SHOW BIZ

Don’t you ever wish you could explore one of L.A.’s most vibrant boulevards without a car? When the first phase of Metro’s extension to its D Line opens May 8, L.A.’s transit system will add what has long been a missing puzzle piece. A busy, traffic-snarled section of Wilshire Boulevard, home to world-class museums, restaurants and galleries, will at long last be significantly more accessible.

Ride and walk, for instance, to the newly reimagined Los Angeles County Museum of Art, and then stroll to the Original Farmers Market or the acclaimed République. Or take transit to a concert at the El Rey Theatre, then grab a pint at Tom Bergin’s. And do it all without stressing about valet or parking in a part of town where the latter is at a premium.

Though this initial phase of the D Line extension is only three stops, for residents and business owners in the community, it feels monumental.

“I’m so excited for Metro to open and for lots of people to hopefully come and peruse these streets,” says Christina Mullin, owner of Miracle Mile Toys & Gifts. Mullin, who also lives in the neighborhood, has seen the area disrupted by construction for the better part of a decade, and is hopeful the subway stops will bring in an influx of shoppers.

“It’s such a nice, walkable area,” Mullin says. “You can walk all of La Brea and all the way to the Sycamore Kitchen. This will be very good for the city.”

And it seems to be generating much excitement, at least if Metro’s own marketing is any indication. A line of innuendo-filled “Ride the D” shirts went viral and then almost instantaneously sold out. (Those looking for the shirts are likely out of luck, as a Metro spokesperson says the item was intended only as a limited-edition run.)

Here are some highlights of destinations along the new stations, which are located at Wilshire/La Brea, Wilshire/Fairfax, Wilshire/La Cienega and will collectively serve Koreatown, Miracle Mile, Hancock Park, Carthay Circle, the Fairfax District and Beverly Hills. All should be within about a 20- or 25 minute walk.

The second section of the D Line will continue west through Beverly Hills and Century City, and the third will extend to Westwood and UCLA. The full rail line, according to Metro, is expected to be open by the end of 2027.

ALEX Reid has revealed his mum Carol has died as he shared a heartbreaking tribute to her on social media.

The Celebrity Big Brother star, 50, took to Instagram to share a series of pictures with his beloved mother as he revealed the devastating news.

He penned: “Today I celebrate the life of the best woman in my life, my mum, who went to join my darling dad in heaven!

“I’m absolutely heartbroken, but have a sense of ease knowing you are in peace now, not in pain.

“I unfortunately missed my mum’s passing by 2 minutes, although I still managed to hold her in my arms, kiss and caress her face, telling her how much I love her.

“Long live Carol Reid!,” Alex concluded.

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His followers rushed to support him with messages of condolences as one wrote: “So sorry Alex. Sending you love xxx.”

Another social media user commented: “I’m so sorry Alex for your loss. You’re so lovely with your mum. Anyone can see the love between you both. May she RIP.”

Someone else said: “I’m so sorry for your loss. Prayers and thoughts are going out to you and the family.”

Yet another penned: “I’m so sorry for your loss! May she rest in peace and I truly believe that she will always be with you in spirit cheering you on. God bless you and your family.”

While a fifth added: “Bless you Alex you’ve been by her side all these years, she knew in those two minutes she will always be in your heart. Love to you all x.”

Alex revealed back in 2020 that his mum was battling Alzheimer’s and was feeling guilty for moving her into a care home.

At the time, he shared a number of headlines surrounding Dame Barbara Windsor, who also had the disease prior to her death in 2020.

He wrote on X, formerly known as Twitter: “I know how it feels moving mum into a home with dementia it’s worse than bereavement as they’re still here & so lost.

“You feel an immense sense of guilt to want to do more I see how scared mum sometimes is, wanting to come home, but I see she how she is adapting & her quality of life improves.”

In March last year, he shared a video of him going to the care home to visit Carol as he gave her a bunch of flowers and a card.

He told his followers on Instagram: “Visiting my mum with dementia in her care home today on Mother’s Day, I was so grateful and lucky that she actually said I love you my darling!

“I’ve only had two or three words out of her over the last year! So so grateful! Happy Mother’s Day everyone!”

Alex and his fiancée Nikki welcomed their twin boys Phoenix Bobby and Hunter George back in 2023.

Nikki told Mail Online at the time: “To just have them in my arms. I am complete now. I have my family and I never need to revisit that dark place again.”

Their births came after the pair welcomed daughter Anastasia in 2021 after a seven year IVF battle.

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

Ciara Miller and Maura Higgins will be among the stars competing for the Mirrorball Trophy.

“Summer House’s” Miller and “The Traitors” contestant Higgins — both publicly betrayed by men they trusted on their shows — are the first celebrities joining Season 35 of “Dancing With the Stars.” Disney announced the new season Wednesday during Hulu’s Get Real House event in Los Angeles.

Miller joins the cast less than a month after it was revealed that her “Summer House” castmate and ex-boyfriend, West Wilson, was dating her friend on the show, Amanda Batula. She teased her “DWTS” news with an Instagram video in which she wrote out her “Next Chapter 2026” to-do list, which included “prioritizing” herself, “taking risks” and “Dancing With the Stars.”

Higgins, who lost Season 4 of “The Traitors” in the finale after being blindsided by her friend and co-star Rob Rausch, rose to prominence on “Love Island” in 2019. Higgins shared her excitement in a video on Instagram, saying, “Please pray for me.”

“Get me on that dance floor. I want to win the trophy,” Higgins said. “I’ve manifested this.”

Higgins told reporters at the Get Real House event that Mark Ballas is her dream partner.

The announcement comes after a landmark season of “DWTS,” which saw a record-breaking number of fan votes. In November, The Times spoke with “DWTS” showrunner Conrad Green, who attributed the ratings spike to reviving “communal viewing experiences.”

“It’s been largely a question of keeping our existing audience and then finding a new audience of 18- to 30-year-olds. That’s partly fed by social media. It’s partly fed by a desire to have communal TV viewing experiences,” Green said. “That was something everyone had with ‘American Idol’ and ‘Dancing With the Stars’ 20 years ago, but TV doesn’t lend itself to that so much anymore.”

During the event, Disney also announced a new spinoff series, “Dancing With the Stars: The Next Pro.” “DWTS” Season 34 winner Robert Irwin will host the show. According to the synopsis, it “features 12 exceptional up-and-coming dancers who move into one house and compete in a grueling audition process, all vying for a coveted spot as a pro dancer on Season 35 of ‘Dancing with the Stars.’”

“DWTS” pro and three-time Mirrorball champion Ballas will host the show alongside his mother, former ballroom dancer Shirley Ballas. The series will premiere July 13 on ABC.

Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.

PRINCESS Andre, Towie’s Ella Rae Wise and Gemma Arterton were among the glamorous big-name celebs at tonight’s ITV Showcase.

The great and the good of the channel’s talent descended on London’s Design Museum to champion its 2026 schedule.

Ant and Dec, Michelle Keegan and Olivia Attwood also attended as did pregnant Scarlett Moffatt with her fiancé Scott.

