SHOW BIZ

A HOST a A-listers were spotted leaving Kim Kardashian’s surprise 45th birthday party in London last night.

Model Kate Moss, Wedding Crashers actress Isla Fisher and singer FKA Twigs looked all partied out as they left the chic soiree.

The party was held at Kim’s close friend and photographer Mert Alas’ swanky London home.

Kim put on a showstopping look in not one but TWO sexy mini dresses.

She was seen rocking a cut-out frock with her chest barely covered by a some loose material, while her black underwear was on show.

The KUWTK star was surrounded by her entourage and a member of her team who shielded her with an umbrella as she braved rainy London on Wednesday.

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Kim Kardashian dons gold corset as she celebrates birthday at strip club

The outfit featured silver tassels at the bottom of the dress, while she accessorised with a black choker and some thin tights.

She then swapped to another skimpy outfit, this time a cream sheer panel corset-style frock with satin and lace detail around the bottom.

Kim looked like a lady on a mission as she celebrated her birthday with a group of very famous faces.

The private party guestlist included the likes of  fashion designer John Galliano, as did models Stella Maxwell and Kate Moss, and Naomi Watts.

Kate looked incredible in a black shift mini dress and satin longline coat with faux fur rim.

She was seen linking arms with a friend and was then snapped in the back of a taxi, looking ready for her bed.

The rest of the attendees also followed the all-black and satin theme look.

Sarah Paulson looked elegant in a black blazer and black satin trousers, while FKA Twigs wore a faux jacket and black satin trousers.

Kim’s entrepreneur mum Kris Jenner, who has recently wowed fans with her incredible new face, also made an appearance.

The momager opted for a black mini frock with tights and a matching coat.

While Isla Fisher was spotted wearing blue denim jeans, an orange t-shirt and a white blazer.

Earlier that day, Kim stunned on the red carpet at the All’s Fair premiere in London in a surprise trip to the UK.

The huge U.S. star just celebrated her 45th birthday at a strip club in Paris.

But she surprised fans as she jetted into the capital for last night’s Disney+ event at the Odeon in Leicester Square, joining a host of celebrities.

Joined by momager Kris, the Hollywood stars looked gorgeous in all-black, glamorous ensembles.

Vogue Williams and Fleur East were amongst the first stars to pose for snappers at the event.

Before her French birthday bash, the SKIMS founder attended the first All’s Fair premiere, also held in Paris.

Posting up a storm at the Maison de La Chimie on Tuesday, Kim looked amazing as she donned a form-fitting blue-hued silver number.

She had a plunging neckline and her black locks in a sleek updo.

Kris supported her daughter as she attended the premiere too, wearing a black and white gown, with her hair scooped up in a bun atop her head.

She also showed off her amazing facelift in the process while standing beside her daughter.

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All’s Fair, which premieres on Hulu on November 4, follows a team of successful female divorce attorneys who start their own practice in Los Angeles, California.

Kim leads the cast in her second scripted series ever, following her acting debut in American Horror Story: Delicate in 2023.

If you watched 54 Ultra’s music video for “Upside Down” and came away thinking it was a relic from 1980s music programs like “Solid Gold” or “Night Tracks” — you’d be forgiven for making the assumption.

Aside from the 25-year-old’s vintage wardrobe, hairstyle, and ‘stache that harks to that decade, the song itself — a silky, boppy ballad that channels the energy of groups like the Chi-Lites or solo acts like Johnnie Taylor — sounds and feels ripped from the era in a manner that’s hard to faithfully re-create these days.

That old-school vibe isn’t exactly how 54 Ultra started off when he began putting out solo music three years ago, but it’s what he’s settled into nowadays. The artist, whose real name is JohnAnthony Rodríguez (and yes, his name is supposed to be written together), hails from New Jersey and is of Puerto Rican and Dominican descent.

The name he settled on, 54 Ultra, came by way of uniting Frank Ocean’s 2011 album “Nostalgia, Ultra” and the historic nightclub Studio 54. It was sometime between 2019 and 2020 that he interned at a few different recording studios, songwriting in his spare time with the intention of writing and producing music for others.

“I remember I was trying to find a way to make a living out of music and introduce myself to other artists,” he says over the phone, recalling all the demos he had recorded and presented to artists he’d cross paths with.

“People would be like ‘Who’s singing this? Who demo’ed this?’ And I’d say ‘It was me.’ And then they’d say, ‘You keep it.’ After that [happened] a couple of times I realized that I might as well put it out by myself.”

His first solo singles, like the high-energy “What Do I Know (Call Me Baby)” and “Sierra,” were firmly rooted in the indie rock family tree. It wasn’t until more recently, first with “Where Are You” and later “Heaven Knows,” that Rodríguez began to explore a more retro and soulful approach.

The latter track made an appearance in a 2024 “rhythm and soul” playlist curated by Mistah Cee, an Australian DJ and music selector, who included the song between Bobby Caldwell’s “My Flame” and Earth, Wind & Fire’s “Devotion.” The segues between tracks are seamless, in no small part due to Rodríguez’s immaculate production and fealty to the tempo of the times. His was the only contemporary track on the playlist, but it fooled many who eventually caught on to the rest of his work.

“On YouTube, I remember that was a nice boost, because people would comment, ‘Who came from Mistah Cee?’ Or, ‘Who thought this was an oldie?’ or whatnot,” he says.

To date, it’s not only Mistah Cee’s most viewed playlist by a wide margin (5.6 million and counting) but also 54 Ultra’s most-streamed song on Spotify with 27 million. “That was a very organic wave of things happening, and I’m very grateful for that also because I didn’t expect [it] at all,” says Rodríguez.

Latin soul, of the kind that recalls the doo-wop and boogaloo era of the 1950s and ‘60s, has seen a resurgence in the past few years. Artists like Chicano Batman, Thee Sinseers, Los Yesterdays and the Altons, as well as solo acts like Jason Joshua and Adrian Quesada, have made inroads with listeners and on the radio. Rodríguez is enthusiastic about this opportunity to show different facets of Latin culture and music through this genre.

“I just feel like I’m grateful to be a part of that family, or that idea that people relate all the music together and being a part of that scene is pretty nice,” he says.

Despite his Gen Z status, he notably lacks the “smartphone face” that’s rampant among pop artists and celebrities — and is partial to dressing in an anachronistic way, which he pulls off with gusto. It might be easy to assume his regular getup is a result of wanting to match the music, but Rodriguez insists he was already dressing that way much before he ever considered dabbling in soul. There is a kind of freedom he associates with the wardrobe of that time.

“[The clothes] were never a costume or a gimmick,” he says. “Whether I did music or not, I enjoyed how it fits because that [period] just has the best clothes. I think that was peak menswear. No one cared about any type of gender assignment with clothing; everybody wore what they wanted, and all the measurements were the same … it seemed like everybody had fun back then. They weren’t worried so much about what people thought.”

“[The clothes] were never a costume or a gimmick,” says 54 Ultra of his vintage style.

(Max Tardio)

He shouts out Blood Orange, a.k.a. artist-composer Dev Hynes, as a major inspiration for him. “That’s my favorite guy,” he says. But at the same time, he offers an eclectic list of artists whose music lights fires for his own output; Brazilian musicians like Jorge Ben Jor, Lô Borges and Evinha have made his rotation, along with some moody ‘80s bands like the Smiths, the Cure and Siouxsie and the Banshees.

“And Prefab Sprout,” he adds excitedly. “That’s my jam. That stuff’s crazy.”

His reputation has grown this past year, putting him in rooms he never expected to be invited to. Earlier this year he found himself producing the song “All I Can Say” for Kali Uchis, off her 2025 album, “Sincerely,” and recently opened for her during a concert stop in San José.

Earlier this month, he kicked off a world tour promoting his latest EP, “First Works,” that will take him from D.C. and Brooklyn to London and Paris. The schedule includes multiple stops in California, including two in Los Angeles: Oct. 26 at the Roxy Theatre and Oct. 28 at the Echoplex.

For Rodríguez, a tour like this is the culmination of everything he’s worked toward in his admittedly still nascent but steadily growing career. He confirms that he’s been chipping away at a debut LP, which will brandish a more “fast and punchy” rock sound that recall his days playing basement shows.

