News Desk

The Coordination Framework said that selecting a PM is an internal constitutional matter and should take place without foreign interference.

Iraq’s main Shia alliance, which holds a parliamentary majority, has reiterated its support for reinstating Nouri al-Maliki as prime minister, despite United States President Donald Trump threatening to end US support to the country.

The Coordination Framework said in a statement on Saturday that it “reiterates its support for its nominee, Nouri Kamel al-Maliki, for the premiership.”

“Choosing the prime minister is an exclusively Iraqi constitutional matter … free from foreign interference.”

Earlier this week, Trump warned Iraq that if al-Maliki were chosen as Iraq’s next prime minister, then Washington would withdraw support, the latest in a growing list of interventions in the politics of other nations made by Trump or members of his administration.

Al-Maliki rejected Trump’s threat on Wednesday in a post on X, condemning the “blatant American interference in Iraq’s internal affairs” and insisting that he would not withdraw his candidacy for the top job.

Trump has been running a campaign to curb the influence of Iran-linked groups in Iraq, which has long walked a tightrope between its two closest allies, Washington and Tehran.

Al-Maliki, 75, is a senior figure in the Shia Islamic Dawa Party. His tenure as prime minister from 2006 to 2014 was a period marked by a power struggle with Sunni and Kurdish rivals, accusations of corruption and growing tension with the US.

He stepped down after ISIL (ISIS) seized large parts of the country in 2014, but has remained an influential political player, leading the State of Law coalition and maintaining close ties with Iran-backed factions.

The US wields key leverage over Iraq, as the country’s oil export revenue is largely held at the Federal Reserve Bank in New York in an arrangement reached after the 2003 US invasion that toppled Iraqi leader Saddam Hussein.

The sight of Noni Madueke flying past defenders and putting dangerous crosses into the penalty area will have been a welcome sight for Mikel Arteta.

And Madueke’s performance in Arsenal‘s 4-0 hammering of Leeds will have been even more well received, given that he was drafted into the starting line-up minutes before kick-off after Bukayo Saka picked up a hip injury in the warm-up.

The 23-year-old created Martin Zubimendi’s opener, before seeing his corner punched into the Leeds net by goalkeeper Karl Darlow for the Gunners’ second, as Arteta’s men moved seven points clear at the Premier League summit.

Madueke was signed by Arsenal from Chelsea this summer – with some fans questioning the move – in a bid to strengthen their squad depth and provide cover should key man Saka pick up injuries.

And the England winger showed in his 60 minutes on the pitch just why the club made that decision.

Arteta said: “He was ready. Because you cannot do that in two minutes. The way he prepares, the way he’s waiting for opportunity, I think paid off today because he really impacted the team.”

While Arsenal are waiting for a diagnosis on the extent of Saka’s injury, Madueke will be hopeful he has earned another start for Tuesday’s EFL Cup semi-final second leg against former club Chelsea.

Saka and Madueke are also competing for a place for England as the summer’s World Cup approaches. So will the latter now get the chance to start staking his own claim?

“Noni Madueke was really good, especially when you come so late into the game,” former England midfielder Fara Williams told the BBC’s Final Score.

“It is an opportunity for him and he has performed well. When he went in at Arsenal and Saka got injured, he had an opportunity to get some games, then he got injured himself.

“When he has been playing for England, he has shown what he can do. He will be a headache for both managers, Mikel Arteta and Thomas Tuchel, in the summer.”

Ex-Manchester United striker Dion Dublin added on Final Score: “Bukayo Saka and Noni Madueke are both internationals, and both doing an incredible job.

“Saka will likely start [for Arsenal and England] because he is the better of the two, and he is more consistent. But it is a great headache to have.”

LOUISE Redknapp sizzles in skimpy bikini as she soaks up some winter sun whilst relaxing on a lavish holiday.

The singer and TV presenter, 51, is seeing the new years in with a girls trip to Dubai ‘before getting back to business’.  

Louise stunned as she uploaded a series of sultry snaps to her Instagram page, stripping down to a mini black bikini, showing off her toned figure.

The mom-of-two wore a crochet cover-up with a plunging neckline which exposed her bikini top as she posed in various pics outside Summersalt Beach Club.

She accessorised her stunning look with a designer Prada handbag, a chic pair of black sunglasses and some brown sandals. 

In a clip posted along with the photo dump, Louise can be seen happily dancing up a path and beaming ear to ear. 

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Louise Redknapp shows off her amazing figure in red swimsuit

She captioned the post: “Loving a bit of Winter sun, soaking it in before getting back to business xxx”

Fans flooded the comments gushing over the star with a barrage of sweet compliments, one user said: “You look amazing (heart emoji).”

“Proving that winter still shines,” penned another, whilst a third added: ”Flawless (fire emoji)”

“You look stunning,” chimed a fourth.

A fifth penned: “Looking absolutely stunning Louise (heart emoji).”

The singer, once voted one of the sexiest women in the world during the 90s, stunned in her previous holiday posts. 

Sharing her incredible dining experiences at high-end restaurants KIRA and Nobu, she put on a gorgeous display in her evening outfits. 

As Louise showed off her expensive spread of food and cocktails, fans flooded the comments reeling over the star’s fashion. 

On both occasions she had opted for two eye-catching cardigans which she styled with trousers and heels.

But the former Eternal star hasn’t always been this confident, last year Louise opened up about how her appearance and confidence issues held her back during her career.

Like millions of other women, she has battled with skin conditions and worries about being photographed when she least expected it.

These concerns about how she looked left her struggling to live in the moment and enjoy things fully, with her confidence nose diving after having children once a skin issue flared up.

Louise said: “There’s been lots of times in life that maybe being worried of how I looked has held me back from really living in the moment and enjoying things.

“Every moment being on the beach, worrying that somebody might take a picture of you in an unflattering angle – I spent most of my holidays lying flat in the hope that no one would spot me.”

These feelings weren’t helped by her struggles with pigmentation in her skin tone, which was at its worst in her twenties, causing her confidence to plummet.

She said: “I said that I looked like I had the world map on my face.

“The pigmentation that I suffered with after having my first child saw one dermatologist say it was the worst they had seen in a really long time.

“And it really affected my confidence, because on one hand, I was so happy having this gorgeous baby, and on the other hand, I didn’t know what I was going to do with my face.”

Following United States forces’ abduction of Venezuelan President Nicolas Maduro, a new set of questions is emerging as to how far Donald Trump is prepared to go in pushing US power abroad through direct intervention.

But is this a real break with past policy – or the latest iteration of the US’s longstanding interventionist power play in Latin America?

And with Cuba back in the administration’s sights, will Trump push for further action in the region?

This week on UpFront, Marc Lamont Hill speaks with Senior Analyst at the National Security Archive, Peter Kornbluh.

A judge in the United States has declined to order President Donald Trump’s administration to halt its immigration crackdown in Minnesota, amid mass protests over deadly shootings by federal agents in the US state.

US District Judge Kate Menendez on Saturday denied a preliminary injunction sought in a lawsuit filed this month by state Attorney General Keith Ellison and the mayors of Minneapolis and Saint Paul.

She said state authorities made a strong showing that immigration agents’ tactics, including shootings and evidence of racial profiling, were having “profound and even heartbreaking consequences on the State of Minnesota, the Twin Cities, and Minnesotans”.

But Menendez wrote in her ruling that, “ultimately, the Court finds that the balance of harms does not decisively favor an injunction”.

The lawsuit seeks to block or rein in a Department of Homeland Security (DHS) operation that sent thousands of immigration agents to the Minneapolis-Saint Paul area, sparking mass protests and leading to the killings of two US citizens by federal agents.

Tensions have soared since an Immigration and Customs Enforcement agent shot and killed Minneapolis mother Renee Nicole Good in her car on January 7.

Federal border agents also killed 37-year-old nurse Alex Pretti in the city on January 24, stoking more public anger and calls for accountability.

Tom Homan, Trump’s so-called “border czar”, told reporters earlier this week that the administration was working to make the immigration operation “safer, more efficient [and] by the book”.

But that has not stopped the demonstrations, with thousands of protesters taking to the streets of Minneapolis on Friday amid a nationwide strike to denounce the Trump administration’s crackdown.