Reality star Princess went all out in a satin dress befitting of her royal name, while Ella Rae gave a glimpse of her bra in a fitted white suit and carried a pink Chanel bag.

Bond Girl Gemma showed off her legs in a black mini skirt and heels, which she teamed with a black vest top and white tee.

She joined Tom Bradby on the black carpet and the pair looked to be having a good laugh in between posing for pictures.

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Michelle Keegan also opted for a power suit and cut a happy and relaxed figure beside actor Douglas Booth.

Olivia Attwood wore a baby blue corset with a suit jacket hanging off her shoulders and loose-fitting smart trousers.

Love Island‘s Whitney Adebayo looked stylish in a plunging striped dress, while Marcel Somerville rocked a patterned shirt and pristine white trousers.

Glam Gabby Allen curled the front of her blonde ‘do and dressed in a slinky nude number.

Emma Willis was typically cool in a beige suit and crop top, while Joey Essex gave European Bachelor in a buttoned-down white shirt and trousers, accessorising with a necktie and shades.

Influencer Perrie Sian went hell for leather in a chocolate brown jacket and matching skirt

Sir Mo Farah was full of energy, striking fun poses in his blue blazer and stone-coloured trousers.

Graham Norton attended in a black blazer emblazoned with a colourful flower motif, while Natalie Simpson was a vision in red.

Among the programmes coming to screens are new entertainment show The Neighbourhood, fronted by Norton, and gameshows The Box, hosted by Gary Lineker, and Nobody’s Fool, hosted by Danny Dyer and Emily Atack.

Then there are the familiar favourites such as Love Island, I’m A Celeb and Britain’s Got Talent as well as new dramas Secret Service, with Arterton in the lead role, The Blame, featuring Booth and Keegan, and The Party, with Luke Evans and Elizabeth Day.

Jimmy Bullard, described as “a massive joker”, is set to reunite with Adam Thomas for the live I’m a Celebrity…Get Me Out of Here finale months after that bust-up

Jimmy Bullard is said to be plotting his “ultimate sweet revenge” on Adam Thomas ahead of the live I’m a Celebrity…Get Me Out of Here finale tonight.

ITV bosses are understood to be nervously counting down to the reunion amid uncertainty over what might unfold between Bullard and Thomas, whose bust-up in scenes that aired this week was described as the programme’s biggest ever row. It is reported Bullard, 47, remains “seething” over the argument, which happened several months ago as the I’m a Celeb spin-off is pre-recorded until the final.

But sources believe the former professional footballer is ready to give his version of events tonight. One insider said: “Jimmy is a larger-than-life character with a wicked sense of humour and will be revelling in the opportunity to make everyone sweat.

“He’s a massive joker, so they don’t know what he’s going to say or do in the live final. He is also not afraid to say exactly what he thinks — and that means he won’t be toeing ITV’s line… It’s the ultimate sweet revenge.”

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Adam, an actor who is in Waterloo Road, and Jimmy clashed on the show as they teamed up for a Bushtucker Trial which would end with the losing duo being sent home. Former Fulham midfielder Jimmy quit the challenge and, in an angry confrontation, Adam raged at him: “You’re taking the p***!”

Campmates, including Harry Redknapp and Craig Charles, will now gather for the last time in tonight’s programme. Despite the row, Adam was allowed to remain in the camp and so battles to win the competition tonight.

But it will be the first time the former Emmerdale star comes face to face with his rival since the bitter spat, recorded last autumn. It was unclear whether dad-of-two Jimmy would attend the series finale because he remains so furious over the edit of his dramatic clash with Adam. Boxer and fellow campmate David Haye had said in an interview: “It was a lot more intense.”

ITV, though, insists what viewers saw was an accurate and fair representation of events. It also denied wild claims Adam attempted to kick Jimmy. A spokesperson had told the Mirror: “This is categorically not true. Adam did not try to kick Jimmy.”

While Adam, from Manchester, was visibly angry over Jimmy’s decision and he did kick a door in the trial area, it was said to be “nowhere near” his co-star, and was included in the broadcast this week.

AFTER literally breaking the scales, Alison Hammond has spent recent years vehemently denying fat jabs helped her to shed 13st. 

And we can reveal her astonishing weight loss is actually the result of an adventurous gym routine, a toyboy boyfriend and a £2.85 supermarket secret.  

A close pal said: “Alison was mortified when she stepped on the scales in 2020 and her weight was so high the sensor broke. 

“It stopped at anything over 29st, so she has no idea exactly how much she weighed back then. 

“It was a real wake-up call and she began a strict diet that day. 

“People are constantly accusing her of cheating and saying that she’s on fat jabs, but she’s not.

“They weren’t even around then.”  

Instead, the Great British Bake Off host, 51, has been munching on Itsu crispy seaweed thins — with just 24 calories in a pack.  

Her mate added: “When shoppers see her in Tesco the trolley is usually packed high with boxes of Itsu seaweed snacks.

“She eats about four packs a day.

“Instead of toffees she’s addicted to seaweed.” 

It is a far cry from the terrifying moment a few years ago that kickstarted her bid to get healthy. 

The scale shock prompted her to visit the doctor, who confirmed she was prediabetic and needed to slim down or face an early death. 

Being prediabetic — the point where your blood sugar is higher than normal but not high enough yet to be diabetic — genuinely terrified her as it can bring serious health problems.  

Following her doctor’s grave warning in November 2020, and in a desperate bid to reverse her diagnosis, the popular This Morning host made a plea to viewers live on air.  

Begging for help 

“I need some help,” she said bravely.

“I’ve really got to change my ways, if you guys see me out there buying sweets or chocolates, please I’m begging you, I’m not allowed to have it. 

“It’s serious now.”  

Viewers were quick to react, messaging the show in their droves with supportive comments and sharing their own struggles too.  

I thought, ‘I have to be an adult about this’. The sweets had to stop and the fatty foods.

Alison of changing her life

“Ali knew she was morbidly obese and was genuinely concerned that she was going to die,” says her pal.

“But the encouragement from viewers really touched her.

“It inspired her to make changes.” 

She previously said that her mother Maria, who died in January 2020 from lung and liver cancer, influenced her decision to overhaul her lifestyle. 

“My mum had type 2 diabetes,” she said.

“She was worried for me, so when I then found out I was prediabetic, that was frightening.  

“I thought, ‘I have to be an adult about this’. 

“The sweets had to stop and the fatty foods.”  

It was not the first time Alison had tried to lose weight.  

She had a gastric band fitted after a chair broke underneath her while she was interviewing actor Matt Damon in 2007.  

However, following the op, Alison experienced complications and “couldn’t keep anything down”. 

After two years, she decided to have the procedure reversed.  

Then, ten years later, she appeared on TV show Sugar Free Farm, which followed celebs as they embraced a sugar-free diet and farm work. 

While she managed to lose two stone on the show, the side effects from the sugar withdrawal left her feeling dizzy and sick.  

Now Alison, who is mum to Aidan, 21, works out three to five times a week with her personal trainers Lui Mancini and Ellis Gatfield.  

She combines strength training, boxing and Pilates rather than cardio and when she is busy working she enjoys walking.

