News Desk

The Heat has released an explosive first look at episode two of the new ITV reality show

Olivia Attwood makes a cheeky admission in a first look of The Heat episode two.

The new ITV series, which started on Tuesday 24 February, sees ten ambitious chefs as they travel to Barcelona in the hopes of being the next rising star of the culinary world working under multi-Michelin Star award-winning chef Jean-Christophe Novelli.

However, there’s a twist, as the cameras don’t stop rolling after the cooks have left the kitchen. As these chefs turn up the heat on the stove, things get hot under the collar at home too. Tempers rise, romance brews and drama is guaranteed.

The first episode saw viewers introduced to the new chefs and it was soon a baptism of fire for the new chefs as they hit the ground running while trying to stay focused on a first service while having fun flirting.

In an exclusive first look of episode two obtained by the Mirror, it sees host Olivia, 34, on a lavish yacht in the mediterranean sea.

The presenter says: “Yesterday The Heat opened its doors, the fire was on in the kitchen and later on the team let their hair down but there were sparks there too…

“Today, a new head chef has to step up and take control. Let’s hope there’s not too many distractions!”

In a candid moment, Olivia then hilariously asks crew members: “Is my a**e out? I want it to be, I’ll get more likes” to which laughter off camera is heard.

Meanwhile, an explosive teaser clip shows viewers what they can expect as tensions soar in the kitchen while two contestants strike up a romance, causing jealousy with another ambitious chef.

It comes as Olivia shared what she’s really like in the kitchen ahead of the show’s realease. “I’m a bit Victoria Beckham-coded,” she laughed. “I could eat the same thing every day, I can’t be bothered to make a big mess. I want to eat the food, I don’t want to make it.”

She added that she can bash out a decent spaghetti bolognese and a good roast dinner, but that she can’t do anything fancy.

Still, Olivia continued to say she thought people underestimated her abilities. “I think people think that I can’t cook at all because I think I’m a bit Carrie Bradshaw-coded, probably like with sweaters in the oven.”

Given her expertise lies less in the kitchen and more in the heart, Olivia said she left the cookery advice to her co-host Jean-Christophe Novelli.

However, she was much more willing to advise the contestants on the reality side of the show, as her experience on Love Island in 2017 meant she had a “unique perspective” on what its like to be filmed all the time.

“I was nervous,” she said, looking back on when a 26-year-old Olivia jetted off for a ‘summer of love’ with ITV2. “But I know what it feels like when you go on to a reality show, and you know some things, but you know there’s going to be surprises.

“I think it gives me a unique perspective, which I’m really grateful for. I would say to anyone actually going on reality shows, or competition shows, that you have to just kind of give yourself to the process. Because you’re in it now, so you might as well just jump in with both feet!’

The Heat continues tomorrow, 25^th February at 9 pm on ITV2 and ITVX

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. ** Click here to activate** ** or add us as your Preferred Source in your Google search settings.**

Feb. 24 (UPI) — The director of the Louvre in Paris, Laurence des Cars, resigned her post Tuesday, months after thieves stole more than $100 million in jewels from the museum, French President Emanuel Macron announced.

The president accepted Cars’ letter of resignation, Macron’s office said, and welcomed the “act of responsibility.” The statement said the museum needs “calm” and strength to carry out major security and modernization projects.

Cars faced grilling by the French Senate in October after the brazen daylight heist of the jewels. A group of four thieves used a basket lift mounted to a truck to enter the museum through a second-floor balcony window and make off with historic jewelry. The loot included crowns, necklaces, tiaras and brooches worth much more than the individual value of the gems and precious metal were the thieves to melt down the pieces to sell the parts.

Among the items stolen were items once owned by French Emperor Napoleon Bonaparte and his wife, Empress Joséphine de Beauharnais.

French lawmakers questioned the efficacy of the Louvre’s safety measures in the weeks after the crime.

Auditors determined that the museum had fallen “considerably behind” in upgrading its technical infrastructure and security. The authors of the report took issue with the Louvre’s acquirement of 2,754 items over eight years, one-fourth of which were on display. These items — and renovations of displays — represent an investment of $167 million, double what the Louvre allocated for maintenance, upgrades and building restoration.

The report recommended that the Louvre eliminate a rule that requires the museum spend 20% of its ticket revenues — $143 million in 2024 — on acquiring new works. This would allow the facility to redirect funds to update the building without additional state funding. Auditors said the museum could also lean more heavily on its endowment fund to make the upgrades.

Mexico’s President Claudia Sheinbaum has warned she could take possible legal action following comments from right-wing tech billionaire Elon Musk, accusing her of ties to cartels.

At her morning news conference on Tuesday, the president was asked for her response to Musk’s statements a day prior. Musk had described her as being beholden to the cartels.

“Well, we are considering whether to take any legal action,” she began. “The lawyers are looking into it.”

She then proceeded to describe the allegations that she leads a “narco-government” as “absurd” and demonstrably false.

“It falls apart all on its own,” she said, dismissing the accusation as hackneyed. “They don’t even know what to invent any more, right? Honestly, it’s laughable.”

Sheinbaum has faced criticism for her national security policies following a spate of cross-country violence over the weekend.

Killing of El Mencho

The violence erupted after the death on Sunday of a top cartel leader, Nemesio Oseguera Cervantes, known by the nickname El Mencho.

The Mexican military had tracked El Mencho to the town of Tapalpa in central Mexico. He died while en route to medical care after being shot by authorities.

Members of El Mencho’s criminal organisation, the Jalisco New Generation Cartel, responded to the news of his death with road blocks, arson and clashes with security forces. Dozens of people were killed in the violence.

Musk was among the online commentators criticising Sheinbaum’s handling of Mexico’s security in the aftermath of the attacks.

His posts came in response to a video clip circulating on social media, showing Sheinbaum advocating for alternatives to the militaristic “war on drugs” approach.

“She’s just saying what her cartel bosses tell her to say,” Musk wrote in response to the video.

“Let’s just say that their punishment for disobedience is a little worse than a ‘performance improvement plan’.”

A vocal critic of left-wing governments like Sheinbaum’s, Musk is closely aligned with United States President Donald Trump, who has likewise pushed for more military action against cartels.

In September, for instance, Trump’s State Department listed Mexico as an area of concern for drug-trafficking and outlined steps it expected to see to address the issue.

“Much more remains to be done by Mexico’s government to target cartel leadership, along with their clandestine drug labs, precursor chemical supply chains, and illicit finances,” the State Department wrote.

“Over the next year, the United States will expect to see additional, aggressive efforts by Mexico to hold cartel leaders accountable and disrupt the illicit networks engaged in drug production and trafficking.”

