5million

In 2007, the actor Felicia Day debuted “The Guild,” one of the first works, maybe the first, to demonstrate that the web could be a legitimate platform for full-blown, character-driven, narrative comedy. (YouTube was only two years old at the time.)

Online since there was a line to be on, Day — also known also for “Supernatural,” “Buffy the Vampire Slayer,” “Eureka,” “Mystery Science Theater 3000” and as the female lead in Joss Whedon’s “Dr. Horrible’s Sing-Along Blog” alongside Neil Patrick Harris and Nathan Fillion — played Cyd, a.k.a. Codex, a young woman at loose ends who finds community with a group of gamers whose quirkiness puts her own into perspective. The series, which she created and wrote, from experience, grew more ambitious and technically impressive across its six seasons, with cameos by the likes of Fillion, Zachary Levi, Stan Lee, Brent Spiner, late Mythbuster Grant Imahara and Wil Wheaton. There was a cultural specificity to the setting and storytelling — lots of gaming jargon and jokes — but the humor in the characters was universal, and the show, for all its well-proportioned silliness, felt very alive.

Now, as the series’ 20th anniversary approaches, Day is reviving “The Guild” as a feature, “The Guild: Ren Faire’d,” through a Kickstarter campaign due to end Friday. By the time I pledged, early on the first day of fundraising, the campaign had already met its initial $1.5-million goal — the minimum required, Day calculated, to pull off a version of her script. As of this writing, with just a few days to go, the campaign has raised more than $5 million. Everything over $4.5 million will go to making the film even better, but also support “Conludo,” a new game-playing series with Wheaton along the lines of their “Table Top,” created in 2012 for the Day-founded YouTube channel Geek & Sundry.

Day is also the author of a charming memoir, “You’re Never Weird on the Internet,” and a mental exercise book, “Embrace Your Weird: Face Your Fears and Unleash Creativity.” Earlier this year, Simon & Schuster published “The Lost Daughter of Sparta,” her graphic novel (with illustrator Rowan MacColl) about Philonoe, Helen of Troy’s lesser-known fourth sister, an on-brand tale of self-determination and embrace of one’s difference.

I interviewed Day by email as she traveled the convention circuit.

Day’s Kickstarter surpassed $5 million, allowing her to make not only “The Guild: Ren Faire’d” but also a new game-playing series. (Parker Burr / For The Times)

How does it feel to be back wearing, or about to wear, the character of Codex?

It’s so empowering to go back to this world that I crafted and this character that means so much to me and my fans. She and I have diverged a lot over the years, but her voice is still strong and clear in my ear, and I’ve had so much fun writing for her again. I haven’t been in charge of my own stories on this scale in a long time, so this all definitely feels like coming home.

It was an offer to turn “The Guild” into a television show that prompted you to get the film going. Had you thought of the possibility of bringing it back before then?

Early in 2025, I’d been thinking about the 20th anniversary of the show and how to celebrate it, but a movie is a huge project, one I was wary of committing to. A phone call with a very nice Hollywood executive wanting me to reboot the show with younger actors was the kick in the pants I needed. The business has been so hard on me, and a lot of people, especially these last five or so years. To even think about having the one project I held dear taken away from me? That got my fire lit.

How did you know to hang on to your IP?

I had met a few people in the early web days who’d sold their show to producers and networks, only to have them buried in development hell and never be seen again. My audience meant, and still means, so much to me, that I didn’t see the point in losing control of the show when it felt like we were doing all the right things on our own. The fans’ support gave me that confidence, and thank goodness for it, or I wouldn’t be able to make a movie today.

How did you cast the original show? Were any of the actors already gamers?

I wrote two of the main parts for improv friends, Zaboo (Sandeep Parikh) and Vork (Jeff Lewis), and I found the rest of the actors from a Backstage casting call. Several of them were already gamers, but a few were anything but (namely, Amy Okuda, who played Tinkerballa — she took some arm twisting). Over the years, though, they’ve all turned into gamers. We’ve enjoyed many a Fortnite session together, especially during COVID times.

