actor

A London judge on Monday sentenced British actor-turned-religious influencer Russell Brand to 10 and a half years in prison after he was convicted on rape and sexual assault charges in the U.K. last week.

Brand, the 51-year-old former bad boy star of comedies including “Forgetting Sarah Marshall” and “Get Him to The Greek,” was convicted by a jury last week of one count of rape and three counts of sexual assault involving four different women.

He was also acquitted of two rape counts and one count of attempted indecent assault. The criminal charges originated from his interactions with six different women in the U.K. spanning from the late 1990s to the late aughts. He pleaded not guilty to all charges leading up to the trial, which began Oct. 12 and lasted three weeks.

Brand was first publicly accused of sexual assault in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation into allegations involving several women between 2006 and 2013. More women came forward with their accusations against Brand in wake of the investigation, including a woman who alleged in a civil suit in New York that Brand sexually assaulted her on the set of his 2011 film “Arthur.”

British police first pressed charges against Brand in April 2025, accusing him of single counts of rape, indecent assault, oral rape and two counts of sexual assault involving incidents from 1999 to 2005. Prosecutors accused Brand of raping a woman in the English seaside area of Bournemouth in 1999. Officials also accused Brand of indecently assaulting a second woman in 2001, orally raping and sexually assaulting a third woman in 2004, and sexually assaulting a fourth woman between 2004 to 2005, incidents that allegedly occurred in Westminster, according to U.K. officials. Prosecutors tacked on two additional charges — one count of rape and another count of sexual assault — against Brand in December 2025 for incidents involving two more women in 2009.

He was convicted of sexually assaulting a woman during a birthday party at a London bar in 2004, but acquitted of orally raping her in a restroom, the Associated Press reported. Jurors also found the actor guilty of kissing and groping another woman at a London radio station in 2004 or 2005 and of anally raping a fan at his home after meeting her backstage at one of his comedy shows in 2009. His final conviction was for sexually assaulting another woman who alleged the comedian demanded a massage and pressed his face into her groin while filming an advertisement in 2009.

Shortly after the jury handed down its verdict, police confirmed it provided prosecutors with investigations into two additional rape allegations against the actor.

Prosecutor Riel Karmy-Jones described the comedian as ruthless, “calculating,” “manipulative” and as a “sexual predator” during the trial while Brand, ex-husband of pop star Katy Perry, denied forcing any of his accusers into sexual encounters. “Consent is fundamental, essential, necessary, and indeed in may ways more important than sex itself,” he told jurors.

Brand also told jurors of the personal toll of the high-profile rape and sexual assault allegations, claiming friends and collaborators cut ties and that no one with relevant evidence wanted to testify on his behalf. Laura Gallacher, Brand’s wife since 2017 and mother of their three children, testified on the actor’s behalf, describing him as a devoted father.

Jurors also heard testimony from Brand’s ex-personal assistant and the actor’s former roommate, who spoke to Brand’s “insane sexual appetite” and ambitious sexual goals, respectively. The actor also acknowledged during cross-examination by Karmy-Jones, he spent part of his earlier life pursuing “beyond reckless philandering” and that he grew “comfortable” using his fame to “facilitate sexual access.” He said that “was wrong.”

“My entire life has been consumed by these events, these allegations, these accusations,” he said.

The Associated Press contributed to this report.

The supporting actor race finds several multiple nominees in the running alongside an icon among Latino entertainment figures looking for his first-ever nod.

Anne Thompson declares, “The favorite is [Andrew] Garfield, who plays tricky billionaire Sam Altman in ‘Artificial.’ It is a winning, if not positive, portrayal.”

“Past winner Sam Rockwell is also a lock,” says Dave Karger, “while veteran John Leguizamo is angling for his first nomination. And the always-reliable Edward Norton would increase his tally to five.”

Glenn Whipp says front-runner Paul Giamatti has been “so good for so long,” it seems as if he has won before, though he hasn’t. But “the way he brings to life the demanding, bighearted theater director in ‘The Debut’ will give him another shot.” As Robert Daniels says, his turn is “made memorable for the actor’s moments of tenacity, anguish and vulnerability. It’s Giamatti giving a classic Giamatti performance.”

1. Paul Giamatti, “The Debut”
2. John Leguizamo, “The Odyssey”
3. Sam Rockwell, “Wild Horse Nine”
4. Andrew Garfield, “Artificial”
5. Edward Norton, “The Invite”
6. John Goodman, “Digger”

RogerEbert.com

Robert Daniels

1. Paul Giamatti, “The Debut”
2. John Leguizamo, “The Odyssey”
3. Andrew Garfield, “Artificial”
4. Sam Rockwell, “Wild Horse Nine”
5. Edward Norton, “The Invite”

“Paul Giamatti got extremely close to winning best actor for ‘The Holdovers.’ His role as a theater director in ‘The Debut,’ isn’t the showstopping kind, but it is made memorable for the actor’s moments of tenacity, anguish and vulnerability. It’s Giamatti giving a classic Giamatti performance.”

Turner Classic Movies

Dave Karger

1. Paul Giamatti, “The Debut”
2. Sam Rockwell, “Wild Horse Nine”
3. John Leguizamo, “The Odyssey”
4. Andrew Garfield, “Artificial”
5. Edward Norton, “The Invite”

“Could this finally be Paul Giamatti’s year? He will definitely earn his third career nomination for going toe-to-toe with Julianne Moore in ‘The Debut.’ Past winner Sam Rockwell is also a lock, while veteran John Leguizamo is angling for his first nomination. And the always-reliable Edward Norton would increase his tally to five.”

Los Angeles Times

Amy Nicholson

1. John Goodman, “Digger”
2. Paul Giamatti, “The Debut”
3. John Leguizamo, “The Odyssey”
4. Sam Rockwell, “Wild Horse Nine”
5. Reggie Absolom, “Club Kid”

“Dismal box office aside, there’s a lot of passion for ‘Digger’ burbling up from the internet. I wouldn’t count it out yet, and John Goodman’s ferocious president goes toe-to-toe with Tom Cruise in every scene.”

IndieWire

Anne Thompson

1. Andrew Garfield, “Artificial”
2. John Leguizamo, “The Odyssey”
3. Paul Giamatti, “The Debut”
4. Sam Rockwell, “Wild Horse Nine”
5. Edward Norton, “The Invite”

“The favorite is Garfield, who plays tricky billionaire Sam Altman in ‘Artificial.’ It is a winning, if not positive, portrayal. His challengers are strong: Leguizamo in ‘The Odyssey,’ which has coattails, Giamatti in ‘The Debut,’ Rockwell, who won for Martin McDonagh’s ‘Three Billboards,’ and four-time nominee Norton in ‘The Invite.’ ”

Tribune News Service

Katie Walsh

1. Sam Rockwell, “Wild Horse Nine”
2. Paul Giamatti, “The Debut”
3. John Leguizamo, “The Odyssey”
4. Edward Norton, “The Invite”
5. Andrew Garfield, “Artificial”

“Giamatti and Rockwell (a previous winner) are reliable standbys, and they’re terrific in ‘The Debut’ and ‘Wild Horse Nine,’ respectively. I would love to see John Leguizamo (‘The Odyssey’) and Andrew Garfield (‘Artificial’) recognized, but to win, it’s a coin toss between Giamatti and Rockwell for me right now.”

Los Angeles Times

Glenn Whipp

1. Paul Giamatti, “The Debut”
2. John Leguizamo, “The Odyssey”
3. Sam Rockwell, “Wild Horse Nine”
4. Edward Norton, “The Invite”
5. Guitarricadelafuente, “La Bola Negra”

“Paul Giamatti has been so good for so long in so many great movies that you assume he must have won an Oscar for one of them. Nope. But the way he brings to life the demanding, big-hearted theater director in ‘The Debut’ will give him another shot.”

While real-world tech mogul Elon Musk suffered a major setback this week after pouring more than $200 million into Texas Republican campaigns that lost to protect his business empire, over on HBO’s “The Gilded Age,” robber baron George Russell is fighting tooth and nail against looming federal regulations to save his.

The period drama returned Sunday with its fourth season. After leaving George (Morgan Spector) at a major turning point in Season 3 — seemingly done with his marriage following Bertha‘s (Carrie Coon) forced engineering of their daughter‘s marriage, as well as his own survival of a near-fatal shooting — the couple is still at odds. As the new season picks up, George unravels under the looming threat of anti-monopoly laws targeting his industrial empire. And that’s just part of all the drama and fun that made the episode the show’s most-watched premiere yet, averaging nearly 4 million viewers across platforms, according to the cabler/streamer. Season 4 promises more tension as the Russells try to maintain their wealth and status while Agnes van Rhijn (Christine Baranski) tries to regain her position, all while the show’s various relationships face challenges, ultimatums or bittersweet developments. Ahead of this week’s second episode, I spoke with Sonja Warfield, who is co-showrunner of the series alongside creator Julian Fellowes, about how Season 4 kicks off — including that unexpected cameo from David Letterman and Matt Damon.

Also in this week’s Screen Gab, our writers recommend a new stand-up special from everyone’s favorite sitcom principal and a sports drama chronicling the life of Muhammad Ali. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Janelle James at the Vic Theatre in Chicago, where her Netflix comedy special was filmed.

(Elizabeth Sisson / Netflix )

“Janelle James: How Romantic” (Netflix)

Among the many gifts “Abbott Elementary” showered upon the culture was bringing Janelle James to national prominence. As work-averse principal Ava Coleman — a selfish, insulting character one is always delighted to see — she is as attractive as she is difficult. And as the show has gone on, the actor has found layers to play, including hints of a kind of existential melancholy. James began in stand-up — her biggest brush with fame was touring with Chris Rock in 2017 — and now she’s headlining her own, first hourlong special, which debuts Tuesday on the streamer and was filmed at Chicago’s Vic Theatre. Hang on through an opening salvo of political jokes that elapsed time and Tuesday’s election results have rendered stale (Rudy Giuliani, anybody? Joe Biden?) as James, laughing and dancing, unwinds into her real material — spending 24 hours in labor, the problems and perks of being suddenly famous, men and how they are, having money with a poor person’s mind. Of the power of comedy (and being on a hit sitcom) to unite a diverse audience, she says, “There’s one of everything in here. … We can all be in here and share a laugh, then everyone goes back to their respective neighborhoods, never to speak again. But for a small moment in time we were all friends. Because of me. So that’s nice.” — Robert Lloyd

Jaalen Best as Muhammad Ali in Prime Video’s “The Greatest.”

(Brooke Palmer / Prime)

“The Greatest” (Prime Video)

The multitude of projects about Muhammad Ali just received a new entry with Prime Video’s limited series “The Greatest,” starring newcomer Jaalen Best as the legendary boxer. The project traces Ali’s breakthrough as a gold medal boxer through his brutal battle with Sonny Liston. Viewers looking for a companion piece to the drama can check out Ken Burns’ 2021 epic documentary “Muhammad Ali.” Burns called the four-part miniseries an extensive look at a “man who may be the most iconic figure of the 20th century.” The filmmaker added that Ali was also a “very complex, dynamic man” who had an immeasurable impact stretched into politics, culture and religion.” — Greg Braxton

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Morgan Spector and Carrie Coon in Season 4 of “The Gilded Age.”