Trump himself has accused Sheinbaum of inefficacy in her campaign to crack down on illicit drug trafficking.

“She’s not running Mexico. The cartels are running Mexico,” Trump told Fox News in the hours after launching a January 3 military operation to abduct Venezuelan President Nicolas Maduro.

“She’s very frightened of the cartels. They’re running Mexico. I’ve asked her numerous times, ‘Would you like us to take out the cartels?’”

Sheinbaum has repeatedly refused the prospect of unilateral US intervention, arguing it would violate Mexican sovereignty. Still, Trump has repeatedly warned that the US is considering military strikes on Mexican soil.

“Something’s going to have to be done with Mexico,” he told Fox News.

Upping the pressure

Sheinbaum, however, has defended her administration’s track record. Faced with US tariffs in February 2025, she deployed nearly 10,000 members of Mexico’s National Guard to the country’s northern border to crack down on fentanyl trafficking.

She has also taken targeted military actions against cartels, though she has argued that the process should be focused on prosecuting criminals, rather than killing them in law enforcement operations.

Her administration has also overseen the extradition of dozens of Mexican nationals suspected of crimes in the US. In January 2025, for instance, 37 people were sent to the US. In April and August, groups of 13 and 14 suspects were transferred, respectively.

Sunday’s capture and killing of El Mencho was the fulfilment of a decades-long goal for the Mexican government, which has long sought his arrest.

Still, on Monday, Trump briefly posted a message on his Truth Social platform indicating that he expected Sheinbaum to do more.

“Mexico must step up their effort on Cartels and Drugs,” he wrote in a post that was later removed.

Sheinbaum, meanwhile, used Tuesday’s news conference to dismiss the criticism as out of touch with what was happening in Mexico. She added that what matters to her is the opinion of the Mexican people, not Musk.

“The vast majority of people recognise the work of the armed forces and the work we are doing every day, not only in security, but for the good of the country, for the wellbeing of all Mexicans,” she said. “That is what will guide us.”

Before the onset of YouTube, U.S. parents had very limited options when it came to video programs that helped teach their children Spanish.

There was, of course, the ever-popular Nickelodeon show “Dora the Explorer” and before that, the PBS show “Amigos,” that looked to instill the basics of Spanish into kids across America.

These programs — while useful, innovative and entertaining — never allowed for full-on Spanish-language immersion for viewers, relying heavily on English as their primary tongue.

Now, kid-friendly videos for language acquisition can be found on all corners of the internet with YouTube playing host to the lion’s share of the market, ranging from partially in Spanish to only in Spanish.

The Times spoke to three of the most viewed Spanish-language educators for children on YouTube to see what goes behind creating highly engaging children’s content.

Isa Muñoz — “Aprende Peque”

Isa Muñoz, 33, had known from a young age that she wanted to become a teacher.

Growing up in the Baja California city of Mexicali, Muñoz’s parents worked as teachers, as did many of her aunts and uncles. Seeing how fulfilling her family members’ careers were, she dedicated her life to educating young children.

After graduating with a bachelor’s degree and master’s in special education, she worked as a preschool teacher and a private tutor before one day receiving a call from veteran program producers Alexandra Cohen and Karen Garzon.

Born and raised in Venezuela, but now raising children in Miami, Cohen and Garzon were disappointed after scouring the internet for video tools to help them make learning Spanish fun and effective for their respective children and finding few helpful resources.

To fill this gap in the market, the duo teamed up with their lifelong friend Jessica Rutenberg to create the Spanish-only educational YouTube channel “Aprende Peque.”

As the idea came into fruition, the team searched for the perfect person to be the face of their channel — specifically someone who had experience working with kids and understood how to efficiently communicate with them.

That’s where Muñoz came in.

As part of the auditioning process, she flew out to Miami from Mexicali to try out for the role. The trip resulted in two days of filming which produced three full episodes of the program that included 21 featured songs.

In the almost three years since “Aprende Peque” launched, the channel has gained 1.05 million subscribers on YouTube and posted more than 500 videos, which have amassed more than 500 million views.

The thumbnail of each video features Muñoz’s ever-emotive face, as well as her signature orange-and-white outfit and large orange head bow. More than just adding an energetic face to the videos, she also integrates elements from the latest studies on child education into each episode.

Interwoven between Muñoz’s warm, patient and interactive lessons are musical numbers that range from nursery range to rock to folksy with visuals that fluctuate between grounded and fantastical.

While Muñoz had always envisioned herself as an educator, she wasn’t as ready to be known for singing.

Muñoz works closely with the program’s musical director, Pablo Estacio, to craft the songs featured in each video. The Venezuelan native has served as the bassist and songwriter for the band Bacalao Men for over 27 years and earned a bachelor’s degree in music production and engineering from the lauded Berklee College of Music.

“Pablo has helped me tune, refine and shape my voice to the point that it’s at right now,” she said.

Those musical detours are crucial to breaking up the episodes into distinct sections and provide renewed points of interaction in videos that often last between 40 minutes and an hour.

The process of crafting such long and engaging videos often takes between three and five weeks, Muñoz noted.

“It takes about a week to write one script,” she said. “After that, we film the episode, which takes about 12 hours. Then comes the part that requires the most amount of time, which is editing and integrating any necessary animations.”

The team aims to complete two to three episodes monthly in order to have a constant stream of content year-round.

While making “Aprende Peque” episodes is creatively exhilarating, Muñoz said it’s the fan reaction and interaction that mean the most to her.

“We’re so lucky that our audience has so much love to give and that they send that love through their messages,” she said. “I personally get motivated by knowing that this whole project is actually helping children.

“For a person to reach a point where they believe that the program has worked so well that they feel compelled to write in to thank us is so wonderful,” she said. “That’s something that we’re so thankful for and something that inspires us.

On a personal level, Muñoz has also experienced moments of deep connection with her family thanks to “Aprende Peque.”

“My mom has joined me on several occasions at meet and greets and I’ve seen her shed tears of joy when she sees the impact that the program has had on kids,” she said.

Liz De León — “Spanish with Liz”

In contrast to Muñoz, Liz De León, 39, never really thought of entering the education space before kick-starting her YouTube channel “Spanish with Liz.”

The native Texan was born in El Paso, but spent the first few years of her life just across the Mexican border in Ciudad Juárez. She moved back to Texas for middle and high school before ultimately settling in California for work.

De León was inspired to start her YouTube channel after having kids of her own.

“Once my kids were born, I wanted them to grow up with my culture and my language and the roots that I value so much,” she said.

