abc

The Federal Communications Commission has demanded for months that ABC prove its stations deserve to stay on the air — a proceeding with no precedent in the last half-century. This week, the network delivered a sharp retort, accusing the agency of waging a campaign of political retribution.

“The retaliation against ABC is a signal to every media company in the country: accommodate the Administration’s view of what news coverage should look like or pay the price,” Disney’s attorneys wrote in the 109-page filing.

ABC has enlisted prominent elected officials, community organizations and seasoned litigators for the 1st Amendment showdown that could ultimately reach the U.S. Supreme Court.

The Burbank entertainment giant’s combative stance comes after the FCC, led by Chairman Brendan Carr, took the rare step this spring of demanding that Disney defend the broadcast licenses of its eight ABC stations — including KABC-TV Channel 7 in Los Angeles — years before the permits were set to expire.

The government’s move represents a significant threat to Disney because the loss of licenses would hobble the ABC network by forcing its largest stations off the air. Other ABC stations at risk include those in San Francisco, Fresno, Houston, Philadelphia and New York.

The FCC is expected to make a determination next month. It could require ABC to defend the stations in a hearing or before the commission.

The FCC, in a statement, defended its inquiry and hinted that it may go further.

“For decades, Americans of all stripes have been subsidizing broadcast media to the tune of many billions of dollars by giving TV stations free use of a valuable, public resource — the airwaves,” an FCC spokesperson said in a statement.

“Broadcasters are required by law to operate in the public interest — not in the narrow or partisan interests of a political party,” the spokesperson said. “The FCC is going to hold broadcasters accountable to the full extent of the law, regardless of any disinformation campaign that some of them may choose to run.”

ABC accused the FCC of overreach.

“The FCC has spent the last 18 months searching for some pretext for revoking the stations’ licenses,” ABC wrote in the filing. “The Commission has found none, because the stations easily meet the standard for license renewal.”

Disney‘s attorneys cited the unusual nature of the proceedings, linking the FCC’s action to Trump’s dislike of certain ABC network programs. The FCC launched its review in late April — one day after the president lashed out at ABC after late-night comedian Jimmy Kimmel made a joke about Trump’s health and First Lady Melania Trump.

Until this spring, the FCC had not called for an early license review in more than 50 years.

“For the first time in history, the Federal Communications Commission has ordered an entire group of local television stations … to undergo simultaneous license renewal proceedings well before their current licenses expire,” Disney’s attorneys wrote.

The network asked the FCC to dismiss its review.

“This is as clearcut an example of retaliation as one could imagine,” ABC said in the filing. Damage has been done even if the FCC stops short of revoking the licenses, the network said.

“The mere investigation and the threat of finding a violation are sufficient: ‘the value of a sword of Damocles is that it hangs — not that it drops,’” ABC wrote.

The FCC has previously said the review grew out of an inquiry it launched early last year to scrutinize Disney’s internal diversity, equity and inclusion programs to see if they violated federal anti-discrimination laws — part of an expansive Trump-led campaign against DEI initiated as soon as he returned to the White House.

This year, the FCC opened a separate inquiry over whether ABC’s “The View” should keep an exemption granted to news programs so they are not obligated to provide equal airtime for opponents of various political candidates. The FCC had given “The View” the exemption in 2002.

Carr also has criticized ABC for not televising Trump’s live prime-time speech earlier this month to vent his grievances over past elections. Carr told reporters ABC’s decision could factor into the station license review.

By calling for the early review, the FCC allowed petitioners and ordinary residents to chime in on the stations’ operations and ABC network programming.

By Wednesday night’s deadline, the FCC had received more than 153,000 public comments. An estimated 96% of respondents wrote to support their local ABC station, the company said, including L.A. County Sheriff Robert Luna, L.A. Police Chief Jim McDonnell and Riverside County Sheriff Chad Bianco.

In his letter, Luna said KABC — which has operated in Los Angeles for more than 75 years — provides residents with “timely and accurate information that has … undoubtedly saved lives.”

Lawmakers, including House Minority Leader Hakeem Jeffries (D-N.Y.), former Speaker Nancy Pelosi (D-San Francisco) and Reps. Ted Lieu (D-Torrance), Laura Friedman (D-Glendale), Maxine Waters (D-Los Angeles) and Ro Khanna (D-Fremont), have called on the FCC to drop the review, saying the agency has politicized its regulatory powers.

Disney has hired prominent attorneys Beth Wilkinson, Jennifer Tatel and Paul Clement, a former U.S. solicitor general with experience arguing before the Supreme Court. Disney’s chief legal officer, Horacio Gutierrez, is leading the team.

Several conservative groups have questioned whether ABC was fit to hold its licenses.

