abbey

Jelly of the Month Club helped Snoopy’s Legendary Rooftop Concert go viral with their Ozzy tribute

Thundering drums and shredding guitar solos cut through the crowd as pyrotechnics and streamer cannons blast. The energy and production feel like a show at the Hollywood Palladium or the Forum, but we’re at Knott’s Berry Farm, on the rooftop of a big red doghouse — that is if we can suspend our disbelief for an evening. The educational rock band Jelly of the Month Club along with guest musicians Charlie Brown, Lucy, Schroeder and Linus set up the show’s finale with a question: “Where’s that crazy dog?” Hundreds of fans scream as “All aboard!” resonates through the park, watching in anticipation as a spotlight searches for its fuzzy rock ‘n’ roll star to emerge.

Chances are you’ve seen Snoopy dressed as Doggy Pawsbourne on your Instagram or TikTok feed, complete with Ozzy’s signature round sunglasses, long hair and trench coat, punctuating the Prince of Barkness’ “Crazy Train” entrance. Snoopy’s Legendary Rooftop Concert became an instant hit with park patrons and with fans internationally thanks to a viral video posted on opening night. Sharon Osbourne shared the “Peanuts” tribute to her late husband with the all caps message “I LOVE IT” to her social media from the floor of the 68th Grammy Awards. But it’s more than witty puns and costumes that make Snoopy’s Legendary Rooftop Concert special.

The show at Knott’s tells the story of Snoopy learning to be a rock star at Jelly of the Month Club’s Music Academy and touring the world with the band. Snoopy takes on fursonas like Dog Lennon, Paw Prince, Fido Mercury, Flying Ace Freely and even a lost member of Devo wearing the signature Energy Dome hat. Jelly of the Month Club hits every beat and chord with precision, with arrangements of songs and medleys that bring together the power of rock’s past with the whimsy of “Peanuts.” Woodstock gets a solo moment too, whistling on Dog Marley’s “Three Little Birds,” set to a perfect one drop beat as Charlie Brown spirals out in a chicken suit while rubber chickens sway.

“We got rows of kids bringing their own rubber chickens,” show director Rob Perez tells me. “Its almost like watching ‘Rocky Horror’; kind of bizarre, really funny, and charming.” When Charles Schulz’s daughter Jill came to see the show, she told Perez that her dad used to say “there’s nothing funnier than a rubber chicken.”

Snoopy as Doggy Pawsbourne at Knott's Berry Farm

Snoopy as Doggy Pawsbourne at Knott’s Berry Farm

(Dick Slaughter)

It makes sense that rock ‘n’ roll appeals to Snoopy; he’s a bit of an outsider with an internal life seen by almost none of his friends. It makes more sense that the feeling of family promised by rock touring life would appeal to Charlie Brown; it often calls to creative dreamers and outcasts with a subconscious need to belong. Schulz explored why all humans have the feeling people don’t like us in his cartoons and admitted that Charlie Brown was loosely based on himself. “People who win are the minority,” he told BBC in 1977, “most of us lose a lot.” The solution he provided to overcoming life’s most difficult conditions was simply to never give up.

Nobody cheers on Charlie Brown in Snoopy’s Legendary Rooftop Concert more than Jelly of the Month Club guitarist and vocalist Michael De La Torre, a.k.a. Mic Dangerously, who has become accustomed to encouragement working with youth. Active since 2013, Jelly of the Month Club is a family-friendly band who use music to inspire, educate and entertain kids and adults. It has played countless elementary schools, children’s hospitals, civic events and theme parks with interactive songs that teach musical concepts and life lessons. The band also offers free online lessons called the Jelly of the Month Club Music Academy, which turned live gigs into cartoon-based educational games. The band members have partnered with nonprofits including UNICEF’s Kid Power initiative to provide concerts to schools across Southern California, often donating their time.

“Studies say music helps with math, English and science, but it also helps you as a person,” Dangerously says. “It helps you understand feelings better. Look at how adults use music therapeutically. Kids are doing just the same.”

