SHOW BIZ

The Predator is airing tonight but there is an alternative film to watch that’s been branded a “masterpiece”.

An “all-time favourite” war film that’s “not just a film” but an “experience”, is available to stream.

Science fiction war film enthusiasts are set for a treat this weekend as The Predators will be broadcast on Sunday, February 15, at 12.30am, on Channel 4.

Initially released in 2018, The Predator, which forms part of the Predator franchise, follows sniper Quinn McKenna (portrayed by Boyd Holbrook) during a military operation to rescue hostages from a Mexican drug cartel when he encounters a spaceship crash landing.

Nevertheless, for those unwilling to stay awake until the small hours on Sunday to watch The Predator, there’s an even superior option.

“It is as near to being perfect as any I have ever seen”, an enthusiast on IMDb described this 1986 film. Another declared it was “one of the most thrilling films ever”, whilst a third branded it a “masterpiece” and an “all-time favourite”.

Fellow science fiction war film Aliens centres on Lt Ripley ( Sigourney Weaver ) whose shuttle is discovered by a deep salvage team after drifting in space for 57 years.

The official synopsis continues: “Upon arriving at LV-426, the marines find only one survivor, a nine-year-old girl named Newt (Carrie Henn).

“But even these battle-hardened marines with all the latest weaponry are no match for the hundreds of aliens that have invaded the colony.”

Aliens, the award-winning film helmed by James Cameron, serves as a direct sequel to Ridley Scott’s 1979 movie Alien but numerous fans have expressed their preference for it over the original.

So, if you’re eager to watch The Predator but can’t wait, Aliens is readily available for Disney+ subscribers to stream at their leisure.

With The Predator earning a paltry 34% on Rotten Tomatoes compared to Aliens’ near-flawless score of 94%, it’s clear which film is considered the superior offering.

Sigourney Weaver returns as Lt Ripley in this much-loved sequel, sharing the screen with Lance Henriksen as Bishop, Jenette Goldstein as Pvt Vasquez and Bill Hudson as Pvt Hudson.

While Weaver is most recognised for her role in the Alien franchise, she also made her mark in both the Avatar and Ghostbusters series.

“It’s nearly perfect in every way: storyline, characters, menacing threat, suspense, action, direction, music, emotion, etc”, one fan gushed about Aliens.

They added: “It’s always been a favourite of mine and still is. To me this is not just a film, it is an experience.”

Aliens is available to stream on Disney+.

The nation faces some tough questions following the unwittingly hilarious performance of U.S. Atty. Gen. Pam Bondi when she testified before the House Judiciary Committee on Wednesday about the Justice Department’s handling of the Epstein files, among other things.

Viewers were left asking themselves if the over-the-top dramatics they witnessed were in fact a midweek “SNL” comedy sketch, with Amy Poehler playing Bondi. But on second thought, no one is better at playing the Entitled Mean Girl than Bondi herself.

Deflecting from questions about the DOJ’s mishandling of the Epstein files, Bondi for nearly five hours interrupted, scoffed and yelled at her bipartisan interrogators. She rolled her eyes at questions that annoyed her (i.e. most of the questions asked by Dems), praised President Trump at the weirdest of times, and hurled personalized insults she’d noted ahead of time in a “burn binder” (more on that later).

U.S. Atty. Gen. Pam Bondi appears before the House panel Wednesday as, behind her, survivors of sex trafficker Jeffrey Epstein respond to a question from the committee with a show of hands.

(Tom Brenner / Associated Press)

Bondi reserved her most dramatic how dare you! bellows for Democrats but did lash out at a few Republicans. Anyone who pressed her for transparency on the many questionable redactions in the Epstein documents risked a spiteful dressing down, including those who inquired if the DOJ was actively investigating any of the rich and powerful men involved in the disgraced financier’s sex trafficking enterprise.

She called Rep. Jamie Raskin (D-Md.) “a washed-up loser lawyer,” referred to Rep. Thomas Massie (R-Ky.) as “a failed politician” and accused Jewish House member Becca Balint (D-Vt.), who lost her grandfather in the Holocaust, of being antisemitic.

When Rep. Jerry Nadler (D-N.Y.) asked how many of Epstein’s accomplices she had indicted, rather than tell the truth — which is none — she launched into a non-sequitur talking point about the Dow Jones Industrial Average topping 50,000, the S&P 500 nearing 7,000 and the Nasdaq “smashing records” under President Trump. “You all should be apologizing,” Bondi said. “You sit here and you attack the president. I’m not going to have it. I’m not going to put up with it!”

Poehler is talented, but how does anyone top that performance?

If only the hearing were a comedy skit. The hundreds if not thousands of young women who were victimized by Epstein deserve justice, and the many rich, powerful men involved in his criminal enterprise deserve to be held accountable. Bondi claimed there were “pending investigations” into the case but gave little more detail.

Seated in the audience behind Bondi were survivors and families of late survivors of the sex trafficking ring operated by Epstein and his accomplice, Ghislaine Maxwell. The women were recognized, with their permission, at the start of the hearing.

Rep. Pramila Jayapal (D-Wash.) later addressed the group of women: “To the survivors in the room, if you are willing, please stand.” All of them stood up.

“And if you are willing, please raise your hands if you have still not been able to meet with this Department of Justice.” All of the women raised their hands.

Jayapal then addressed Bondi: “Attorney General Bondi, you apologized to the survivors in your opening statement for what they went through at the hands of Jeffrey Epstein. Will you turn to them now and apologize for what your Department of Justice has put them through with the absolutely unacceptable release of the Epstein files and their information?”

Bondi did not face the survivors, instead replying: “I’m not going to get into the gutter with this woman doing theatrics.”

The committee repeatedly asked about numerous problems they’d found in the DOJ’s redactions of the Epstein files, including redacting the names of his suspected co-conspirators while not redacting the names or photos of some of the victims.

She snapped back at them, reminding the room that her DOJ had released more than 3 million documents, and proclaiming loudly, “Donald Trump is the most transparent president in the nation’s history!”

It was all those other guys who dropped the ball, according to Bondi. Why hadn’t former Atty. Gen. Merrick Garland or President Biden investigated the disgraced financier? Rep. Massie cut her off at the knees.

“This goes over four administrations,” he said. “You don’t have to go back to Biden. Let’s go back to Obama. Let’s go back to George Bush. This cover-up spans decades, and you are responsible for this portion,” he said.

She accused Massie of suffering from “Trump derangement syndrome.”

Many of the personal attacks she launched at House members were prewritten in what’s become known as Bondi’s “burn binder,” a notebook filled with unflattering factoids about her inquisitors (she used a similar binder at a Senate hearing). Bondi referenced the guide with such frequency, Rep. Jared Moskowitz (D-Fla.) joked that he’d like to see her “flip to the Jared Moskowitz section of the binder. I’m interested to see what staff provided on the [opposition research] on me.”

If “SNL” does decide to spin a sketch out of the most unprofessional testimony ever by a U.S. attorney general, how can it ever top the show we just saw?

When we decided to rank the best Los Angeles movies, we thought 101 titles would be plenty: room enough for undeniable classics, personal obsessions, even a guilty pleasure or two. Of course it wasn’t. You let us know, endorsing many of our selections but insisting we’d missed a few.

Sifting through your responses, 14 films had the most passionate advocacy. You’ll find them listed below in alphabetical order. Together they make up a perfectly valid alternate list, one that captures the glamour and romance of L.A. — as well as its lovable plasticity — just as well.

‘American Gigolo’ (1980)

Richard Gere and Lauren Hutton in the movie “American Gigolo.”

(Paramount Pictures)

Reader Cindy Simon from Pacific Palisades shares an anecdote: “I had just moved to L.A. from New Jersey. My friend and I — young mothers — ducked out of our baby-centered life to see ‘American Gigolo.’ The first scene was the incredible Richard Gere smoothly walking outside a Malibu beach house. My friend and I literally gasped!”

There is so much to recommend to this movie — an excellent choice and a regrettable omission on our part. Not only is it responsible for introducing Blondie’s “Call Me” to the world, it does so via an opening credits scene of Pacific Coast Highway cruising that all but defined L.A. hedonism as the ’70s became the ’80s.

‘The Anniversary Party’ (2001)

Jennifer Beals, Alan Cumming and Jennifer Jason Leigh in the movie “The Anniversary Party.”

(Peter Sorel / Fine Line Features)

“A dysfunctional showbiz marriage in the Hollywood Hills, a party with a lost dog, what’s not to love?” asks reader Jim Ehlers of Pasadena. “It’s so iconically L.A. — the sexy mid-century modern house. When do you get Parker Posey, Gwyneth Paltrow and John C. Reilly in the same cast?”

That spectacular glass-walled home in the Hollywood Hills is the Schaarman House, designed by architect Richard Neutra. But fans know the movie for other reasons: Phoebe Cates came out of retirement to act with her “Fast Times at Ridgemont High” co-star Jennifer Jason Leigh. Today’s audiences ogle a young Alan Cumming.

‘City of Gold’ (2015)

Jonathan Gold in the documentary “City of Gold.”

(Sundance Selects)

Junko Garrett of Eagle Rock says this documentary “captures the essence of L.A.: diversity and vibrancy, amazing food and people. I was a big fan of Jonathan Gold’s articles and looked forward them every week.”

So did we. Gold’s omnivorous enthusiasm remains a guiding light for so many Angelenos and his Pulitzer-winning food writing is easy to find. We’re still going to several of the film’s featured restaurants: Jitlada, Chengdu Taste, Guelaguetza.

‘Crash’ (2004)

Thandiwe Newton and Matt Dillon in the movie “Crash.”

(Lorey Sebastian / Lions Gate Films)

More than a few of our readers bemoaned the omission of an Oscar-winning best picture like “Crash.” Says Jim Rodriguez of Torrance, it “captures the quintessential reality that, in L.A., all the levels of social strata, at one time or another, exist side by side on our roads and freeways, separated by a few feet, metal and glass. And yet, still so isolated from each other.”

And Ian Barnard of DTLA calls the movie “a wonderful antidote to Hollywood’s whitewashed and unrealistically glamorous depictions of L.A.” It shows the city “in all its diversity, prejudices, contradictions, inequities and generosities.”

To us, “Crash” will always be the movie that stole “Brokeback Mountain’s” glory. But let’s be generous and note that Carney’s Restaurant on Ventura gets a nice moment.

‘The Day of the Locust’ (1975)

William Atherton, left, and Donald Sutherland in the movie “The Day of the Locust.”

(Paramount Pictures / Getty Images)

The Nathanael West novel is, of course, essential, so where’s the movie? Reader Andrea Hales, a San Diegan who lived in Los Angeles for 15 years, calls the film version “eerie and fascinating, capturing the essence of Los Angeles: the city of hopes and dreams, fires and riots. The setting is 1930s Hollywood but it could be today.”

One thing is certain: As a one-stop shop for classic L.A. locations, you can’t do much better than “The Day of the Locust,” which takes us to the Ennis House, Paramount’s iconic Bronson Gate and Grauman’s Chinese Theatre.

‘Earthquake’ (1974)

A scene from the movie “Earthquake.”

(United Archives / Hulton Archive / Getty Images)

Reader Dina Schweim, writing from Winston-Salem, N.C. (fine, we’ll allow an outsider’s perspective in this case), expressed her disappointment to not find “Earthquake” on our list: “There are few things I love more than a good disaster movie that obliterates L.A. to balance out fanciful and the corrupt — and yes, I was pleased to see that ‘Volcano’ made the list but ‘Earthquake’ really does capture the raw core of what destruction in L.A. can look like.”