Speaking to Al Jazeera from a memorial rally in Saint Paul on Saturday, city councillor Cheniqua Johnson said, “It feels more like the federal government is here to [lay] siege [to] Minnesota than to protect us.”

She said residents have said they are afraid to leave their homes to get groceries. “I’m receiving calls … from community members are struggling just to be able to do [everyday] things,” Johnson said.

“That’s why you’re seeing folks being willing to stand in Minnesota, in negative-degree weather, thousands of folks marching … in opposition to the injustice that we are seeing when law and order is not being upheld.”

Racial profiling accusations

In their lawsuit, Minnesota state and local officials have argued that the immigration crackdown amounts to retaliation after Washington’s initial attempts to withhold federal funding to try to force immigration cooperation failed.

They maintain that the surge has amounted to an unconstitutional drain on state and local resources, noting that schools and businesses have been shuttered in the wake of what local officials say are aggressive, poorly trained and armed federal officers.

Ellison, the Minnesota attorney general, also has accused federal agents of racially profiling citizens, unlawfully detaining lawful residents for hours, and stoking fear with their heavy-handed tactics.

The Trump administration has said its operation is aimed at enforcing federal immigration laws as part of the president’s push to carry out the largest deportation operation in US history.

On Saturday, Menendez, the district court judge, said she was not making a final judgement on the state’s overall case in her decision not to issue a temporary restraining order, something that would follow arguments in court.

She also made no determination on whether the immigration crackdown in Minnesota had broken the law.

US Attorney General Pam Bondi called the judge’s decision a “HUGE” win for the Department of Justice.

“Neither sanctuary policies nor meritless litigation will stop the Trump Administration from enforcing federal law in Minnesota,” she wrote on X.

Minneapolis Mayor Jacob Frey said he was disappointed by the ruling.

“This decision doesn’t change what people here have lived through — fear, disruption, and harm caused by a federal operation that never belonged in Minneapolis in the first place,” Frey said in a statement.

“This operation has not brought public safety. It’s brought the opposite and has detracted from the order we need for a working city. It’s an invasion, and it needs to stop.”

During the summer of 1998, a 19-year-old rapper named Eve (formerly known as Eve of Destruction) received a phone call from her producer friend Scott Storch about an opportunity to hop on a record with the Roots.

The hip-hop band from Philadelphia, formed by Black Thought and Questlove, was bubbling at the time and Eve, a known battle rapper in the city, was excited to work together on a song called “You Got Me.”

After tweaking the verse that Black Thought, the band’s lead MC and co-founder, wrote for her, Eve laid down her vocals, rhyming the lyrics “Another lonely night? / It seems like I’m on the side, you only lovin’ your mic.”

“It was really exciting,” Eve said, while lounging on a couch in a Hollywood residence. The rapper, actor and fashion designer has been based in London for the last decade. “I think that was my most professional setting because they obviously were already signed.”

When the song, which is featured on the Roots’ career-defining “Things Fall Apart” album, was released in 1999, it was the first time the world heard Eve’s voice — but no one knew it was her. To her surprise, she wasn’t listed as a contributing artist on the track.

She was also surprised to find out that Jill Scott, a poet and rising neo-soul singer from Philadelphia who wrote and sang the initial hook, was replaced by Grammy-winning singer Erykah Badu. After receiving the wrong address for the shoot, Eve wasn’t featured in the music video either.

In 2000, the Roots and Badu won a Grammy for “You Got Me,” but because Eve wasn’t listed on the track, she didn’t receive an award. By this time, Eve was signed to Ruff Ryders and promoting her debut album “Let There Be Eve…Ruff Ryders’ First Lady” including her breakout single “Want Ya Want,” so although it hurt her feelings at the time, she moved past it, she said.

“There was no time to kind of go back and think about it,” said Eve, who opened up about the situation in her 2024 memoir “Who’s That Girl.” After years of seeing each other and even performing the song together, she and Questlove spoke about the matter for the first time when she made an appearance on his podcast and apologized to Eve for the oversight. “We were extremely inconsiderate, insular and uncommunicative with each other that things like that always spilled on the sidelines,” the drummer said on the podcast. (Questlove wasn’t available for comment further at the time of publication.)

(Allen J. Schaben/Los Angeles Times)

Last fall, Eve received another unexpected phone call — this time from the Recording Academy. After hearing Eve talk about the “You Got Me” situation on Ebro Darden’s podcast, the Recording Academy wanted to give her an award for her contributions to the track.

“They were like, ‘Listen, we didn’t even know about this situation at all until we heard the podcast,’” Eve recalled.

After 26 years, Eve was given a golden gramophone Thursday night during the Recording Academy Honors presented by the Black Music Collective in front of a star-studded audience. For her, the award feels like “validation in a way to that little girl, to little Eve,” she said. “She deserves that.”

She added, “Whatever is yours can’t miss you.”

Ahead of the ceremony, Eve spoke to The Times about coming up in the Philadelphia music scene as a teenager, what the “You Got Me” situation has taught her and what receiving this award means to her now. She also talked about the impact of her second studio album, “Scorpion,” which turns 25 this year, and what it was like to bring her toddler son on tour with her for the first time.

This interview has been lightly edited for length and clarity.

You grew up in West Philly at a time when so many future greats were coming up at once — the Roots, Jill Scott, Bilal and Scott Storch. When you were just a teenager, you were hanging out at studios with some of them and attending jam sessions at Questlove’s house. What did the energy in Philly feel like back then?

It was amazing because music was everywhere. I knew that I wanted it to be my life, so every weekend I was doing something. I should’ve been going to school, but I was going to the studio because I knew that I wanted music to be my life. And in Philly, there was always something going on whether it was a block party or a jam session or an open mic night. I was at everything.

Scott Storch was the person who called you about getting on the Roots’ “You Got Me” record. What was your reaction when you got that call?

When you are young, there’s that no fear thing. I remember being excited, of course, but also like, “Yes! I’m supposed to be here,” not from a cocky place but more affirmative. It was really exciting, but it was also very professional. I think that was my most professional setting because they obviously were already signed. I’d never been around that before, so I remember [being] like “This feels like the business.”

(Allen J. Schaben/Los Angeles Times)

You were around 19 or 20 at that time, right?

I must have been around 19 because I would’ve gotten signed and dropped [from Aftermath] when I was 18. [laughs]

At that time you were in between record deals, so it must have felt like a big opportunity.

Absolutely. You know what’s funny, I probably just took it for granted in the sense of like “Oh yeah, this is the start.” They are signed. It’s funny because I think back on the situation and I guess I thought it was gonna pop off from there. That’s why all the events that happened afterward were like “Ugh.”

Take me back to the day that you laid down your verse. Who was in the studio with you?

I’m pretty sure Black Thought and Jill [Scott] were there. Even if not the whole session, I don’t know if I’d come in if she’d finished or whatever, but I’m pretty sure she was there.

How did your verse come together?

I had this whole thing in my head, but Black Thought had a whole verse already. But then I was like, “I’m not gonna just say your verse.” Now, I have a writer sometimes, but back then, especially because I was a battle rapper, it was like I can’t say somebody else’s bars. That’s not real. So he had this whole thing and then I kind of tweaked it to make it feel and sound like me.

I had a lot of audacity back then. I really did. [laughs] Because most people would be like “Yeah, cool.” Also, I was like if I’m going to put my voice on this, I really want to feel like me. I have thought about this [situation] so much now, and I’m sure that also attributed to them being like, “We don’t need to reach out. We don’t need to make sure it’s OK” because the majority of it was written by him. Not that that’s an excuse because there is no excuse.

When was the first time that you realized you didn’t receive credit for the song? If I’m not mistaken, I think Jill Scott found out that her vocals were replaced by Erykah Badu after she heard it on the radio.

I think it was kind of the same thing. It all happened so fast like, “Oh, the song is out.” I probably heard it around the same time and thought “Oh, that’s not Jill. Oh, that’s Erykah Badu.” It was such a weird timeline because I did the song a year or a few months before, and then by the time I heard the song, I was living in Harlem and I was signed to Ruff Ryders.