(Karolina Wojtasik / HBO)

Clocks have rolled back and “The Gilded Age” Sundays have returned — the perfect couch rotting combo for fall. Lingering crises and fresh new scandals collide in Season 4 as our favorite New York elite navigate a fracturing power marriage, perilous childbirth, a horse-carriage breakdown that ignites a night of forbidden passion, and a titan‘s struggle to maintain his empire. Even Jack’s new invention, the electric mixer, couldn’t whip up a more delicious start. Episode 2 airs Sunday on HBO and will stream on HBO Max. I spoke with Sonja Warfield, the co-showrunner of the drama, about the premiere, that David Letterman and Matt Damon cameo and what’s ahead this season. — Y.V.

You said you were looking at social media a bit after the premiere. What stood out to you about what fans were responding to?

Marian. Someone had a lot of thoughts about some of Marian’s costumes. But then I read something about Marian and Larry having sex, and they don’t want to hear about her complaining about him this season — something like, “She just needs to go over there to his house and get her ring back.”

It’s been interesting to see the conversation around Marian’s freak-out the morning after she had sex with Larry — and the ramifications of premarital sex at that time.

Louisa [Jacobson, who plays Marian] did an amazing job conveying the gravity of the transgression; it just was all over her face. And Harry’s reaction, because he’s kind of surprised. They just had this roll in the hay, but it transmits to him as well. So really, kudos to Louisa for selling that. Wonderful actors like Louisa Jacobson help the viewer along in their understanding that this is about the worst thing that you can do, and then we have the scene afterwards. That walk of shame back and the aunts even say, “Oh, it was better that you took a cab because the impropriety of that.”

We also see Gladys survive this traumatic, life-threatening breach birth, ultimately welcoming a baby boy. Some of us have PTSD from Lady Sybil’s death in “Downton Abbey” and were very nervous about where it was going.

One of the first things I said to Julian when we first started working together was, “I might never forgive you for what you did to Lady Sybil.” I remember every frame of what Lady Sybil went through. … We wanted to make sure that [“The Gilded Age”] was different, so we worked closely with a doctor who specializes in Victorian medicine to figure out how we can make it traumatic, her life is salvaged, but she’s forever changed. It’s women’s health. There’s still more questions than answers, and especially back then when they had not even surfaced. Maternal mortality rate has been lowered in recent years in America. It’s real jeopardy, and it happens all the time and every day.

Women’s health and decisions surrounding it are not the only timely modern parallel. Something that looms large is wealthy business titans trying to exert profound, direct influence over American politics and policies. How was it to dig into that history this season, given the current real-world backdrop?

As we got the research in, and we started having conversations with Dr. Dunbar [Erica Armstong Dunbar is a co-executive producer and lead historical consultant on the series], it became abundantly clear that the reason why there have been so many regulations in business is because of the Gilded Age. We’re just right back where we started. I love this argument that is being used today that was being used back then, which is “let us regulate our ourselves.” That’s ridiculous. They changed America, and brought in wealth and industry and the railroad and all of that; at the same time, it has to be regulated. They cannot regulate themselves. Greed is one of the seven deadly sins.

Audra McDonald, left, and Denée Benton in “The Gilded Age.”

(Karolina Wojtasik / HBO)

Were you nervous about having this plot about anti-monopoly legislation or how it would be received by studio brass, given the Paramount and Warner Bros. merger?

It was not in my mind because it is the real history. We are being historically accurate.

There is a moment eight minutes into the premiere episode that, if you blinked, you missed it: David Letterman and Matt Damon made cameos as background actors. Apparently, David has long wanted to be a background actor, and this stunt was filmed as a field segment for the new season of his Netflix interview show; Damon got his start as a background actor. Were you in disbelief when you heard about this request?

I am a huge David Letterman fan. When I heard that there was a possibility that I could meet David Letterman, I was ecstatic and really kind of selfish. We shoot tandem sets, so there are two sets going at a time. My mandate was, “I’m on the David Letterman set that day. Take me there.” All the way in Long Island. I had an event that night. I didn’t care. I waited for David.

Forget Matt Damon.

What was so funny was that my dad is a huge Matt Damon fan, and whilst I was awaiting David Letterman, I had an audience with Matt Damon, who is the most lovely, kind person ever. So empathetic and gracious and wonderful, and game whatever they had cooking on Letterman’s show. Then I met David Letterman. It was an absolute blast. I was like, “This is a the best day at work in a long time.” It all started because someone on our staff was friends with someone on David Letterman’s show.

We see them casually crossing the street. Was it hard to decide what scene to plop them into?

It was really about scheduling. And what would be the least conspicuous because David Letterman does have that long beard. We held on to it for so long. We shot that back in May.

I want all good things for Peggy, in life, love and career. Her wedding to William is on the horizon. What did you want out of that moment for her?

Well, once I knew we had a bigger budget, I wanted all of it too. I really do think we deliver. I want to be mindful here. The location of where she gets married is exquisitely beautiful. We enter the wedding and the marriage with trepidation because there is real conflict, inherent conflict with this family in the form of Elizabeth Kirkland, played by the incredible Felicia Rashad. I think all weddings are fraught because you’re bringing together these different factions, and people want different things and have ideas and dreams. I think Peggy’s wedding delivers on all fronts. I think it delivers in terms of dramatic tension. I think it delivers in terms of set decoration. It delivers in terms of costume and, of course, performances and direction. I can’t wait for the audience to watch it and then watch it again. Accompanying the wedding will be some beautiful photography done by the Tyler Twins. Their work is really just exquisite, and I’m excited for the world to see all this. We’ve been holding all of this in.

Peggy and William are at the dawn of their relationship, just as Bertha and George are navigating a major stress point in their union.

Marriage is a journey. I’ve been married and divorced, and I just remember my dad’s advice early on was that there are always going to be these trials, and if you can make your way through them and end up together, you will be stronger for it. For Bertha and George, who’ve been married for many years now — he didn’t make a lot of money when they were first together, and now they they’re in this place of extreme wealth, and their lives have changed. And now he is going through something that couldn’t have been predicted. And Bertha rides for her husband. There are times when couples can go their separate ways, and, like my dad said, if you can find your way back together through the storm, and you’ve weathered it together, you’re stronger. I want that for Peggy and William. They want a Bertha-George marriage — if Bertha and George make it through.

I really worry about Agnes’ stress levels this season. I don’t think it’s a spoiler to say that. Later in the season, she delivers one line — “That article was poppycock!” — in a way that will live in my head as a GIF forever.

I even said something to Christine during the season — “We’re really putting you through it this season.” I love it, and she loved it too. She had a ball, and especially in Episode 3, which I got to write with Julian. I loved writing some of that dialogue because she just has so many highs and lows throughout the season, and it was like a masterclass for me to watch Christine go from the highest high to the lowest low. She wants revenge; she is out for blood because someone is attempting to take away her opportunities. It was delicious, and I’m glad that you liked it, and I hope the greater audience enjoyed it.

Is there a moment coming up from Episode 2 that you’re excited for people to see?

I’m excited for people to see more of the Black elite in Newport.

What’s the film or TV show that you’re recommending to everyone right now?

Well, I’m behind, but I love “Nobody Wants This” [Netflix]. I have not been able to watch all of it; we had a premiere for “The Gilded Age” and lots of things going on. But I love that show. I got to meet the whole cast at the Emmys. I’m a free advertisement for that show.

ICYMI

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Jamie Foxx, 58, and girlfriend Alyce Huckstepp, 31, have welcomed their first child.

People reports that Foxx is now a dad of three. The Times reached out to the actor’s representatives for details including the birth date and gender of the child but did not hear back.

Foxx and Huckstepp — reportedly a onetime fitness instructor who keeps a relatively low public profile — first sparked relationship rumors in August 2022 when she was spotted supporting him at the world premiere of his Netflix film “Day Shift,” though they did not hit the red carpet together.

A year later, they were spotted leaving a group date at Nobu Malibu. Their relationship reportedly occurred after Foxx suffered a brain bleed that led to a stroke while filming the action-comedy “Back in Action” alongside Cameron Diaz, a health detail he would later reveal in his 2024 comedy special “Jamie Foxx: What Had Happened Was …”

In the aftermath of Foxx’s health complication, Huckstepp was “there for him,” a supportive presence in the actor’s life, People reported in 2024.

The two split briefly in January 2025, but they were photographed three months later, coincidentally leaving the same Nobu restaurant. The couple remained together and were seen by People spending time at Kiki on the River in Miami last Halloween.

News of the pregnancy was first reported by TMZ back in May, with the outlet sharing that the Australian model was already “several months along.”

Foxx is already a seasoned father with two adult daughters, ages 32 and 18. He welcomed oldest daughter Corinne in 1994 with ex Connie Kline, then Anelise Bishop in 2008 with ex Kristin Grannis.

Foxx has never been married, sharing in his 2021 memoir, “Act Like You Got Some Sense: And Other Things My Daughters Taught Me,” that he’s never been convinced that marriage is a good idea for him.

“It never seemed like marriage was necessary to raise my children in a safe and loving atmosphere,” Foxx wrote.

Alexandra Del Rosario contributed to this report.

Walter Koenig’s official cause of death has been revealed.

The actor, who portrayed Pavel Chekov in the original “Star Trek” series, died at age 90 on Oct. 25. His immediate cause of death was cardiopulmonary arrest, according to the death certificate obtained by TMZ and People. Chronic diastolic congestive heart failure was an underlying cause, and acute renal failure was also listed as a significant contributing condition.

Koenig was cremated on Oct. 30, per the outlets.

Cardiopulmonary arrest, also called cardiac arrest, is when a person’s heart suddenly and unexpectedly stops beating. It is different from a heart attack.

Koenig’s representative previously told The Times that he died of natural causes and that his daughter Danielle and niece were with him when he died.

“Walter helped inspire audiences with his optimism, humor, and adventurous spirit,” the representative said in the statement. “Beyond ‘Star Trek,’ his long and distinguished career showcased his versatility as an actor and his genuine love for his craft. … Through countless convention appearances and interactions with fans, he shared his kindness, wit and appreciation with everyone fortunate enough to meet him. He understood what Star Trek meant to people and embraced the community that grew around it.”

Koenig made his debut on “Star Trek” during the second season of the original series when Chekov was introduced as the navigator of the starship. He also portrayed the character in seven subsequent “Star Trek” films. Koenig is also known for portraying the notorious Psi Cop officer Alfred Bester in the TV series “Babylon 5.”

Nicolas Cage says he’s “a little bit homeless” because of the massive sinkhole that swallowed up the driveway of his Malibu home

While sharing his Halloween plans during an appearance on the main stage Saturday at Los Angeles Comic Con, the “Spider-Noir” star lamented that greeting any trick-or-treaters at home wasn’t a part of his itinerary.

“I’m currently a little bit homeless,” Cage said in a fan video from the event. “Something happened to my house in Malibu, so I’m just sort of living in hotels. So I don’t have the normal trick-or-treaters that I would like to enjoy tonight.”

Instead he said his plans for his favorite holiday included taking his daughter trick-or-treating “somewhere in Santa Monica” and then watching Stanley Kubrick’s 1980 horror classic, “The Shining.”

“That is one of my favorite movies ever made,” he said.