A video posted by Lui displayed her hard at work with kettlebells, medicine balls and a punching bag. 

But no doubt also helping Alison’s confidence — and her weight loss — is her lover.  

She met David Putman, 29, a former Russian model, when she booked in for a massage in 2023.

The couple kept their relationship secret for about a year but now it is very much out in the open and despite the 22-year-age gap they are desperately in love.  

“It was pretty much love at first sight,” said her pal.

“She fell totally head over heels with David and he’s besotted with her.

“When you see them together it’s so sweet.

“He gets on really well with her son too.” 

But a change in her diet has had the most dramatic effect on her.

In a bid to reverse her prediabetes she has cut back on sweets and fatty foods — which has not been easy, especially as the host of C4’s Great British Bake Off, where she is surrounded by temptation.  

“Ali was completely addicted to toffees,’ says her pal.

“She would eat bags of them.” 

For people who need to use them, weight-loss jabs are a good thing. But for me, as soon as I hear any scare story, I get frightened.

Alison on using fat jabs

But these days she relies on seaweed.

The salty snack, combined with a rigorous exercise regime, has seen her weight drop to under 17st.  

She now drinks two litres of water a day and has a high-protein diet with lots of chicken and turkey mince bolognese.  

“She eats half of what she used to eat,” revealed her friend. 

Alison, who also hosts Your Song on Channel 4, previously told how weight loss jabs were not for her because she was “frightened” by “scary” stories surrounding them. 

She said: “For people who need to use them, weight-loss jabs are a good thing.

“But for me, as soon as I hear any scare story, I get frightened. 

“So I haven’t wanted to use them, but that’s not to say I wouldn’t in the future, and I certainly wouldn’t look down on anyone who did.” 

But industry insiders have warned there could be an issue if her slimdown becomes too extreme, especially as she vies for the presenting gig on Strictly.  

“There’s a fear that if she gets too skinny she might not be as popular with her fans,” said another source.  

Pals insist Alison has no intention of losing her curves or trademark sparkle.

Her journey has never been about fitting into a certain dress size but building a healthy life.  

During an interview on Loose Women last year, she summed up her attitude perfectly: “You know what, all I can do is be me.

“I can’t do anything else. 

“I’m a black, big, bubbly woman, who is slowly deflating a little bit.” 

Only time will tell if Alison’s next steps will be into the ballroom. 

But one thing is for certain, it will be seaweed, and not Ozempic, in her handbag. 

MasterChef was back with the first quarter-final of series 22 on Thursday night

MasterChef fans were left scratching their heads over Thursday night’s quarter-final challenge.

Series 22 sees celebrated chef Anna Haugh and restaurant critic Grace Dent take over from Gregg Wallace and John Torode as judges. The pair will test 48 of the country’s best amateur cooks with an array of spectacular challenges.

On Thursday’s first quarter-final of series 22, the first challenge saw the amateur home cooks tasked with creating pancakes, making the most of the fresh produce on offer.

However, it was the second challenge that left viewers baffled. During the episode, legendary food critic Jay Rayner joined the show as a special guest as he set a task for the cooks.

Jay, 59, said: “The challenge I’ve set you sounds very simple. I’ve asked you to make a salad. But we do not want a limp bowl of lettuce, we want structure, texture, we want a killer dressing… something that will rock us back on our feet.” The chefs were then given 90 minutes to create their salads.

However, viewers were left baffled over the salad challenge taking to Twitter, now X, to share their thoughts. One person said: “#masterchef A salad …, a salad, are you for real” to which another account put: “Salad? Or a mix of things #MasterChef.”

Elsewhere, another fan referenced The Simpsons as they joked: “#Masterchef You don’t win friends with salad, you don’t win friends with salad…”

Another baffled viewer simply commented: “A salad?! #MasterChef” while a different fan quipped: “No good story ever started with ‘I was having a salad and then'”.

Following the challenge, Jhané and Sabina left Anna, Grace and Jay blown away with their incredible salads. Jhané opted for a Thai-inspired salad with grilled pork, pork skin, sugar snap peas, lettuce, mint, fennel and thai basil. Jhané served it with deep fried rice paper and a lime sesame dressing, which was praised for being a ‘clever’ presentation.

Guest Jay was left delighted as he gushed: “This is exactly what I was hoping for when I set the salad challenge!”

Meanwhile, Sabina also impressed with her ‘harmony salad’, which was spiced black pea falafel, gem lettuce, carrot, pomegranate, salted chicken skin, beetroot quail eggs, puffed rice and curry leaves. It was served with a confit garlic and mustard oil dressing. Jay praised the salad for being “amazing”.

After all the contestants had shown off their creations, Jay admitted: “It was a tough challenge asking them to make a salad, some of them embraced it brilliantly!”

At the end of the show, it was revealed that Jhané and Sabina had sailed through to the next round, they were joined by fellow contestant Jim.

MasterChef season 22 is available to stream on BBC iPlayer

With more than 60 song credits, Armenta’s songwriting prowess can be heard across some of the most popular música mexicana albums to date, whether by Fuerza Regida, Tito Double P, Peso Pluma or Dareyes de la Sierra.

“I consider myself a tailor,” said Armenta, 25. “[I’ll create] a sound that will be good with your vocal timbre, with your tones, with the vocal intention you need.”

The singer-songwriter wrote Fuerza Regida’s gritty hit “Marlboro Rojo” in 45 minutes, ensuring that the song’s aggressive, battle-ready lyrics also captured a romantic spirit. (“The devil’s bullets and I only think of your eyes,” sang Jesús Ortiz Paz, a.k.a. JOP.) And he wrote “Dos Días” for Tito Double P and Peso Pluma one early morning after a wild night out with friends; you can hear the emotional hangover in the way the vocalists’ rugged voices flail in desperation.

“The most important thing is always to convey something where people can immerse themselves in a feeling,” said Armenta, whose full name is Miguel Armenta.

He dialed into our interview from a tour bus departing from Austin, Texas, en route to the next concert venue on the Dinastía Tour by Peso Pluma, Tito Double P and friends. Armenta was instrumental in writing and producing Tito Double P’s 2024 debut “Incómodo,” a 21-track project that helped distinguish the Mexican corrido singer from his already famous cousin, Peso Pluma.

“I feel that it’s a project that has solidified the responsibility we have as composers and as artists, [it’s] an album full of hits,” said Armenta, who later wrote tracks on Tito Double P and Peso Pluma’s joint 2025 LP “Dinastía.”

Since the beginning of March, Armenta has joined the pair of cousins on stage for their acoustic- and brass-powered song “London,” a track on the deluxe edition of “Dinastía” that indulges in fantasies of living like kings. The song was cut from Armenta’s own 2025 debut, “Portate Bien,” a blend of corridos tumbados with melodic touches of reggaeton and pop.

“I had just bought my own house and I wrote [‘London’] feeling like king of the world in my own studio,” Armenta said. “I thought that song was dead, but I got a call from Double P [Records] asking if I was interested in releasing it with them.”