“ABC’s rights are important, but they are not preeminent,” Center for American Rights President Daniel Suhr wrote in his 66-page petition to the FCC to deny ABC’s local licenses, adding that the commission must instead focus on “the right of viewers of ABC stations.”

“Disney’s lawyers can wish upon a star, but they cannot make this record disappear,” Suhr said in a statement Thursday. “Disney does not own the public airwaves, and an FCC license is not a corporate entitlement. The FCC should reject Disney’s effort to avoid meaningful scrutiny, require full answers, and designate these applications for a hearing.”

The FCC doesn’t license networks, only the local stations that carry network programming.

In one public comment, an ABC critic named Lawrence Caswell agreed with Suhr’s contention: “ABC is just a grossly biased propaganda arm of the Democratic Party.”

Jeffrey C. Illes, a Chicago-area viewer who identified himself as a Republican, wrote in support of Disney’s WLS-TV station.

“I rely on their broadcast for accurate, timely, and trusted local news, breaking weather updates, and essential public safety information,” Illes wrote. “ABC 7 Chicago is a vital institution in our community.”

Stations typically file for a license renewal once every eight years. The commission then determines whether the station has “served the public interest” and has not run afoul of the “rules and regulations of the Commission.”

The commission’s lone Democrat, Anna M. Gomez, blasted the station license inquiry.

“The FCC has no authority to police the ideological balance of the airwaves, and no matter what this Commission does next, the record now makes clear that this was never a genuine search for the public interest,” Gomez said in a Thursday statement.

There are three commissioners: Gomez and two Republicans — Carr and Olivia Trusty, who joined the panel last year.

Congress restricts the FCC from any regulatory moves that trample on free speech rights for broadcasters.

A coalition of progressive groups, including the American Civil Liberties Union, urged Disney Chief Executive Josh D’Amaro to continue to defend 1st Amendment freedoms in the company’s battle with the FCC.

“When you’re standing up for yourself, you are standing up for all of us,” the group wrote. “All of our rights are in danger when the FCC is allowed to censor comedians, journalists, and critics.”

July 30 (UPI) — The ABC network has accused the Federal Communications Commission of attempting to censor what it broadcasts by pressuring its local stations to apply for early renewal of their licenses.

In its regulatory filing, which is a response to the FCC’s request that ABC-owned broadcast stations reapply for their licenses, ABC alleged that FCC chair Brendan Carr’s criticism and actions at the agency have amounted to “attempted censorship,” Politico reported.

The network said in the filing that actions by the agency and Carr have been aimed at shaping news reports across the media in ways that violate U.S. Constitutional freedom of the press.

The FCC, in a statement on Thursday to The Hill, contended that it is operating in the public interest, based on what it said are “equal opportunity regulations” as it accused the network of operating “in the narrow or partisan interests of a political party.”

The Trump administration, and President Donald Trump, have long alleged that members of the media — print, online or television — who are critical or engage in satire of him during his two terms as president are violating federal law.

“The retaliation against ABC is a signal to every media company in the country: accommodate the administration’s view of what news coverage should look like or pay the price,” the network said in the filing.

“Across the government, regulatory and contracting carrots and sticks have been trained on other disfavored speakers,” ABC said. “The tools vary; the objective does not: a media industry too fearful of official reprisal to report the news freely.”

More than 16 congressional Democrats accused the Federal Communications Commission this week of running a license-review process “tainted by animus and ideology,” demanding the agency back off its early scrutiny of Disney stations, including Los Angeles’ KABC-TV and San Francisco’s KGO-TV — while alleging the FCC has politicized its power.

The lawmakers signed letters to FCC Secretary Marlene H. Dortch to register their dismay and question the legitimacy of the FCC’s review protocol.

The letter campaign is a response to FCC Chairman Brendan Carr’s decision in April to order an early review of Disney’s licenses for the eight ABC television stations that it owns. The review is entering its home stretch; public comments are due to the FCC by July 29.

Calling a station’s licenses for an early review is rare, and it’s been four decades since the FCC revoked a TV station license.

Carr’s move requiring Disney to submit to an early review came after President Trump and First Lady Melania Trump expressed outrage over a joke by ABC late-night host Jimmy Kimmel that referenced the first lady.

“This early renewal process is merely a smokescreen to pursue President Trump’s vindictive agenda to silence minority voices and punish companies that decline to do his bidding,” according to the letter signed by Reps. Laura Friedman (D-Glendale), Kevin Mullin (D-South San Francisco), Nancy Pelosi (D-San Francisco), Ro Khanna (D-Fremont), Ted Lieu (D-Torrance) and others.

The FCC maintains the ABC station review sprung from concerns about Disney’s internal diversity, equity and inclusion programs, but the lawmakers said there was no evidence that Disney’s personnel policies violate any laws.

Instead, they said, Trump has made it clear that he sees TV license renewals as a means to squeeze media outlets whose coverage he dislikes.