“Anytime anybody asked me what I wanted to do, I would say: ‘I want to perform anywhere I can and for anybody, wherever that may be.’ I’ve always wanted things to resonate, and I’ve always wanted it to make sense.”

Strictly Come Dancing judge Craig Revel Horwood has opened up about his long-running feud with a BBC co-star, explaining how their rivalry came to be from the very beginning

Strictly Come Dancing’s Craig Revel Horwood has spilled the beans on his long-standing feud with Brendan Cole, describing them as “archenemies”. The pair, who were both part of the BBC show, had a history of clashing.

In an interview with Radio Times, Craig said: “In my screen test I had to judge footage of two contestants rehearsing. I said, ‘She can hardly walk down the stairs, and the professional has the bowest legs I’ve ever seen’.

“That couple was Natasha Kaplinsky and Brendan Cole, and they went on to win it. By the end of that series, it was nail-bitingly exciting.”

He added: “It won the hearts and minds of a nation. As for Brendan, we really were archenemies. He was very mouthy and he’d say, ‘Oh, what would you know?’ So I secretly studied ballroom with Len’s wife Sue, because knowledge is power.”

Brendan was a regular feature on Strictly from its inception in 2004 until 2018, when he was told his contract wouldn’t be renewed, according to the Express, reports Wales Online.

Reflecting on Brendan’s departure, Craig said: “I think it was a good time for Brendan to go. He’s got a fantastic platform and can now build his career. You can’t dance forever.”

However, Brendan seemed hesitant to hang up his dancing shoes completely. Speaking on ITV’s Lorraine, he confessed: “It’s quite, actually, hard to talk about. The BBC haven’t renewed my contract. We get contracted year upon year.

“They’ve made an editorial decision to not have me back on the show. I’m a little bit in shock.

“I’m quite emotional, a bit raw about it. It’s done via a process of a phone call and stuff.

“I have had 15 incredible series on the show. I’m very proud of the whole show. It’s a great team.”

Craig has since confessed that he reached out to Brendan following their falling out, though for a rather particular motive.

He admits his reasons behind the peace offering weren’t entirely unselfish.

Speaking on Kate Thornton’s podcast White Wine Question Time, Craig said: “I invited him around two years ago to my house. I hadn’t spoken to him for years. I thought, ‘Wouldn’t it be nice to see Brendan,’ just to see if he’s working..”

Kate erupted with laughter: “What a b***h!”.

Craig added: “Oh god this is going out to people, isn’t it? Anyway, he had an electric car. He was showing off. We hated each other.”

KIM Kardashian stunned on the red carpet at the All’s Fair premiere in London in a surprise trip to the UK.

The huge U.S. star just celebrated her 45th birthday at a strip club in Paris.

Now she’s jetted into the capital for tonight’s Disney+ event at the Odeon in Leicester Square, joining a host of celebrities.

Joined by momager Kris Jenner, the Hollywood stars looked gorgeous in all-black, glamorous ensembles.

Vogue Williams and Fleur East were amongst the first stars to pose for snappers at the event.

Sarah Paulson, Ashley Roberts and Naomi Watts were also in attendance.

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Kim Kardashian dons gold corset as she celebrates birthday at strip club

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Before her French birthday bash, the SKIMS founder attended the first All’s Fair premiere, also held in Paris.

Posting up a storm at the Maison de La Chimie on Tuesday, Kim looked amazing as she donned a form-fitting blue-hued silver number.

She had a plunging neckline and her black locks in a sleek updo.

Momager Kris Jenner supported her daughter as she attended the premiere too, wearing a black and white gown, with her hair scooped up in a bun atop her head.

She also showed off her amazing facelift in the process while standing beside her daughter.

All’s Fair, which premieres on Hulu on November 4, follows a team of successful female divorce attorneys who start their own practice in Los Angeles, California.

Kim leads the cast in her second scripted series ever, following her acting debut in American Horror Story: Delicate in 2023.

Yesterday, Kim headed to the cabaret club Crazy Horse in Paris to celebrate turning 45.

She wore a gold corset dress, which had a white miniskirt attached to it.

Kim’s incredible curves were on full display in a striking garment. The draped mini skirt and nude heels added a Grecian vibe to the look.

Crazy Horse is a legendary Parisian cabaret known for its sensual, artistic, and modern shows featuring all-female dancers.

The venue, housed in a former wine cellar, hosts a 90-minute show with a mix of avant-garde acts.

Eating dirt is usually not a good thing, but in the new Amazon Prime series “Cometierra,” it’s a superpower.

The supernatural crime thriller, which premieres on Halloween, is based on the 2019 Dolores Reyes novel of the same name. The book follows the story of a young woman who has the ability to communicate through visions with the dead and missing people of Argentina by eating the physical land they trod.

“Cometierra” stars Lilith Curiel with supporting roles from Oscar nominee Yalitza Aparicio and Gerardo Taracena. It follows the same outline of the book but is set in contemporary Mexico to address the themes of state violence, femicide and the missing persons epidemic.

The source material and its new twist were what drew Mexican singer-songwriter Natalia Lafourcade to perform the series’s title song, “La Cometierra.”

“We have this reality in Mexico, there’s violence against many women and there’s the disappeared. It’s a very sad situation that we have, but it’s a fact,” the singer said. “It’s inspiring the way the series develops and how this girl, alongside her neighbors, creates a [positive] tribal strength out of her situation.”

Lafourcade especially liked that the series provides an organic avenue for debate and serves as a call to action to recognize that these are all problems in Mexico, while also showing that there is a deep well of beauty within the country.

“We all have a talent that we can always put forward as a service for our family, our country, just for other people,” she said.

The 41-year-old artist’s recently released single channels the energy of the series and its themes by conjuring a spoken word cadence that culminates in a nursery rhyme chant about the powers of the Cometierra.

“I wanted to make a sound that would be very strong and that would present a reality and that the lyrics wouldn’t be smooth,” Lafourcade said. “But at the same time, it would have hope and light and this feeling of joy for the next generations. So I wanted to have this mix of girls singing in a very naive tone, but also mix in a straight voice telling hard truths.”

The song, while geared toward a Mexican experience, now has a striking relevance in the United States as Immigration and Customs Enforcement raids — largely targeting Latinos — continue to take place across the country and as hundreds of detained people have been unaccounted for.

“I hope that music has this capacity to make us wake up and be conscious of situations,” Lafourcade said. “I have realized there are many themes that you can take through music, but sometimes music can become something that you hear truths that probably are not so pretty.”

Regarding some of the ugly truths of the U.S. at the moment, the “Nunca Es Suficiente” artist said that it’s not right that people should feel shame of where they come from and that communities need to show up for themselves at this point in time.

“Nobody should take our pride for our roots, our culture, our people,” she said. “The young lady [in the show] reaches a point where she’s confused about if she should use her power and give it to her people or not. She feels very afraid and insecure and she’s going through all that. But I love how she becomes a hero of her own power and I think that’s the fate of many of us, the way we can make a twist in the story we’re living every day.”

Celia Imrie, who was in Thursday Murder Club, shared suspicions Jonathan Ross could be a villain in the BBC’s Celebrity Traitors, during which Welsh singer Charlotte Church was “murdered” yesterday

Veteran actress Celia Imrie told Jonathan Ross she has “a bit of a crush” on him during last night’s Celebrity Traitors.

The performer, who was in Thursday Murder Club this year, made the admission as she considered Ross, 64, could be a traitor. Imrie, 73, voted to boot him out following the roundtable discussion on Wednesday’s drama-packed episode.

Imrie, who has been in popular dramas and films for the past five decades, said: “This is a bit tricky because I’ve got a bit of a crush on you right now, but I put you Jonathan because I think you have the chutzpah and brilliance to be a traitor.”

After two rounds of voting that ended with Scottish actor Mark Bonnar and historian David Olusoga receiving an equal amount of votes, presenter Claudia Winkleman announced the banishment would be left to chance.

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The episode ended before the result of the banishment, which takes place following a roundtable discussion that sees contestants debate the identity of the secret traitors who meet at night to plot their next “murder”, in a bid to take the charity prize pot from the faithfuls.