A massive, expanding sinkhole opened up just outside Cage’s home on Sea Level Drive on Sept. 8, prompting Malibu to declare a local emergency and issue evacuation orders for 31 homes in the beachside community. Seven of those homes were red-tagged because of hazardous conditions.

The 25-foot-deep and 30-by-60-feet wide crater blocks the only road in and out of the neighborhood. The homeowner’s association that controls the private roadway is responsible for overseeing the repair efforts. The work includes excavation to retrieve a soil sample and debris removal, as well as installing sandbags to mitigate further damage from strong waves and coastal erosion.

In October, Cage secured four permits to repair the damage caused by the sinkhole.

L.A. Comic Con marks the “National Treasure” actor’s latest outing to directly interact with his fans. He also appeared at Fan Expo Dallas and New York Comic Con earlier this fall, where he addressed topics including his thoughts on the Marvel Cinematic Universe and AI.

This looks like a fascinating three-way battle at the top, with a longtime critics’ fave in the fourth slot, possibly earning his first nomination.

“My top three — Malkovich, Scott and Damon — seem fairly unshakable, so it’s those last two slots that are in play,” says Dave Karger, though he leaves the door open for Tom Cruise to execute the seemingly impossible mission of scoring a nom for a film projected to lose up to $250 million.

Anne Thompson says, “Damon is the frontrunner … Degree of difficulty is a factor, as it was with Leonardo DiCaprio in ‘The Revenant.’ ” Amy Nicholson, however, calls the performance “the weakest link in the movie.”

“Malkovich has never won, so it wouldn’t surprise me if he finally broke through,” says Robert Daniels.

Just outside the top three is John Turturro, who “has never been nominated,” points out Glenn Whipp, saying “Pickpocket” “gives him a rare lead film role, and he is absolutely riveting.”

1. John Malkovich, “Wild Horse Nine”
T2. Matt Damon, “The Odyssey”
T2. Andrew Scott, “Elsinore”
4. John Turturro, “The Only Living Pickpocket in New York”
5. Ryan Gosling, “Project Hail Mary”
T6. Yura Borisov, “Artificial”
T6. Tom Cruise, “Digger”
T6. Pedro Pascal, “Behemoth!”

RogerEbert.com

Robert Daniels

1. Matt Damon, “The Odyssey”
2. John Malkovich, “Wild Horse Nine”
3. Andrew Scott, “Elsinore”
4. Ryan Gosling, “Project Hail Mary”
5. John Turturro, “The Only Living Pickpocket in New York”

“Damon and Malkovich are locks for, um, somewhat different roles — though both characters are grappling with deadly pasts on journeys designed to trick their senses. Malkovich has never won, so it wouldn’t surprise me if he finally broke through. But Damon (who hasn’t won for acting) is excellent in the buzziest movie of the year.”

Turner Classic Movies

Dave Karger

1. John Malkovich, “Wild Horse Nine”
2. Andrew Scott, “Elsinore”
3. Matt Damon, “The Odyssey”
4. Pedro Pascal, “Behemoth!”
5. Anthony Ippolito, “I Play Rocky”

“Of course, Tom Cruise remains the wild card here — right now, I’d put him at No. 6, still with a shot of cracking the top five if enough of the actors branch appreciates his ambitious work. My top three — John Malkovich, Andrew Scott and Matt Damon — seem fairly unshakable, so it’s those last two slots that are in play.”

Los Angeles Times

Amy Nicholson

1. John Malkovich, “Wild Horse Nine”
2. John Turturro, “The Only Living Pickpocket in New York”
3. Andrew Scott, “Elsinore”
4. Tom Cruise, “Digger”
5. Timothée Chalamet, “Dune: Part Three”

“Matt Damon’s version of Odysseus was the weakest link in the movie. It’d be marvelous to see John Turturro or John Malkovich sneak up and swipe this statue for themselves.”

IndieWire

Anne Thompson

1. Matt Damon, “The Odyssey”
2. John Malkovich, “Wild Horse Nine”
3. Ryan Gosling, “Project Hail Mary”
4. Andrew Scott, “Elsinore”
5. John Turturro, “The Only Living Pickpocket in New York”

“Damon is the frontrunner for ‘The Odyssey.’ Degree of difficulty is a factor, as it was with Leonardo DiCaprio in ‘The Revenant.’ Damon’s challenger is 72-year-old character actor John Malkovich, who gives a career-topping performance as a jaded, dying spy in ‘Wild Horse Nine.’ Damon may be up again. Malkovich? Maybe not.”

Tribune News Service

Katie Walsh

1. John Malkovich, “Wild Horse Nine”
2. Matt Damon, “The Odyssey”
3. Andrew Scott, “Elsinore”
4. Yura Borisov, “Artificial”
5. Robert Pattinson, “Primetime”

“Matt Damon does fantastic, unshowy work in ‘The Odyssey,’ in a performance that I think is deserving of the Oscar. But as soon as I saw ‘Wild Horse Nine,’ I knew that Malkovich would win this year. I’d be shocked if he loses. Pulling for an Andrew Scott nom, too.”

Los Angeles Times

Glenn Whipp

1. Andrew Scott, “Elsinore”
2. John Malkovich, “Wild Horse Nine”
3. Matt Damon, “The Odyssey”
4. John Turturro, “The Only Living Pickpocket in New York”
5. Ryan Gosling, “Project Hail Mary”

“John Turturro has never been nominated for an Oscar. But ‘The Only Living Pickpocket in New York’ gives him a rare lead film role, and he is absolutely riveting as the weary title character fighting against time. It’s a lovely showcase.”

Missouri officials have determined the official cause of death for “Days of Our Lives” actor Robert Kelker-Kelly, who died this month at age 62.

Kelker-Kelly died of arteriosclerotic heart disease, the St. Charles county regional medical examiner of Missouri confirmed to The Times. The actor’s death was deemed natural. Arteriosclerosis occurs when blood vessels carrying oxygen and nutrients from the heart to the body become thick and stiff, according to the Mayo Clinic. The coroner’s report confirms details previously disclosed by law enforcement and emergency personnel.

The actor, who worked as a pilot later in life, died Oct. 3 after he complained of chest pain and became unresponsive, police confirmed earlier this month. Officers reported with paramedics to the actor’s home for a report of an unconscious man who was not breathing.

“Life-saving measures were administered but were unsuccessful,” police said.

Kelker-Kelly’s wife, Allison Kelly, informed authorities the actor complained of pain in his left arm and chest while on the drive home from Spirit Airport, People reported. The actor asked his wife to pull the car over to vomit and said he did not need to go to the hospital. He reportedly continued experiencing pain at home. Kelly found her husband unresponsive, alerted authorities and administered CPR.

Kelker-Kelly was best known for his work in long-running daytime dramas “Another World” and “Days of Our Lives,” where he portrayed the rebellious heartthrob Beauregard “Bo” Brady from 1992 to 1995. He began his turn as Bo, which lasted for more than 586 episodes, following the departure of original actor Peter Reckell, who would return to the show off and on in the following decades.

He debuted in “Another World” in 1987 and appeared in more than 400 episodes in a handful of roles until 1998, according to the actor’s IMDb page. He was also known for his work as Stavros Cassadine in “General Hospital” and its spinoff series “Port Charles.” Kelker-Kelly’s “General Hospital” tenure lasted from 2001 to 2014 and was his final TV role. His television credits also include “Jack’s Place,” “Touched by an Angel” and “Rescue 77.”

It’s Halloween weekend and that means it’s time to curl up on the couch to watch a blood-curdling scream erupt — from your television.

In the L.A. area, the forecast is looking pretty grim with showers expected this weekend (I am going to remain cautiously optimistic, however, because I do not want these bags of candy to remain in my house). If it does end up being a rainout, at least there are several very good new series and films to watch. Here are a few suggestions:

• One is Peacock’s “Crystal Lake,” the new “Friday the 13th” prequel series starring Linda Cardellini, who spoke to senior writer Greg Braxton earlier this month about taking on the role of Pamela Voorhees (you’ll see Voorhees in a new light). On the occasion of the show’s release, Greg also wrote this handy guide to all the “Friday the 13th” movies, grading each one on a hockey-mask scale to help you choose which to watch.
• If you prefer your horror to involve teen angst, I highly recommend Prime Video’s “Carrie,” a new adaption of Stephen King’s iconic novel by Mike Flanagan. We spoke to the horror auteur and stars of the series, Samantha Sloyan and Summer H. Howell, about how it modernizes the story’s terror.
• As far as films go, you can’t go wrong with this year’s top two horror hits: Kane Parsons’ ultra-creepy, internet inspired “Backrooms,” which is streaming on HBO Max, and “Obsession,” streaming on Peacock. Fittingly, Inde Navarrette, the star of “Obsession,” will host “Saturday Night Live” on Halloween. And if you want to keep the theme going, Curry Barker, the film’s director, made a surprise release on Thursday of a short called “Mama Bear” on YouTube (be advised, it’s NSFW; watch it in a dark room at night like I did).

Also in this week’s Screen Gab, Susan House, the showrunner of Hulu’s new reality competition series “The Mob,” stopped by Guest Spot to discuss the show, and our writers recommend a documentary about one of the finest comedy sketch series to emerge from Canada and a workplace comedy series that graduated from the web to streaming.

Before I go, I want to take a moment to remember the legendary actor Patrick Stewart, who died on Wednesday. From his stage work with the Royal Shakespeare Company to his iconic roles as Jean-Luc Picard in “Star Trek” and Charles Xavier in “X-Men,” few actors had Stewart’s range and depth, as television critic Robert Lloyd so adeptly writes in his appreciation of him. To use the words of another “Trek” great, may he live long and prosper in the afterlife. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

“SCTV: The Greatest Show You’ve Never Heard Of” takes a closer look at the Canadian sketch series. Andrea Martin, left, Catherine O’Hara, Joe Flaherty, John Candy, Dave Thomas, Eugene Levy and Harold Ramis.

(Netflix)

“SCTV: The Greatest Show You’ve Never Hard Of” (Netflix)

Speak for yourself, title. Some of us were there from the beginning. But the show is definitely having a moment, with Netflix streaming the entire series, and the documentary “You Had To Be There: How the Toronto Godspell Ignited the Comedy Revolution, Spread Love & Overalls, and Created a Community That Changed the World (In a Canadian Kind of Way),” currently in select theaters, featuring future “SCTV” cast members Eugene Levy, Andrea Martin, Dave Thomas and Martin Short (along with Gilda Radner). Jason Hehir’s “Greatest Show” film does a fine job of outlining the birth and death of what many consider the hipper cousin to “Saturday Night Live,” with lots of great photos and films of sketch comedians in their long-haired youth. The good times, the less than good times, the confusing times are all here, burnished with a warm glow of friendship. Gathered to reminisce are all surviving cast members (including the now-late Catherine O’Hara). Even the rarely seen Rick Moranis participates. (RIP John Candy and Joe Flaherty.) Creating comedy under less than glamorous circumstances, with no live audience or sense of whether anyone in the world was watching, they made the show for themselves and one another. Their instincts proved correct. — Robert Lloyd

Ryan Micho, left, Tommy Armstrong, Grace Reiter, Hyde Healy and Julia Dicesare play co-workers in “Minimum Wage.”