Felicia Day as Codex. Other characters returning for “The Guild: Ren Faire’d” are Zaboo (Sandeep Parikh) and Vork (Jeff Lewis).

How has your reunion been going?

I had to make sure the script was good enough before I asked my fans to support it, so in February I had a table read with the main cast. Truly, it felt like no time had passed. We were all laughing so hard, ribbing each other on any little mistakes. It was so much fun to rediscover our characters together again. What we have together as a group is magic, and I can’t wait to get the band back together on set again.

You have a “no AI” sign on the Kickstarter page. What are your thoughts about artificial intelligence versus human creativity?

I look at AI as a great robber of humanity. Not only in the sheer existence of the AI itself, which is comprised of literal stolen material, but in robbing creators of their process. Because process is everything. It’s the whole point, in my opinion. That challenging struggle to write a first draft is how you discover who you are as an artist. But if you don’t do the work, you’ll never truly find out what you want to say to the world. You can’t create anything truly unique to yourself. It just makes me sad. To use a tool filled with other people’s stolen ideas in order to fast forward to an end result for attention, well, that isn’t art. That’s a cheap dopamine hit. And you’re no better a creator for having done it. Please don’t rob yourself like that.

The movie will be set at a Renaissance Faire. What’s your own history with them? Do you go in costume?

I’ve gone to Ren Faires for over a decade. We have a few great ones in SoCal I encourage everyone to explore. The costumes, the vendors, the food — all of it transports you to another world in such a magical way. I want to celebrate everything I love about the setting in our movie. I often go in costume, now with my 9-year-old daughter. It’s actually our Mother’s Day tradition and very dear to my heart.

Day on her work and motherhood: “I’ve learned that, especially as an artist, you have to be your own protector, own advocate, and give yourself unconditional love to be able to tap into what makes your art your own.”

(Parker Burr / For The Times)

Has motherhood changed how you work?

Absolutely. I had no idea how to parent myself before I parented another person. I’ve learned that, especially as an artist, you have to be your own protector, own advocate, and give yourself unconditional love to be able to tap into what makes your art your own. My experience writing this movie has been entirely different from in the past, when I let fear and outside pressure take the fun out of creating. This time, I allowed myself room to play and to make mistakes, just like I encourage my daughter to do. I think my work has benefited greatly from that gentle parenting.

The original “Guild” and the way you’ve mounted this campaign feels like the work of friends, like Mickey and Judy getting the gang together in a someone’s uncle’s barn to put on a show. (Which isn’t to say “amateur.”)

The heart of everything I do is this: I just want to play with my friends and my fans. I want to delight them with new ideas. I want to surprise them with laughs. The industry often divorces us from what got us into the business in the first place: making believe. Creating together. I like my work to embody the kind of spirit you can’t have in more mainstream media where there are levels of approvals over everything and the budgets are so high that the pressure takes the fun out of it. Yes, it’s challenging to make anything with fewer resources, but the community can see the ins and outs of my process and I hope that empowers them, in turn, to create their own things with their own friends one day.

What inspired your new graphic novel?

Being cut off from Hollywood over COVID made me brave enough to write a story I knew wouldn’t be anything an executive would care about if I pitched it. For many years, I didn’t allow myself to develop ideas like that. What was the use if they didn’t find it useful? But in allowing myself the space to write this story set in the world of Greek mythology, I’ve found new confidence as a writer. I want to keep telling stories only I can tell, in whatever format I can. I never want to discard them again because other people won’t find them useful. I hope that anyone reading the book feels the same encouragement to follow their inner muse. Because everyone deserves to be loved for exactly who they are, even our stories.

WASHINGTON  — The Supreme Court on Monday turned down without comment President Trump’s appeal of a $5-million jury verdict for sexually abusing E. Jean Carroll in the dressing room of a Bergdorf Goodman store in Manhattan nearly 30 years ago.

None of the justices registered a dissent.

