SHOW BIZ

Nadiya Bychkova has seemingly been handed another chance from the bosses of Strictly Come Dancing just hours after she announced her departure from the series

Nadia Bychkova has seemingly been handed another chance from the bosses of Strictly Come Dancing. The TV star, 36, confirmed on Wednesday that she had left her role as a professional dancer on the BBC Saturday night favourite after almost a decade of performing with celebrities like Blue singer Lee Ryan, Bros star Matt Goss and Chris Robshaw.

It came just days after Karen Hauer announced she was leaving the series after 14 years, but just hours later it has emerged that bosses are reportedly keen to snap her up as a choreographer.

A source said: Nadiya is so recognisable with viewers and bosses felt it would be a real loss to lose her from the Strictly family altogether. After a few conversations, they reportedly offered her a choreography role which she is very open to.

READ MORE: BBC issues strong statement after latest Strictly star quits show in string of exitsREAD MORE: BBC’s brutal strategy behind Strictly Come Dancing axings will rile loyal fans

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Speaking to The Sun, the source added: “Obviously, she is sad to no longer be dancing but recognises she will have great scope for more lucrative commercial opportunities now, and can explore exciting new projects.”

The news comes after reports of a bloodbath amongst the Strictly professional dancers ahead of the next series. Karen and Nadiya are two of the number of stars rumoured to have been axed by BBC bosses. Gorka Marquez, Luba Mushtuk, and Michelle Tsiakkas have all been said to have been axed in a bid for bosses to get “fresh faces” in the professional line-up.

Nadia gushed: “There is something truly special about being part of a programme that plays such a big part in so many people’s lives and I want to thank all those who have sent beautiful messages over the last few weeks and those who have voted, shouted, supported, celebrated and cheered during every series.

“I also want to take a moment to appreciate all those who have helped me along the way: my partners, my fellow professionals, the judges and brilliant people behind the scenes,” Nadiya wrote. “I joined the show as an athlete and a double world champion. Along the way I have learned so much about myself and other people. I have grown, not only professionally, but personally and creatively.”

Speaking about her time on the BBC show, the dancer continued: “Strictly has allowed me to discover new sides of myself, develop new skills, and evolve as an artist in ways I will always be grateful for.

“This isn’t the end… I look forward to being part of the Strictly world for many years to come in ways I am beginning to explore,” Nadiya insisted. “I’ve changed a lot since I first stepped onto that dance floor, not just as a performer, but as a person and I can honestly say I’ve never felt more like myself.”

Looking ahead Nadiya continued: “I’m excited to have time to focus on new projects, and to spend more precious time with my beautiful daughter. Life feels full of possibilities.” She said: “I danced before Strictly, I loved dancing on the show and I plan to keep dancing for many years to come. Thank you for all the love and support along the way,” before signing the message off with a white heart emoji.

The BBC also released a statement in the wake of Nadiya’s announcement. It read: “We would like to say a huge thank you to Nadiya Bychkova for her incredible contribution to Strictly Come Dancing. Since joining the show nine years ago, Nadiya has brought elegance, artistry, and unwavering dedication to the ballroom, and she will always remain a cherished member of the Strictly family.

“Over the years, Nadiya has delivered countless memorable performances, showcasing not only her exceptional talents as a dancer and choreographer but also her brilliance as a teacher to all her celebrity partners.

“A consummate professional, Nadiya embodies the very best of what Strictly stands for. We are deeply grateful for everything she has given to the show and wish her every success for the future.”

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Huw Edwards, the lead presenter of BBC News at Ten for 20 years, was spared jail at Westminster Magistrates’ Court after pleading guilty to three charges of making indecent images of children

Furious viewers have blasted Huw Edwards’ “disgraceful” sentence after a shocking TV drama detailed his crimes.

The shamed broadcaster, 64, was spared jail despite admitting three charges of making indecent images of children. His case was explored in Channel 5’s Power: The Downfall of Huw Edwards on Tuesday night, in which Martin Clunes played the presenter.

The 90-minute programme showed how Edwards groomed a teenager, paying him for sexual photos and videos. After it was broadcast, one viewer said: “First time in ages I flicked on terrestrial telly — and wow, it laid bare exactly what a monster he was.” Another summed up public anger by adding: “He should be watching this behind bars.” A third viewer said: “His sentence was disgraceful, considering what a sick creep he was.”

Nearly two million people tuned in to see Clunes, 64, portray the broadcaster, who had a vile double life. He was praised for his “compelling” and “career-defining” performance.

READ MORE: Huw Edwards’ publicist leaves GMB hosts speechless as ‘car crash’ interview sparks backlashREAD MORE: Where you’ve seen Power: The Downfall of Huw Edwards’ Ryan actor before

The programme showed Edwards sentenced to a six-month jail term, suspended for two years. Viewers described the drama as compelling but also as “uncomfortable” as it laid bare the sick nature of Edwards’ crimes.

“I don’t get why Huw isn’t in prison. He needs to pay for what he’s done. It’s fact,” one viewer posted on X, which was known as Twitter. Another on the platform said: “Watching Power. Martin Clunes is excellent but it’s very uncomfortable viewing. How did Huw Edwards escape prison?”