The song went on to win a Grammy for rap performance by a duo or group in 2000, but because you weren’t credited, you didn’t receive an award. In your book, you talk about how this situation lined up with you being dropped from Aftermath Entertainment and moving back home from L.A. How did you deal with all of this emotionally?

I feel like I had a month that I was just [felt] — I don’t know if I’d call it depressed — deflated. I really felt like damn, this was it and now I’m back home. I was just in L.A. in a condo with a nice bank account. Now I’m back at my mom’s house in my pajamas and I gotta catch the bus. What the hell is happening to my life? [laughs] That was horrible so I was wrestling with my feelings and my sadness, but my mom was great. My mom has always been my rock. She was supportive and she [didn’t] tell me to get over it. She kind of just let me wallow in it, but [she was] positive as well like, “Maybe that wasn’t the time.” It was crazy, but I will say, I needed it. I’m happy that happened because I wouldn’t have the career I have now. Like going back to the Aftermath thing, if I had come out then, I wouldn’t have the career that I have now. I feel like I did need to be humbled because it was definitely the Philly attitude that got me fired, that got me dropped. [laughs] My name at the time was Eve of Destruction, my battle rap name, so it was the time that I sat with my feelings and I was like if I get this chance again who is it that I want to be as an artist? Who do I want to show the world? I didn’t want to take on a title. I was like I’m just going to show them myself. I’m going to show them Eve.

Some fans knew that you didn’t receive credit on this track, but others found out for the first time when you talked about it last year during an appearance on Ebro Darden’s podcast.

It’s crazy how many people are mad about it for me. I had friends who were like, “Girl, so what’s going to happen?” [laughs] But it is a funny thing. Why wasn’t I mad enough? Or was it — this is the over-analyzer [in me] — one of those moments where I just wanted to forget about it. Because, yeah, my feelings were definitely hurt if it was a fake address. Or did we get the address wrong? So maybe I was like, “I’ll just put it on the back burner,” but Ebro definitely did not. And you know what, I’m happy he didn’t because sometimes it takes for a person to be your champion or your cheerleader in certain things and I do appreciate it.

“You Got Me” is one of the Roots’ biggest songs to this day. Was it weird hearing it played everywhere when it first came out?

During that time I did not see them. It was very weird. That song had come out, I was doing my thing, but we ran in different circles hip-hop-wise. I guess we just never crossed paths. I never really saw them. I think they were on tour by then and I was with Ruff Ryders. We didn’t see each other until years later because we have performed that song now three times probably at separate points in my career, which is also weird. [laughs]

That is weird.

It’s weird. I don’t know what’s wrong.

Now, 26 years after “You Got Me” won a Grammy, you are finally receiving your award and honored at the Black Music Collective Recording Academy Honors. What was your reaction when you found out?

It was weird at first because the [academy] called a lot of different people. They called like four different people because they wouldn’t tell anybody why they wanted to talk to me. Finally, I think Swizz [Beatz] was probably the last person they called. Then we got on the phone and I remember I was having martinis in London. It was a FaceTime [call] and I was standing under a lamp. It was not professional on my side and I was trying real hard not to be tipsy. I was like, “This is so cool. Thank you, guys.” [laughs] My friend, who I was with, was like “What did you have to take a call for?” and I was like “Girllll.” So it was a fun night. I came home and told my husband, fell asleep and when I woke up, I completely forgot about it. Then my friend texted me and was like “Do you remember?” and I was like “Oh s—! Yeah!” It’s just such a cool thing and since then it’s been like “Wow.” They said, “We could send you the Grammy, but we’d like to give it to you.” It’s really nice. It’s a really interesting feeling because obviously it’s been so long, something that I thought I was done with, in a way, so it feels good.

What did they tell you exactly?

They were like “Listen, we didn’t even know about this situation at all until we heard the podcast.” It was the podcast that I did with Ebro when they were like “Oh nah.” Even Swizz was like “Sis, we gotta make this happen. That’s not cool.” And I was like “OK, cool.”

Does receiving this award now feel like reconciliation at all? Or maybe validation?

In a way, validation to that little girl, to little me. It sounds a bit cheesy, but she deserves that. It’s a great moment. I’m still wrapping my head around it in a way especially since I’ve been away from music for so long and for this to be happening like this is very cool.

(Allen J. Schaben/Los Angeles Times)

What have you learned or taken away from this situation?

I think I’m honestly still processing because I was joking, but kind of not, like I want to talk to my therapist about why I let this go. What was it? Why did I think, “Oh nah, it’s cool. We squashed it.” But it’s like no, this is bigger than that. But good s— comes to good people and I know for sure I definitely deserve it. [laughs]

In other exciting news, this March marks the 25th anniversary of your second album, “Scorpion.” What memories rush back to you when you think about that time of your life, living and working in Miami?

Oh my God. There’s so many. It was so fun. I remember the house we rented. I had one Yorkie, then I bought her a friend in Florida. It was silly s— that I remember and then just being in the studio day and night. Then the Marleys were on the other side. It was just a good time. I was fully in it. It was a lot of pressure because it was like “We gotta get this album done now.” It’s when I really think I felt the business of music in the sense of like, “We gotta meet these deadlines. We gotta get this album out,” which was stressful but I was still naive enough, I think, to still be having fun. I was going out. I met Trina. Trina is my girl. Overall, it was a really good time.

Between experimenting with new sounds, crossing genres with artists like Gwen Stefani, and making the theme red, “Scorpion” felt very intentional. Reflecting back, what did that era represent for you personally beyond the music?

I feel very lucky that Ruff Ryders always allowed me to artistically do what I wanted to do. They never said things like “Oh this might not work.” And even sonically, they weren’t the ones who were fighting back, it was more like executives and Interscope, but for me “Scorpion” means red. Red is a scorpion color. We gotta come out stinging, but I also want to show that I’ve grown, that I’ve matured and really show what my ear is. I felt really lucky that they didn’t fight me on it. They let me do exactly what I needed to do. It felt collaborative because that’s how Ruff Ryders worked anyway. There were people in and out of the studio all the time, but it made it good because sometimes a conversation led to a hook or a verse.

Last year you went on tour with Nelly, Ja Rule and Chingy, and you brought along your son. What was it like having him there with you, seeing you on stage?

It was grueling. I ain’t gone lie. It was amazing, but being on tour with a toddler is different. That being said, the reason I said yes to doing the tour is because he’s young enough that I can kind of tote him around, but he’s old enough that he can remember. Seeing him on the side of the stage was like “Oh, my little baby.” It was also fun. Like everybody on that tour had bangers, so even me performing or being backstage and hearing Ja or hearing Nelly or hearing Chingy, it was a good tour. The crowd showed up. It was a really cool tour too because in some places, it was like generations of people together like the kids and the moms, and then there were a lot of young people, and I was like “Oh, I love this.”

What else do you have coming up?

Listening to new music and discovering new artists. I am excited about this 25th anniversary because we are going to do some really fun stuff with it and we’re talking about some re-imaginings with it. Just touch some of the songs that people love and give it a bit of life. What else? I don’t know. I’m just “momming.” That’s my favorite thing right now. He’s getting so big. I cannot believe he’s about to be 4. Watching him grow is nice.

Jan. 30 (UPI) — Frigid temperatures have delayed NASA’s preparations for its wet dress rehearsal for the Artemis II launch, the space agency announced Friday.

NASA was expected to begin the tanking operation Saturday night in preparation for a possible Feb. 6 or Feb. 7 launch date, but those “are no longer viable opportunities,” a release said.

The agency now expects to set Monday as the tanking day with an earliest possible launch set for Feb. 8 at the Kennedy Space Center in Cape Canaveral, Fla.

Tanking operations involve loading propellants into a fuel tank near the launch pad. The outdoor temperature plays a crucial role in that process — it can’t be below 40 degrees Fahrenheit for more than 30 consecutive minutes. The overall average temperature must be above 41 degrees for the rehearsal and launch, WESH-TV in Orlando, Fla., reported.

AccuWeather forecasters said temperatures were expected to plummet this weekend to levels not seen since 1966 in some areas. Temperatures between 20 degrees to 30 degrees were expected Sunday morning in Cape Canaveral.

“Adjusting the timeline for the rest will position NASA for success during the rehearsal, as the expected weather this weekend would violate launch conditions,” a release from NASA said.