The FCC separately has taken aim at ABC’s daytime discussion show, “The View,” which delves deeply into politics.

Disney has pushed back against the early evaluation of its TV station licenses, which were originally up for review between 2028 and 2031. The Burbank giant filed its renewal applications “under protest.”

“The Commission had not demanded early renewal in over five decades,” Disney’s WABC-TV station, based in New York, wrote in a May filing with the commission. “And it has never before demanded simultaneous license renewal applications from a group of stations commonly owned with a network as it has here. The order has no legitimate purpose.”

California congressional Democrats have strongly condemned Federal Communications Commission Chairman Brendan Carr’s decision to mandate early, unprecedented license renewals for eight Disney-owned ABC stations, including KABC-TV in Los Angeles.

(Google street view)

The FCC maintains that Disney is the one politicizing the station review.

“Contrary to Disney’s claim that the FCC called in their broadcast licenses for early renewal for no reason, the record shows something very different,” Carr said in a May statement. “Broadcast licensees have a unique obligation to operate in the public interest. The FCC will follow the facts and law wherever they may lead.”

In the tussle over whether “The View” qualifies for an exemption to the so-called equal time rules for politicians, an FCC spokesperson said in a statement: “ABC should focus on complying with its public interest obligations, rather than misleading the public about them.”

The lawmakers, in the two letters, did not wade into the controversy over “The View.”

Instead, they stressed the importance of the two stations — KABC and KGO — to their local communities.

“KABC is an important local television station that millions of our constituents rely on for daily news, traffic, emergency weather alerts, and programming that serves our local community,” according to the letter spearheaded by Friedman, whose district includes Disney’s headquarters.

“Any refusal to renew this license would be strongly against the public interest,” the group wrote.

Congresswoman Laura Friedman is leading a letter campaign by Democrats in Congress to defend Disney’s KABC-TV.

(Myung J. Chun / Los Angeles Times)

A second letter highlighted the importance of Disney’s San Francisco station, which serves nine counties in that region.

“For over 75 years, KGO has been operating in the public interest in our region, offering reliable journalism, indispensable emergency information, and steadfast community engagement that our constituents and viewers rely on,” according to the letter headed by Mullin.

The station also serves as a broadcast partner to the San Francisco Chinese New Year Parade, the city’s Pride parade, the Oakland Black Joy parade and the Bay to Breakers race. It also raises awareness for organizations including Lighthouse for the Blind and Visually Impaired and Bay Area Autism Collective, the lawmakers said.

“KGO’s operations reflects the television station’s deep investment and commitment to viewers in the Bay Area,” the lawmakers wrote. “KGO is a community partner. … We urge the FCC to reconsider its unlawful censorship campaign against ABC and all other political opponents of President Trump.”

If you feel like your favorite morning news or talk show is frequently trying to sell you something, you’re right.

Shopping segments within the program content of NBC’s “Today,” ABC’s “Good Morning America” and “CBS Mornings” have grown in recent years. Using QR codes on the screen, viewers are taken directly to dedicated e-commerce sites where they can put in their orders, with the program getting 20% or more of the revenue generated.

The segments typically feature a contributor or expert presenting household items, fashion or personal care products, alongside the host viewers know and trust. While hosts typically don’t do the actual pitching, their presence provides a seal of approval that helps drive a purchase.

The segments are also a staple of talk shows and syndicated programs such as “The View,” “The Jennifer Hudson Show,” “Entertainment Tonight” and “Inside Edition” and have spread to local TV stations. Ownership groups have signed deals with companies that match them up with brands looking for exposure that goes far beyond what they get with a 30-second commercial.

“This is the savior for media, if they really focus on it,” said Brian Meehan, co-founder of Knocking, a Connecticut-based company that specializes in embedding e-commerce into TV and digital content.

That may seem bit hyperbolic, but there is little doubt that TV outlets are looking for help as they navigate the upended media industry.

Streaming has pulled viewers away from traditional television, driving down ad revenues. Since 2022, ad spending on broadcast and cable TV has dropped 23%, to $51 billion in 2025. Consumers bypassing or canceling their cable subscriptions are cutting into the fees stations receive from pay TV providers.

As a result, both networks and TV stations have had to make significant cuts in their news operations to maintain profit margins. The daytime syndication business has declined dramatically as well, with NBCUniversal exiting the market and canceling “Access Hollywood” and “The Kelly Clarkson Show.”

Networks and stations don’t reveal how much they earn from the shopping segments, which typically run four minutes, but insiders say it’s well into the eight-figure range.

Bill Hague, executive vice president for the media research firm Magid, said more TV stations are turning to the segments to help fill the additional hours of local news they are programming instead of syndicated talk shows.

