80s

Annabel Schofield, a model who was a fixture in 1980s L.A. nightlife and landed a guest-starring role in the 11th season of the CBS series “Dallas,” has died after a battle with cancer that spread to her brain. She was 62.

Schofield died Saturday in Los Angeles, according to the Hollywood Reporter, which confirmed the news via model and designer Catalina Guirado.

“I hate asking for help,” she wrote in December on a GoFundMe campaign she organized apparently out of necessity. “I’ve done it so much, but I have no choice. I have no other means of support. The small amount I was left by my dad has gone a long time ago, and any unemployment I was due was eaten up by the pandemic. I know begging for help is not sustainable in the long term, but I’m praying this ENT doctor will be able to remove this large tumor and I’ll finally be able to get back to a normal life, and to start working again.”

The final update was from Jan. 18, after she had emergency surgery to remove that tumor, and her mood was one of momentary relief. Boldface names donating to the cause included composer Hans Zimmer, singer-songwriter Donovan Leitch and actor Lisa Edelstein.

Born in Llanelli, Wales, on Sept. 4, 1963, she was the daughter of movie producer John D. Schofield, whose credits included “As Good as It Gets” and “Jerry Maguire.” Schofield started modeling in London, a city she later described to Mirror80 as being on the cutting edge of 1980s fashion with “the New Romantics, the tail end of punk, Vivienne Westwood, Katharine Hamnett, Body Map, Buffalo style … and all the resulting street styles.”

“[I]n London we ALL dressed up, both boys and girls all the time; especially for the clubs,” she told the retro-style outlet in 2012. “I really miss that sartorial creativity. Now it seems that girls just want to show as much flesh as possible.”

She worked with brands including Versace, Yves St. Laurent, Revlon, Avon and Levi’s, according to a biography posted in connection with a novel she wrote, and appeared on more than 60 magazine covers and in more than 120 TV commercials.

Schofield gained international recognition for a late ’80s jeans commercial that had her speeding through the desert in a black Ferrari, then screeching to a stop after spotting a strapping young man standing on the side of the road in jeans and a white T-shirt. Rolling down the passenger-side window, she said, “Excuse me. Are those Bugle Boy jeans you’re wearing?” Getting an affirmative answer, she told the man, “Thank you,” then rolled up her window and sped away, leaving him in the dust.

At the height of her modeling career, THR said, Schofield up and moved from London to L.A. She landed that “Dallas” guest-star gig in 1988. It was only her second acting credit, after a 1982 role in a movie about an adventurer who frees an aquatic monster that forces locals to sacrifice virgins. That movie, “Bloodtide,” was executive produced by her father.

As Laurel Ellis in the nighttime drama, Schofield entranced Clayton Farlow, played by Howard Keel. But there was no romance between their characters: In one episode, Laurel told matriarch Miss Ellie (Barbara Bel Geddes) — who would later marry Clayton — that Clayton was “almost a father figure” to her, and she had simply been trying to show him “what a wonderful man” he was. “Nothing ever happened between us,” Laurel told Miss Ellie.

Off the set of the hit series, “L.A. was having a moment” at that time, event producer David Rodgers told The Times in 2006. “Melrose Avenue was cool, Helmut Newton was out every night with Annabel Schofield, Greg Gorman, Herb Ritts, Sandra Bernhard, Barbara and Timothy Leary and Tina Chow. We saw a different mix then; it wasn’t just about celebrities. No one wore designer clothes. It was about, ‘Are you cool now?’”

Schofield’s other acting credits included lead roles in 1996’s “Exit in Red” with Mickey Rourke and “Midnight Blue” (1997) with Harry Dean Stanton and Dean Stockwell.

After the turn of the millennium, Schofield went behind the camera as a producer for several projects. She also worked as her father’s assistant on movies he executive produced including “The Brothers Grimm,” “Doom” and “How Do You Know.” The last was written and directed by James L. Brooks and starred Reese Witherspoon, Paul Rudd and Jack Nicholson.

She formed her own boutique production company, Bella Bene Productions, in 2010, and into September 2022 the company was working on short films, events and fashion campaigns, according to Schofield’s posts on Facebook.

That novel she wrote, by the way, was “The Cherry Alignment,” released in late 2013. The semi-autobiographical story “follows the roller-coaster life of the witty, uninhibited and gorgeous Angelika Douglas; a legendary ’80’s supermodel, actress and full-time bon vivant.” Amazon has it filed under “Erotica,” in the “Humorous” sub-category.

Schofield’s friends remembered her fondly, leaving tributes on Instagram over the weekend.

“She was beautiful inside and out: a model, actress, producer, animal lover, warm and weird in the best way possible,” writer and friend Merle Ginsberg wrote Sunday on social media. “She will be so missed. But at least she won’t suffer anymore.”