Dangerously first recognized the power of music education as a young boy at St. Pius elementary school in Buena Park, when a man with a bushy mustache and a Hawaiian shirt quieted the boisterous students in seconds with only an acoustic guitar. But hearing Louis Prima’s voice in “The Jungle Book” solidified his desire to become a singer.

Playing at Knott’s has forged meaningful connections to the community in ways Dangerously never foresaw in his early rock ‘n’ roll days. He’s become close to a father and his usually nonverbal son who can’t keep quiet at shows, asking questions and singing along. Last year an older woman who he’s built a friendship with for years suddenly disappeared. Dangerously learned from her daughter and granddaughter that she suffered a stroke. She credits singing and dancing to his music at Knott’s as instrumental in recovering her speech and movement. “She told me that she loved me like a son,” Dangerously says. “I’ve never had anything like that happen with my rock band. It makes you really want to show up.”

On the night The Times experienced Snoopy’s Legendary Rooftop Concert, Dangerously’s biggest fan, Abbey, stood in the front row playing a light up tambourine above her head to “The Blooz Beagles,” wearing a head-to-toe matching outfit to him. In her sequin blazer, red pants, black boots, bow tie and wide-brim hat, the 11-year-old mirrored his musical gestures, never missing a beat. Abbey loves “everything” about the music and dancing she tells me, excited to share that Mic personally gave her the tambourine and a few other instruments too.

Crowd at Jelly of the Month Club show at Knott's

Crowd at Jelly of the Month Club show at Knott’s

“They’ve known her since she was 3,” says April Guerrero, Abbey’s supportive mom who has helped her daughter make replicas of Jelly of the Month Club’s looks since 2017. Abbey learned to play music because of the band’s online resources.

“Many of us have a background in education,” Dangerously said. Matt Kalin is a teacher and pro saxophonist who has shared the stage with legends like Social Distortion and Louis Bellson. Dr. Todd Forman is a practicing physician who went to Harvard, taught at USC, and played sax with Sublime. Bassist James Kee is an educator who has taught kindergarten through fourth grade for the last 15 years. Dangerously’s own mom was an art teacher who encouraged him to teach after he finished his audio engineering degree at Musicians Institute, something he’s used in a junior producer’s course he created for an after-school program in Long Beach.

Like the members of Jelly of the Month Club, director Rob Perez is a multi-instrumentalist and producer with a deep reverence for classic rock and Charles Schulz cartoons. Perez is the man responsible for turning Snoopy’s Legendary Rooftop Concert from a dream into a reality. The concert grew out of a 2017 show called Woodstock’s Music Festival. When Snoopy walked out as Jimmy Hendrix, the crowd went wild, and Perez’s boss and Knott’s fans wanted more.

“The Rooftop Concert is a little bit of a nod to the Beatles, but it’s much more about Snoopy’s rooftop,” Perez tells me. “When you see Snoopy as the great writer, or the World War I Flying Ace, it’s always on the roof of his doghouse. So why wouldn’t he be a rock star on his rooftop?”

Knott’s rebrand of the show let Perez incorporate more storytelling, a task he shared with Jelly of the Month Club. The show opens with Snoopy traveling from his fictional cartoon town to a rehearsal where Dangerously gifts him a tambourine to join their jam. He sends Snoopy home with a pile of records which he listens to obsessively in his doghouse, a relatable experience for fans who have found solace and inspiration in old LPs, hiding out like Snoopy with pizza, root beer, and the complicated dream of leaving the only place you’ve ever called home to follow music’s call. Snoopy dons a leather vest, proclaims he’s a “Golden Dog,” and runs away from home to take lessons at Jelly of the Month Club‘s Music Academy and tour the world. After receiving criticism in the recording studio about his howl, Snoopy finds himself missing his best friend Charlie Brown. He asks the Peanuts Gang to team up with Jelly of the Month Club for one final performance on top of his doghouse, legendary enough to land them in the Rock and Roll Hall of Fame.