“Why invest in syndication when you can have the same audience and more revenue tied to it?” Hague said, adding that the company’s research shows consumers don’t believe the practice diminishes the quality of a newscast.

Jeff Rossen, a former consumer reporter for NBC News, recently pitched online shopping deals for Tegna’s TV local stations. The products he demonstrated sold briskly, likely helped by the credibility and trust he has accrued as a journalist.

That authority matters to viewers. NBC says its research shows that 94% of “Today” viewers trust the product recommendations made on the program.

Morning shows, with their mix of hard news, entertainment segments and lighter fare, have always had more latitude in what they present. But the current dire circumstances of the TV business explain why there is little pushback.

“If helping me buy a better blender also helps pay for an investigative reporter, I’m fine with it,” said Andrew Heyward, a former CBS News president who has consulted for TV station groups.

Heyward said consumers have gotten accustomed to editorial content being a gateway to online shopping. The New York Times gets a cut of sales linked to its Wirecutter product review site.
Book reviews in the Los Angeles Times are linked to Bookshop.org, and the newspaper gets a commission for any sales.

Amazon and other web platforms have made e-commerce account for 21.8% of all U.S. retail purchases, according to the Department of Commerce.

Direct selling on traditional media goes back decades. In 1978, a Clearwater, Fla., radio station accepted 112 electric can openers from an advertiser who could not afford to pay for commercial time. Station owner Bud Paxson had a newscaster auction the inventory over the air and it sold out quickly, leading to a regular show called “Suncoast Bargaineers.”

In 1982, Paxson moved the concept to a local Tampa cable outlet, called it Home Shopping Channel and, after a few years, took it national as Home Shopping Network. HSN soon had celebrities pitching their own product lines, a technique that is now occasionally used by the morning shows.

Candi Carter, whose Cistus Media handles e-commerce for Tegna, said viewers have long been accustomed to seeing products touted inside of programming content, going back to the days of Oprah Winfrey’s “favorite things” segments.

“Brands do it for visibility,” Carter added. “They don’t have to pay a product integration fee and they get revenue from the sales.”

The broadcast networks experimented with direct selling to viewers over the years. NBC even put its name on ShopNBC, a cable channel it co-owned in the 1990s. But the concept was not mastered until NBC’s “Today” introduced “Steals and Deals” in 2010 as an occasional segment that grew over time.

The program now has 30 contributors who present wares in about 350 shopping segments each year. They are available across digital, social, newsletters and mobile platforms after they air on “Today.”

ABC’s “Good Morning America” started its own version in 2011, brazenly calling it “Deals and Steals.” The network now has daily segments on both “GMA” and the afternoon hours “GMA 3” and “The View.” Network contributor Tory Johnson has handled “Deals and Steals” since its launch and has long been one of the most familiar faces on “GMA.” Other contributors, such as former fashion magazine editor Laurie Bergamotto, have been added over the years.

Meehan recalls the biggest hurdle to launching the segments at ABC was the language explaining the arrangement to viewers — making it clear that the network stands to benefit.

“It came down to the attorneys just saying, ‘ABC may receive promotional or financial consideration,’” he said. “It took a long time to go through that process.”

CBS News, historically cautious about any endeavors that could tarnish its legacy as a journalism organization, was the last of the traditional networks to get into e-commerce in 2022 after COVID-19 lockdowns depressed ad revenues. The division was also under pressure to improve its financial performance as Shari Redstone, then-chair of parent Paramount, was intent on improving the company’s balance sheet ahead of a sale.

“Shop CBS” segments, as they’re called, are presented multiple times a week on “CBS Mornings” and “CBS Saturday Morning” and have become key revenue drivers for the struggling news division. Any resistance from producers or on-air talent recedes once they learn how much money e-commerce takes in, according to one veteran at the division not authorized to discuss the matter publicly.

While ABC and NBC broker their e-commerce deals in-house and through some of their contributors, CBS turned to Knocking to develop its segments. The company makes deals with product suppliers looking for in-program exposure, supplies the on-air talent that does the pitching with the network’s hosts and builds the websites that handle the transactions.

While on-air network journalists appear in the segments, they are not asked to do the selling. When CBS News signed on with Knocking, the division insisted the talent and producers involved be able to test the products before putting them on air. When they can react with enthusiasm, it’s a big help.

“When ‘CBS Mornings’ co-host Nate Burleson puts on a massager and he’s like, ‘Ooh, wow, this feels like real human hands,’ — none of that is scripted,” said Meehan.

Still, programs are putting their credibility on the line by selling the products. There is little margin for error or customer dissatisfaction, as disgruntled viewers will tune out.

Meehan said Knocking does its best to mitigate that possibility by accepting returns up to six months after purchase.

“A bad experience will hurt both the product or service being featured, and the broadcaster,” Heyward said. “All the parties have a vested interest in honesty, and in a good user experience.”