In the meantime, the Artemis II crew members are expected to stay in quarantine in Houston. The crew includes Reid Wiseman, commander; Victor Glover, pilot; Christina Koch, mission specialist; and the Canadian Space Agency’s Jeremy Hansen, mission specialist.

Artemis II is NASA’s first crewed mission aboard its deep space rocket, the Space Launch System, and Orion spacecraft. It’s the second flight of the SLS and the first crewed mission near the moon since 1972.

Over 10 days, Artemis II will travel around the moon and back to Earth as the crew tests whether the spacecraft operates as it should in deep space. The long-term goal of the Artemis program is reestablish a human presence on the moon in preparation for the ultimate aim of putting a human on Mars.

NASA has shared a live stream of the launch pad on YouTube as it prepares for the wet dress rehearsal launch.

I’M A Celeb AITCH had a secret snog with a stunning blonde podcast queen -15 years his senior – weeks before jetting Down Under.

The Brit-Award winning rapper locked lips with manifestation guru Francesca Amber at showbiz bash the Pride of Britain Awards, London in October, just a fortnight before he flew to Australia to take part in the ITV reality show. 

Cheeky Aitch, who was 25 at the time, hit it off at the free bar with author Francesca, 40, and was seen cracking jokes with the manifestation guru in the corner.

An onlooker revealed: “Aitch is a bit younger than Francesca but didn’t lack any confidence, he has bags of character and he was showing off and making her laugh, they were having a right giggle. 

“By the end of the evening they were kissing in front of everyone, it was quite romantic. Aitch has got loads of charisma and can hold his own, he’s no boy when it comes to flirting, so you can see how he won her over. They exchanged numbers before heading off into the night.”

Mum-of-three Francesca is still single, and Aitch’s spokesman declined to comment. 

BITTER MOVE

Mystery as Shona McGarty’s ex WIPES I’m A Celeb star from his social media

RAPPER’S ANTICS

Aitch admits he broke ITV bosses’ strict rule before I’m A Celeb jungle

Following his I’m A Celeb stint, fans were convinced Aitch was falling in love with co-star former EastEnders actress Shona McGarty, 34, after they were seen having heart-to-hearts on camera and play fighting. 

The pair had raised hopes of a jungle love story earlier in the series after rapper Aitch said he had a “soft spot” for the former EastEnders actress. 

But upon exiting camp Mancunian Aitch shut down rumours of a romance. He said: “No, Shona’s just a cool person. I feel like me and Shona are just cut from the same cloth in a way. We just have the same sense of humour.

Asked if there is any chance of a romance, Aitch responded: “No, not at all. That’s just a good friend of mine.”

He has previously linked to Chicken Shop Date online host Amelia Dimoldenberg, 32, and model Rose Lola Thompson. 

Previously he has said: “I love dating a girl who is understanding and who can have a laugh with. I like it when I feel like my girlfriend is my best mate and understands me.”

Just before the rapper flew into the jungle it was revealed that he had parted ways with psychology student Lois Cottam.

A source at the time said: “Aitch and Lois still have a lot of love for each other but they decided they are better off as friends.

“They enjoyed the time they spent together. Things ended amicably between them.”

Aitch and Lois, are understood to have dated for at least a year.

We revealed that the pair were dating in May 2025, reporting that he had whisked her off for a trip to New York.

They also holidayed on the Greek island of Santorini in the summer but kept their relationship under wraps, with Aitch, real name Harrison Armstrong, not sharing pictures of them together on social media.

BUENO AIRES, Jan. 30 (UPI) — The Argentine government authorized private companies to import and sell liquefied natural gas — a move that removes the state from those operations and accelerates the privatization of Enarsa, the country’s public energy company.

The decision was formalized through a decree signed by President Javier Milei and published in the Official Gazette this week. The decree also extends through December 2027 a state of emergency in natural gas transportation and distribution, underscoring continued strain on the system.

Enarsa has historically handled production, transportation and marketing of oil, natural gas and electricity in Argentina. With the new policy, the government begins dismantling that role and shifting functions long overseen by the state to the private sector.

The decision addresses a long-standing structural problem. According to the Secretariat of Energy, Argentina lacks sufficient pipeline capacity to move all gas from producing areas to major urban centers.

That limitation becomes acute in winter. As heating demand rises, domestic supply falls short and the country must import liquefied natural gas by ship.

Until now, the state managed that process. Enarsa bought LNG on the international market at high prices and sold it domestically at well below cost, with the gap covered by taxpayer-funded subsidies.

“This change is part of the decision to move forward with privatizing Enarsa’s assets and activities and to remove the state from its role as an entrepreneur and intermediary in the energy market,” the Energy Secretariat said.

Officials said the state should focus on regulating the market, ensuring clear rules, promoting competition and guaranteeing supply rather than directly buying and selling gas.

Under the new framework, Enarsa will stop importing and marketing LNG, and private operators will take over under a competitive scheme.

The system eliminates the implicit subsidy that existed until now and transfers the entire operation to the private sector, subject to competition rules and state oversight.

To implement the plan, the government will sell access to the Escobar terminal on the outskirts of Buenos Aires. It is the country’s only operational facility where imported LNG is regasified for distribution.

The Secretariat of Energy will set the tender conditions. If no bids are received or the process fails, Enarsa may intervene temporarily to avoid supply disruptions.

Because only one terminal is operating, the government also said it will set a maximum gas price for the upcoming winter to prevent abuse of a dominant position.

Juan José Carbajales, a former undersecretary of hydrocarbons, told UPI that privatization basically means giving a private company the job of buying LNG shipments and then selling that gas inside Argentina.

He said the operation is purely commercial and does not include physical management of the Escobar terminal.

“The scheme will be based on requests the awardee receives from power generators and gas distributors, and sales will be capped by a maximum price set by the Energy Secretariat at least for the next two periods,” Carbajales said.

He said the decision reflects the government’s view that the function failed under state management — a stance rooted in broader distrust of public-sector economic activity, in this case Enarsa.

He said the position is ideological and supported by the so-called Bases Law, which prioritizes private initiative in the economy.

The former official added that large budget allocations to Enarsa did not prove a system failure, but rather a political decision by successive administrations to channel residential gas subsidies by buying fuel at international prices and selling it domestically at far lower levels.

He said the measure also aligns with reforms in the electricity market aimed at gradually returning to a system of free contracting between supply and demand.

Carbajales warned gas prices in Argentina could rise if international conditions push LNG costs higher.

“Although the government will cap that value for two years, uncertainty will remain about what happens once the ceiling is lifted,” he said.

The authorization for private companies to import natural gas is part of a broader privatization agenda promoted by Milei. Since taking office in December 2023, his administration has moved to sell or prepare for sale several state-owned companies.

Ever since the crackdown on protests in Iran between January 8 and 10, there has been contention on what the true death toll of those bloody events is. According to figures provided by the Iranian government, 3,117 people were killed, including civilians and security forces. Yet estimates from outside the country have put the number at anywhere between 5,000 and a staggering 36,500.

This wide range not only reflects the fact that it has been extremely difficult to verify these reports, but also that there has been a concerted effort to use the death count to manufacture global consent for an attack on Iran and, in a deceitful rhetoric, downplay the official death toll of the genocide in Gaza.

Since the outbreak of the protests, there has been a race to estimate and report on the casualties – something I call a “Death Toll Olympics”.

Iran-focused human rights organisations led by dissident activists have been going through all sorts of evidence and testimonies to verify the number of the dead. As of writing this piece, the US-based organisation HRANA (Human Rights Activists News Agency) has cited more than 6,000 deaths and a further 17,000-plus cases under examination.

However, there are valid doubts about the speed of the activist-led verification process.

For every reported death, multiple accounts have to be examined, possible duplications must be identified and eliminated; and dates, locations and specific circumstances must be cross-checked against the timeline of events.

Furthermore, any visual evidence has to be localised and authenticated based on open-source data or corroborated by the accounts of multiple witnesses. From an investigative standpoint, the reliability and quality of activist-led counts that increase rapidly on a daily basis, therefore warrants caution.

The UN Special Rapporteur on Iran, Mai Sato, has cited a conservative estimate of around 5,000 deaths. At the same time, she has mentioned that unverified numbers of up to 20,000 have been reported to her by medical sources.