Katie Jones, a mum who watched the show, wrote online: “I watched simply because I wanted to understand why NO jail time for EDWARDS. Was it cos he claimed to be suffering from a mental breakdown? It’s a must watch — difficult subject told well.” A shocked viewer agreed: “He should have been jailed. He’s a paedophile. He’s not sorry.”

Edwards paid a troubled teenager thousands of pounds, which the lad spent on drugs. The youngster was played by Emmerdale actor Osian Morgan. Osian, who was also in Waterloo Road in 2023, was praised for his acting in the harrowing drama.

Father-of-five Edwards was charged after the arrest of another paedophile, Alex Williams, who had sent him 377 images via WhatsApp. Westminster Magistrates’ Court the star, who was the lead presenter of BBC News at Ten for 20 years, sent 41 indecent images of children, some showing a victim aged between seven and nine.

Child protection charities have slammed the sentencing. Emma Hardy, of the Internet Watch Foundation, said: “We must never forget children are at the heart of this story — children who have suffered, and who suffer again each time imagery of them at their most vulnerable is reshared.

“Perhaps most worryingly, there is nothing to stop this happening again. WhatsApp, and other apps which use the extreme end-to-end form of encryption, are still failing to prevent the upload of known child sexual abuse imagery.

“While some platforms are now choosing not to use this kind of encryption because of safety fears, there remain whole swathes of the internet where this dangerous and illegal content can still be shared undetected and unopposed. The tools to help stop the next Huw Edwards are here, they work, and they do not impact on individuals’ privacy. It’s time to use them.”

Escorts. Surveillance. Blackmail. Sex parties?

Jessi Draper of “The Secret Lives of Mormon Wives” is accusing her estranged second husband, Jordan Ngatikaura, of being involved in pretty much all of the above.

Ngatikaura filed for divorce Thursday in Utah after five years of marriage to Draper. Though that was far from the start of their marital problems, she told Alex Cooper during Wednesday’s episode of “Call Her Daddy” — which was taped Friday — that the dissolution filing was something they had agreed to do together. Then he changed his mind, she said, and she got the news via TMZ.

“I’m the one who ended it. I told him on Friday the 13th, so not that long ago, and I just said I want a divorce. He definitely didn’t want it. And now he’s the one rushing to do it, which is a little strange,” Draper told Cooper.

Also strange, in her view, was his choice to state on the documents that she had had an affair, though they had agreed previously that the reason would be the tried-and-true and totally non-gossipy “irreconcilable differences.” Plus Draper had only kissed another man twice, she said. She never had a physical affair with Marciano Brunette of “Vanderpump Villa,” though their emotional affair was a big part of the third season of “Mormon Wives.” Also, Utah is a no-fault state when it comes to divorce.

The Times was unable to contact Ngatikaura on Wednesday for comment on Draper’s allegations.

During the chat, Draper called her estranged husband “calculated” and “emotionally abusive” and said he told her he had been advised by someone to file on his own. She also admitted to Cooper that their marriage most likely was what it was because she went too quickly from divorcing her first husband to starting a relationship with her second.

That said, Draper said that right before Season 1 of “Mormon Wives” dropped on Hulu in September 2024, she was given “proof” that Ngatikaura had been using an escort service in Texas. At the time, she presented her evidence to him, she said, only to have him say it had probably been generated by AI.

Draper also said she had heard rumors of “sex parties” that he allegedly attended, though her sourcing on that allegation was definitely of the friend-of-a-friend-who-was-there variety. She further claimed that Ngatikaura had listened in on her personal conversations via cameras in her house — cameras she said he unplugged when he moved back into the house and she moved to a hotel — and had blackmailed her, threatening to post texts between her and Brunette online.

“Any time he was mad at me, he’s like, ‘I’m going to post them. I’m going to ruin your life,’” Draper told Cooper.

One day, she said, Ngatikaura told her he believed in traditional gender roles and that he should be in his masculine and she in her feminine, and therefore she should do Pilates every day. That led to a fight, during which he threatened to post the texts he had been keeping in a draft in his phone. Nobody knew yet what had happened between her and Brunette, and she worried that exposing everything would hurt her business, where she employs dozens of people.

“I went to go grab his phone. I was like, ‘Jordan, no … This could ruin everything.’ And he goes, ‘OK.’ And I’m freaking out. So, I’m trying to get his phone. I’m kind of chasing him, trying to get it. He pulls out his phone, starts recording me, and he’s like, ‘What are you going to do? What are you going to do? Are you going to be like, “Taylor, should I call the cops?”’ (referring to her embattled co-star and best friend, Taylor Frankie Paul, whose season of “The Bachelorette” was nixed before it aired).

“I was like, ‘Whoa,’ ‘cause he’s friends with Dakota [Mortenson, Paul’s on-and-off boyfriend], so he’s like hearing things like that, obviously, and he’s baiting me and he’s trying to be like, ‘Oh, oh, what are you doing?’ And that was the moment where, for me, I was like, ‘What am I doing? I am chasing around my husband trying to get his phone so he doesn’t blackmail me. This is not healthy.’ And I literally left him the next day,” she said.