(Netflix)

“Minimum Wage” (Netflix)

The slip-slide from web series to streaming continues with American High’s workplace comedy that began on YouTube and is now appearing, in a slightly longer and moderately gussied-up adaptation, on Netflix. Shot in the now-standard mockumentary style, “Minimum Wage” chronicles life in a dumpy pizza place known as “The Slice Club,” where Grace (Grace Reiter, who recently joined the cast of “Saturday Night Live”) serves as the nominal manager of a wacky team of teenagers who occasionally make and serve pizza. More often, however, they engage in low-stakes antics: dealing with the local high school drama club, planning an ill-conceived birthday party, taking bets on a restaurant breakup or finding themselves stuck on the roof. Most of the cast, including Reiter, appeared in the original web series; this version adds Randall Park as CEO of the “The Slice Club” franchise, who is in mid-divorce and forced to sleep in the restaurant’s basement, and there is a more obvious attempt to underline various “chosen family” themes. They are an engaging, and occasionally hilarious group, and with episodes ranging from 15 to 22 minutes, “Minimum Wage” is an easy binge, or the perfect show to watch while waiting for that friend who’s always late, even when he’s the one who promised to bring the pizza. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

The cast of “The Mob” in Episode 2, from left: Harry Jowsey, Aida Turturro, Shane Parton, Bruno Tonioli, Romeo Miller, Debi Mazar, Demi Engemann, Maria Georgas, Willam Belli and Chelsea Lazkani.

(Andrea Miconi / Disney)

Being in the mob is serious business, and for us normies, the idea of racketeering and plotting whackings is a no-go. But that doesn’t mean it isn’t entertaining to watch it unfold onscreen in iconic films like “The Godfather” or shows like “The Sopranos.” It’s that fandom that led to “The Mob,” the latest reality competition series from Hulu, co-produced by Primal Media and Studio Lambert, the production company behind “The Traitors.” It premiered earlier this week and drops new episodes on Mondays.

The series features 12 players who come from the reality TV world, including Demi Engemann from “The Secret Lives of Mormon Wives,” Joe Gorga from “The Real Housewives of New Jersey,” Bruno Tonioli from “Dancing With the Stars;” and the acting world like Debi Mazar (“Younger,” “Goodfellas”) and Aida Turturro (“The Sopranos”). Each week, they have to compete in games inspired by mob movies and avoid getting “whacked” or eliminated from the competition by the don, the head of the family who doles out cash in exchange for allegiance. It’s hosted by Parker Posey, who is living a very comfortable life in an Italian villa.

Showrunner Susan House, who has led reailty shows like Netflix’s “The Circle,” says “The Mob” is special because it isn’t just about money — though the participants are competing for thousands in cash. “It’s about the power, it’s about family, and it’s about all these human relationships and human dynamics,” she says over video call this week. “Plus, you’re in this beautiful Italian backdrop. You’ve got Parker Posey, there’s some comedy and there’s fun. This sounds cliche, but I do feel like there’s something for everyone.”

She shares what it was like to work with Posey and the rest of the cast and the drama she’s been watching lately. — M.G.

Tell me how the concept for this series came about, and why the mob theme.

The concept was developed by a U.K. company called Primal, and they developed [it] along with Hulu. And I think the mob theme came about because it’s such a lush kind of environment to do a show from, like it’s so cinematic. It has such an amazing place in pop culture. Everyone knows it. It’s about power. It’s about family. It’s about dynamics. All the fun subject matter that makes for a great TV show.

How was it working with Parker Posey as host of the show?

I grew up in the Midwest in Kansas City, and I was a huge fan of independent film. My best friend and I would go to the one art house [theater] that we had growing up, and we loved Parker Posey. I’ve been a huge fan of her since “Dazed and Confused.” And so when she signed on for the show, I called my best friend when I was allowed to talk, and I said to her, “Oh, my God, you’re not going to believe who is hosting the show,” and we both did a little scream. It was just an … incredible moment in my career that I’m doing a show where Parker Posey, she’s iconic to me, was the host. I think that she’s perfect choice, right? She’s unique. She’s artsy. She’s comedy. She’s done drama. She can embrace a character, a setting. It was for me … just like a dream come true.

I’m so excited you said “Dazed and Confused,” because that’s what I associate her with.

When she signed on, I went back and rewatched that movie. I hadn’t seen it in a while. I was just like, oh, my God, she is so good in that.

And “The Mob” is so different. But it seems like she’s trying so many different things in this later stage of her career.

I know, it’s so cool. “The White Lotus,” she was amazing in, and I feel like people sort of rediscovered her in some ways. Maybe younger generations did, and it’s great, it’s amazing. She’s trying all these new things. I just watched “Wild Horse Nine.” She was incredible in that.

The cast of “The Mob” features a mix of actors and reality TV personalities, which I thought was really interesting. How did you land on that combination?

I think the subject matter of the mob is universal, right? It’s about loyalty. It’s about power, it’s about respect, it’s about family, and I think combining all of these personalities, … from acting and reality, is a unique opportunity to get [them] … on one TV show and see how they react. It’s a super-fun dynamic, and it just adds another layer to the show that’s I think unexpected and really fun.

Debi Mazar, who was in “Goodfellas,” and Aida Turturro, who was in “The Sopranos,” add some authenticity to the mob theme. I imagine their casting was purposeful — how did they incorporate that into the show?

I love Debi Mazar so much. I’m also a huge fan of her, not just from “Goodfellas,” but I love the show “Younger.” She’s also just iconic … We joke it’s the summer of Debi Mazar, with all the Madonna and Coachella things [the pair made an appearance during Sabrina Carpenter’s set]. I agree, she does bring some authenticity to the show, and she’s definitely of that world. I can’t speak to whether she was playing a character or not. You’re supposed to be yourself. So she wasn’t necessarily [anything] other than Debi, unless she was doing something that I don’t know about. I think Aida is also incredible. She says in the show, I think … in one of the first episodes, “I’m not in the mob.” It’s kind of fun to see her play against type. Like, she is Janice Soprano. But then now we’re seeing the real Aida Turturro and how she plays the game as herself.

Joe Gorga is the family’s first don on “The Mob.”

(Andrea Miconi / Disney)

And you have Joe Gorga, who was picked as the first don of the house, and it felt really perfect because he is from Jersey and he has that voice that you associate with those characters.

That did work out perfectly. It was good because he has a lot of these kind of qualities and stereotypes, but he also is fun and funny. And the show is a comedy in some ways … it’s an homage to the genre. Having Joe as that first don and playing that up a little bit is was fun. We were we were thrilled.

Something people will identify are the allusions to mobster TV shows and movies, like the horse head from “The Godfather.” They’re also incorporated when someone gets whacked.

We’re all huge fans of of that genre, and so many people just wanted to drop these little breadcrumbs for the audience who also love it. Our set decorator, John Sparano, is a huge movie buff. He did things that were like, I don’t think anyone would ever understand this. There was a picture of some pool table balls that were about “The Godfather.” I have to ask him, or it’s like, “No one is going to know these three numbers, John. But OK, I’m glad you’re doing it.” In terms of the whackings, we just thought … this genre gave us the opportunity to have fun with those, make those cinematic and honor those films and and how they did things.

Is there anything you are watching lately that you are recommending to other people right now?

I like the show “War” on HBO Max, and I guess that’s apropos for being a reality TV producer. There’s so much drama, and it’s about a relationship. I’m really enjoying watching that, and I feel very nervous sometimes before the end of the show. I’m like, “Oh, my God, what’s going to happen?”

ICYMI

Must-read stories you might have missed

Halle Berry’s efforts against ex-husband Olivier Martinez’s domestic violence restraining order have proved successful, after two weeks of hearings in Los Angeles.

A Los Angeles County Superior Court judge ruled to dissolve Martinez’s temporary restraining order against the Oscar winner during a closed hearing on Thursday and denied his request for a protective order, according to a minute order reviewed by The Times. Judge Shelley Kaufman granted Martinez’s restraining order earlier this month after he accused the actor of physically abusing their 13-year-old son Maceo. The court document states that Martinez “did not sustain the applicable burden of proof” in favor of his protective order request.

“We are extremely pleased that the Court has dissolved the [temporary restraining order],” Berry attorney Marina Beck said in a statement to The Times. “As we move forward, Halle is determined to continue to focus on the well-being and best interests of her family.”

While the decision might alleviate some legal tension for the film star, the Thursday filing also stated that Berry’s visitation time remains limited to Monday and Tuesday from 10 a.m. to 8 p.m., and every other weekend Saturday and Sunday from 10 a.m. to 8 p.m. When Berry and Martinez (married from 2013 to 2015) settled their divorce in August 2023, they agreed to joint physical and legal custody of their son. Kaufman modified the terms of visitation, barring the child from staying overnight with Berry, when she granted Martinez’s temporary restraining order.

Martinez’s attorney Patrick Baghdaserians told The Times his client was “very happy” with the judge’s order keeping Berry’s limited visitation. Thursday’s decision was “really focused on the best interests of the minor child,” he said.

According to the filing, Kaufman decided “all other orders regarding custody and visitation remain in full force and effect including holidays and vacation.” Previous legal custody orders will also remain in full force and effect, Kaufman said.

Berry and her son must attend 12 sessions of “safe haven joint therapy” in six months after a therapist has been appointed, the order said. A hearing to appoint that therapist is scheduled for Nov. 4.

Thursday’s judgment came down weeks after Martinez raised scathing abuse allegations in a request for a domestic violence restraining order against Berry filed Oct. 1. Martinez’s request centered on an alleged Sept. 26 incident involving Berry and their son. Martinez alleged the actor “physically abused our son, Maceo, by jumping on him, putting her hands around his neck, and choking him,” according to court documents. His filing also included a declaration of Berry’s alleged history of abuse, and screenshots of his text conversation with Berry following the alleged September incident in which she appears to have written, “I feel terrible about what happened last night.”

Berry’s legal team downplayed Martinez’s restraining order and allegations, telling The Times in a statement, “to say this filing is entirely meritless and deliberately misleading would be an understatement.”

Her attorney added: “In a way, today’s filing is not entirely unexpected from an individual with a well-documented history of erratic, possessive and violent behavior. Fortunately, Halle is used to this kind of outrageous conduct from Mr. Martinez and, while she is deeply saddened, she will not allow it to deter her from fighting for Maceo’s best interests and providing him with the love and support he needs.”

In his request, Martinez also asked a judge to bar Berry from contacting and coming within 300 feet of him and their son. Additionally, Martinez requested that the judge order Berry to refrain from drinking during her agreed-upon parenting time with their son and that she undergo sobriety testing “before, during and after visitation” at intervals the court deems fit. He requested that the judge order Berry to pay legal fees, grant him sole legal and physical custody of the 13-year-old boy and do away entirely with Berry’s visitation time.

After the restraining order, several of Berry’s loved ones voiced their support for the actor. Nahla Aubry, the 18-year-old daughter Berry has kept largely out of the public eye, was among them. Aubry spoke out against her former stepfather Martinez and said of Berry, “I have never witnessed her act violently toward anyone.” She also pointed to a 2012 brawl between her father, Gabriel Aubry, and Martinez.

