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The Country Music Assn. will put on a two-hour live TV special honoring Dolly Parton, who died last month at the age of 80.

The association said Wednesday that the television tribute — titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton” — will be recorded live at the Fisher Center for the Performing Arts, on the campus of Belmont University in Nashville.

The tribute will air Oct. 21 at 6 p.m. Pacific on ABC and Disney+, and will stream on Hulu a day later.

In a news release, CMA described the special as a “joyful, emotional celebration” dedicated to Parton, the rhinestone-studded singer whose life began humbly, in a one-room cabin at the foothills of the Great Smoky Mountains.

Robert Deaton, veteran executive producer of the Country Music Awards and Billboard Music Awards, will fill that role on the Parton project.

“Dolly gave Country Music its heart, and giving some of that heart back to her is an incredible honor,” said Deaton in a news release Wednesday. “My hope is simply that we do right by her story, her music and the people who love her, so that this evening feels like the tribute my friend deserves.”

Sarah Trahern, CMA chief executive, added that the tribute is the association’s “responsibility”: “This special is our way of saying thank you, on behalf of every artist, industry member and fan who found a piece of themselves in her music.”

The tribute is in partnership with Belmont University, which hosted the 2025 world premiere of “Dolly: A True Original Musical,” a biographical production about the “9 to 5” singer that is scheduled for its Broadway debut on Jan. 19, what would have been the Parton’s 81st birthday.

The university also previously launched “Dolly U,” an immersive educational partnership designed to connect students with hands-on opportunities in entertainment, media and creative industries.

Greg Jones, president of Belmont University, welcomed the special with a statement of his own: “It is a privilege to welcome artists, friends and fans from around the world to celebrate her extraordinary life and legacy from this stage in Nashville, honoring a woman whose love for Tennessee was woven into everything she did.”

Both the CMA and Belmont University will make a donation from the proceeds to Parton’s Imagination Library, which was launched by the Dollywood Foundation in 1995 to address childhood literacy by giving millions of children the gift of a free book each month. Disney will also support the program.

News of the television tribute follows an announcement last month by Parton’s estate that revealed plans for Dollyfest, a two-day celebration in Nashville and London next year across two consecutive weekends to honor her legacy.

Additional details for the CMA special, including performers and tickets, will be announced at a later date.

“American Idol” is packing up its stars after 25 years in Hollywood.

In the latest blow to Los Angeles film production, ABC’s long-running program will move its upcoming season to the Atlanta area, according to Fremantle, which produces the show with 19 Entertainment, owned by Sony Pictures Television.

Fremantle declined to comment further.

The move comes as Los Angeles’ production levels have tumbled, prompting concern from film workers, union leaders and elected officials who are scrambling to address the crisis. California, despite boosting its tax incentive program, has been struggling to compete against other states that offer more lucrative credits.

TV production activity in the L.A. region was down 27% in the second quarter compared with the same period a year ago, largely because of fewer reality TV shoots, according to the nonprofit FilmLA.

Earlier this year, another broadcast TV stalwart, Fox’s “The Masked Singer,” made plans to vacate its space on the Fox lot on West Pico Boulevard in Los Angeles and head to New Jersey, also in search of more lucrative tax credits. Another ABC hit, “Shark Tank,” also is relocating to Atlanta from its longtime home base on Sony’s Culver City lot.

“American Idol” has been a local economic engine since launching on Fox in 2002. For years, the show ranked as the No. 1 show on TV and employed hundreds of workers each season as aspiring singers hoped for their big break.

The most recent season originated from Red Studios in Hollywood.

Georgia offers generous tax incentives, including up to a 30% tax credit for reality television productions that spend at least $500,000 in the state. Unlike California, Georgia’s tax program allows compensation for actors and other so-called above-the-line workers to be included.

Like California, Georgia has been grappling with lower production levels. For more than a decade, its soundstages attracted colossal movie productions, but the region was dealt a blow when the Walt Disney Co. recently shifted production of its Marvel superhero films to facilities near London.

