Alan

Jenna Dewan is “so excited” for her next performance on “Dancing With the Stars.”

The “Rookie” actor appeared in a short video posted Sunday to the show’s Instagram Stories with her temporary partner, Alan Bersten — who is filling in for suspended pro Val Chmerkovskiy — to promote their upcoming routine.

“Hi, everybody,” Dewan said while standing beside Bersten during rehearsals. “It’s ‘Dedication Night’ and we are dancing a Viennese waltz to ‘Unchained Melody’ by the Righteous Brothers, the greatest, most romantic song ever.”

The “Step Up” star shared on social media that she is dedicating this dance to her mother.

“My mom has always been my biggest cheerleader,” Dewan wrote in her Sunday Instagram post. “The one who believed in me before I even knew what was possible for myself. Who encouraged me to dream big, to keep going, and most importantly, to never lose sight of who I am along the way.”

She added: “There’s something so beautiful and full circle about getting to honor the woman who first encouraged my love of dance, through the very thing she helped me fall in love with.”

The short teaser was shared shortly after it was announced that Chmerkovskiy would be suspended for a week for posting a message on TikTok that seemed to reference Will Smith‘s infamous 2022 Oscars slap. That incident involved Smith rushing the stage and slapping host Chris Rock with an open hand after the Oscars host made jokes about Jada Pinkett Smith.

“Keep my wife’s name out your … mouth!” Smith shouted at Rock afterward.

Chmerkovskiy’s since-deleted TikTok post appeared to be in response to judge Carrie Ann Inaba‘s harsh critique of the performance by pro Jenna Johnson, his wife, and partner Harry Shum Jr. during Tuesday’s “Super Bowl Night” episode of the show.

“You almost saw Fresh Prince enter the ballroom last night,” Chmerkovskiy reportedly wrote.

“DWTS” producers BBC Studios responded with a widely reported statement that the “well-being of everyone who works on Dancing with the Stars is non-negotiable. Val’s social media post was inappropriate and does not reflect the values or standards expected of anyone connected with the show. As a result, he will not participate in next week’s show.”

Chmerkovskiy has since apologized for his remark, saying in a statement provided to Deadline that he had merely reacted on “instinct” to “defend [his] wife.”

“In a moment where my instinct was to defend my wife, I made a poor decision to reference a meme to ‘keep my wife’s name’ out of the conversation, without stopping to think through what else that reference could imply, which was genuinely never my intention,” the statement read. “Carrie Ann certainly didn’t deserve to get caught in the middle of my bad judgment, and I hate that she was.”

The dancer also reportedly posted an apology to his Instagram Stories on Thursday.

“I want to apologize from the bottom of my heart for my recent post,” he wrote. “I have reached out to Carrie Ann to apologize directly and personally, and I also want to apologize publicly as I understand my words affect so many outside of our internal DWTS family.”

Bersten, who is filling in this week as Dewan’s partner, was previously paired with celebrity chef Giada De Laurentiis before they were eliminated earlier in the season.

“Tip Toe,” a fine new drama from Russell T Davies premiering Friday on Starz, begins at the end, with Leo Struther (Alan Cumming, phenomenally good), a gay Manchester bar owner, hanging dead from a streetlight outside his house, as a woman screams and his neighbor Clive Goss (David Morrissey) stands breathing heavily on his porch. Then, as so many series do nowadays, it goes back in time — 10 days here — to tell the tale that got them there.

And so you are prepared from the beginning for tragedy, though not everything that happens in its five episodes will be tragic — some of what we see will be sweet and even celebratory — and one might forget for a moment where this is all heading, and even believe that what we’ve already seen will turn out differently.

The series sets off in a comparatively light mood. Chasing a one-night stand who’s stolen his laptop, Leo finds he’s locked himself out of his house, and, dressed only in his underwear, goes next door to ask if he can borrow a phone to call his friend Stephanie (Elizabeth Berrington) to bring him a spare key; here we meet the Goss family, Clive, an out-of-work electrician; his wife, Marie (Pooky Quesnel), who doesn’t like Clive; 16-year-old son George (Jackson Connor), gay and closeted; and 25-year-old son Saul (Joseph Evans), an easygoing hunk who lives at home, secretly makes money on OnlyFans and accepts everyone for who they are. Leo and the Gosses have been living amicably at arm’s length for 14 years, though their lives are about to become closely entwined, with disastrous results.

In an act of something like willful, somewhat disturbing friendliness, or a desire not to have to deal with Leo the next time he’s locked out, Clive makes a copy of Leo’s key and installs a lock box by his door. (By the Chekov’s gun rule, a key copied in Episode 1 is bound to be turned in a lock in whatever later act Davies deems advantageous.) Then, Leo gives Clive work at his bar.

Alan Cumming and David Morrissey play neighbors whose relationship escalates to violence in “Tip Toe.”

(Ben Blackall / Starz)

Leo’s bar, Spit and Polish, sits on Canal Street in Manchester’s long-established “gay village.” It’s a safe space for his employees and regulars, including Zee (Iz Hesketh), who’s been sleeping hidden in the bar, frightened of new flatmates since coming out as a trans woman, and Melba (Paul Rhys, brilliant), a former drag performer who holds down the end of the bar like Norm from “Cheers” and carries a torch for Leo.

Things will go generally downhill from here, in a narrative of escalating misunderstanding — not in the sense of an innocent mistake, of simply getting the wrong end of the stick (though that’s part of it), but as a contemporary habit of mind, blinkered, closed to facts but open to conspiracies. (Clive, a consumer of social media disinformation, believes that AIDS and COVID are fake); he lives in fear.

Directed by Peter Hoar, it’s a rough watch, yet beautifully wrought and delicately performed, inspiring and depressing, hopeless and hopeful by turns Davies has points to make — hanging your protagonist is not subtle — but his dialogue carries a lot of weight lightly; long conversations ebb and flow and rise and fall like compressed playlets. If there is something schematic about the arc, the characters within it, Clive as much as Leo, are completely human. They stand for something bigger than themselves, but they also stand for themselves.

Davies brought gay life in its infinite variety to television with the 1999 series “Queer as Folk” (also set on Canal Street) and gender fluidity to “Doctor Who,” the series he revived in 2005 and returned to in 2023. (The Tardis is currently in limbo.) His “Cucumber,” about middle-age gay men, and “Banana,” about young LGBTQ+ people, are also set in Manchester, where Davies has lived since the late 1980s. “Tip Toe” has been crafted for an age of surging homophobia and anti-gay violence. “The president of America has given these men permission to attack us,” says Melba, as he sits with Leo late one night by the canal. The series’ dark prophet, he gives it its title.

“It’s a storm, it’s a tide, it’s a great big tsunami. We’re in the middle of it right now … If you’d asked me in 1996 what do you think 2026 will be like, I’d have said ‘glory days’ … But they tricked us didn’t they? They let us all come out, so now we’re standing in he open ready for them to shoot us down. I used to walk into a room and just go, ‘Ta-da!’ Now I tip toe, just in case.”