“I was like, this can’t happen anymore.”

Chip Taylor, the songwriter behind the Troggs’ rock hit “Wild Thing” and actor Angelina Jolie’s uncle, has died. He was 86.

Taylor died Monday in hospice care, according to Page Six, citing Taylor’s longtime friend, producer Billy Vera.

Taylor, born James Wesley Voight in Yonkers, N.Y., in 1940, was actor Jon Voight’s brother, but built a formidable music career outside of his famous sibling’s shadow.

As a teen guitarist, he joined the band Town & Country Brothers, which toured with Neil Sedaka. His songwriting submissions to RCA Records impressed the artist Chet Atkins, who championed his tunes in the country music scene. Taylor also wrote out of the same 1650 Broadway building in New York where Gerry Goffin and Carole King were based.

In 1966, Taylor penned “Wild Thing” for the garage-rock band the Troggs, which rocketed to No. 1 and kicked off a new mode for rock ’n’ roll that favored grungier musicianship and more overt sexuality. “That upstrum, there? You wouldn’t play that if you were properly schooled,” he told the Independent in 2023. “I did it because I didn’t know any better. I ended up with this innocent energy. It came out of me looser that way, the feeling just flew out of me.”

Jimi Hendrix famously performed the song at Monterey Pop in 1967 in a fever of sexual tension (it featured in the 1968 concert documentary), making it an era-defining rock hit and Taylor’s most famous tune. He also wrote “Angel of the Morning,” popularized by Juice Newton and Merrilee Rush, and penned songs performed by Willie Nelson, Linda Ronstadt, Johnny Cash and Janis Joplin, among many others.

Taylor’s career pivoted in the ’80s, when he became a professional gambler and a rogue on the Atlantic City casino strip. Yet he had a later career resurgence in the 2000s, after he met fiddle player Carrie Rodriguez at the South by Southwest Music Conference in Austin, Texas. The pair released several acclaimed alt-country albums together. Taylor’s 2012 single “F— All the Perfect People” prominently featured on the soundtrack for the hit Netflix series “Sex Education.”

Taylor said the song was inspired by performing concerts for prisoners, some of his favorite gigs. “I’ve always liked talking to prisoners because, for the most part, they’re extremely honest,” he said. “I never met a prisoner I didn’t have empathy for. I wrote that at 6 a.m. one morning when I realized I had some shows for prisoners coming up and I wanted to write something that was just for them.”

Taylor’s final album was 2025’s “The Truth and Other Things.” He is survived by several children and grandchildren. His wife, Joan Carole Frey, died in 2025.

Viewers of the BBC documentary were left in tears after watching paramedics battle to save a 67-year-old man

Viewers were left emotional after a man tragically died during TV show Ambulance on Wednesday’s episode.

The most recent instalment of the BBC series, which follows ambulance crews in Yorkshire, saw an emergency team respond after receiving a call reporting that 67-year-old Steve had stopped breathing.

Critical care paramedic John was amongst those who raced to the location. As the team began CPR, John informed Steve’s partner Penny: “At the moment, the heart rhythm, Steve’s heart, there’s no electrical activity at all. It’s really not good I’m afraid.”

“I think you need to prepare yourself,” he continued. Penny mentioned that Steve was “quite stubborn”, with John responding: “So maybe, maybe he’ll prove me wrong. We’re not there yet.”

However, following 32 minutes of CPR, the decision was taken to stop and John had to deliver the devastating news to Penny, reports Yorkshire Live.

“Penny we’ve stopped,” he informed her. “I am really sorry.”

As they discussed what had happened, John reassured her: “Don’t second guess it. It wouldn’t have changed anything. Nothing you could have done, would have stopped that from happening.”

Penny recalled that there had been an “incredible sunset” that week, saying: “At least he saw that.”

Audiences were left devastated by the scenes, with one sharing on social media: “Sobbing for Steve and Penny. So glad he saw the beautiful sunset. With love.”

“I can’t deal with cardiac arrests,” one viewer wrote on X, including a crying emoji.

“This is brutal,” another individual commented on the platform. “This programme never fails to have me in tears,” admitted one viewer. “So much respect for the call handlers and paramedics.

“Awww wee Penny xxx, bless that paramedic man for his words of comfort,” wrote another, as a fellow viewer remarked: “Oh my goodness this programme Ambulance is so hard to watch.”

“Poor Penny,” said another moved viewer, while one more observed: “Such a dignified response from this lady to her partner just dying. Bless her heart.”

Ambulance airs on BBC One and BBC iPlayer on Wednesdays at 9pm.

Reality star Loana Petrucciani, who shot to fame after having sex in the pool while appearing on the French edition of Big Brother, has been found dead at her home

A TV star who became known for having sex in the Big Brother pool has been found dead. Loana Petrucciani, who won the first series of Loft Story France 1, was just 48-years-old.

It’s reported that the reality star, simply known as Loana, was found dead at her home in Nice. Prosecutor Damien Martinelli stated that an investigation has since been opened to “find the causes of death”, before stating the TV star had been dead for “several days”.

