SHOW BIZ

MODEL Apple Martin is in Vogue — as she lands her first shoot in the magazine.

The daughter of Coldplay singer Chris Martin and actress Gwyneth Paltrow was sitting pretty on a stool for the glossy.

Apple, 21, posed in a short red skirt and jumper, with a stylish black leather jacket.

She is set to swap fashion for cap and gown when she graduates with a law degree in May.

But she hopes to make it big in Hollywood like her mum, rather than follow in Chris’s footsteps.

She tells Vogue: “Getting on stage by yourself to sing is so terrifying.

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“I love dancing and I love acting.

“My dream is to act.”

Recently she wore a minidress as part of her capsule collection for Self-Portrait.

Speaking about her campaign for the UK brand, she said: “Debuting with self-portrait was a no-brainer.”

“Their British spirit reminds me of growing up in London.

“So it’s felt like home from the start.”

“I’m so excited for this campaign to be out in the world and for us to continue exploring this side of my creativity together.”

Gogglebox returned for another instalment but one cast member was nowhere to be seen

A beloved Gogglebox star was nowhere to be seen during the latest instalment and their family quickly explained why.

The long-running Channel 4 show returned to screens on Friday evening (February 13) for another episode. Back sharing their thoughts on the latest bits of telly were favourites like Pete and Sophie Sandiford and Ellie and Izzi Warner.

The Plummer brothers, Tremaine, Twaine, and Tristan, – who joined the programme in 2016 – returned too. But instead of the three of them, it was just Tremaine and Tristan sitting on the sofa.

On Instagram before the episode aired, the brothers explained why Twaine was missing. In the clip, they said: “It’s just the two T’s today as Twaine left us to go on holiday. So we’ve got a new member of the team now,” before picking up their adorable dog.

The post was captioned: “Meet the new member of the team… @trissy101 @trem_vi Brand new #Gogglebox tonight at 9pm on @channel4.”

Fans quickly flooded the comments section with support, and even Twaine replied and said: “Wish I was there,” along with sad face emojis. Someone else wrote: “Enjoy the holiday you are missed tonight.”

Another fan commented: “Happy Friday looking forward to watching you tonight. Hope he’s gone somewhere that’s sunny and dry.” A third follower declared: “He’s another good-looking Plummer I’m glad you’re back with us we don’t see enough of you guys.”

The Plummer brothers made their Gogglebox debut 10 years ago – and it didn’t take them long to become firm favourites with viewers.

Over the years, the brothers – who live in Bristol – have had fans in stitches thanks to their witty banter and one-liners and comical takes on the telly highlights.

Away from the TV show though, Tremaine – who is the eldest of the three siblings – presents a breakfast radio show on Bristol’s Ujima FM. Tristan has enjoyed a professional footballing career from 2007 too as well as other brother Twaine.

**For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website**

Meanwhile Gogglebox welcomed several new faces to its cast last year, like Jake and Calum from Glasgow and the Gordon family from Surrey.

Other new stars included the likes of married couple Andrew and Alfie from the Cotswolds and mother-and-daughter-in-law team Sara and Lara from Yorkshire.

Gogglebox airs every Friday at 9pm on Channel 4.

GORDON Ramsay has revealed what REALLY happened at Brooklyn Beckham’s wedding – including THAT dance with mum Victoria.

Last month, Brooklyn posted an explosive statement claiming his mum danced “inappropriately on” him at his lavish wedding in 2022. 

The 26-year-old’s camp said it involved the former Spice Girl grinding against him for the first dance in 2022.

They claimed he was left in tears while wife Nicola Peltz, 31, was devastated — with the events captured on videotape.

Victoria has since become victim to hundreds of online memes, mocking the couple’s first dance.

Unnamed “friends” of the Beckhams, however, have furiously hit back at the allegations.

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And now Gordon has set the record straight.

”We were there at the wedding,” he says. “There was nothing salacious. There was nothing inappropriate. Everyone was having fun, having a dance.”

But, Gordon, DID SHE GRIND???

”No! Nothing of the sort. It was fun.”

He added: “I haven’t seen any of the memes, I heard about them of course, but Victoria’s got a great sense of humour. She’s great.

“She’s right to be upset (about the wedding) but she can bat that other s*** away in a heartbeat.

”Victoria and Tana have spoken a lot, they are probably closer than ever – they’re like two peas in a pod, those two. She has offered lots of support.”

During the interview, Gordon also insisted that good friend David WILL end the ongoing feud with son Brooklyn.

The star has been in contact with the aspiring chef, offering messages of support and encouraging the 26-year-old to heal the heartbreaking rift.

The Michelin starred restauranteur said: “Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

“Brooklyn and I have messaged a little bit, our relationship is solid. I love him – his heart is incredible.

“But it’s hard, isn’t it, when you’re infatuated. Love is blind. It’s easy to get up on that roller coaster, and get carried away. But it will come back.

“I’ve seen first hand just how good parents they are. David as a dad is just incredible. They have both put so much energy into their kids, and I know just how many times they have got Brooklyn out of the s***.”

Gordon continued: “I think it’s going to be a matter of time before Brooklyn takes a good look at himself and understands just what his parents mean to him.

”He’s desperate to forge his own way, and I respect that from Brooklyn. It’s such a good thing to do. But remember where you came from.

”And honestly, one day you’re not going to have your mum and dad, and you need to understand that. That penny will drop.

”I just want Brooklyn to take a moment to himself. And remember: You’re half mum, half dad. And you’re an amazing young man. But, boy, they’ve done more for you than anyone did in your entire life.

”Time’s going to be the best healer, and David will absolutely get that relationship back on track.”

While Brooklyn has blocked many of his family members on Instagram, he and Gordon still follow one another.

The chef, who has almost 20mn followers, has helped the youngster, and publicly backed his cooking endeavours where others were quick to mock.

Friends for almost two and a half decades, meanwhile, Posh and Becks, and Gordon and Tana have been there, through thick and thin, for one another.

Thundering drums and shredding guitar solos cut through the crowd as pyrotechnics and streamer cannons blast. The energy and production feel like a show at the Hollywood Palladium or the Forum, but we’re at Knott’s Berry Farm, on the rooftop of a big red doghouse — that is if we can suspend our disbelief for an evening. The educational rock band Jelly of the Month Club along with guest musicians Charlie Brown, Lucy, Schroeder and Linus set up the show’s finale with a question: “Where’s that crazy dog?” Hundreds of fans scream as “All aboard!” resonates through the park, watching in anticipation as a spotlight searches for its fuzzy rock ‘n’ roll star to emerge.

Chances are you’ve seen Snoopy dressed as Doggy Pawsbourne on your Instagram or TikTok feed, complete with Ozzy’s signature round sunglasses, long hair and trench coat, punctuating the Prince of Barkness’ “Crazy Train” entrance. Snoopy’s Legendary Rooftop Concert became an instant hit with park patrons and with fans internationally thanks to a viral video posted on opening night. Sharon Osbourne shared the “Peanuts” tribute to her late husband with the all caps message “I LOVE IT” to her social media from the floor of the 68th Grammy Awards. But it’s more than witty puns and costumes that make Snoopy’s Legendary Rooftop Concert special.

The show at Knott’s tells the story of Snoopy learning to be a rock star at Jelly of the Month Club’s Music Academy and touring the world with the band. Snoopy takes on fursonas like Dog Lennon, Paw Prince, Fido Mercury, Flying Ace Freely and even a lost member of Devo wearing the signature Energy Dome hat. Jelly of the Month Club hits every beat and chord with precision, with arrangements of songs and medleys that bring together the power of rock’s past with the whimsy of “Peanuts.” Woodstock gets a solo moment too, whistling on Dog Marley’s “Three Little Birds,” set to a perfect one drop beat as Charlie Brown spirals out in a chicken suit while rubber chickens sway.

“We got rows of kids bringing their own rubber chickens,” show director Rob Perez tells me. “Its almost like watching ‘Rocky Horror’; kind of bizarre, really funny, and charming.” When Charles Schulz’s daughter Jill came to see the show, she told Perez that her dad used to say “there’s nothing funnier than a rubber chicken.”

Snoopy as Doggy Pawsbourne at Knott’s Berry Farm

(Dick Slaughter)

It makes sense that rock ‘n’ roll appeals to Snoopy; he’s a bit of an outsider with an internal life seen by almost none of his friends. It makes more sense that the feeling of family promised by rock touring life would appeal to Charlie Brown; it often calls to creative dreamers and outcasts with a subconscious need to belong. Schulz explored why all humans have the feeling people don’t like us in his cartoons and admitted that Charlie Brown was loosely based on himself. “People who win are the minority,” he told BBC in 1977, “most of us lose a lot.” The solution he provided to overcoming life’s most difficult conditions was simply to never give up.

Nobody cheers on Charlie Brown in Snoopy’s Legendary Rooftop Concert more than Jelly of the Month Club guitarist and vocalist Michael De La Torre, a.k.a. Mic Dangerously, who has become accustomed to encouragement working with youth. Active since 2013, Jelly of the Month Club is a family-friendly band who use music to inspire, educate and entertain kids and adults. It has played countless elementary schools, children’s hospitals, civic events and theme parks with interactive songs that teach musical concepts and life lessons. The band also offers free online lessons called the Jelly of the Month Club Music Academy, which turned live gigs into cartoon-based educational games. The band members have partnered with nonprofits including UNICEF’s Kid Power initiative to provide concerts to schools across Southern California, often donating their time.

“Studies say music helps with math, English and science, but it also helps you as a person,” Dangerously says. “It helps you understand feelings better. Look at how adults use music therapeutically. Kids are doing just the same.”

Dangerously first recognized the power of music education as a young boy at St. Pius elementary school in Buena Park, when a man with a bushy mustache and a Hawaiian shirt quieted the boisterous students in seconds with only an acoustic guitar. But hearing Louis Prima’s voice in “The Jungle Book” solidified his desire to become a singer.

Playing at Knott’s has forged meaningful connections to the community in ways Dangerously never foresaw in his early rock ‘n’ roll days. He’s become close to a father and his usually nonverbal son who can’t keep quiet at shows, asking questions and singing along. Last year an older woman who he’s built a friendship with for years suddenly disappeared. Dangerously learned from her daughter and granddaughter that she suffered a stroke. She credits singing and dancing to his music at Knott’s as instrumental in recovering her speech and movement. “She told me that she loved me like a son,” Dangerously says. “I’ve never had anything like that happen with my rock band. It makes you really want to show up.”

On the night The Times experienced Snoopy’s Legendary Rooftop Concert, Dangerously’s biggest fan, Abbey, stood in the front row playing a light up tambourine above her head to “The Blooz Beagles,” wearing a head-to-toe matching outfit to him. In her sequin blazer, red pants, black boots, bow tie and wide-brim hat, the 11-year-old mirrored his musical gestures, never missing a beat. Abbey loves “everything” about the music and dancing she tells me, excited to share that Mic personally gave her the tambourine and a few other instruments too.

Crowd at Jelly of the Month Club show at Knott’s

“They’ve known her since she was 3,” says April Guerrero, Abbey’s supportive mom who has helped her daughter make replicas of Jelly of the Month Club’s looks since 2017. Abbey learned to play music because of the band’s online resources.

“Many of us have a background in education,” Dangerously said. Matt Kalin is a teacher and pro saxophonist who has shared the stage with legends like Social Distortion and Louis Bellson. Dr. Todd Forman is a practicing physician who went to Harvard, taught at USC, and played sax with Sublime. Bassist James Kee is an educator who has taught kindergarten through fourth grade for the last 15 years. Dangerously’s own mom was an art teacher who encouraged him to teach after he finished his audio engineering degree at Musicians Institute, something he’s used in a junior producer’s course he created for an after-school program in Long Beach.