Berry’s fiancé, Van Hunt, and her attorneys also filed declarations vouching for the “Monster’s Ball” actor. Hunt accompanied Berry during the past weeks’ hearing. Berry and Martinez’s son also testified on the restraining order, despite Berry’s objections.

Times editorial library director Cary Schneider contributed to this report.

Patrick Stewart, the acclaimed British actor who played Captain Jean-Luc Picard in “Star Trek” and Professor Charles Xavier in the “X-Men” films, has died. He was 86.

Stewart died on Wednesday in Los Angeles following “a brief and poignant journey” with Alzheimer’s disease and Lewy body dementia, spokesperson Kelly Bush Novak said in a statement on Thursday.

Although best known for his film and television roles, Stewart spent much of his career onstage, performing Shakespeare and other classics.

His career included performances as Claudius and Macbeth, a one-man adaptation of “A Christmas Carol”, and West End and Broadway productions of Harold Pinter’s “No Man’s Land” and Samuel Beckett’s “Waiting for Godot” alongside longtime friend Ian McKellen.

Stewart earned some of the best reviews of his career for his 2007 portrayal of Macbeth, including his only Tony Award nomination. The Times of London described his Macbeth performance as “an enthralling creation of frailty, appetite, egotism and grim humour”.

“Nearly 50 years I’ve waited,” Stewart told the Associated Press news agency in 2008. “I learned it when I was 14. I memorized all the soliloquies just because I thought they were great. And they stuck, so I didn’t have to learn those bits of the play, which is a blessing, because learning lines has now become the one curse of this job.”

From working-class Yorkshire to Shakespeare

Raised in Mirfield, West Yorkshire, a working-class corner of northern England, the future 24th-century commander of a starship grew up without a bathroom in his house.

He joined an amateur drama group at 12 and, as a teenager, memorised Shakespeare for fun. A scholarship to the Bristol Old Vic Theatre School helped launch his acting career.

Stewart, who developed alopecia at a young age, had been bald since he was 19.

His childhood was also marked by domestic violence. His father, a former regimental sergeant major in the British Army, was prone to outbursts of “repeated violence against my mother,” as Stewart wrote in a newspaper piece. “Violence is always a choice a man makes and he alone is responsible for it.”

Stewart later became a patron of Refuge, a charity supporting survivors of domestic abuse.

From Shakespeare to Captain Picard

Stewart spent 14 years with the Royal Shakespeare Company, playing everyone from Mark Antony and Henry IV to Shylock and Oberon.

“People who were not in the company would say to me, ‘Give it a break. Why don’t you go somewhere else?’ And I would say, ‘To do what?’” he told the AP. “Telly?”

He eventually left and appeared in the 1981 film “Excalibur”. In 1987, shortly after performing in “Who’s Afraid of Virginia Woolf?”, he was offered a role in a science fiction series.

“I found myself in Hollywood shooting a syndicated science fiction series, which I was assured would fail,” he said.

But “Star Trek: The Next Generation” ran for seven seasons and 178 episodes. Stewart became known worldwide as Captain Jean-Luc Picard, whose command, “Make it so”, became one of the show’s best-known lines.

Stewart also played Professor Charles Xavier, the leader of the X-Men, beginning with the 2000 film “X-Men”. He returned to the role in several sequels, including 2017’s “Logan”, alongside Hugh Jackman as Wolverine.

Stewart died just days after Walter Koenig, who played Ensign Pavel Chekov in the original “Star Trek” series, which aired from 1966 to 1969.

Queen Elizabeth II knighted Stewart in June 2010. He also served as an ambassador for the International Rescue Committee.

Halloween costume inspiration can arise from anywhere but one spectacular, often-overlooked source is right here in our trusty home of Los Angeles. This city is a hotbed of festive ideas, as witnessed in the IYKYK costumes of yore: the Sweet James billboard, the Oceanwide Plaza graffiti tower, Bob’s Big Boy, Angelyne and Stuart the Minion over Universal Studios.

And no Angeleno with an L.A.-centric social media algorithm could forget Jason Radovan and Hannah Webb, who reigned as “The Mother & Father of the 110” on Halloween 2023. Radovan, an artist and actor, said the idea came to him after driving past the Los Angeles Chamber Orchestra mural countless times on his commute, and then Webb, also an artist, suggested adding a freeway and cars, which “really cemented the concept.” Finding inspiration while in traffic? Now that feels like L.A.

This Halloween, if you’ll be debuting a costume inspired by weird and wonderful Los Angeles, we’d love to see it. Upload a photo below, along with a few words about it, and we may feature it in an upcoming story.

Actor Barbara Barrie, best known for films in which she elevated the role of Mom — including her Oscar-nominated turn in “Breaking Away” (1979) — died Wednesday in her Manhattan home. She was 95.

Barrie’s death was confirmed to the L.A. Times by the actor’s representatives, who said it was medically assisted. Her daughter, Jane Harnick, told the New York Times that her mother’s death followed a terminal cancer diagnosis.

Barrie’s representatives said in a statement to the L.A. Times that the actor was a proponent and advocate of New York’s Medical Aid in Dying Act, a law that took effect on Aug. 5.

Born Barbara Berman in Chicago in 1931, Barrie and her family moved to Corpus Christi, Texas, where she attended Del Mar College. She would later transfer to the University of Texas, where she received multiple awards for drama.

After graduation, she took her acting dreams to the Big Apple, where she made her Broadway debut in the 1955 play “The Wooden Dish.” Throughout her career, Barrie starred in various Broadway productions, among them “The Selling of the President” (1972), “California Suite” (1976) and, most notably, the 1970 musical “Company,” by Stephen Sondheim, for which she received a Tony Award nomination for featured actress in a musical.

Her last Broadway stint was in 2017 in the original role of Helene Berman in the Joshua Harmon play “Significant Other.”

Barrie extended her acting expertise beyond the stage, however, making her first television appearance on “Kraft Television Theater” in 1955. A year later, she made her film debut, albeit uncredited, in the western epic “Giant” while she was in Texas visiting her family.

With more than 120 credits to her name, Barrie began appearing in popular TV shows in the 1950s and ’60s, such as “Naked City,” “The Twilight Zone,” “The Alfred Hitchcock Hour,” “The Nurses” and more. Later TV credits included “Barney Miller” and “Suddenly Susan,” where she played an on-screen grandmother to Brooke Shields.

Her first major film role came in 1964, when she played divorcée Julie Cullen Richards in “One Potato, Two Potato.” She portrayed a white woman who falls in love with a Black man, Frank Richards (played by Bernie Hamilton). The film was released during a time when interracial marriage was not yet legalized nationwide. Barrie earned a Cannes Film Festival Award for the performance.

The actor went on to star as the mom Evelyn Stroller in the 1979 coming-of-age comedy-drama “Breaking Away,” which earned her an Academy Award nomination for supporting actress, and later an Emmy nomination when she reprised the role for the 1980 television series.

Other film credits include 1980’s “Private Benjamin,” 1997’s “Hercules” (where she voiced Alcmene, Hercules’ mortal mother) and 1999’s “Judy Berlin.” According to her IMDb profile, her last credit was in 2025 for the queer romantic comedy “Things Like This.”

In 1994, Barrie was diagnosed with rectal cancer, prompting her to raise awareness about the disease. She published two books on the matter, including “Second Act,” a 1997 memoir about resolute optimism and acceptance, and “Don’t Die of Embarrassment: Life After Colostomy and Other Adventures,” a 1999 memoir where she dives deep into her diagnosis and experience with a colostomy procedure.

Barrie married actor, director and producer Jay Harnick in 1964. He died in 2007. The two are survived by their children, Jane and Aaron.

Actor and singer Cheyenne Jackson, who has starred on Broadway and held roles on dozens of television series including “American Horror Story,” “30 Rock” and “Glee,” had never considered that he might lose his health insurance.

But in a grim moment last year, he realized he was several thousand dollars short of the roughly $28,000-annual minimum to qualify for healthcare through actors union SAG-AFTRA. Otherwise, he would lose the plan that also covered his husband and their 11-year-old twins.

“Auditions weren’t coming in. It was just a really lean, lean time,” Jackson said. “I think I just took my insurance for granted. I thought it would always happen.”

Jackson and other actors are speaking openly about struggles qualifying for SAG-AFTRA healthcare amid declines in film and television production in Hollywood, an exodus of film jobs abroad, job loss from industry consolidation and concerns of AI incursions.

Jackson reflected on the experience while on a layover Sunday in Atlanta’s airport for his one-man musical act, “Midlife Torso Tour.” He decided to offer to spotlight other union members on social media who were short on their earnings. Within 24 hours of posting about the project idea on Instagram, he had received hundreds of messages, he said.

Jackson credited his friend Kathy Bates, the Oscar- and Emmy-winning actor he worked with on four seasons of “American Horror Story,” for helping him pull through last year. He had texted her describing his plight. She called him back within five minutes and told him, “I have good news and bad news,” he recalled.

The good news, she explained, was that she got him a part on “Matlock,” the CBS reimagining of an ’80s legal drama where she stars as a brilliant criminal defense attorney. The bad news was that he would have only four lines and his character wouldn’t have a name.

“I was like, ‘Sign me up!’” Jackson said. “I was grateful, and I showed up and did my four lines.”

Bates had “really paid it forward,” he said.

Actors’ health insurance plans are typically managed by performing arts unions rather than dispensed by a single corporate employer. Producers and studios contribute to a shared health fund based on union contracts, wages and hours worked. If workers accumulate a preset number of hours or pay, they can qualify for up to a year of coverage.

But dry spells and uncertainty in the industry because of the COVID-19 pandemic shutdown and industry strikes have shed light on actors’ struggles to keep insurance as work dwindles. Several years ago, stories proliferated of performers losing health insurance as they contended with heart problems or underwent cancer treatment, and in recent months, actors have again aired concerns.

“I Saw the TV Glow” star Jack Haven posted a video on YouTube in September saying they were “in a bit of an emergency situation.” Haven said they needed to earn $4,000 by the end of the month to keep their insurance. In the video, Haven said they would do “pretty much any job.”

This month, former Nickelodeon star Drake Bell of “Drake & Josh” posted a screenshot of SAG-AFTRA’s health plan website showing that he needed to earn about $11,450 more to qualify.

“Do not become an actor. Do not join SAG,” Bell wrote, using a middle finger emoji and tagging the union’s president, Sean Astin, in the post.

SAG-AFTRA spokesperson Pamela Greenwalt did not respond to a request for comment. But the union has long been open about the financial effects of the pandemic and other industry headwinds that have led to lower employer contributions.

In December 2020, a group of SAG-AFTRA members sued the union’s board of trustees over changes to the health plan. Actors 65 years and older who vested their pensions could no longer count their earnings from residuals in the annual threshold. A provision allowing actors older than 40 with a decade of credits to qualify for coverage at a reduced level of $13,000 in annual earnings was also eliminated.

The union acknowledged renewed challenges during the SAG-AFTRA strike in 2023. The union’s national executive director, Duncan Crabtree-Ireland, told The Times that year that earning enough to qualify for health coverage had become a “real source of anxiety and concern for many members.”

At a meeting of the union’s national board over the weekend at its Miracle Mile office, Astin in a recorded speech addressed members’ frustrations about economic pressures, saying that the union is using “every bit of leverage we have to make sure working performers have a place in whatever this industry becomes.”