Armenta’s entry into the música mexicana realm was not as calculated as his lyricism; at least not at first. Coming from a family full of industrial engineers, the Sinaloa-born, Tijuana-raised composer initially set his sights on a degree in biomedical engineering. “I liked the idea of being able to use technology to create advancements that benefit humanity,” he explained.

His passion for music, however, lingered persistently in the background. Starting from when he was 11 years old, Armenta would write lyrics in journals and strum along to the guitar his brother bought him. “He didn’t like that I used his guitar, so he bought me one,” he recalled.

He also gravitated toward independent YouTube artists who uploaded their raw compositions online. By age 18, he would compose one of his first R&B songs, titled “Dame” — though the tenderly sung track wouldn’t be published until two years later.

“It was the first song that I bet on as an artist, and I spent the very little money that I had on it,” Armenta said. “A literal sacrifice. I knew that the song had something, but I didn’t know what until later.”

In about 2020, Armenta helped compose some songs for Angel Ureta, a friend who signed with Street Mob Records, founded by Fuerza Regida’s JOP. Armenta eventually developed a working partnership with the indie label, which continued sign popular música mexicana acts like Calle 24, Chino Pacas and Clave Especial.

One of Armenta’s earliest hits with Fuerza Regida came in late 2022 as “Bebe Dame.” The band recorded the song alongside Grupo Frontera, who earlier that year had reached TikTok popularity for the cumbia nortena spin on “No Se Va,” a 2018 pop song by the Colombian band Morat.

Armenta proposed the adoption of his own track from the vault, “Dame,” which by that point had fewer than 1,000 views online. With some lyrical tweaking by Edgar Barrera — a 29-time Latin Grammy-winning songwriter, who Armenta later befriended — the revamped version, “Bebe Dame,” became an immediate sensation.

It helped score Fuerza Regida their first career entry into the Billboard Hot 100 at the start of 2023, later peaking at No. 25. By 2024, Fuerza Regida became one of the biggest streaming Latin acts in the U.S., alongside Junior H, Peso Pluma and Bad Bunny.

In 2024, Armenta and Barrera reunited again in secret to hash out what would be Grupo Frontera and Fuerza Regida’s joint EP, “Mala Mía” — “without either group knowing,” Armenta said. Their viral corrido-cumbia single, titled “Me Jalo,” secured Fuerza Regida’s first Latin Grammy nomination, and Grupo Frontera’s fourth, under the category of regional song at the 26th Annual Latin Grammy Awards.

“Edgar and I focus a lot on how to evolve sounds,” Armenta said. “We are in the process of recognizing [the value of] música mexicana, that we can’t let this die.”

Between 2024 and 2026, 12 of Armenta’s songs have been recognized by the BMI Latin Awards — which honors songwriters, composers and publishers — including Fuerza Regida and Grupo Frontera’s joint collaborations “Bebe Dame” and “Me Jalo,” as well as Fuerza Regida’s “TQM,” “Nel” and “Por Esos Ojos.” Tito Double P’s “Dos Dias” and “Escapate” (feat. Chino Pacas) also received accolades.

For now, the songwriter shows no signs of stopping his lyrical magic, though he figures he might part ways with the music world 10 years from now — but not before winning a couple of Grammy Awards, he said, or even starting his own publishing label for songwriters and composers. (“My mom says I’m going to get gray hairs,” he added.)

“I think that life put me here to have fun,” Armenta said. “I had another destiny, but life accommodated itself to place me in this valuable situation.”

HARRY Styles and Zoe Kravitz are engaged after an eight-month romance, a report in US outlet Page Six claims.

A source told the site that the former One Direction star, 32, “is completely smitten” and the Batman actress, 37, “is on cloud nine” with the pair now set to tie the knot.

They added: “No one in their circle is surprised.”

Rumours of their engagement had swirled since Zoe was recently spotted wearing a large diamond ring on her finger while kissing her pop-star boyfriend outside a hotel in London.

One onlooker said of the rock: “You couldn’t miss the ring on her finger. It is absolutely huge.”

There had been months of whispers the couple had already taken the next step in their romance.

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The Sun first confirmed the pair were dating last August after insiders spotted them snogging inside Rita’s bistro in Soho.

They were also then caught enjoying some downtime by a fan in Rome, who filmed the couple walking arm-in-arm down a cobbled street in the Italian capital. 

The pair later spent Christmas together at Harry’s family home in Cheshire before jetting to the Bahamas for New Year, where locals claimed a proposal may have taken place.

One insider had said at the time: “Harry and Zoe saw in the New Year together in the Bahamas.

“This one is said to have been extra special and there has been talk amongst locals that a proposal did take place.”

By January sources said that the Watermelon Sugar singer was Zoe’s “soulmate”.

They were also photographed last month holding hands when arriving at a Saturday Night Live afterparty in New York City.

Harry, whose new album Kiss All The Time. Disco, Occasionally, went straight to No1 last month, is set to head out on tour soon.

He will play a string of shows in Amsterdam before taking over Wembley Stadium in London for a record-breaking 12 concerts.

From there Harry will head to South America before a 30-date residency at Madison Square Garden.

JANE Fallon has given her fans a health update after having her second surgery following her cancer diagnosis.

The author, 65, who is the partner of Ricky Gervais, told fans earlier this month that she was suffering with breast cancer, despite having no symptoms before the diagnosis.

Posting a sweet pic alongside her cat Pickles on Instagram, Jane wrote: “Little update. So, my 2nd surgery went well.

“They got the clear margin they need on the original excision, which is great. 

“They did hit a new little patch of precancerous cells on the other side of the new bit they took out but, thankfully, everyone agrees more surgery would be overkill. 

“A huge % of pre cancer doesn’t develop into cancer. 

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“I saw the oncologist today & we’ve agreed the risks of radiation outweigh the benefits in my case.

“Which leaves Tamoxifen (or similar) or wait and see (my preferred option). 

“I’m very nervous about going the drug route, because I know the side effects can be hideous, but I’m taking all the info on board & luckily there’s no pressure to make a quick decision.

“So, all good & I’m just looking forward to getting back to normal.”

Jane’s followers flocked to support her, including author Jojo Moyes who wrote: “Well done for getting through another surgery.

“Wishing you some reassuring news very soon x”

A fan added: “Happy to hear the update and it sounds very positive … yes take your time to decide , & so all the research … as of course you will x”

Another said: “That’s such uplifting news , so pleased your doing well. onwards and upwards x And cats will always upstage.”

This comes just days after Jane slammed a fake obituary that was published online after she was revealed she had cancer.

She said: “I’ve taken the post about the obituary down, because I don’t want people to think I’m upset by it. I’m not. P***ed off yes.

“But more, I just want people to know that any photos you see of me in hospital, looking sad or with tubes sticking out of me are 100% fake – AI generated.”

Following her recent procedure, Jane told her followers she was feeling “remarkably fine” and in good spirits.

She assured people she wold update them once she had the medical all clear.

“Then 8-10 days wait for confirmation that they’ve got it all & the margins are clear (small % chance of more surgery if not),” Jane wrote.

She has been resting up at home with the support of cat Pickles.

When Jane announced her diagnosis, Jane asked fans not to “panic” and said her prognosis was “excellent”.