The film was mostly shot on the Universal backlot and we wish it had more of an authentic L.A. feel. Still, if you harbor satisfaction at seeing the city get trashed (and who doesn’t on occasion?), we’re not getting in the way of that rumble.

‘(500) Days of Summer’ (2009)

Joseph Gordon-Levitt and Zooey Deschanel in the movie “(500) Days of Summer.”

(Chuck Zlotnick / Fox Searchlight Pictures)

You like this one. Really like it. “It celebrates and beautifies the city in a way few other movies ever have,” says Anthony Cavalluzzi of Yorba Linda, adding, “Its absence completely invalidates the list.” And Michael Backauskas of Beverlywood writes, “I went to see it five times and I never do that.”

Any film about an aspiring architect is going to make the most of its locations. If you mourn the lovers’ bench at Angel’s Knoll Park, know that it became immortal because of this film.

‘Get Shorty (1995)’

John Travolta and Rene Russo in the movie “Get Shorty.”

(MGM)

This comedy’s dialogue was quoted in our comments twice. For reader Sean Dickerson of Beverly Grove, the movie gives us “maybe the greatest line about our city: ‘What is the point of living in L.A. if you’re not in the movie business?’” And for David Hughes of Sierra Madre, the moment comes when John Travolta’s gangster-turned-Hollywood-wannabe is asked what he knows about the movie business: “I don’t think the producer has to know much.”

There is an unforced charm to the way Travolta’s character falls in love with Hollywood — he’s already a movie geek but other elements fall into place for him. Eagle-eyed viewers will recognize both the Aero and Vista theaters.

‘Grand Canyon’ (1991)

Kevin Kline and Danny Glover in the movie “Grand Canyon.”

(20th Century Fox)

Paul Krekorian of Encino calls this one “a brilliant and underrated study of life in Los Angeles. In a deeply personal way it lays bare so many of the societal challenges Los Angeles always struggles with — economic segregation, racial division and injustice, violence, the disparity between Hollywood-created facades and the reality of ordinary life, and the struggle to find meaning and substance.”

Its writer and director, Lawrence Kasdan, was also responsible for “The Big Chill,” a similar portrait of generational flux, and there are quiet moments in “Grand Canyon” that are some of his best. It also starts with a Lakers game.

‘Knight of Cups’ (2015)

Christian Bale in the movie “Knight of Cups.”

(Melinda Sue Gordon / Broad Green Pictures)

Reader Peter Turman of Brentwood sees depth in Terrence Malick’s oblique portrait of a distracted screenwriter (Christian Bale) searching for grace but finding a lot of sex, calling it “a fever-dream meditation on Los Angeles and Hollywood, with its promises, chimeras, illusions, seductions, nightmares and disappointments, told by a great filmmaker who knows of what he speaks.”

Malick shot all over Los Angeles but his moments on the Warner Bros. lot, the enormous numbered studio buildings looming, may be his most beautiful.

‘Lost Highway’ (1997)

Patricia Arquette and Balthazar Getty in the movie “Lost Highway.”

(October Films)

Even with two other David Lynch films placing on our list, that wasn’t enough for Clark Leazier of West Hollywood, who calls the L.A. vistas and landmarks in “Lost Highway” “the most burned in my brain — particularly the Firestone Auto Shop that is now the popular All Season Brewing in Mid City. Also it captures Southern California nighttime driving in a messed up yet accurate way.”

Lynch obsessives know “Lost Highway” to be the one narrative film in which you can see the director’s own house, part of his compound on Senalda Drive in the Hollywood Hills, used as the setting for his main characters’ mansion.

‘Spanglish’ (2004)

Paz Vega, left, Téa Leoni and Adam Sandler in the movie “Spanglish.”

(Bob Marshak / Columbia Pictures )

Says Rochelle Lapides of Ventura County, “It tells one of the essential stories of our Los Angeles-bound Mexican immigrant population and the cultural challenges they face. Also, in my opinion, it’s one of Adam Sandler’s best dramatic roles.”

Agreed, especially on Sandler, whose turn in “Punch-Drunk Love” so impressed director James L. Brooks, he decided to cast him here. The film’s romantic patio scene is filmed at the Beverly Hills restaurant Il Cielo.

‘Star 80’ (1983)

Mariel Hemingway, left, Eric Roberts and Cliff Robertson in the movie “Star 80.”

(Paramount Pictures / Getty Images)

“Talk about dying for the dream,” writes William Mariano of Escondido. “It was filmed in the same spot she died.” He means Playboy model Dorothy Stratten, murdered by her sicko husband Paul Snider in a Rancho Park home that was actually used by the movie’s production while filming their dramatization of the crime.

“Star 80” does crystallize the ominous side of the L.A. myth, as a place where you’ll arrive, find success (and exploitation) and be destroyed in the process. Bob Fosse completists need to see it; it was the “All That Jazz” director’s final movie.

‘Tequila Sunrise’ (1988)

Kurt Russell, Michelle Pfeiffer and Mel Gibson in the movie “Tequila Sunrise.”

(Warner Bros. Pictures)

Jean Clark of Manhattan Beach celebrates this thriller’s cast, cinematography and plot, which she sums up as “classic good guy vs. bad guy and the woman who loves them both, set against the dark underbelly of glamorous L.A. and its golden beaches back in the 1980s.”

And Jean would know — the movie was largely shot around Manhattan Beach. But don’t go looking for Michelle Pfeiffer’s restaurant Vallenari’s. It was entirely constructed on a soundstage.

RAPPING legend Cardi B has fallen off a chair during her live Valentines Day weekend concert in Las Vegas.

Dressed in racy red lingerie, Cardi, 33, was performing a rendition of Thotiana but continued singing while lying on the ground.

Megamedia shared the moment on social media and captioned it: “That was the Government.”

During the clip, Cardi flaunted her curves while straddling the back of a white chair.

But as she draped down towards the floor, the chair slipped from under her and she fell to the floor.

Cardi quickly joked off the fall and jumped back to her feet to the crowd’s applause.

INTERFERENCE

Stefon Diggs spotted with model on Super Bowl field after Cardi B ‘split’

BIG DIGG?

Cardi B sparks rumors she’s SPLIT with baby daddy Stefon Diggs as he faces JAIL

As she strutted her stuff along the stage, she said: “That wasn’t me, that was the government.”

Fans flocked to comment on her humour and one wrote: “She kept performing and make a joke about it after she’s having fun I love it.”

A second said: “She so funny, it was the government.”

While a third added: “Damn, she is so hilarious.”

Cardi recently sparked rumours of a split from her baby daddy Stefon Diggs.

The controversial NFL star, who plays for the New England Patriots, lost out during the Super Bowl on Sunday night.

Fans were then quick to spot how they had then unfollowed each other on Instagram after he lost the Super Bowl.

Diggs, 32, and Cardi welcomed their son on November 4.

Most of Diggs’ children were born within a few months of each other in 2025, fuelling intense speculation and online debate. 

An insider told The U.S. Sun that she was fully aware of Diggs’ reputation from the start — and believes he has changed.

“Cardi has known since day one that Stefon had a reputation as a womanizer and had seen multiple women in the past, but her love for him is above all of that,” the source said. 

“She knows he has been faithful since they made things official and that he’s been transparent about his previous relationships, only seeing her since they committed to each other.”

The insider added that while Cardi “hates all the drama,” she admires Diggs’ role as a father.

“She loves that he’s not a deadbeat dad,” the source said. “She believes he’s a present, loving, and supportive father.”

The source also said the New York rapper has been blunt with Diggs, warning him there will be no forgiveness if he crosses the firm line she has drawn.

A viral AI-generated video of actors Brad Pitt and Tom Cruise fighting atop a building is causing a stir online.

The 15-second video comes from the latest AI video-generation platform, Seedance 2.0. The platform was launched this week by its owner, ByteDance, the same Chinese parent that oversees TikTok. As the video circulates online, the Motion Picture Assn. and other industry stakeholders have called out the video for its unauthorized use of copyrighted works.

Charles Rivkin, chief executive of the Motion Picture Assn., wrote in a statement that the company “should immediately cease its infringing activity.”

“In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorized use of U.S. copyrighted works on a massive scale,” wrote Rivkin. “By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs.”

The video was posted on X by Irish filmmaker Ruairi Robinson. His post said the 15-second video came from a two-line prompt he put into Seedance 2.0.

Rhett Reese, writer-producer of movies such as the “Deadpool” trilogy and “Zombieland,” responded to Robinson’s post, writing, “I hate to say it. It’s likely over for us.”

He goes on to say that soon people will be able to sit at a computer and create a movie “indistinguishable from what Hollywood now releases.” Reese says he’s fearful of losing his job as increasingly powerful AI tools advance into creative fields.

“I was blown away by the Pitt v Cruise video because it is so professional. That’s exactly why I’m scared,” wrote Reese on X. “My glass half empty view is that Hollywood is about to be revolutionized/decimated.”

Reese isn’t alone in thinking AI could potentially “decimate” Hollywood and take away jobs. Creating protections against AI was one of the main reasons both SAG-AFTRA and the Writers Guild went on strike in 2023. But some members argue that those measures — now nearly three years old — did not go far enough.

As SAG-AFTRA reentered contract negotiations with the studios earlier this week, AI is still one of the union’s highest priorities. It’s expected that the actors union could propose what has been called the Tilly tax, a fee that studios would have to pay to the union in exchange for using an AI-generated actor — a response to the introduction of Hollywood’s first AI actor, Tilly Norwood.

In a statement to The Times, SAG-AFTRA confirmed that the union stands with the studios in “condemning the blatant infringement” from Seedance 2.0, as video includes “unauthorized use of our members’ voices and likenesses.”

“This is unacceptable and undercuts the ability of human talent to earn a livelihood. Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent,” wrote a spokesperson from SAG-AFTRA. “Responsible A.I. development demands responsibility, and that is nonexistent here.”

KATIE Price’s new husband Lee Andrews has teased a new reality show with his bride in a bizarre AI video.

The newlyweds – who tied the knot last month after just a week of talking online – are going at lightning speed through their relationship.

And now a new post on Instagram suggests Lee is looking to put things in front of a camera.

In the story titled: “Coming soon: Kate and Lee”, an artificial version of the pair are seen looking loved-up as they zoom through having dinner, and seeing the world landmarks including Rome’s colosseum and Christ the Redeemer.

The post comes just days after it was revealed a TV production company was “fuming” with Katie after throwing their planned documentary with her into chaos.

The three-part documentary was set to air in the spring on Sky, and was created by Louis Theroux’s TV production company Mindhouse.

PLUS ONE

Katie Price teases new family addition with husband Lee Andrews after baby hint

lee-ve it out

Katie Price leaves TV bosses fuming as marriage throws new show into chaos

A source close to the series told The Sun: “The whole focus of the documentary is meant to be this redemption arc for Katie showing a more serious, thoughtful side to the mum-of-five that people rarely see in her tabloid antics.

“So this latest turn in her life isn’t the kind of publicity they wanted.

“They feel like this out-of-the-blue marriage has thrown a real spanner in the works and totally changes the tone of the show, making the footage they have shot feel really out of date.

“A lot of it was filmed while she was still with JJ and she talked on camera about how much more settled she was with him.

“That all sounds a bit daft in light of what’s transpired recently.”

The insider continued: “She’s also meant to still be filming some new footage, but she’s flown off to Dubai again to be with Lee so it’s all very up in the air.

“It will take a lot of re-editing and they need to shoot some new footage if it will make it on the air for the planned April airdate.”