It can take years for members to build up enough union work to qualify for the health insurance. Some who have worked in the industry for years never do. Reportedly only about 14% of the union’s 160,000 members qualify for the union’s healthcare. Of SAG-AFTRA’s membership, which also includes dancers, DJs, journalists and radio program hosts, more than 100,000 members are actors and performers.

Miller Tai, a voice actor on the new Paramount+ animated film “Avatar Aang: The Last Airbender,” said he joined the union in 2017 and had not struggled in recent years to meet the earnings minimum, having qualified for the last seven years. He feels that the noise on social media obscures the actual problem: a broken healthcare industry that is hurting people beyond just actors.

“We have a greedy system raising prices by the second,” Tai said. “This is a problem for any sector where we rely on our employers for healthcare.”

In 2027, the earnings minimum will rise to $28,933. Quarterly premiums will rise from $375 to $390 for one participant, with higher amounts for added dependents. Actors with certain credits who lose their eligibility can temporarily keep their health coverage at a reduced rate for up to 18 months through the federal program known as COBRA, according to the union’s website.

Jackson said starting over every year is tough and unpredictable even for people like him who have been in many television shows and make “OK money on residuals.” He said that although one year he might make $300,000 from acting, the next he might make closer to 5% of that amount. He said that he scraped together his minimum earnings this year by taking on more commercial gigs and acting in a vertically filmed microdrama.

“I ended up doing a few things that I have never done before and never thought I would,” Jackson said.

Jackson’s social media project now has a home on Instagram called One Job Away, and he began posting Tuesday morning. His manager’s assistants and others on his team are combing through requests, he said. More than a dozen photos of actors have already been posted, with captions listing the amount they need to make to hit their earnings minimum and describing their past credits.

“To me, it didn’t seem that big of a deal to say I’m struggling and I need to find that next gig,” he said. “But I understand why for a lot of people they don’t want to say that. They don’t want to look needy or look whatever. I do get it, but I think the more we talk about it, the less shame and the less stigma there will be around it, because it just is happening.”

Imprisoned “That ’70s Show” actor Danny Masterson on Tuesday suffered a legal blow that ensures he will remain behind bars for at least another decade.

Three California appeals court judges rejected Masterson’s efforts to overturn his 2023 rape convictions and allegations that he did not receive a fair trial, deciding in an opinion filed in the state’s 2nd District Court of Appeals that “judgment is affirmed.”

The decision “ignores the extraordinary new evidence that has been before them for more than a year,” Masterson attorney Cliff Gardner said, referencing statements from “both complaining witnesses that their sexual experiences” with the actor were “both consensual and positive.”

“Danny is serving a life sentence for crimes he did not commit,” Gardner added in his statement. “No one in California — not defendants and not victims who have actually been the victim of a sex crime — is safer by virtue of today’s unfortunate decision.”

Masterson’s legal team is seeking further review in California Supreme Court and exploring additional legal action regarding evidence presented to the jury.

Attorneys for Masterson first filed their notice to appeal the actor’s conviction in November 2023, then filed a 242-page opening brief in December 2024. Key witness testimonies changed over time, the court excluded significant exculpatory evidence and judicial rulings skewed the jury’s view of the evidence against Masterson, his lawyers alleged at the time. The attorneys also argued that “jurors had significant reservations.”

A mix of errors by another defense attorney and a law enforcement investigation heavily biased against Masterson’s faith led to a wrongful conviction, the actor’s attorney Eric Multhaup alleged in another motion filed November 2025. Multhaup said Tuesday in a statement that the appeals court judges’ recent decision “are fundamentally wrong.”

“The Court of Appeal did not address any of the exculpatory evidence that was contained in the habeas corpus petition, and instead justified the denial with a one-paragraph summary of the one-sided evidence presented by the prosecution,” Multhaup alleged. “This cursory treatment reflects poorly on the administration of justice in the Court of Appeal, and will be rectified by a petition to the California Supreme Court.”

Los Angeles prosecutors charged Masterson in 2020 for three counts of rape involving three different women in the early 2000s. He denied all wrongdoing and maintained all sexual encounters were consensual. He also framed the accusations as an attack of the Church of Scientology. The women said they took years to report the rapes to police out of fear of retaliation from the church.

Masterson first went to trial in 2022, but jurors failed to reach a verdict on any of the three counts, leading the case to end in a mistrial. He was tried a second time in 2023 and found guilty of raping two women, both former members of the Church of Scientology. The jury was deadlocked on a third woman’s accusations. His attorneys argued in December 2024 that there was “no physical evidence supporting the state’s theory [of rape]” and the case was a “a pure credibility contest.”

The actor is currently carrying out his sentence at the California Men’s Colony prison in San Luis Obispo. According to a state database, he will be eligible for parole in June 2042, but is scheduled for a consultation in May 2038.

Times staff writers Clara Harter and James Queally contributed to this report.

TWO major stars have been ruled out as the mystery fourth actor currently vying to be the next James Bond.

The coveted role has been up for grabs following the release of 007 blockbuster No Time To Die in 2021, Craig’s fifth and final outing as the Martini-swilling secret agent.

Final screen tests were held with four remaining hopefuls at London’s Bray Studios over the weekend, but an official announcement is yet to be made by new franchise owners Amazon MGM Studios.

It’s understood that three of those actors – understood to be Jack Lowden, Callum Turner and Josh O’Connor – were joined by a fourth, currently unnamed star, as decisive auditions got underway.

But two British actors, both previously linked with the role, have been ruled out as the final candidate – widely thought to be Jack Barton.

“We’ve heard, reliably so, that Harris Dickinson and Nicholas Hoult are not the 4th person. Testing is said to be occurring today and going into the weekend,” read an article shared by The Hollywood Reporter on Friday.

READ MORE ABOUT BOND HERE

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James Bond fans ‘work out’ secret fourth actor up for 007 role

Dickinson, 30, is currently in the midst of back-to-back shooting schedules for director Sam Mendes’ ambitious four-film Beatles project, in which he will play John Lennon.

Meanwhile, Hoult, 36, has four major films in post-production – among them the eagerly anticipated DC adventure Man Of Tomorrow, which sees him reprise his role as Superman nemesis Lex Luthor.

Australian star Jacob Elordi is also out the running, while the much-fancied Idris Elba, Theo James and James Norton are believed to be out of contention.

Instead, Amazon MGM Studios are said to be keen on the lesser known Barton, 31, whose past screen credits include the popular Netflix drama Heartstopper.

Other than a handful of other minor TV roles, little else is known about the young actor, but he reportedly impressed producers enough to earn critical screen tests alongside his three Bond rivals.

Despite Barton’s emergence, fans remain convinced they have already worked out who the final star in the James Bond race is – and Taylor Swift fans will be very familiar with him.

The latest Bond theory suggests that the singer’s ex-boyfriend Joe Alwyn, 35, who she dated for six years until 2023, is the secret actor.

Fans believe the link to the actor and the 007 role is Bond casting director Nina Gold, 59.

Taking to Reddit to discuss, a fan wrote: “Nina Gold was one of the casting directors for Thor, too, and cast Joe in his first movie role. She knows him as far back as drama school”

Agreeing this person penned: “Nina Gold is doing the casting and knows Joe and cast him in the brutalist and Hamnet so he’s known by the department and may be on the radar of the casting team”

A third added: “Yeah, and he is supposed to be filming in NYC for a Rom com. but was in London this week for a friend’s wedding and potentially this audition.”

A fourth agreed: “Never thought about him as a contender before, but it makes sense.”

Daniel Craig’s fifth and final outing as James Bond was five years ago, and since then a whole host of high-profile actors have been linked to the famous franchise.

But Amazon MGM Studios, who paid $20million for full creative control of the franchise, is said to be picking a more “alternative” actor, rather than a mainstream Hollywood star.

THE dreary Coronation Street cobbles were left behind on Tuesday as soap star Ryan Prescott prepared for a new role in a Hollywood film.

The actor, best known for playing Ryan Connor in the long-running ITV show, has won a part in director Rocky Rodriguez Jr.’s forthcoming comedy drama, Waif.

Currently filming on location in London, Ryan, 37, shared a selfie with established co-stars Jason Flemyng and Dexter Fletcher during a break between scenes.

Sharing the photos with Instagram followers, he wrote: “We are rollllliiiing, first week in to the WAIF shoot and loving it, thank you all for the amazing energy on set!” [sic]

The Mancunian actor will play ‘a drifting art collector living life on his own terms amid the skateparks, guitar shops and art openings of east London.’

Actress Helen Foster has been cast as Prescott’s romantic interest in the new film, writer-director Rodriguez Jr.’s third feature.

READ MORE ABOUT RYAN HERE

hard watch

Corrie actor breaks silence on acid-attack scenes after soap is slammed by fans

HORROR SHOW

Coronation Street’s Brooke Vincent and Ryan Prescott reunite in thriller

Commenting on the post, one enthusiastic follower wrote: “Love this!!!!!!”

A second added: “Love it .. smash it Ryan. Can’t wait to see it.”

While a third shared: “Top drawer actor my favourite on the cobbles at the moment.”

Ryan broke into acting with a short-lived role as Flynn Buchanan on ITV soap Emmerdale before winning a prominent role on Coronation Street in 2018.

Drafted in to play the returning Ryan Connor, a role previously played by Ben Thompson, and later, Sol Heras, the actor has tackled a series of turbulent storylines on the hit soap – among them a bitter feud with gangster Ronald Truman.

In 2023, Ryan was central to a harrowing new storyline that saw his character bear the brunt of a vicious acid attack.

Connor was left with horrific burns to his face and neck after protecting intended target Daisy Midgely from the attack, orchestrated by crazed stalker Justin Rutherford.

Discussing the storyline on This Morning shortly after the episode aired, Ryan said Coronation Street would be focusing on his character’s slow recovery long into the future.

“That’s one thing we wanted to include was to have some longevity within the parameters of soap, which obviously moves very quickly,” he confirmed.

“We wanted to have some kind of longevity in the aftermath.

“Acid attack survivors go through hundreds of operations, multiple skin grafts and quite often a lifetime of post-traumatic stress disorder.

“We want to show the different stages of his recovery.”

Susan Saint James, the TV star who shared the screen with Rock Hudson as his on-screen wife in “McMillan & Wife” and co-led the heartfelt, blended family comedy “Kate & Allie” with Jane Curtin, has died.

The Los Angeles native died Monday after being diagnosed with pancreatic cancer, according to People, which first reported the actor’s death. She was 80.

Saint James’ family remembered the actor for her warm personality and kindness, writing in a statement shared with the magazine, “Every person she met became the most important person in the room at that moment, from a fellow board member to the clerk at the shoe store, who usually walked away knowing her entire life story.”

Her acting career spanned almost six decades — she broke out as Peggy Maxwell in NBC series “The Name of the Game” — from the mid-1960s to the 2020s across TV and film, but audiences know the actor best for starring as Hudson’s detective wife in “McMillan & Wife.” The NBC series, which aired from 1971 to 1977, centered on San Francisco police commissioner Stuart “Mac” McMillan and wife Sally McMillan as they solve a variety of crimes. Saint James earned four Emmy nominations for her work.