On Tuesday, a bipartisan coalition of lawmakers, the Motion Picture Assn., industry unions, Hollywood special ambassador Jon Voight and filmmaker Steven Paul made a pitch for a federal film and television tax credit to keep jobs in Hollywood and in the U.S. broadly.

Rep. Laura Friedman (D-Glendale) plans to introduce a bill into Congress as early as this month in collaboration with Rep. Brian Jack (R-Ga.), who represents a district southwest of Atlanta. The MPA released a study estimating a federal tax credit could add 143,000 film and TV jobs.

This year, in particular, has seen big swings as the California Film and TV Tax Credit Program expanded eligibility to include competition shows.

Large-scale competition shows are eligible under the state’s incentive program if they have a minimum budget of $1 million per episode. The credit, however, does not include traditional reality shows, game shows, talk shows or docu-follow television programs.

Changes in California’s formula resulted in a jump to 676 shoot days in the second quarter, compared with 463 shoot days during the first three months of the year. Nonetheless, this year’s April-June quarter still reflected an almost 40% decline when compared with the same time last year.

FilmLA said that over the last five years, reality productions have plummeted nearly 63%.

ABC in late July announced “American Idol” was returning, marking its 10th season on the Walt Disney Co. network. Producers are auditioning potential contestants this week during stops in Georgia, North Carolina and South Carolina.

ABC declined to comment on the move.

Ryan Seacrest has long hosted the show, which last season featured Lionel Richie, Luke Bryan and Carrie Underwood, a previous “American Idol” champion, as the celebrity judges.

Deadline first reported the planned move to Georgia.

Game shows are also leaving L.A.

A growing number of programs long based around Hollywood and New York have headed across the ocean to Ireland and Britain to take advantage of tax credits that bring down the cost of production as broadcast network executives contend with shrinking audiences and lower profit margins.

Fox currently has several prime-time game shows produced overseas, including “The Floor,” “Celebrity Name That Tune” and “Beat Shazam.

Staff writer Stephen Battaglio contributed to this report.

The video is titled “Jimmy Kimmel’s Interview With James Talarico That the FCC Doesn’t Want You to See.”

It was posted Thursday night on the “Jimmy Kimmel Live!’s” YouTube page. By 10 a.m. Friday, the video had gained more than 2.7 million views — and the interview hadn’t aired on the show’s network, ABC.

“… We are being targeted by the FCC for the crime of interviewing political candidates,” Kimmel says in the YouTube clip. “Even though for years we, and every other late-night talk show, have welcomed numerous candidates, including Donald Trump when he was running. He was on this show two times. [Trump’s] FCC has threatened me, threatened our show, threatened our network, ABC, our affiliates, our local stations, because they want to make our editorial decisions for us, which of course, we cannot accept.”

The host continued: “Tonight we are bypassing the public airwaves and hosting this interview on YouTube, even though our government would clearly prefer we not do it at all.”

The late-night host moved his interview with the Democratic candidate for U.S. Senate in Texas online to sidestep new Federal Communications Commission policy regulations.

Kimmel said earlier in the week that the FCC had “threatened” his show.

“For the whole 20-plus years of our show, in fact, I’ve been interviewing Americans who are running for office with no problem,” Kimmel said during Wednesday’s ABC broadcast. “Something has changed,” he said.

The change Kimmel was referring to involves the Communications Act’s “equal opportunities” requirement. It states that if a broadcast station features a qualified political candidate, it must provide equal airtime to an opposing candidate. Daytime and late-night talk shows have long operated under a “bona fide news program” exemption that shielded them from the equal time rule.

But under new guidance from the FCC Media Bureau, which is overseen by Donald Trump appointee Brendan Carr, talk shows may no longer qualify for the news exemption if their candidate interviews are determined to be motivated by partisan purposes.

In short, political bias is in the eye of the FCC beholder, and it has been focused on shows like “Kimmel Live!” and “The View,” which voice criticism of the president. The FCC has ordered early license reviews for several Disney-owned ABC stations. ABC has accused the Trump administration of trying to chill free speech.