Perez’s writing and producing shares the attention to detail present in Jelly of the Month Club’s approach to the music. Perez had the honor of voice acting for Snoopy. He digitally re-created a technique he learned from researching Bill Melendez’s 1960s approach in which he recorded barks and grumbles directly to reel-to-reel tape, sped it up, then cut and pasted it randomly to create Snoopy’s signature pentameter-less cadence. Perez worked closely with costume designer Tim Barham, creating every wig, accessory, and costume with exacting detail. The storyline and graphics pay close attention to “Peanuts” lore and rock ‘n’ roll film history, with Easter eggs from “La Bamba,” “Rocketman,” “This Is Spinal Tap,” “Almost Famous” and many others hidden throughout the 30-minute show.

“We don’t try to change the Peanuts from who they are,” Perez says. “We have to bring Charlie Brown along as he constantly fails at being a rock star. We have to give him a shot and prop him up, because he’s usually on the ledge. We bring him back. That’s been the premise of many Peanuts TV specials and movies.”

Mic Dangerously with Snoopy at Knott's

Mic Dangerously with Snoopy at Knott’s

(Dick Slaughter)

Jelly of the Month Club’s original song “The Magic Is in the Music” meets Charlie Brown where he’s at, encouraging him to take on the challenge of becoming a guitarist. As he fumbles with his out-of-tune Flying V, looking ready to shred in a thrash band, the crowd cheers for his success despite his self-doubt. When Charlie withdraws during the Elton John number, Dangerously responds by saying that that music can be a safe place when you’re feeling lost, saying “Charlie Brown, you are home.”

“We’re out there singing we ‘want to bark and howl all night’ but we’re teaching Charlie Brown and Snoopy is that it’s not just about your clothes, it’s about what’s in here,” Dangerously says, touching his heart. “It’s important not to take yourself too seriously. We’re showing that it’s OK to have fun. And that silliness is a big, important component of rock and roll.”

This spirit is the core of Snoopy’s Legendary Rooftop Concert on stage and on the floor. At the show I see a sea of grandmas shaking babies’ fists in the air, a little boy in a Woodstock hoodie headbanging, rockers in studded vests with huge smiles on their faces, and teenagers momentarily dropping their defenses against cringe in exchange for a moment of sheer joy.

Hanna and Ellie, teens from South Gate and Silver Lake, respectively, can’t contain themselves, pogoing, screaming and singing along. “I’m at a loss for words,” Hanna says, giggling. The girls agree that the show was better than they expected.

On Snoopy’s rooftop everyone is a rock star: Abbey, a rubber chicken and even Charlie Brown.

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6 best desert books to read: Essential Southwest literature

Reading List

Reading List

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The word “desert” suggests barrenness for many, but anyone who lives in or near one knows how rich, wild and complex it can be. That’s equally true of the best books set there. The winter months are the best time to travel to the desert — but tucking into one of these titles is timeless, of course. Here is a brief selection of some of the best desert reads, old and new, that put the Southwest at their center. Whether you’re planning a road trip or reading from the comfort of home, get a glimpse of awe-inspiring vistas, rugged wildlife, tales of resilience and more.

"The Land of Little Rain" by Mary Austin

“The Land of Little Rain”
By Mary Austin
Penguin Classics: 128 pp., $17
(1903; reprint 1997)

Arguably the first collection of lyrical essay writing about the California desert, Austin drew on her travels through the Owens Valley and environs, covering mining, the Shoshone tribe, weather and water. The book is thrilling in Austin’s close attention to details, from the grasses to rivers and hard-trod trails. Here, she writes, “it is possible to live with great zest, to have red blood and delicate joys.”