Walt Disney Co.’s ABC network has stepped up its defense of “The View” amid its battle with Federal Communications Commission Chairman Brendan Carr, who has targeted the network’s programming and its hiring policies.

At issue is whether “The View” still qualifies for an exception to FCC rules that require broadcasters to provide equal air time for opponents of various political candidates.

Carr has called the daytime talk show “overtly political.”

Late Monday, ABC filed documents with the FCC to support its request for a declaratory ruling that “The View” is indeed a bona fide news interview program entitled to the equal-time rule exemption that covers newscasts, political debates and documentaries.

The show was granted the exception in 2002.

“Today, the program in the Commission’s sights is The View,” ABC said in this week’s filing. “The principle in the balance is far larger: whether a federal regulator may override a broadcaster’s editorial judgment about whom to interview — a judgment the Constitution commits to broadcasters and their audiences, not to the state.”

Since the FCC opened its inquiry in late May, the agency has received more than 77,000 public comments — most in support of the long-running daytime talk show.

“While ABC insists that ‘The View’ is a ‘bona fide news program’ under the law, ABC should focus on complying with its public interest obligations, rather than misleading the public about them,” an FCC spokesperson said in a statement sent to The Times.

Separately, the FCC also took the unusual step of calling in the licenses of eight Disney-owned television stations for early review. The move — widely interpreted as an effort to chill the Disney network’s speech — came a day after President Trump demanded that ABC fire its late-night host Jimmy Kimmel over a joke about First Lady Melania Trump.

Losing the licenses for its stations, including KABC-TV Channel 7 in Los Angeles, would be a significant blow to the Disney-owned network.

Some conservatives, including Sen. Ted Cruz (R-Texas) have suggested the FCC actions are an overreach while others have encouraged the agency to come down hard on Disney.

“The Commission can take this opportunity to address multiple pending complaints against ABC related to its programming,” conservative lawyer Daniel Suhr, head of the Center for American Rights, wrote in his 65-page petition in support of revoking Disney’s licenses.

“The View,” which features Trump critics Whoopi Goldberg, Sunny Hostin, Joy Behar and Ana Navarro, helps make a case that Disney is running a partisan network, Suhr alleged in his documents.

“Democrats are featured on The View at an insanely high ratio compared to Republicans,” Suhr wrote, noting that at least a third of the show’s 348 guests in 2025 were liberals — including Sens. Bernie Sanders (I-Vt), Elizabeth Warren (D-Mass) and Cory Booker (D-N.J.). Meanwhile, two prominent conservatives, former Georgia Republican Rep. Marjorie Taylor Greene and actor Cheryl Hines, the wife of Health and Human Services Secretary Robert F. Kennedy, Jr., were featured last year.

Since Carr opened the review, the ABC show has avoided conversations with political candidates in competitive races leading up to this year’s pivotal midterm elections.

The show has continued its tradition of hosting politicians, though, including a highly rated interview last month with a Carr ally — Vice President JD Vance.

ABC has asked the FCC for a declaratory ruling on the status of “The View.” The network maintains that “The View” books politicians based on newsworthiness and not partisanship.

The network has run on-air spots urging its viewers to support the program by filing comments with the FCC.

“Big fan of the show. Hope my vote counts,” wrote one viewer, Wilson Vélez, in a comment filed with the FCC on Monday.

Another viewer, Patricia Pomeroy, wrote: “Freedom of speech, Freedom of speech, Freedom of speech.”

ABC’s filing noted that the program has kept the same format and focus on topical news events since its inception.

“What has changed is not the program but the political climate around it,” ABC said in the petition.

Disney’s filing, signed by attorney Paul Clement, commended the “robust response” from the public, saying the outpouring “represents laudable civic engagement of the kind the Commission should welcome given its statutory obligation to make decisions based on the public interest.”

The first appearance by Vice President JD Vance on ABC’s “The View” delivered the most-watched edition of the talk show since November 2024.

The June 16 program averaged 3.3 million viewers, according to Nielsen data. The figure was well above the average of 2.6 million viewers for “The View” in the 2025-26 season.

Vance appeared on the liberal-leaning program to promote his new book on his decision to become a Catholic. While the co-hosts mostly questioned him on the Trump administration’s policies on immigration and race, the discussion was cordial.

The panel of co-hosts — Whoopi Goldberg, Joy Behar, Ana Navarro, Sunny Hostin and Alyssa Farah Griffin — did not ask Vance to address the program’s ongoing tension with the Federal Communications Commission.

FCC Chairman Brendan Carr has questioned whether “The View” should have the status of news programs, which are exempt from giving equal time to the opponents of political candidates who appear as guests.

ABC has asked the FCC to rule on the status of “The View,” which received an exemption from the rarely enforced equal time provision in 2002. ABC has maintained that “The View” books politicians based on newsworthiness and not partisanship.