“RIP Annabel Schofield — an old friend and a truly gifted, beautiful British actress and top model whose career in print, television and film took her from the UK to Hollywood,” British TV producer, journalist and entertainment personality Sean Borg wrote Sunday. “You fought so hard, Annabel. You had such a special light about you. You will be missed by so many. Fly high and rest in peace.”

A TRAILBLAZING 80s supermodel who starred alongside TV titan Larry Hagman in Dallas has died aged 62.

Annabel Schofield – once one of the defining faces of Britain’s style revolution – passed away on February 28 in Los Angeles following a battle with cancer, it has been confirmed.

The Welsh-born beauty became synonymous with the bold, rule-breaking glamour of 1980s London.

At the height of her fame, she was represented by London’s powerhouse Take Two Agency and became a cover girl sensation.

She fronted hundreds of fashion magazines and landing major campaigns for Yves Saint Laurent, Rimmel, Revlon and Boots No. 7.

Her international breakthrough came in unforgettable fashion – roaring through the desert in a black Ferrari for a Bugle Boy Jeans TV advert before delivering the now-iconic line: “Excuse me, are those Bugle Boy jeans you’re wearing?”

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She later crossed into primetime television, playing Laurel Ellis opposite Larry Hagman in the hit US soap Dallas – cementing her place in pop culture history.

Melissa Richardson, former owner of London’s Take Two Agency, paid tribute in an emotional statement.

“She was one of David Bailey’s favorites and appeared in countless shoots for Italian Vogue. She was the forerunner of Take Two without her, we could never have made it as we did.

“We loved her because she was funny and real and beautiful and down to earth. She never changed from the sweet little 17-year-old Welsh girl I first met.

“She was directly loyal, caring, and above all, a raging beauty. She knew her craft. She was the best.”

Born on September 4, 1963 in Llanelli, Wales, Schofield was trained in the art of the silver screen.

Her father was British film production executive John D. Schofield – a powerhouse behind major box office hits including Romancing the Stone, Jerry Maguire and As Good as It Gets.

At the height of her modelling fame, Schofield made the bold move to Los Angeles – and swiftly landed a coveted role in 12 episodes of Dallas, playing Laurel Ellis opposite Larry Hagman’s legendary oil tycoon J.R. Ewing.

She starred as Alex Noffee in Solar Crisis alongside screen icon Charlton Heston, and went on to appear in Dragonard and Eye of the Widow.

In later years, she quietly built a formidable career behind the scenes, working in production on major films including The Brothers Grimm, Doom and City of Ember.

In 2010, she launched her own Burbank-based company, Bella Bene Productions, carving out a new chapter as an executive producer.

She developed commercials, music ventures and high-end fashion projects.

Schofield formed a creative partnership with director and graphic artist Nick Egan – famed for his work with music royalty including The Ramones, The Clash, Duran Duran and Oasis.

The beauty also collaborated with celebrated photographers Andrew McPherson, Ellen von Unwerth and Michael Muller.

She served as a producer alongside photographer Will Camden on the striking 3D Guerlain campaign starring Angelina Jolie.

SHE was the biggest pop star of the 80s yet looks younger now than when she shot to fame.

Fans are baffled by how youthful Taylor Dayne looks at 63 years of age.

Taking to her Instagram page this week, the stunning singer who shot to fame with her beloved single Tell It To My Heart, looked half her age as she posed in a raunchy outfit.

“I had such a fabulous time on stage in Seattle last night! What a great start to my weekend of performances,” she penned in the caption of the post.

In the slew of snaps she shared, Taylor looked so youthful with clear, smooth skin and a tiny waist.

One person commented, “Forever beauty.”

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Another swooned, “THE MOST GORGEOUS HUMAN.”

“Goddess,” added a third, while a fourth gushed, “Icon.”

“Wow. She looks amazing! Good for her,” penned a fifth.

And a sixth said, “Not aged a bit.”

Meanwhile, others were left baffled by just how ageless she looks.

“I’m confused. You look so different here,” said one.

“Too many filters. You don’t need them….” added a second.

While a third penned, “This is not Taylor Dayne. Looks nothing like her.”

And a fourth said, “Why does she look like Beyonce?”

Taylor is a singer, songwriter, and actress who became a pop icon in the late 1980s.

She is known for her powerful and strong vocals, and rose to fame with her debut single Tell It to My Heart.

Across her glowing career she has sold 75 million albums and singles worldwide.

She has a slew of shows throughout the year, with her set to take to the stage next in April.

The singing sensation grew up in New York and has never been married.

She has two children who were born via surrogate in 2003.

AN iconic American actress looks completely unrecognizable after a string of legendary roles and an Oscar nomination.

The star first shot to fame in 1983 as she appeared in Scarface playing Al Pacino’s character’s sister, Gina Montana.