"Desert Solitaire: A Season in the Wilderness" by Edward Abbey

“Desert Solitaire: A Season in the Wilderness”
By Edward Abbey
Ballantine Books: 352 pp., $10
(1968; reprinted 1985)

Chronicling his stint in Utah’s Arches National Park in the late ‘50s, Abbey’s bestselling memoir revealed the beauty and fragility of the Southwest to a wider American audience, depicting the punishing weather and awe-inspiring vistas while thundering against the masses of lookie-loos driving into the desert only to despoil it. It’s often likened to “Walden,” but Abbey’s flinty, darkly humorous voice gave Western literature a tone distinct from East Coast gentility and folksy cowboy writing.

"Desert Oracle: Volume 1: Strange True Tales From the American Southwest" by Ken Layne

“Desert Oracle, Volume 1: Strange True Tales from the American Southwest”
By Ken Layne
Picador: 304 pp., $20
(2021)

Part handbook, part folklore collection, part tribute to the Southwest, Layne’s entertaining chronicle is built on brief chapters about the outlaws, writers, singers and other characters who define the region’s hardy reputation, from the path of Western swing musicians from Texas to L.A. to UFO conspiracists who convene in New Mexico, the Manson family’s trek to Death Valley, and beyond.

"The Deserts of California: A California Field Atlas" by Obi Kaufmann

“The Deserts of California: A California Field Atlas”
By Obi Kaufmann
Heyday, 576 pp., $55
(2023)

Kaufmann’s lavishly illustrated field guide to the state’s arid regions is wide-ranging both geographically (from the Great Basin to the north and the Sonoran and Mojave to the south) and in terms of the species covered, from bats to bobcats and chias to palo verdes. It’s built for both the backpack and end table, with detailed descriptions alongside pleas for the land’s preservation.

"Mecca" by Susan Straight

“Mecca”
By Susan Straight
V: 384, $19
(2022)

A contemporary epic set in the Imperial Valley, Straight’s novel is a cross-section of desert denizens — a motorcycle officer, a Palm Springs spa employee, a family rocked by a police shooting — set against the demands of desert life. Encompassing COVID-19 and wildfires, it speaks to the present while exploring the region’s long history.

"Mojave Ghost" by Forrest Gander

“Mojave Ghost”
By Forrest Gander
New Directions, 80 pp., $16
(2024)

“In this xeric topography / we fold ourselves into the circumstance of desert foothills / chewed away by leprosies, toothed winds, and / sudden rains,” writes the Pulitzer-winning poet Forrest Gander in this book-length poem about his hike across the 800 miles of the San Andreas Fault after the deaths of his wife, poet C.D. Wright, and mother. Though the writing is informed by the starkness of the landscape, he writes beautifully about the desert’s healing powers.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

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Abbey Clancy reveals her sexy Valentine’s Day strip for Peter Crouch was epic failure after ‘worst surprise ever’

A SAUCY Valentine’s Day strip model Abbey Clancy had planned for her hubby Peter Crouch was dashed when he invited a chef to their home to cook for them.

The 40-year-old dressed in skimpy underwear and covered up with a mac, intending to make a big reveal.

Abbey Clancy reveals her sexy Valentine’s Day strip for Peter Crouch was an epic failure after the ‘worst surprise ever’Credit: Agent Provocateur
Abbey said Valentine’s nights indoors can be romantic too and couples should not feel pressure to always have a great meal out on February 14Credit: Getty

But she was forced to swelter under the coat when the former Liverpool, Spurs and England striker arrived with the chef.

Abbey said: “That was the worst surprise ever because I got a gorgeous outfit from Agent Provocateur and just put it on with a coat on top.

“And Pete was like ‘Surprise! We’ve got a chef’.

“So I had to just wear my coat for the whole dinner — at home.

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“I had to wear my coat for the whole meal in my own house.

“And I was literally sweating because I was so worried.”

Asked if she was in a Burberry Mac, Abbey said: “Yeah, I was.

“That was highly embarrassing.

“And he kept asking ‘Aren’t you hot in that coat?’”