The described obstacles, and difficulties of verification over the past weeks, have been further exacerbated by Iran’s severely restricted internet access. Despite this, major media outlets have begun distributing much higher figures, solely based on vague anonymous sources who claim privileged access within Iran’s government or health sector.

On January 25, for example, UK-based TV network Iran International published a report claiming 36,500 were killed, citing “extensive reports” allegedly obtained from the Iranian security apparatus – reports it has neither published nor otherwise made transparent.

The same day, United States news magazine Time published an article titled “Iran Protest Death Toll Could Top 30,000, According to Local Health Officials”. It claimed that “as many as 30,000 people could have been killed in the streets of Iran on Jan. 8 and 9 alone” based on the accounts of two senior officials of the country’s Ministry of Health, whose identities were not revealed for security reasons. Notably, the magazine admitted in the text that it did not possess any means to independently confirm that number.

Two days later, British newspaper The Guardian followed the same trend with an article titled “Disappeared bodies, mass burials and ‘30,000 dead’: what is the truth of Iran’s death toll?” The piece introduced the figure of 30,000 based on estimates of an anonymous doctor, who spoke to the newspaper. He and his colleagues in Iran, the outlet admitted, were actually hesitant to provide a concrete figure.

Other media – from the Sunday Times to the Pierce Morgan Uncensored show – have cited papers circulated by Germany-based ophthalmologist Amir Parasta claiming death toll numbers between 16,500 and 33,000. However, the latest available version of the paper, dating back to January 23 uses disputable extrapolation methods to reach its figures. Strikingly, Parasta does not make any secret of his affiliation with Reza Pahlavi, the son of Iran’s ousted Shah

The exiled crown prince and his team, whose extensive social media manipulation and disinformation efforts have been exposed by recent investigations by the Israeli newspaper Haaretz and University of Toronto’s The Citizen Lab, have been key actors in inciting and escalating the recent protests towards confrontation. Accordingly, the fatality numbers disseminated by Mr Parasta cannot be perceived as neutral and constitute partisan estimates at best.

Despite acknowledging their own inability to verify these estimates, the media in question nevertheless put these extreme figures in titles and subheadings. It didn’t take long for other outlets to report on these inflated numbers, referring to these major publications as primary sources. Activists and Western politicians have also used them to push their respective agendas, thereby further fuelling a spiral of disinformation campaigns on social media. – In other words, a “death toll olympics” was born.

All of this has served two ends.

First, it has supported efforts to manufacture consent for foreign military intervention and malicious political action. While the protests were still ongoing, US President Donald Trump repeatedly threatened military action against Iran in the event of a deadly crackdown. As of writing these lines, there has been a significant US military build-up around Iran, effectively thickening the war cloud.

Second, the speculation about the Iranian death toll has helped pro-Israel politicians and commentators in the West to downplay the casualties of the Israeli war on Gaza. In this way, it has become a utilitarian tool for relativising the genocide of the Palestinian people.

Confronted with mounting pressure regarding the death toll, Iran’s President Masoud Pezeshkian ordered the authorities to “publicly publish the names and personal data of those deceased during the recent bitter incidents”. His director of communication has even promised that a procedure has been set up to examine and verify any conflicting claims.

It remains to be seen how effective and transparent the promised procedure will turn out. It is undeniable that thousands have been killed in Iran, mostly by Iranian security forces, amid a multi-day brutal crowd and riot control effort.

Structural obscurity and the restricted access to Iran for independent experts will likely mean that the exact death toll will never be determined. However, the more transparency can be established regarding the scale of the killings, the more likely it is that the perpetrators can be held accountable.

An arduous verification process of the recent deaths is crucial not only for the sake of accountability, but also to expose the media manipulation that is once again preparing the ground for a unilateral US-led act of aggression in the Middle East. In light of this, the “Death Toll Olympics” remains an ignominious disservice to the wretched of the Earth from Palestine to Iran.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial policy.

Before starting a cosmopolitan life as an artist in Mexico City, queer filmmaker Efraín Mojica came of age between Riverside and the rural town of Penjamillo, Michoacán: home to an annual jaripeo, or a Mexican rodeo competition that takes place every Christmas.

Every year, cowboys convene to test-drive their masculinity, namely by swigging handles of tequila and precariously mounting the backs of bucking bulls. These heroic shows of manhood long fascinated Mojica, who frequented jaripeos with family — and quietly forged a community with other locals who diverged from Mexican gender norms.

That community would become the cast of “Jaripeo,” the debut documentary feature film by Mojica and co-director Rebecca Zweig, which premiered at this year’s Sundance Film Festival in Park City, Utah. Shot in the style of cinéma vérité, Mojica appears as both a narrator and protagonist. Zweig, who first encountered Mojica in Seattle’s punk scene, follows them behind the lens as they interview members of the LGBTQ community in and around Penjamillo.

“[Mojica] invited me to Michoacán in 2018 to spend Christmas with their family,” Zweig tells The Times, the day after the film’s Jan. 25 premiere. “As soon as I was at the rodeo with them, I became obsessed with the performance of masculinity.”

“[Zweig] was like, ‘How do you feel about making a documentary [about] the rodeos?’” Mojica tells The Times. “I said, ‘Yeah, but it’s got to be gay.’”

Produced by Sarah Strunin, the documentary begins with a pastoral scene from Mojica’s pickup truck as they overlook the grasslands of Michoacán. Pink party lights and techno music are woven into scenes of bandas and revelers in tejana hats, who kick up dust as they dance inside the rodeo ring. The crew flashes strobe lights in the cornfields, lighting up the figures of sexy cowboys sifting through the crops to find one another — drawing parallels to queer nightlife in the cities.

“On New Year’s there’s a rodeo in Acuitzeramo, with like 10,000 people and big speakers with heavy bass,” said Mojica. “What’s the big difference between a city rave and a rancho jaripeo, you know? They’re doing the exact same thing.”

“I wanted to blur all the lines and make these abstract sequences,” says Zweig. “And I thought, how much is that gonna be allowed in a formal [film] institution? I want to shout out public media, [because] when we got the Open Call Fund from ITVS, they took a chance on us as first-time filmmakers. [Marlon Riggs’ documentary] ‘Tongues Untied’ was also funded by ITVS — the legacy of queer cinema and documentaries in the U.S. has been supported by public media.”

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” says Noé Margarito Zaragoza, center, who stars in the new film “Jaripeo.”

(Cat Cardenas / De Los)

Each interview adds more color and dimension to Mojica’s memories of the village they left long ago, no longer suspended in the past. Mojica visits Arturo Calderón, a local rodeo clown known as “La Pirinola,” who performs in drag; Calderón lets the camera roll as he paints his eyelids electric blue.

They later stop by the local church and the disco with Joseph Cerda Bañales, a bearded makeup artist who brandishes long stiletto nails to the rodeos. Despite efforts from the festival organizers, and even a letter from Sen. John Curtis (R-Utah), Cerda was unfortunately not granted entry into the U.S. for the Sundance premiere.

“Joseph is the mayor of his town,” says Mojica. “He’s the president of the church. He runs the folkloric ballet. He does everything. It’s not that there’s no more traditional culture… People just want to keep the community together. [It means] holding a bunch of truths [and] contradictions at the same time.”

Mojica even shares flirtatious moments onscreen while interviewing Noé Margarito Zaragoza, a dashing and stoic ranchero who lives discreetly as a gay man.

“It’s exciting, but at the same time I’m a little nervous,” says Margarito of coming out in the film. “Part of my family doesn’t know what’s going on with my life, so I don’t know how they’re going to take it. But my main family members — my siblings, my dad — well, they feel content and happy [for me], so I’m going forward and giving it my all.”

“We never talked about my queer identity,” says Mojica of their own family, some of whom flew in for the premiere of “Jaripeo” at the Yarrow Theatre in Park City. Mojica planned a belated coming out talk at dinner the night before; the discussion never happened.

“I choked up,” says Mojica. “I thought, ‘OK, I’m just going to give them a little heads up of what the film’s actually about.’ But I could not vocalize a single word. My eyes started tearing up. So I was like, ‘See you tomorrow!’”