A number of scenes with Imrie have gone viral, including when she audibly passed wind during a stressful mission in a cabin, prompting gales of laughter from her fellow cast members, as well as viewers around the country.

Another clip of Imrie, which showed her howling down a well while mimicking the sound of a banshee for a challenge, was turned into a meme.

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She prompted further laughs when, before the challenge, comedian Lucy Beaumont said “you know what you do in a well, don’t you?”, to which she replied: “Put the pussy in.”

Until Imrie’s confession, none of the Traitors – Ross, Alan Carr, and Cat Burns – had really even been suspected – but is their time running out and are the Faithfuls finally onto them?

Earlier in the episode, Welsh singer Charlotte Church became the latest contestant to be “murdered” by the traitors – comedian Alan Carr, TV presenter Jonathan Ross and singer Cat Burns – who had plotted their next move during last Thursday’s episode.

Reacting to her murder, Church, 39, said: “I thought I was going to be murdered. I’m outspoken at the round table, and I’m outspoken with my opinions, not that I was successful in being much of a threat to the traitors. But as the game progressed, I hope that I would’ve been. I hope that that’s why they’ve gotten rid of me. Well played traitors.”

WHEN you date one ­Beckham, you date the whole brood.

So make no mistake, news that middle son Romeo has reunited with Kim Turnbull after a five-month break is a ­significant development for everyone concerned.

After all, his former flame was blamed earlier this year for igniting the feud between the Beckhams and their eldest lad, Brooklyn.

It came as rumours swirled that she dated their first-born long before coupling up with his younger brother.

Reports suggested at the time that Brooklyn’s wife, Nicola Peltz-Beckham, felt “uncomfortable” around Kim and didn’t want her in the fold.

And although Kim vehemently denied that she and Brooklyn were ever an item, the pressure no doubt contributed to her decision to step away from the family circus in May.

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At the time, insiders argued that Kim and Romeo’s break was amicable and undramatic, and had nothing to do with soaring tensions with his now estranged brother.

But there is no denying that all the scrutiny had an impact, as Kim herself lashed out at the “harassment” and “lies” levelled against her.

Cut to this week and Romeo, 23, posted a cosy snap of himself with 24-year-old Kim, a model and DJ — seemingly confirming whispers they had reunited after he liked several of her Instagram snaps in recent weeks.

Once again, the implications for the family are huge.

Let’s remember, we are fast approaching a year since Brooklyn and Nicola were last pictured with the Beckhams, in December 2024.

Respectful silence

In the interim, their silent estrangement has been deafening, as they failed to publicly acknowledge David’s 50th birthday in May or his long-hoped-for knighthood the following month.

Likewise, they did not blink as Victoria won plaudits for her Paris Fashion Week show and launched her self-titled Netflix documentary series earlier this month.

Likewise, they did not blink as Victoria won plaudits for her Paris Fashion Week show and launched her self-titled Netflix documentary series earlier this month.

What Brooklyn and Nicola did do was loudly declare their devotion to one another.

But now that David and Victoria have implicitly co-signed on Romeo’s reunion with Kim, insiders say there really is “no going back”.

If Brooklyn and Nicola were testing his parents’ loyalty, Kim’s proud return to the family fold says a lot.

Consider again the tenets of the Beckham clan. As we know, the family comes as a package deal and — like the monarchy — it is built on hierarchy, bloodlines and loyalty.

If Brooklyn and Nicola were testing his parents’ loyalty, Kim’s proud return to the family fold says a lot

Try to overstep your status or stage a coup and you will be cast out quicker than you can say, “Bend it like Beckham”.

But align yourself with the status quo — and the brand — and the pay-off can be huge.

Just look at Jackie Apostel, the girlfriend of their youngest son Cruz, who has been flying the flag for the next gen Beckham Wags in recent months.

Earlier this week, Victoria and David, who are also parents to Harper, 14, wished Jackie a happy 30th birthday on Instagram — with Victoria declaring, “We all love you” and David calling her “a very special person inside and out”.

This follows Jackie’s dutiful dedication to her would-be in-laws over the past year.

She cheered Victoria on in Paris, and also walked the red carpet with the brood at the premiere of Vic’s Netflix series.

Over the summer, she was a mainstay on their £16million yacht in St Tropez and the Amalfi Coast.

And, of course, she was dressed to the nines in a Victoria Beckham number at David’s black-tie 50th bash.

Notably, Kim was also in attendance at that star-studded event — also dressed in Victoria Beckham threads.

But it proved to be her last public outing with the clan as, just weeks later, reports emerged that she and Romeo had split after some seven months together.

At the time, scrutiny was at an all-time high over Brooklyn and Nicola’s shocking snub of David’s big birthday events. Meanwhile, reports swirled from Nicola’s camp that she was fuming over Kim’s omnipresence.

And Brooklyn has since made it clear countless times that his wife comes first. He doubled down on that message in May, calling Nicola his “whole world” and writing in a gushing tribute: “I always choose you baby.”

Most recently, he said in an interview at the Ryder Cup celebrity golf match: “There’s always going to be people saying negative things, but I have a very supportive wife.

“Me and her — we just do our thing, we just keep our heads down and work. And we’re happy.”

There’s always going to be people saying negative things, but I have a very supportive wife

Brooklyn

While it was widely reported that Brooklyn and Kim had dated when she was 17 and he was 16, those rumours were dispelled.

Cruz was first to rubbish the claims on Instagram. When one fan commented under a photo of Romeo and Kim, “It’s appropriate to date your brother’s ex too? Cool”, Cruz bluntly responded: “Brooklyn and Kim never dated.”

Then, in the immediate aftermath of her break-up from Romeo, Kim took the matter into her own hands. She wrote on Instagram in June: “I’ve avoided speaking on this topic to prevent adding fuel to the fire, however it’s come to a point where I feel the need to address it.

“I will not continue to receive harassment or be embarrassed on the basis of lies, to fit a certain narrative.

“I have never been romantically involved in ANY capacity at ANY point with the person in question.”

She then took a step away from the famous family.

But, crucially, she has maintained a respectful silence since.

And that has undoubtedly made her return to the fold all the more seamless.

Meanwhile, in August, Brooklyn and Nicola went for the jugular, holding an elaborate vow renewal ceremony that demonstrably erased the Beckhams from the narrative. Nicola’s billionaire father Nelson Peltz presided over proceedings, while the “bride” wore her mother Claudia’s wedding dress.

She and Brooklyn then spent the summer holidaying with her family on their £85million yacht in Europe — casting a large shadow over the Beckhams’ relatively smaller vessel.

The message was clear: Nicola does not plan to walk in Victoria’s shadow; instead, she is ready to leave her in-laws in the shade.

All this has, of course, been devastating for Victoria.

But her one saving grace has been the people she has supporting her.

Perhaps, surprisingly, it is singer Jackie who has devotedly cemented herself in recent months as the de facto daughter-in-law.

As a pay-off, she is now living the gilded life that only those in the Beckhams’ inner circle enjoy.

She has become one of Victoria’s most valued brand ambassadors, and recently had the honour of promoting her beauty brand online.

What’s more, she has landed lucrative ads for brands including Dior Sauvage, Sol De Janeiro and Jimmy Choo, and signed deals with the likes of Burberry and Summer Fridays.

Playing by the rules

Experts say she can now earn £10,000 per sponsored post.

As well as finding love, Jackie, who grew up in Brazil, has been granted access to an exclusive world and is playing by the rules.

Now, provided that Kim treads the same path, there is no reason why she should not also be fully welcomed back into the fold — and get to enjoy certain perks along the way.

She herself is no stranger to the gilded life of a well-heeled clan.

Raised in North London, she is part of the bohemian Turnbull dynasty and — as a teenager — socialised with the likes of Brooklyn and fellow nepo baby, Madonna’s son Rocco Ritchie.

Following Kim and Romeo’s tacit soft launch as a reunited couple this week, Kim has kept sensibly quiet on Instagram

Her grandfather was the renowned post-war sculptor and painter William Turnbull, whose work has been exhibited at galleries including London’s Tate.

Meanwhile, her dad Alex founded influential hip-hop label Ronin Records and is a longtime member of the post-punk band, 23 Skidoo.