She pivoted to film and TV movies after the series ended, garnering roles in “Love at First Bite,” “The Kid from Nowhere,” and “Don’t Cry, It’s Only Thunder.”

After nearly a decade away from the TV series scene, Saint James returned in CBS’ unconventional sitcom, “Kate & Allie.” She starred as Kate McArdle, one of the series’ titular divorcées who decide to raise their children under the same roof. Saint James’ Kate was the modern and no-nonsense counterpart to Curtin’s old-fashioned, sweet Allie. The series aired from 1984 to 1989 and earned Saint James two additional Emmy nominations.

When the stars and creative team of “Kate & Allie” reunited amid the COVID-19 pandemic in 2021, Saint James reflected on how the show was representative of a same-sex household and how mothers raising their own children related to the show’s material. She and her co-stars also said they knew at the time that the series was something special.

“It wasn’t like we went back and said, ‘You don’t know what you got ‘till it’s gone.’ It was just fun,” she said.

Saint James mostly stayed away from Hollywood in the decades following “Kate & Allie,” save for brief appearances in series including “Law & Order: SVU,” “Suits” and “Upload.” She notably found herself in the spotlight again in the early 2000s, but for family tragedy.

Her son Edward “Teddy” Ebersol died at age 14 in a 2004 Colorado plane crash that also claimed the lives of two other people. Teddy Ebersol, whom Saint James shared with husband and former NBC Sports Chairman Dick Ebersol, was aboard a chartered Canadair CL-601 Challenger jet with his father and older brother, Charles, on Nov. 28, 2004, when it crashed during takeoff in light snow and freezing temperatures from the airport near Montrose, Colo. The pilot and a flight attendant were also killed in the crash. Dick and Charlie sustained injuries in the crash, and a copilot was critically injured.

“Here’s the bad part … I’ve never touched his clothes, I’ve never been able to move his things,” Saint James told Oprah in a 2006 interview. She continued to speak publicly about her grief in the following years.

“The thing that could move me on was that I could embrace Teddy finally in a way that was, ‘he’s my kid,’” she said during a 2009 panel on grief. “They can take his body, but I own that boy and I love that boy.”

Beyond her screen work and family tragedy, Saint James was also known for her longtime advocacy in the sports world. Saint James supported the mission of the Special Olympics since an early iteration of the games in California in 1972. The first Special Olympics was held in Chicago in 1968.

In a statement published Tuesday, Special Olympics said Saint James “believed deeply in the power of inclusion” and she served as a board member and a campaign co-chair for Special Olympics Connecticut. Her advocacy included founding the annual Susan Saint James poker tournament fundraiser. The organization’s Susan Saint James Leadership Award honors individuals who “embody her remarkable spirit of leadership, generosity, and dedication to our mission,” the post said.

“Thank you, Susan, for being an extraordinary champion of our athletes,” Special Olympics added in its statement. “Your legacy will live on through the lives you touched and the inclusive future you helped build.”

The actor, born Aug. 14, 1946 and raised in Rockford, Ill., received her star on the Hollywood Walk of Fame in 2008 and partially attributed her success in the industry to her connection with Special Olympics. Former California first lady Maria Shriver, daughter of Special Olympics founder Eunice Kennedy Shriver, attended the ceremony.

During that ceremony, Saint James said she managed to achieve her dream of becoming a Hollywood movie star “through the good works of a lot of wonderful people that created a loving and home-like environment for me all those years.”

“But the thing that really contributed to my success and happiness with my career was coupling it up with the work that I did with the Special Olympics,” she said, adding, “you can guess that being associated with them turned out to be getting to know some pretty amazing people since I’m now really cozy with the first lady of the state of California.”

Saint James was married three times, first to scriptwriter Richard Neubert from 1967 to 1968, according to People. She remarried in 1971 to makeup artist-turned manager Thomas Lucas. They share two children — daughter Sunshine and son Harmony — and divorced in 1977.

Saint James remarried to then-NBC executive Dick Ebersol after they met in 1981 when she hosted “Saturday Night Live.” They welcomed children Charles, William and Edward (Teddy.)

LOONEY Tunes actor Eric Bauza, who voiced iconic cartoon characters such as Bugs Bunny and Daffy Duck, has died aged 46.

The award-winning star’s family posted on Instagram that he had died “suddenly” and there would be “more details to come”.

The Canadian voiced dozens of beloved characters over more than 25 years in the industry, winning three Emmys for his Looney Tunes roles.

He died as a result of heart disease, according to Los Angeles County Medical Examiner records.

Bauza had multiple characters in this summer‘s hit animated comedy Coyote vs. Acme.

These included Bugs Bunny, Daffy Duck, Foghorn Leghorn, Pepé Le Pew, Porky Pig, Elmer Fudd and The Road Runner.

The actor told NBC News in 2021 that he was a huge fan of Looney Tunes growing up and used to copy the voices.

He said: “Looney Tunes transcends all languages and all cultures.

“It doesn’t matter what part of the planet you’re from. You get the comedy.”

Bauza was also known for playing Toad General in 2023’s The Super Mario Bros. Movie and its sequel The Super Mario Galaxy Movie, this year’s fifth highest-grossing film internationally.

He won three Emmy Awards for outstanding voice performance in 2022, 2023 and 2025 for different animated shows.

Channing Dungey, the chairman of Warner Bros. Television Group and US Networks, said in a statement: “Eric Bauza was a unique voice talent who brought joy and laughter to millions around the world.

“He followed in the footsteps of giants like Mel Blanc. Eric said that carrying on the legendary legacy of the Looney Tunes was among the greatest honors of his life.”

Born in the Toronto suburb of Scarborough in Ontario, Bauza made his voice acting debut in the Canadian animated series The Ripping Friends.

Before stepping behind the microphone, he began his journey in animation as a character designer for Hollywood production studios.

He would go on to have more 421 voice acting credits in film, television and video games listed on his IMDb profile.

Bauza’s extraordinary vocal range allowed him to become the definitive modern successor to legendary voice actor Mel Blanc, and he first took on the iconic Bugs Bunny role in 2018.

He was hired by showrunner Peter Browngardt to audition during breaks in recording sessions for Uncle Grandpa.

His official debut episodes eventually premiered with the launch of the HBO streaming series Looney Tunes Cartoons in 2020.

Film producer and screenwriter Christopher DeFaria, who worked with Bauza on Coyote vs. Acme, told Variety the voice actor would be remembered for his “incredible impact”.

DeFaria said: “He’s a voiceover artist for animated characters that have historic precedents and roles, and somehow out of that, he carved out a place in this business.

“This past year, he had such an incredible impact, both on our movie, of course, but also on bringing attention to this amazing art form.”

Bauza is survived by his son and his family.

Raise your hand if your group chat is still talking about “You Can See Everything.”

For anyone who has watched Nathan Fielder and Lance Oppenheim’s documentary about former Theranos CEO (and convicted felon) Elizabeth Holmes and her partner Billy Evans in the past week, every new think piece, funny meme, discussion thread or video parody about the film has been something to revel in. I’ve personally spent several hours messaging or speaking to friends and colleagues over the phone about the documentary, and it seems like a lot of people similarly can’t stop obsessing about it.

The film has sparked renewed interest not only in Holmes, but also in works previously released about her, including “Bad Blood,” written by John Carreyrou, the journalist who exposed Holmes and Theranos’ fraudulent practices, and Alex Gibney’s 2019 documentary “The Inventor,” which senior writer Greg Braxton rewatched and analyzed in the context of the new documentary. Also notable has been the resurgence of Hulu’s “The Dropout,” the 2022 limited series created by Liz Meriwether (“Furious”) that stars Amanda Seyfried — Variety reported this week that the series has seen a jump in viewership over the past month. And of course, there’s been lots of interest in Fielder; we’ve put together a guide to his work if you’re looking to understand him and his style.

But with all the attention on Holmes, Times culture critic Mary McNamara raises an important question: Why are we still so fascinated by Holmes, despite her track record as a con artist and fraudster? There are many answers to the question, but there’s no denying the public’s renewed fascination with Holmes, and now Evans as well.

However, if you prefer to think about lighter relationships that are less perplexing, NBC’s latest sitcom will do the job and remind you of what it’s like to be immediately swept off your feet. “Newlyweds,” starring Téa Leoni, Tim Daly and Jamie Lee Curtis arrives on NBC today. Curtis, who co-created the series, stopped by Guest Spot to talk about what inspired it and the recent changes behind the scenes.

Also in this week’s Screen Gab, our writers recommend a documentary about a saga surrounding one of the greatest hip-hop groups of all time and a cult-classic horror film that’s perfect for spooky season. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Tarik Azzougarh, left, and the RZA in Netflix’s “The Disciple.”

(Netflix)

“The Disciple: A Wu-Tang Fable” (Netflix)

In 2015, the only copy of the Wu-Tang Clan’s “Once Upon a Time in Shaolin” sold at auction for $2 million. The buyer was revealed to be hedge fund and pharma dirtbag Martin Shkreli, who infamously raised the price of an antiparasitic drug by 5,000% overnight and later went to prison for securities fraud. Joanna Natasegara‘s enchanting documentary “The Disciple” explores the long run-up to this Guinness Book of World Records event, and its aftermath, through the surprising, touching, funny and sometimes sad story of the album’s co-producer, Tarik Azzougarh, a.k.a. Cilvaringz. A Dutch Moroccan superfan whose freestyling and persistence earned him a place in the group’s auxiliary, it was Cilvaringz who first proposed the idea and brought it to fruition with Wu-Tang main man RZA — both a culmination and the beginning of an end. The film raises questions of art and ownership, friendship and business, creativity and capitalism, asking the questions who is music for, and what is it for. — Robert Lloyd

‘Highway to Hell’ (Tubi, Prime Video)

This is the perfect spooky-season flick to pop on when you don’t mind interruptions from trick-or-treaters or your buddy who treats movie night like an audition for “Mystery Science Theater 3000.” Directed by Ate de Jong (“Drop Dead Fred”), this 1992 comedy-horror cult classic stars Chad Lowe and Kristy Swanson as an eloping couple who take the wrong shortcut and wind up in Hades — basically, an even worse version of the drive to Vegas — where a young Ben Stiller works the roadside diner and Gilbert Gottfried plays Hitler. Every shot has a snort-worthy gag: a stop-motion Cerberus, a casino-bar called Hoffa’s, a cop whose handcuffs are literally a pair of severed hands. A flop at the time, “Highway to Hell’s” breakneck mix of smart and stupid was applauded by former L.A. Times film critic Kevin Thomas as “the Greek legend of Orpheus, revved up ‘Mad Max’-style.” Screenwriter Brian Helgeland would eventually win an Oscar for “L.A. Confidential.” Somehow, I never hear him brag about this goofy delight. He should. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Jamie Lee Curtis as Claudia in “Newlyweds,” a sitcom she co-created and executive produces.

(Nicole Weingart / NBC)

Jaime Lee Curtis has been in showbiz for a very long time. And when she sets her mind to something, like returning to a sitcom, she’s going to make it happen.

“It’ll be 50 years next January that I have been a professional actress,” she says over a video call earlier this week. “It’ll be 50 years that I’ve been driving on the lot at Universal.”