At first, De León thought she would be able to find plenty of helpful of educational videos online. But much like Cohen and Garzon, she soon found that many of the visual resources out there came up short when it came to teaching fundamental elements of Spanish.

“A lot of it was catered toward only grabbing the attention of the child with a lot of ice cream and candy and sweets and high energy,” she said. “It didn’t teach the true fundamentals of things moms worry about.”

De León’s husband was the one who first suggested that she record herself singing songs that she created to teach her kids. She began to consider it more seriously after a relative told her that her teaching style was similar to the uber-popular kids’ YouTuber Ms. Rachel.

“That’s when I was first introduced to an educator on-screen that I felt aligned with when it came to teaching — with clear pronunciation, a storyline, making sure everything that was spoken was foundational and root words,” she said. “I really liked her format and thought, ‘She’s just a regular person like me and she did it.’ So I just did it.”

Filmed in front of a green screen in one of the rooms of her San Diego home, De León’s videos aim at helping young children learn vocabulary for specific real-life situations.

Donning her signature pink T-shirt and rocking a slicked-back ponytail, she attempts to minimize the stress of things like going to the airport or a dentist visit by introducing kids to the many elements that factor into those experiences. She creates levity in the videos by having colorful animated backgrounds, through the use of puppets and by singing songs throughout.

Raised in a household that put a premium on education, De León had looked at life through the eyes of a student — which proved particularly helpful as a registered nurse specializing in anesthesia.

“If you ask any medical person, they are teachers. Half of your job is education and teaching people how to stay healthy and to take care of themselves,” De León said. “You have to learn to cater to what’s developmentally appropriate to each person. You learn about child behavior, child psychology and the formation of the brain and how they learn.”

Each episode is crafted with two very important subjects in mind for De León: her two kids, who are 4 and 5. As the kids develop, so does the show.

“They are now understanding the episodes at a deeper level,” she said. “For example, we just watched the Halloween episode a couple of months ago and they now understood that October is a month within the year.”

Her children are also her first round of critics and help her understand what works and what doesn’t. Perhaps most importantly, they are De León’s gauge for how engaging her songs are.

“They help me with the music, actually,” she said. “If they don’t learn it and it doesn’t stick with them I know it’s not good enough. Then I redo it. They’re very much my little co-creators.”

One of the reasons “Spanish with Liz” has reached more than 18 million views on YouTube is the obvious care and research that goes into every video. Being a nurse and having a physician husband, De León has extensive access to medical professionals that let her borrow tools and inform her on what they’ve seen be effective methods for working with children.

“Something unique about our channel, is that we’ve thought about the storyline, how we’re gonna say things, the phrases, what works, what doesn’t work, what kids are afraid of and how we’re gonna tackle all that,” she said. “ So much purpose goes into each episode and then we try to borrow the equipment that’s actually going to be used so they can see it.”

And when she doesn’t have an expert on a topic immediately at her disposal, De León seeks out professionals who can thoroughly inform her. For example, when working on an episode about potty training, she took a class from two potty training experts.

Being that making videos is her third job behind being a nurse and a mom, time is a fleeting asset for the YouTuber. Because of that, each video takes about two months to create from start to finish with De León serving as the writer, director, songwriter and preliminary editor. She is aided by her husband who helps record and occasionally functions as a puppeteer, an additional editor, a composer, a designer and a babysitter, whose help allows her the time to record.

But having a team like that doesn’t pay for itself and that’s where De León’s more than 78,000 YouTube subscribers come into play.

According to the content creator, all the money made from the channel goes into paying for the fees associated with production and the rest goes to donating to three different charities — one that helps immigrant families in the U.S.; another is an orphanage in Mexico; and the final one is World Central Kitchen, which provides food relief in response to humanitarian, climate and community crises.

De León still often finds herself shocked that she’s able to have a platform that helps empower people to achieve new goals and that she’s touched so many lives through her videos.

“Isn’t it crazy that YouTube can change someone’s life?” she asked. “I think of all the artists that came up from putting their music out there on YouTube. I feel like it’s a place the whole world can tap into, mostly for good.”

Miss Nenna — “Spanish for Minis”

From her early days of growing up in the L.A. area, Miss Nenna, 32, felt a deep connection to the universal language of math. So profound was her interest that she obtained a bachelor’s degree in civil engineering and now works at a utility firm in the San Diego area.

As an eighth grader, when she served as a math tutor, Miss Nenna thought about what went into becoming an effective teacher.

“I thought about how I could help someone learn to understand it and make it fun,” she said. “So it was always really fun trying to figure out what worked for some students and what what didn’t work for others.”

She has since taken that ethos and turned it into the YouTube channel “Spanish for Minis,” which has 289,000 subscribers and has amassed over 31 million views. As is popular in the genre, her videos are broken into segments that involve a mix of direct instruction, interactive conversation and exceedingly catchy sing-alongs.

Just like with De León, Miss Nenna first got into the video-making game based on a suggestion from her husband made back in 2022.

“He saw a lot of potential in me because I have a bubbly personality around kids,” she said. “He mentioned I should try teaching Spanish and science to kids and added that it would benefit our child.”

It wasn’t until the couple’s 16-month-old son was diagnosed with speech delay that she really got serious about making videos so that her son could interact with her when she was away.

When the project first began, Miss Nenna had no experience with shooting and editing videos.

“I just sat with my husband and we’d watch videos on how to edit, how to use different graphics, how to make sure it’s OK for us to use certain songs,” she said. “So a lot of trial and error and a lot of research, since it’s just the two of us.”

“Spanish for Minis” videos are filmed at the couple’s residence in front of a green screen and each episode takes about 40 hours to complete.

“None of it is ever scripted. I kind of just set the camera myself and all the lighting,” she said. “I get a basket and I put a bunch of toys in it from my kids’ playroom, then I walk into a room and I record myself.”

While filming, Miss Nenna imagines that she is speaking directly to her almost-4-year-old son or 1-year-old daughter in order to make sure she’s in the right headspace.

The topics of the videos aim to evolve with the ever-changing needs of her son. Most of the earlier “Spanish for Minis” videos were focused on babies and now they have transitioned into content for toddlers.

Production on Miss Nenna’s videos has slowed down in recent months as she has focused her time on raising her children, but she has goals to put out two videos each month in 2026.

One of the more rewarding aspects of “Spanish for Minis” is the interactions that Miss Nenna has with parents and children who watch the program.

“I get messages every day, and I try my best to respond to as many as I can because I love connecting with the parents online,” she said. “I also have Cameo where I make personalized videos. Those are a lot of fun because I always message the parents and it’s like, ‘Hey, give me every single detail about what your kid loves. I want to make sure this is a really personalized video and that they enjoy it.’”