As a DJ and influencer, Kim already has some high-profile events under her belt.

But being closely associated, for the right reasons, with one of showbiz’s most famous families will only help her career.

Following Kim and Romeo’s tacit soft launch as a reunited couple this week, Kim has kept sensibly quiet on Instagram.

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But it is only a matter of time before we see her hit the red carpet, dressed once more in Victoria Beckham fineries.

It’s a case of date one, date them all. But always play by the rules.

“For more than 150 years, every President has dreamt about having a Ballroom at the White House,” wrote no one ever until Donald J. Trump posted the proclamation on his Truth Social platform Monday.

The president’s plans to build the kind of venue that most Americans associate with Disney princesses, Von Trapp family soirees and let-them-eat-cake dynasties became a reality this week as construction crews began tearing down the White House East Wing to build Trump’s 90,000-square-foot, $300-million ballroom (up $100 million from estimates it cited earlier in the week). When completed, the venue will dwarf the main White House, boasting nearly twice the square footage of the executive residence.

The first photos and footage of heavy machinery knocking down parts of the East Wing on Monday triggered strong reactions from historians, preservationists, politicians and regular folk — all of whom took umbrage with the administration’s unilateral decision to alter the 224-year-old official residence of presidents dating back to John Adams.

Demolition was underway on the East Wing of the White House before construction of a ballroom.

(Evan Vucci / Associated Press)

The nonprofit National Trust for Historic Preservation has asked the administration to delay further demolition until plans for the ballroom undergo a public review process, arguing the massive addition “will overwhelm the White House itself.” Late-night host Stephen Colbert used the opportunity to call out another instance of institutional destruction: “We’re just nine months into Trump’s term, and he’s already going ‘Hulk Smash!’ on the White House. Last time, it took at least four years to bring a demo crew to the Capitol,” he said, referring to the Jan. 6 insurrection.

In an official statement posted on its website, the White House blamed the outcry over Trump’s East Wing demolition on a Democratic overreaction. “In the latest instance of manufactured outrage, unhinged leftists and their Fake News allies are clutching their pearls over President Donald J. Trump’s visionary addition of a grand, privately funded ballroom to the White House — a bold, necessary addition that echoes the storied history of improvements and additions from commanders-in-chief to keep the executive residence as a beacon of American excellence.”

As if anyone but the Trumps — or the billionaires donating to his project — can afford pearls at this point. Trump says his ballroom is being privately funded by “many generous Patriots, Great American Companies, and, yours truly,” and that the burden of constructing his opulent project won’t fall on taxpayers. Good thing, because the bottom 90% is pretty tapped out.

Americans are struggling to keep up financially. Wage growth has slowed as prices for essentials continue to climb despite Trump’s 2024 campaign promises to beat back inflation. The U.S. Bureau of Labor Statistics reports that, from August 2024 to August 2025, the price of meat, poultry, fish and eggs rose 5.6%, nonalcoholic beverages increased 4.6%, and prices for fruits and vegetables increased 1.9%. Though gasoline prices dropped, the cost of electricity increased 6.2%, and the price of natural gas rose 13.8%. Other notable price increases include medical care (3.4%) and auto insurance (4.7%). But who needs lighting, heat or their health when there are ballrooms to build?

Renderings of the site released by the White House look suspiciously like the gilded ballroom at Mar-a-Lago, Trump’s private home and club in Palm Beach, Fla., with its gilded ceilings, imposing columns and ornate chandeliers.

The Oval Office and Cabinet Room have already been remade in Trump’s image, with the addition of numerous portraits, busts and gleaming gold flourishes. The bathroom off the Lincoln Bedroom has also reportedly been redone, but how does one top the now-infamous Mar-a-Lago restroom, with its crystal lighting fixtures, marble floors and stacks of classified-document boxes?

Addressing Republican Party senators at the White House on Tuesday, Trump said, “You probably hear the beautiful sound of construction in the back. … When I hear that sound, it reminds me of money.” At least he was honest.

The White House declined to give details on just who is funding the ballroom, and the opaque response raised concerns that the project may serve as a pay-to-play opportunity for those who wish to curry favor with the administration. The only known donor to date was revealed in court documents. YouTube is slated to pay $22 million toward the project as part of a settlement with Trump over his account being suspended following the Jan. 6 insurrection at the U.S. Capitol.

Trump expects the ballroom to be completed before his term is up, he says. But will he leave a glass slipper behind?

Manchester Pride officials have shared an update regarding their financial difficulties.

Earlier this month, the LGBTQIA+ festival made headlines after various performers revealed that they hadn’t been paid for this year’s event, including Drag Race UK star Saki Yew.

“It’s gone too far. As performers, we’re used to waiting for money, but there’s no communication and no answer. A lot of performers are starting to give up hope of being paid,” Saki told BBC Newsbeat in October.

“We put in the hard work with weeks and weeks of rehearsals. We put in the time, so give us an answer.”

Drag Race UK star Zahirah Zapanta and Adam Ali echoed similar sentiments, with the latter publishing a letter on behalf of other acts who were awaiting payment.

Following immense backlash, Manchester Pride’s Board of Trustees released a statement on 16 October, revealing that they were in “the process of determining the best way forward” with their legal and financial advisers.

“We know that moments like this can raise questions and emotions. We want to ensure that our staff, interns, artists, contractors and suppliers, who are all a part of our community, are heard and considered,” they wrote.

After an additional week of silence and growing speculation, the event’s board of trustees confirmed that Manchester Pride had started the “legal process of voluntary liquidation.”

“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable,” they wrote in a statement released on 22 October.

“We regret the delays in communicating the current situation; however, we were keen not to jeopardise financial opportunities while our discussions were ongoing. We were proactive and determined to identify solutions to the financial issues.

“We’ve been actively working with several partners, including legal and financial advisors, to do everything we could to find a positive solution. We had hoped to be able to find a way to continue, and, most importantly, to support our artists, contractors and partners. Despite our best efforts, sadly, this has not proved to be possible. We are sincerely sorry for those who will now lose out financially from the current situation.”

The board also revealed that the organisation’s staff team will be made redundant, adding that they were “very distressed at the position” they found themselves in.

“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the Charity and contacting everyone,” the board concluded.

In a separate statement to Sky News, Equity’s North West official, Karen Lockney, confirmed that they are “collecting contractual information to pursue all options to recoup money owed, and will begin these processes immediately.”

As for the future of Manchester Pride, the Manchester City Council confirmed that “a new chapter” for the festival will take place in August 2026.

“The council will play a full and active role in bringing together the LGBTQ community to help shape how the city moves forward to ensure a bright and thriving future for Manchester Pride,” the council added.

Neighbours star Stefan Dennis was forced to pull out of Strictly Come Dancing this week after he ‘tore his calf so significantly’

Strictly Come Dancing star Stefan Dennis has confirmed his future on the dance competition after he was forced to quit due to an injury. On Monday, the Neighbours star announced his departure in a lengthy post shared on social media, explaining he ‘tore his calf so significantly that he was forced to withdraw from the show’.

“I owe both the Strictly Family and Dianne [Buswell] a massive debt of gratitude for giving me the opportunity to fulfil my dream of being able to dance with my wife. (When my leg is better),” he said. Stefan – whose soap character Paul Robinson lost a leg in a cliff fall – added he was “gutted” about leaving.

Despite the blow, fans will still be able to see him on Strictly before the programme ends.

READ MORE: Strictly’s Dianne Buswell hits back at critics as she slams ‘conspiracy theories’ after exitREAD MORE: Stefan Dennis says Strictly bosses refused to save star over him – despite injury

“It’s a bit of a s****er, but I’ll be back at the end of the year, for the final,” he explained to The Sun.

However, it is not known whether he’ll be joining in on the group performance or if he will even be able to perform with his injury.

Meanwhile, Stefan recently confessed he felt like ‘he let people down’ because of the injury and subsequent exit from the beloved competition.

“I just feel like I’ve let everyone down,” he said to The Mirror during the Pride Of Britain Awards. “They all say I haven’t, of course, and the pros know all about injuries, but it feels like a shame to go out in this way.