Loana gained fame in 2001 when she entered the Loft Story house, living with strangers for ten weeks under constant surveillance from cameras, mirroring the Big Brother format. In the wake of her death, TV network M6 said: “An iconic figure of the first season of ‘Loft Story’, she will forever remain a personality who profoundly marked an entire generation of viewers,” before praising her for “her pontaneity, sensitivity and authenticity.”

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Alexia Laroche-Joubert, CEO of Loft Story’s production company Banijay France, said: “It is with immense emotion that I learned of Loana’s passing. Our paths crossed 25 years ago, and I am honoured to have shared so many memories with her. I witnessed her successes and her struggles.

“My thoughts are, of course, with her mother, Violette, her daughter, her brother, and the other housemates who were part of this adventure. Let us never forget that behind her public image was a sensitive and extremely intelligent woman.” Benjamin Castaldi, presenter of Loft Story said: “There are some faces we never forget. And hers, Loana’s, is part of our collective history.

“Thought we would watch a show. In fact, we were witnessing a revolution. The first one. The truth. The one that changed television forever… and maybe also our view on humans. Loana was not a character. She was a woman. A real one. With its cracks, its sweetness, its fragility in the open sky. And that’s precisely why we loved it.

“But that’s also why we dropped her. We applauded his light… not protecting his shadow. His authenticity has been consumed… without measuring the price she would pay. We’ve watched her live, love, fall… without ever really wondering who would pick her up after. The truth is, we’re all a little responsible. Because we all watched. Cuz we all commented Because we’ve all, at one point, looked away when it got too hard.

“She embodied raw innocence in a world that didn’t forgive anything. And we couldn’t match what she gave us. Today, there’s only a television memory. There’s still an emotion. Embarrassment. A regret. The one of not being human enough to someone who deeply was. So yeah… We lived a revolution together. But maybe we forgot, along the way, the important thing: Behind the phenomenon… There was a woman.”

It was on Lost Story that Loana became known for sleeping with co-star Jean-Edouard Lipa, sparking outrage across the country. Despite the scandal, she walked out of the house as the champion and was welcomed as she paraded down the Champs-Élysées.

With her newfound fame came magazine deals, gracing the cover of Elle, photographed by Jean-Baptiste Mondino and her deeply personal memoir several months later.

In her memoir, the Cannes-born star opened up about the highs and lows of her career in the spotlight, as well as previous suicide attempts. Speaking about entering Loft Story, she said previously: “I went there feeling very insecure. I was worried. The casting director said to me, ‘Aren’t you ashamed to come dressed like that?’ I took it very badly, especially since he was asking everyone that question.”

She added: “He asked me to flirt with the camera: I don’t know how to do that, it’s impossible. I blushed, I stammered. Then they asked me to dance and sing. I left and thought to myself, ‘I didn’t show them anything.'” She said of her fame: “There are two women inside me. The public loved both. Before, we saw a lot of the extroverted Loana who danced on the catwalks, but we didn’t see the other side, because she was too shy to express herself. But, in Loft Story, we saw that there was another side to her.”

In the early 2010s, Loana attempted to take her own life, which left her in a coma. Her family and friends later discovered that she had made several attempts on her life prior to this.

If you’re struggling and need to talk, the Samaritans operate a free helpline open 24/7 on 116 123. Alternatively, you can email jo@samaritans.org or visit their site to find your local branch

If you have been affected by this story, Cruse Bereavement Support offers free help to make sense of how you are feeling. Click here for their website or call 0808 808 1677.

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FORMER glamour model Katie Price has sparked mystery as her new travel business venture has been shut down just two weeks after its launch amid backlash.

The 47-year-old had created a “Katie Price Travels” Instagram page, trying to recruit agents for InteleTravel under the brand Travel Smarter Group.

She set up the part-time venture alongside her pal TV personality Danielle Lloyd.

Travel Smarter Group “co-founded” by Danielle, promises travel perks, training and financial protection but does not include clear details of its host agency.

One advert on her feed encouraged people to: “Join Katie Price and Danielle Lloyd.

“Hear how you can earn more from travel around your other commitments. Work flexibly. Travel more. Earn extra income.”

WHY SO SERIOUS?

Katie Price slams GMB hosts Susanna Reid & Ed Balls after recent interview

family woes

Katie Price admits hospitalised mum cried and ‘was traumatised’ after marriage

The podcast host received a slew of backlash from the travel industry, who branded the venture a “gimmick” and a “slap in the face.”

Katie was most notably called out by Inspire Europe chief executive Lisa Henning.

She criticised the star’s move and accused her of bringing down the industry name amid the ongoing war in the Middle East.

Lisa wrote, as reported by Travel Weekly: “I very rarely comment publicly on things like this. But seeing this today is a step too far.

“For the past 12 days I have worked non-stop, 24/7, supporting our clients and our agents through the disruption affecting Dubai and other destinations.

“I’ve seen agents in tears because they care so much about their clients and are genuinely worried about what’s happening.

“To see promotions suggesting that you can simply ‘earn money from travel’ with a glossy campaign featuring Katie Price and Danielle Lloyd — positioning the role of a travel agent as something you do casually around other commitments — honestly feels like a huge mockery of our industry.