US embassy services will be available in the illegal West Bank settlement of Efrat, starting on February 27.

The United States has announced it will soon provide in-person passport services at an illegal Israeli settlement in the occupied West Bank.

The US Embassy in Jerusalem said it would start providing the service for Efrat, located between the Palestinian towns of Bethlehem and Hebron, on February 27.

It will be the first time the US has “provided consular services to a settlement in the West Bank”, according to a US embassy spokesperson quoted by the Reuters news agency.

The embassy said it would plan similar on-site services in the Palestinian city of Ramallah, the illegal Israeli settlement of Beitar Illit near Bethlehem, and in cities within Israel, such ⁠as Haifa.

The US currently offers passport and consular services at its embassy in West Jerusalem as well ⁠as at a Tel Aviv branch office.

Israeli settlements in the occupied West Bank, home to 3 million Palestinians who seek the territory as part of a future state, are illegal under international law.

Nevertheless, far-right Israeli politicians have openly called for Israel to increase settlement expansion, or even annex the Palestinian territory.

This month, Prime Minister Benjamin Netanyahu’s right-wing government approved measures to expand control over the occupied West Bank and claim large tracts of Palestinian territory as Israeli “state property”.

The move was roundly condemned by more than 80 United Nations member countries.

Much of the West Bank is already under Israeli military control, with limited Palestinian self-government in some areas run by the Western-backed Palestinian Authority.

According to the International Court of Justice, about 465,000 Israeli settlers live in the occupied Palestinian territory, spread across some 300 illegal settlements and outposts.

Among them are an estimated tens of thousands of dual US-Israeli nationals. The Efrat settlement is home to many American immigrants.

US President Donald Trump, a staunch supporter of Israel, has said he opposes Israeli annexation of the occupied West Bank. But his administration has ‌not taken any steps to curb Israel’s expanding settlement presence.

In addition to advancing settlements, Israeli forces regularly carry out violent raids, demolitions, and arrests in the occupied West Bank, where attacks by Israeli settlers against Palestinians have also intensified, often under the protection of Israeli soldiers.

In January alone, at least 694 Palestinians were driven from their homes in the West Bank because of Israeli settler violence and harassment, the highest number since Israel’s genocidal war on Gaza erupted in October 2023, according to the United Nations.

Search and rescue workers are looking for more than 40 people who remain missing as towns reel from torrential rainfall.

Torrential rainfall has caused floods across the state of Minas Gerais in southeastern Brazil, killing at least 23 people.

Dozens of emergency workers, some with disaster-trained search dogs, combed through mounds of debris on Tuesday in the municipality of Juiz de Fora, which recorded at least 18 deaths.

They were on the lookout for the more than 40 people who have been missing since the rains began on Monday.

“We’ve been here since last night to see if they survive underground,” Livia Rosa, a 44-year-old seamstress, told the news service AFP.

She explained that several of her relatives were buried in the mud. “Hope is the last thing to die.”

Rainfall in the region is expected to continue for the coming days, complicating rescue efforts.

Images of the initial floods show mud and sludge clogging areas of Juiz de Fora, after a swollen river veered off course.

At least 440 people were displaced in the city, located about 310km (192 miles) north of Rio de Janeiro. At least seven deaths were also recorded in the nearby town of Uba.

The mayor of Juiz de Fora, Margarida Salomao, said that at least 20 landslides had been reported in the area, and some homes collapsed.

“Many people were inside their homes at night when it was raining,” Major Demetrius Goulart of the fire brigade told AFP. “We have hope. We found a boy this morning. He was inside a house, under the rubble. It took the team two hours of work.”

At least 108 officials from the Minas Gerais fire department have been deployed to Juiz de Fora, and 28 to Uba.

President Luiz Inacio Lula da Silva said the government would assist in any way it could and offered his support to those affected.

“Our focus is to ensure humanitarian assistance, the restoration of basic services, support for displaced people, and aid for reconstruction,” he wrote in a social media post.

Salomao said in a social media post that the province has experienced its wettest February on record.

“There were more than 180mm [of rain] in four hours, intense, destructive and persistent,” he said, calling it “the saddest day of my administration”.

“Here, we remain fully committed and prioritising saving lives.”

Katherine Short, the daughter of actor and comedian Martin Short, has died. She was 42.

Her death was confirmed by her family.

“It is with profound grief that we confirm the passing of Katherine Hartley Short,” the family said in a statement. “The Short family is devastated by this loss and asks for privacy at this time. Katherine was beloved by all and will be remembered for the light and joy she brought into the world.”

A law enforcement source told The Times that Short, an L.A. social worker, died by an apparent suicide.

This post will be updated as the story develops.

Feb. 24 (UPI) — NASA has delayed the first crewed launch of its Artemis program after encountering a problem with its rocket system.

The space agency said it plans to roll the Artemis II Space Launch System and Orion spacecraft off the launch pad and back into the vehicle assembly building to address the problem Wednesday. The Artemis II SLS rocket has been on launch pad at NASA’s Kennedy Space Center in Florida for more than a month, undergoing testing and rehearsals.

On Tuesday, NASA determined there was an issue with the flow of helium to the upper stage of the rocket. They’ve scheduled the rollback for Wednesday due to high winds Tuesday.

The agency said workers observed the interrupted flow of helium to the interim cryogenic propulsion stage of the rocket on Saturday. The upper stage uses the helium to maintain environmental conditions in the engine and to pressurize liquid hydrogen and liquid oxygen propellant tanks.

NASA said the helium system worked during its wet dress rehearsal earlier this month.

“Teams are reviewing potential causes of the issue, including in the interface between ground and rocket lines used to route helium, in a valve in the upper stage, and with a filter between the ground and rocket,” a NASA blog post said. “They are also reviewing data from Artemis I in which teams had to troubleshoot helium-related pressurization of the upper stage before launch.”

NASA said the rollback means Artemis II will miss its previously planned March launch window. The agency is now eyeing a possible April launch window pending the results of troubleshooting.

Artemis II is NASA’s first crewed mission aboard the SLS rocket and Orion spacecraft. It’s the second flight of the SLS and the first crewed mission near the moon since 1972.

Over 10 days, Artemis II will travel around the moon and back to Earth as the crew tests whether the spacecraft operates as it should in deep space. The long-term goal of the Artemis program is reestablish a human presence on the moon in preparation for the ultimate aim of putting a human on Mars.

The MQ-9 family of medium altitude, long endurance uncrewed air vehicles, which includes the new SkyGuradian and SeaGuardian variants, are getting the ability to reach out and hit targets at extreme ranges. In essence, the addition of long-range cruise missiles to their quivers — basically turning the drones into standoff “missile trucks” — will give these aircraft another new mission that is also relevant in high-end conflicts.