“It was all going so well. When you go out, you want it to be because the viewers have spoken, because it’s your time, not like this.”

The news was a particularly upsetting blow for Stefan as the news came after viewers saw Chris Robshaw and his partner Nadiya Bychkova get voted out.

Stefan then revealed he begged producers to let Chris return to the show in his place. “I said they should keep Chris in now that I’m going but they said they couldn’t do that – once you’ve gone, you’ve gone.”

Two exits in two days could lead to just three pairings in the live final in December – provided no one else gets injured along the way. “That’s what has happened before I believe,” says Stefan.

Speaking about the severity of the injury, he added: “I thought I’d be able to carry on but they said absolutely not,” Stefan admitted. “The muscle needs complete rest. So that’s me done unfortunately.”

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DEMI Moore poses in a cage-style dress — but says she feels freer than ever.

The screen star, 62, was in celebratory mood after being named one of Glamour Magazine’s Women of the Year.

It comes after she won a Best Actress Golden Globe for her role in horror flick The Substance.

Demi was interviewed by Substance co-star Margaret Qualley for the mag.

She said: “With everything I’ve been through, which has been a lot, I wouldn’t trade where I am today.”

She added a difference with her younger self is the “freedom to know I don’t have to have the answer, and life is not going to be completely stolen from me if I somehow don’t know”.

NO MOORE PARTIES

Demi Moore skips distributor’s Oscars after-party following shocking loss

During Demi Moore’s emotional Golden Globes acceptance speech, she spoke of having been at a “low point” and not thinking she was “enough”.

The actress has battled countless traumas and rejections during her life – including her biological dad leaving before she was born, saving her drug addicted mum from suicide, two spells in rehab and being raped aged 15. 

The star of Ghost, Indecent Proposal and A Few Good Men’s return to form in the satirical horror movie The Substance is one of the greatest Hollywood comebacks of all time.

Having struggled to land a hit movie over the past couple of decades, Demi thought “this was it.”

And when you learn of what the mother-of-three has been through, you’ll know why her best actress win at the Globes on Sunday meant so much.

In her speech, which has gone viral, Demi said: “In those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or are basically just not enough, I had a woman say to me, ‘Just know you will never be enough but you can know the value of your worth if you just put down the measuring stick.’”

Four years after the “Rust” movie shooting, New Mexico officials have moved Alec Baldwin’s lawsuit alleging malicious prosecution to federal court.

This week’s filing is the latest twist in the long legal saga after the October 2021 on-set death of cinematographer Halyna Hutchins.

Baldwin, the 67-year-old star and a producer of the western film, had been facing a felony involuntary manslaughter charge for his role in Hutchins’ accidental shooting. But the judge overseeing Baldwin’s case abruptly dismissed the charge against him during his July 2024 trial after concluding that prosecutors withheld evidence that may have been helpful to his legal team.

Six months later, Baldwin sued New Mexico’s district attorney and special prosecutors, asserting malicious prosecution. The actor claimed he had been made a celebrity scapegoat because of the intense media pressure on local authorities to solve the high-profile case.

His lawsuit targeted New Mexico special prosecutor Kari T. Morrissey, 1st Judicial Dist. Atty. Mary Carmack-Altwies and Santa Fe County sheriff’s deputies, who led the investigation into Hutchins’ death.

The defendants have denied Baldwin’s allegations.

Baldwin’s wrongful prosecution suit was first filed in New Mexico court in Santa Fe.

On Tuesday, the defendants, including Morrissey, exercised their legal right to shift the case to federal court. The decision was made, in part, because “Mr. Baldwin brought federal civil rights claims in his lawsuit,” said Albuquerque attorney Luis Robles, who represents the defendants.

In addition, Baldwin does not live in New Mexico, where the case was filed.

Baldwin could object to the move and petition for it to be brought back to state court. On Wednesday, his team was not immediately available for comment.

A New Mexico judge had dismissed Baldwin’s malicious prosecution claims in July, citing 90 days of inactivity in the case. Baldwin’s legal team petitioned to get the case reinstated and the judge agreed to the request.

That prompted the defendants’ move to shift the case to the higher court.

During his Santa Fe trial last year, Baldwin’s lawyers had sought to turn the focus away from whether Baldwin pulled his gun’s trigger in the accidental shooting to where the lethal bullet came from.

Baldwin’s attorneys repeatedly accused law enforcement officers and prosecutors of bungling the case, including by allegedly hiding potential evidence — a batch of bullets that they said may have been related to the one that killed Hutchins.

Hollyoaks fans were left floored at a cameo in the soap’s Brookside crossover episode

Hollyoaks delivered a spectacular crossover episode with Brookside, leaving viewers spotting a truly remarkable cameo appearance.

E4 broadcast a special one-off Brookside episode on October 22, marking the legendary soap’s return to television after a 22-year absence to commemorate Hollyoaks‘ milestone 30th anniversary.

Soap enthusiasts were delighted with a nostalgic journey as iconic characters made their comeback to Brookside Close, featuring Ricky Tomlinson, Sue Johnston, Paul Usher, Philip Olivier, Suzanne Collins, Michael Starke, Louis Emerick and John McArdle.

Both cherished Channel 4 series were the brainchild of Grange Hill genius Sir Philip Redmond, with Brookside later serving as inspiration for the Chester-based Hollyoaks.

In a masterstroke, Sir Philip himself appeared in the Channel 4 drama on Wednesday, reports the Manchester Evening News.

The scene unfolded when Mick Johnson (Louis Emerick) made his return to Brookside Close following a lift from Chester courtesy of Thomas Sweeney, better known as Sinbad, portrayed by Michael Starke.

Whilst taxi driver Sinbad reconnected with former neighbours Nikki Shadwick (Suzanne Collins) and Tinhead (Philip Olivier), an enigmatic figure strolled down the street.

Nikki questioned Sinbad: “Is that your fare?”, to which he swiftly replied: “I think so, yeah.”

Sir Philip then enquired: “You going to Chester, mate?”, prompting Sinbad to ask: “You’re not from around here, are you?”.

In a touching tribute to bygone days, Sir Philip responded: “Used to be, but you know. Do you know the Dog In The Pond pub?”. “There’s been a big to-do there today”, Sinbad chimed in as Sir Philip, cheekily replied: “Story of my life, mate. From one drama to another.”

Fans of Hollyoaks and Brookside were quick to express their delight at seeing the soap’s creator, Sir Philip, make an appearance on screen.

One fan took to X to share their thoughts, writing: “Had to watch the #Hollyoaks #Brookside mashup. Phil Redmond’s cameo is genius especially the “… one drama to another” line. I join the call to bring back #Brookie!”.

Another viewer exclaimed: “Phil Redmond cameo! #Brookside #Hollyoaks #Hollyoaks30.”

A third added: “Omg Phil Redmond making a cameo too, omg, i cannot cope! So proud to be scouse right now #hollyoaks #brookside.

“This is just too good. Mick, Sinbad, Sheila, Tinhead, Nikki, Bobby, actual Phil Redmond! #Hollyoaks #Brookside”, one fan gushed.

“Phil Redmond saying “from one drama to another”.. see what he did there! Brilliant! ! #Hollyoaks #Brookside”, another fan pointed out.

The Hollyoaks and Brookside Crossover is available to stream on Channel 4.com

KEANU Reeves’ security team slammed a fan to the ground after she attempted to get into the actor’s car.

A woman could be heard screaming for the star’s attention before attempting to get inside his vehicle.

The shock footage came just seconds after the actor graciously waved and smiled at waiting fans and photographers outside of his hotel.

At one point, the lady in question could be heard insisting she was his “divine wife” during the altercation.

Having waved to the crowds, Keanu can be seen calmly getting into his car.

Just seconds later, the woman appears to shove past his security details as she heads for his car door.

With the bodyguards attempting to hold her back, the woman screeches: “Let go of me.”

She then shouts at the window: “Keanu, it’s your divine wife!”

After repeatedly saying the star’s name, she runs around the vehicle to the other side before shouting: “Don’t let them hurt me.”

As the car attempts to drive away, the woman manages to reach the car door handle.

The bodyguards then manage to get to the woman and forcibly pull her away from the car.

Latching onto her, two men appear to pull at her before she stumbles and falls onto her back on the road.