Like the members of Jelly of the Month Club, director Rob Perez is a multi-instrumentalist and producer with a deep reverence for classic rock and Charles Schulz cartoons. Perez is the man responsible for turning Snoopy’s Legendary Rooftop Concert from a dream into a reality. The concert grew out of a 2017 show called Woodstock’s Music Festival. When Snoopy walked out as Jimmy Hendrix, the crowd went wild, and Perez’s boss and Knott’s fans wanted more.

“The Rooftop Concert is a little bit of a nod to the Beatles, but it’s much more about Snoopy’s rooftop,” Perez tells me. “When you see Snoopy as the great writer, or the World War I Flying Ace, it’s always on the roof of his doghouse. So why wouldn’t he be a rock star on his rooftop?”

Knott’s rebrand of the show let Perez incorporate more storytelling, a task he shared with Jelly of the Month Club. The show opens with Snoopy traveling from his fictional cartoon town to a rehearsal where Dangerously gifts him a tambourine to join their jam. He sends Snoopy home with a pile of records which he listens to obsessively in his doghouse, a relatable experience for fans who have found solace and inspiration in old LPs, hiding out like Snoopy with pizza, root beer, and the complicated dream of leaving the only place you’ve ever called home to follow music’s call. Snoopy dons a leather vest, proclaims he’s a “Golden Dog,” and runs away from home to take lessons at Jelly of the Month Club‘s Music Academy and tour the world. After receiving criticism in the recording studio about his howl, Snoopy finds himself missing his best friend Charlie Brown. He asks the Peanuts Gang to team up with Jelly of the Month Club for one final performance on top of his doghouse, legendary enough to land them in the Rock and Roll Hall of Fame.

Perez’s writing and producing shares the attention to detail present in Jelly of the Month Club’s approach to the music. Perez had the honor of voice acting for Snoopy. He digitally re-created a technique he learned from researching Bill Melendez’s 1960s approach in which he recorded barks and grumbles directly to reel-to-reel tape, sped it up, then cut and pasted it randomly to create Snoopy’s signature pentameter-less cadence. Perez worked closely with costume designer Tim Barham, creating every wig, accessory, and costume with exacting detail. The storyline and graphics pay close attention to “Peanuts” lore and rock ‘n’ roll film history, with Easter eggs from “La Bamba,” “Rocketman,” “This Is Spinal Tap,” “Almost Famous” and many others hidden throughout the 30-minute show.

“We don’t try to change the Peanuts from who they are,” Perez says. “We have to bring Charlie Brown along as he constantly fails at being a rock star. We have to give him a shot and prop him up, because he’s usually on the ledge. We bring him back. That’s been the premise of many Peanuts TV specials and movies.”

Mic Dangerously with Snoopy at Knott’s

(Dick Slaughter)

Jelly of the Month Club’s original song “The Magic Is in the Music” meets Charlie Brown where he’s at, encouraging him to take on the challenge of becoming a guitarist. As he fumbles with his out-of-tune Flying V, looking ready to shred in a thrash band, the crowd cheers for his success despite his self-doubt. When Charlie withdraws during the Elton John number, Dangerously responds by saying that that music can be a safe place when you’re feeling lost, saying “Charlie Brown, you are home.”

“We’re out there singing we ‘want to bark and howl all night’ but we’re teaching Charlie Brown and Snoopy is that it’s not just about your clothes, it’s about what’s in here,” Dangerously says, touching his heart. “It’s important not to take yourself too seriously. We’re showing that it’s OK to have fun. And that silliness is a big, important component of rock and roll.”

This spirit is the core of Snoopy’s Legendary Rooftop Concert on stage and on the floor. At the show I see a sea of grandmas shaking babies’ fists in the air, a little boy in a Woodstock hoodie headbanging, rockers in studded vests with huge smiles on their faces, and teenagers momentarily dropping their defenses against cringe in exchange for a moment of sheer joy.

Hanna and Ellie, teens from South Gate and Silver Lake, respectively, can’t contain themselves, pogoing, screaming and singing along. “I’m at a loss for words,” Hanna says, giggling. The girls agree that the show was better than they expected.

On Snoopy’s rooftop everyone is a rock star: Abbey, a rubber chicken and even Charlie Brown.

Anyone who thought Cruz Beckham was just another nepo-baby musician should think again — that boy is seriously good on a guitar.

He made his live radio debut on Chris Evans’s TFI Unplugged on Virgin Radio UK with his band The Breakers and proved his mettle.

Their new track, For Your Love, is packed with promise — gentle and lilting before it ramps up to an Indie-anthemic chorus.

The video is also out now and features a special appearance from Victoria’s dad, Tony Adams.

Cruz said: “Tony is my grandad, he is an amazing human. He was in a band when he was younger. I love talking to him about music and playing songs.

“Once I found out he was part of a band I got a lot more into it. I found out about The Beatles because of him.”

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It’s clear the Fab Four are a big influence for Cruz, along with a smudge of Oasis and a large splattering of The Stone Roses — his dad David’s favourite band.

Chatting after their performance, Cruz said: “I’ve always wanted to be in a band. Growing up, listening to so much band music, it was always important to me.

“When I was in the studio, there was always something missing. I always wanted stuff around me.

“We met through my girlfriend [Jackie Apostel] who is a songwriter. I went to see one of their gigs and the sparks flew from there.”

The group have already put out tracks including Optics and Lick The Toad, but like Cruz, For Your Love is my favourite by far. Cruz added: “Optics wasn’t my favourite song.

“I wanted to put For Your Love out first. I just think it was a different way into it.”

Cruz and The Breakers have just finished their debut run of shows with Welsh indie group, The Royston Club, and are now preparing to head out on their first solo tour — with almost all of the 14 dates nearly sold out.

“The Royston boys hadn’t heard anything that we were playing,” Cruz explained.

“They didn’t know if we could play a tune to be honest and they just accepted us and it was nuts. It was a whole new thing for me, I’d never really gigged in front of people. But every night it got easier and a lot less stressful.”

Opening up about their influences, Cruz, alongside his bandmates Dan Ewins, Telmo Seixas and Dario Scotti, all cited rock bands — including Machine Head, Rage Against The Machine and Born Of Osiris — as their first shows.

Cruz was more true to form though, joking with Chris: “Other than Spice Girls age two?

“My dad took me to a Stone Roses gig at Old Trafford.”

Chris then revealed David had been listening from home and told Cruz: “Now you’ve mentioned your mum and dad.

“We played Stone Roses at 6:45am and your dad texted me and said: ‘You can’t get enough Stone Roses.’”

True that, David.

I think there’s an exciting future ahead for Cruz and co, so take a look at their performance on Virgin Radio UK’s YouTube channel to see them singing live for yourself.

Millie looks ace

It’s game, set and matching outfit for Millie Bobby Brown as she poses on a tennis court to model her latest fashion range.

The Brit actress was promoting her clobber for fashion brand Florence By Mills, while taking a break after a mammoth tour for the final series of cult Netflix show Stranger Things.

The tennis ball in an ice-cream cone was certainly a stranger thing – but she serves up a good look.

Scott backing UK Eurovision hope

The UK’s Eurovision entry has finally been chosen and Scott Mills has high hopes.

The Radio 2 DJ, who goes to the contest every year, has revealed the BBC are playing him the chosen song next week ahead of a grand announcement later this month.

And he insists we have a good chance, despite mixed results recently, as the standard of our tunes has improved.

Asked in an exclusive chat if he has heard it, Scott said: “No, but I know they’re going to play it to me next week. But I’m really in the dark about it this year.

“I don’t feel embarrassed by any of the artists or songs that we have sent recently.

“I’m not gonna say when, but I’ve worked on Eurovision so long that when they would play me the song I’d be like ‘OK, right then, I’ve got to sell this now….’

“It was quite a while ago now. And that doesn’t really happen any more.

“But I say that now…”

Yesterday Scott was named in Attitude 101, empowered by Bentley, in it’s annual list of 100 LGBTQ+ trailblazers.

Scott, who attended the glitzy lunch with his husband Sam, explained: “I’ve never had a gay honour.

“This magazine is iconic, and also, I have mad imposter syndrome so I’m like, ‘Why am I on this list?!’”

But he is thrilled that homophobia, for him, is in the past.

He said: “When we did Race Across The World, I thought that there might be, like, ‘Oh, God, a gay couple,’ because that’s kind of where I’m from, and that’s what I’m used to.

“And I think it’s all in our heads. That’s what really made me go, ‘Oh, OK, there has been a shift here.’”

And although they aren’t considering it now, having a child isn’t off the table.

He added of becoming a dad: “It’s a huge thing. I would like to, but my schedule is so unpredictable and ridiculous still.

“I thought by this time in my career, things would have kind of calmed down a bit, but it’s got busier than ever.”

Tate’s Can do attitude

Tate McRae’s fans are still right behind her, it seems, despite the singer causing a storm after backing Team USA in the Winter Olympics rather than her native Canada.

Die-hards mobbed her as she enjoyed a night out in Paris with mates.

But Tate, who looked chic in a black leather jacket and miniskirt, happily signed autographs and posed for selfies.

It’s the first time she has been seen out since she made a very Gen Z apology for getting behind the Yanks.

She shared a sweet picture of herself as a child, waving a Canadian flag, and wrote: “Y’all know I’m Canada down.”

I’m sure the cash Tate got for this gig more than made up for the criticism.

Tom’s on hand for proposal

My favourite pop star Tom Grennan helped pull off a heart-melting proposal on Capital Breakfast yesterday.

Show hosts Jordan North, Chris Stark and Sian Welby have spent the past fortnight dropping hints about their “secret fiance” (Darren Spencer) during their shows but his girlfriend, Sophie Black, who listened every day on her commute was none the wiser.

Sophie believed she was a competition winner who had bagged a night’s stay at the Jumeirah Hotel in London.

But at breakfast a flash mob of choir singers got up and started performing, Tom popped out to sing his hit, Little Bit Of Love, and Darren got down on one knee.

Sophie, who said yes, said: “Never in a million years did I think he could pull off something like that.”

Katherine Ryan looked as smooth as the cartoon characters at London’s new Pixar attraction.

She showed off the results of her facelift as she cradled daughter Fenna at the launch of the Mundo Pixar Experience in Wembley on Thursday.

Mermaid is little bit naughty

The tale of the Little Mermaid is tipped on its head in a new musical – telling the story from the villain’s perspective.

Camp and hilarious show Unfortunate: The Untold Story Of Ursula The Sea Witch is packed with naughty gags and belting songs, and sees Sam Buttery play the deliciously wicked protagonist.

It launched at London’s Other Palace theatre . . .  although drag queen Tiara Skye caused quite a stir in the audience.

The TikTok star, who it seemed had enjoyed a few drinks, repeatedly heckled the actors and left some of them clearly miffed.

It’s fair to say that Doctor Who’s Yasmin Finney, who was unfortunately sat next to Tiara, looked absolutely mortified by the crazy outbursts.

Taylor Swift scores her sixth No1 single with Opalite, after originally peaking at No2 last year. Olivia Dean, right, stays top of the album charts, ahead of Bad Bunny, whose Super Bowl show has propelled Debí Tirar Más Fotos up to No2 and his single DtMF is at No4.

Single

1. Opalite – Taylor Swift
2. Raindance – Dave & Tems
3. Where Is My Husband! – Raye
4. DtMF – Bad Bunny
5. Rein Me In – Sam Fender & Olivia Dean
6. So Easy (To Fall In Love) – Olivia Dean
7. Lush Life – Zara Larsson
8. Man I Need – Olivia Dean
9. I Just Might – Bruno Mars
10. Stateside – Pink Pantheress with Zara Larsson

Albums

1. The Art Of Loving – Olivia Dean
2. Debí Tirar Más Fotos – Bad Bunny
3. The Fall-Off – J Cole
4. 50 Years: Don’t Stop – Fleetwood Mac
5. The Highlights – The Weeknd
6. Piss In The Wind – Joji
7. Man’s Best Friend – Sabrina Carpenter
8. The Essential – Michael Jackson
9. You’ll Be Alright Kid (Chapter 1) – Alex Warren
10. +–=÷×– (Tour Collection – Ed Sheeran

PRESIDENT Donald Trump has revealed why the FBI hasn’t taken over the search for Nancy Guthrie as the investigation approaches the two week mark.