Peter, 45, eventually cottoned on to why Abbey would not remove her coat but by then was helpless to ask the chef to leave because it would have appeared rude.

He said: “He wouldn’t go away as well.

“You know when they come over and they want to explain the meal.

“It’s like ‘p*** off mate, will you’.”

Mum-of-four Abbey said Valentine’s nights indoors can be romantic too and couples should not feel pressure to always have a great meal out on February 14.

She added on their Therapy Crouch podcast: “That is nice, to stay in.”

It was not the first time Abbey had tried to woo Peter using the same tactic — although last time she was a bit more successful.

In November 2003 she told The Sun how she lured Peter home from training by picking him up in a car while wearing only a Burberry mac.

He said her teasing tactic “worked very well” — but that he is also very easily pleased.

Peter said: “It’s easy to surprise me.

“If I came home and you had no clothes on, it’d be the best surprise ever.

“It’s so simple and I’ll be so happy.

“I’m just being honest.”

Abbey shared this sizzling snap in racy lingerieCredit: @gregwilliamsphotography/Agent Provocateur/Instagram
Abbey strikes a pose and smoulders in this red underwearCredit: @gregwilliamsphotography/Agent Provocateur/Instagram
Abbey shows off her toned figure in this stripy bikini on the beachCredit: instagram/abbeyclancy

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Downton Abbey icon’s ‘thrilling’ period drama based on bestseller now streaming

The Netflix period drama is based on a beloved classic Gothic novel of the same name.

Enthusiasts of period dramas might be missing out on a Netflix treasure that’s adapted from one of literature’s most cherished classics.

This thriller, praised as “gripping from beginning to end”, features a beloved Downton Abbey star alongside a celebrated actress from Slow Horses.

Rebecca, which debuted on Netflix in 2020, draws from Daphne Du Maurier’s renowned thriller bearing the same title.

The 1938 Gothic masterpiece remains a timeless favourite due to its compelling themes and jaw-dropping plot twists, proving the tale continues to mesmerise audiences nearly a century on.

This bestselling novel has seen numerous adaptations throughout the decades, with Alfred Hitchcock’s Rebecca claiming the Academy Award for Best Picture in 1940.

The latest interpretation comes from director Ben Wheatley’s Netflix production, showcasing performances from Call me by Your Name’s Armie Hammer, Lily James and Kristin Scott Thomas.

James gained recognition portraying Rose in Downton Abbey, Young Donna in Mamma Mia! Here We Go Again and Pamela Anderson in Pam and Tommy.

Meanwhile, British theatrical icon Kristin Scott Thomas is renowned for her roles as Diana Taverner in Slow Horses, Fiona in Four Weddings and a Funeral and Sylvia McCordle in Gosford Park.

The IMDb synopsis for Rebecca states: “A young newlywed arrives at her husband’s imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives on in the house long after her death.”

Rebecca holds a disappointing 37% rating on Rotten Tomatoes, though based on viewer feedback, many believe the film deserves far greater recognition, reports the Express.

Enthusiasts flocked to the comments section to voice their opinions, with one declaring: “This movie gripped me from beginning to end. I couldn’t look away, and I didn’t see anything coming. You think you know what the movie is about, then there is a twist, and the whole thing takes a left turn you didn’t see coming.”

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Another viewer exclaimed: “ABSOLUTELY LOVED IT! ! !” before adding: “Nothing can touch the original masterpiece however this film, in many ways, is faithful Du Mauriers cunning flip of stereotypes.”

A third fan wrote: “Loved the thrill, love story, period views, so well made I would watch it again,” whilst another concurred: “Loved the book and this version of it in film. Have watched I many times. Great cast and acting.”

Additional supporters praised how the timeless novel had been transformed for Netflix, with one suggesting: “If you’ve read Rebecca and it’s a beloved novel to you, this movie is amazing. A great rendition.”

Another viewer expressed bafflement at the film’s critical mauling, writing: “I don’t understand all the bad reviews for Rebecca. I loved the new adaptation. I especially loved the costumes and filming locations. Lily James does a wonderful job.”