Katie is currently still in Dubai with Lee – where he lives full time – enjoying a honeymoon together.

Despite not even knowing each other at the beginning of this year, Lee has already shared a tattoo he has of Katie’s name and their wedding day.

The couple met online and got engaged, with Katie walking down the aisle for the fourth time in a secret ceremony when she flew out to meet him.

He’s since posted pictures hinting that they’re trying for a baby, noting “good things come to those who wait”.

Katie is already a mum to five children, but has made no secret of her desire to have another.

Last year, a documentary aired showing Katie’s efforts to go through IVF treatment with ex-fiancé Carl Woods.

Katie Price: Making Babies was filmed when Katie was engaged to Carl , 35 – who was less than impressed with the programme airing two years later.

At the time she was told that she had a less than 1% chance of being able to conceive, but decided to try anyway.

Katie later split from Carl and started dating Married at First Sight star JJ Slater.

They split just weeks before she flew to Dubai to marry Lee.

Support for James Van Der Beek’s family continues to pour in. The GoFundMe created to support them following the “Dawson’s Creek” star’s death approached $2.3 million in donations Friday morning.

Steven Spielberg and his wife Kate Capshaw are among the celebrity donors who have contributed to the fundraiser organized by the late actor’s friends. The couple’s donation is listed as $25,000. Those familiar with Van Der Beek’s breakout role on the millennial teen drama know that Spielberg is Dawson Leery’s favorite director.

Originally airing from 1998 to 2003, “Dawson’s Creek” was a seminal teen drama that followed four friends growing up in a small coastal town as they navigated their dreams, relationships and various coming-of-age milestones. Van Der Beek’s Dawson was an aspiring filmmaker whose dreams were bigger than his small hometown. Along with friends Joey (Katie Holmes), Pacey (Joshua Jackson) and Jen (Michelle Williams), Dawson grappled with very relatable teen dilemmas including heartbreak, betrayal and bad decisions.

The fundraiser, which had more than 44,000 donors as of Friday morning, was organized to help support Van Der Beek’s wife and children, who “are facing an uncertain future” due to the financial strain of the late actor’s medical costs. The late actor died following a battle with colorectal cancer. Funds will be used to “help cover essential living expenses, pay bills, and support the children’s education,” the organizers wrote.

Van Der Beek revealed in 2012 that he had been paid “almost nothing” for his work on “Dawson’s Creek” and had not received any residuals from the hit show.

“There was no residual money,” he told “Today.” “I was 20. It was a bad contract. I saw almost nothing from that.”

Before his death, Van Der Beek auctioned off personal memorabilia and sold collectibles to help pay for his cancer treatments. In September, his “Dawson’s Creek” co-stars helped organize and stage a reunion fundraiser to support Van Der Beek and his family — a reunion the actor had to miss because of a virus. “Black Bird” actor Paul Walter Hauser had also been raising funds through Cameo videos and auctions to help the late actor prior to his death.

Besides Spielberg, celebrity donors to Van Der Beek’s GoFundMe also reportedly include Zoe Saldaña, Jon M. Chu, Derek Hough, Busy Philipps, Jenna Dewan and others.

Van Der Beek’s “Dawson’s Creek” colleagues have also been among the many who have shared tributes to the late actor.

“Several times today, from my heart, I’ve tried to form the words to express the beautiful brilliance of James and what his presence has meant to my life,” “Dawson’s” creator Kevin Williamson wrote Thursday in a post shared on Instagram. “But I am truly at a loss for words. I will have to trust that one day those words will come… But today, all I can think about is Kimberly and the entire Van Der Beek family.”

Holmes, meanwhile, shared a handwritten note addressed to Van Der Beek on Instagram Wednesday. She was the first of “Dawson’s Creek’s” surviving core quartet to publicly acknowledge Van Der Beek’s death.

“Thank you,” Holmes wrote in her note, which was addressed to Van Der Beek. “To share a space with your imagination is sacred — breathing the same air in the land of make believe and trusting that each others’ hearts are safe in their expression.”

In her remembrance, Holmes highlighted their shared “laughter, conversations about life, James Taylor songs” and their “adventures of a unique youth.” She also highlighted Van Der Beek’s “Bravery. Compassion. Selflessness [and] Strength.”

“I mourn this loss with a heart holding the reality of his absence and deep gratitude for his imprint on it,” wrote Holmes, who also sent love to Van Der Beek’s wife and children in her message.

Other members of the extended “Dawson’s Creek” family, including actors Chad Michael Murray, Kerr Smith and Sasha Alexander, have also been among those offering condolences and paying tribute to Van Der Beek and his family online.

“James Van Der Beek was one in a billion and he will be forever missed and i don’t know what else to say,” wrote Busy Philipps in her Instagram tribute. “He was my friend and i loved him and i’m so grateful for our friendship all these years.”

The BBC has released new images from upcoming Jane Austen period drama The Other Bennet Sister.

Next month, BBC is set to release a new ten-part series titled The Other Bennet Sister, which shines the spotlight on the often overlooked Mary Bennet from Jane Austen’s renowned novel Pride and Prejudice.

The period drama, adapted from Janice Hadlow’s novel bearing the same title, delves into the life of the ‘unremarkable and overlooked’ sibling.

This week, the BBC unveiled a fresh batch of images from the forthcoming drama, featuring Call the Midwife star Ella Bruccoleri as Mary Bennet, along with a host of other pivotal characters and potential love interests.

Joining Ella in the anticipated series are Ryan Sampson as Mr Collins, Dónal Finn as Mr Hayward, Laurie Davidson as Mr Ryder and Aaron Gill as John Sparrow.

Night Manager actress Indira Varma also joins the ensemble as Mrs Gardiner, alongside her on-screen spouse, portrayed by Richard Coyle, reports Wales Online.

An official synopsis for The Other Bennet Sister hints: “The series takes as its premise that – when it comes to the Bennet sisters – while we dream of being Lizzy, in reality most of us are more like Mary..

“The series follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose – finding herself in the middle of an epic love story along the way.

“Her journey will see her leave her family home in Meryton for the soirees of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love and reinvention.”

The newly released images from the upcoming drama have sparked a flurry of excitement among fans.

One eager viewer expressed: “Very much looking forward to seeing this!” Another added: “I’m really looking forward to this. The book is brilliant! I’ve read it twice.”

Others praised the casting, with one person commenting: “Brilliant casting” whilst another fan exclaimed: “CANNOT WAIT!!!!” Further comments included: “Looking forward to this” and “Can’t wait for this. Loved the book and the cast is [fire].”

Actress Ella Bruccoleri shared her excitement about joining the cast in an interview with the BBC, saying: “As someone who has always related more to Mary than Lizzy – something that was confirmed even more by reading Janice Hadlow’s brilliant novel.”

She continued: “I feel incredibly lucky to be spending these next few months exploring her world in depth, as envisioned by these incredible women.”

Bruccoleri also praised the script, stating: “Sarah Quintrell’s scripts are packed full of beautiful idiosyncratic detail, empathy, humour and such warmth… revealing that beneath Mary’s awkwardness and formality, lies a woman longing for purpose and connection.”

The Other Bennet Sister is set to air on BBC One and BBC iPlayer in March.

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website‘.

“Real Housewives of Potomac” personality Karen Huger says she has turned over a new leaf nearly two years after crashing her Maserati in a drunk-driving accident.

The reality TV star, 62, on Thursday opened up about her 2024 DUI arrest and the six-month county jail sentence that followed in a conversation with Sherri Shepherd. Huger, dubbed the Grand Dame by fans, told the “Sherri” host that she is “so happy and so at peace right now to be on the other side.”

In March 2024, Maryland police arrested Huger for driving under the influence after she crashed her car into a street divider and a tree in Potomac. In addition to the DUI, Huger was also found guilty on negligent driving charges and sentenced in February 2025 to one year in jail. After serving six months in Maryland’s Montgomery County Detention Center, she was released in September.

For her sit-down with Shepherd, Huger was styled in a formfitting burnt orange dress, metallic cuffs and a chic bob. While the daytime host complimented her look, Huger said her exterior is “not a reflection of what God has done for me.”

“I healed myself, so thank you,” she continued, “but the inside is what matters.”

Huger spoke candidly about how the 2024 accident pushed her to confront her struggles with alcohol addiction. At the time of the crash, Huger attributed her drinking to the grief of losing her mother and urged drivers to “understand your emotional state” before driving a car. She said Thursday that the drunk-driving incident was her running away from the reality of grief and addiction and her choice to not listen to God.

Huger told Shepherd that, prior to the accident, she was a “functional addict” who would drink off-screen during her time on “RHOP” — a habit she said she’s now ashamed of.

“I was dead wrong,” she said Thursday of her accident. “I’m so grateful no one was killed, no other person was hurt. I’m so grateful to be alive. I could’ve died.”

The reality TV star said six months in county jail — without cameras and her creature comforts — proved to be a period of self-improvement and empowerment. Huger said she began treatment to address her alcohol addiction and carried that on in prison. She said she led Narcotics Anonymous and Alcoholics Anonymous meetings while behind bars.

“I have a responsibility to tell my truth and share it with the world if they’re willing to listen,” she told Shepherd.

Huger previously spoke about the scandal with Andy Cohen, telling the Bravo host earlier this month that she had been in denial about her grief and addiction. She also told Cohen that she was taking her sobriety one day at a time, a sentiment she echoed on “Sherri.” Her two adult children are also major motivators to stay sober, she said.

The “RHOP” star, eager to put her DUI behind her, recalled seeing her two adult children “through a glass window” in jail and recognizing “the pain that put them through.”

“I didn’t think about how they would feel,” she said, underscoring she intends for that to be a onetime experience.

Huger said Thursday that it remains to be seen whether she will return to “RHOP” for future seasons. Huger was absent from the season amid her sentence but appeared in the Season 10 finale. The “RHOP” cast, including Huger, reunited for the series’ three-part reunion, which begins airing on Sunday.

In the fallout of the scandal, Huger told Shepherd she feels like the same “Karen Huger, just clean.” She also isn’t resisting fans’ “Grand Dame” nickname, despite her scandal.

“If they want me to be their Grand Dame, no one else could do it anyway.”

To age is to find one’s appreciation for life’s daily joys sharpen, especially as more inconvenient realities assert themselves. Lifelong Tangier resident Maria Angeles (Carmen Maura), part of the bustling Moroccan city’s entrenched Spanish community, is one such grateful senior. We see her at the beginning of “Calle Málaga” in a state of smiling contentment, walking her neighborhood streets and being greeted by vendors.

What she surely isn’t expecting, however, as she buys food and makes croquetas in preparation for an eagerly awaited visit from her daughter from Madrid, is that this trip will threaten all she holds dear. That’s because Clara (Marta Etura), a divorced mom struggling to pay the bills, arrives with the news that she’s selling the grand old apartment her widowed mother has lived in for 40 years. Won’t it be nicer for Maria to live with her in Spain and be closer to her grandchildren? Or at the very least be taken care of locally in Spanish-specialized assisted living?

The look on Maura’s face — this celebrated actor’s most well-honed tool — suggests a range of emotions regarding forced elderhood or grannydom that are far less accommodating.

How Maria handles her imminent uprooting is at the core of Moroccan filmmaker Maryam Touzani’s third feature, her follow-up to the similarly sensitive family drama “The Blue Caftan.” “Calle Málaga,” written with Touzani’s husband Nabil Ayouch, is not a passive narrative, though, merely content with the internalized ache of acceptance. It is to some extent an emotional heist film and protest tale in delicate harmony, in that after initially agreeing to be placed in that Tangier senior center while her possessions are boxed up or sold, Maria schemes to steal her life back from under her absent daughter’s nose.