He confirmed the reason the federal agency was pushed to the backburner when asked about the missing 84-year-old on Friday.

On Friday, Fox News reporter Jacqui Heinrich asked Trump, “Why hasn’t the FBI taken over the Nancy Guthrie case as the lead investigator?

“Do you have any updates on how it’s going?”

Trump responded, “Well, they took it over originally. You know, it was a local case originally, and, they didn’t want to let go of it, which is fine.

“It’s up to them. It’s really up to the communities. But ultimately, when the FBI got involved, I think, you know, progress has been made.”

In the past few days, several reports have claimed the Pima County Sheriff’s Department in Tucson, Arizona, is at odds with federal authorities over the investigation.

Pima County Sheriff Chris Nanos was accused of bypassing federal analysts by an anonymous FBI source who spoke with Reuters.

However, Nanos dismissed the concerns and vowed he was collaborating with other agencies to find the truth.

He responded to reports claiming that he sent DNA evidence and gloves recovered at the scene to a lab in Florida without keeping the FBI in the loop.

“Actually, the FBI just wanted to send [to their own lab] the one or two [gloves] they found by the crime scene, closest to it, mile, mile and a half,” he told NBC affiliate KVOA.

“I said, ‘No, why do that? Let’s just send them all to where all the DNA exist, all the profiles and the markers exist.’ They agreed, makes sense.”

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

Like us on Facebook at TheSunUS and follow us on X at @TheUSSun

When the Justice Department released an additional 3 million pages of documents related to convicted sex trafficker Jeffrey Epstein at the end of January, ARTnews unearthed and published excerpts from dozens of emails between Epstein and David A. Ross, a former director of the Whitney Museum of American Art who started his career in the 1970s as deputy director and curator of video art at the Long Beach Museum of Art.

Ross, who served as the chair of the MFA art practice program at New York’s School of Visual Arts since 2009, promptly resigned.

If the emails had been less damning, the revelation of Ross’ connection to Epstein might have played out differently, but that was not the case. In one letter, dated Oct. 1, 2009, Epstein wrote to Ross that Roman Polanski’s attorney was coming to see him and that he was considering funding an exhibit titled, “Statutory.”

“Girls and boys ages 14 – 25, where they look nothing like their true ages,” Epstein wrote. “Juvenile mug shots, photo shop, make up. Some people go to prison because they can’t tell true age. Controversial. Fun. Maybe it should be a web page with hits, tallied.”

“You are incredible,” Ross wrote back. “This would be a very [sic] owerful and freaky book. Do you know that total porno commercial kiddie picture of Brooke Sheilds that Richard Prince appropriated for an exhibition in the early 1980’s?”

Epstein replied in the affirmative to Ross’ reference to a Prince photo titled, “Spiritual America,” which appropriated a 1976 photo of a naked, 10-year-old Shields taken by commercial photographer Gary Gross.

“They closed it off in the London show,” Epstein noted.

Ross also expressed sympathy for Epstein’s legal travails in 2009 following a 13-month sentence he served in Florida after pleading guilty to reduced state charges of procuring a minor for prostitution.

“Glad the nightmare is over, Jeffrey,” Ross wrote. “It was an undeserved punishment foisted upon you by jealous creeps.”

In an email to ARTnews, Ross expressed remorse that he “fell for” Epstein’s lies.

“Like many he supported with arts and education patronage, I profoundly regret that I was taken in by his story,” Ross wrote. “I continue to be appalled by his crimes and remain deeply concerned for its many victims.”

Ross noted that he first met Epstein when he was director of the Whitney in the mid-1990s. Ross also served as director of the San Francisco Museum of Modern Art and the Institute of Contemporary Art in Boston.

“I knew him as a wealthy patron and a collector, and it was part of my job to befriend people who had the capacity and interest in supporting the museum,” Ross wrote, adding that when Epstein was jailed in 2008, he told Ross that it was a political “frame-up” resulting from his support for former President Bill Clinton. Ross said he believed him.

It seems lots of men believed Epstein. Meanwhile, behind all the power lunches, private plane rides and callous late-night emails, far too many women and girls suffered.

I’m Arts editor Jessica Gelt with your arts and culture news for the week.

On our radar

Michael Feinstein and the Carnegie Hall Ensemble will perform Valentine’s Day at Segerstrom Hall in Costa Mesa.

(Segerstrom Center for the Arts)

Michael Feinstein: A Broadway Valentine
The singer, musician, conductor and stalwart proponent of the Great American Songbook celebrates the holiday of the heart with the Carnegie Hall Ensemble. Timeless love songs and lush orchestrations seem like a perfect way to spend the evening.
7:30 p.m. Saturday, Segerstrom Center for the Arts, Segerstrom Hall, 300 Town Center Drive, Costa Mesa. scfta.org

A detail of miniature “sportraits” from Lyndon J. Barrois, Sr.’s exhibit, “Fútbol Is Life,” at LACMA.

(Allen J. Schaben / Los Angeles Times)

Fútbol Is Life: Animated Sportraits
GOOOOOOOOAAAAAAAL! Ahead of this summer’s World Cup, with L.A. as one of 16 host cities across the U.S., Canada and Mexico, arrives this unique exhibition celebrating the beautiful game. Portraying transcendent moments in men’s and women’s soccer, award‑winning animator and visual effects artist Lyndon  J. Barrois, Sr. fashions engrossing scenes in miniature from gum wrappers, glue, paint and other materials. The handmade sculptures and stop-motion animations on display bring together the visual and emotional elements that make it the world’s most popular sport. Jasmine Mendez spoke to Barrois about his process and Times photographer Allen J. Schaben provides more marvelous images.
Sunday through July 12. LACMA Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

The Academy Museum’s exhibition “Studio Ghibli’s Ponyo” opens Saturday.

(Nibariki-GNDHDDT)

Studio Ghibli’s Ponyo
A deep dive into Hayao Miyazaki’s 2008 animated film about a goldfish who longs to be human honors the traditional hand-drawn animation processes used by its creators. The exhibition includes more than a hundred items handpicked by Studio Ghibli: art boards, posters, a Studio Ghibli animation desk and original hand drawings by Miyazaki and others. “Because writer-director Miyazaki very much follows his own star when it comes to story, narratives like ‘Ponyo’ remind you of no one else’s tales,” wrote Times film critic Kenneth Turan upon the film’s U.S. release. “Not only do they offer up fantastical images, like Ponyo running on the crests of waves, they make deep connections to our emotions without following conventional paths, using the logic of dreams to excellent effect.”
Screening 2:30 p.m. Saturday; exhibition, Saturday through Jan. 10. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

The week ahead: A curated calendar

FRIDAY
Nitrate Festival
The American Cinematheque’s annual tribute to the beautiful, if highly volatile, film format that was used from the 1890s until the 1950s, offers audiences the rare opportunity to see this work on the big screen. The festival opens with the 1947 noir “Dead Reckoning,” starring Humphrey Bogart and directed by John Cromwell, and continues with William Wyler’s “The Good Fairy” (1935), Gregory La Cava’s “My Man Godfrey” (1936), William Wellman’s “Nothing Sacred” (1937), Mikio Naruse’s “Wife! Be Like A Rose!” (1935), David Lean’s “Blithe Spirit” (1945) and Cecil B. DeMille’s “Samson and Delilah” (1949).
7 p.m. Friday, through Feb. 22. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com

Foursome
Matthew Scott Montgomery, Adrián Javier, Jimin Moon and Calvin Seabrooks star in Montgomery’s comedy about a quartet of queer friends who reunite for an emotionally fraught, desire-filled weekend at a cabin. Directed by Tom DeTrinis.
Through March 23. Atwater Village Theatre, 3269 Casitas Ave. iamatheatre.com

Guards at the Taj
Two sentries at the Taj Mahal have their friendship, faith and sense of duty challenged in Rajiv Joseph’s play set centuries in the past with contemporary resonance. Behzad Dabu and Kausar Mohammed star. Directed by Behzad Dabu.
8 p.m. Friday and Saturday; 2 and 7 p.m. Sundays, through Feb. 22
El Portal Theatre, 5269 Lankershim Blvd., North Hollywood elportaltheatre.com

Alfredo Rodriguez, left, and Pedrito Martinez will perform Friday at the Nimoy.

(Anna Webber)

Alfredo Rodriguez and Pedrito Martinez
Pianist Rodriguez and percussionist-vocalist Martinez perform traditional Cuban songs, original compositions and some surprises.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Incitation To The Dance
A young man upends an older gay couple’s relationship in the world premiere of writer-director Michael Van Duzer’s dark comedy.
Through March 15. Theatre West, 3333 Cahuenga Blvd. https://theatrewest.org/on-stage/incitation-to-the-dance

Roksana Pirouzmand
The Iranian-born, L.A.-based multidisciplinary artist’s solo exhibition “everything was once something else” explores the contrasting properties forged by earth and fire through clay and metal works.
Through April 11. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu

SATURDAY
Attune 1.0
A free public light- and sound-art experience happens simultaneously across L.A. County locations presented by NXT Art Foundations with community support.
4:30-7:30 p.m. Barnsdall Park, East Hollywood; Sycamore Grove Park, Northeast Los Angeles ; Jessie Brewer Jr. Park, Exposition Park; Jane and Bert Boeckmann Park, Porter Ranch; Hansen Dam, Lake View Terrace; Leimert Park, South Los Angeles; Wende Museum, Culver City; Promenade Square Park, Long Beach; Tongva Park, Santa Monica and Loma Alta Park, Altadena. nowartpublic.com

Desert Dreams and Coastal Currents
The exhibition tracks the concurrent emergent of artistic hubs in Southern California and the Southwest, featuring work by artists in areas such as Laguna Beach, and Taos and Santa Fe, N.M.
The Autry, 4700 Western Heritage Way, Griffith Park. theautry.org

Wally Hedrick
“Sex Politics Religion” is a two-venue retrospective of the Pasadena-born artist, who established himself in the burgeoning post-war San Francisco art scene. Hedrick eschewed “style” in favor of pursuing a vision including welded assemblage junk sculptures, Bauhausian abstraction, black monochromes, gestural figuration, graphic signage, pictographic diagrams and near-photorealism.
Through April 4. Parker Gallery, 6700 Melrose Ave.; The Box
805 Traction Ave., downtown L.A. parkergallery.com

Honour
The Ruskin’s grand opening on the Kaplan Stage features Joanna Murray-Smith’s drama on the precariousness of marriage, directed by Max Mayer and starring Marcia Cross, Matt Letscher, Ariana Afradi and Jude Mayer.
8 p.m. Thursdays-Saturdays; 2 p.m. Sundays, through March 22. Ruskin Group Theatre, 2800 Airport Ave., Santa Monica.

Artist Takashi Murakami.