She starred in many huge movies back in the 80s and 90s – can you guess who?

The actress in question is none other than brunette bombshell Mary Elizabeth Mastrantonio, who has enjoyed an incredible career as a movie star.

Mary has recently been spotted out and about and she looks completely different to back in the day.

The 67-year-old has obviously moved on from her famous 80s curls and has opted for a more natural look often going to events makeup free.

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Mary’s style is incredibly chic, with the actress often donning shirt’s and over sized blazers.

Years ago, glamourous Mary was often seen on red carpets wearing floor length gowns and posing with her A-lister pals.

Many of Mary’s fans may recognise her from Robin Hood Prince of Thieves, where she played Maid Marion – a spy.

While Mary is probably best known for her role in Scarface she also appeared in the 1986 movie The Colour of Money, playing Carmen, which landed her the coveted Oscars Best Supporting Actress nomination.

Paul Newman and Tom Cruise appeared alongside the star in the movie, which also saw her nominated for a Golden Globe.

Her other movie roles include James Cameron’s science fiction, The Abyss with Ed Harris, she played the attorney daughter of Gene Hackman‘s character in Class Action, co-starred in the 1992 thriller Consenting Adults and played a fishing boat captain in The Perfect Storm.

The singer was also nominated for a Tony award for Best Actress in a musical back in 2003 for her work in Man of La Mancha.

As well as her impressive career as a movie star, Mary also appeared in many TV shows, the most notable being Without A Trace and Law & Order: Criminal Intent.

Mary was born in Lombard, Illinois and studied drama at the university. She worked summers at a local theme park to get her through college.

The Broadway star lived in England for over 20 years with her husband Pat O’Connor, who directed The January Man.

Mary and Pat have two sons and they all moved back to the US in the 2010s.

The movie star now works as a professional coach using her years of experience in theatre, film and prime time television.

IMPERIAL BEACH, Calif. — Mike and Patricia McCoy answered the door of their cozy cottage in Imperial Beach, a short stroll from crashing waves and several blocks from the Tijuana River Estuary, where California meets Mexico and the hiking trails are named for them.

They offered me a seat in a living room filled with awards for their service and with books, some of them about the wonders of the natural world and the threat to its survival. The McCoys are the kind of people who look you in the eye and give you their full attention, and Patricia’s British accent carries an upbeat, birdsong tone.

A sign shows coastal conservationists Mike and Patricia McCoy as young adults “Making a Difference” at the estuary.

(Hayne Palmour IV / For The Times)

In the long history of conservation in California, few have worked as long or as hard as the McCoys.

Few have achieved as much.

And they’re still at it. Mike at 84, Patricia at 89.

The McCoys settled in Imperial Beach in the early 1970s — Mike was a veterinarian, Patricia a teacher — when the coastal protection movement was spreading across the state amid fears of overdevelopment and privatization. In 1972, voters approved Proposition 20, which essentially laid down a hallmark declaration:

The California coast is a public treasure, not a private playground.

Four years later, the Coastal Act became state law, regulating development in collaboration with local government agencies, guaranteeing public access and protecting marine and coastal habitats.

During that time, the McCoys were locked in a fight worth revisiting now, on the 50th anniversary of the Coastal Act. There had been talk for years about turning the underappreciated Tijuana River Estuary, part of which was used as a dumping ground, into something useful.

Mike McCoy knew the roughly 2,500-acre space was already something useful, and vitally important. It was one of the last major undeveloped wetlands in Southern California and a breeding and feeding site for 370 bird species, along with fish, reptiles, rabbits, foxes, coyotes and other animals.

In McCoy’s mind, it needed to be restored, not repurposed. And certainly not as a giant marina, which would have destroyed a habitat that was home to several endangered species. At a 1977 Imperial Beach meeting packed with marina supporters, Mike McCoy drew his line in the sand.

The Tijuana Estuary in Imperial Beach is seen on Friday.

(Hayne Palmour IV / For The Times)

“I went up there,” McCoy recalled, pausing to say he could still feel the heat of the moment, “and I said, ‘You people, and I don’t care who you are, you’re not going to put a marina in that estuary. That’s sacrosanct. You don’t mess with that. That’s a fantastic system, and it’s more complex than you’d ever believe.’”

The estuary won, but the McCoys weren’t done. As I began talking with them about the years of advocacy that followed, Patricia’s modesty blushed.

“We don’t want to be blowing our own trumpet,” she said.

They don’t have to. I’m doing it for them, with the help of admirers who were happy to join the symphony.

Patricia went on to become a member of the Imperial Beach City Council and served for two years on the Coastal Commission, which oversees implementation of the Coastal Act. She also helped Mike and others take the estuary restoration fight to Sacramento, to Washington, D.C., and to Mexico.