“This isn’t a side hustle. This isn’t a gimmick. And it certainly isn’t ‘easy money while you travel’.”

Lisa continued: ” Seeing this kind of messaging feels like a real slap in the face to the thousands of dedicated agents who work tirelessly behind the scenes every single day.

“Well done and thank you to all of those who continue to give our industry a good name by doing this job ‘properly’. Always book with a ‘real travel agent’.”

Following the negative response, the model appears to have now deleted her travel page on Instagram.

Katie’s PA has responded to the remarks, according to Travel Gossip.

“Katie has never stated that she personally books travel. She is simply sharing this platform with others to help people become independent travel agents and create an additional income – whether that be part-time or full-time.

“All agents within the community receive full training and are committed to supporting their clients.”

She added: “Katie was simply advertising an opportunity call.”

Fans now know when they can look forward to the new adaptation

Fans of Harry Potter admit that they are ‘dancing in their room’ after the first ‘incredible’ trailer finally landed for the upcoming HBO series.

We have known for some time now that a new adaptation based on the series of books written by J.K. Rowling has been on the way. Most have welcomed the news with cautious optimism. Some have said to be unsure we need another version after the much admired film series.

This new iteration is set to be a faithful adaptation of the iconic novels, with the author credited as an executive producer. Each season of Harry Potter will be introduced to both new and existing fans, exclusively streaming on HBO Max which finally launches in the UK this month.

The original classic films will continue to be accessible for viewing globally. While fans should be able to stream the new series on HBO’s dedicated platform, Sky and NOW users should also have access providing they have the correct subscription.

It’s been previously suggested that the studio is optimistic about the series being as successful and well-received as the films, with hopes of it running for a minimum of 10 years. The series is penned and executive produced by Francesca Gardiner, known for her work on Killing Eve and His Dark Materials. Multiple episodes will be directed by Mark Mylod, renowned for directing several episodes of the HBO hit series Succession.

Last year it was confirmed that emerging talents, Dominic McLaughlin, Arabella Stanton, and Alastair Stout, will take on the legendary roles of Harry Potter, Hermione Granger, and Ron Weasley, respectively. We now have a first glimpse of their much anticipated performances.

That also includes the new portrayals of other beloved characters. This includes Hagrid played by Nick Frost and Professor Dumbledore, with Hollywood star John Lithgow taking on the responsibilities of the role.

Fans now also know when they can expect to start watching the series and it is sooner than many think. The caption for the video as shared on YouTube states: “A new era of Hogwarts begins. The HBO Original series Harry Potter and the Philosopher’s Stone premieres this Christmas.”

As expected, fans were quick to share their thoughts and opinions on the first footage shared from the series. Many were actually surprised at how much they enjoyed it.

One person replied: “This actually looks incredible! I love that they’re going to show more of Harry’s life with the Dursleys!” Another added in a similar vein: “THIS LOOKS INCREDIBLE!!! God Bless HBO!! THIS CHRISTMAS.”

Someone else confessed: “I’m dancing in my room right now.” While one person noted: “I actually love the take on Harry trying to be a muggle student at a school.”

Surprised by how the first episode seems to be approaching faster than first anticipated, one said: “Also, Christmas??? YESSS!!! I thought we’d have another year!!”

Plenty of others recognised that the series will allow them to explore more events of the book and reflect on characters more deeply. Some fans even admitted that they were left emotional and even in tears at the thought that the series could allow them to relive their childhoods. One person commented: “I shed a tear…my childhood is coming back to me again.”

One person posted: “I’m sobbing this is incredible” and another “I’m literally crying.”

Harry Potter is streaming on HBO Max this Christmas.

There’s a mysterious new character that fans are wondering about their true identity

The latest season of hit Marvel sequel series Daredevil Born Again has introduced a mysterious new villain.

While the show debuted last year, it quickly became a hit with fans and critics alike and succeeded in picking up where the Netflix version of the comic book character left off. It also meant that the character was now officially a part of the Marvel Cinematic Universe.

Its first season managed to score an impressive 87% on website Rotten Tomatoes and the premiere episode of the second season is streaming now on Disney+.

As episodes are released on a weekly basis, fans will see Mayor Wilson Fisk crush New York City underfoot as he hunts down public enemy number one, the Hell’s Kitchen vigilante known as Daredevil. But, beneath the horned mask, Matt Murdock will try to fight back from the shadows to tear down the Kingpin’s corrupt empire and redeem his home. Resist. Rebel. Rebuild.

The show sees most of the original cast return including Charlie Cox and Vincent D’Onofrio reprising their roles as Matt Murdock and Wilson Fisk respectively. Also returning are Wilson Bethel as Bullseye and Deborah Ann Woll as Karen.

One newcomer to the show though has already made an impact just one episode in. That is the currently mysterious Mr Charles, played by Matthew Lillard. Lillard is famed for his previous roles in the Scream franchise as well as Five Nights At Freddy’s, the Scooby Doo live-action films and Prime Video series Cross.

But who is his character Mr Charles? Is he in the original Marvel comics? Here’s all you need to know. Beware some mild spoilers for Daredevil Born Again season 2, episode 1.