MQ-9’s long-range and extreme loitering time would offer a level of flexibility not really available in a tactical aircraft-sized package. As it sits now, Lockheed Martin’s stealthy AGM-158 JASSM and its anti-ship variant, LRASM, as well as Kongsberg-Raytheon’s Joint Strike Missile are being looked at as weapons options.

General Atomics writes in a release: “Hypothetically, a mission profile might look like this: MQ-9Bs could launch from a number of friendly bases in the Western or Southern Pacific, fly to a hold point and loiter there outside a hostile power’s weapons engagement zone. If the order came to release the weapons, the aircraft could launch them in coordination with other U.S. or allied operations.”

The goal is to start flying with at least one of the missiles this year.

Our Jamie hunter was on the show floor in Denver Colorado at the Air Force Association’s Warfare Symposium to discuss this new addition to the MQ-9’s repertoire directly with with Scott Gilloon, Sector Vice President for Strategic Programs at GA-ASI. Check out the video at the top of this story to hear what he had to say about the new standoff weapons offering for the MQ-9.

Coronation Street’s latest episode showed who had cut Bernie Winter’s face out of her wedding photo amid a stalking ordeal at the hands of Mal Roper on the ITV soap

There was an unexpected twist involving Bernie Winter on Coronation Street on Tuesday.

After being terrorised by newcomer Mal Roper recently, she was horrified at the start of the week by a scary discovery. She’d gone home after a run-in with Mal to find her face had been cut out of her wedding photo.

She confronted Mal over this on Tuesday, making it clear she suspected him. She warned him to stay away from her, concerned for her safety after he locked her in the café.

His increasing infatuation with Bernie, who has rejected him, has led to sinister scenes. But as he denied being the one who broke into her home and destroyed the photograph, Bernie was unconvinced.

READ MORE: Who was the girl with Jodie on Coronation Street? True link to villain ‘rumbled’READ MORE: Coronation Street star teases Jodie’s downfall as villain ‘exposed’

Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.

Fans soon learned the shocking truth though as the real culprit and the person really targeting Bernie was exposed onscreen. Towards the end of the episode, we saw Jodie opening her mystery trinket box.

The box contains several random items, incluidng a lighter, a bracelet and a locket. As she opened it, she was holding the cutout face of Bernie, and she placed it into the box.

So Jodie entered the home and destroyed the photo, not Mal. This confirms that Jodie is targeting Bernie too, clearly on some sort of revenge mission after their run-in at the café earlier in the week.

So does Bernie need to watch her back, and how far will Jodie go to get back at her? It comes as Bernie faces trouble this week, when someone attacks Mal.

He’s found seriously injured and Bernie, having threatened to kill him, is arrested amd taken to the police station for questioning. Bernie prostests her innocence, adamant that she did not harm Mal.

When it becomes apparent that someone overheard her threatening Mal, she’s forced to defend herself. Teasing the scenes ahead, actress Jane Hazlegrove said: “It’s not a good look because she’s been heard threatening him.

“She is definitely going to be under suspicion so in the end telling Dev has not made it go away. If anything, things have got worse.” Asked whether the plot and the attack on Mal will have far-reaching consequences for Bernie and her family, Jane confessed that it’s not looking good.

She spilled: “Definitely, she knows she’s messed up. If she had told the full truth from the start they might not have got to this place but here they are and it is down to her.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

If Warner’s board changes course and deems Paramount’s latest offer superior, Netflix will be able to revise its bid.

Warner Bros Discovery (WBD) says it is reviewing a new takeover offer from Paramount Skydance, but it continues to recommend a competing proposal from Netflix to its shareholders in the meantime.

Warner disclosed on Tuesday that it had received a revised offer from Paramount after a seven-day window to renew talks with the Skydance-owned company elapsed on Monday. Paramount – which is run by David Ellison, son of United States President Donald Trump ally and Oracle cofounder Larry Ellison – confirmed it had submitted the proposal, but neither company provided details about it. The company was widely expected to have raised its offer.

A WBD buyout would reshape Hollywood and the wider media landscape, bringing HBO Max, cult-favourite titles like Harry Potter and, depending on who wins the Netflix vs Paramount tug-of-war, potentially even CNN under a new roof.

Paramount wants to acquire Warner Bros in its entirety, including networks like CNN and Discovery, and went straight to shareholders with an all-cash, $77.9bn hostile offer just days after the Netflix deal was announced in December. Accounting for debt, that bid offered Warner stakeholders $30 per share, amounting to an enterprise value of about $108bn.

Paramount maintained on Tuesday that its tender offer remains on the table while Warner evaluates its latest proposal.

Netflix wants to buy only Warner’s studio and streaming business for $72bn in cash, or about $83bn including debt. Warner’s board has repeatedly backed this deal and on Tuesday maintained that its agreement with Netflix still stands.

Warner shareholders are to vote on the Netflix proposal on March 20.

If Warner’s board changes course and considers Paramount’s latest offer superior, Netflix would have a chance to match or revise its proposal, potentially setting the stage for a new bidding war. It could also choose to walk away.

Further consolidation

Paramount, Warner and Netflix have spent the last couple of months in a heated back and forth over who has the stronger deal. But along the way, lawmakers and entertainment trade groups have sounded the alarm, warning that either buyout of all or parts of Warner’s business would only further consolidate power in an industry already run by just a few major players. Critics said that could result in job losses, less diversity in filmmaking and potentially more headaches for consumers who are facing rising costs of streaming subscriptions as is.

Combined, that raises tremendous antitrust concerns – and a Warner sale could come down to who gets the regulatory greenlight. The US Department of Justice has already initiated reviews, and other countries are expected to do so too.

Both Paramount and Netflix have argued that their proposals are good for consumers and the wider industry. And the companies have taken aim at each other publicly with regulatory arguments.

Paramount has pointed to Netflix’s much larger market value, and it has argued that if the streaming giant acquires Warner, it would only give it more dominance in the subscription video-on-demand space. But Netflix is trying to persuade regulators that it’s up against broader video libraries, particularly Google’s YouTube, America’s most-watched TV distributor.

Paramount’s bid will create a studio bigger than market leader Disney and fuse two major TV operators, which some Democratic senators said would control “almost everything Americans watch on TV”.

It will also hand control of CNN to the conservative-leaning Ellisons, soon after they acquired CBS News and installed as its editor-in-chief Bari Weiss, a right-leaning opinion editor who had no prior TV experience. The network settled for $16m a lawsuit that Trump had filed, accusing CBS’s 60 Minutes programme of editing an interview with Kamala Harris to his 2024 presidential election rival’s advantage. It also appointed Kenneth Weinstein, a former Trump administration official, as ombudsman to investigate allegations of bias.