(Shin Suzuki)

Takashi Murakami
The new solo exhibition “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis” features 24 paintings by the Japanese artist.
4-7 p.m. opening, free and open to the public; exhibition continues through March 14. Perrotin, 5036. W Pico Blvd. perrotin.com

Mythical Creatures: The Stories We Carry
Immigrant narratives and pan-Asian mythology infuse this immersive exhibition featuring contemporary artists including Dinh Q. Lê, Dominique Fung, Lily Honglei, Greg Ito, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora and Lauren YS. Conceived by L.A.-based Korean American artist and muralist Dave Young Kim.
Through Sept. 6. USC Pacific Asia Museum, 46 N. Los Robles Ave. Pasadena. pacificasiamuseum.usc.edu

PASSION + MYSTERY
Los Angeles Chamber Orchestra, led by conductor Jaime Martín, celebrate Valentine’s Day weekend with Fauré’s “Pelléas et Mélisande” and Gernot Wolfgang‘s “Desert Wind,” and are joined by pianist Fazıl Say for Beethoven’s “Piano Concerto No. 3.”
7:30 p.m. Saturday. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday, The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Red Harlem
Four Black actors in 1932 Harlem are recruited by the Communist Party to make a film in the Soviet Union in Kimba Henderson’s drama based on true events. Directed by Bernadette Speakes.
Through March 15. Company of Angels, 1350 San Pablo St. companyofangels.org

Retro Romantics: An Academy Film Archive Trailer Show in 35mm
Vintage cinematic love stories unspool in their original abridged glory, seductively beckoning you to the movies.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

SUNDAY
Black History Month at The Ebell
Soprano Gertrude Bradley performs a tribute to Joel Graham, accompanied by pianist Greg Schreiner in an African Americans for LA Opera recital; and Inner City Youth Orchestra of Los Angeles (ICYOLA) salutes the 250th anniversary of the Declaration of Independence in “I, Too, Sing America,” a nod to the Langston Hughes poem.
AALAO Recital, 12:30 p.m. Sunday; LA Voices: ICYOLA, 4:30 p.m. Sunday. Ebell of Los Angeles, 743 S. Lucerne Blvd. https://www.ebellofla.org/

Isidore String Quartet
The group performs “Brahms: the Admirer,” an exploration of the composer’s work alongside complementary pieces by Bach and Beethoven.
3:30 p.m. Caltech Beckman Auditorium, 332 S. Michigan Ave. Pasadena. colemanchambermusic.org

What Happened to Flamenco
Clap your hands as dancer and choreographer Fanny Ara brings the folkloric tradition to life.
7 p.m. Fountain Theatre, 5060 Fountain Ave. fountaintheatre.com

TUESDAY
Seth MacFarlane
The erstwhile animator, writer, producer, director, actor and comedian picks up the mic, backed by an orchestra, for a program dedicated to the music of Frank Sinatra.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com/events

WEDNESDAY
I Love You, You’re Perfect, Now Change
Barry Pearl directs the long-running off-Broadway musical comedy revue on modern love, featuring book and lyrics by Joe DiPietro and music by Jimmy Roberts to open ICT’s 41st season.
Through March 8. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

Patti LuPone
The Broadway star marks the 25th anniversary of her “Matters of the Heart,” which ran on Broadway and London’s West End and toured the globe.
8 p.m. Segerstrom Center for the Arts, Segerstrom Hall, 300 Town Center Drive, Costa Mesa. scfta.org

Preservation Hall Jazz Band
Can’t get to New Orleans for Mardi Gras? The Soraya brings it to the Valley via the deep roots of this legendary French Quarter ensemble.
8 p.m. The Saroya, 18111 Nordhoff Street, Northridge. thesoraya.org

Emma Elizabeth Smith as Catherine of Aragon in The North American touring company of “Six.”

(Segerstrom Center for the Arts)

Six
The national tour of the Broadway musical by Toby Marlow and Lucy Moss, a modern pop take on the sextet of women who were the wives of Henry VIII.
Through March 9. Hollywood Pantages Theatre, 6233 Hollywood Blvd.; March 10-15. Segerstrom Center for the Arts, 300 Town Center Dr., Costa Mesa. sixonbroadway.com

THURSDAY
Compagnie Hervé Koubi: Sol Invictus
The French-Algerian choreographer’s dance troupe performs “Sol Invictus,” with a score featuring music by Swedish composer Mikael Karlsson, minimalist composer Steve Reich and digital composer Maxime Bodson.
7:30 p.m. Friday and Saturday; 2 p.m. Sunday. February 19 – 21, 2026 The Wallis, 9390 N. Santa Monica Blvd. Beverly Hills. thewallis.org

Culture news and the SoCal scene

The cast of “Brassroots District” performs on Sunday.

(Gabriella Angotti-Jones/For The Times)

Features columnist Todd Martens checked out “Brassroots District: LA ’74,” a piece of immersive theater he describes as “part concert, part participatory theater and part experiment, attempting to intermix an evening of dancing and jubilation with high-stakes drama. How it plays out is up to each audience member. Follow the cast, and uncover war tales and visions of how the underground music scene became a refuge for the LGBTQ+ community. Watch the band, and witness a concert almost torn apart as a group on the verge of releasing its debut album weighs community versus cold commerce. Or ignore it all to play dress-up and get a groove on to the music that never stops.”

The UCLA Hammer Museum has announced the winner of the $100,000 Mohn Award.

(Eric Staudenmaier)

Artist Ali Eyal, who grew up in Baghdad in the late 1990s and early 2000s during U.S. military operations in Iraq, is the recipient of the $100,000 Mohn Award, which honors artistic excellence, in conjunction with the Hammer Museum’s Made in L.A. 2025. In addition to the award money, the Hammer will produce a publication for Eyal. The Hammer also announced that sculptor Carl Cheng has been given the $25,000 Career Achievement Award; and that painter Greg Breda won the $25,000 Public Recognition Award.

The news out of the Kennedy Center continues to be grim. This week, Trump-appointed center president Richard Grenell sent an email to staffers informing them that significant cuts would be implemented when the center closes for renovations, beginning July 4. “Over the next few months, department heads and I will be evaluating the needs and making the decisions as to what these skeletal teams left in place during the facility closure and construction phase will look like,” Grenell wrote in the email obtained by The Times.

— Jessica Gelt

And last but not least

Want a giant stuffed mochi? So do I.

Another presenter will step in to present Sunday with Laura Kuenssberg this weekend.

The BBC presenter has confirmed another broadcaster will be stepping in at the weekend.

Sunday with Laura Kuenssberg is helmed by the political journalist. She has now revealed another presenter will briefly assume control.

On Sunday’s edition, Laura, 49, interviewed work and pensions secretary Pat McFadden, shadow chancellor of the Duchy of Lancaster Alex Burghart and Plaid Cymru Leader Rhun ap Iorwerth.

The question, “Can Keir Starmer survive the Mandelson crisis?” was raised during a panel debate on last week’s broadcast (February 8) where the host revealed her colleague would be taking over the forthcoming show on Sunday during half-term week.

Concluding the programme, Laura remarked: “Thank you to all my guests. And most of all to you for spending your Sunday morning with us.”

“Victoria [Derbyshire] is here next week. But I’ll be here later with Paddy O’Connell for Sunday’s Newscast.”

Laura informed viewers: “I look forward to seeing you in a couple of weeks a week on Sunday. Same time, same place.”

Victoria Derbyshire, who fronts BBC Newsnight, will present Sunday with Laura Kuenssberg this weekend (February 15) with the programme’s regular host returning the subsequent Sunday, reports the Express.

The change in presenter comes as the BBC has had a plethora of shake-ups this month.

BBC viewers have seen Morning Live change channels to air on BBC Two, allowing the Winter Olympics to have coverage.

Similarly, the fifth and six episodes of Gladiators will now air later than usual to cover the football.

In a release, the BBC stated: “On February 14, if the football finishes in 90 minutes, Gladiators will air at 20:00. On February 21, Gladiators will air at 19:15.”

Sunday with Laura Kuenssberg airs Sunday on BBC and BBC iPlayer at 9am.

What’s your favorite sighting heading into the long weekend?

A rare red fox outside Yosemite? A 3-year-old gray wolf roaming Los Angeles County, the first such visit in nearly a century? Or Kiké Hernández returning to the Dodgers after a long offseason spent waiting for him to resign?

I’m Glenn Whipp, columnist for the Los Angeles Times, host of The Envelope newsletter and the guy answering all of the above to this newsletter’s initial question.

Let’s spend a little more time with The Envelope’s latest cover star, “Sinners” scene-stealer Delroy Lindo, this week.

Cover story: Delroy Lindo

(Bexx Francois / For The Times)

Everyone loves a surprise or two on Oscar nominations morning, and this year gave us the gift of Delroy Lindo, 73, finally earning his first Oscar nomination for his standout performance as bluesman Delta Slim in “Sinners.”

Some people are still smiling about the news. Lindo certainly is.

Lindo and I talked about the lessons he has learned as an actor over the course of a career that has spanned a half-century. He recalled the self-doubts that plagued him when he first played the lead in “A Raisin in the Sun,” the story of a struggling Black family dealing with discrimination in 1950s South Chicago, and how he overcame those fears when he revisited the role three years later.

“This was an absolute period of growth for me as an actor all because I learned the most important thing: preparation, preparation, preparation,” he told me.

But even when you exercise that level of care, you still deal with doubt. Actors will be the first to tell you that they’re needy, neurotic.

To play Delta Slim, Lindo read books on the blues, listened to Son House, Muddy Waters and Howlin’ Wolf and immersed himself in the culture of the Mississippi Delta. Musicians helped him hone his harmonica and piano playing. He was ready.

But that doesn’t mean he couldn’t use a little affirmation for a final boost.

Lindo says there were two such “seminal moments” for him while making “Sinners.” The first came when they filmed the scene where Lindo stands as his car passes a chain gang. Delta Slim exhorts the prisoners to “hold your heads.”

“[Director] Ryan [Coogler] was very nervous,” Lindo says. “He didn’t want any accidents.”

Shortly after shooting the scene, the movie’s unit publicist, Anna Fuson, emailed Lindo’s agents, telling them how his work had moved her and the crew.

“That doesn’t happen,” Lindo says, his voice cracking with emotion.

Later they shot Delta Slim’s monologue, in which he recalls the lynching of a fellow musician, ending with Lindo breaking into a guttural humming and drumming, expressing pain that transcends words. That night Zinzi Coogler, Ryan’s wife and a producer on “Sinners,” wrote Lindo telling him how much that scene had meant to her.

“Those two moments gave me a grounding,” Lindo says quietly. “It let me know this work is impacting people. And you can’t put a value on that kind of thing.”

FANS of Oscar-nominated actress Cynthia Erivo were delighted when they heard the Wicked star was hitting the West End, but have been left demanding refunds after watching her perform in the flesh.

The A-list actress is currently starring in one-woman show Dracula at the Noël Coward Theatre in London’s West End, which kicked off last week and sees her playing a whopping 23 characters.

However, it seems that Cynthia may have bitten off more than she can chew with the vamp role – as fans have scrutinised her for “reading off of the teleprompter” throughout.

The show is filled with complex filmed sections, which means the autocue is clearly visible on massive screens throughout.

Taking to TikTok to share their frustration, one audience member wrote: “Did I just pay £135 to watch Cynthia Erivo read off a teleprompter?”

Agreeing in the comment section of the clip, another said: “The show was rubbish. After arguing with the ticket office I got a refund.”

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As one theatre-lover asked whether the teleprompter could really be seen from the audience, the original poster responded: ” Saw it with my own eyes unfortunately.

“As did many people in my section who were confused why there were multiple”.

Another user slammed: “Why play 20 roles if you know you can’t memorise a script consisting of 20 roles”.

The early reviews of the show will be a blow after the production budget was believed to be north of £3million, while tickets are as much as £225.

However, it’s not all bad for the Elphaba star, with some fans lauding her performance.

“I was at the first preview and it was genuinely the most incredible thing. Cynthia was epic!!,” said one fan after watching Dracula.

Another said: “My mind was blown”.

A third defended her use of the teleprompter, asking: “Did you want her to memorize 20 thousand words?”

Cynthia is no stranger to the West End and has even won a Tony award for her stage work.

In 2016, the actress won the gong for Best Actress in a Leading Role for her portrayal Celie in the revival of The Color Purple. 

Cynthia is set to star in Dracula until 31 May. 

Lyndon J. Barrois Sr. always knew he wanted to be an artist, even as a child.

From crafting figures out of chewed gum stuck underneath the pews at his Catholic school’s church after he was forced to scrape them as punishment from teachers to collecting his mother’s discarded gum wrappers, Barrois felt a creative itch to make something out of nothing.