She has been with comedian Ricky for more than 40 years after meeting back in 1982.

Jane is the author of 14 bestselling books and has penned titles such as Getting Rid of Matthew, Got You Back, Queen Bee, Worst Idea Ever, and Faking Friends. 

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

David Mackenzie’s “Fuze” springs to life in a millisecond.

In central London, a construction digger unearths an unexploded World War II bomb, and it starts to tick. The blast radius could be a half-mile wide. Outside the cordon, Chief Supt. Zuzana (Gugu Mbatha-Raw) oversees the evacuation of thousands of residents to Hyde Park. Inside the cordon, a military explosives expert, Maj. Tranter (Aaron Taylor-Johnson), marshals his squad to disarm the weapon. Also inside the cordon, a heist crew headed by thieves Karalis and X (Theo James and Sam Worthington, respectively) uses the dangerous distraction to rob a bank.

Three skilled teams, three goals. Meanwhile, a displaced neighborhood resident named Rahim (Elham Ehsas) is cooling his heels in Hyde Park very aware of an evening flight that his family is supposed to be on. His clan will factor into the plot too, although his wheelchair-bound father flusters, “Nobody ever tells me what’s going on.” Join the club, old man.

“Fuze” was one of my favorite treats at last fall’s Toronto International Film Festival, although unlike many of the other films it premiered alongside, it has no pretensions of being an awards contender. (Mackenzie’s 2016 modern western “Hell or High Water” did make a moderate Oscar splash.) This is just quality popcorn filmmaking that spins the audience in circles as we watch experts do their jobs. I left the theater feeling giddily put through the wringer by its contrarian depictions of heroes and fiends.

A mechanical exercise more than a character piece, the script by Ben Hopkins (of the 2023 Willem Dafoe existentialist art burglar drama “Inside”) functions like an elaborate contraption. First, you’re impressed by the scale. Then, it reveals how its small moving parts fit together — and at the very end, just when you think you’ve clinched it, there’s a surprise coda that makes you unpack everything again to reassemble the story from a completely different perspective.

It’s a film with a few strong opinions about how the world is being run. Yet, they’re rarely said out loud. Everyone on-screen is a person of action, not words — particularly Taylor-Johnson’s major, a veteran of the War on Terror, who is so calm under pressure that he’s introduced sniping a bull’s-eye at Lord knows how many meters. He’s the sort of character who tends to come across either bland or unconvincingly cocky-funny. Here, he’s compellingly focused on the task at hand and, like all the leads, never pauses to fill in the audience on exactly what he’s doing.

The performances are all from the grip-and-grin school of acting: neat and precise with a minimum of bluster. “Fuze’s” version of a joke is when an anxious underling pipes up to ask for permission to speak. “No,” Tranter snaps, and his gruffness is so confident that it makes you chuckle. Yet even he has a boss, Gen. Minton (Iain Fletcher), who storms into one scene to yank on Tranter’s chain of command and disrupt the power balance again.

Instead of bothering much about dialogue, “Fuze” is a blueprint of how stress and deference exert themselves upon a workplace. The robber clique turns out to have its own bosses, too, as well as the most visible fractures in their unit. You’d be correct to guess that within their grand scheme lurks at least one or two self-interested ruses run by either James’ Karalis or Worthington’s X. The other crooks don’t have names worth learning, but the actors playing them, Shaun Mason and Nabil Elouahabi, do have memorable faces.

There are no flourishes onscreen other than Matt Mayer’s editing, which is relentless. Mackenzie barely gives the audience a pause to ask questions, although he does get around to answering them (mostly). All this competence puts us in a strange state — a suspenseful trance — in which you feel on edge while also relaxing into the idea that the characters have things under control. Unpredictable twists are afoot. But the pace moves so fast that you can only observe, not outguess, the surprises, putting us in the same fix as a heavy, played by Dragos Bucur, who moans that he knows he’s getting screwed over, “but I don’t know how.”

Coming at cross purposes, some of these people will fail. One unit — it would be a spoiler to specify which — evaporates toward the climax and, oddly, isn’t missed. While the outro feels tacked on, upon reflection, it’s the missing piece that transforms the movie from a puzzle into a proclamation on group cohesion. Only afterward does it hit us that Mackenzie has really made a thriller about trust. Each of these groups (and shadow groups) is united by either duty, blood or circumstance. Of those factors, one proves more adhesive than the rest.

“Fuze” does smack a bit of an excellent episode of TV. Everyone in the cast is a little too pretty for their jobs. Likewise, the score by Tony Doogan leans too heavily on generic electronic thuds, the kind that segue into a commercial break cliffhanger and an ad for blood pressure medicine. When his techno beats kick in during the most fraught sequences, however, the effect is dynamite. As the closing credits kick in, Mackenzie lets off some well-earned steam with an apropos punk rock anthem, the Clash’s cover of “Police & Thieves.”

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

As Coronation Street’s power couple Swarla tie the knot, British LGBT Awards founder Sarah Garrett says the soap highlights huge progression in the representation of same-sex couples on TV

Lisa Swain and Carla Connor have finally said ‘I do’ on Coronation Street, leaving Swarla fans rejoicing.

The couple got together in 2024, growing closer before realising their feelings for one another. After almost two decades on Corrie, this is Carla’s first same-sex relationship, while it’s certainly not her first wedding.

That said, Carla has finally found her soulmate in Lisa, something agreed on by cast members Alison King and Vicky Myers who play the pair. But it’s not just about the characters and what it means to them.

There’s been a huge shift with how women-loving-women (WLW) romances are presented, and perceived, onscreen in recent decades. When you think back to the first pre-watershed lesbian kiss on UK TV, that aired on former soap Brookside in 1994, it sparked both backlash and praise, while it was historic in that it was something that had never been aired before 9PM until then.

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Fast-forward 30 years and we now have Lisa and Carla’s wedding, and the soap’s first WLW wedding that sees both characters actually make it down the aisle. Viewers have backed the couple from the very start, with many fans inspired by their love story.

With the wedding airing during Lesbian Visibility Week, a deliberate choice by the soap, it has to be noted that many viewers feel represented by the characters and their union.

Yes, Swarla have had many obstacles in their time together, and more than most. They’ve had evil wives returning from the dead, killer brothers and a few hiccups along the way, not forgetting the disastrous proposals.

But they’ve made it, and Swarla are here to stay. It’s clear from the love the viewers have for Lisa and Carla that not only are they offering a powerful representation onscreen of a lesbian relationship, but it also shows how far television has come where the visibility of same-sex romance is concerned.

Addressing this progression and what Coronation Street has got right with Carla and Lisa, Sarah Garrett, Founder of the British LGBT Awards, shared her thoughts with The Mirror. She shared how much of an impact Swarla have had, and why it matters.

Sarah also shared what it was about Swarla, and what Corrie have done with the characters, that is so important – and why other TV shows and screenwriters should take note. Sarah told us: “In the 32 years since Brookside first aired a pre-watershed lesbian kiss on British television, same-sex relationships have been portrayed in many ways – the good, the bad and the ugly.

