aggressive form

Jennifer Finch, bassist for influential L.A. rock band L7, dead at 59

Jennifer Finch, bassist for the influential Los Angeles rock band L7, has died. She was 59.

Finch died of “an aggressive form of brain cancer,” according to a statement from the band.

“We are shattered by the loss of our beloved bandmate, sister and friend Jennifer Finch, whose fierce spirit, humor and boundless creativity helped shape L7 and changed all of our lives forever,” the group said in its statement. “Jennifer was a true original who lived entirely on her own terms, and the impact she made on music, art and everyone lucky enough to know her cannot be measured. We love her beyond words and will carry her with us always. Rest in power our dear friend.”

Finch was receiving ongoing treatment for brain cancer, and just last week backed out of the band’s planned final tour. The group said those dates were “planned along with Jennifer when all four of us were in good health and spirits,” and Finch had asked the band to continue the shows while she sought treatment.

Finch, raised in Los Angeles, was an outspoken and ambitious fixture of ‘90s rock. She briefly performed in a band with Courtney Love pre-Hole and Babes In Toyland’s Kat Bjelland, and once dated Dave Grohl. But she came to prominence in L7, a foundational act in the alt-rock scene of the ‘90s.

Formed in 1985 by guitarists and singers Suzi Gardner and Donita Sparks, drummer Dee Plakas and Finch, they made a fast impact on L.A.’s punk scene, which was growing out of the hyper-masculine hardcore era of the ‘80s. Alongside Hole and Sleater-Kinney, L7 helped usher in the riot grrl wave of confrontational, female-led rock acts onto charts and festival bills.

“Rock ‘n’ roll was invented and became popular because of its rebellious nature,” Finch told the Times in 1993. “But the world has seen every form of rebellion–from throwing TVs out the windows to heroin abuse to just the guy in the leather jacket with greased-back hair–and the rebel image is becoming tired and burnt out. So (the press) is finding new interest in women who (rebel), creating a whole new aspect.”

“The unfortunate thing is that journalists are trying to create a genre out of gender, which trivializes it,” she added. “That’s extremely ignorant, because it bypasses the uniqueness between the groups.”

Bolstered by Finch’s ferocious basslines, hit single “Pretend We’re Dead” received significant airplay on alternative rock stations and became the group’s signature song, along with the biting anti-war anthem “Wargasm.” Finch wrote several songs across the group’s catalog, including the scabrous single “Everglade.” L7 went on hiatus in 2001, but reunited in 2014.

Finch was a talented photographer, whose intimate shots of SoCal bands lent an air of tragic grit to an ascendant punk and rock scene. “The irony is not lost on me when I’m driving from my house just blocks from where I grew up, and I’m heading to the L.A. Weekly to publish pictures of us as kids hanging out and shooting up, 20 years ago,” she told L.A. Weekly in 2006.” It feels weird but strangely hopeful. That was a totally unique time and it defined who we are, so then maybe it’s not a bad thing to be nostalgic about.”

Beyond L7, her song with OtherStarpeople, “Then There’s None,” appeared on the beloved “Office Space” soundtrack, and founded the punk band The Shocker in 2002. She acted in John Waters’ dark comedy “Serial Mom” as a member of the fictional band Camel Lips.

L7’s last album, “Scatter the Rats,” was released in 2019, and its final tour, “The Last Hurrah,” is booked to kick off in San Diego on Oct. 6.

L7 and Finch’s family opened a GoFundMe to support her medical care, saying “We love her, and we want her to feel the full strength of the community that has loved and supported her for so many years.” Information on surviving family was not immediately available.

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Jason Collins, NBA’s first out gay player, dies at 47

Jason Collins, the NBA’s first openly gay player who went on to become a pioneer for inclusion and an ambassador for the league, has died after an eight-month battle with an aggressive form of a brain tumor, his family announced Tuesday.

Collins, who starred at Stanford and Harvard-Westlake High, where he helped the Wolverins win to back-to-back Division III state titles along with twin brother Jarron, spent 13 years as a player in the league for six different franchises. He revealed in 2013 that he was gay, an announcement that came toward the end of his playing career.

Collins had been diagnosed with Stage 4 glioblastoma, which has an extremely low survival rate. He was 47.

“Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar,” Collins’ family said in a statement released through the NBA. “We are grateful for the outpouring of love and prayers over the past eight months and for the exceptional medical care Jason received from his doctors and nurses. Our family will miss him dearly.”

Just last week, Collins received the inaugural Bill Walton Global Champion Award at the Green Sports Alliance Summit. He was too ill to attend so Jarron Collins accepted for him.

“I told my brother this before I came here: He’s the bravest, strongest man I’ve ever known,” Jarron Collins said while accepting that award.

Jason Collins averaged 3.6 points and 3.7 rebounds in his career. He helped the New Jersey Nets reach two NBA Finals and in his best season averaged 6.4 points and 6.1 rebounds for them in 2004-05.

“Jason Collins’ impact and influence extended far beyond basketball as he helped make the NBA, WNBA and larger sports community more inclusive and welcoming for future generations,” NBA commissioner Adam Silver said. “He exemplified outstanding leadership and professionalism throughout his 13-year NBA career and in his dedicated work as an NBA Cares Ambassador. Jason will be remembered not only for breaking barriers, but also for the kindness and humanity that defined his life and touched so many others.

“On behalf of the NBA, I send my heartfelt condolences to Jason’s husband, Brunson, and his family, friends and colleagues across our leagues.”

Jason Collins revealed his sexuality in a first-person account for Sports Illustrated in April 2013. He was a free agent at the time, said he wanted to keep playing, and went on to play in 22 games with Brooklyn the following season.

“If I had my way, someone else would have already done this,” he wrote at that time. “Nobody has, which is why I’m raising my hand.”

His decision was widely lauded, with star players such as Kobe Bryant quickly speaking out in support of Collins. There was even support from the White House and then-former President Bill Clinton — whose daughter, Chelsea, went to Stanford with Collins. At Stanford, Collins was roommates with someone who was part of another American political dynasty, that being Joe Kennedy III, who spent eight years in Congress representing Massachusetts.

Collins, in the piece for Sports Illustrated, wrote that he realized he needed to go public about his sexuality when Kennedy walked in Boston’s gay pride parade in 2012 — but Collins couldn’t do the same.

Until then, Collins kept his feelings about gay rights close to the vest. He wore jersey No. 98 for the majority of his final three playing stints with Boston, Washington and Brooklyn — a nod to the year that Matthew Shepard, a gay college student in Wyoming, was killed. He also wore 46 in one game for the Nets, since it was the only jersey the team had available when he signed.

Collins made nearly 61% of his shots in his career at Stanford, which remains a school record. He was an honorable mention selection for the Associated Press’ All-America team in 2001, a few months before the Houston Rockets took him with the 18th pick in that year’s NBA draft.

“It’s a sad day for all of us associated with Stanford basketball when we lose one of the program’s greats,” former Stanford coach Mike Montgomery said. “We all have great memories of Jason and the kind of person he was. It’s hard to separate Jarron and Jason because they thought so alike, but even though he was an identical twin, Jason was unique in his own way. The impact he had on Stanford was immense, as he could match up against anyone in the country because he was big, smart, strong and skilled, all while being a very bright and nice person.”

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