She can be heard branding the men “a*****es” before managing to get back up.

One of the men shouts: “Get her out of here. Get her out of here.”

Someone else can be heard shouting: “You guys need a restraining order on this one.”

Keanu is currently appearing on-stage in a Broadway play.

The 61-year-old star has been performing in Jamie Lloyd’s adaptation of Samuel Beckett’s play Waiting For Godot.

The production has been entertaining guests at the Hudson Theater. 

“What a horrible story! What a hideous play!” a theater critic for the Daily Telegraph lamented after the London premiere of “Hedda Gabler” in 1891. Victorian audiences were repelled by Henrik Ibsen’s fatally attractive newlywed who appears to have it all — the fancy house, the doting husband — only to be violently bored.

But writer-director Nia DaCosta (“Candyman,” “The Marvels”) and her star Tessa Thompson understand Hedda down to the pretty poison in her molecules. Their rollicking redo, set from dusk to hangover at a drunken bacchanal, is vibrant and viciously alive. With apologies to Ibsen’s ghost, DaCosta’s tweaks have sharpened its rage. I don’t think that long-dead critic would like this “Hedda” any better. I think it’s divine.

Thompson’s Hedda is a clever, status-conscious snot raised to believe that her sole purpose is to be a rich man’s wife. With no hobbies or career and no interest in motherhood, her only creative outlets are squandering money and machinating the success of her milquetoast husband, middlebrow academic George (Tom Bateman), who has such a flimsy hold on his bride that his last name might as well be attached to hers with Scotch tape. (It’s Tesman and it’s pointedly rarely used.) Hedda doesn’t love George. In fact, she seems to think he’s a whiny little worm. But she’s dead-set on securing him a promotion to afford her expensive tastes.

If Hedda had been born a man, she’d be leading armies into battle like her late father, General Gabler, who spawned her out of wedlock. Instead, she takes out her aggression on civilians. Using her charm offensive, Hedda goads naive spouses to cheat, recovering alcoholics to drink and depressives to wander off into the darkness with a revolver. Some of her havoc is calculated, most of it is out of pique that others are living braver, more fulfilling lives. All of it feels like a cat tipping over water glasses just to see them shatter. Like the nasty seductress of “Dangerous Liaisons,” she’s a warning that frustrated women aren’t merely a hazard to themselves — they’re a menace to the society that made them.

Inspired by her antihero, DaCosta manipulates Ibsen to suit her own goals. She’s updated the play’s setting to 1950s England, a similar-in-spirit era in which well-bred women were kept domesticated. (I can’t wait for someone to do a version among the tradwives of Utah.) From there, DaCosta has smartly tightened the narrative, which used to have a key scene at an off-stage bachelor party to which Hedda was pointedly not invited. “What a pity the fair lady can’t be there, invisible,” Ibsen’s Hedda grumbled at being left home while the men got to carouse.

In DaCosta’s version, the whole drama unfolds during a martini and cocaine-fueled rager at Hedda’s mansion, a party she’s throwing to impress George’s potential new boss, Professor Greenwood (Finbar Lynch), who she hears has a bohemian streak. At her own happening on her own turf, Hedda couldn’t be more visibly in command. She rallies the guests to hurl her former classmate, Thea (Imogen Poots), a wretchedly earnest drip, into a nearby lake and gets the whole room grooving to a dance band’s cover of “It’s Oh So Quiet,” the swinging hit that the Icelandic pop singer Björk would popularize a half-century later. It’s a great song pick with manic crescendos — You blow a fuse, zing boom! The devil cuts loose, zing boom! — that capture Hedda’s feverish mood shifts.

We know this evening will go wrong from the film’s opening shot of Hedda facing down two policemen who keep interrupting her explanation of the last 24 hours. “Where should I start?” she says with smothered exasperation. As we cut back to watch the night unfold, a shot of Hedda surveying the crowd from an upstairs landing feels like she’s looking at a game board — Clue, perhaps? — with a weapon stashed in every room. Which threat is most pressing? The pistols she keeps in a leather box, the precarious crystal chandelier or the lake’s deep waters outside?

Thompson is marvelous in the role. Even the way she chomps a cherry off a cocktail toothpick has menace. I first saw her as the lead in “Romeo and Juliet” at a 99-seat theater in Pasadena when she was barely 20 years old (there’s so much talent in our small stage scene), so it’s a nice reminder that the funny and soulful actor of the “Thor” and “Creed” franchises is also a hell of a good classical performer and a worthy star on her own.

She wears Hedda’s lovely mask with confidence — red lips, lush cheekbones, cool demeanor — and periodically allows it to slip. Editor Jacob Schulsinger often allows Hedda a tiny hesitation before she charges ahead ruining people’s lives, long enough to know that she’s considering the consequences. “Sometimes I can’t help myself, I just do things all of a sudden on a whim,” she admits to the nosy Judge Brack (Nicholas Pinnock), revealing a sliver of weakness. She’s almost (nearly) asking for help. Yet, the judge just wants to maneuver her into bed. How tedious.

DaCosta boldly layers race and sexuality on top of Ibsen’s tale. She’s gender-swapped Hedda’s ex-lover, Eilert, into a lesbian named Eileen (a swaggering Nina Hoss), a brilliant, openly norm-defying author who is George’s job-seeking competition (and the only person Hedda enjoys kissing). If earlier incarnations of Hedda didn’t dare defy social rules when she was white and straight, being Black and queer adds so much additional peril that the script barely needs to say out loud. The new tension is there in just a few whispers, as when Hedda overhears a guest murmur that their hostess is “duskier than I thought she would be.” Hedda doesn’t acknowledge the slight. That would mean admitting vulnerability. She simply starts destroying the speaker in the very next scene.

What’s wiser? Eileen’s determination to face down the boys and be accepted for her full self or Hedda sneaking around and steering everyone’s fates behind the scenes? They can’t team up — they’re doomed to tear each other to shreds. And as much glee as we get watching Hedda’s rampage, it aches to see these two formidable women reduce each other to hysterics (to use the medical diagnosis of the day).

From our 21st century perspective, they both have a right to be mad and they both might be mentally ill. DaCosta doesn’t offer a verdict, but she plunges us so deeply into Hedda’s headspace that we can hear how certain things set her off. Insults hit her with a knife-like hiss of air; fresh schemes get her charging around to Hildur Guðnadóttir’s tumultuous, percussive score.

Costume designer Lindsay Pugh has done incredible work outfitting the film’s central female roles. Hedda wears bullet-like strands of pearls that choke her neck and a jade-colored gown that seems to molder into a festering, jealous shade of green. When her rival, Poot’s Thea, arrives underdressed, Hedda forces her into a hideous frock with fussy bows and an ungainly skirt. Poots, her nose raw and red, her character kicked when she’s down, gamely looks a fright, trusting that moral fiber will expose Hedda’s ugly insecurities.

But Pugh’s stroke of genius is putting Eileen not in some sort of mannish suit but in a bombshell dress that highlights her curves like a primal goddess. It’s pure feminine power — just like the film itself — and when Eileen struts into a room of her all-male colleagues, that dress exposes how fast the tenor can shift from awe to jeers and how little wiggle room she or any woman has for error.

Tonight millions of viewers will be able to celebrate those honoured at The Daily Mirror’s Pride of Britain Awards with P&O Cruises as it airs on ITV. But what were Carol Vorderman and Ashley Banjo’s best bits?

Millions of people across the UK will be tuning in tonight to the most uplifting show in the TV calendar, as The Daily Mirror’s Pride of Britain Awards with P&O Cruises unfolds in a two hour extravaganza.

Seldom is an event this packed with A list celebrities. But, despite the dazzling outfits and wall-to-wall glamour, it is the ordinary people with the extraordinary stories who take centre stage for this truly incredible occasion.

Co-hosts Carol Vorderman and Ashley Banjo host the event brilliantly – totally engaging with the amazing winners, who win everyone’s hearts … including our Prime Minister, Keir Starmer, who describes them as “the very best of our country.”

Here, Carol and Ashley each share their five most magical moments from the unforgettable night..