It was after the screening, during an open Q&A, when Mojica’s mother quelled the artist’s fears in one fell swoop.

“What was the reception from your family after seeing the film?” an audience member asked Mojica in Spanish — unaware that their family had just watched it for the first time with everyone else in the theater.

To that, Mrs. Mojica Rubio rose from her seat and introduced herself “as a very proud mamá” who loves her child “unconditionally.”

After a beat, she exclaimed: “It’s the 21st century!”

Mrs. Mojica Rubio’s show of support was promptly met with resounding cheers from the audience. “My mom also approached [Margarito] and said, ‘I’m going to give you a mother’s hug, because you deserve it,’” says Mojica, who appears misty-eyed as they recount the scene.

In a time of increasing hostility against LGBTQ people and immigrants in the United States, to behold the strength of a mother’s love — and the solidarity across communities — affirms the purpose of such a film, with a power that transcends states, governments and institutions.

“People in different countries [have] this antiquated idea that Mexico is this little ranchita that’s hateful, that they’re gonna beat you if you’re queer. But we really care for each other,” Mojica says.

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” added Margarito. “So let’s hope [the movie is] a success.”

Jan. 30 (UPI) — Six British ministers of Parliament, including two peers, no longer are sanctioned by China, British Prime Minister Keir Starmer announced Friday.

Starmer confirmed the sanctions — imposed over criticisms of China’s treatment of its Muslim-minority Uyghur population — immediately were lifted amid warming relations between China and Britain. He made the announcement during a diplomatic trip to Beijing.

“I raised that issue whilst I was here,” Starmer said while interviewed in China. “The Chinese are absolutely clear in their response: The restrictions no longer apply.”

Chinese President Xi Jinping said all British members of Parliament were welcome in China, Starmer told the BBC.

The sanctions included a now-lifted travel ban. Starmer said their removal affirms the effectiveness of his diplomatic approach to the matter.

The prime minister also said he hopes Xi will attend the 2027 G20 summit scheduled to take place in Britain.

China imposed the sanctions on nine Britons, including five Conservative Party ministers and two members of the House of Lords, in 2021 after they raised concerns about human rights violations by China against Uyghurs, a Muslim population in northwest China.

China’s population is more than 90% Han, while Uyghurs account for less than 1% of its people.

The affected MPs and peers said they find “no comfort” in the lifting of sanctions.

Sanctions remain in place for others, and the ministers said they “will not be silenced” on the matter.

China has pressured foreign governments to forcibly return Uyghurs and others to China, “where they are subject to torture and enforced disappearances,” U.S. Secretary of State Marco Rubio said in March.

Local fire official says gas leak likely caused blast that ripped through residential building in Iranian port city.

An explosion that rocked a residential building in the Iranian port city Bandar Abbas was likely caused by a gas leak, the local head of the fire department told Iranian media.

The Bandar Abbas fire chief said residents were evacuated from the building in the city’s Moallem Boulevard area, Iran’s semi-official Tasnim news agency reported on Saturday.

“The initial cause of the building accident in Bandar Abbas was a gas leak and buildup, leading to an explosion. This is the initial theory,” fire chief Mohammad Amin Lyaghat said in comments broadcast on state television later.

The exact number of casualties was also not immediately clear.

Mehrdad Hassanzadeh, the head of crisis management in Hormozgan province, where Bandar Abbas is located, was quoted by the IRNA news agency as saying wounded people were being transferred to hospital, without reporting any deaths.

The Reuters news agency reported that a local official told Iranian news agencies that at least one person was killed and 14 others wounded. Al Jazeera could not independently verify that information.

State television said the explosion occurred at an eight-storey building, “destroying two floors, several vehicles, and shops” in the area.

Images carried by Press TV showed the building’s facade blown out, exposing parts of its interior, with debris scattered around.

The explosion took place amid soaring tensions between Iran and the United States and fears of a military confrontation between the two countries.

US President Donald Trump has repeatedly threatened to attack Iran over a recent crackdown on antigovernment protests and Washington’s push to curtail the Iranian nuclear programme.

After rumours circulated online about the Bandar Abbas explosion, the Islamic Revolutionary Guard Corps (IRGC) denied that any of the buildings belonging to its naval forces in the province had been targeted, according to a statement carried by the Fars news agency.

Bandar Abbas, home to Iran’s most important container port, lies on the Strait of Hormuz, a vital waterway between Iran and Oman that handles about a fifth of the world’s seaborne oil.

The port suffered a major explosion in April of last year that killed dozens of people and injured more than 1,000 others.

Separately on Saturday, four people were killed in a gas explosion in the city of Ahvaz near the Iraqi border, according to the state-run Tehran Times.

Crews had begun clearing the debris from that blast to rescue those trapped under the rubble, Press TV reported.

The poster for “Send Help” advertises the film as from the director of “The Evil Dead” and “Drag Me to Hell” — and notably not Sam Raimi’s bigger hit “Spider-Man” (or its two sequels). No, the kind of Raimi movie you’re getting here is irreverent, silly and very bloody: a character study that also features incredibly goofy scares. Written by Damian Shannon and Mark Swift, “Send Help” is a gonzo survivalist riff that works as well as it does because it features two incredibly game actors that surf the wave of Raimi’s tonal madness with a blend of absolute glee and carefully honed skill.

And if that poster were to present the star of “Send Help” in the same way as Raimi, the tagline would read “from the star of ‘Red Eye’ and ‘Mean Girls,’” because Rachel McAdams is fully in her horror-comedy mode here. It’s an excellent reminder of her range. Co-star Dylan O’Brien also proves himself once again to be one of the best actors of his generation: a former teen heartthrob who now operates more like a chameleonic character actor. Both McAdams and O’Brien move beyond expectations to deliver highly expressive, almost clownish performances — in the best way.

McAdams is astonishingly dowdy as beleaguered corporate workhorse Linda Liddle, a “Survivor”-obsessed loser who is passed over for a promotion by her slick new boss, Bradley Preston (O’Brien), a nepo baby. In an attempt to play the good ol’ boys game, she boards a private flight to Bangkok with the team, on which she bangs out memos while they laugh at her “Survivor” audition tape. One plane crash later, the tables are turned, with the injured Bradley now at the mercy of Linda and her survival skills on a tropical island.

The swap in the power dynamic thrills Linda, calling to mind Ruben Östlund’s “Triangle of Sadness,” specifically the relationship between Dolly de Leon and Harris Dickinson. But “Send Help” is more of a psychological exploration than overt class satire, though it does explore the ridiculous notion of what it would be like to be stranded on an island with your boss.

McAdams and O’Brien deliver almost silent-film era acting with their faces (there’s one bravura long shot of O’Brien eating a bug that’s absolutely virtuosic) and Raimi’s camera playfully pushes the audience around, offering exaggerated tilts and close-ups, screaming: Look at this. There’s no subtlety, but would you expect that from the director of the “Evil Dead” movies? You’re just waiting for the ghouls and blood geysers to pop out. We don’t come to a Raimi film for its natural realism.

If there’s any flaw to “Send Help,” it’s that it generates such nuance and empathy for both Linda and Bradley, even within such outlandish circumstances and style, that it feels impossible to root for just one of them to come out on top. The film paints itself into such a corner when it comes to their conflict that any ending would feel too clean, too pat. As it stands, the ending is just that. But it’s to Raimi and the actors’ credit that they manage to make such an odious character as Bradley actually sympathetic — and so clear a heroine as Linda complex and thorny. Nothing’s perfect but “Send Help” is a blast nevertheless.

Crans-Montana event was cancelled after Linsey Vonn was third of first six skiers to crash, but race was deemed safe.

Lindsey Vonn crashed out of a World Cup downhill on Friday that was hazardous to her Olympic medal hopes, though judged safe by race officials and team coaches.

Safe, it was agreed, at the place and exact time that Vonn lost control when landing a jump and spun into an awkward slide into the safety nets, injuring her left knee.

“It was probably good light in the spot where she completely missed the line and did the mistake,” World Cup race director Peter Gerdol said.

Gerdol spoke after the late-afternoon meeting of race and team leaders to debrief the day and detail the next morning’s schedule.