One supporter declared: “Excellent twist on a classic thriller! I am not sure why this doesn’t have better reviews but it is well worth your time,” whilst another concurred: “This movie is a stunningly faithful adaptation of Daphne du Maurier’s classic novel.”

A further enthusiast gushed: “What a ride! ! ! This genre bending thriller will take you on the wildest roller coaster of your life. The next time someone asks me what my favorite movie is, I’m saying Rebecca.”

They added: “This movie surpassed my every expectation. Here I was, sitting on the couch expecting some lame romance but nope! ! I am going to pass this movie down through generations of my family.”

Yet not everyone shared the enthusiasm, with one viewer noting: “Bland to the point of boring.”

Another complained: “What was an interesting, suspenseful book with hints of psychological thriller in it became a vapid, rushed, and bland movie that sapped two hours of my life. If you like your movies to stick to the plot of your books, avoid this.”

A third grumbled: “As much as I love the actors and actresses in this movie, nothing about it really had me enjoying the film. The clichés were handed out like appetizers and the plot of the film was all over the place. Wasn’t a fan.”

Nevertheless, considering all the glowing feedback from fans despite the film’s disappointing Rotten Tomatoes rating, Rebecca might well be regarded as an undervalued gem.

Rebecca is available to stream now on Netflix.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

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Charming village with stunning cottages and historic abbey

This village is a hidden gem of a holiday spot, perfect for nature lovers and those who want to escape the hustle and bustle of city life with walks through the North York Moors

When it comes to villages, this Yorkshire treasure, nestled 20 miles from York, offers picture-postcard perfection with its honey-hued stone cottages and undulating countryside.

Coxwold attracts many visitors who embark on walks and cycling routes across the North York Moors, amongst England’s most breathtaking expanses of open landscape.

Stunning woodland, waterways and lush heather moorland encircle the village, providing ample opportunity for exploration as you pass through and pause here.

Upon arriving in the village, the striking 15th century church of St Michael’s immediately catches the eye, perched atop a hillside – making for a delightful stroll.

Once you reach the summit, panoramic vistas of the village sprawl before you in all its cobbled magnificence.

The Fauconberg serves as the village’s focal point, a pub catering to both residents and visitors in a classic Yorkshire establishment atmosphere, offering wholesome, satisfying meals.

It doubles as a well-established inn featuring the cosiest log fires, timber beams and stone-flagged floors, providing the perfect retreat following a day of exploring.

One diner posted their review on TripAdvisor, saying: “Sunday lunch was very tasty with generous portion sizes. The service was quick, efficient and very friendly. I would thoroughly recommend a meal here in this lovely pub/restaurant. We will definitely be returning.”

A delightful way to spend time here is by strolling from the village through the Beacon Banks to Husthwaite – a straightforward route with minimal effort required.

It’s recommended that you leave your car on the main street, walk past the church for half a mile until you spot a footpath on your left, where your journey commences.

Each village boasts a pub, making them ideal refreshment stops, whilst the true highlight of the trek is the mile and a half stretch along Beacon Banks, providing breathtaking panoramas.

Your return to Coxwold winds through serene countryside, completing what should amount to a three and a half hour ramble covering five miles.

Nearby sits the magnificent Byland Abbey, formerly celebrated as one of the most significant Cistercian monasteries in the north and still stands at great height.

The ruins identify it as amongst the earliest examples of Gothic architecture in the area, featuring remarkable medieval floor tiles that earn it international recognition.

At the location, visitors can explore the museum, which contains countless artefacts discovered on the grounds. Alongside these are exquisite illustrations offering deeper understanding of monastic life before its dissolution.

One recent visitor shared: “Absolutely blown away! English heritage site which was free admittance. We spent over an hour exploring this stunning 12th-century church, nothing was out of bounds and a real feel for this wonderful construction. Car parking was free and opposite the church.”

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