Carol’s Moments – Maja surprising Sally Becker

Known as The Angel of Mostar, humanitarian aid hero, Sally Becker, who received the Lifetime Achievement award – after evacuating hundreds of children from war zones all across the globe over a 30 year career – was joined on stage by one of the children she had saved.

Carol said: “Sally had referenced Maja when I asked about when she first went into Bosnia, this girl who had lost her leg and was in critical pain and how she brought her out. We got Maja to send a fake message from Florida to thank her, and then, of course, the big surprise was that Maja came out with her award. Sally is one of the most loving people you could ever possibly wish to meet. She’s so brave. I don’t think she realises just how brave she is. She’s quite extraordinary. That really made me cry, to be honest.”

The Rock Surprising Luke

Luke Mortimer, 12, who had all four of his limbs amputated after contracting meningitis and septicemia, was shown being surprised by movie star Dwayne ‘The Rock’ Johnson, who told him he would be receiving the Child of Courage award.

The young fundraiser was stunned into virtual silence when the star of Jumanjii and The Smashing Machine walked into his hotel room with his room service order. Johnson, who stands at a remarkable 6ft 5in, commended Luke on the incredible physical challenges he has completed to raise money for other children with amputations. Carol said: “All of us were going to Luke, ‘How big is The Rock? Is he as big as we think he is?’ That was really funny.”

Margot Robbie surprising Georgie

Georgie Hyslop, 17, received the Good Morning Britain Young Fundraiser award for her incredible efforts to brighten-up the lives of others, despite being treated for an extremely rare form of bone cancer herself. The brave youngster, who has raised over £55,000 for charity through a series of balls and events, was surprised by Margot Robbie, who played Barbie in the movie, and who revealed that she had won a Pride of Britain.

The Hollywood star of blockbusters like Wolf of Wallstreet and I, Tonya, also invited Georgie – an aspiring actor – and her family to attend the premiere of her latest film, A Big Bold Beautiful Journey. Carol said: “We’d lied to Georgie, obviously. We said we were filming a documentary and that we were going to take the family out for dinner, so they should bring some nice clothes. But actually, of course, they were bringing clothes to go to Margot Robbie’s premiere which was quite remarkable. It was just lovely, absolutely lovely.”

Ruth Jones as Nessa with Joanne Harris

Joanne Harris was handed the ITV Fundraiser award for her mission to provide knitted breast prosthetics for women who have had mastectomies due to breast cancer. Inspired by her own friend’s struggle with the disease, which made her aware of the uncomfortable silicon prosthetics provided by the NHS, Joanne set up Knitted Knockers Northern Ireland which now provides 5,000 soft, breathable knitted breast prosthetics to cancer patients free of charge every year.

On stage, Gavin and Stacey stars Ruth Jones and Joanna Page, presented her award, paying tribute to her tireless charity work. Carol said: “Ruth, never ever does the Nessa impression, you know? But she did it all as Nessa from Gavin and Stacey and it was just wonderful. It was like Nessa was on stage!”

Prime Minister Keir Starmer and Mary Earps surprising Asha

Asha Rage was recognised for starting the Dream Chasers, a football club turned youth centre to help support local children in Birmingham and keep them away from antisocial behaviour. Presented with the Special Recognition award, Asha was surprised on stage by Prime Minister Keir Starmer and former England’s Lionesses’ goal keeper Mary Earps. The PM commended Asha for her tireless work supporting the young people of her community.

Carol said: “I could get over the fact that here is a Muslim woman who doesn’t know anything about football and then decides that she’s going to set up a football club for teenagers. She trained herself and now she’s got three and a half thousand members of the club. It’s quite extraordinary.”

Ashley’s Moments – Westlife on stage with Ups & Downs

The Ups & Downs group, a theatre club for children and young people with Down’s syndrome and their siblings, was awarded the This Morning’s Local Heroes award. The group, formed in 1995 by three music teachers who worked at an additional needs school, provides a safe space for people of all ages with Down’s Syndrome to be themselves and share the joy of theatre.

Thirty of its members took to the Pride of Britain stage to receive the award and at the end of the ceremony, joined the legendary Westlife to celebrate the wonderful evening. Ashley said: “It was such a joy to see the Ups & Downs group so excited to receive their Pride of Britain award – they brought such an unmatched energy to the room and put a smile on everyone’s faces. Seeing them dance with Westlife and the other incredible winners was just the best ending to the ceremony.”

Al Murray helping Marcus inhis fundraising efforts and revealing the total donated

Marcus Skeet, 17, better known as the Hull Boy by his hundreds of thousands of followers on social media, was given the Special Recognition award for his incredible fundraising efforts and tireless advocating for mental health awareness. The campaigner, who earlier this year became the youngest person ever to run the length of the country between Land’s end and John O’Groats, took to running after struggling with his mental health.

Ashley said: “You don’t meet many people like Marcus who are able to bring themselves out of such a dark place in the way he has. But not only that, to go on to help others through their own dark times as well, it’s just incredible and so inspiring. One of my highlights was seeing the room come together to help him reach his fundraising goal to start Marcus Movers clubs all over the country – lead of course by the legendary Al Murray who made the whole thing hilarious.”

Hainault police officers

The three police officers who were the first responders at the scene of the brutal Hainault attack last year, which saw 14-year old Daniel Anjorin murdered by psychotic killer Marcus Arduini-Monzo, received the Outstanding Bravery Award. Despite suffering injuries and having no weapons to hand, their decisive actions helped bring the situation under control and ensured the safety of the community.

Ashley said: “This was one of the most hard hitting moments of the evening. As a father, it just amazes me that there are people out there like these police officers who are willing to put themselves in such danger to protect others. Any of us could be in that position one day but with people like that around to step in, we are all that bit safer. It made me really emotional, yeah, but I am so glad they got the recognition they deserved.”

Javeno receiving his award

For more than two decades, Javeno McClean has used his skills as an exercise and health specialist to improve the lives of the elderly and people with disabilities. Setting up his own free gym in his hometown of Manchester, he has created a friendly environment for everyone to work on their physical and mental health and welcomes people of all abilities through his doors.

He was awarded the brand new P&O Cruises Inspiration award for his tireless work and was joined on stage by boxing champion David Haye. Ashley said: “Javeno is one of the coolest and most positive guys I have ever met. His muscles really put us all to shame but the way he is so dedicated to helping the most vulnerable members of our community is so inspiring.”

Ronnie Wood surprising Harry Byrne

Harry Byrne was awarded the King’s Trust Young Achiever award after overcoming loss, addiction and homelessness to become an inspirational mentor and coach helping to give other young people a brighter future. The 24-year-old was presented his award by Rolling Stones legend Ronnie Wood.

Ashley said: “Ronnie Wood is a god of rock and roll, isn’t he? The moment he was on stage with Harry was amazing and such a great representation of what the awards are all about. I mean, Harry has completely transformed his life after a pretty rough start and is now helping other young people to do the same. The way the King’s Trust has helped him and others is remarkable and Harry deserved all the glory – and the praise that Ronnie gave him – for his hard work.”

Watch Pride of Britain on Thursday 23rd October, ITV at 8PM.

KYLIE Jenner’s dog Norman has died at 12 as the heartbroken star paid tribute to her pet with a touching post.

Kylie, 28, revealed on Wednesday, October 22 that her beloved dog Norman has died.

She captioned a series of sweet photos, “In Loving Memory of My Sweet Norman.

“I still remember the day I brought you home. I had never loved anything so much. I always wanted an Italian Greyhound growing up, but my mommy never let me have one. Then, right after I turned 17, I got you for Christmas, and it was the best gift I could have ever received.”

Kylie added that her pooch has “filled” her live with “pure joy.”

She continued to pen, “Almost 13 years old, and yet I know I’ll remember you far longer than the time we got to share. I wish I wasn’t writing this post. I knew you were getting older, and I tried to prepare myself, but it’s hard losing you norm. It makes me happy knowing my kids got to meet you and love you.”

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Kylie is mom to daughter Stormi, 7, and son Aire, 3.

Kylie ended the caption, “My sweet Normyyyy. My heart aches for you. Rest in peace, my precious Normandle. I love you forever.”

In the photo collage, Kylie shared photos of her dog Norman through the years.