In December, Ellison visited the White House, media reports said, and told Trump that Paramount would execute “sweeping changes” if it acquired CNN’s parent company.

More recently, Trump, in a Truth Social post on Saturday, demanded that Netflix fire former US National Security Adviser Susan Rice from its board. Rice, a Black woman, had served under former Presidents Barack Obama and Joe Biden, both Democrats.

“This is a business deal. It’s not a political deal,” Netflix CEO Ted Sarandos told BBC Radio 4’s flagship Today programme on Monday. “This deal is run by the Department of Justice in the US and regulators throughout Europe and around the world.”

Trump previously made unprecedented suggestions about his involvement in seeing a deal through before walking back those statements and maintaining that regulatory approval will be up to the Justice Department.

Aden, Yemen – Lying on the outskirts of Yemen’s interim capital, Aden, al-Basateen district starts where the paved roads end, stretching into narrow, sandy alleyways. It reveals a decades-old refugee story in which Arabic blends with Somali and the faces harbour memories of a different place, across the sea.

Residents know the area by several names, including “Yemen’s Mogadishu” and “the Somalis’ neighbourhood” – a reference to the demographic shift it has seen since the 1990s, when civil war in Somalia pushed thousands of families across the Gulf of Aden in search of safety.

Today, local sources estimate the district’s population at more than 40,000, with people of Somali origin making up the majority. They live in harsh conditions where economic vulnerability overlaps with an unresolved legal status.

Some arrived as children holding the hands of relatives, while others were born in Aden and have known no other home. But they all share one thing in common: the refugee label stamped on their official documents.

Harsh living conditions

As dawn breaks, dozens of men gather at the entrances of the area’s main streets, waiting to be picked up to do a day’s work in construction or manual labour. Many depend on this fragile pattern of employment to put food on the table.

Residents say the lack of regular work has become the defining feature of life in al-Basateen, as extreme poverty spreads and humanitarian aid declines.

Ashour Hassan, a resident in his mid-30s, waiting at a main road junction for someone to hire him to wash a car, told Al Jazeera that he earns between 3,000 and 4,000 Yemeni rials a day (less than $3). That amount is not enough to cover the needs of his family, which lives in a single room in a neighbourhood lacking basic services, surrounded by dirt roads and piles of rubbish.

In a voice mixed with fatigue and despair, Ashour summed up life in al-Basateen: “We live day to day. If we find work, we eat. If we don’t, we wait without food until tomorrow.”

Families in al-Basateen typically rely on both men and women to be breadwinners.

Some women work cleaning homes, while others run small businesses, such as selling bread and traditional foods that blend Yemeni and Somali flavours, and which become especially popular during the Muslim fasting month of Ramadan.

Many children also find themselves pushed into work despite their age. One of the main jobs for children involves sifting through waste for materials they can sell, such as plastic or scrap metal, to help support their families.

Little sense of belonging

Poverty is clearly visible in al-Basateen’s architecture and appearance, with tightly packed homes, some made of metal sheets and consisting of only one or two rooms, separated by dirt roads covered in rubbish.

But that is not the only burden weighing on al-Basateen’s Somali residents. A deeper feeling of what many here call “suspended belonging” hangs over them, with the first generation of refugees still carrying memories of a distant homeland and speaking its language, while the second and third generations know only Aden and speak Arabic in the local dialect, with Somalia only known through family stories.

Fatima Jame embodies this paradox. A mother of four, she was born in Aden to Somali parents. She told Al Jazeera: “We know no country other than Yemen. We studied here and got married here, but we do not have Yemeni identity, and in front of the law, we are still refugees.”

Fatima lives with her family in a modest two-room home. Her husband works as a porter in one of the city’s markets, while she helps support the family by preparing and selling traditional foods. Even so, she says their combined income “barely covers rent and food” because of the high cost of living and few job opportunities.

A bleak reality

Conditions in Yemen were never the best for migrants and refugees, but they have significantly worsened since a civil war began in 2014 between the Iranian-backed Houthis and the central government in Sanaa, in Yemen’s north.

The violence from that war, along with declining aid and shrinking job opportunities have increased pressure on both host communities and refugees.

The United Nations Office for the Coordination of Humanitarian Affairs says that funding for support programmes in Yemen in 2025 met only 25 percent of the country’s actual needs, directly affecting the lives of thousands of families. Residents of al-Basateen say the aid they used to receive has sharply declined, and in many cases has stopped altogether.

Youssef Mohammed, 53, says he was one of the first Somali arrivals to the district in the 1990s, and now supports a family of seven.

“[We] have not received any support from organisations for years,” Youssef said, adding that some families “chose to return to Somalia rather than stay and die of hunger here”.

He believes the crisis affects everyone in Yemen, “but [that] the refugee remains the weakest link.”

Despite the bleak picture, a few have managed to improve their material conditions through education or by opening small businesses that have helped stimulate the local economy. But they remain an exception, and the flow of refugees continues.

Yemen is the poorest country in the Arabian Peninsula, but is also the region’s only signatory to the 1951 Refugee Convention, and therefore allows foreign arrivals to apply for asylum or refugee status. According to the United Nations refugee agency, Yemen hosted more than 61,000 asylum seekers and refugees as of July 2025, the vast majority from Somalia and Ethiopia.

Arrivals in recent years have typically travelled to Yemen via boats, with many planning to use Yemen as a transit point before moving on to richer countries like Saudi Arabia.

Hussein Adel is one of those recent arrivals. He is 30, but leans on a crutch on a street corner in al-Basateen.

Hussein arrived in Aden only a few months ago, having made the dangerous journey on a small boat carrying African migrants.

He told Al Jazeera that he fled death and hunger, only to find himself facing a harsher reality. Hussein shelters on the rooftop of a relative’s home and spends his days searching the city for occasional work. His leg injury, he said, was caused by Omani border guards who shot him while he was crossing into Yemen.

As evening falls, the noise in al-Basateen’s alleyways quiets down. Men lean against the walls of worn-out homes, and children chase a ball through narrow passages barely wide enough for their dreams.

On the surface, life looks normal – like any working-class neighbourhood in a city exhausted by crises. But here, in “Yemen’s Mogadishu”, there is an extra trauma – the sense of a lack of belonging, the memory of refugees fleeing danger and poverty at home, and a lack of stability that will not go away.

The Channel 4 show first kicked off in 2023 with Paddy McGuinness fronting the series.