The FCC is currently taking comments from the public on the matter. ABC is running on-air spots urging viewers to support the program.

“‘The View’ has welcomed your favorite guests and covered the issues you care about for nearly 30 years,” the spot says. “Now the FCC wants to control who is allowed to appear on the show.”

The National Republican Senatorial Committee and the National Republican Congressional Committee submitted comments Monday, asserting that “The View” takes advantage of its exemption and favors Democratic candidates and permits “only rare appearances by Republican-aligned figures.”

ABC has told the FCC that “The View” has invited politicians from both sides of the aisle to appear on “The View,” including Health Secretary Robert F. Kennedy, Jr., Secretary of State Marco Rubio and entrepreneur Elon Musk. They have declined the invitation as did Vance before his appearance last week.

The letter from the GOP committees also cited the ideological leanings of the co-hosts, saying they are “not selected for their journalistic talent or excellence in commentary, but for their partisan tilt.”

Over the last two decades, “The View” has used five liberal hosts and filled one seat designated for a conservative voice. The right-leaning co-host role has had the most turnover.

“The View” has been the most-watched daytime program for the last nine years. As a live, topical program, it has remained an important media platform while the rest of the talk show genre has largely faded due to diminishing audiences.

Carr’s targeting of “The View” is part of his ongoing criticism of broadcast platforms that annoy President Trump, who has urged that TV station licenses be pulled when he’s been unhappy with coverage.

The Walt Disney Co. is rallying public support for ABC as it faces an early Federal Communications Commission review of its TV station licenses and the guest booking policy of its daytime talk show “The View.”

ABC began running spots Monday asking viewers to comment on the FCC’s recent actions that Disney sees as an effort to stifle speech seen as critical of President Trump. The president has repeatedly threatened to pull broadcast licenses of TV outlets that feature journalists and hosts he dislikes.

In April, the FCC called for an early review of the licenses for Disney’s eight broadcast TV stations, a day after Trump demanded that ABC fire late-night host Jimmy Kimmel over a joke about First Lady Melania Trump. Carr has repeatedly threatened to use the levers of power he has to punish TV and radio stations that irritate Trump.

The licenses for the TV stations, including KABC in Los Angeles, were originally scheduled for renewal between 2028 and 2031. Calling for an early review is highly unusual, but the agency said its related to an inquiry into Disney’s diversity, equity and inclusion policies and whether they violated federal anti-discrimination rules.

The FCC has not declined to renew a TV license since the early 1980s. With court challenges, such a process can take years to enact.

FCC Chairman Brendan Carr has also taken aim at ABC’s daytime talk show, “The View.” He publicly questioned whether the program should have the status of news programs, which are exempt from having to give equal time to the opponents of political candidates who appear as guests.

“The View” was granted an exemption from the rarely enforced rule in 2002. ABC’s Houston station KTRK filed a petition with the FCC in May asking for a declaration that the program can maintain that status.

“The Commission’s actions threaten to upend decades of settled law and practice and chill critical protected speech, both with respect to The View and more broadly,” KTRK-TV said in the filing.

ABC has maintained that “The View” books politicians based on newsworthiness and not partisanship. The program featured Vice President JD Vance last week, where he received a cordial welcome.

ABC’s message asking consumers to support “The View” amid an FCC investigation.

(ABC)

ABC is airing spots which warn viewers that the FCC wants to control what viewers see on “The View.” The message opens with the voice of legendary broadcaster Barbara Walters giving her introduction to the program she founded — “I had this idea for a show — different women, with different points of view.”

Walters is followed by an announcer who says, “‘The View’ has welcomed your favorite guests and cover the issues you care about for nearly 30 years. Now the FCC wants to control who is allowed to appear on the show.”

The spot says “the FCC is questioning our support to the community.” A QR code shows up on the screen that takes viewers directly to the FCC’s electronic comment filing system where they can submit their comments, which is regularly part of the agency’s review process.

Disney is also airing spots calling for support of its local TV stations, including L.A.’s KABC. The spots are customized for each ABC station market, emphasizing their commitment to local news coverage.

Disney did not comment on the campaign. But an executive not authorized to speak publicly about it said “ABC believes it is important for the public to know what is happening, what’s at stake, and how to engage directly in the process if they want to make their voices heard.”

Disney’s aggressive defense of its stations and “The View” are a stark contrast to its decision to settle a lawsuit filed by Trump over inaccurate statements ABC News anchor George Stephanopoulos made about a sexual assault civil suit the president lost in court.

ABC agreed to pay Trump $15 million in Dec. 2024 to end the legal fight — sparking an outcry among free speech advocates, who believed the network would have won the case.