In one snap, Norman had his paw on Kylie in bed, as wrote on the picture, “Me and Norman forever.”

In another snap, Norman was dressed up for Christmas with her other pooch.

Kylie also shared a photo of her daughter Stormi petting Norman and her son Aire playing with him as well.

LOVED ONES’ SUPPORT

The last photo was of three flower arrangements, likely from loved ones sending their condolences.

Loved ones also flooded the comments, as her cousin Natalie wrote, “I’m so so sorry Ky. May Norman rest in peace in doggy heaven.”

Friend Amelia Gray wrote, “NORMYYYYYYYY we love you so much.”

Another pal wrote, “Love u forever normi bear.”

PET LOVER

Kylie has posted Norman often throughout the years on her social media.

She owns around seven dogs, including Italian Greyhounds and Dachshunds.

She also has a bunny and chicken.

Another one of Kylie’s familiar pooches is her Greyhound Bambi.

In February 2021, Kylie debuted her new dog Kevin to her social media followers.

Kylie has kept busy recently, as she launched a pop music career with her debut single Fourth Strike.

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Katie Price reveals she snogged EMINEM and two more A-list Hollywood stars

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I nearly died after the Yorkshire Ripper attacked me with a screwdriver

This comes after the new teaser trailer for the upcoming season of The Kardashians dropped.

The new season will premiere on Thursday on Hulu.

VATICAN CITY — The Vatican is expected to soon announce that it will return a few dozen artifacts to Indigenous communities in Canada as part of its reckoning with the Catholic Church’s troubled role in helping suppress Indigenous culture in the Americas, officials said Wednesday.

The items, including an Inuit kayak, are part of the Vatican Museum’s ethnographic collection, known as the Anima Mundi museum. The collection has been a source of controversy for the Vatican amid the broader museum debate over the restitution of cultural goods taken from Indigenous peoples during colonial periods.

Negotiations on returning the Vatican items accelerated after Pope Francis in 2022 met with Indigenous leaders who had traveled to the Vatican to receive his apology for the church’s role in running Canada’s disastrous residential schools. During their visit, they were shown some objects in the collection, including wampum belts, war clubs and masks, and asked for them to be returned.

Francis later said he was in favor of returning the items and others in the Vatican collection on a case-by-case basis, saying: “In the case where you can return things, where it’s necessary to make a gesture, better to do it.”

The Canadian Conference of Catholic Bishops said Wednesday it has been working with Indigenous groups on returning the items to their “originating communities.” It said it expected the Holy See to announce the return. Vatican and Canadian officials said they expected an announcement in the coming weeks, and that the items could arrive on Canadian soil before the end of the year.

The Globe and Mail newspaper first reported on the progress in the restitution negotiations.

Doubt cast on whether the items were freely given

Most of the items in the Vatican collection were sent to Rome by Catholic missionaries for a 1925 exhibition in the Vatican gardens that was a highlight of that year’s Holy Year.

The Vatican insists the items were “gifts” to Pope Pius XI, who wanted to celebrate the church’s global reach, its missionaries and the lives of the Indigenous peoples they evangelized.

But historians, Indigenous groups and experts have long questioned whether the items could really have been offered freely, given the power imbalances at play in Catholic missions at the time. In those years, Catholic religious orders were helping to enforce the Canadian government’s forced assimilation policy of eliminating Indigenous traditions, which Canada’s Truth and Reconciliation Commission has called “cultural genocide.”

Part of that policy included confiscating items used in Indigenous spiritual and traditional rituals, such as the 1885 potlatch ban that prohibited the integral First Nations ceremony. Those confiscated items ended up in museums in Canada, the U.S. and Europe, as well as private collections.

The return of the items in the Vatican collection will follow the “church-to-church” model the Holy See used in 2023, when it gave its Parthenon Marbles to the Orthodox Christian Church in Greece. The three fragments were described by the Vatican as a “donation” to the Orthodox church, not a state-to-state repatriation to the Greek government.

In this case, the Vatican is expected to hand over the items to the Canadian bishops conference, with the explicit understanding that the ultimate keepers will be the Indigenous communities, a Canadian official said Wednesday, speaking on condition of anonymity because the negotiations are not concluded.

What happens after the items are returned

The items, accompanied by whatever provenance information the Vatican has, will be taken first to the Canadian Museum of History in Gatineau, Quebec. There, experts and Indigenous groups will try to identify where the items originated, down to the specific community, and what should be done with them, the official said.

The official declined to say how many items were under negotiation or who decided what would be returned, but said the total numbered “a few dozen.” The aim is to get the items back this year, the official said, noting the 2025 Jubilee which celebrates hope but is also a time for repentance.

This year’s Jubilee comes on the centenary of the 1925 Holy Year and missionary exhibit, which is now so controversial that its 100th anniversary has been virtually ignored by the Vatican, which celebrates a lot of anniversaries.

The Assembly of First Nations said some logistical issues need to be finalized before the objects can be returned, including establishing protocols.

“For First Nations, these items are not artifacts. They are living, sacred pieces of our cultures and ceremonies and must be treated as the invaluable objects that they are,” National Chief Cindy Woodhouse Nepinak told Canadian Press.

Gloria Bell, associate professor of art history at McGill University who has conducted extensive research on the 1925 exhibit, said the items were acquired during an era of “Catholic Imperialism” by a pope who “praised missionaries and their genocidal labors in Indigenous communities as ‘heroes of the faith.’”

“This planned return marks a significant shift in the recognition of Indigenous sovereignty and perhaps the beginning of healing,” said Bell, who is of Metis ancestry and wrote about the 1925 exhibit in “Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome.”

Winfield writes for the Associated Press.

Brookside icon Tinhead is returning to the famous close for a one-off episode twinned with Hollyoaks, and actor Philip Olivier has opened up about the character’s nickname.

Brookside legend Tinhead is making a comeback to the renowned close for a special one-off episode alongside Hollyoaks.

Both beloved Channel 4 dramas were created by Grange Hill mastermind Sir Philip Redmond, with Brookside subsequently inspiring the development of Chester-set Hollyoaks.

To celebrate Hollyoaks’ 30th anniversary, the shows are joining forces for a landmark crossover episode, with Philip Olivier returning to his memorable role as Tinhead.

Tim “Tinhead” O’Leary made his debut in 1996 as the offspring of Carmel and Tommy O’Leary, portraying a wayward pupil at Brookside Comprehensive High School.

Throughout his storyline, Tinhead formed an intricate relationship with beloved character Sinbad, portrayed by Michael Starke, who served as a mentor figure for the rebellious youngster, reports the Manchester Evening News.

However, Tinhead was compelled to transform his ways following a devastating incident that nearly claimed his sister Melanie’s life.

His future seemed promising when romance blossomed with Emily, portrayed by Jennifer Ellison, and the couple wed in 2001.

Yet marital happiness wasn’t destined for the pair.

Following further involvement in unlawful activities, Emily perished during a burglary in 2002, leaving Tinhead bereaved at a young age.

Philip Olivier, 45, last appeared as Tinhead in November 2003 when Brookside broadcast its concluding episode.

However, over two decades later, he’s reprising his role as Timothy O’Leary, alongside Suzanne Collins as Nikki Shadwick, for a special Hollyoaks and Brookside episode.

How did Tinhead earn his nickname?

Despite the character’s actual name being Timothy, soap fans will recognise him by his unusual moniker.

Ahead of the rebooted episode, Olivier shed light on how his character acquired the nickname, revealing it was purely coincidental.

The actor shared: “There was a pretty rough school in my area with a really hard kid who everyone knew as Tinhead. This was before I got the part. The name was spray-painted on the side of a building near the school.

“I know a lot of Brookside writers used to live round that area so they must’ve drove past and remembered the name. People thought I’d suggested it but it was a coincidence.”

Olivier also disclosed that he had initially auditioned for a different role in the show before landing the part of the teenage troublemaker.

He elaborated: “Originally, I went up to play the character of Danny Simpson, then ended up playing the kid that bullied him at school.

“I auditioned for Danny then got a call a month later about this character called ‘Tinhead’.”

The Brookside and Hollyoaks crossover episode airs on Wednesday (October 22) at 7pm on E4.