There’s good news for fans of the smash-hit reality series Tempting Fortune as Channel 4 has announced a third instalment is on the way.

The series first started in 2023 and saw host Paddy McGuinness welcome 12 people to the remote wilderness as they embarked on an 18-day trek aiming to divide the £300,000 prize fund.

Along the way, their willpower will be put to the test as they’ll constantly be offered luxurious comforts, including mouth-watering treats, comfy beds and once-in-a-lifetime experiences.

However, should they give in to temptation and decide to purchase something that’s offered, money will be deducted from the final pot for everyone.

Now, a fresh batch of contestants will have to trek through the Malaysian jungle armed with nothing but basic supplies and their own willpower.

The third series will be fronted by comedian Rob Beckett, who is taking over from the previous host, Paddy McGuinness.

Speaking about joining the show, Rob said: “Put people in the jungle, take away everything nice, then tempt them with hot showers and burgers. It’s hilarious.

“Everyone thinks they can resist temptation until they’re hot and filthy, and suddenly morals go out the window. I’m very happy to be hosting this show, especially from the comfort of a lovely crew hotel.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

A synopsis for the series reads: “With big brands lining up to transport their products to the jungle to offer up comforting tastes of home, the temptations on offer are more tempting and more emotionally evocative than ever before.

“This new series promises more extreme conditions, more enticing temptations, and some dramatic new twists that will put even greater pressure on the shared cash pot.”

It’s not yet been announced when the third series will air.

Since the show began three years ago, it’s received nothing but praise from fans as one person on X said: “This is amazing #TemptingFortune.”

Someone else wrote: “Thoroughly enjoyed #TemptingFortune, what a great series and SO well made. Easily some of the best tv I’ve watched this year so far. From the brilliant cast, epic set builds and incredible filmmaking feats of the crew, production and producers on the ground.”

Series 1 & 2 of Tempting Fortune is available to watch on Channel 4.

Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**

Feb. 24 (UPI) — Actor and comedian Russell Brand pleaded not guilty to two additional sexual charges in a British court Tuesday, including one for rape.

Brand, 50, was charged in December with the rape and sexual assault of two women, which allegedly happened in 2009. He appeared at Southwark Crown Court for the plea and trial preparation hearing.

He has pleaded not guilty charges of two counts of rape, one charge of indecent assault and two counts of sexual assault for offenses against four women that happened between 1999 and 2005.

He appeared Tuesday in a glass-paneled dock carrying a Bible stuffed with sticky notes. He spoke to confirm his name and plea.

Judge Joel Nathan Bennathan said, “Mr. Brand I’m sure you’ve heard everything we’ve been talking about. I will renew your bail.”

Bennathan asked if Brand understood his bail conditions, and Brand replied, “Yes, your lordship.”

His trial on the other five charges is expected later this year.

Brand has previously denied all allegations against him.

He is also a defendant in a civil case that alleges he sexually assaulted an anonymous plaintiff on the set of the remake movie “Arthur” in 2010.

Brand was married to singer Katy Perry from October 2010 to December 2011. He is now married to Laura Gallacher, who is the mother of Brand’s two daughters and a son.

The Museum of Contemporary Art has acquired Kara Walker’s sculpture “Unmanned Drone,” a cornerstone of the museum’s groundbreaking “Monuments” exhibition.

It joins the 158 works by 106 artists that were added to MOCA’s permanent collection last year, including major works by Jacqueline Humphries, Mike Kelley, Shizu Saldamando, Mary Weatherford, Julie Mehretu and Nairy Baghramian. Fifty artists are new to the collection, including Jonathas de Andrade, Leilah Babirye, Meriem Bennani, Paul Chan, Cynthia Daignault and Ali Eyal.

“Unmanned Drone” — a towering testament to the power of transmogrification — commands a room of its own at the Brick, which co-presented the “Monuments” exhibition in October. Walker created the 13-foot-tall bronze sculpture out of a statue of the prominent Confederate Gen. Stonewall Jackson that was originally in Charlottesville, Va. The statue had been removed after serving as a significant gathering place for the infamous 2017 Unite the Right rally of white supremacists.

A detail of a severed arm — part of Kara Walker’s sculpture “Unmanned Drone,” which she created using a decommissioned statue of Confederate Gen. Stonewall Jackson.

(Etienne Laurent / For The Times)

In a review of “Monuments,” which declared the exhibition “the most significant American art museum show right now,” former Times art critic Christopher Knight called “Unmanned Drone” “devastating” and “brilliant.”

In an interview last fall, Brick director Hamza Walker explained to The Times that the city of Charlottesville issued a request for proposals from organizations interested in taking possession of the statue. The Brick applied and was deeded the statue, taking physical possession on Jan. 6, 2022. The gallery then gave the statue to Walker.

“They were getting rid of the Lee and the Stonewall Jackson statues, and they said, ‘We don’t want them put back up for further veneration,’” Hamza Walker said. “And so the idea of giving the statue to an artist fit that bill.”

Other applicants skipped over the line about not putting them up for further veneration, Hamza Walker said, noting that the Brick’s proposal was up against ones from Civil War battlefields and Laurel Hill, the birthplace of Confederate general J.E.B. Stuart.

A detail of the horse’s nostril in Kara Walker’s sculpture “Unmanned Drone,” which MOCA has acquired.

(Etienne Laurent / For The Times)

Kara Walker sliced apart the statue with a plasma cutter and welded it back together in an entirely new form. She did away with Jackson’s face and put much of the focus on his famous steed, Little Sorrel. The horse now stands upright with its head pushing out from the back of its saddle.

“She didn’t want you to be able to identify with him. She wanted the emphasis on Little Sorrel rather than the myth of the man,” Hamza Walker explained of Kara Walker’s intentions. “She wanted to reduce it to horse and rider.”

“The fiend has no head,” Knight commented in his review. “The folkloric Euro-American story of the ‘headless horseman’ comes to mind — a nightmarish, animated corpse who haunts the living. As a metaphor for obtuse white supremacy, still active today, that terror figure is hard to beat.”

Walker’s work was the only transformed statue out of the nearly dozen decommissioned statues related to the Confederacy featured in the “Monuments” exhibition. The others were all presented as they looked when they were removed, many during the protests that swelled in the summer of 2020 in the wake of the murder of George Floyd.

A detail of a sword on Kara Walker’s sculpture “Unmanned Drone.”

(Etienne Laurent / For The Times)

In addition to “Unmanned Drone,” MOCA announced several other acquisitions that were either featured in recent exhibitions or have significant connections to the museum. These include an environmental sculpture by Olafur Eliasson; work by Takako Yamaguchi; a media installation by Paul Pfeiffer titled “Red Green Blue” (2022), co-acquired with the Brooklyn Museum; and pieces by Cynthia Daignault, Shizu Saldamando and Henry Taylor.