If you don’t look too closely at the details of Touzani’s charming scenario — which requires that a lot of things to fall into place, if enjoyably so — the movie becomes a sweet and spicy counternarrative to stories about aging that patronize their protagonists. (Another noteworthy example was last year’s rapturous American indie “Familiar Touch.”) Maria essentially becomes a crafty squatter in her own up-for-sale apartment, reclaiming some items from a hard-nosed but increasingly understanding antiques dealer (a well-cast Ahmed Boulane) and engineering a clever way to earn money with the help of friendly neighborhood kids who adore her. Her gambit even opens the door for unexpected romance, giving her frequent chats with Josefa (María Alfonsa Rosso), a childhood friend, an increasingly eye-opening frankness.

It’s hard to imagine anyone other than Maura, her almond-shaped eyes as powerfully suggestive as ever, conveying Maria’s rejuvenated spirit and sensuality with as much magnetism. Touzani, an unfussy, patient director with a fondness for the simplicity of human interaction, implicitly trusts her star to carry the film’s effervescence and complexity, although you may wish the filmmaking was a little less straightforward.

There is, after all, a reckoning for Maria’s situation we can’t help but keep in the back of our mind. Because our first brief glimpse of Clara is a sympathetic one — as opposed to conveniently antagonistic — we know “Calle Málaga” won’t settle for a tidy resolution. And it doesn’t, save leaving us with a view of Maria’s bid for freedom that, like the rose petal that is one of Touzani’s go-to visuals, beautifies the air whether still connected to the roots or separated and strewn like so much that’s fragile in life.

THE desperate search for Nancy Guthrie is nearing a gut-wrenching two weeks after investigators said she was taken from her home against her will in the dark of night during the early hours of February 1.

The baffling case of the apparent kidnapping of the mother of popular Today co-anchor Savannah Guthrie has captivated the country, making her rural Catalina Foothills community ground zero for news outlets and true crime influencers.

Investigators believe Nancy Guthrie disappeared sometime after 2:28am on February 1 after her pacemaker disconnected from her phone, which was left behind.

In the days since her family reported her missing, Pima County and FBI investigators have conducted repeated searches at both Nancy’s and her daughter Annie’s homes, which are located about 4 miles from each other.

The mounting pressure to locate Nancy has reportedly led to clashes between Pima County Sheriff Chris Nanos and the FBI.

Nanos has reportedly blocked federal agents from obtaining key evidence, including gloves and other DNA found inside Nancy’s home, according to Fox News.

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Federal investigators have reportedly asked Nanos for the items to be processed at the FBI’s national crime laboratory in Quantico, Virginia.

However, Nanos sent the evidence for testing at a private lab in Florida, according to the outlet.

Nanos disputed the claims, telling NBC affiliate KVOA that the reports were “not even close to the truth.”

But it has been Nancy’s unlit, secluded desert neighborhood that has made the investigation challenging for law enforcement.

Secluded area

The U.S. Sun was on the ground in Tucson and experienced first-hand the rugged stretch of desert terrain that surrounds Nancy’s home and those of her neighbors.

Nancy’s property is located on a roughly mile-long road with no street lights or cameras, dense vegetation, and away from hotels and commercial businesses.

The community is roughly 44.6 miles of desert, according to the Arizona Republic.

The affluent area is popular for hikers due to its mountainous terrain and hilly roads.

Unlit roads

At night and without a flashlight, it is impossible to see where you’re walking or what is in front of you.

Locals, who for decades have called the Catalina Foothills home, relayed to The U.S. Sun that the lack of lights in the community is to protect astronomical research at various observatories in Tucson.

A neighbor told The U.S. Sun that homeowners in the area are encouraged not to have landscape lights on their properties.

“If you have lights, landscape lights on your house, don’t point them up. You want them to point at the wall or down on the ground, not the sky,” said the woman, who asked not to be named.

The sound of chirping crickets and coyotes howling in the night is the only sign of life when you’re standing on the dark remote roads.

The same neighbor told The U.S. Sun that at night she often hears barking and whooping from coyotes around the neighborhood.

“Sometimes we have bobcats. But overall, we don’t have a lot of noise,” she added.

Off-road homes

Unlike traditional neighborhoods where homes are situated closely to one another, the layout of the Catalina Foothills is starkly different.

There are no sidewalks, and neighboring most homes is a desert environment with skin-tearing cacti and thick shrubs.

Most of the residential homes are spaced out off main roads, only have a ground level, and are tucked in behind long driveways.

Due to the dense shrubs, the darkness of unlit roads, and where many of the homes sit; even if doorbell camera footage is available from neighbors, they would not capture activity on local streets.

The lack of surveillance cameras on main roads has forced local and federal investigators to go door-to-door to nearby residences for any home security camera footage they may have.

Desperate search

The Pima County Sheriff’s Department has laid out a timeline of what they believe were Nancy’s final hours before she was allegedly kidnapped.

On the afternoon of January 31, Nancy took an Uber to her daughter Annie and her son-in-law Tommaso Cionni’s house for dinner.

At 9:48pm that evening, Sheriff Nanos said Cionni dropped off his mother-in-law at her home.

In the early hours of February 1, Nancy’s doorbell camera disconnected at 1:47am.

At 2:12am, software from one of Nancy’s cameras on her property detected a person.

Then, at 2:28am, Nancy’s pacemaker disconnected from her phone.

By 11:56am, Nancy’s family arrived at her home after being alerted by a friend that their mother missed Sunday mass.

After not being able to locate Nancy, the family calls Pima County deputies to report her missing.

Roughly 10 minutes later, deputies arrive at the scene and uncover “concerning” evidence, including a trail of blood on the porch outside the home and Nancy’s missing doorbell camera.

The FBI has since obtained the doorbell camera footage from the night of Nancy’s disappearance, which showed a man wearing a ski mask using a plant from the lawn to obscure the camera’s lens.

Federal investigators described the man as average build, between 5’9′ and 5’10’, wearing a black, 25-liter Ozark Trail Hiker Pack backpack.

The FBI is offering $100,000 for any information leading to the man’s arrest.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Nancy is last seen by her family
  • 5:32pm: Nancy travels to her daughter’s home for dinner, about 11 minutes from her own house.
  • 9:48pm: Family members drop off Nancy Guthrie at her home in Tucson. Her garage door closes two minutes later.
• February 1: Nancy is reported missing and a search begins
  • 1:47am: Nancy’s doorbell camera disconnects
  • 2:12am: Camera software detects a person moving in range of the camera. There is no video, and Nancy does not have a storage description.
  • 2:28am: Nancy’s pacemaker app disconnects from her phone, which is later found still at her house.
  • Around 11am: A parishioner at Nancy’s church calls the mom’s children and says she failed to show up for service.
  • 11:56am: Family members arrive at Nancy’s house to check on her.
  • 12:03pm: The family calls 911 to report Nancy missing.
  • 8:55pm: The Pima County Sheriff’s Office gives its first press conference and reveals some clues found at Nancy’s home caused “grave concern.” Sheriff Chris Nanos says helicopters, drones, and infrared cameras are all being utilized in the search.
• February 2: Search crews pull back. Nancy’s home is considered a crime scene. Savannah releases a statement thanking supporters for their prayers, which her co-hosts read on Today.
• February 3: A trail of blood is pictured outside Nancy’s home, where there were reportedly signs of forced entry. Nanos admits they have no suspects, no leads, and no videos that could lead to Nancy’s recovery. He and the FBI beg for more tips and accounts.
• February 4, 8pm: Savannah and her siblings release a heartbreaking video directed at their mother’s abductors asking for proof she is alive and saying they’re willing to work with them to get her back.
• February 5: FBI offers $50,000 reward for information on the case.
  • 5pm: First ransom demand deadline for millions in Bitcoin passes. Guthrie family releases demand to speak “directly” to the kidnappers, saying, “We want to talk to you and we are waiting for contact.”
• February 9, 5pm: Second ransom demand deadline, reportedly with “much more serious” conditions.

GORDON Ramsay has hailed David and Victoria Beckham as fantastic parents — and said time will help Brooklyn heal their heartbreaking family feud.

The Michelin-starred restauranteur, 59, said he loves the aspiring chef, 26, and has been in contact offering support.

He also spoke for the first time about that dance at Brooklyn’s 2022 wedding to Nicola Peltz – which he attended alongside wife Tana.

Loyal Gordon, a long-time family friend, said: “It’s a very difficult situation.

“Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

“Brooklyn and I have messaged a little bit, our relationship is solid. I love him – his heart is incredible.

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“But it’s hard, isn’t it, when you’re infatuated? Love is blind. It’s easy to get up on that rollercoaster, and get carried away. But it will come back.

I know just how many times they have got Brooklyn out of the s***

Gordon on David and Victoria’s parenting

“I’ve seen first-hand just how good parents they are. David as a dad is just incredible.

“They’ve both put so much energy into their kids, and I know just how many times they’ve got Brooklyn out of the s***.

“I think it’s going to be a matter of time before Brooklyn takes a good look at himself and understands just what his parents mean to him.

“He’s desperate to forge his own way, and I respect that from him. It’s such a good thing to do.

“But remember where you came from. And honestly, one day you’re not going to have your mum and dad, and you need to understand that.

“That penny will drop.

“I just want Brooklyn to take a moment to himself. And remember: you’re half mum, half dad. And you’re an amazing young man.

“But, boy, they’ve done more for you than anyone did in your entire life.

‘Time the best healer’

”Time’s going to be the best healer, and David will absolutely get that relationship back on track.”

While Brooklyn has blocked many of his relatives on Instagram, he and Gordon still follow one another.

The chef, who has almost 20million followers, has backed Brooklyn’s cooking endeavours where others were quick to mock.

Meanwhile, Posh and Becks and Gordon and Tana have been pals for nearly 2½ decades.

Of course, Gordon knows about family feuds in the wake of his recent troubles with new son-in-law Adam Peaty’s clan.

He and Tana also went through hell when her dad, Chris Hutcheson, was jailed for six months in 2017 for hacking company computers.

Gordon says: “Tana and I sat them down, and we buried the hatchet with her parents. It’s family, it’s what you do.”

In his damning statement last month, Brooklyn accused his mum of “dancing inappropriately” on him at his wedding.

His friends allege that she “grinded” on the groom. She has since become victim to hundreds of mocking memes.

However unnamed “friends” of the Beckhams hit back at the allegations. Over to Gordon, then, to set the record straight.

He says: “There was nothing salacious. There was nothing inappropriate. Everyone was having fun, having a dance.”

But, Gordon, DID SHE GRIND?

He says: “No! Nothing of the sort. It was fun. I haven’t seen any of the memes, I heard about them of course, but Victoria’s got a great sense of humour.

“She’s great. She’s right to be upset (about the wedding) but she can bat that other s*** away in a heartbeat.

“Victoria and Tana have spoken a lot, they are probably closer than ever – they’re like two peas in a pod, those two.”

When Gordon isn’t playing ace therapist/mediator, he’s been pretty busy on his own terms.

On Wednesday his new six-part Netflix documentary Being Gordon Ramsay airs, detailing his efforts to launch his latest ambitious project.

Britain’s highest eaterie, Restaurant Gordon Ramsay High is on the 60th floor of skyscraper 22 Bishopsgate in the City of London.

I never ever watch myself on telly because it’s just incredibly nerve-wracking.