“I had seen too much art [and thought to myself], ‘Someone had to be doing this, why not me?,’” Barrois said with a chuckle. “I always dreamt of doing this. Other kids played with Play-Doh. I made stuff with anything I could get my hands on like clay, aluminum foil and discarded phone wire.”

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Now the 61-year-old New Orleans native is debuting his latest project at the Los Angeles County Museum of Art: “Fútbol Is Life.” It depicts some of the most iconic plays and political moments in the 95-year history of the FIFA World Cup, coming to L.A. this summer, with “humble” gum wrappers.

Barrois and LACMA curator Britt Salvesen assembled 60 works, including 40 vignettes from past World Cups and four animated short films, among them the movie “Fútballet,” which re-creates 21 famous scenes on a 50-inch soccer pitch.

Suspended artwork of Brazilian Swedish footballer Marta Vieira da Silva, known mononymously as Marta, made by Barrois. He made a conscious effort to feature women’s contributions to soccer.

(Allen J. Schaben / Los Angeles Times)

A large-scale projection of a miniature of French footballer Kylian Mbappé hangs on the wall. Two life-size replicas of Argentina’s Lionel Messi and Brazil’s Marta Vieira da Silva hang from the ceiling, the first of their kind for the artist, who has done miniatures of NBA legend Kobe Bryant and NFL star Patrick Mahomes.

The exhibition is laid out to resemble a playing field.

“We really wanted to create that environment that you feel like you’re in a separate world, and my colleague Darwin Hu took a personal and creative interest in this,” Salvesen told The Times. “He did a bunch of visual research on soccer fields in schools and prisons, where fields were improvised in whatever spaces were available. We wanted to wrap the lines up the walls and have the turf. Your sense of the space changes when you go from a hard floor to a softer floor.”

With a suspended Lionel Messi at right, Noa Carter, 4, and dad Darius L. Carter of Pasadena get a preview of artist Lyndon J. Barrois Sr.’s LACMA exhibition, “Fútbol Is Life.”

(Allen J. Schaben / Los Angeles Times)

Barrois’ 1-inch tall “sportraits” are carefully painted to capture even the tiniest detail. The majority of the installations include a mirror, allowing the viewer to see themselves as part of the moments “frozen in time,” he said.

A total of 325 individual mini soccer and football players, including Portugal’s Cristiano Ronaldo, are included in the show.

“I had so much fun making the sculptures that when I was done, it was like hitting a wall after all that adrenaline,” Barrois said. “Now we get to hang it. Install it. You just start to see all the things we envisioned just come to life. I love this s—.”

Before sculpting, Barrois did “tons of research, a lot of reading, [looking at] photography and video.” He and a friend rewatched the most famous plays and examined the history surrounding the World Cup, stretching back to the 1930s, and before the Women’s World Cup started in 1970.

A “Sportraits” work shows the German soccer team highlighting migrant workers’ rights ahead of the 2021 World Cup. “I chose moments that I personally thought would be important, there’s a lot of politics involved,” Barrois said.

(Allen J. Schaben / Los Angeles Times)

“I just wanted to tell a story with the politics involved, like in 1938, the German team was all Nazis, and they’re doing the salute, and by 2022, the German team has human rights on their T-shirts,” Barrois said. “We also had the Iranian women project. All these things happened on such a huge platform. So it was a tough editing process to bring that down to 40.”

Barrois spent seven months completing his pieces.

Curator Sandra Jackson-Dumont, former director and CEO of the Lucas Museum of Narrative Art, applauded Barrois’ use of gum wrappers.

“I like that Lyndon is using materials that are a part of our everyday lives that we take for granted and we discard,” Jackson said. “He’s using those materials to make something creative.”

Barrois was surrounded by family and friends for the exhibition’s preview, most of whom grew up with the artist. Dany Wilson, who went to elementary school with Barrois, said he was “proud of him.”

The exhibition also features works from scientist Harold Edgerton and photographer Eadweard Muybridge that explore the history of motion studies and time-lapse photography.

KATIE Price has sent a clear public signal that her feud with Peter Andre is over with a tell-tale social media U-turn – just days after the pair’s legal agreement to no longer slam each other.

After calling a truce for their children Princess, 17, and Junior, 19, Katie has shown she really is committed to moving forward.

More than a decade after their shock divorce, eagle eyed fans spotted that Katie Price is once again following her ex-husband on Instagram.

The star unfollowed Peter back in 2021 after he called in lawyers over claims Katie made in her new book, Harvey & Me.

However, the past now appears to be firmly behind them, with Pete also returning the follow.

Peter, who is married to Emily MacDonagh, has never followed his ex-wife on the social media platform until now.

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Katie recently stunned fans by marrying self-proclaimed businessman Lee Andrews just ten days after they first met.

The former glamour model walked down the aisle for the fourth time after the pair hit it off online following her split from boyfriend of two years JJ Slater.

Katie and Peter recently revealed they had struck a legal agreement not to speak negatively about each other in public again.

In a joint statement shared on social media, they said: “Katie Price and Peter Andre have decided to close the door on the past and move forward into a new chapter with positivity and respect.

“We are both focused on creating a calm and supportive environment for our children.

“We have reached a mutual agreement, both legally and personally confirming that neither of us will speak negatively about the other going forward. 

The statement ended by saying: “This decision reflects a shared commitment to our family and stability.”

In a rare public outburst last summer, Peter, 52, broke years of silence to hit back at ex-wife Katie, 47, after comments she made about their children on her podcast.

Katie had claimed daughter Princess was living with her and previously said she was banned from the set of Princess’s ITV show.

Peter said he had stayed silent for 16 years “in the face of repeated lies” but felt he had to speak out, insisting Junior and Princess had been in his care since 2018 under a legally binding court order issued in 2019.

He also referenced past court rulings in 2011 and 2015, which found Katie had made false claims and ordered her to pay damages, adding that further allegations would be addressed “in the coming months.”

Katie and Peter were together for around four and a half years, married for three, before their shock split in 2009.

These days Katie is splitting her time between the UK and Dubai as new husband Lee is unable to leave the UAE.

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Lee is banned from leaving the country after being banged up for three weeks for allegedly forging his ex-girlfriend’s signature on a £200k loan.

Katie’s family are said to have concerns about their whirlwind romance, despite the star insisting “I’m a grown a**e woman” in a defiant video shared before she jetted off to see Lee.

A source told The Sun: “They’re all so worried that Katie is paying for everything or being tricked or talked into handing over money to him.

“He says he’s a millionaire but it’s not clear if he actually has any money or how he makes it.”

Before jetting back out to the UAE to be with Lee, Katie took to social media to insist she was happy and that there was nothing to worry about.

She said: “I bet everyone’s thinking, ‘What’s going on in the Katie Price world?’ Well you guys tell me because I’m reading it as it unfolds, just like you.”

Julia has since revealed that her health battle had held her back over the years

Julia Bradbury has shared a heartfelt family admission as she recalled a time she didn’t feel “brave enough” after her cancer diagnosis.

The 51-year-old presenter was diagnosed with breast cancer in 2021 and had a mastectomy to remove a 6cm tumour the same year.

The star, who is now cancer free, is set to return to our TV screens with her new three-part ITV series, Wonders of the Frozen South, which documents her 23-day voyage across the Southern Ocean.

The journey took Julia to Paradise Harbour on Antarctica’s western edge, where she tackled a short hill climb before stopping to absorb the stunning landscape around her.

However Julia has since revealed her health battle had held her back as she admitted that she wouldn’t have been able to travel alone a few years ago as she said she didn’t feel “brave enough” to leave her family.

During an appearance on Friday’s (February 13) episode of Lorraine, Julia said: “After I went through the breast cancer diagnosis in 2021 then I had my mastectomy, there was a very tender emotional time in my life where I didn’t think I would ever want to leave my family again.”

She continued: “I don’t mean anybody wants to leave them but I didn’t think I’d be brave enough to. You just want everybody that you care about to be as close as possible. So the fact that five years on, I’ve been as far away from home as you could possibly get.”

Following her ordeal, Julia has undergone major lifestyle transformations, including a complete reassessment of her eating habits.

She’s now adopted a cleaner approach to nutrition, prioritising whole foods, beneficial fats and high-quality proteins, while steering clear of sugar and heavily processed items.

The television star has also cut out alcohol after medical advice highlighted that even moderate drinking could heighten the chances of cancer returning.

Stress management has additionally become a central focus, with Julia now practising meditation, breathing exercises, keeping a journal and spending time in nature each day.

Speaking to Bella magazine previously, she emphasised: “Stress and emotional health are things that we should all take very seriously. People don’t think that they have a physical impact, but they do.”

The broadcaster has also transformed her approach to skincare, explaining: “I’ve always been a sucker for beauty products, but after my diagnosis I became much more conscious about what I put on my skin and the potential impact of chemicals we often don’t think twice about.

“Now my make-up, skincare and sun lotions are clean. I love Green People because it’s organic and marine-friendly, and the brand also donates to the Marine Conservation Society.”

The first episode of Julia Bradbury’s Wonders of the Frozen South airs on February 15 at 12.45pm on ITV and Lorraine airs weekdays from 9:30am on ITV1 and ITVX

The Lady is a four-part limited series delving into the rise and fall of the former Duchess of York’s royal aide.

The Lady is set to grip ITV viewers with the royal true crime drama brought to life by the same producers of Netflix’s award-winning The Crown.

For weeks now, ITV has been teasing the release of The Lady, a true rags to riches tale that ends in convicted murder.

Sarah Ferguson’s former dresser Jane Andrews worked for the royal for nine years. Three years after she was let go, she murdered her boyfriend Thomas Cressman.

But how did she go from rubbing shoulders with those at Buckingham Palace to spending her days behind bars as a killer?

Here’s everything there is to know about The Lady on ITV as fans don’t have long before the drama drops.

ITV The Lady release date

The wait is almost over for the grand debut of The Lady with the limited series premiering on Sunday, February 22, on ITV and ITVX.

The Lady will consist of four episodes with instalments one and two airing on Sunday, February 22, and Monday, February 23, and episodes three and four the following Sunday and Monday.

Alternatively, fans can binge-watch the entire series on the day of its initial release via the free streamer ITVX.

ITV The Lady cast

At the heart of ITV’s The Lady is Jane Andrews, the working-class woman from Grimsby who got a chance of a lifetime when she was hired to work as Sarah Ferguson’s royal dresser before her life spiralled out of control.

She is brought to life by actress Mia McKenna-Bruce who has starred in How To Have Sex, The Fence, Get Even and Agatha Christie’s Seven Dials on Netflix.

McKenna-Bruce is joined by actor Ed Speleers – famed for his roles as Stephen Bonnet in Outlander, Jimmy Kent in Downton Abbey and Rhys Montrose in You on Netflix – who plays Jane’s boyfriend and victim Thomas Cressman.

Meanwhile, Sarah Ferguson is portrayed by actress Natalie Dormer, remembered for playing Margaery Tyrell in HBO’s Game of Thrones and Anne Boleyn in The Tudors on Channel 4.

What to expect from The Lady on ITV

Described as a “working-class girl from Grimsby”, Jane Andrews’ life changed forever when she answered an advertisement in the magazine The Lady.

Much to her surprise, she was hired to become the former Duchess of York’s official dresser at Buckingham Palace.

However, no one expected that following her time working for the royals that Jane would go on to murder her boyfriend Thomas Cressman, hitting him with a cricket bat before stabbing him in the chest.

Writer and executive producer Debbie O’Malley commented: “There’s a saying that ‘truth is stranger than fiction.’

“I’m not sure I’d always agree but when I first heard about the case of Jane Andrews, it was immediately clear that her true story was every bit as intriguing, compelling and tragically heartbreaking as any fabricated thriller.

“The fascinating tale of a working-class girl who became the dresser to a duchess, with a dramatic twist that ultimately sees her on trial for murder.

