Como Capo” we discovered that people like other sounds and lyrics. That’s what we tried to continue in “Afterafter.”

Musically, how would you describe the sound of this EP?

Leo: One thing about us, when we get in the studio, we play a lot in the tempo 6/8s, this upbeat speed. We always hit the BPM at 140 BPM — that’s the Clave Especial essence.

One of the songs that caught my interest was “Scary Movie,” because it reminded me of a corrido-inspired “Thriller” (by Michael Jackson). It also connects the past album because there’s a phrase where you say “Mija, no te asustes.” Tell me the backstory of that spooky song.

Alex: That’s funny, because I’m going to watch the Michael Jackson movie today. That song was actually composed by someone from Street Mob from Ensenada. I think that song was already in the vault.

Leo: That song was tailored for [the past] album. The [ad lib] was an Easter egg.

I saw that you were all recently in North Carolina at the grocery store where Mr. Beast is doing a challenge. There’s one Mexican dad named Juan competing for the million-dollar prize. You guys went to see him and also gave his son a scholarship. Why was it important for you guys to show up?

Alex: Basically we were in [New York] having dinner. We had some press the next day but we had to cancel on them. We commented on Mr. Beast’s video, and the comment got a lot of likes, we’re like “oh shoot, this is dope, this has a real impact on the Mexican community.” His son had swiped up on us, thanking us for supporting his dad.

We saw that Juan told his son to leave the competition ‘cause he wanted to keep going to school. I think we’re one of the few bands in the industry that went to school. I have my bachelor’s degree from Fresno State. It was something that really resonated with us. We had also just come off a panel there at Cornell University so everything just set the tone. We saw the map. It was 10 hours away, obviously a drive, but this opportunity’s never gonna come. We’re from Cali and this is on the other side of the country and we’re here now. Let’s show that the Mexican community is very powerful, united. Let’s go show some support to Juan and his kid. Hopefully he wins!

The last time we chatted was at the Rolling Stone showcase at SXSW. I didn’t get a chance to talk to y’all afterwards, during the end of your set, you sang a cover of Los Alegres del Barranco’s “El Del Palenque” which venerates the narco leader El Mencho, who was killed by Mexican forces just weeks prior. Why was it important for Clave to sing that song specifically?

Alex:  We just like the song. At the end of the day it’s just music. It’s storytelling. It’s corridos. That’s what corridos is all about, and that’s why I got into the music scene. We just like the song. We’re from Jalisco, from Michoacán. It always turns up the crowd, so we did it for the people. People want to hear corridos. We’ve been seeing the censorship going on, but at the end of the day I don’t think that’s the problem. It’s a lot deeper than that, and music is just music, we’re just storytelling, singing music, having fun on stage.  I don’t know if we had it in our set list or not, but I think we had just played a song prior to that that had the same tones. I was like, keep it going, let’s play this one next. Nothing deep.

So it wasn’t planned?

Alex: No, it wasn’t. Afterwards I was like, “Damn, I sang that.” But, eh, who cares?

Do you guys ever get worried when you sing corridos? Or is that something that you’re able to manage being from the U.S., which provides a layer of protection?

Alex: There’s a famous dicho: El que nada debe, nada teme. Like at the end of the day we don’t owe anybody anything. We do music, we’re here by our own sacrifice. People that know our story know that.

Alex Fitzpatrick’s hopes of a first individual win on the PGA Tour were dashed as Kristoffer Reitan claimed a maiden victory at the Truist Championship on Sunday.

England’s Fitzpatrick went into the final round with a one-shot lead over Reitan but his Norwegian rival secured a two-shot victory at Quail Hollow in Charlotte, North Carolina.

The 28-year-old fired a two-under round of 69 to reach 15 under overall, with Denmark’s Nicolai Hojgaard and American Rickie Fowler tied for second.

Fitzpatrick was a shot further back after a round of 73, which began with a bogey and double bogey inside his first three holes.

The 27-year-old recovered to level par with his fourth birdie on the 13th hole, giving him a share of the lead.

There was a four-way tie at the top of the leaderboard on the back nine but while others faltered, Reitan stayed steady to win on only his 15th PGA start.

Fitzpatrick won the Zurich Classic with his older brother Matt last month, which earned him a two-year exemption on the PGA Tour.

He then finished in the top 10 at the Cadillac Championship and was one stroke behind Reitan before his second double bogey of the day on the par-three 17th.

Compatriot Tommy Fleetwood finished in a tie for fifth on 11 under after closing with a two-under 69.

Fitzpatrick, the world number 120, told Sky Sports: “It’s still very surreal [to be in contention]. It’s crazy to feel disappointed but I still am.

“I’m happy for Kris, he deserves it, and hopefully it’ll be mine another time.”

World number four Matt Fitzpatrick finished on one-over after a final round 72 while Northern Ireland’s Rory McIlroy bounced back from a 75 on Saturday to finish with a 67 on five under.