FCC Commissioner Anna Gomez, who is the commission’s only Democrat, said Thursday in a statement that Kimmel’s choice to move Talarico’s interview to YouTube “shows just how far this Administration’s campaign of censorship and control has gone.”

The YouTube summary of the Kimmel/Talarico interview reads as follows: “Jimmy’s interview with Democratic Senate candidate from Texas James Talarico was not televised because of threats from the FCC so we’re hosting their discussion here on YouTube. James talks about Republicans being scared of him winning, Jesus being co-opted by MAGA, the RNC Convention being held in Texas, not taking money from corporate PACs, Trump calling him a ‘freaky guy’ and having second thoughts about endorsing his opponent Ken Paxton, and the GOP making it harder for people to vote.”

Assistant White House Press Secretary Davis Ingle accused Kimmel of “play acting” and “creating a false narrative about this administration’s policies,” in a statement Thursday. “Chairman Carr has not threatened him regarding interviewing James Talarico, or any other candidate,” Ingle said. “Any media outlet blindly amplifying Kimmel’s egocentric delusion should insist on proof. Of which they will find none.”

Unless they spend 10 seconds on Google, where there’s ample proof.

During a February taping of “The Late Show With Stephen Colbert,” Colbert told his studio audience that CBS lawyers had prohibited him from broadcasting an interview with Talarico, or even mentioning the cancellation on television, following threats from the FCC.

“[Talarico] was supposed to be here, but we were told in no uncertain terms by our network’s lawyers, who called us directly, that we could not have him on the broadcast,” Colbert said.

CBS denied they stopped “The Late Show” from airing the interview, which was instead posted on the show’s YouTube page.

Within months, “The Late Show” was canceled after 33 years on the air. Its final broadcast was May 21.

During Kimmel’s interview with Talarico, the host pointed out that it wasn’t the first time an interview with Talarico had been “demoted” from network television to YouTube. He asked his guest, “Why are they so scared of you?”

“They’re worried that we’re going to win this race in Texas,” Talarico said about running against Republican Ken Paxton.

The race will be decided in November.

“We’re not just going up against the most corrupt politician in Texas,” Talarico said. “We’re going up against this entire corrupt system.”

ABC comedian Jimmy Kimmel’s interview with Texas Senate candidate James Talarico won’t air on broadcast television amid the network’s high-stakes skirmish with the Federal Communications Commission.

Kimmel, during his Wednesday night monologue, said his talk with the 37-year-old Texas Democrat would instead stream on his show’s YouTube channel — depriving ABC viewers and TV stations of a potentially newsworthy interview with Talarico, who has been surging in the polls.

The Texas race is shaping up as a key contest in what could help decide control of the U.S. Senate in the mid-term elections.

Talarico is running against Texas Republican Atty. Gen. Ken Paxton, who has been endorsed by President Trump.

Kimmel alluded to the Walt Disney Co. network’s ongoing dispute with FCC Chairman Brendan Carr as the reason for the switch. This spring, Carr’s Media Bureau ordered ABC to submit to an early review of its TV station licenses for Disney’s eight owned stations. The FCC launched the review a day after President Trump demanded Kimmel be fired after First Lady Melania Trump became upset over a joke the comedian told on his program, “Jimmy Kimmel Live!”

ABC has since sued the FCC, alleging Trump’s disdain for Kimmel and other ABC programs has fueled the FCC’s heavy-handed approach to the network, in violation of its 1st Amendment rights.

Kimmel pointed to the “unusual circumstances” in his monologue.

“For the whole 20-plus years of our show, in fact, I’ve been interviewing Americans who are running for office with no problem at all, just like [David] Letterman did, [Jay] Leno did, Arsenio [Hall], etc. etc.,” Kimmel said. “I’ve interviewed a lot of political candidates — from Hilary Clinton to Ted Cruz to Donald Trump.”

But, Kimmel said that in the current climate, airing the Talarico interview on the public airwaves carried too much risk.

“Out of consideration for our local stations, especially our ABC affiliates in Texas who would have to deal with this nonsense,” the ABC interview, which was scheduled for Thursday, would instead play on YouTube, he said.