“What makes the portrayal of Carla and Lisa’s relationship so compelling is that it has never been framed as a coming-out story; instead, it is simply a story about falling in love. Their journey centres on two women who know exactly who they are, finding each other and building a relationship marked by compassion, conflict and vulnerability.

“It’s a powerful example of authentic storytelling and one from which screenwriters around the world could take note when depicting healthy, nuanced same-sex relationships.

“Going forward, the industry has the opportunity to build on this by continuing to normalise diverse relationships without sensationalism, investing in layered character development and allowing LGBTQ+ stories the same depth, longevity and ordinariness as any other on screen.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

A cellphone belonging to David Anthony Burke, better known as the singer D4vd, contained “a significant amount of child pornography,” a prosecutor said in court Thursday morning.

Los Angeles County Deputy Dist. Atty. Beth Silverman made the claim during a court proceeding to schedule a preliminary hearing on murder charges in the killing of 14-year-old Celeste Rivas Hernandez. The images were uncovered as part of a broad series of search warrants executed on Burke’s phone and iCloud account, Silverman said.

Burke’s attorneys have insisted he is innocent and are demanding his preliminary hearing begin next week, meaning evidence in the closely followed case could become public as soon as May 1. He appeared in court Thursday in an orange jail jumpsuit and walked into court with his hands in his pockets.

A status hearing was set for April 29. Silverman and a district attorney’s office spokesperson declined to comment outside the courtroom. The singer’s attorney, Blair Berk, also declined to comment.

The D.A.’s office spokesperson declined to say if the child sex abuse material allegedly found on Burke’s phone was related to Hernandez or another victim.

Burke was arrested by Los Angeles police last week and charged Monday with murder, continuous sexual abuse of a child and corpse mutilation, according to a criminal complaint. He has pleaded not guilty.

Defendants have a right to have a preliminary hearing, in which a judge determines whether prosecutors have enough evidence to bring a case to trial, within 10 business days. But Berk’s push to move quickly is unorthodox. She has publicly grilled Silverman about needing access to more discovery materials, and the medical examiner’s report detailing how Hernandez died was not made public until Wednesday.

Joshua Ritter, a former L.A. County prosecutor, said Berk was playing a “hell of a game of chicken” but she may be aiming to pressure test the prosecution’s case.

“The defense might want to put the D.A. on their heels if they feel for some reason there was a rush to make an arrest. But this case is nearly the opposite of that,” he said. “They’ve had more than adequate time … this does not seem like a situation where the D.A. made a hasty decision to file.”

Silverman said police amassed “40 terabytes” of digital evidence in the case, which has made uploading and transmitting materials to the defense difficult. Silverman also said police had conducted a wiretap operation in the case, but did not disclose the nature of it. The veteran prosecutor said even she had “not received anything” related to that operation.

She also confirmed prosecutors convened three secret grand jury hearings after Hernandez’s death — two in November and December in 2025 and one in February. Those were investigative grand jury hearings, meaning prosecutors could use them to enshrine testimony against Burke, but could not use the proceedings to secure an indictment against Burke. Transcripts from all three hearings will also need to be unsealed.

L.A. County Superior Court Judge Charlaine Olmedo also warned Berk that if she does push for the immediate preliminary hearing, she may not have access to the entire compendium of evidence before May 1.

Ritter also mused that Burke could be pushing his attorneys to fight the case without delay. Beyond that, he said, the approach “makes no sense.”

“The defense is seven months behind the eight ball on this. They not only have the grand jury transcripts to catch up on but who knows what kind of digital forensics and wiretaps and everything else,” he said.

Silverman also seems intent on bringing the case to trial as soon as possible. Silverman noted Thursday marked the one-year anniversary of the date prosecutors believe Hernandez was killed, and said she intended to put the case before a jury within 60 days of the completion of a preliminary hearing.

The singer allegedly began sexually abusing Hernandez in September 2023, when she was just 13. Burke’s attorneys have said the case cannot stand up to scrutiny and pushed for the immediate preliminary hearing.

Hernandez was reported missing from her family’s Lake Elsinore neighborhood three times in 2024, and she was spotted at some of D4vd’s concerts during that time frame.

Prosecutors allege Hernandez was last seen at Burke’s Hollywood Hills residence on April 23. She “threatened to expose his criminal conduct and devastate his musical career,” according to L.A. County Dist. Atty. Nathan Hochman, though the prosecutor has not answered questions about whether Hernandez was going to report Burke to police.

Burke surged in popularity after one of his tracks was included in the wildly popular video game “Fortnite,” and he has also collaborated with artists like 21 Savage. He was beginning to tour in support of his debut album, “Withered,” when reports surfaced linking him to Hernandez’s death. He quickly canceled all shows.

The details of the crime echoed some of the violent imagery associated with Burke’s songs. The Queens-born vocalist has appeared in a music video filled with violent imagery: a young woman with an apparent chest wound lies on a bed as the singer hovers over her, blindfolded, his white shirt spattered with blood. In another video, “One More Dance,” D4vd drags a person — who bears the singer’s likeness — to a car, where a couple stuffs the person into the trunk.

Hernandez’s badly decomposed body was found in the trunk of a Tesla at a Hollywood tow yard last September. An autopsy report made public this week revealed she died from a pair of stab wounds to the chest and abdomen. When police arrived on the scene, they found Hernandez’s body was “dismembered” and two of her fingers had been amputated, according to the medical examiner’s report.

Prosecutors charged Burke with murder with special circumstances, including allegations that Hernandez was a witness to a crime — her own sexual abuse — and that Burke killed her for financial gain to protect his ascendant music career. If convicted as charged, he faces life in prison without the possibility of parole or the death penalty. Prosecutors have yet to decide if they will seek capital punishment in the case.

OLIVIA DEAN stormed the opening night of her debut arena tour – but left fans gutted by not performing No1 hit Rein Me In.

She received a hero’s welcome at Glasgow’s OVO Hydro, fresh from a stellar few months which saw her scoop four Brit Awards, three Mobos and the Grammy for Best New Artist.

But she surprised the audience by deciding not to include her Sam Fender collaboration, which has so far spent eight weeks at the top of the charts, on her 23-track setlist.

So fans had a singalong to it outside the venue afterwards instead.

Rein Me In won the Brit Award for Song of the Year in February, but Olivia had plenty of other brilliant tunes to satisfy the sold-out arena.

As floor-to-ceiling white stage curtains opened to reveal the singer, she looked cool, calm and collected, despite the high expectations on her shoulders.

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She breezed out in a pink sequined dress and was greeted with echoing singalongs of utterly joyous tracks Nice To Each Other and So Easy (To Fall In Love).

She then told the crowd that her whirlwind success over the past 12 months has been a shock, even to her.

She explained: “This is crazy. Apologies if I get emotional tonight but I just can’t believe how many people are here. Today we were driving in and I drove past King Tut’s. I played there two years ago, and there was 300 people in the room.

“Now I’m here with all of you, so thank you so much for being here.

“Just enjoy yourselves. Sing, dance, cry, whatever you want. I’ll certainly be having a good time.”