“This story looks beyond the headlines while remaining high stakes and uniquely British.

“It also poses thought-provoking questions about class and entitlement whilst exploring issues around mental health that have never been more relevant than they are today.”

The Lady premieres on Sunday, February 22, at 9pm on ITV.

BBC Breakfast presenters Naga Munchetty and Charlie Stayt shared a heartbreaking story on Friday

BBC Breakfast has shared some tragic death news as a guest broke down in tears.

Friday’s (February 13) live episode was hosted by Naga Munchetty and Charlie Stayt, who updated viewers on the latest news from across the UK and around the world.

They were joined in the studio by Matt Taylor, who delivered regular weather updates. Meanwhile, Mike Bushell and Peter Ruddick shared the sporting news and Valentine’s Day features, respectively.

Later in the show, the hosts revealed that the Chair of the Commons Health Committee has called on the UK drug regulator to review warnings on medications which can cause impulsive behaviour as a side effect.

Naga explained: “A BBC investigation has found that for some patients, the drugs cause impulsive gambling or sexual behaviour.”

In a pre-recorded segment, BBC correspondent Noel Titheradge spoke to a man called Freddie, whose dad Bill passed away three years ago. He was prescribed medication for Parkinson’s, which had devastating side effects. Reflecting on the struggles his dad faced, Freddie soon broke down in tears in heartbreaking clips.

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For kids with big dreams of manning the controls someday, there’s a designated area where they can sit in former airplane cockpits and play pilot, all alongside a fire engine, a “Star Wars” X-wing model and the nose of a Flying Boxcar that’s open for exploring. And every Saturday morning, the cockpit of a select aircraft parked inside the hangar is made available to guests who are able to climb inside.

There are also unique learning opportunities within the museum, which is dedicated to educating the public about the role that air power has played in upholding American life. The upstairs Education Center holds over 13,000 titles, as well as flight simulators that anyone can test out. And through the museum’s First Flight Experience, students from the Coachella Valley and surrounding areas who are 12 to 17 years old may apply to take their first flight lesson onboard the museum’s Cessna 182 Skylane, Inspiration One, at no cost. As part of the program, students work with a flight instructor to learn about protocols during an actual flight with the time spent in the air counting toward the number of hours required to qualify for a pilot’s license.

For those who would rather remain in the role of passenger, the museum offers the chance to fly on several different warbird planes. Ranging in price from a few hundred dollars to several thousand, visitors may board military cargo planes or fighter jets in group or private settings and take flight over the Coachella Valley.

Jesy Nelson: Life After Little Mix, which is out on Amazon Prime, follows Jesy’s life after she left Little Mix back in 2020, including her reflections on fame, pressure, and her own personal truth about that period

Jesy Nelson’s Amazon Prime Video documentary, which is out today (Friday February 13) is a major new six-part series.

Jesy Nelson: Life After Little Mix follows Jesy’s life after she left Little Mix back in 2020, including her reflections on fame, pressure, and her own personal truth about that period. It’s her most candid account yet of why she departed the group and how she’s processed everything that happened. Another central focus of the documentary is Jesy’s pregnancy with her twin girls, Ocean Jade and Story. The cameras follow the 34-year-old Romford star through what became a high-risk pregnancy including complications like twin-to-twin transfusion syndrome and emergency medical moments.

After the birth is also covered, when Jesy’s daughters were diagnosed with Spinal Muscular Atrophy (SMA) Type 1 — a severe, progressive genetic condition that causes muscle weakness.

Jesy uses the documentary to share her family’s real-time experience with this diagnosis and to raise awareness about it, including campaigning for expanded newborn screening in the NHS.

Besides the physical journey, the Amazon Prime series also revisits her personal and emotional challenges, including struggles with the pressure of fame, mental health battles, and what it’s been like stepping back from one of the UK’s biggest pop acts.

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Many fans have been excited to watch the documentary, however some have confessed online they ‘don’t think they can watch it’ for one reason – that it will leave them too emotional.

One person wrote: “I’m not gonna handle this well I’m already emotional about it.”

While another added: “My heart. I don’t even think I can watch this. I’m already crying.”

A third chimed in: “I’m gonna weep aren’t I,” while a fourth added: “She deserves to tell her side of the story after years of being silent.”

Jesy recently confessed that she considered leaving Little Mix after just two years as she struggled to cope with the pressure and the spotlight after winning The X Factor.

However, she went on to spend a decade in the band before quitting.

Jesy said: “That [leaving] presented itself far before I made that decision.

“There was a time where I was like ‘Oh, I want to leave’ and I remember sitting down with my family… and it was actually because of my brother that in the end I stayed.”

She added: “The first time I wanted to leave I remember I went home and we were kinda weighing up the [pros and cons]… and at that point we weren’t even like at our biggest.

“We were, it had only been like two years, but we were still big. Everyone still knew who Little Mix were so it was like ‘if you leave now, what are you going to do?’”

Speak on the Great Company with Jamie Laing podcast, Jesy also praised her brother for his advice that ultimately kept her in the band and for encouraging her to make as much money as she could off of Little Mix‘s fame.

“My brother was like ‘you are so much stronger than you give yourself credit for and I think you can stick this out for another few years,” she explained.

If you’re reading this review of Gore Verbinski’s maniacal farce “Good Luck, Have Fun, Don’t Die” in newsprint, congratulations on being a Luddite.

But if you’re reading it on a smartphone, then you’re one of the suckers that Sam Rockwell is hoping to reach when his unnamed time traveler barges into a late-night Los Angeles diner screaming, “I am from the future and all of this goes horribly wrong!” The patrons pause scrolling to glance at this unhinged, unwashed man wearing a crown of computer wires wrapped around his head like an IT messiah. Then they get a good look at his shoes when he stomps on their tables, kicking cheeseburgers as he tries to make these regular folks engage with the tech-pocalypse he swears is coming.

It’s a sermon we’ve heard plenty of times before and possibly even delivered ourselves. Coming from the ever-charismatic Rockwell, a lecture to stop wasting our lives online sounds no more insurmountable, only more immediate.

Half of the world will die, he foretells. The other half will be too distracted to notice. That is, unless a handful of strangers join him right now, right this moment, to fight for humanity’s cerebral freedom. Unsurprisingly, volunteers don’t raise their hands. (The one eager guy who does has failed him too often in other scenarios.) But Rockwell’s time traveler — he really is one — is used to a firewall of resistance. He’s given this speech at this diner 117 times. Some combination of the 47 people in it is fated to succeed.

That opening scene sounds as if an AI merged “The Terminator” with “Groundhog Day.” True, Matthew Robinson’s funny, savage and surprising script doesn’t downplay its inspirations. (He even lets Rockwell rip off Indiana Jones’ line about snakes.) But the screenplay gets so intricate and angry — and so shamelessly ambitious — you can’t believe someone in today’s Hollywood was willing to put up the money to get it made. Even helmed by proven hitmaker Verbinski of the “Pirates of the Caribbean” franchise, it’s a feat akin to convincing someone to fund a skyscraper-sized cuckoo clock that has a bird that pops out and heckles the crowd.

Eventually, a dubious crew enlists: public school teachers Mark and Janet (Michael Peña and Zazie Beetz), grouchy ride-share driver Scott (Asim Chaudhry), assistant Boy Scout leader Bob (Daniel Barnett), jittery mom Susan (Juno Temple) and forlorn Maria (Georgia Goodman), who keeps sighing that all she wanted was a slice of pie. Rockwell also impulsively yokes in Ingrid (Haley Lu Richardson), a grungy girl in a princess dress, who seems to be on her own suicide mission. The actors are mostly just pegs in a complicated plot, but they snap into place well.

The man from the future doesn’t have a plan — and worse, he considers himself the only person who isn’t expendable. The others can die (and do). As the group shuffles toward catastrophe, Verbinski intercuts their mission with flashbacks to their civilian lives. Their ordinary days, the digital indignities they’ve borne, that’s where Verbinski really gets mean.

The film’s feints and twists are fabulous as they explore how the internet’s promise has soured. One plotline involves a corporate brainstorm to make people love and nurture their own talking adbot, essentially a human-sized Tamagotchi. In another, school shootings have become such an epidemic that when Temple’s Susan gets summoned to identify her ninth-grader’s corpse, the other grieving mothers at the station calmly chitchat about traffic until one glances over at her nonchalantly and says, “First time?”

At first, the not-so-original idea that phones have turned children into zombies is a Romero-style parody of brain rot. (The young actor Cassiel Eatock-Winnik has a great scene as a vicious teen who stares down one of her elders and says, “You’re 35? That’s, like, older than most trees.”) But Verbinski reveals an unexpected angle of attack: Here, society has groomed the next generation to behave like machines. We don’t know why, exactly, but we can imagine a few reasons.

Even coping mechanisms take fire. Susan meets more parents who’ve snapped under the strain and become nihilistic trolls raising their daughter to be toxic so it won’t matter as much if she dies. Another character is quick to insist that everything he’s looking at — the walls, the people — is a facade. A 20-something gig worker named Tim (Tom Taylor) wants to permanently live in a VR simulation. His story is a little rushed but we get the idea that Tim’s not a jerk, just an idealist who can’t handle the tawdriness of the 21st century. As he puts it, “Why would I choose this world over that one?”

Verbinski doesn’t say much outright about the creeping concern that we’re living in a highly surveilled, aggressive and unpredictable police state. He’s able to make that point without words when cops arrive and our heroes-slash-hostages, none of whom have yet done anything worse than skip out on their bill, all assume the itchy trigger finger of the law will shoot them on sight. (And they’re right.) He also makes an ominous refrain of “Thank you for your service.”

It’s easier to howl at a classic like “Dr. Strangelove,” which mocked the leaders giddyuping the planet’s destruction, than at a present-day satire where we ourselves are the joke. As with “Idiocracy” (and eventually “Eddington”), our ability to fully appreciate this merciless, furious comedy might take a decade of remove. Even then, though, I won’t like James Whitaker’s cinematography, which goes for a deliberate ugliness but just looks dishwater drab.

“Good Luck, Have Fun, Don’t Die” anticipates the audience’s resistance. We do think for ourselves and so we scour the movie for flaws that will justify the urge to roll our eyes. For example: Why does Rockwell let some characters die and not others? Is the movie just as shallow as its j’accuse of us? Some quibbles get answered. Larger questions are left coyly unresolved so that we leave the theater uneasy.

There are so many overwhelming ideas in “Good Luck, Have Fun, Don’t Die” that, at over two hours, it does have the sense of a dissociative doomscroll. There’s even a plot point involving an algorithmic overlord that creates randomly generated armies: “Ghostbusters” with AI slop. The normie survivors try to convince themselves it might send something good, like they’re thumbing TikTok hoping for a treasure worth the time. Rockwell assures them it won’t. Nothing good will ever come. And what does arrive is so hellacious that it makes the Stay Puft Marshmallow Man look sweet.

The film is too cynical to take itself that seriously; Verbinski would roll his eyes at any thoughts and prayers it could do much good. Yet, anyone born with “19” at the start of their birthyear still remembers how it felt to leave the house without a black rectangle in their hands. That makes us all time travelers of a sort, too, beacons of an increasingly distant era in which it was possible to be unplugged.

But it’s OK if you’re on your screen right now. Just sit before a bigger one to see this film.

AFTER five long years, the dark truth behind Jesy Nelson’s feud with Little Mix has been laid bare for the first time – as the singer reveals she made a secret suicide attempt days before quitting the group.

Jesy — whose abrupt exit from the girl band has been shrouded in mystery until now — claimed her cry for help in the lead-up to her overdose was ignored by bandmates Leigh-Anne Pinnock, Perrie Edwards and Jade Thirlwall.

Thankfully, she was saved by her quick-thinking mum Jan, who raised the alarm after Jesy fell unconscious while on the phone to her.