ABC declined to comment. An FCC spokesperson did not immediately respond to a request for comment.

The issue surfaced nearly one year after a major dust-up when ABC temporarily benched Kimmel after comments he made on his show over the shooting of conservative activist Charlie Kirk. During that episode, Carr seemed to threaten Disney by saying that Kimmel should be punished.

“We can do this the easy way or the hard way,” Carr said. “These companies can find ways … to take action … on Kimmel or there is going to be additional work for the FCC.”

Two station groups removed Kimmel’s show, but ABC eventually stood by the comedian returning him to his perch the following week.

The Disney-owned station licenses were not set to expire for several years when the FCC demanded that Disney defend its stewardship of the outlets. The license for Disney’s KABC-TV Channel 7 in Los Angeles extends to 2030 but it is now being challenged.

The Burbank giant has asked a federal judge to issue a temporary restraining order and injunction to halt the FCC’s early station review.

ABC also is defending against an FCC probe into whether its daytime talk show, “The View,” should be entitled to an exemption from the so-called equal-time rule for political candidates who appear as guests.

Carr has challenged the status of “The View,” arguing that the topical chat show is not a bona fide news program and, thus, should not be entitled to the exemption.

The same issue tripped up former CBS late night comedian Stephen Colbert who interviewed Talarico in February — before his program, “The Late Show with Stephen Colbert, was canceled.

At the time, Colbert told viewers CBS lawyers forbid him from airing a Talarico interview on his program due to the FCC’s increased scrutiny of exemptions to the equal-time rule, an allegation that CBS disputed.

But Colbert’s interview played on the program’s YouTube channel — not the CBS network.

The FCC has said it was investigating ABC stations over whether the company’s diversity and inclusion policies are in violation of the Communications Act of 1934 and the agency’s rules, including its “prohibition on unlawful discrimination.”

Last week, the FCC asked a federal judge in Washington to dismiss ABC’s 1st Amendment lawsuit, calling Disney’s challenge to the early review “meritless” because the commission hasn’t made a decision on whether to escalate the matter or rescind Disney’s station licenses.

Kimmel ended his monologue, saying he was grateful for the YouTube channel “because in the America we live in right now, that is the best that we can do until November.”

A former ABC News employee is asking a court to drop CBS News chief correspondent Matt Gutman from her wrongful termination lawsuit, which claimed she was sexually harassed by him when they were colleagues.

Samira Said, a field producer for ABC News for four years, included the claims related to Gutman in a wrongful termination lawsuit filed Aug. 14 in Los Angeles County Superior Court against her former employer and its parent The Walt Disney Co.

Said’s lawyers filed a request with the court Friday to drop Gutman, who was named as a defendant. Lawyers for Said did not respond to an email asking why the request was made. ABC and Disney remain defendants in the suit.

The suit cited two incidents where Said claimed Gutman created a hostile work environment by making inappropriate sexual comments while on the job.

Gutman declined comment on the matter through a CBS News representative.

Said alleges she was wrongfully terminated from ABC News in 2025 after dealing with mental health issues. The suit accuses the company of violating California’s Fair Employment and Housing Act by not making accommodations for her. She is seeking compensatory and punitive damages along with her attorneys’ fees.

Gutman, 48, was the first high-profile talent hire by CBS News Editor-in-Chief Bari Weiss, who took charge of the division in October. He recently filled in as anchor of the “CBS Evening News” and scored higher ratings than Tony Dokoupil, the program’s regular anchor.

Gutman spent 17 years at ABC News, where he mostly reported from Los Angeles.

The Federal Communications Commission has asked a judge to toss out ABC’s 1st Amendment lawsuit, arguing that parent company Walt Disney Co. is wrongly attempting to short-circuit the agency’s review into whether the broadcaster has violated the law.

The commission, in court documents, maintains ABC’s lawsuit was premature because regulators simply were in the process of reviewing whether ABC has served the public interest in operating its eight television stations. No final determination has been reached, the FCC argued.