ABC also caved In September, when Kimmel’s program was briefly pulled from the air after two major TV station groups refused to air it following the host’s comments about the murder of right-wing activist Charlie Kirk.

Disney received major blowback from the Hollywood community, where Kimmel is extremely popular. Data also showed the company experienced cancellations of its Hulu and Disney+ streaming services in protest of the move.

The stunning victory by the New York Knickerbockers over the San Antonio Spurs on Wednesday gave ABC the most-watched NBA Finals Game 4 since 1998, the year of Michael Jordan’s last championship with the Chicago Bulls.

Nielsen data showed an average of 20.9 million viewers watched the Knicks overcome a 29-point halftime deficit to top Victor Wembanyama and the Spurs 107-106 at Madison Square Garden, the greatest comeback in NBA Finals history. The Knicks have a 3-1 lead in the series and will play Game 5 on Saturday in San Antonio, attempting to win their first NBA championship in 53 years.

Through the first four games, the NBA Finals are averaging 19.6 million viewers, also the highest since the Bulls-Utah Jazz faced off on NBC in 1998. The series is on track to become the most-watched since the NBA Finals moved to ABC and ESPN in 2002.

“The match-up is ideal from a media business standpoint, featuring the nation’s largest media market with New York, teams with robust followings and multiple all-stars, especially Wemby, the compelling new face of the NBA,” said Lee Berke, president of LHB Sports Entertainment & Media, Inc.

The Knicks-Spurs series is up 116% over the first four games of last year’s match-up between the Oklahoma City Thunder and the Indiana Pacers. But the most encouraging numbers for ABC and ESPN is the growth among younger viewers, who have become harder to reach in the age of social media and streaming. Ratings among teens aged 12 to 17 are up 138% while the 18 to 24 age group is up 147%.

ABC is also seeing spikes in viewing among women, up 121%, and the Latino audience due to its large populations in the markets of New York and San Antonio, according to Flora Kelly, ESPN’s senior vice president for audience research.

Viewing in the New York market alone is accounting for 18% of the national audience.

Este Haim, Taylor Swift, and Mariska Hargitay react during the 2026 NBA Finals at Madison Square Garden on June 10, 2026.

(Al Bello / Getty Images)

In addition to delivering highly competitive games, the NBA Finals also had President Trump and pop superstar Taylor Swift in attendance at Madison Square Garden. Both are capable of turning a live TV event into a full-blown spectacle.

“What we’re seeing is that this Spurs-Knicks series is a tremendous cultural moment,” Kelly said.

Trump attended Game 3, making him the first sitting president to attend an NBA Finals. While Trump was a fixture at Knicks games before he entered the national political scene, some commentators, such as ESPN’s Stephen A. Smith, believed the president’s insistence on attending Monday’s contest became a distraction that disrupted the home team’s momentum. (The Knicks lost the game 115-111, ending the team’s streak of 13 consecutive wins).

Swift showed up for Game 4, joining “Law & Order: SVU” star Mariska Hargitay and the other celebrities that regularly show up court side at Madison Square Garden.

Walt Disney Co.’s ABC has filed renewal applications with the Federal Communications Commission “under protest” after an order mandating a years-early review of the network’s eight television station licenses.

The criticism was part of the network’s applications for the FCC review, which were filed ahead of a deadline Thursday. In an objection to the early renewal, Disney’s New York station WABC called the FCC order “unlawful, arbitrary and unconstitutional” and said it was “legally indefensible.”

“The Commission had not demanded early renewal in over five decades,” the station wrote in its filing. “And it has never before demanded simultaneous license renewal applications from a group of stations commonly owned with a network as it has here. The order has no legitimate purpose.”

The licenses for the eight ABC-owned TV stations, including KABC in Los Angeles, were originally scheduled for renewal between 2028 and 2031.

The FCC order came shortly after ABC late-night host Jimmy Kimmel made a joke about First Lady Melania Trump looking like an “expectant widow” days before a gunman tried to breach the White House Correspondents’ Assn. gala last month that President Trump attended.

Trump has frequently threatened to have TV station licenses pulled when he is unhappy with their coverage, but the order is the first time the government has acted on his wishes, sparking anger from free speech advocates. The FCC has said the order is part of an investigation into whether Disney’s diversity and inclusion policies violate federal law and the agency’s rules against “unlawful discrimination.”

In its response, WABC said the “only plausible reason” to issue the order was to “punish the station for speech the government does not like.”

“The ultimate injury here is not to the station or its parent company. It is to the public,” WABC wrote. “When a broadcaster must weigh regulatory retaliation before making editorial decisions, the public loses access to journalism that is free from government influence.”

FCC Chairman Brendan Carr said in a statement Thursday that Disney filed its applications to renew its broadcast licenses only after the company was told its previous answers were “disingenuous, deficient and improper.”