Speaking about her daughter’s near-death experience for the first time,

Jan said: “For a few days before, she had just been really down and not talking much. She wanted to be on her own quite a lot.

“I got a gut feeling that something wasn’t right. I kept ringing and ­ringing, but there was no answer.

PROUD MUM

Jesy Nelson shares unseen snap of baby twins holding hands after SMA diagnosis

SUPER CUTE

Jesy Nelson reveals unseen pics of twin babies after SMA diagnosis

“She eventually answered the phone and the way she talking was really slurry.

“I heard the phone drop and didn’t hear anything else — I knew she’d done something.”

It was the second time Jesy had tried to take her own life following an overdose in 2013, which she ­previously opened up about in her NTA-winning BBC documentary Jesy Nelson: Odd One Out.

She later said that online abuse over her appearance left her unable to “tolerate the pain any more”.

‘You’ve got to stop’

Her boyfriend at the time, Diversity dancer Jordan Banjo, called an ambulance and she was taken to ­hospital, but one week later was told to “pull it together” to film a video for Little Mix’s single Salute.

Jesy, 34, admits: “It all just got too much for me. My manager was like, ‘Come on Jesy, you need to pull ­yourself together.’

“So it just got swept under the rug and everything went back to normal.”

Reflecting on her second attempt seven years later — just days before she quit Little Mix — Jesy said: “I was so sad. I was so down.”

The star was rushed to hospital by ambulance and missed the final of Little Mix’s BBC talent show The Search, with host Chris Ramsey ­telling fans she had fallen ill.

The singer recalled: “I knew after coming out of hospital that I ­mentally couldn’t do it [be in the band] any more.”

Jesy had sunk into a deep depression after returning to work following the 2020 pandemic.

Recalling the painful breakdown of Little Mix’s friendship days before her overdose, Jesy said: “I sat ­everyone down to explain how I was feeling and I remember one of the responses being, ‘Are you done now? Is that it?’

“She [one of the girls] was like, ‘Can I go now?’”

Fighting back tears, Jesy added: “That made me feel really alone. I felt like there was no point. That no one cared.”

Hidden turmoil within the group led to Jesy trying to take her own life, with her mum Jan insisting: “I can see why they [the other Little Mix members] did get angry at times.

“It’s hard to work with someone who is always down when you are always happy.

“But I personally believe that at Jesy’s lowest of low times, the girls were not really there for her and I think that’s why she’s so sad now.”

In her new Prime Video docuseries Jesy Nelson: Life After Little Mix, Jesy also makes the bombshell claim that another bandmate tried to quit a year before her shock exit.

Unbeknown to fans, the girls had agreed their next tour would be their last, but a two-year delay pushed their “sisterhood” to the brink.

After Jesy’s second suicide attempt, her mum said: “I kept cuddling her and said, ‘Right, that’s it now. No more.

I didn’t get my opportunity to explain why I couldn’t do this any more. I feel mad that that was taken away from me

Jesy Nelson

“You’ve got to stop doing what makes you unhappy’.”

While in hospital recovering, Jesy made the difficult decision to quit.

But after seeking legal advice, she felt betrayed when her lawyer ­delivered the news to the rest of ­Little Mix without her consent.

Jesy said: “I think they felt really hurt about that and it should never have played out like that.

“I didn’t get my opportunity to explain why I couldn’t do this any more. I feel mad that that was taken away from me.”

When Jesy later attempted to meet up with the girls, she claims her manager said that Leigh-Anne, Perrie and Jade “would only feel comfortable if there was a therapist present”.

Jesy tearfully said of Little Mix: “I didn’t feel like they were my sisters [any more]. I’d just come out of the hospital. This is the time I need you the most.”

Despite what she’d been through with her mental health battle, Jesy never saw the girls again.

Leigh-Anne went on to say the girls were left so “traumatised” by their bandmate’s exit they needed counselling.

Jesy explained: “Eventually there was a phone call.

“It was really awkward and so weird. It was like talking to strangers.

“It was the most uncomfortable phone call of my life. No one knew what to say.

“And that’s the last time I ever spoke to them as a group. It’s been five years now and every time I think about it, I think, was it them or was it the management? I’ll never know.”

‘Me and Jade cried’

Speaking for the first time about the end of Little Mix being planned a year before her exit when one of the other girls announced they wanted to walk away, Jesy said: “I thought everyone was in a really good place, but I was wrong.

“We got called in for a meeting and I just had this gut feeling that it wasn’t going to be good.

“One of the girls had decided they didn’t want to be in the band any more. I remember feeling my whole world had fallen apart.

“It was a really sad day — me and Jade really cried. I was devastated.”

When pushed to reveal the name of singer who wanted to quit at the beginning of 2020, Jesy added: “I don’t think that’s for me to say because they still haven’t said.

“It’s been really hard to not speak out about this.

“I thought we’d be together ­forever. It was never my decision to leave first.”

When Covid hit, the band’s end date was pushed back by two years.

“That’s when everything got messy,” Jesy said.

“I knew the band was coming to an end because one of the girls had made the decision to leave and I felt like I was being fake.

“I got this very quick realisation that I wasn’t happy.”

Jesy felt “swarmed with insecurities” after returning to the limelight following lockdown.

She began to feel fearful of performing — with panic attacks leading her to pull out of live performances including a BBC Radio One Live Lounge and as a judge on The Search.

Her vocals are also missing from tracks on Little Mix’s final album.

Jesy continued: “I had mentally checked out. It was like my body was telling me, ‘Stop now’.

“That was the moment I thought, I can’t do this any more.

“I just remember thinking, I ­cannot last another two years.

“I felt like it [the relationship with the girls] had shifted.

“There would be days I would cry and be a miserable bitch.

“All those little things build up and build up and they do get to a boiling point.”

Explaining why she is speaking out now, Jesy insists she wants to draw a line under the speculation.

She said: “I really f*ing hate that there were nine and a bit really beautiful years that I had with the girls and I really didn’t want for us to be known for that one sh***y part.

‘Sad and hurt’

“It overrode every amazing thing that we ever did and what we stood for.

“We were genuinely like sisters and I think that is what’s so sad about this whole thing.

“As the years have gone on I see both sides. I see why they would be sad and hurt.”

Little Mix became the first group to win X Factor in 2011 before making UK singles chart history with five No1s and selling more than 75million records worldwide.

Jesy walked out of the girl band in November 2020 and two years later released her debut single Boyz with rapper Nicki Minaj.

On the track Mine, she paired up with Zion Foster — who later became the father of her two children before they split in January.

Little Mix went on an extended hiatus in 2022 to pursue solo careers and start families.

Despite never reconnecting in person again, in May last year Jesy’s former bandmates got back in touch after she became pregnant with identical twins.

Nine-month-old girls Ocean and Story have since been diagnosed with Spinal Muscular Atrophy Type 1 — the most severe form of a rare disease affecting muscle strength and movement.

Jesy recently told The Sun there was hope of reconciliation between her and the girls after the five- year feud was “healed” by her children arriving.

In the docuseries, Jesy said: “They reached out to me when I was pregnant.

“It was lovely because I never thought that would happen. It made me really emotional.

“We’re grown women. We’ve got kids. I just think there are so many more important things in life.

“It’s just one of those things that needs to be put to bed now.”

• Jesy Nelson: Life After Little Mix is available on Prime Video from today.

The forthcoming HBO show promises to do justice to the BAFTA award-winning source material that already has a global fanbase.

HBO has confirmed that it’s adapting a beloved fantasy video game series for the small screen.

The American cable network will be adapting the acclaimed video game Baldur’s Gate 3, which is set in the fantasy world of Dungeons & Dragons.

Baldur’s Gate 3 bagged game of the year at the 2024 BAFTA Game Awards, along with four other wins, cementing its status in the video games world. The video game has also been widely praised by players since it came out with the HBO series expected to grow its fanbase.

One fan gave a glowing review on Metacritic: “Absolutely beautiful game.”

They added in their critique: “I have around 200 hours now spent on this game and i’m still discovering more on my 3rd and 4th play throughs.”

While a second user posted an equally positive review: “The best new age RPG ever made. It perfectly encapsulates the scenery and feel of DND on the scale of a major video game release.

“The sheer amounts of decisions, both big and small, a player can make is both overwhelming and beautiful.”

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This delivers live and on-demand TV without a satellite dish or aerial and includes hit shows like The Last of Us and Squid Game.

A third declared: “Masterpiece, best CRPG in the history of gaming, even so as we didnt have a great CRPG since Dragon Age 2 o Mass Effect 2 [sic].”

Yet another wrote: “Despite the odd bugs and broken quests, an exceptional game. This player of video games for 5 decades waited so long for something so rich and realistic.”

The drama series will be spearheaded by The Last of Us’ co-creator and Chernobyl writer Craig Mazin, who is confirmed to be writing, showrunning and executive producing the TV iteration.

Mazin said in a statement, as per Deadline, “After putting nearly 1000 hours into the incredible world of Baldur’s Gate 3 , it is a dream come true to be able to continue the story that Larian and Wizards of The Coast created.

“I am a devoted fan of D&D and the brilliant way that Swen Vincke and his gifted team adapted it.”

“I can’t wait to help bring Baldur’s Gate and all of its incredible characters to life with as much respect and love as we can, and I’m deeply grateful to Gabe Marano and his team at Hasbro for entrusting me with this incredibly important property.”

The Baldur’s Gate TV show is slated to be a continuation of the games and will focus on the story after Baldur’s Gate 3, with existing and new characters reeling from the events of the latest game.

This means that the show won’t be tied to the video games and can take its own direction and tell a story in its own right.

This is a sharp contrast to The Last of Us, which directly adapted the video game’s storyline as well as building upon the existing world.

Indeed The Last of Us’ second season was met with a far more muted response to the universally lauded first outing led by Pedro Pascal and Bella Ramsey.

The Last of Us is going to be ending with its third and final season, with Mazin recently paid tribute to the late Catherine O’Hara, who played therapist Gail in the post-apocalyptic drama.

HBO previously confirmed in 2025 that showrunner Neil Druckmann would be stepping away from the drama to focus on his existing commitments to his video game company Naughty Dog.

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EPiC is a hip-shaking, lip-curling, fist-pumping, wise-cracking, sequin-spangled, sweat-soaked, all singing and dancing grand spectacle. 

It stands for Elvis Presley in Concert — a film that brings The King back into the building. 

Directed with loving care and boundless pizazz by flamboyant Australian Baz Luhrmann, it is a fitting companion to his 2022 biopic Elvis, starring Austin Butler. 

Using an incredible patchwork of unseen footage and unheard interviews, painstakingly restored by high-end technicians, he is presenting Elvis singing and telling his story “like never before”. 

You hear the music icon talking about his adoring fans, saying: “Those people want to see a show. They want to see some action.” 

The “action” centres on two years, 1970 and 1972, and features the singer’s residencies in Las Vegas, tour engagements and upbeat rehearsals, all interspersed with telling insights from the man himself. 

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Aside from fleeting visits to Canada, Elvis never did shows outside the US and yet, as he admits in the movie, he yearned to spread his wings and bring THAT voice to the world. 

Movingly, he performs Never Been To Spain which includes the line: “Well, I never been to England but I kinda like The Beatles.” 

‘Seen all the stuff’ 

Now, with EPiC, he’s getting the world tour he never had. 

To celebrate its cinema release next Friday, along with a soundtrack album, I’m speaking to one of the most qualified experts on “the kid from Tupelo” who changed popular culture for ever. 

Angie Marchese is Vice President of Archives and Exhibits at Graceland, the Memphis mansion bought by Elvis in 1957 for $102,500. 

It’s where he lived with wife Priscilla, where the couple welcomed their only child, Lisa Marie, and where he died on August 16, 1977. 

Since 1982, Graceland has been a museum with exhibits including Elvis’s pink Cadillac, his private jets, his gold records, his jewellery, his ornate furniture, his deep-pile carpets and, of course, his legendary jumpsuits. 