Gordon Ramsay

The intimate 12-seater chef’s table experience has already earned him another Michelin star. 

I’ve seen the show, and it’s brilliant, giving a fly-on-the-wall look into Gordon’s frenetic and fabulous home life – he and Tana have six kids – as well as the hell of getting a new business off the ground.

He smiles: “I won’t watch it. I never ever watch myself on telly because it’s just incredibly nerve-wracking.

“When you’ve done it and lived it, the last thing you want to do is sit there with lots of popcorn. There’s a level of embarrassment.”

‘Getting softer with age’

Even without Gordon’s viewership, it is sure to be another Netflix smash. Contrary to his bravado, away from the kitchen, and whisper it, but Gordon is a bit of a pussycat, and definitely “getting softer with age”.

He regularly cries, he admits.

He turns 60 in November but in the doc we see super-fit Gordon running outdoors with his young son, Oscar, in the gym and pumping weights. He is ripped.

Wife Tana also recently smashed a Half Ironman in Greece, breezily qualifying for the World Championships in the process. They are a truly impressive power duo, and very clearly still massively in love.

Having trained under Marco Pierre White at the age of 35 Gordon set up his first restaurant, winning three Michelin stars shortly after. He now has eateries across the globe, and is arguably the planet’s most famous chef.

His work ethic is relentless – possibly a result of his humble upbringing. In one episode, Gordon gets emotional recalling his own childhood struggles, growing up on a council estate near Glasgow, and relying on school vouchers to eat.

Today, he has teamed up with a fantastic charity, Feeding Britain, to provide 800,000 kids in poverty with affordable food. Gordon has quietly donated “very heavily” to it.

He recalls: “I was hungry all the time, there was no food in the house.

“I was sometimes too embarrassed to use my vouchers to get my free shepherd’s pie in case, you know, aged 15 or 16, a girl I fancied saw me. I was a skinny f***ng bean.

I remember eating toothpaste thinking that was delicious because there were multiple nights where we never ate. It is appalling that we’re in this situation now.”

Meanwhile, Gordon has been a rock for 26-year-old daughter Holly’s new husband, Olympic swimmer Adam Peaty.

Last weekend Gordon said he’d treated the Peaty family “like royalty”, prompting a furious robust from Adam’s estranged mum, Caroline, who was not invited to his and Holly’s December wedding.

She labelled the Ramsays “bullies”. ”I am certainly not a bully, and it is so appalling to even suggest there was any bullying,” he sighs.

“That’s absolute nonsense. It was sad to see that barrage of negativity that was self-propelled by them.

“But Adam is an incredible young lad and he and Holly are a wonderful, happy, young couple.”

So, would Gordon fancy being a grandad?

He says: “Jesus Christ. They’re still on their f***ing honeymoon!

“But I do laugh sometimes when I’m in the park with [two-year-old son] Jesse.

“I was taking him to a football match last Saturday, and then this lady said, ‘Oh, it must be so nice to have the grandkids at the weekend!’

“And I’m like, ‘Are you f***ing serious woman? Grandkids?! That’s my son!’”

• Being Gordon Ramsay is available on Netflix from Wednesday.

60th WILL BE ADELE OF A PARTY

THE very sweary superstar — I counted 27 f***s in the new documentary’s first episode – hopes superstar singer Adele will bring birthday cheer on his 60th in November.

Obviously, for a man not feted for his thriftiness, there will be a huge party, also celebrating his 30th anniversary with Tana.

“We are hoping Adele will sing,” he grins. “Tana loves Adele and I saw her in Vegas when she was playing the Colosseum, and she was a customer of ours in Chelsea.

“She is an incredibly gracious, talented woman, and a real foodie. She loves that kind of fine dining style.”

Poor Sylvia Plath has found little rest in the afterlife.

The New Yorker’s Janet Malcolm had choice words for the army of Plath’s biographers. She likened this species of writer to “the professional burglar, breaking into a house, rifling through certain drawers that he has good reason to think contain the jewelry and money, and triumphantly bearing his loot away.”

Plath, the deserted wife of fellow poet Ted Hughes, mother of two young children, died by suicide at age 30, leaving behind a collection of poems that anatomized her mental descent in scorching language that secured a permanent place in American letters. More than 60 years have passed since her death in 1963, yet the literary myth that has taken the name Sylvia Plath lives on.

I confess I’m not impervious to the posthumous allure. When visiting friends who were staying in the Primrose Hill area of London a few years ago, I would pass by the flat that Plath shared with her husband there and stare wonderingly at the town house, adorned with a blue plaque commemorating its former resident.

“Sylvia Sylvia Sylvia,” a new play by Beth Hyland that opened Thursday at the Geffen Playhouse, is set in a different apartment that the couple shared. This cozily claustrophobic home is located in Boston’s historic Beacon Hill district in the period before they had children and were striving anxiously to realize their early promise.

As Sylvia (Marianna Gailus) and Ted (Cillian O’Sullivan) confront the problems that will eventually drive them apart, two contemporary married writers who have taken up residence at the Boston address grapple with many of the same issues (marital discord, competitive egos and mental health woes) as their more famous literary predecessors.

World premieres are risky, and the writing for this one hasn’t yet settled. The play’s split focus, moving between 1958 and the present, is a sign of conceptual ambition. But Hyland struggles to find the pacing and rhythm of her complicated vision.

Sally (Midori Francis), a writer whose first book was a big hit but whose second book is long overdue, and Theo (Noah Keyishian), who just found out he won a major literary prize for his first novel and is now up for a game-changing job at Columbia University, are at different points in their careers. Sally is processing both the shock of a miscarriage and her ambivalence about her marriage.

She’s also worried that her publisher is going to make her pay back the advance for the book about Plath and Hughes that she’s been unable to make any headway on. “I have to finish the draft,” she tells Theo. “If I can’t do that when I’m living in their apartment, I should honestly just kill myself.”

Clearly, Sally is having a hard time holding it together. The precarious state of her mind forces us to question whether Sylvia and Ted are ghosts, hallucinations or literary inventions sprung to life. But these characters are initially presented as objectively real. We meet them before we meet Sally and Theo, and whether they are figments or not, they are unmistakably haunting the new occupant who’s writing about them.

Unfortunately, these illustrious figures are badly written and stiffly played. O’Sullivan can’t keep Ted’s accent straight, and Gailus seems to be offering a Ryan Murphy version of Plath.

Marianna Gailus, left, and Cillian O’Sullivan in “Sylvia Sylvia Sylvia” at Geffen Playhouse.

(Jeff Lorch)

Sally may be struggling to give Sylvia and Ted life on the page, but Hyland is having her own trouble ushering them to the stage. The word “factitious” kept coming to mind. Artificiality might be the point, but it’s not one that gives much pleasure in the theater.

Who wants to sit through a fictitious novelist’s clumsy drafts? The scenes between Sally and Theo are more convincing, but the dynamic between them grinds on snappishly. Theo tries his best to be a sensitive and supportive husband, but Sally can’t seem to get what she needs from him. And as her marriage and literary career fall apart, her psychiatric problems intensify.

Writing in a desperate junk-food-fueled all-nighter, Sally appears to have entered a manic phase. Theo, terrified that she might make another suicide attempt, looks on helplessly. Their small, spare yet tasteful apartment (the work of the collective Studio Bent) turns into a marital pressure cooker as Theo’s fortunes rise and Sally’s self-belief craters.

Hyland captures the parallels between the two couples. Her Ted is a patriarchal monster, controlling, moody and sexually malignant. Theo is far more psychologically evolved, but he has his own blind spots that provoke Sally, who’s more emancipated than Sylvia but less professionally assured and just as unstable.

The times are vastly different, but the balance of power between these married writers remains precarious. There might be a fascinating play here, but the amorphous scenes that Hyland provides lack a dramatic through line.

As the play flounders, director Jo Bonney casts about for solutions. A playful ghost story that has Sylvia entering and exiting through the refrigerator takes a bloody turn. As Sally spirals, the set turns crimson. This detour into horror is only temporary, but there’s no clear destination in sight.

The unstoppable force of Sally’s resentment and the immovable object of Theo’s perseverance are not an ideal dramatic combination. Francis bravely doesn’t soften Sally’s prickly nature, but she doesn’t give us much reason to sympathize with her character either. Keyishian’s gentle Theo is so solicitous that Sally’s abrasiveness begins to feel abusive, not to say theatrically off-putting. Perhaps that too is intentional. But just as there’s a difference between depicting chaos and depicting chaotically, there’s a difference between presenting theatergoers with a realistic image of mental illness and driving an audience nuts.

Ted is a cartoon creep with an Oxbridge hauteur, but Theo’s shortcomings may be too subtly rendered for a play that cries out for more definition. (Even his betrayal, involving the use of private marital material for literary purposes, seems equivocal.)

Hyland can’t resolve her shapeless play, so she has Sally talk her way into the future in a rambling monologue that’s a complete cop-out.

Sylvia warned Sally that if she tried to write about her, she would do everything in her power to stop her. The ghost of Plath, however, has nothing to worry about. “Sylvia Sylvia Sylvia” conks out on its own.

Casey Wasserman, the embattled sports and entertainment mogul who is the face of the Los Angeles 2028 Olympics, is preparing to sell his talent agency.

In a memo to his staff Friday, Wasserman acknowledged his appearance in a recently released batch of documents related to the late sex trafficker Jeffrey Epstein and his companion, Ghislaine Maxwell, had “become a distraction.”

In his memo, which was reviewed by The Times, Wasserman said he was “heartbroken that my brief contact with them 23 years ago has caused you, this company, and its clients so much hardship over the past days and weeks.”

Representatives for Wasserman did not immediately return for requests for comment.

“I’m deeply sorry that my past personal mistakes have caused you so much discomfort,” Wasserman wrote to his staff. “It’s not fair to you, and it’s not fair to the clients and partners we represent so vigorously and care so deeply about.”

Over the last two weeks, artists including Chappell Roan and athletes such as soccer star Abby Wambach announced they would leave Wasserman’s eponymous Los Angeles-based talent agency that he founded more than two decades ago.

“I know what I know, and I am following my gut and my values,” Wambach wrote on Instagram. “I will not participate in any business arrangement under his leadership…He should leave, so more people like me don’t have to.”

Wasserman told his staff that Mike Watts, a longtime company executive, would assume day-to-day management of the firm while he begins the process of selling it.

The Wall Street Journal first reported Wasserman’s staff memo.

Wasserman’s grandfather, Lew Wasserman, was a Hollywood titan who built the studio MCA into a powerhouse that acquired Universal Pictures. Casey Wasserman’s sports and talent agency, also built through a series of savvy acquisitions, has about 4,000 employees.

Wasserman plans to stay in his position leading the LA28 Olympic Committee, which has stood by him. In a recent statement, LA28 noted that the racy emails with Maxwell were sent following a humanitarian mission to Africa two decades “before Mr. Wasserman or the public knew of Epstein and Maxwell’s deplorable crimes…This was his single interaction with Epstein.”

“The Executive Committee of the Board has determined that based on these facts, as well as the strong leadership he has exhibited over the past ten years, Mr. Wasserman should continue to lead LA28 and deliver a safe and successful Games,” LA28 concluded.

The messages to Maxwell were part of a massive trove of Epstein-related documents made public by the Department of Justice this month.

In them, Wasserman wrote to Maxwell, who is now serving a lengthy prison sentence for sex trafficking of minors, “I thought we would start at that place that you know of, and then continue the massage concept into your bed … and then again in the morning … not sure if or when we would stop.”