Alex Fitzpatrick hit a sparkling seven-under-par 64 to seize a one-shot lead heading into the final round of the Truist Championship at Quail Hollow.

The 27-year-old younger brother of former US Open champion Matt Fitzpatrick produced an inspired display, carding eight birdies to move to 14 under par and put himself in pole position for a maiden individual PGA Tour title.

Fitzpatrick leads Norway’s Kristoffer Reitan, who also posted a 64, by a single stroke.

It is just a fortnight since the Fitzpatrick brothers won the Zurich Classic of New Orleans pairs event, which secured a two-year tour card for Alex, who is ranked 120th in the world.

World number two Rory McIlroy, a four-time winner at this venue, suffered a frustrating Saturday, carding a four-over-par 75 to fall out of contention.

Starting the day two shots off the lead, Fitzpatrick surged forward with five birdies on the front nine.

Despite a stumble with a bogey at the 16th, he responded immediately by sinking an eight-foot putt for birdie at the par-three 17th to regain his narrow advantage.

“The one thing that I kind of did a really good job today was embracing everything that’s going on,” Fitzpatrick said.

“I had so much support out there, which was amazing.

“I would love to win. I would give a lot to win. But also if winning doesn’t happen, I would hope it would happen at some point. As long as I can go out and enjoy it, that’s all I can do.”

In contrast, McIlroy’s bid for another victory – following his triumph at The Masters last month – collapsed on a difficult afternoon in Charlotte for the man from Northern Ireland.

Six bogeys meant he slid down the leaderboard to one under par, leaving him 13 shots adrift of the leader.

American Cameron Young carded the lowest round of the day, a sensational eight-under 63, to sit alone in third at 12 under. Young, who won last week’s Cadillac Championship, had his only dropped shot at 18, where a wayward tee shot proved costly.

South Korea’s Sungjae Im, the halfway leader, sits at 10 under after a 70, alongside Denmark’s Nicolai Hojgaard whose 67 put him firmly in contention.

England’s Tommy Fleetwood remains in the hunt after a 70, sitting in a tie for sixth at nine under par alongside two-time major winner Justin Thomas.

Singer Alex Ligertwood, best known for providing lead vocals for Santana over several decades, has died. He was 79.

Ligertwood’s wife and agent, Shawn Brogan, announced in a Saturday evening Facebook post that the vocalist died at his Santa Monica home.

“It’s with great sadness and heartache to announce the passing of my sweet dear Alex Ligertwood, my husband of 25 years, we knew each other for 36 years,” Brogan wrote. “Alex passed peacefully in his sleep with his doggy Bobo by his side yesterday.”

Ligertwood’s cause of death was not revealed.

Alex Ligertwood, left, and Jorge Santana of the band Santana perform Oct. 9, 1993, at Shoreline Amphitheater in Mountain View, Calif.

(Tim Mosenfelder / Getty Images)

“Alex was loved by so many. If you knew him, you loved him. He touched so many with his extraordinary voice. He was all heart and soul,” Brogan’s statement continued. “His favorite thing in life was to make music, sing and to share his gift with us. He performed his last show just two weeks ago. I’m grateful for that. He did it his way, on his terms, till the end.”

The singer had five separate stints as Santana’s lead vocalist between 1979 and 1994.

He famously served as the group’s singer when it performed at Live Aid in 1985. His voice was notably featured on the tracks “You Know That I Love You,” “Winning,” “All I Ever Wanted” and “Hold On.”

Ligertwood also co-wrote such songs as “Somewhere in Heaven” and “Make Somebody Happy,” among others.

Aside from his contributions to Santana, Ligertwood played alongside guitar legend Jeff Beck as part of the Jeff Beck Group in the early ‘70s. He also played in jazz-rock keyboardist Brian Auger’s band Oblivion Express.

Auger, who has played with Rod Stewart and Jimi Hendrix, paid tribute to Ligertwood in a Facebook post Saturday evening.

“To me, Alex aka ‘Wee Eck’ was simply the best singer to ever do it. In all my years of music, I never heard anyone who possessed that kind of range or that effortless, carefree ability to soar through a melody. He didn’t just sing songs; he lived them,” Auger wrote. “The world feels much quieter today without his voice, and I will miss my friend more than words can say. The big band in the sky just got infinitely better with Alex’s arrival.”

The singer also appeared on records with French jazz group Troc in the 1970s, American rock band the Dregs in the 1980s, and the Grateful Dead spinoff project Go Ahead in the late 1980s.

Ligertwood was born in Glasgow, Scotland, on Dec. 18, 1946.

He grew up in a musical household as his father was an amateur drummer. His earliest musical influences were the swooning Motown singers of the ‘50s and ‘60s, including Otis Redding, Sam Cooke and Marvin Gaye. He first performed as a vocalist as part of his school’s choir and at family events.