During her years living and breathing the place, vivacious curator Marchese has seen “a whole lot of Elvis footage”. 

“I’ve scrolled YouTube and seen all the stuff,” she tells me. 

But nothing quite prepared her for EPiC, which she first saw last year when it premiered at Toronto International Film Festival.  

“I was captivated for 96 minutes,” she says. “I couldn’t take my eyes off the screen. 

“You get to see a real person through this movie. That’s the guy I know from going through his archives.” 

Marchese highlights the frequent snatches of interviews with Elvis, which she describes as a “window into his mind”. 

“You’re hearing him telling his story for the first time, in his own words,” she affirms. 

“It involved lots of manpower — finding all these interview clips, dissecting them and making a story out of them. That brought it to a personal level. If Elvis had ever done an autobiography, this is what it would be.” 

Hollywood’s image of me was wrong. I knew it and I couldn’t do anything about it

Elvis Presley

Marchese also saw EPiC at Graceland on January 8, on what would have been the music legend’s 91st birthday. 

“That was very special,” she says. “It was the first US screening of the movie — and you would have thought that you were at a live concert.  

“Everybody in the theatre was dancing and singing and applauding. With the clarity of the footage, it felt as if you could reach out and touch him and he’s there. 

“The look in his eyes, the little smirks — I’ve never seen Elvis performing this clearly before.” 

EPiC begins with a rapid-fire retelling of the Elvis story and how he led the rock ’n’ roll revolution in the Fifties, even if a few stuffed shirts thought his high- octane antics “triggered juvenile delinquency”. 

You see him being drafted into the US Army and posted to West Germany, serving with a tank battalion. There are glimpses of his frustrating movie career which saw him given increasingly lightweight roles, culminating in him talking to an actor dressed as a dog in Live A Little, Love A Little. 

“Hollywood’s image of me was wrong,” he decides. “I knew it and I couldn’t do anything about it.” 

EPiC continues with the dying throes of Elvis’s movie career coinciding with the momentous 1968 Comeback Special, his televised return to the live arena, looking as fit as a fiddle. 

“The black leather suit has a 28in waist,” says Marchese, again proving what a mine of fascinating information she has at her fingertips. 

“That size rolls into the next couple of years of touring. Even the Aztec Sun jumpsuit which Elvis wore in ’77 [for his last ever concert, on June 26, in Indianapolis] is not as large as people might envision it to be.” 

The focal point of EPiC is his Las Vegas residencies which began at the International Hotel in 1969 and continued until the end of 1976. 

You hear Elvis confessing to stage fright before emerging on to the stage in 1970 in his off-white “fringe” jumpsuit (Marchese’s favourite) and launching into the song that started it all, That’s All Right, his first hit from 1956. 

Marchese believes his anxieties stemmed from a burning desire to make shows as special as he could for his fans. 

“He was the kid who lived the American dream, coming from poverty in Tupelo to being on top of the world and able to do whatever he wanted, whenever he wanted. 

“But he never forgot where he came from.” 

Despite everything, Elvis was never exactly shy and retiring, as Marchese explains. 

“He sure knew how to dress. If a kid was going to high school in the Fifties with sideburns, greased hair, his collar pulled up and wearing pink, then he was confident in who he was as a person — even if he had come from humble beginnings.” 

There’s some astonishing footage of Elvis climbing off stage and wading into the crowd, hugging and kissing women — some on the lips. 

Marchese continues: “One of the questions I get asked the most is, ‘Why is Elvis still so popular?’  

‘He sang just to you’ 

“The answer is that he had a personal connection with his fans. If you were in the crowd and there were 18,000 other people in the audience with you, you felt like he was just singing just to you. He had this energy about him, and he was just so personable. 

“Even if you never had a chance to get a scarf or a kiss or even get close to him, you felt like he was there for you. That really comes across in this movie.”  

Another key aspect of Elvis, which shines through, is his mischievous sense of humour. 

There’s a moment where he grabs a drink after complaining of feeling “dry — like Bob Dylan, only in my mouth”. 

Marchese calls him “Graceland’s worst practical joker” and tells her favourite prank story. “Every year, he gave the Memphis Mafia [the nickname given to Elvis’s inner circle] Christmas bonuses,” she says. 

“One year, he overheard the guys as they sat around imagining what the bonus might be. So, Elvis goes to McDonald’s down the street from Graceland and buys them all 50-cent gift certificates. 

“He puts them in envelopes with their names on. Christmas Eve comes around, Elvis brings the envelopes out and hands them out.

“The guys open them up and stare at Elvis — and he just falls about laughing but, mind you, back then 50 cents would have got you an entire meal.”

Next, I ask Marchese if there’s a song in the EPiC movie which particularly grabs her attention. 

He never lost this desire to please his fans, to be with them and to perform for them

Angie Marchese, Vice President of Archives and Exhibits at Graceland

“Like everyone, I love the popular ones such as Suspicious Minds, but when he sings gospel, that’s huge for me. It takes everything to another level. So my answer is, How Great Thou Art. I don’t think anyone could have done it better.” 

Marchese describes how Elvis became infatuated with gospel at a young age. “He used to go to these all-night gospel sings at the North Hall in downtown Memphis when he was a kid. 

“He didn’t have money to buy a ticket so he would go round to the back door and listen. Sometimes, JD Sumner [who sang at Elvis’s funeral] would sneak him in.” 

Of his towering rendition of How Great Thou Art, Marchese says: “Typical gospel hymn, but Elvis put it in the middle of a rock concert. The crowd is silent, listening to every word, but it doesn’t slow down the vibe, it raises it even more.” 

Just before How Great Thou Art, you see cute home movies of Elvis with Lisa Marie when she was a baby and toddler. 

“It made me cry,” says Marchese. “I wonder if Baz [Luhrmann] did that on purpose because How Great Thou Art was her favourite Elvis song.” 

It’s so sad to think that, like her dad, she died young and is buried beside him in Graceland’s Meditation Garden. 

“Lisa was the apple of Elvis’s eye, and loved her dad more than life itself,” says Marchese. 

“She was loyal, authentically who she was and also a beautiful, doting mother to her kids [Riley, twin girls Harper and Finley, and the late Ben].” 

As the owner of Graceland, Lisa Marie also got to know Marchese well. “She really was a special friend. She had a lot of Elvis’s traits — she had no filter so whatever she was thinking was what she was trying to do.” 

Before we go our separate ways, Marchese returns to the subject of EPiC, which showcases some of Elvis’s best-loved songs with breathless intensity — Always On My Mind, Can’t Help Falling In Love, In The Ghetto and so on.  

Elvis announces that it’s time to “get dirty” before launching into a relentless Polk Salad Annie — a truly remarkable feat of film editing, employing footage from two concerts and a rehearsal, all spliced together to thrilling effect. 

“That was masterful editing [by Jonathan Redmond] right there,” enthuses Marchese. 

There are wonderful intimate moments where Elvis rehearses Beatles songs Yesterday and Something.  

Cue one final, illuminating anecdote from the curator with an encyclopaedic knowledge.  

“I actually took Paul McCartney through Graceland. He was most fascinated by the fact that Elvis had a remote control for his TV in 1965 — years before most people had them.

“Oh, and we have the first microwave ever sold in Memphis, inside Graceland’s kitchen.” 

Finally, I ask Marchese if Elvis felt “caught in a trap” by Vegas, resulting in him not touring the world. 

“He loved his Vegas audience. He loved being on tour. But there was a moment in time when he couldn’t get off the hamster wheel. He had so many people relying on him.  

“Yet he never lost this desire to please his fans, to be with them and to perform for them.” 

If you get the chance to see EPiC, you’ll realise Elvis Aaron Presley is STILL The King. 

EPiC – ELVIS PRESLEY IN CONCERT  

★★★★★

Andy Gilpin returns to his hometown and finds it has become the somewhat unlikely hottest thing in travel

It’s 1.24pm on Friday afternoon and while most pubs around the UK at this time would be empty, The Turf is full. There are regulars, a retirement party and a vociferous pool game.

There’s also Wayne Cram, from Boston (that’s Massachusetts, not Lincolnshire), supping pints with Max from Wrexham, who’s just come in for a swift half after a hospital appointment. These two would normally never meet, especially here, but they’ve been brought together by one thing – Wrexham FC.

Almost attached to the historic Racecourse Ground, The Turf is one of the main stars of the Welcome to Wrexham show that’s got people flocking to this unassuming and in some ways run-down North Wales city. It follows the fortunes of a football club bought by Ryan ‘Deadpool’ Reynolds and Rob ‘It’s Always Sunny’ McElhenney.

And people have fallen in love with the show. New research says Wrexham is the UK’s newest holiday hotspot for 2026 – with bookings surging an astonishing 184% compared to 2025.

But why and what leads the likes of Wayne to travel 3,200 miles to a place that used to be famous for a giant slag heap and a massive industrial estate?

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“I’m like the Richard Dreyfuss character in Close Encounters of the Third Kind” explains Wayne. “I was looking for something. I was probably making models of the Racecourse Ground out of mashed potato. I didn’t know what I was looking for, but when I came here, I found it.”

Wayne has been over to see Wrexham five times – six if you count the 10 hours he drove to watch them play in Philadelphia. The first time he ‘kept under the radar’ and didn’t interact much.

Now, you can’t shut him up about Phil Parkinson’s 3-5-2, the recent transfer window and if the club have enough for four promotions in a row.

“I don’t know what the show’s demographic was, but I am it,” he adds. “I keep getting pulled here.”

The Turf’s landlord Wayne Jones is also about grafting, pulling pints, carrying boxes and chatting to regulars. While he’s a star of the show, he doesn’t particularly like the limelight, but will happily pose for selfies for people from all over the world. It’s what has got his pub so busy.

One of the people playing pool is Bryan Still. A former Wrexham Supporters Trust board member, he now runs tours of Wrexham in his minibus, taking eager foreigners to the places that feature and the people who star in them.

Bryan is one of those people who has a story or quip about everything and everyone. We jump into his taxi as he drives into town, pointing out interesting landmarks on the way. We go to the Wrexham Lager Brewery, now 95% owned by Ryan, Rob and their investing partners, the Allyn family.

We visit the historic St Giles Church, one of the seven wonders of Wales, where the founder of Yale University, Elihu Yale, is buried, as well as various murals around the city dedicated to heroes of the club.

We also pay a visit to Rob Clarke, owner of Mad4Movies in the Butchers Market and another regular in the show. Wayne chats to him, before an Aussie fella can’t wait and jumps in, much to the Bostonian’s amusement.

It’s good-natured fun, but it’s not all good news in Wrexham County Borough. While the Turf is full, the high street is empty. Rob’s shop is well visited, but other stalls in the market are struggling for footfall. Shop owners don’t believe the council is doing enough to get people spending in the city – whatever the benefits of the documentary are.

Back at the Turf, Wayne Jones is still busy, but he stops to talk about Flo’s ‘world famous’ baps on the counter at £2 a pop.

“They’re world famous because Rob McElhenney had one once,” says Wayne, before giving us some intel on Millwall fans’ whereabouts and carrying on the graft.

Scoot, lead singer of the Declan Swans who’s song ‘It’s Always Sunny in Wrexham’ is a soundtrack to the show (think this ‘less than a mile from the centre of town’) is talking to a German fella. Bassist from the band Mark Jones is milling around after finishing his shift. A Yorkshire-based reporter charged with covering the club has just walked in and Boston Wayne is holding court with all of them.

Everyone here seems to have a link to either the club, the documentary or both. Even me. I do the voice-over for the show.

My hometown is in the spotlight of the world, and I, Wayne(s), Bryan, Scott, and so many others want to show it off. And you may get embroiled in a chat about the merits of 3-5-2 and a world-famous bap in the bargain.

You get the slap heap for free.

Book it

For inspiration and where to stay and what to do in and around Wrexham, visit the Welsh tourist board.