And things got more emotional as she performed UFO, from her 2023 debut album Messy, which she said is about feeling “overwhelmed.”

When the audience spontaneously waved their phone torches in the air to light up the arena, she wiped away tears of joy.

One of the set’s unexpected highlights came as she sang Loud live for the first time.

And she did so in a flowing white skirt from a flower-shaped stage in the centre of the room.

Against stripped-back instrumentation, the haunting track showed her vocals at their most powerful.

Back on the main stage, disco balls descended from the ceiling for a more upbeat section which had her skipping and dancing across the stage, along with her nine-piece band.

As she wrapped up the gig, she said: “I never imagined I could have my own headline arena tour. It’s mental.

“Thank you so much for listening and just believing in me.”

And while she didn’t do Rein Me In, she finished her set with fan favourite Dive and her first No1, Man I Need.

She will be back on stage tomorrow at Manchester’s Co-op Live before six nights at London’s O2 Arena, and further shows in Dublin and across Europe.

Olivia is at the top of her game right now and if you want a warm, musical hug, this concert is it.

Duran set for summer

DURAN DURAN have dropped new single Free To Love and have signed up presenter Clara Amfo to appear in the music video.

They gave Radio 2 a first play of the track yesterday morning and it’s a banger, with Simon Le Bon and the band working on the single with Nile Rodgers – 40 years after he produced their Notorious album.

In an exclusive chat after the single dropped, John Taylor told me: “We wanted to write something uplifting for these times we find ourselves in. A feelgood piece for an imaginary dance floor.

“I always want to feel the DNA of classic disco in our music, reframed for now. Nile locks us into that timeless groove, bringing a sense of optimism. It’s a reminder that music can still bring people together.”

If you’ve not heard Free To Love yet, definitely give it a listen. It’s the perfect summer song.

Lady Gaga eyes six second Oscar

LADY GAGA is eyeing up another Best Original Song nomination at the Oscars after recording three songs for Devil Wears Prada 2.

After Gaga, released her Doechii collaboration Runway earlier this month, I told how the superstar had a surprise in store for fans and had contributed more to the film’s soundtrack.

I can reveal that as well as Runway, Gaga has recorded Shape Of A Woman which she performs during the film, plus a third song, which is called Glamerous Life.

It is a stripped-back emotional ballad – similar to her 2022 single Hold My Hand for the Top Gun: Maverick sequel.

On the new song, Gaga sings: “I might need a hero to save me from breaking. Can I be myself in a world that’s just faking it?”

In 2019 Gaga won Best Original Song at the Oscars for A Star Is Born’s Shallow and if Prada 2, which is in cinemas from May 1, takes off like I think it will, she will have another Oscar nomination under her belt.

Gaga co-wrote Shallow with Mark Ronson and performed it at the Oscars ceremony with her movie co-star Bradley Cooper.

Sofa, so good Kylie

ANYTHING Kylie Jenner touches seems to turn to gold.

So I think sofa superstore DFS should be having a serious think about signing her up, after the American reality TV star turned beauty mogul decided that she would use her cream sofa as the backdrop for a load of thirsty Instagram snaps.

Over two million of her fans have now liked the images, which Kylie captioned: “Can’t a girl have fun?”

I can think of more places to have a laugh than on my sofa wearing a bra, but each to their own.

Ant & Dec go crazy

OUR sister showbiz column Biz On Sunday told you back in February that Ant & Dec were in talks for a new ITV primetime show all about crazy golf.

And now I’m told the Geordie duo have had the series green-lit by telly chiefs, and the pair are already busy filming with a host of golf-mad hopefuls.

It is based on US show A Hole In One, where contestants battle it out on a seriously hard silly course for cash.

A source said: “Ant and Dec have been given the nod and they’re preparing to film their new ITV show later this summer.

“Rather than having the public competing like in the US version, they’ve got a load of golf fans to sign up and play.

“It’s going to be the weirdest and wackiest game of crazy golf ever, with some big personalities trying to putt a winner.

“Ant and Dec are huge golf fans so really wanted to get the concept off the ground. ITV loved it and now it’s being pitched for a primetime slot on Saturdays. It’s family-friendly and with the great personalities they’ve got on board, they think it could be a ratings winner.”

Ant and Dec will have a hell of a job fitting this new show into their schedules, with the pair due to jet off to Australia later this year for the next series of I’m A Celebrity . . . Get Me Out Of Here!

But if I was getting paid to spend some days in the sun mucking around on a crazy golf course, I’d definitely make some time in my diary.

Liam bigs up Oasis return

LIAM GALLAGHER is fuelling what we all know – Oasis will be coming back with more live shows.

And now the motormouth has sent fans in Italy into overdrive after heading to Rome.

He was mobbed outside his city-centre hotel, where one asked if he and Noel would return to the city.

Liam replied: “Without a doubt. We’re coming next year.”

I revealed the rockers are plotting more reunion dates in 2027 after taking this year to recharge.

A huge run across the UK, Europe and North America is heavily tipped as the brothers celebrate the 30th anniversary of their heyday.

For a man meant to be on holiday, Liam is putting in serious hours in the Oasis promotions department.

Tyla has A* pop lined up

TYLA has announced her second album A*Pop will drop on July 24.

The singer was in New York to dish out copies of her signed i-D Magazine cover and celebrated the release date with her fans, saying: “Initially going into this project, I was nervous – like, ‘Where do we go from here?’

“But I realised that the music really reflects where you are in life, and the way the new album sounds came on its own, it fell into place.

“There are some exciting features but those are all still under wraps for now.”

Reverand And The Makers also have exciting news for fans.

Today they have dropped new single F*ked Up with Robbie Williams.

NICK GRIMSHAW knows an act who has already been booked to headline Glastonbury 2027, after I revealed in January his close pal Harry Styles will top the bill next summer.

On his Sidetracked podcast Nick seemed to confirm my story by saying: “I know someone that’s playing. I can’t say who. So two spots to go . . . Maybe. They might be booked.”

VINYL fans with deep pockets should start saving now, as the White Label Auction is back.

The annual sale in aid of The Brit Trust begins on June 23, with hundreds of rare white label test pressings going under the hammer through Omega Auctions.

Among the hottest lots are signed releases from Sam Fender, The Cure, Roxy Music and Yungblud.

Collectors can also get their hands on gems from Gorillaz, Coldplay, Freddie Mercury, Sex Pistols and The Who.

The charity event has already raised more than £200,000.

STRICTLY fans can swap the sofa for the dance floor later this year, with the show’s pros heading to Warner Hotels for a string of star-studded breaks.

Kai Widdrington and Katya Jones will lead the glittery line-up, with guests able to watch live performances, snap photos and even learn a few moves themselves.

And it’s not just sequins on offer.

Singers Chesney Hawkes, Michael Ball, Alexandra Burke, Will Young and Russell Watson are all booked to perform at various locations across the country.

BBC Radio 2 presenter Sara Cox, who has just landed the biggest job on the station, has been married to husband Ben Cyzer, with whom she shares two children, since 2013

Newly announced BBC Radio 2 Breakfast Show presenter Sara Cox has always been open about her home life, previously sharing a “depressing” revelation about her marriage to husband Ben Cyzer.