At the meeting in Crans-Montana – starting minutes after Vonn posted on social media her Olympic downhill dream next weekend was alive – a broad agreement was that the race had been safe. Some objected to it being cancelled at all.

About 25 minutes after Vonn crashed as the No 6 starter, with the race still paused, Gerdol and the race jury called it off for safety reasons.

“I feel for those guys, they have a tough job,” United States head coach Paul Kristofic said.

By 10:50am local time on an overcast day in the Swiss Alps, the light had dimmed since the 10am start and was forecast to get worse. It did.

The race may have seemed unsafe because three of the six starters failed to finish, and even leader Jacqueline Wiles barely made a tight final turn that caused one crash.

Still, the Austria coach said his racer Nina Ortlieb’s exit as the first starter, at the same spot as Vonn, was caused by a poor racing line, not poor light.

Roland Assinger later said racing had been much safer than two weeks ago at Tarvisio, Italy, where the women went “110 kilometres an hour (70 miles per hour) through the fog where you can see nothing”.

Assinger’s view echoed the view of Vonn’s teammate, Breezy Johnson, who was caught swearing on a television hot mic while chatting with racers in the warmup area when the cancellation news came.

World champion Johnson recalled the “(expletive) rain in Tarvisio” and added: “Then they are like ‘This is too bad a visibility.’ Like, what the …” Johnson later apologised for her choice of words in a social media post.

Swiss TV commentator Patrice Morisod, who had chuckled on air hearing Johnson’s words live, later said: “If we cancel such a race then we don’t have ski sport.”

What Gerdol and Morisod agreed on was disliking the tight turns into the finish line that sent Norwegian racer Marte Monsen into the fences and almost tricked Wiles.

“It’s not downhill,” Morisod said. “For me, that’s a big mistake for the FIS.”

Gerdol told the coaches’ meeting that the course design will be reviewed before the two-week world championships Crans-Montana will stage in one year.

“In view of the championships next year, we will definitely work on this,” the race director acknowledged.

The 2027 world seems far away when the Milan Cortina Olympics open next Friday, and the marquee women’s downhill is scheduled two days later.

Vonn faces a race to be fully fit for the Olympics she targeted in her remarkable comeback as the fastest 40-something in women’s ski race history.

She might even return on Saturday to start in a super-G on the same hill. “The coach just said he left her on the start list,” Gerdol said, “because he thinks that it could be (possible). Some of the athletes always want to race; this is clear, it is their job.”

New York venue Madison Square Gardens issues warning before Teofimo Lopez vs Shakur Stevenson and Knicks vs Lakers bill.

Madison Square Garden says anyone fighting at the arena threatens to be “banned for life” after there were multiple altercations at one of its events.

Video on TMZ.com showed two fights breaking out on Friday, when fighters weighed in for the boxing card Saturday night headlined by Teofimo Lopez and Shakur Stevenson. One of the videos showed a brawl starting as Bill Haney, father of boxer Devin Haney, was conducting an interview near the stage.

“Violence will not be condoned at MSG across any type of event including, hockey, basketball, boxing, concerts, or special events,” Madison Square Garden said in a statement. “If any individual is found to participate in violent activity, whether you are part of the event, or a patron, you will be banned for life and unable to attend or participate in any event across all our venues.”

The news conference Thursday for the title fight between Lopez and Stevenson became heated as the fighters on stage traded insults about family members, with people in the audience also shouting.

There was also an altercation near the cage on November 15, when MSG hosted UFC 322.

The warning comes before a busy weekend at the arena. Organisers said the boxing event is sold out, and on Sunday, the Los Angeles Lakers visit the Knicks for a nationally televised game that could be LeBron James’s final one at the arena.

MICHELLE KEEGAN has shared snaps from her second glam trip of the year despite being blasted by Essex mums over her gifted holiday.

The mum-of-one, 38, jetted off to Abu Dhabi a couple of weeks ago with husband Mark Wright and Palma but fans weren’t happy when they realised it was a paid for all-expenses trip.

Now the former Coronation Street star has jetted off to Los Angeles as she shared a series of pictures in America on her Instagram stories.

She posted snaps of a brightly coloured barista art coffee as well as a neon sign that read, ‘The Beverly Hills Hotel’.

A collage of photos showed the actress wearing a multi coloured buttoned up top with a pair of jeans and some brown boots.

As she smiled for the camera, she opted for a straightened hair look for her brunette locks and went for a subtle make up look complete with a nude lip, mascara and a bit of blush.

READ MORE ON MICHELLE KEEGAN

MUM’S ADMISSION

Mark Wright’s mum says she ‘holds back’ with Michelle Keegan to avoid rows

WRIGHT XMAS

Michelle & Mark Wright’s ‘tacky’ Christmas move which enraged Essex neighbours

It’s unclear whether Michelle is in the US for work or play, but it was previously reported that the Netflix star was in talks to star in Reese Witherspoon’s big-budget movie adaptation of her new novel.

Oscar-winner Reese, 49, wrote crime thriller Gone Before Goodbye with American author Harlan Coben, who was behind Michelle’s Netflix hit show Fool Me Once.

Harlan introduced the women to each other at the launch of the book at the ­London Literature Festival, held at the capital’s Festival Hall last weekend.

A source said: “Harlan has been singing Michelle’s praises to Reese and she was keen to meet her. They got on really well and it was clear Reese was really taken with Michelle.

“The plan is to turn the book into a film and Michelle is their first choice to take on the role of the lead character, Maggie McCabe.

“She is a combat surgeon and Michelle previously played an Army medic in Our Girl on the BBC, so it’s a role they know she could take on with style.

“It’s early days but Harlan and Reese think Michelle is tailor-made for this role and would love her to come on board when the time is right.”

Michelle’s trip comes just week after her freebie trip to the UAE in which she was slammed by Essex mums.

Michellle and Mark stayed at the lavish Rixos Premium in Saadiyat Island, but they didn’t pay a penny for the stay.

It got locals back in Britain, who have got to know Michelle since she moved into her £3.5m mansion in Essex, talking – and not in a good way. 

A source explained: “Local mums are incredibly jealous of the trip and the fact she got it for free.

“They feel like she is really out of touch and showing off something rotten by plastering it all over social media. They are used to it from Mark, but not her.”

And her outraged Instagram followers rushed to express their upset, with one person questioning: “Lovely, could you not have gifted it to a family who could never afford the experience??”

But insiders told us that Michelle has “had enough of the constant whispering and bitching from these so-called Essex wives and the trolls”.

They added: “These women are obsessed with her because they want to be her –  they’re jealous, plain and simple.

“They watch everything she does because they wish they could be as beautiful and famous as her, then sit around slagging her off just because Michelle is too busy to be their friend.

German football federation confirms it met to discuss a boycott of the FIFA 2026 World Cup, which is co-hosted by the US.

The German football federation has ruled out a boycott of the World Cup despite calls from within to send a message to United States President Donald Trump.

“We believe in the unifying power of sport and the global impact that a FIFA World Cup can have, the federation said in a statement issued late on Friday. “Our goal is to strengthen this positive force – not to prevent it.”

The federation, known as the DFB, said its executive committee met and discussed the option of a boycott of the tournament in the United States, Canada and Mexico, a consideration first proposed last week by DFB Vice President Oke Gottlich.

Gottlich, who is also the president of Bundesliga club St Pauli, referred to Trump’s recent actions and statements and said it was time to “seriously consider” a boycott.

In what appears to be a public rebuke to Gottlich, however, the DFB said “debates on sports policy should be conducted internally and not in public”.

The DFB said a boycott “is not currently under consideration. The DFB is in contact with representatives from politics, security, business, and sports in preparation for the tournament” from June 11-July 19.

Trump has sown discord in Europe with his takeover bid for Greenland and threats to impose tariffs on European countries that opposed it, while US actions in Venezuela and at home in dealing with protests in American cities have also raised alarm.

Former FIFA president Sepp Blatter last week advised fans to stay away from the tournament.

When president, however, Blatter opposed calls to boycott the 2018 World Cup in Russia over concerns about Ukraine.

“Football can not be boycotted in any country,” he said at the time.

Ahead of this summer’s tournament, fans have concerns about high ticket prices, while travel bans imposed by the Trump administration could also prohibit supporters from some competing nations from attending.