Who is Mr Charles?

In the show, we meet Mr Charles as he watches developments in New York on the TV from Washington. Daredevil has just sunk the North Star ship which was secretly smuggling weapons for Wilson Fisk and his associates. Turns out, Mr Charles is a middle man for these associates.

As a result, he gets a phone call and agrees he needs to address the matter personally. He arrives at Fisk’s office on his own terms, seemingly one of the very few people unafraid of the Kingpin. In a reference that may have missed the average viewer, the name Miss de Fontaine is mentioned and confirmed to be Mr Charles’ boss.

This means he works for Contessa Valentina Allegra de Fontaine, played by Julia Louis-Dreyfus and seen in The Falcon and the Winter Soldier , Black Widow , Black Panther: Wakanda Forever , and Thunderbolts. So this Mr Charles works for the CIA but is assisting de Fontaine with illicit operations.

However, some fans believe that this name could be a cover for who the character really is. According to Screen Rant there is a character called Mr Charles in Marvel lore but he only appeared in one issue, outside any main storyline or continuity. The issue was published in 2013 and he was a Roxxon Corporation employee who was in charge if illegal oil drillings in the ocean.

Fans will just have to wait as the series continues to see who Mr Charles really is and what he is truly up to. There is always the chance that he is an original character created for the show.

Daredevil Born Again is streaming on Disney+.

Riz Ahmed has created and stars in a marvelous new series, “Bait,” premiering Wednesday on Prime Video. There are no worms in it, though viral video plays a part, and fame — the pursuit of which is a subject — is a lure.

But what’s in a name? A comedy by any other name would be as funny — if it was funny, and this one very much is, in a way that’s crazy and serious and human, built around a character in crisis who refuses to believe his life is out of control and is so invested in putting up a front that he’s begun to believe his own lies. Almost. It’s a series in which hallucinations, dreams, magical realism and memories, which punctuate and interfere with the “normal” business of the story, all amount the same thing, and in which the style of the filming shifts with the action.

Ahmad plays Shah Latif, a British Pakistani actor, who, owing to the exertions of his faithful, often frustrated agent, Felicia (Weruche Opia), is improbably auditioning to be the next James Bond. But he repeatedly forgets his line when his scene partner, a girl with a gun, asks, “Tell me, when it’s just you all alone, how do you live with yourself? Do you even know who you are?” establishing a theme. (The line he can’t recall: “I don’t live with myself, I live with whoever you need me to be.” Spies and actors!)

Leaving the audition, he contrives to be photographed by one of the paparazzi lurking outside, sniffing for a Bond scoop; his picture is published, which creates a stir and some racist blowback, culminating in a package thrown through the front window of his parents’ home. (It is not a window that opens.) What’s inside the package I’ll leave for you to discover, but it will play a part through the rest of the show.

The recurring question of who will be the next James Bond generates a lot of pop cultural heat in our world; just type “next James Bond” into your search engine of choice. At one point, you may recall, Idris Elba was regularly bruited as a potential 007, which occasioned enough anti-Black reaction that he officially took himself out of the unofficial running. It may have been on Ahmed’s mind here — Shah claims high purpose for his Bondean aspirations, that he wants “to show them that this too is what British looks like.”

On the one hand, Shah has had enough of a career to have been made into a “limited edition collectible action figure,” starred in a well-regarded but underseen small film, played “the translator in ‘Homeland’ series seven” and earned a rising star award from some French festival; on the other, he is, professionally speaking, no Idris Elba — not a nobody, but not too many rungs above it. (He’s not Dev Patel, either, with whom he’s repeatedly confused.)

At the top of the second episode, Shah is seemingly being interviewed on a podcast, “Sir Chatwick Stewart, with me, Sir Patrick Stewart” — played by the man himself, whom we hear but never see — about his ambitions, though it’s soon clear that Stewart is a mental projection, an inner critic and inquisitor. He’ll stick around through the series, offering barbed commentary and something like support: “If I humiliate you, it’s to save you from the bigger humiliation of remaining as you are.”

As a protagonist continually getting in his own way, Shah is a classic sort of comic character. He creates opportunities only to squander them; finds himself voiceless after forcing himself onstage at a black-tie gala or in an underground club (he was once a politically provocative MC). After a newsworthy mishap, his agent advises him to lie low, which is impossible for him to do; there is no itch he won’t scratch, and no good advice he’ll actually follow. Apart from a rival actor (Himesh Patel) he’s a protagonist without antagonists, excepting himself. He’s insufficiently grateful to the people he owes, and insufficiently apologetic to those he’s wronged.

Shah’s self-involvement will be challenged by ex-girlfriend Yasmin (Ritu Arya), encountered first by accident, then sought out — a writer, she has published an op-ed headlined, “No, Shah Latif, We Don’t Need a Brown Bond” — in which she accuses him of “exchanging his political art for vanilla distraction.” His family, whom he neglects to visit for months, includes warm-hearted cousin Zulfi (Guz Khan), who has started a Muslim ride share company; a no-nonsense sister (Aasiya Shah) — the name of her character is rendered as “Q” on IMDb and elsewhere, but in the series itself she’s called Ainy — doting mother Tahira (Sheeba Chaddha); and his skeptical father, Parvez (Sajid Hasan), who has not been keeping his doctor appointments and asks Shah, “What do you even do? I watch TV all day — you’re never on it.”