“This is what a real power couple looks like,” said Sarah Christie, legislative director of the Coastal Commission. “They wield the power of nature and the power of the people. You can’t overstate their contribution to coastal protection.”

The McCoys’ signature achievement has been twofold, said Jeff Crooks, a San Diego wetlands expert. They helped establish the estuary as a protected wildlife refuge, and they also helped build the framework for the estuary to serve as a research center to monitor, manage and preserve the habitat and collaborate with other managed estuaries in the U.S.

“It’s been a living laboratory for 40-some years,” said Crooks, research coordinator for the Tijuana River National Estuarine Research Reserve.

Sewage and debris flow from Tijuana are an ever-present threat and decades-long source of frustration and anger in Imperial Beach, where beaches have been closed and some residents have planted “Stop the Stink” yard signs. Crooks said there’s been some progress on infrastructure improvements, with a long way to go.

Coastal conservationist Mike McCoy looks at a new interpretive sign at the Tijuana Estuary in Imperial Beach on Friday.

(Hayne Palmour IV / For The Times)

But “even though we’re beating it up,” Crooks said of the pollution flowing into the estuary, it’s been amazingly resilient in part because of constant monitoring and management.

Chris Peregrin, who manages the Tijuana Estuary for the state park system, said the nonprofit Tijuana Estuary Foundation has been a good partner, and the president of the foundation board is guess who:

Mike McCoy.

The foundation ”fills gaps that the state cannot,” Peregrin said. “As one example, they run the research program at the reserve.”

For all their continued passion about the mission in their own backyard, the McCoys fret about the bigger picture — the alarming increase in greenhouse gases and the biodiversity decline. Through the estuary window, they see a planet in peril.

“They both think big like that,” Crooks said. “Mike especially comes from the mindset that this is a ‘think globally and act locally’ kind of thing.”

“Restoration is the name of the game, not intrusion,” Mike told me, and he wasn’t talking just about the estuary.

On the very week I visited the McCoys, the Trump administration delivered a crushing blow to the environmental movement, repealing a government finding that greenhouse gas pollution is a threat to the planet and public health. He called those claims, backed by overwhelming scientific consensus, “a giant scam.”

It’s easy to throw up your hands at such knuckle-dragging indifference, and Mike told me he has to keep reaching for more stamina.

But Serge Dedina, a former Imperial Beach mayor who was inspired by the McCoys’ activism as a youngster, sees new generations bringing fresh energy to the fight. Many of them work with him at Wildcoast, the international coastal conservation nonprofit he founded, with Patricia McCoy among his earliest collaborators.

“I wouldn’t be a conservationist and coastal activist without having worked with Patricia and Mike and being infused with their passion,” said Dedina. ”I think sometimes they underestimate their legacy. They’ve had a huge impact on a whole generation of scientists and conservationists and people who are doing work all along the coast.”

We can’t underestimate the legacy of the citizen uprising of 1972, along with the creation of an agency dedicated to coastal conservation. But it’s only fair to note, on the 50th anniversary of the Coastal Act, that not everyone will be reaching for a party hat.

The Coastal Act has been aggressively enforced, at times to a fault in the opinion of developers, homeowners, commercial interests and some politicians. Former Gov. Jerry Brown, who signed the act into law, once referred to Coastal Commission agency staffers as “bureaucratic thugs” for tight restrictions on development.

There’s been constant friction, thanks in part to political pressure and the clout of developers, and one of the many future threats to the core mission is the need for more housing throughout the state. The balance between new construction and continued conservation is sure to spark years of skirmishes.

Coastal conservationists Mike and Patricia McCoy on a trail named after them at the Tijuana Estuary Visitor Center in Imperial Beach.

(Hayne Palmour IV / For The Times)

But as the Coastal Commission website puts it in marking the anniversary, the major achievements of the past 50 years include the “wetlands not filled, the sensitive habitats not destroyed, the access trails not blocked, the farms and ranches not converted to urban uses, the freeways and gated communities and industrial facilities not built.”

In the words of the late Peter Douglas, who co-authored Proposition 20 and later served as executive director of the Coastal Commission, the coast is never saved, it’s always being saved.

Saved by the likes of Mike and Patricia McCoy.

I had the pleasure of walking through the estuary with Mike, past the plaque dedicated to him and his wife and “all who cherish wildlife and the Tijuana Estuary.” We also came upon one of the new interpretive signs that were to be dedicated Friday, including one with a photo of Mike and Patricia as young adults “Making a Difference.”

Mike pointed a finger here and there, explaining all the conservation projects through the year. We saw an egret and a rabbit, and when I heard a clacking sound, Mike brightened.

“That’s a clapper rail,” Mike said, an endangered bird that makes its home in the estuary.

The blowing of the trumpet isn’t just for the McCoys.

It’s a rallying call to those who might follow in their footsteps.

steve.lopez@latimes.com