She responded: “Umm — all that rubbing — are you sure you can take it? The thought frankly is leaving me a little breathless. There are a few spots that apparently drive a man wild — I suppose I could practise them on you and you could let me know if they work or not?”

Wasserman released a statement saying: “I deeply regret my correspondence with Ghislaine Maxwell which took place over two decades ago, long before her horrific crimes came to light. I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them.”

GORDON Ramsay has insisted that good friend David Beckham WILL end the ongoing feud with son Brooklyn.

The star has been in contact with the aspiring chef, offering messages of support and encouraging the 26-year-old to heal the heartbreaking rift.

Brooklyn, 26, blocked his parents Victoria and David and brothers Romeo and Cruz on Instagram last year. 

He then posted an explosive statement claiming his mum danced “inappropriately” with him at his lavish wedding in 2022. 

Gordon has now said that David is will get his relationship with Brooklyn “back on track” – but said he understood why Victoria was “upset”.

The Michelin starred restauranteur said: “Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

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“Brooklyn and I have messaged a little bit, our relationship is solid. I love him – his heart is incredible.

“But it’s hard, isn’t it, when you’re infatuated. Love is blind. It’s easy to get up on that roller coaster, and get carried away. But it will come back.

“I’ve seen first hand just how good parents they are. David as a dad is just incredible. They have both put so much energy into their kids, and I know just how many times they have got Brooklyn out of the s***.”

Gordon continued: “I think it’s going to be a matter of time before Brooklyn takes a good look at himself and understands just what his parents mean to him.

”He’s desperate to forge his own way, and I respect that from Brooklyn. It’s such a good thing to do. But remember where you came from.

”And honestly, one day you’re not going to have your mum and dad, and you need to understand that. That penny will drop.

”I just want Brooklyn to take a moment to himself. And remember: You’re half mum, half dad. And you’re an amazing young man. But, boy, they’ve done more for you than anyone did in your entire life.

”Time’s going to be the best healer, and David will absolutely get that relationship back on track.”

While Brooklyn has blocked many of his family members on Instagram, he and Gordon still follow one another.

The chef, who has almost 20mn followers, has helped the youngster, and publicly backed his cooking endeavours where others were quick to mock.

Friends for almost two and a half decades, meanwhile, Posh and Becks, and Gordon and Tana have been there, through thick and thin, for one another.

Brooklyn addressed the family feud in his ­statement last month and claimed: “My mum called me ‘evil’.” 

He defended wife Nicola, 31, amid claims she was controlling him and said: “The narrative that my wife controls me is completely backwards. 

“I have been controlled by my parents for most of my life. I grew up with overwhelming anxiety. 

“For the first time in my life, since stepping away from my family, that anxiety has disappeared. 

“I wake up every morning grateful for the life I chose, and have found peace and relief. I don’t want to reconcile with my family.” 

Single on Valentine’s Day? Skip the predictable romance films and celebrate with these nostalgic, feel-good movies to lift your spirits

Valentine’s Day has come round once more, and if you’re not getting caught up in all the soppy, romantic nonsense, there’s loads of other ways you can spend your evening. If you’re staying in and swerving all the loved-up couples out there, telly is an excellent means of escape.

Valentine’s Day needn’t revolve around romance, after all. If you’ve had your fill of formulaic, predictable romantic flicks, here are some brilliant alternatives that’ll rekindle your appreciation for those nearest and dearest.

So whether you fancy a giggle on your own or with mates, ditch those rom-coms for some feel-good nostalgia this Valentine’s Day.

Angus, Thongs & Perfect Snogging (2008)

For anyone wanting to grasp what life was like as a British teenage girl in the late noughties, Angus, Thongs & Perfect Snogging hits frighteningly close to home. At some stage, we’ve all caught ourselves relating to Georgia’s worldview, however misguided it might be, reports the Express.

Adapted from Louise Rennison’s bestselling book series, we follow 14-year-old Georgia Nicholson (Georgia Groome) as she tries to navigate adolescence whilst pining after the new lad in town – a breakthrough performance from Aaron Taylor-Johnson. Throughout her mission to bag a boyfriend and organise a spectacular 15th birthday bash at a nightclub, we witness the inner workings of the teenage brain manifesting in reality through some absolutely hilarious and toe-curling antics.

Shaving off an eyebrow? Absolutely. Faking the disappearance of a beloved moggy for sympathy? Naturally. A massive pair of granny pants? Without question.

Whilst this flick might centre on Georgia’s romantic pursuits, beneath the surface lies a tender coming-of-age tale exploring insecurity, platonic bonds, and that distinctly teenage sensation that everything is utterly catastrophic. Plus, it boasts what’s arguably one of cinema’s finest original songs, guaranteed to transport you straight back to those nostalgic days.

Planning to mark Valentine’s Day with your mates this year? Nobody’s turning down this gem. Angus, Thongs & Perfect Snogging proved a defining British picture for younger audiences back then, and continues to supply countless cultural touchstones we reference today.

In fact, Georgia Groome recently resurrected that legendary olive outfit for a cameo appearance in the reveal video for Maisie Peters’ latest album ‘Florescence’. Nearly two decades on and that immortal line still echoes: “Boys don’t like girls for funniness”.

The film is available to stream on Netflix, Amazon Prime and Apple TV.

Wild Child (2008)

The year 2008 was evidently peak teen cinema. On one side sits Angus, Thongs & Perfect Snogging, offering a relatively authentic portrayal of adolescent life for girls during the noughties, whilst on the other stands Emma Roberts ‘ Wild Child.

What do you do with a spoilt, glamorous Malibu Barbie teenager who leaps off cliffs into the ocean? Simple – pack them off to an all-girls boarding school deep in the English countryside.

A genuine fish out of water, Emma Roberts’ Poppy Moore couldn’t be more different from the seemingly prudish, eccentric pupils she encounters at Abbey Mount. It’s quite the exaggerated portrayal of boarding school life, but that’s rather the point – to knock the protagonist down a peg or two.

Gradually, the crisp English climate begins breaking down Poppy’s defences as she develops authentic bonds with her roommates – Kate (Kimberley Nixon), Josie (Linzey Cocker), Kiki (Sophie Wu), and Jennifer “Drippy” Logan (Juno Temple). Naturally there’s a love interest (Alex Pettyfer) and a sworn enemy (Georgia King) determined to see her fail, though that’s really beside the point when there’s such entertaining mischief afoot.

Beneath the rebellious and entitled façade lies genuine warmth, drawn out through the connections she forges. Ultimately, Poppy emerges transformed – having discovered a missing piece of herself through real mates who embrace her for who she truly is, whilst wreaking havoc around campus. Whilst Wild Child might not be the most universally relatable picture, there’s something in all of us that yearns for that kind of school adventure.

The film also marks one of Natasha Richardson’s final performances (as headmistress Mrs Kingsley) prior to her tragic passing in 2009.

Wild Child is available to stream on Netflix.

The Breakfast Club (1985)

This film boasts what’s arguably one of cinema’s most iconic closing sequences and exit tracks. The Breakfast Club, a coming-of-age comedy-drama, follows a group of outsiders whiling away the hours together during an all-day Saturday detention.

Each teenager belongs to a different social circle within the school, and their paths would ordinarily never cross in daily life. They’re set the task of penning a thousand-word essay on “who you think you are” by their notoriously harsh vice principal (Paul Gleason).

Alongside the usual rebellious teenage shenanigans and storylines, the film explores the realities lurking beneath the stereotypes presented on screen. It tackles themes including peer pressure, abuse, neglect, troubled relationships, and suicide in a manner that resonates with its audience, rendering the characters relatable to viewers.

Despite their contrasts, the group discover they’re all grappling with comparable struggles and form connections with one another. It serves as a reminder that surface appearances can be deceiving.

Whilst the group suspect their newly-formed bonds will dissolve once detention wraps up, they acknowledge they’ll view their classmates through fresh eyes going forward. As the film reaches its conclusion, we hear their moving message to their vice principal, declaring: “Each one of us is a brain, an athlete, a basket case, a princess, and a criminal.

“Does that answer your question? Sincerely yours, the Breakfast Club.”

Cue Judd Nelson’s fist raise and Simple Minds’ ‘Don’t You Forget About Me’.

The Breakfast Club can be watched via Netflix, Amazon Prime and NOW TV.

Romy and Michele’s High School Reunion (1997)

There’s something about a 90s comedy that hits all of the right spots, something the 2020s can learn from. The film follows underachieving best friends Romy (Mira Sorvino) and Michele ( Lisa Kudrow ) who decide to reinvent themselves with fake careers to impress their former classmates at their ten-year high school reunion.

The film kicks off with the drama of the girls’ prom in 1987, where they find themselves targeted by bullying from the high school cheerleader clique. Some stroppy behaviour leads the girls to do the classic slow dance together.

Fast forward, the duo don’t appear to have achieved much success since leaving school, stuck in dead-end jobs – or jobless – living a life lacking in some sort of purpose. They’re fine, totally fine.

It’s the invitation from one of their high school tormentors to their high school reunion that makes them pull their socks up, but only in the pretence sense. It’s your typical American movie that takes you on a journey, both literally and figuratively.

Following a catastrophic falling out over their friendship, the pair go their separate ways after their drive cross-country to the reunion. Or do they?

The film is madcap, light-hearted, and chock-full of clichés, but sometimes that’s just the ticket. Let’s face it, we all need a good giggle now and then, and anything featuring Lisa Kudrow is guaranteed to leave you in fits of laughter.

You can catch this film on Disney+.

Frances Ha (2012)

Whilst we’re accustomed to seeing Greta Gerwig behind the lens, she’s equally at home in front of it. The film stars Gerwig as a struggling dancer in New York, grappling with the rollercoaster ride of her twenties alongside her best mate, Sophie (Mickey Sumner).

They say your twenties are meant to be the time of your life, but in truth, you’re still figuring out who you are and where you fit into the world. We can all identify with the unpredictability of existence; flitting from one flat to another, settling for jobs you don’t really fancy, and witnessing friendships fade as they form new relationships.

Life in the Big Apple can be complex and unsettling, regardless of which side of the Atlantic you hail from. The trials and tribulations of everyday life can weigh heavily, with Frances battling to make her mark on New York.

The film masterfully blends comedy, drama and emotion to paint an authentic picture of struggling twenty-somethings.

In 2025, Frances Ha secured the 90th spot on The New York Times’ list of “The 100 Best Movies of the 21st Century”. Writing for Harper’s Bazaar, Yasmin Omar noted: “Frances Ha has become a cult classic thanks to its relatable portrait of the bewildering life stage that is young adulthood.”

Frances Ha is available on Netflix, Amazon Prime and Apple TV.

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THREE people were detained after a Swat team descended on a home near the Tucson home of missing Nancy Guthrie, reports say.

The Friday night operation unfolded about two miles from Guthrie’s property as members of the Pima County Sheriff’s Department executed a search warrant, reportedly acting on a tip.

Two men – along with one of their mothers – were taken into custody, a local police told Fox News Digital.

It’s unclear whether any of those detained are considered suspects.

Late Friday, the Pima County Sheriff’s Department posted on X that a statement would be “forthcoming,” but did not specify what the announcement would address.

The SWAT operation came just hours after investigators recovered DNA evidence from someone not known to be “close” to Guthrie at her property.

Pima County Sheriff Chris Nanos confirmed the unidentified DNA – discovered on the missing 84-year-old’s Tucson property – is now central to the probe.

He declined to say where inside the home it was found.