The broadcaster, who is set to replace Scott Mills on the nation’s biggest radio show, struck up a relationship with advertising boss Ben back in 2006, a year following the breakdown of her first marriage.

The BBC Radio 2 host tied the knot with Ben in 2013, and together they’re parents to daughter Renee and son Isaac. She’s also mum to Lola from her earlier marriage to DJ Jon Carter.

Yet Sara, aged 51, has disclosed a nightly struggle she endures with Ben. Speaking on her Teen Commandments podcast, which she co-hosts with Clare Hamilton, Sara revealed that Ben’s snoring regularly drives her to escape to another bedroom.

She explained: “This is my issue that I’ve got with Ben in the night if I wake up, just him breathing is annoying. Not during the day, I just mean any slight noises.”

“You know on a wildlife documentary when they have a shot of an animal that’s on high alert for a predator? I feel like I’ve got that heaving in the middle of the night, I can just hear the tiniest [noise]…it’s just so magnified in the middle of the night.

“I think there’s a bit of anxiety in there. I remember in my twenties if I woke up at like half one, I probably wouldn’t have been in bed at half one, but if I woke up in the middle of the night and it was like 3am, in my twenties I’d be like, ‘Yeah, I’ve got loads of time to sleep, amazing’. Now I’m 50 I go, ‘F**k, it’s three, I’m not going to sleep, I’m never going to get back to sleep again’.

“So I need to tap into that twenties energy of thinking, ‘I’ve got loads of time to sleep’.”

When questioned about managing her partner Ben’s nocturnal disturbances, Sara Cox revealed: “I nudge him, he’s really patient, he’s great about it, and then we just keep sleeping in separate rooms, which is a bit depressing.”

Sara has just revealed how “ecstatic” she feels to take the reins of the BBC Radio 2 Breakfast Show, after its former host, Scott Mills, was axed from the role last month.

“There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed,” she shared.

The star, who currently hosts Radio 2’s weekday Teatime show and will begin fronting the Breakfast Show in the summer, added: “It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests. I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

The Saturday soccer show, which looks ahead to the day’s games, is to end following a drop in ratings

Alex Scott has issued a statement after BBC bosses blew the final whistle on Football Focus after a run of 52 years. The presenter, 41, said: “I always knew this would be my last season on the show, which the BBC were aware of too. My intention was to move quietly into the next chapter, but sometimes things change.”

The show, hosted by Alex Scott, was first broadcast in 1974. The decision is said to be based on “changing audience behaviours”, with fans increasingly consuming football content in different ways.

She said: “To have been part of it has been incredibly special, and I’m so grateful and proud of the eight years I’ve been involved , including the five years I’ve had the honour of presenting it.

“It has been such an important part of my life, working with some of the very best people in the business, both on screen and behind the scenes. I’ve loved so much of it, the conversations, the laughter, and sharing so many big moments with you, the audience. Thank you for being part of it.”

It comes as the Corporation battles with its finances, with the BBC saying “it is appropriate to respond to this as difficult decisions are made around how the licence fee is spent”.

In an age of content creators and social media, many football fans are no longer tuning in to the BBC1 show.

But BBC Sport chiefs insisted the decision to end the show at the end of the current season was not a reflection on the performance of Scott, who took over in 2021 after Dan Walker’s 12-year stint.

Alex Kay-Jelski, Director of BBC Sport said: “Alex Scott is one of our finest presenters, is hugely popular across the men and women’s game and is a big part of our present and future.

“She will remain at the heart of our sports output across both the Men’s World Cup this year and the Women’s World Cup in 2027, as well as continuing her lead role on the Women’s Super League and BBC Sport Personality of the Year. We are also working on a very exciting new project with her – more to come on that soon.”

He added: “Football Focus has been a hugely important programme in the history of BBC Sport and has played a key role in telling the stories of the game for generations of viewers. This decision was made before last week’s wider BBC savings announcement, reflecting the continued shift in how audiences engage with football and our commitment to evolving how we deliver content to reach fans wherever they are.”

But Alex, who will be the last presenter of the long-running BBC stalwart, is said to have been left feeling “bruised” over the BBC’s inquests into its declining performance. The BBC has not published viewing figures but the audience had dropped off significantly from 849,000 in 2019 to 564,000 by 2023.

Walker predicted the end of the show back in 2023, when he said: “It’s hard to see Football Focus struggling… I hope it stays part of the TV landscape.”

JERSEY Shore star Snooki has confessed that she’s putting off life-saving surgery because she’s scared.

At the start of the year, Nicole ‘Snooki’ Polizzi revealed her stage 1 cervical cancer diagnosis to the world.

The MTV reality star, 38, believes she could have avoided the diagnosis had she gone to her recommended follow up visits to the doctor.

But despite saying she had regrets over “just keep putting it off” about her prior appointments, she is now putting off life-saving surgery.

Her doctor recommends that Nicole should undergo a hysterectomy to avoid the possibility of the cancer’s return.

“No, we’re not putting off any more appointments,” Nicole said.

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But she later added: “They’re already yelling at me to schedule the hysterectomy, which I didn’t. I’m traveling.”

Lara then pressed: “I know but this is your life,” adding how she is a mom to three beautiful kids.

“Well, I’m not going to lie, I’m scared,” the reality star added.

“I know, and I understand that. But you know what’s going to be more scary? If you don’t do it,” Lara urged.

“If you get this hysterectomy, do the doctors feel like you will be way ahead of the curve?” Lara asked.

Snooki replied: “Yes.”

Nicole recently underwent a PET scan where the results thankfully showed the cancer has not spread, though the surgery is highly encouraged to ensure the cancer does not return.

Elsewhere in the interview, Snooki opened up about the moment she found out about her devastating diagnosis.

“I was terrified. I was terribly crying in my car. Like, what am I going to do?” she recalled.

“I have three kids. I got to do my will. I haven’t done my will yet.”

Snooki first told fans about her health scare in an emotional video posted online in January.

At the time, she urged her followers to take their gynecological health seriously, and get all the necessary appointments done.

She noted that she was trying to get caught up on all hers, adding that several recent pap smears came back irregular in recent years.

Nicole said this raised concern with her doctors, who urged her to undergo a colposcopy to retrieve samples from her cervix for biopsy.

“That hurt. It wasn’t a great experience,” she said.

She then shared that the results of the colposcopy were “not great,” adding that her doctor “found cancerous cells on the top of my cervix.”

He urged her to get a biopsy to see if the cancerous cells spread, telling her the results of that would determine the next steps.

Nicole admitted at the time that she had avoided visiting the doctor because she did not want to deal with “pain” or “stress” caused by different procedures.

She admitted, however, that doctors visits are necessary, and encouraged her followers to take it seriously.

Snooki got emotional in the clip as the reality hit her.

“Obviously, I’m done having kids,” Nicole said through tears.

“But like as a woman, the thought of getting a hysterectomy is just sad, and it’s scary…the thought of getting the hysterectomy and then not being able to have kids, I think that’s what’s killing me,” she confessed.

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”