Appropriate to a character who lives for being onscreen, “Bait” plays with the language of film — gritty procedural, a burst of Bollywood, romantic comedy — though not necessarily to the usual ends. Frame-filling titles identify the London neighborhoods where the action takes place — Wembley, Kentish Town, Brick Lane, Ladbroke Grove — as Paris, Moscow and Mexico City might appear in an international thriller. The series is at once satirical and celebratory; “Bait” feels abundant, both in its presentation of a culture, which has the ring of documentary truth, and as a beautifully realized work of art.

Bond can wait.

Victoria Pedretti was fresh out of Carnegie Mellon University’s School of Drama when she was cast in Mike Flanagan’s acclaimed 2018 horror series, “The Haunting of Hill House.”

In her breakout role as Nell Crain, the youngest and most sensitive of five adult siblings reckoning with wounds from a childhood summer spent in a cursed home, Pedretti became the undisputed heart of “Hill House,” anchoring the show with a spellbinding performance that christened her as a scream queen. Her subsequent appearances in “The Haunting of Bly Manor” and “You” were characterized by a similar dramatic intensity, solidifying her renown in the horror genre.

But in Pedretti’s new “Forbidden Fruits,” a horror-comedy directed by Meredith Alloway making her feature debut and produced by “Jennifer’s Body” screenwriter Diablo Cody, the actor shines in all-new soapy splendor.

Set in a Dallas shopping mall, “Forbidden Fruits” revolves around an elite clique of retail employees who run a witches’ coven out of the basement of their boho boutique Free Eden. Pedretti stars alongside Lili Reinhart, Lola Tung and Alexandra Shipp.

Victoria Pedretti in the movie “Forbidden Fruits.”

(Sabrina Lantos / Independent Film Company and Shudder)

Initially asked to look at both the roles of whimsigoth physics buff Fig and the bubbly yet emotionally complex Cherry, described by Alloway as a “Texas Brigitte Bardot,” Pedretti fell hard for the latter.

“She really popped off the page,” Pedretti, 31, says on a recent Zoom interview she takes while on a sandwich run in L.A. “I entered into this glorious flow state.”

“I can’t say I’ve had any experience quite like it, where I really didn’t spend a lot of time questioning myself,” the actor says. “She kind of took over.”

That confidence was perhaps the product of Pedretti performing in two stage plays before “Forbidden Fruits” — or maybe it was the nighttime filming schedule. Either way, Pedretti says she improvised constantly and always kept swinging until somebody said, “Cut.”

The result: Pedretti in Alloway’s instant cult classic is a laugh-out-loud-funny unending well of charm, packing humor into even her most routine dialogue. In her best quotable moments, she seamlessly infuses her sometimes shrill timbre with a dash of Southern drawl. One of her most iconic facial expressions in the film is already circulating as a reaction meme online.

“I was enjoying being in this character so much, I just wouldn’t stop,” Pedretti says, adding that Alloway, who was sensitive to cast members’ interpretations of their roles, supported experimentation.

Alloway praises the Philadelphia-born Pedretti for nailing Cherry’s comedic moments yet also grounding the character in a traumatic backstory — a balancing act the director knew she was capable of after watching “Hill House.”

“I saw her in that show and I was like, ‘Who is that?’” Alloway says. “She is magnificent and so raw. I didn’t feel like I was watching someone acting. I was worried for her.”

After later watching Pedretti nail her role in “You” as Love Quinn, a wealthy, charismatic chef who hides a psychopathic nature, Alloway was convinced of her star power.

Victoria Pedretti in the movie “You.”

(John P. Fleenor / Netflix)

Cody was most familiar with Pedretti’s performance in “You,” pegging the actor as an “intense brunet” that didn’t square at first with her interpretation of Cherry as an Anna Nicole Smith type.

“Then I see the movie and I’m like, oh my God, she has that fragility,” Cody recalls. “She has that humor. She has that sexuality. She has all of it.

“Victoria brought all of those layers and I’m really blown away by her,” the Oscar-winning “Juno” screenwriter adds.

Cody says she wasn’t surprised that the film drew such talent. From the moment Alloway and Lily Houghton, who wrote the play “Forbidden Fruits” is based on and cowrote the film’s screenplay, brought the material to Cody and her producing partner Mason Novick, she became obsessed.

“It feels spiritually like a film that I would want to be part of my body of work,” Cody says. She remembers being especially delighted by the echoes of “Jennifer’s Body” present in Alloway and Houghton’s screenplay.

“Jennifer’s Body” was widely considered a box-office flop and critical failure upon its release in 2009 — grossing only $31 million worldwide against a $16-million budget — but in recent years has enjoyed a reappraisal as a stealth-feminist essential, reclaimed by superfans.

“I don’t think that the world was ready for these kinds of themes,” Cody says of the movie’s ideas, including the cost of toxic femininity, the nuances of female friendship and the pervasiveness of the male gaze.