FCC Chairman Brendan Carr made the rare move last spring to call for an early review of ABC’s licenses as part of his yearlong look at whether Disney’s diversity and inclusion programs violate anti-discrimination laws.

The Disney-owned station licenses were not set to expire for several years. For example, the license for KABC-TV Channel 7 in Los Angeles extends to 2030.

But the FCC launched the probe a day after President Trump complained about ABC late night comedian Jimmy Kimmel over a joke that upset First Lady Melania Trump.

ABC has taken an aggressive stance, arguing the FCC is wielding its enforcement powers to punish the network after Trump repeatedly agitated to have ABC’s licenses revoked. ABC maintains the FCC’s enforcement action is an attempt to quell the network’s free speech, in violation of the 1st Amendment. It asked a federal judge to issue a temporary restraining order and injunction to halt the FCC’s early station review.

ABC also is fighting an FCC review into whether its daytime talk show, “The View,” should be entitled to an exemption from the so-called equal-time rule for political candidates who appear as guests.

Disney’s lawsuit has enormous 1st Amendment implications.

ABC is the first major broadcaster to challenge the FCC’s enforcement actions since Trump returned to power, joining a small handful of news organizations, including the Associated Press and the Wall Street Journal, that have pushed back against the president’s efforts to bully outlets he dislikes.

In late December, Trump wrote on social media: “If Network NEWSCASTS, and their Late Night Shows are almost 100% negative to President Donald J. Trump, MAGA, and the Republican Party, shouldn’t their very valuable Broadcast Licenses be terminated? I say YES!”

ABC, which did not comment Friday, argued the FCC’s review is “extraordinarily early” and “that timing underscores the Commission’s true purpose: coercing and retaliating against a network that refuses to bow to the Administration’s demands.”

The FCC has scoffed at the broadcaster’s arguments.

“Disney filed a meritless lawsuit in an effort to stop the FCC’s ongoing investigation into allegations that Disney violated the law,” an FCC spokesperson said in a statement. “The FCC has developed a voluminous record, and it will continue to follow the facts and the law wherever they lead.”

The government filed its motion Thursday in Washington. The 46-page document was filed by U.S. Atty. Jeanine Pirro and signed by Assistant U.S. Atty. Dimitar P. Georgiev on behalf of the FCC.

Disney was “not content to let the Commission’s ordinary investigative processes (and, if needed, ordinary processes of judicial review) run their course. They instead ask this Court to halt the license renewal proceeding in its tracks by issuing a preliminary injunction,” the FCC said.

U.S. District Judge Loren L. AliKhan has scheduled an Oct. 6 hearing.

Disney has argued the FCC has gone well beyond an examination of its internal hiring practices — the original purpose of the agency’s review.

But, in its motion, the FCC faulted Disney’s handling of the matter, saying “Disney’s responses to Commission information requests were deficient and nonresponsive,” prompting the agency to escalate the dispute.

In late April, Carr directed the FCC Media Bureau to force ABC to apply for renewal of their licenses early.

“The Commission’s Chairman has repeatedly emphasized that, although the allegations against Disney are serious, he and the agency remain ‘open-minded,’ have ‘not made a decision,’ and are ‘going to follow the facts and the law wherever they [lead],’ ” according to the motion.

The FCC also argued Disney picked the wrong court because Congress stipulated that any review of commission orders should be heard by an appeals court.

If ABC lost its licenses, it would hobble the network by forcing its largest stations off the air. Other ABC stations at risk include those in San Francisco, Fresno, Houston, Philadelphia and New York.

KABC-TV Channel 7 is owned by Disney in Glendale.

(Gina Ferazzi/Los Angeles Times)

Trump on Sunday called for the FCC to “rebuke or punish” NBC’s “Meet the Press” anchor Kristen Welker after she pointed out that the president has had mixed success in endorsing political candidates in this election season.

The FCC also has an open investigation against NBC owner Comcast, also looking at the Philadelphia company’s diversity and hiring practices. The FCC has not ruled out calling NBC-owned station licenses in for an early review as well.