When Carroll reported the incident in a book, Trump called it “a hoax and a lie,” prompting her to file a second claim for defamation.

Trump and his lawyers argued he was unfairly held liable because the jurors heard from two other women who said Trump groped them. And they listened to Trump’s own words on his willingness to abuse women.

“When you’re a star … you can do anything,” Trump said on the “Access Hollywood” tape from 2005 that the jurors heard.

Trump defended those comments in a 2022 deposition that was used during the trial.

“Historically, that’s true with stars,” he said. “If you look over the last million years, I guess that’s been largely true. Unfortunately, or fortunately.”

Usually, a defendant’s prior bad acts are excluded from a jury trial.

But in 1994, Congress amended the federal rules of evidence to make an exception for civil suits involving alleged sexual abuse. Rule 415 says the judge “may admit evidence that the party committed any other sexual assault.”

In Trump’s case, the U.S. appeals court in New York said the rule “permits a jury to consider evidence of a different sexual assault precisely to show that a defendant has a pattern or propensity for committing sexual assault.”

Two women testified that Carroll had told them about the dressing room assault shortly after it happened. And two other women testified Trump had assaulted and groped them.

Carroll testified over three days at the trial. Trump did not attend and chose not to testify.

Trump posted on social media that he was surprised by the court’s refusal to act on his appeal.

“I will continue the fight against this Weaponization and Lawfare Case against me, including the ridiculous claim of Defamation, with all of my power and strength. This Case is really against the United States of America, and all it stands for, and should never be allowed to happen to another President, or Candidate to be!”

The federal rules say judges may exclude “propensity evidence” if they decide its value is “substantially outweighed by a danger of … unfair prejudice, confusing the issues or misleading the jury.”

U.S. District Judge Lewis Kaplan, who presided over the trial, permitted the use of the propensity evidence, and the 2nd Circuit Court of Appeals upheld his decision in December 2024, shortly after Trump won election to a second term.

Lawyers for a Missouri law firm founded by Solicitor Gen. D. John Sauer filed an appeal petition in November urging the court to review the case of Trump vs. Carroll and order a new trial.

They said Carroll’s claims were “facially implausible and politically motivated” and her trial “rested fundamentally on improper propensity evidence that courts ordinarily disavow.”

They devoted most of their appeal to arguing that the court should take up the case because judges are divided on when propensity evidence should be excluded.

But they also urged the court to intervene because they said Trump was being mistreated by the judges in New York.

“It is deeply damaging to the fabric of our Republic for President Trump, in the midst of a historic presidency, to have to take his focus away from his singular and unique duties as Chief Executive to continue fighting against decades-old, false allegations and the myriad wrongs throughout this baseless case,” they wrote.

Trump is also appealing a separate but related defamation verdict that ordered him to pay Carroll $83 million.

DRAMA queen Michelle Keegan has seen her earnings shoot up to £5.4million a year.

The former Coronation Street star took a substantial amount of time off work last year after she became a first time mum with husband Mark Wright.

But new figures for her company, Rosia Productions, show that in the year up to September 2025, Michelle, 39, earned £1.4m more than the £4m she banked the previous year.

A financial expert said: “This shows Michelle still has massive earning power, and her career is going from strength to strength after 18 years on our TV.

“Despite taking time off to become a parent it hasn’t made any difference to her income and she’s still clearly one of the most in-demand stars of British TV”.

It comes after she enjoyed massive success with Harlen Coben’s Fool Me Once in 2024, which was one of Netflix‘s biggest hits, reaching the top spot around the globe.

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She announced in December 2024 she was having a baby.

In March daughter Palma Elizabeth Wright came into the world.

Her BBC series, Ten Pound Poms, was cancelled after two series last year, and her other big show, Sky comedy Brassic, also ended.

But last year Michelle also announced last year she was returning to ITV, where her career was launched on Corrie in 2008 playing Tina McIntyre.

She revealed she was making big budget thriller The Blame, starring opposite movie star Douglas Booth, 33, who plays her love interest and colleague.