When it came to promoting “Jennifer’s Body,” the producer adds, “there was a huge emphasis on trying to market it to straight men, based on Megan [Fox] being attractive, and that was not at all the point of the film, so that was frustrating.” Conversely, “Forbidden Fruits” speaks intimately to the female experience and “doesn’t attempt to pander to any other demographic.”

“The current zeitgeist is a great place for a movie like this,” she says. “This movie is for the girls, gays and theys, as they say.”

Alloway, a trained actor who worked as a film journalist before moving into directing, was struck with a similar feeling when she first discovered Houghton’s play, right around the time she was consuming copious media about women criminals, such as Tori Telfer’s 2017 book “Lady Killers: Deadly Women Throughout History.”

“I was so entrenched in why women commit acts of crime,” Alloway said, adding that she was disappointed to find that revenge films on the subject still often revolved around men.

Picking up Houghton’s script, the director recalls feeling relieved. “Oh, this is just about women,” she says, her face brightening. “This is about women friendships, women being pitted against each other.”

In an early meeting with Houghton, Alloway told the playwright she’d like to bring a genre lens to “turn up the dial on the emotions that you feel reading the play and make them accessible to people who haven’t had these experiences — or validate people who have.”

Outside of the opportunity to work with so many other young women, Pedretti said she was drawn to “Forbidden Fruits” because of its use of style and tone.

“It asks a lot of people to try to step into a world like this one,” the actor says of the unabashedly histrionic screenplay. “And as nerve-racking as it may be to take that big swing, you gotta take the big swing.”

“She has that fragility,” says producer Diablo Cody of Pedretti. “She has that humor. She has that sexuality. She has all of it.”

(Evelyn Freja / For The Times)

And swing she does: Pedretti plays up Cherry’s emotional volatility, giving her a full-bodied form of expression. The actor even did her own onscreen makeup (as did Reinhart) and collaborated heavily with costume designer Sarah Millman on Cherry’s wardrobe and styling. Plus, she performed her first topless scene — in a sequence that doesn’t involve men or even sex.

“I’m really proud of the way we use nudity to show a certain kind of unspoken comfortability among women,” she continues. “I remember always getting such a thrill at the comfort level of a girl being like, ‘We’re going to the bathroom together,’ and to me, that is that moment.”

It’s a perfect example of a scene that doesn’t try to speak to anyone except those it’s specifically written for, and one that you only get with women at the helm of a production.

Reflecting on the agency she had to shape Cherry, Pedretti says she is more inspired to explore directorial projects of her own.

“I am so interested in protecting these spaces to be positive, creative experiences for everyone involved,” she says.

Whenever Pedretti does make her feature debut behind the camera (she’s already made a short or two), perhaps Cody will pick up the phone.

Netflix has confirmed the third season of one of their most popular shows is now in production

Netflix has announced the third series of popular rom-com Nobody Wants This is presently in production.

Featuring Adam Brody as rabbi Noah and Kristen Bell as agnostic podcast presenter Joanne, the programme chronicles the duo as they begin an unexpected romance.

The second series wrapped up with Joanne choosing to convert to Judaism while Noah comes to terms with wanting to be with her regardless.

Series three is consequently expected to commence with their relationship more solid than ever, though there will inevitably be additional drama to unfold with Joanne’s sister, Morgan (portrayed by Justine Lupe) and Noah’s brother, Sasha (Timothy Simons), and sister-in-law, Esther (Jackie Tohn).

Showrunners Jenni Konner and Bruce Eric Kaplan informed Netflix: “We are so grateful to Netflix and 20th for giving us another season of Nobody Wants This”, reports the Express.

They continued: “This job is criminally fun. Working with the uniquely gifted Erin Foster [creator], this unbelievable cast of talented, hilarious pros, amazing writers, and incredible crew has been a truly great experience.”

Foster shared with the streamer when the third series was originally announced: “I couldn’t be more excited to head into a third season of this show.”

She added: “It is a privilege to be able to write about my favourite couple on a scale like this. As long as it doesn’t take too much time away from me watching reality TV at night, I’ll do it for as long as they want me to!”

The second season of Nobody Wants This demonstrated even greater triumph than the first, accumulating 18 million views within its initial 11 days and securing a position in Netflix’s Top 10 chart across 82 countries.

Netflix and lead actress Bell ignited excitement amongst devotees with a collection of behind-the-scenes photographs as production commences in Los Angeles, California.

“Can’t wait to see them be silly and cute on my screen again,” responded one user beneath Bell’s Instagram post.

Someone else declared: “Hurry!!! We can’t wait for season 3.” Another stated: “Best series in the world ever.”

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And a final fan enthused: “Finallyyyyyy!!! We have been waiting for this!!”

Season two featured numerous thrilling guest stars, including Seth Rogen, Kate Berlant, and Leighton Meester, so devotees are anticipating further major names could participate in the entertainment for season three.

A launch date for the third season remains unconfirmed, but as the previous instalment commenced filming in March 2025 and was released later that same year, viewers could anticipate the series to return in October or November 2026.

Nobody Wants This is available to stream on Netflix.