This is breaking news. More to follow… please refresh for more updates and follow the-sun.com for the biggest stories of the day…

The Night Agent season 3 trailer has left fans feeling disappointed.

The Night Agent fans have expressed their concern after the season three trailer featured a glaring absence.

Netflix’s popular spy thriller series The Night Agent is set to return on February 19 with its third season, once again starring Gabriel Basso as Peter Sutherland. This time around, Peter faces one of his most perilous missions yet as he works to uncover the truth behind a string of terrorist attacks.

The third instalment sees the return of several main cast members, including Fola Evans-Akingbola as Secret Service agent Chelsea Arrington and Amanda Warren as Catherine Weaver, Peter’s handler in Night Action. The new season also introduces Genesis Rodriguez as journalist Isabel and Stephen Moyer as an assassin known as The Father.

Netflix released a trailer in January which showed Peter seeking Isabel’s assistance in discovering who orchestrated the devastating events. Whilst grappling with his own internal struggles, he must contend with threats from ‘broker’ Jacob Monroe (Louis Herthum) as well as the enigmatic new assassin.

Whilst many fans were thrilled about the show’s return, a significant number have expressed concerns due to the absence of one key character. Luciane Buchanan, who played Rose Larkin, confirmed she would not be reprising her role following the show’s second season.

In the critically lauded season two finale, her character declared she was prepared to step back from her romantic entanglement with Peter, seeking the opportunity to embrace an ordinary existence free from danger. Viewers noticed her conspicuous absence from the season three trailer, prompting an outpouring of reactions in the comments section.

@BatrinaCoarPearsall expressed: “Peter and Rose’s trauma-bond is what makes this show so good.” @sherlina observed: “I feel like Rose and Peter’s bond and story were one of the main things setting this show different from other spy thrillers but now it seems like just any other spy themed shows with action but not really a story to tell.”

@tiu_forever6521 remarked: “Kinda looks like any other spy thriller without the Rose/Peter heart of it all at the core. Damn.” @ZayDaGoat1806 noted: “Without Rose it doesn’t feel the same people saying they couldn’t do her justice in this season but she’s more useful than a reporter.”

@MissFawlty lamented: “Miss Rose already! She was the show’s emotional core. Hope they bring her back big time if the show is renewed for season 4.” @Burner-g4e concluded: “What worked in season 1 was Peter’s personal motivations and determination and the relationship with Rose. Without that, this is just like every other action series. From this trailer, I feel like I’ve seen this a million times before. They’ve strayed so far from what made the show a success.”

However, fans are buzzing with anticipation for the show’s return, with @heptavian expressing: “Finally my favourite Netflix agents are back!” and @yoshikigrg8 chiming in: “Yes. I’m so glad this is happening. Really love this series.”

In September 2025, actress Buchanan confirmed she wouldn’t be making a comeback, revealing to Deadline during an interview about her series Chief of War: “As much as that show has been so amazing, especially for my career – being a lead on a U.S. show from little New Zealand was such a whirlwind.

“The writers decided that they wanted to follow Peter and his journey based on what happened at the end of season two. And so, we don’t get to see what happens to Rose, but I think it’s a really exciting time for the show, and who knows, it’s not a goodbye forever.”

Reflecting on the moment she received the news, she shared: “They [the creators] called me not so long after season two, and they were like, we’ve been trying to find a way to bring her in, but we want to do her character justice and not make her a sub-character.

“I totally respected that decision and agreed. I was like, if it makes sense to a story, I’ll do that. If it doesn’t, let’s not force that.”

The Night Agent season 3 is coming to Netflix on February 19

Strictly Come Dancing bosses are reportedly considering This Morning’s Sian Welby for a presenting role on the BBC series following the departure of Tess Daly and Claudia Winkleman

This Morning star Sian Welby is reportedly being considered for the hosting job on Strictly Come Dancing. Towards the end of last year, long-standing presenters Tess Daly and Claudia Winkleman shocked the nation when they announced that they had quit after more than a decade on air together.

Ever since the news broke, rumours have been rife with who might take on the coveted roles on the BBC Saturday night favourite, with celebrities such as X Factor star Rylan Clark, former Strictly finalist Fleur East and Bake Off’s Mel Giedroyc all being thrown into the mix.

But now, it’s thought that bosses are looking at Sian, a radio host and occasional This Morning presenter, who, coincidentally, bears a resemblance to Tess.

READ MORE: Shirley Ballas sparks fears she’s quit Strictly Come Dancing for rival showREAD MORE: Strictly’s Anton Du Beke ‘wanted to start again’ as he shares real reason for name change

Sian, 39, has become a favourite amongst the younger audience with her presenting job on Capital FM, and also stands in on This Morning, often appearing on main hosting duties with Dermot O’Leary and fronting the ITV Daytime competitions that often run across Good Morning Britain, Lorraine and Loose Women.

A source said: “Sian might be less well-known than other names linked with Tess and Claudia’s jobs so far. But she’s got everything it takes with one special ingredient — a younger audience, thanks to her job on trendy Capital FM.

Speaking to The Sun, the source added: “And working on This Morning ticks all the TV boxes. Execs have looked at her as someone who would be a good fit for the job!”

It comes just days after Zoe Ball and Emma Willis were both said to be going for the same job on the programme. Ahead of the series’ presumed return later this year, radio host Zoe, 55, and former Big Brother presenter Emma, 49, were said to be battling it out for the top job, and only one of them will be successful because bosses want to have someone “a bit more left field” for the other position.

A source said: “It’s a straight shoot-out between Zoe, who is the front-runner, and Emma. Only one will get it, not both. The senior execs want a traditional presenter working alongside a more left-field person, a female stand-up comedian.”

Fans can also expect the comedic aspects to continue in the programme in the style of Claudia, who has also enjoyed major success with fellow BBC show The Traitors, as the source added: “It’s felt the humour Claudia brought to the show, particularly in her ‘Claudatorium’, needs to carry on.”

Ever since Tess and Claudia broke the news that they were leaving, several big showbiz names have been rumoured to be their replacements, including Chris and Rosie Ramsay, Rylan Clark, Holly Willoughby, Amanda Holden and Angela Scanlon, amongst a host of others.

In the initial announcement, which consisted of a video of the pair sitting next to one another, Claudia began with: “Hi, it’s Claud and Tess. There have been some rumblings, and we want you to hear this from us…” Tess added: “Yeah, we have news. After 21 wonderfully joyful years on Strictly, we have decided the time is right to step aside and pass on the baton…”

“The very sparkly baton…” Claudia continued before she turned to Tess and said: “You’ve been here since the beginning…” Tess, who used to host the show with the late Bruce Forsyth, then replied: “2004 with Brucey – lovely Bruce.

“That’s over two decades ago, and a lot of that time has been with you. It’s been a huge part of our lives, hasn’t it? Since our children were literally babes in arms, and now they’re young adults, and I think, genuinely, we have cherished every second.”

Claudia added: “We have, we’re so lucky to have been part of this amazing show, and we just want to thank the Strictly team because Strictly is the people who make it so thank you…” Tess agreed: “They are the very best team in television. We’ve been so lucky.

“And the audience as well, they’ve been so wonderful. They’ve been with us for this entire journey of 21 years, and we wouldn’t have a show without them, and they’ve been just so loyal and supportive.”

Claudia added: “We have, we’re so lucky to have been part of this amazing show, and we just want to thank the Strictly team because Strictly is the people who make it so thank you…” Tess agreed: “They are the very best team in television; we’ve been so lucky.”

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Ryan Sickler is used to asking the question that people are afraid to ask: “Is there anyone here who has ever actually died and come back and would be comfortable talking about it in front of all of us?”

It’s not your typical comedy show crowd work but it has profound results. During his special “Ryan Sickler: Live & Alive” released on YouTube in October, a woman in the audience talked about a near-death experience as a child where she rode her bicycle in front of a neighbor’s station wagon. But Sickler pointed out that this remarkable level of candor in the audience is something he continues to marvel about. In fact, he said they did two shows the night they taped his special and during the second show two people in the crowd said they had near-death experiences.

“When I ask the question, I know there’s someone in the crowd that’s like, ‘There’s nobody in here that’s died and come back,’” Sickler said. “So now they’re all very excited to listen too. Like, what happened to this lady, or what happened to this guy? You know, there’s been some wild ones, some real funny ones out there too.”

Given how many comedy specials are being released on various streaming platforms, he says that “we have lost the specialness of the special.” But Sickler said since coming so close to death and being able to talk about it with candor and relatability, he is still calling his latest self-produced YouTube special, special. It now has more than 1 million views on YouTube. Sickler has been on the comedy scene for more than 30 years and released his comedy special “Lefty’s Son” in 2023. He also hosts the “HoneyDew Podcast.” His comedy career has often incorporated his lived experience with a rare blood-clotting disease called Factor V Leiden that almost killed him.

But these days, he’s grateful to be alive, to have been able to wake up when it looked like he might not, to watch his daughter continue to grow up and the laughs along the way. Sickler has long been candid about his chronic health issues with his comedy but he has found particular meaning in doing crowd work when he performs, that talks about death and what it means to live.

The Times recently spoke with Sickler about his special and how he thinks about his sense of health, humor and mortality.

Ryan Sickler in the studio where he films the “HoneyDew Podcast.”

(Al Seib / For The Times)

What did you want to say this time around in your new special?

My first special was something that was a bit of a hybrid of stuff that had been out there and around, but I didn’t own it. It was out there on people’s platforms. They’re making the money off of it. And so I did a bit of, “Let me get this stuff on my channel where I can control it.” And then the other part of that special was becoming a new single dad, all those things this time, specifically, I really just wanted to talk about what had happened and the results after that. I follow these comedy accounts and in October, there were 31 stand-up specials that hit between Netflix, Hulu, YouTube. November was 30. This month was a little slow because the holidays, but it was still at 18 the last time I checked. So I don’t think there’s anything special about stand-up specials anymore. You’re in an environment now where there’s a stand-up special a day, people are doing that with podcasts. There’s so much content going on out there, and I feel like a lot of it is the same. So I this time wanted to just take something that happened very personal to me, this incident, and then tell the story, not only behind it, but what happened after and I was really proud of being able to just focus on that and make that into this special instead of just my observations on this or my thoughts on that. I’m a storyteller and I really think that’s what art is.

When did you realize you had the courage to write about this near–death experience?

I know I had the courage to write about it a long time ago. When I’m making people laugh at my father’s funeral and things like that, I knew I was comfortable being able to take on the material. But what I didn’t know was, could I make it funny? Could I make it relatable? Could I make this one thing that happened to this one person on this rock in outer space matter to anybody and make them care? Because it’s not like we all had this happen to us. This is just one thing that happened to this one dude. So that was really what I was more worried about, is like, can I get this message across and make it relatable, funny and entertaining at the same time? Which is why I threw in those really expensive light cues.

It can be very challenging to hear about these traumatic [near–death] experiences that people have had. How do you absorb that and not absorb it too much?

I’ve been doing this show for so long that it does start to wear on you a little bit hearing a lot of the trauma. So I created a new podcast a couple years ago called the Wayback, which is just fun, funny, nostalgia. So that also for me, was like, let’s not dig into the tears and let’s just laugh about growing up. So that was one way where I could still keep it in my lane and do my job, where I alleviate that a little bit. But the other thing, and I make fun of myself a little, is I’m like the paramedic at the party now. I’m the guy that’s like “You think that’s bad, wait until you hear this.” “This one guy …” “This one lady …” You know what I mean? So I’ve almost become sort of their voice, and I have absorbed it in a way that isn’t so negative, where I carry it home with me. I always forget the quote how it’s worded, but it’s something to the tune of, if we all stood in a circle and threw our problems in the middle, we’d all take our shit right back. It’s like you know what, that’s what you’re dealing with? I’m gonna go ahead and take mine.