The cop drama is due to air later this year with the actress playing DI Emma Crane in the six-parter. Booth plays DI Tom Radley.

Discussing coming back to work earlier this year, Michelle said: “Coming back to work after having a baby is quite daunting.

“The production were so supportive and I was so looked after and it was like working with family.”

THE magician counts down before throwing a deck of cards into the air and hurling a knife at me. 

Bullseye. The blade is stuck into one card on a target hanging from my neck. Ten of clubs. The card I’d picked. 

I look down from the stage at my three slack-jawed kids who’ve just had a memory that’ll last a lifetime. 

This entertainment at Parkdean’s Vauxhall Holiday Park in Great Yarmouth is a cheerful blast from the past for me, but it’s spellbinding for my daughter Frankie-Beau, 13, and her nine-year-old twin brothers Reggie and Teddie. 

As well as that knife-throwing magician, the feelgood fun on site includes X Factor stars Reggie ’n’ Bollie, a Taylor Swift tribute act, karaoke, bingo and stand-up comedy. 

And thanks to a £5million refurbishment, the choice of awesome activities reads like a list of kids’ birthday party options: a high and low ropes course, Bear Grylls escape rooms, an inflatable bounce park, a swimming-pool obstacle course, pottery painting, off-road rangers and an adventure playground. 

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With an array of places to eat, we don’t even switch on the hob in our comfortable, contemporary caravan. 

And the Hat-Tricks sports bar really hits the target, offering interactive darts, shuffleboard and a fantastic fairground crazy golf course. 

Not to mention a next level arcade that reminds my wife, Kayleigh, and I of the excitement we used to have as kids winning tickets for prizes. 

We’ve taken our children to Dubai, Turkey, the Netherlands and Disneyland, to name a few — but they feel they’ve hit the jackpot on this quintessential Great British caravan-park holiday here in Norfolk. 

No frills but so many thrills. 

Just five minutes down the road is the Golden Mile — a kids’ equivalent of the Las Vegas strip and the beating, buzzing, beachside heart of Great Yarmouth.

The must-visit attractions — a 50m Ferris wheel, the Sea Life centre and a circus — complement the retro coastal charm. Then, of course, there’s the Pleasure Beach amusement park, which has all the fun of the fair and then some.  

There are hordes of cafes, bars and restaurants to pick from for food. We end up finding a little gem called The Box Tree, a small bistro in the Ocean Hotel overlooking the promenade, which serves fresh food of the highest quality and is great value for money.  

They even serve our lunch on paper featuring old newspaper print, in a fun nod to the traditional way of eating fish and chips.  

From there, we hop on the gloriously old-school Choo Choo Loco road train for a short £2 ride down the coast to The Little Venetian Waterways.  

With moreish modern treats such as croffles, Venetian sodas and Biscoff ice-cream shakes, the island cafe is firmly in the 21st century. But the enchanting boating lake is a vintage voyage into the good old days. Frankie-Beau and I hire a rowing boat, while Kayleigh, Reggie and Teddie hop into a pedalo. This is fabulous family time like it used to be — no screens, no scrolling, no squabbling. 

Because we’re reminding them — and us — of the joy you can find in the little pleasures; the things we’ve seen and done but are all new and exciting to them. 

When we stroll down the dated high street of knick-knacks, our children see a lively hub of treats and toys. 

While we wonder how the old ‘upside-down house’ is still pulling in the holidaymakers, our children are gobsmacked to see AN UPSIDE-DOWN HOUSE! 

And the Golden Mile of amusements, bouncy castles and funfairs might just be the only time they’ve walked a mile without whingeing. 

Because every few steps we’re re-energised by another coastal classic: that unforgettable whiff of hot doughnuts; devouring candy floss on the pier; enjoying a horse-and-cart ride along the promenade. 

In the next decade of their lives, my kids — hopefully — will see more of the world. But I know they’ll never forget that little weekend break when their dad had a knife thrown at him in Great Yarmouth. 

Because it was, simply, magic.