“Contrary to Disney’s claim that the FCC called in their broadcast licenses for early renewal for no reason, the record shows something very different,” Carr said. “Broadcast licensees have a unique obligation to operate in the public interest. The FCC will follow the facts and law wherever they may lead.”

FCC Commissioner Anna M. Gomez, the panel’s only Democrat who has backed Disney in its fight, cheered the Burbank media and entertainment company’s filing, saying in a post on X that she was “glad to see them expose the FCC’s actions as nothing more than naked political retribution and an unlawful assault on free speech and a free press.”

Times staff writer Meg James contributed to this report.

After a complete shakeup at CBS’ “60 Minutes,” ousted correspondent Cecilia Vega said she had been facing pressure to insert political bias into her stories and dealing with censorship.

“I very much fear what comes next for … the future of the legendary broadcast,” Vega said in a social media post on Thursday referring to “60 Minutes.”

Vega, who had worked at the newsmagazine for three years, was fired alongside the program’s executive producer, Tanya Simon, and fellow correspondent Sharyn Alfonsi, who notoriously clashed with CBS News Editor in Chief Bari Weiss over a segment on President Trump’s immigration policies.

The latest shakeup follows multiple controversial moves by Weiss, who’s set on remaking the institution long defined by tradition. She arrived at CBS News in October with no television experience, installed by Paramount Chief Executive David Ellison after he acquired her digital news outlet, the Free Press, with a mandate to change the network.

Ellison’s political intent has been brought into question as he owns CBS’ parent company. The billionaire and his father, Larry Ellison, built a friendly relationship with the Trump White House as Paramount’s acquisition of Warner Bros. Discovery still needs regulatory approval.

Ellison’s pronouncements that CBS News needs to move more to the political center has led to the perception that the network is trying to placate Trump with more positive news coverage, even as “60 Minutes” has remained tough with its White House reporting.

“Our responsibility is to preserve that legacy and vital mission by building a show that thrives in the 21st century,” wrote Weiss in her note to staff. “That requires a new approach: expanding ’60 Minutes’ beyond a one-hour television broadcast, deepening its role across CBS News.”

Vega claims, in her statement, that “in recent months, my producing teams and I have experienced efforts to insert political bias into our stories.” She also said that reporting teams are holding back on submitting specific story pitches, due to the “fear of the internal repercussions.”

“Let’s call this what it is: censorship, both imposed and self-driven,” Vega wrote. “It is dangerous for the show and dangerous for democracy.”

She said that in working at “60 Minutes” she’s had to keep stories rooted in fact and away from “questionable editorial suggestions.”

“I know from many conversations with colleagues that many producing teams and correspondents working on the show today have had to fight to maintain editorial independence with regularity,” Vega said. “I am far from the only ’60 Minutes’ correspondent who has asked herself, ‘What is my personal red line? How much can I push back before I pay the price?’”

In a statement, a CBS News representative said, “We respect Ms. Vega and her contributions, but her claims are not based in reality.”

Vega joined the newsmagazine in 2023, becoming the program’s first Latina correspondent. Before that, she worked for over a decade at ABC as the network’s chief White House correspondent and co-anchoring “Good Morning America.”

Several journalists like ABC’s John Quiñones and former Univision anchor Jorge Ramos offered words of support for Vega’s remarks. Quiñones commented, “Journalism is stronger because of your voice, your courage and your story-telling, Cecilia,” and Ramos wrote in Spanish that he respects and admires her.

Comedian Conan O’Brien will return to host the 99th Academy Awards set for March 14.

O’Brien, known for his self-deprecating humor, emceed the Oscars this year and in 2025.

“Conan has created remarkable energy around the Oscars,” President of Disney Television Group Craig Erwich said in a statement Tuesday announcing O’Brien’s return. “His singular comedic voice makes Hollywood’s biggest night one of the most entertaining celebrations of the year. We’re proud to welcome him back and look forward to what he and the producing team deliver next.”

Raj Kapoor and Katy Mullan are set to return as the show’s executive producers for the fourth consecutive year.

Major changes are in store for the entertainment industry’s biggest night.

Starting in 2029, the Oscars will move from Hollywood’s Dolby Theatre, its home for nearly a quarter century, to the L.A. Live in downtown Los Angeles. The ceremony will also stream on YouTube, ending a five-decade run on ABC, beginning that year.

Oscars viewership has been in flux as younger audiences prefer to view clips of the ceremony on social media, rather than on television.

ABC’s telecast of the 2026 ceremony averaged 17.9 million viewers, down 9% from the previous year, when it garnered 19.7 million viewers. Ratings for the Oscars reached an all-time low of 10.5 million viewers in 2021.

Academy of Motion Picture Arts and Sciences Chief Executive Bill Kramer and President Lynette Howell Taylor announced the news at its upfront presentation Tuesday.