Germany’s team, at least, will be there.

“We want to compete fairly against the other qualified teams next summer,” the DFB said. “And we want fans worldwide to celebrate a peaceful festival of football in the stadiums and at fan zones – just as we experienced at the 2024 European Championship in our own country.”

Pakistan thump Australia by 90 runs in Lahore in second T20 of tour to seal three-match T20 series 2-0.

Skipper Salman Ali Agha hit his highest score in the shortest format before Pakistan’s spinners routed Australia by 90 runs in the second Twenty20 International in Lahore on Saturday.

Agha hit a 40-ball 76 and Usman Khan smashed a 36-ball 53 as Pakistan made 198-5, their highest-ever T20I total against Australia.

This was enough for Pakistan’s spin quintet, who shared all 10 wickets between them with Abrar Ahmed returning the best figures of 3-14 and Shadab Khan finishing with 3-26.

Australia were routed for 108 in 15.4 overs, giving Pakistan their biggest T20I victory over Australia, eclipsing the 66-run win in Abu Dhabi in 2018.

“It has to be a perfect game,” said Agha. “We batted well and then were outstanding with the ball. Fielding was outstanding.”

The victory gives Pakistan an unbeatable 2-0 lead after they won the first match by 22 runs, also in Lahore, on Friday.

“We want to play in the same way, forget the 2-0 scoreline and come again with the same intensity and go to the World Cup with the same energy,” said Agha of the event starting in India and Sri Lanka from February 7.

This is Pakistan’s first T20I series win over Australia since 2018. The final match is on Sunday, also in Lahore.

Despite skipper Mitchell Marsh coming back after resting on Friday, the visiting batters had little answer to Pakistan’s spin assault.

Ahmed dismissed Marsh for 18, Josh Inglis for five and Matthew Short for 27.

Cameron Green top-scored with a 20-ball 35 before spinner Usman Tariq dismissed him on his way to figures of 2-16.

Marsh admitted Pakistan were better.

“Pakistan outplayed us,” said Marsh. “Hopefully, we can improve and come back tomorrow. They put us under great pressure in batting; it was probably a 160-170 wicket so they scored a big total.”

Earlier, Agha and Usman led Pakistan to a fighting total after they won the toss and batted.

Agha built the innings with Saim Ayub (11-ball 23) during a second-wicket stand of 55 as Pakistan scored 72 runs in the power play.

Agha’s previous highest in all T20 cricket was 68 not out.

After Babar Azam failed with a five-ball two, Usman helped Agha add another quickfire 49 for the fourth wicket before Sean Abbott broke the stand.

Agha smashed four sixes and eight fours in his sixth Twenty20 half-century.

Pakistan added a good 61 runs in the last five overs with Usman knocking two sixes and four fours in his second T20I half-century, while Shadab’s knock had two sixes and a four.

The Usman-Shadab fifth-wicket stand yielded 63 runs off just 39 balls.

Shadab finished with an unbeaten 20-ball 28.

Pacer Xavier Bartlett and spinner Matthew Kuhnemann were expensive, conceding 92 runs between them in their eight overs.

Yellowstone’s Jefferson White has officially joined the cast of the upcoming Rambo prequel led by an iconic Netflix star

Yellowstone actor Jefferson White has officially been cast in the forthcoming Rambo prequel, John Rambo.

With Noah Centineo taking on the legendary veteran role originally made famous by Sylvester Stallone, the new picture from director Jalmari Helander (Sisu) will be positioned several years prior to the 1982 action masterpiece, First Blood.

White, known for playing Jimmy Hurdstrom in the popular Western series, becomes part of an ensemble that features Yao (Sinners), Jason Tobin (A Thousand Blows), Quincy Isaiah (Winning Time: The Rise Of The Lakers Dynasty), and Tayme Thapthimthong (The White Lotus).

Specifics regarding White and his fellow cast members’ characters remain under wraps. The prequel is being described as a labour of love for Helander and will likely delve into Rambo’s wartime service in Vietnam.

Production is presently taking place across Bangkok, Krabi, Phang Nga, and Kanchanaburi in Thailand, reports the Express.

A stark initial poster showing Rambo’s grip on military identification tags has been unveiled.

Speaking about the project, Helander revealed: “When I was 11, I saw First Blood for the first time, and it changed my life.

“Rambo wasn’t just a film to me – it stayed with me growing up and was a defining influence on why I wanted to become a filmmaker.

“As we begin production on the origin of John Rambo, we’re going back to the beginning.

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“This is Rambo stripped down, raw, and real – a survival story about endurance, persistence, and lost innocence. It’s an honor to shape this next chapter with deep respect for the character and the legacy, and to bring audiences the start of John Rambo’s journey.”

Erin Westerman, president of Lionsgate Motion Picture Group, said: “We’re thrilled to start production on John Rambo, which will allow both new audiences and existing fans to explore John Rambo’s roots, his principles, and most importantly, some incredible action, courtesy of Jalmari’s singular vision.

“And we’re so excited for Noah’s committed and powerful performance to show what forged this character into legend.”

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Leading man Centineo rose to fame playing Peter Kavinsky in Netflix’s beloved To All the Boys I’ve Loved Before rom-com trilogy opposite Lana Condor.

His credits also include 2022’s superhero blockbuster Black Adam alongside Dwayne Johnson, whilst he’s set to take on the role of Ken Masters in the forthcoming Street Fighter adaptation arriving in cinemas later this year.

John Rambo does not yet have a release date. Yellowstone is available to stream on Paramount+

The attack comes amid fears of a return to conflict following clashes between government troops and Tigrayan forces.

One person has been killed and another injured in drone strikes in Ethiopia’s ‍northern Tigray ‍region, a senior Tigrayan official and a humanitarian worker said, in another sign of renewed conflict between regional and federal forces.

The Tigrayan official on Saturday said the drone strikes hit two Isuzu trucks near Enticho and Gendebta, two places in Tigray about 20km (12 miles) apart.

The official said the Ethiopian National Defence Force launched the strikes, but ​did not provide evidence.

A local humanitarian worker confirmed the strikes had happened. Both asked not to be named, the Reuters news agency reported.

It was not immediately clear what the trucks were carrying.

TPLF-affiliated news outlet Dimtsi Weyane posted pictures on Facebook that ‌it said showed the trucks damaged in the strikes. It said the trucks were transporting food ‌and cooking items.

Pro-government activists posting on ⁠social media said the trucks were carrying weapons.

Ethiopia’s national army fought fighters from the Tigray People’s ⁠Liberation Front (TPLF) for two years until late 2022, in a war ​researchers say killed hundreds of thousands through direct violence, the ‍collapse of healthcare and famine.

Fighting broke out between regional and national forces in Tsemlet in the disputed territory of western Tigray earlier this week, an area claimed by forces from the neighbouring Amhara region.

Tension has been brewing over the presence of troops from Amhara and the neighbouring country of Eritrea in Tigray, violating a peace deal in November 2022 that ended the war.

Last year, the head of Tigray’s interim administration established by Addis Ababa was forced to flee Mekele, the regional capital, amid growing divisions within the TPLF, which controlled all of Ethiopia before being displaced by Prime Minister Abiy Ahmed.

Addis Ababa accuses the group of forging ties with neighbouring Eritrea and “actively preparing to wage war against Ethiopia”.

Earlier this week, national carrier Ethiopian Airlines cancelled flights to Tigray, where residents rushed to try to withdraw cash from banks.

The Tigray ‌war ended in 2022, but disagreements have continued over a range of issues, including contested territories in western ‍Tigray, and the delayed disarmament of Tigray forces.

The province is also suffering the effects of United States President Donald Trump’s funding cuts to the United States Agency for International Development (USAID) last year, which was once Ethiopia’s largest source of humanitarian aid.

Humanitarian organisations say up to 80 percent of the population is in need of emergency support, and funding shortfalls are placing a strain on the health system.

The African Union’s chairperson, Mahmoud Ali Youssouf, on Friday urged all parties to “exercise maximum restraint” and “resolve all outstanding issues through constructive dialogue”.

He emphasised the importance of preserving the “hard-won gains achieved under the AU-led Permanent Cessation of Hostilities Agreement (COHA)” signed in Pretoria in 2022.