Over the course of her long career, Curtis, 67, has developed a lengthy résumé in film and television, winning numerous accolades along the way, including an Oscar and an Emmy (she’s been nominated for a Grammy too — there’s still time for an EGOT). But she longed to return to a sitcom ever since wrapping her lead role on ABC’s “Anything but Love,” a series that premiered in 1989 and ran for four seasons.

While she’s had guest appearances and some recurring roles on sitcoms over the years, including on shows like “New Girl” and “The Drew Carey Show,” NBC’s “Newlyweds” was an idea she had gestated for years, and now it’s set to arrive as part of the network’s Friday prime-time lineup. The actor, who executive produces “Newlyweds” and has a recurring role, took some time to discuss how she came up with the idea for the show, her co-creator’s firing and the political thriller series she’s watching with her spouse, filmmaker Christopher Guest. — M.G.

Jamie, you co-created this series and it’s loosely based on your relationship with your husband, Christoper Guest. Tell me how it came about and how you wanted to tell that story in this show.

It was April 25, 2019. I was in New York City … I was in a car being driven by a man in his 60s in a suit with gray hair on his temples. We were chatting, as one does in the back of a car, and I asked him if he was married, and he said he was divorced. I said, “Do you have kids?” And he said, “No.” And I said, “Well, that’s the blessing that you know you’re not dealing with divorce and children, which I’ve dealt with a lot.” And he then said, “But my new wife.” In that second, I went, “Oh, my new wife.” That’s a sitcom about people in their 60s hooking up, similar to the way my husband and I met, which was we met and married very quickly. And in fact, we would have gotten married had we gone out on our first date. We have said we would have gone and gotten married that night. So the idea popped in my head: What happens if two people in their 60s get married on a whim, and decide to just throw caution to the wind and go for it? What happens to the families and the friends and their own lives and the very routinized lives that they had led leading up to that moment? I knew it was a sitcom.

It wasn’t until years later I was put together with Gail Lerner, and we — during COVID actually — started working on the idea. But much of what’s in that script was kind of what happened to me and my husband … it’s something that’s been around for a while, and I’m just really excited finally that it has turned into this version, “Newlyweds” starring Tim and Téa.

Let’s talk about Tim and Téa. They’re the newlyweds, but they’re also married in real life. What was it like playing off their dynamic and vice versa?

When the pilot got picked up, … it was what they call “cast-contingent,” which means they like the idea, but they want to make sure that the right person gets in … so they wanted us to find Jeanie first, and it was a very short list of actresses they would bank a show on. Téa, luckily, was one of those actresses and had been looking for something on the lighter side. … and it so happens she’s married to a guy IRL who happens to have a lot of experience in the comedy space on TV shows, and all of a sudden we were like, oh, wouldn’t that make a kind of fantastic bit of pairing.

What do you think we’re going to learn about Claudia? She seems so liberated, but we’ve only seen the surface. She’s got a soft spot for Jeanie and even James.

I think you’re gonna see, in fact, that she becomes not just a foil but a friend. I feel like her acceptance of Jeanie … we’re going to mine it for its comedy. I mean, I think at the end of the day, she will always shake things up because that’s just her nature. We get to meet Claudia’s mother. I can’t tell you because we haven’t announced it yet, who plays my mother. I can tell you that she’s over 90.

You’re going to have me Googling.

We get to see a little bit of the oak tree and the acorn. We definitely get the snarky oak tree and the snarky acorn.

I want to come back to your co-creator Gail Lerner, who was recently dismissed from her role as showrunner, and has been replaced with Bruce Helford. Regardless of the news, she has called it “the most joyous TV experience of her life.” How are you and the cast moving forward after these changes?

Well, you can imagine it was a bummer. You know, network television has a whole series of requirements, way beyond … my little creative ideas. It has to do with management of scripts and the amount of early drafts of things, and it’s required within a network structure. And to run a show on television, and to consistently run a show, is a different animal than just the creativity that it takes to think of a show or to develop a show. That’s why Bruce has stepped in very quickly because Bruce has proven over and over again that he’s a guy who can make 100 episodes of a show with a much bigger worldview.

It was beautiful that Gail said the very things she said because we all felt that way too. It was joyous, fun, but there were a lot of things that were way beyond my understanding. What I’ve come to learn, I’m 67, is that creativity is a continuum. That it is not rigid and binary. That I had an idea that then Gail took and built on that idea, and now Bruce has come in and taken Gail’s idea … and is building out another version of the show.

Bruce Helford was the second in charge at the TV show “Anything but Love” when I did it back in the day, so I’ve known him.

So y’all are back together.

The only other time I was ever on a sitcom was “The Drew Carey Show” when Bruce Helford wrote me a part of this crazy hairdresser who … goes on a date with Drew Carey and ends up doing bungee jumping with him on the date. It’s a funny continuum for me to be back with Bruce, who weirdly enough was the actual first person I called when I had the idea [for “Newlyweds”]. I called Bruce because I knew him as a showrunner for sitcoms. We talked about it very briefly, and then he went off to something else. I went off to something else, and it kind of fell apart. So it’s slightly weird to me, and beautiful in that way that the person I actually called when I had the idea is now the one running the show.

It’s a full–circle moment.

Completely full-circle moment.

Has Christopher seen the show? What does he think?

I will say this: Christopher Guest is not a sitcom fan. You know, my husband is a very specific person and makes very specific, very funny movies and television shows. [Sitcoms are] not the thing that he is drawn to. But he genuinely understands that I’ve wanted to do a sitcom for a long time.

Because it’s spooky season right now, and you’re one of the OG scream queens, I have to ask you: Do you watch anything in that vein?

So I’m boring because the truth is, I don’t like scary things. I don’t like scary movies. I have zero interest in scary movies, and I think if someone ended up doing some analysis of me as a human once I’m dead, they would understand that actually my natural fear of scary things is what, in fact, made me such a good actress in them, and I don’t pretend to like them. I like the fans of [scary movies] because there’s a passionate group of people that love them. But I don’t have to love the movies, I just have to love what I do.

Is there anything else you’re watching right now?

My husband and I just started watching the [fourth] season of “The Diplomat” [Netflix], which the writing is so great. Last night we watched an episode written … by Peter Noah, who was the guy who took over “Anything but Love” … and was the showrunner. This episode last night [Episode 4, “Pagliacci”] was what Chris and I watched, and I wrote to Peter last night to say, “Bravo, bravo! Oh, the writing is so gripping.” Of course the writing leads the performances, which lead the filmmaker. It’s always the writing.

ICYMI

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Liev Schreiber appeared to be scolding an interviewer Tuesday during the red-carpet premiere for his new Apple TV series, “Nocturne.”

A bystander captured a behind-the-scenes snippet of the 59-year-old, who was seen speaking to a female reporter, likely part of the Apple TV team.

“Talk to people like they value what they do,” Schreiber said in the clip. “It’s not a f— sound bite, especially when we’re doing it in-house for our own people.”

The Tony Award winner added, “We’re trying to make the show compelling” and suggested that the reporter “engage” with the individuals involved in the project.

It is unclear what question was asked in the lead-up to the awkward interaction, although the “Ray Donovan” actor followed up with: “Three words isn’t gonna do anything for anybody and the monkey who f— thought of that is shooting themselves in the foot.”

The woman, who was holding an Apple TV microphone, continued to smile, telling someone in the background, “I hope you’re rolling on this.”

“What I’m trying to say is,” Schreiber continued, “if you wanna give them something that they can use, talk to people like they’re humans, not like they’re social media.”

The woman then appeared to reframe her question, to which the “Spotlight” actor agreed to respond on camera, adding, “That’s a real question; let’s talk about that.”

The Times reached out to Schreiber’s representatives and Apple TV but did not hear back.

Schreiber is both executive producer and star of “Nocturne,” which is set to premiere Oct. 30.

The drama is based on the Lars Kepler crime novels, including “The Sandman” and “Lazarus.” The series follows Jonah Lynn (played by Schreiber), an ex-soldier turned homicide detective who moves from Philadelphia to western Pennsylvania for a quieter life. But the town is shaken up by an imprisoned serial killer, Jurek Walter (“Adolescence” actor Stephen Graham), which prompts FBI agent Saga Bauer (“Atlanta’s” Zazie Beetz) to go undercover.

US actor Tom Skerritt, who starred in the TV series Picket Fences, and the films Alien and Top Gun, has died aged 93, his family says.

Skerritt died on Wednesday of natural causes, his family said: “While the world knew Tom through his remarkable acting career, we knew him for his humor, curiosity, wisdom, generosity, and the love he brought into our lives.”

In a six-decade career, he took on film and television roles, appearing in the film Mash, A River Runs Through It and Ted. He also co-founded TheFilmSchool in Seattle to support next-generation filmmakers and storytellers.

His family said he will be remembered “for his belief that stories can help people heal, find purpose, and create change.”

The mustachioed star of several 20th century hit films was born on 25 August 1933 in Detroit, Michigan, and served in the US Air Force before pursuing an acting career that boasted several military roles.

He made his film debut in 1962 alongside a young Robert Redford ​in War Hunt and years later re-teamed with Redford in the 1992 period drama A River Runs Through It, which starred Brad Pitt.

Skerritt’s breakthrough role came when he played US army surgeon Duke Forrest in the 1970 Korean War comedy Mash, which also starred Donald Sutherland, Elliott Gould and Sally Kellerman.

The hit film, which was released amid unrest over the Vietnam War, was nominated for five Academy Awards and was adapted for television two years later.

He also starred alongside Sigourney Weaver in the 1979 sci-fi film Alien, which earned two Oscar nominations, and led to three sequels and several crossover projects.

“It is spontaneity and impulse ​that make the difference, and that is ⁠what I felt we had with ‘Alien,'” Skerritt said in a 2019 interview, according to Reuters news agency.

“Every one of us had that immediate rapport with each other.”

Skerritt said that one of the things he liked most when he first read the script was that “the woman becomes a hero”, referring to Weaver’s character, Ripley.

During his career, he starred opposite several strong female leads.

He appeared with Shirley MacLaine in the 1977 film Turning Point and played Sally Field’s husband in 1989’s Steel Magnolias.

As Commander Mike “Viper” Metcalf in the 1986 classic Top Gun, the versatile actor appeared alongside a young Tom Cruise in the blockbuster.

On television, he won an Emmy Award in 1993 for his role as Sheriff Jimmy Brock in David E Kelley’s drama Picket Fences.

The procedural’s ensemble cast was nominated for SAG Awards in 1995 and 1996, and he received a nod for male actor in a drama series in 1995.

Skerritt also had guest roles on the small screen in The West Wing, Madam Secretary, Law & Order: SVU and Huff. He reteamed with Field as the family patriarch, William Walker, in the drama Brothers & Sisters from 2007-09.

He had a six-episode stint on Cheers playing Rebecca Howe’s crush-worthy boss Evan Drake.

In a statement, Skerritt’s family said that he leaves behind a “legacy that reaches far beyond the screen”

A deep believer in the power of storytelling, Skerritt helped found the TheFilmSchool in Seattle and co-founded the Red Badge Project, which helps veterans work through PTSD, anxiety and depression by writing and sharing their experiences.

Inspired in part by his experience filming A River Runs Through It, he also believed in protecting the natural world.

He created the documentary series Reflections of the River about America’s rivers and supported river conservation.