How is hearing all these stories and connecting with the crowd and fans in this way [about near–death experiences] changed how you think about your own sense of mortality?

Even with my close call, like, that one angered me, because you start to think about things. You never know how you’re really going to go. You might have an idea if you’re getting older and cancer runs in your family, whatever, but the fact that you could go to a hospital for a simple surgery, they don’t listen to you, everything’s there in your paperwork. You’re your own advocate. You’re doing all the right stuff by yourself, and you’re among professionals, medical professionals, not Yahoos, and you can still have someone else make a mistake and your life is gone. That started me thinking a lot like, “Oh man, for no fault of my own, I could also be gone.” So I go day by day, and I try to be happy day by day. And I’m not going to lie, I also like to know I got a little something tomorrow too.

Do you think that incorporating death and near–death in your comedy helps people work through their own feelings about death and grief?

I only say yes to that because the amount of emails I get, the amount of feedback we get, the amount of guests that still continue to show up [to support] the Patreon. I’ve definitely found, I would say, a purpose in my people. If you’re someone saying you’re a jerk for laughing at this lady talking about cancer, we’re not laughing at her cancer. We’re laughing at something, some light that she found in the darkness of this and trying to have a moment here together, all about, “Hey, there’s some positive ways to look at things at your lowest.” So I know it’s helped people. I mean, we have, over the years, probably thousands of emails now. We have people telling us how much it’s helped. And I mean just through podcasting, I found out I have this blood disease. I was 42 at the time, and already been podcasting. There’s a lady I went to high school with. She’s like “Ryan, my son is 17. He started clotting.” I said, “Go ahead and check for this.” He listens to the podcast. This kid has it. I said, “Well, bad news. It’s genetic.” Now the whole family’s got to get tested. And if you have it from one parent, it’s not great, but having it from two is bad. The whole family gets tested. The parents have it. She’s got it from both her parents. So I can’t get over the fact that a woman I knew when we were children, 35 years later is like, “Hey, that thing you’re talking about on your podcast, my kids, my family, we all have it.” And then I’ve talked about another disease I also have, called Charcot-Marie-Tooth disease, which is CMT. And from bringing that up, people hit me up on that like “I have it, no one ever talks about that.”

What have you found to be one of the positives — besides surviving — of your near–death experience?

Gosh, so many. I have a child, so getting to see her grow and really taking care of my health and things. Not that I wasn’t before, but just I dove in even deeper. I went and got what’s called a gallery test for prescreening for cancer. I started doing all these blood works and like, “Let’s go find out everything you know, because I didn’t find out that I had this blood disease until I was 42 when I clotted.” I’m living my whole life, not even knowing I have this thing and and if I don’t clot, there are plenty of people out there that live to 100 years old and have it. It’s really made me appreciate life and trying to take things day by day. I also was living in a little single-dad pad at the time. We had no central air. We had tandem parking. We were above dumpsters. Our laundry was outside in a room with quarters. And when I got home — I’m still on a walker — and I was like, “What are we doing? We’re going to die without central air? Are we going to die with a bucket of quarters on the fridge? No more.” And so I moved my home, I moved my studio, I did all these things that are, like, the biggest thing you can do in life. We’re going to roll the dice, scared money don’t win, and we’re just going to go for it. Also, as a comedian and anybody in entertainment will tell you, a lot of times you work scared, you hold that money and you wait until the next thing comes. And also, as a single parent, you know we got to budget. And I was like, no more. We’re not going to go out and buy 10 Porsches. We’re going to be responsible. But I was on point with let’s go get a living will and trust. Let’s make sure we have that life insurance policy. Let’s make sure we have all the proper paperwork and stuff done before we do anything like go on a vacation, you know, let’s get this done now and get it done proper.

What do those conversations look like, if you have them at all, about encouraging your male friends to go to the doctor or encouraging them to take care of themselves, physically and emotionally?

I would say the conversations go something like this. My younger brother is like, “Hey, man, I just went in for a test, and they’re telling me I got to have an old school triple bypass,” and then that’s what we all get tested. “Hey guys, I found I got a blood disease.” “Oh man, we all better look into it now.” That’s usually how it goes. I don’t know many men who are proactive. There are a few of us these days. But it’s usually something horrible happens and then we’ll be proactive about everything else.

Do you have male fans who also say “I [saw] your special … I went to your show, and it made me go [to the doctor]”?

Yeah, but I’m saying, though, it still took them to come see a professional clown to get them to go to the damn doctor. I actually have been very good about going, because everyone in my family died. So I’ve been proactive in the sense that I go get two physicals a year. I’ve been doing that since my 20s. I always tell my doctor, if I can go buy expensive sushi, if I go buy weed, if I go buy all these things, I can put money into myself here and come see you a second time and pay for all that. So I do two physicals a year, and I’ve been doing that forever. But I’ve never done any sort of like gallery test. And now we’re in our 50s, so we got to go get the prostate and all that. That’s when you start hearing about that stuff. There’s a lot of ignorance that goes into it as well. I just had a guest here on the “HoneyDew” and said he didn’t go to a doctor or anything for over 20 years because he was just scared of what they were going to tell him. He was scared to get the bad news. You can kind of get the bad news and you could turn that into good news. It doesn’t need to be deadly news.

How do you know when you’ve been too open?

It usually tends to be a personal thing where someone’s like, “I don’t really appreciate you bringing that up.” So I don’t anymore. I’m always cognizant of [saying] like, “Hey, would it be cool if I talked about this or whatever?” I feel like the question you’re asking me would have been great for me just before I started, like, the “HoneyDew” and stuff because this is what I really want to talk about. Everyone wants to talk about the best and bring their best and I just really do want to hear about, you know, the trauma bond. I want to hear about the worst times in your life. I want to know because, honestly, that tells me so much more about you than you verbally talking about you. You know who you were in those moments, how you reacted, how you behaved, how you’ve adjusted. Those things really end up defining who you are, and that’s more what I want to know about. I don’t want to know your best polished version of yourself.

Whether you’re already on the inside or new to the party, the Canadian meta-comedy “Nirvanna the Band the Show the Movie,” about a music duo’s epic undiscoveredness, shows little audience favoritism as it ping-pongs between timelines, formats, realities, cultural shout-outs and its two indefatigable lead characters. Make that four leads, since director and co-writer Matt Johnson and his composer-best friend Jay McCarrol each play themselves twice, thanks to archival footage presented in this zippy mockumentary as evidence of time travel.

Don’t be confused. Or rather, be confused but adventurously so! Especially if you aren’t familiar with the cult web series from which this film derives. Indie-savvy viewers might know Johnson’s work from the moon-landing conspiracy lark “Operation Avalanche” or the cheeky docu-dramedy “BlackBerry,” both of which he directed and acted in. But there’s no getting around the fact that if you haven’t encountered them before, then for a good while they’ll come across as Motormouth Clown in a Fedora (Johnson) and Understated Guy at the Piano (McCarrol).

With three Ns to their band name (no relation to a slightly better-known group), a dream of booking Toronto’s longstanding live venue and only a cluttered suburban home to show for it, the duo’s act seems primarily to be coming up with boneheaded ideas for exposure. Johnson’s latest bolt of inspiration is for them to parachute from the top of downtown Toronto’s 2,000-foot CN Tower into the open Rogers Centre stadium below, a plan which meets with amusingly alarmed concern from a very real employee at the hardware store. It’s the first of many encounters with unsuspecting citizens, à la the oeuvre of Sacha Baron Cohen.

Though their stunt fails — yet succeeds for us as a piece of guerrilla filmmaking wizardry — it spurs Johnson toward an even crazier notion: time traveling in an RV to 2008 to change their fates and secure their inevitable fame. Think “Back to the Future” and think about it a lot, since from here on out, that 1985 classic becomes this movie’s lodestar of structural, comedic and musical reference. (McCarrol’s enjoyably overwrought orchestral score shouts out to composer Alan Silvestri.)

That the filmmakers could play against themselves using video of the 2008 versions of their characters (when they had the web series) is undeniably clever, if not always the laugh riot it promises to be. But it also helps foster the jealousy-driven farce that takes over the current-day narrative and is genuinely funny: a rejiggered timeline in which McCarrol becomes a massive pop star and Johnson gets left behind.

Invariably these wacky scenarios will be more amusing to longtime fans, for whom a frantic climax akin to the lightning-meets-DeLorean ending of “Back to the Future” will play like nostalgia for nostalgia. To the uninitiated, though, even amid steady laughter and a sneaking concern for this silly friendship to right itself, it may come off as much ado about who knows what.

But Johnson is nothing if not a punchy ringmaster of deadpan humor and his grab-bag mindset generates enough goodwill to appreciate the DIY brashness of it all. I’m one of those who had no clue of this act’s history and I’m fairly certain I’d look forward to “Nirvanna the Band the Show the Movie the Sequel.”

MYSTERY DNA found inside Nancy Guthrie’s home does not belong to anyone “close” to her, it has been confirmed.

The unidentified DNA, which was found on the missing 84-year-old woman’s Tucson, Arizona, property is a focus of the investigation, Pima County Sheriff Chris Nanos said.

Despite the breakthrough, the sheriff issued a devastating update on the case.

He did not explain where the DNA was found in the home.

Questioned on whether authorities believe they are close to finding Guthrie, Nanos said: “Some of these cases take months, some take years.”

Guthrie, the mom of “Today” show anchor Savannah Guthrie, has been missing since February 1.

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Authorities are currently working with their contracted forensic lab in Florida to analyse the biological evidence.

Nanos pushed back on criticism over evidence handling, saying the decision to send biological evidence to the Florida lab reflects long-standing procedures.

Local investigators have been accused of blocking the FBI from accessing key physical evidence.

Nanos also clarified that a glove believed to be potential evidence was not found at Guthrie’s home but discovered about two miles away.

Despite the ongoing investigation, Nanos stressed the search remains a rescue effort.

“They all have hope and belief that this is a rescue mission”, he said.

The Pima County Sheriff’s Department has allegedly already spent around $200,000 on processing evidence with the Florida lab, with which the department contracts.

It comes after federal agents released new details about the suspect from the doorbell surveillance footage.

“This updated description will concentrate the public tips we are receiving,” investigators said after over 13,000 tips were called in since Guthrie went missing.

The terrifying footage captured an armed intruder wearing thick gloves, pacing around Nancy’s front porch the night she was taken and trying to disable her doorbell camera.

It fueled theories surrounding her disappearance, including whether the individual was acting alone.

Officials now say they are looking for a man who is around five-foot-nine-inches to five-foot-ten-inches with an average build.

He was seen in the footage wearing a black, 25-liter Ozark Hiker Pack backpack.

The reward for information that leads to an arrest and conviction in the case has been increased from $50,000 to $100,000.

Investigators have also issued a request for neighbors to send in any footage they have from the area from 9pm to midnight on January 11, and from 9:30am to 11am on January 31.

Meanwhile, the man spotted in a second doorbell video, who was also wearing a backpack and appeared to be trying a locked gate five miles from Nancy’s house, has been cleared of involvement in the case.

The clip that was obtained by TMZ, was taken around 1:50am around the time the masked intruder was filmed at Guthrie’s home.

He was filmed throwing a second backpack over a brick wall and investigators were seeking him for questioning.

However, he has since been ruled out of the investigation, two officials close to the matter told NBC News.