“The expansion of MOCA’s collection this year reflects a sustained and deeply collaborative effort to think critically about what it means to build a museum collection in the twenty-first century,” Clara Kim, chief curator and director of curatorial affairs, said in a statement.

Feb. 24 (UPI) — The Olympic gold-winning U.S. men’s hockey team and several survivors of Jeffrey Epstein‘s sex trafficking scheme will be among the dozens of people invited to attend President Donald Trump‘s State of the Union address on Tuesday.

It’s Trump’s first official State of the Union address during his second term in office, though in March 2025, he did address a joint session of Congress. His theme this year is “America at 250: Strong, Prosperous and Respected,” unnamed officials who have seen a draft of the speech told CNN.

To that end, Trump has invited Team USA’s men’s hockey team to attend the speech at the U.S. Capitol, two days after they won the gold medal in a game against Canada in Milan, Italy. It was the men’s first gold medal in hockey since the 1980 “Miracle on Ice” team won in Lake Placid, N.Y.

Trump’s invitation — which came during a phone conversation over speakerphone with FBI Director Kash Patel and the team — caused a stir Sunday after the president said he’d also have to invite the women’s team. His comment was met by laughter among some of the men in the locker room, though at least one did yell out that Team USA was “two for two,” seemingly in support of the women.

The women’s hockey team also won gold in a final game against Team Canada. It was their third Olympic gold medal after 1998 and 2018. After Trump’s comments, they declined his invitation to Tuesday’s State of the Union.

First lady Melania Trump invited two people to sit with her during the speech — Sierra Burns, 24, who took part in Trump’s Foster Youth to Independence program; and Everest Nevraumont, 10, who attends a school that incorporates artificial intelligence curriculum.

Meanwhile, several Democratic members of Congress have invited survivors of sex abuser Epstein, The Hill reported. Rep. Suhas Subramanyam, D-Va., and Jamie Raskin, D-Md., invited the family of the late Virginia Giuffre; Rep. Ro Khanna, D-Calif., invited Haley Robson; Rep. James Walkinshaw, D-Va., invited Jess Michaels; Rep. Robert Garcia, D-Calif., invited Annie Farmer, the sister of survivor Maria Farmer; House Democratic leader Hakeem Jeffries, D-N.Y., invited Marina Lacerda; and Senate Democratic leader Chuck Schumer, D-N.Y., invited Dani Bensky.

Some of those survivors, however, will be attending the State of the Union without their respective hosts. Some Democratic lawmakers intend to skip the speech entirely or participate other events in protest of Trump’s policies.

A coalition of liberal activist groups, including MoveOn Civic Action, is holding a so-called “People’s State of the Union” event on the National Mall around the same time as Trump’s speech. The group said the event will include “everyday Americans most impacted by Trump’s dangerous agenda.”

Lawmakers expected to attend the event include Sens. Ed Markey of Massachusetts, Jeff Merkley of Oregon, Chris Murphy of Connecticut, Tina Smith of Minnesota, Adam Schiff of California and Chris Van Hollen of Maryland, along with Reps. Yassamin Ansari of Arizona, Becca Balint of Vermont, Greg Casar of Texas, Veronica Escobar of Texas, Pramila Jayapal of Washington, Delia Ramirez of Illinois, Bonnie Watson Coleman of New Jersey, John Larson of Connecticut and April Delaney of Maryland, The Hill reported.

The National Press Club is also hosting an event it’s calling “State of the Swamp” to take place ahead of Trump’s speech. Reps. Jason Crow, D-Colo., and Seth Moulton, D-Mass., plan to attend both this event and Trump’s speech, while Sen. Ron Wyden, D-Ore.’s office said he’ll only be attending the “State of the Swamp.”

Rep. Ami Bera, D-Calif., said he plans to boycott the State of the Union this year.

“After watching President Trump run roughshod over the Constitution, display utter disregard for Congress, and openly engage in corruption as he and his family use the office to enrich themselves and tarnish this country that I love, I will not give him the dignity of having my presence at the State of the Union,” Bera said.

Captain Brook’s century guides England home in chase of 165 with Pakistan staring at the prospects of an exit.

England have qualified for the semifinals of the T20 World Cup with a nervy two-wicket win in their Super Eight match against Pakistan, who have inched closer to exiting the tournament.

Captain Harry Brook scored a sublime century under pressure on Tuesday as his side successfully chased a 165-run target in 19.1 overs at the Pallekele International Cricket Stadium outside Kandy, Sri Lanka, and became the first team to enter the knockouts.

Brook formed a 52-run partnership with in-form all-rounder Will Jacks, who scored 28 runs in the winning cause.

England’s win, though, began with a tumble and ended with a wobble as their top-order and lower-middle-order batters slumped in the face of a par total of 164-9 set by Pakistan.

The two-time champions went through to the last four by winning their second game of the Super Eights stage to bag four points while Pakistan remain on one point after two games.

England’s run chase got off to a horrible start when Shaheen Shah Afridi removed opener Phil Salt off the first ball of the innings. Salt edged a length delivery to wicketkeeper Usman Khan, who obliged with a diving catch.

Afridi, who was dropped from the Pakistan team for their washed-out match against New Zealand, carried on his dream return with a wicket in his second over as former captain Jos Buttler was dismissed in a similar manner.

Jacob Bethell, caught in the deep off Afridi, and Tom Banton, caught behind off Usman Tariq, were the next two wickets to fall as Pakistan seemed to have the upper hand in the second innings.

However, Brook’s measured yet attacking onslaught combined with some poor fielding by Pakistan to help England revive their innings in the middle overs.

Just as his team looked certain of victory, Brook fell after scoring his 100, triggering a late batting collapse that gave Pakistan some hope before it was crushed by a Jofra Archer boundary on the first ball of the 20th over to seal England’s win.

Earlier, Sahibzada Farhan continued his imperious run-scoring form to score 63 runs off 45 balls, which became the cornerstone of Pakistan’s innings.

The opener was briefly supported by Babar Azam, who fell for 25 runs.

Fakhar Zaman’s 25 and Shadab Khan’s 23 runs helped Pakistan cross the 160-run mark in a must-win game.

Spin bowler Liam Dawson’s figures of 3-24 in four overs were supported by two wickets each from pacers Jofra Archer and Jamie Overton as England made it four wins in their last four games in the tournament.

They will face New Zealand in their last Super Eight fixture on Friday while Pakistan will play against hosts Sri Lanka the following day.

The next Group 2 match is between Sri Lanka and New Zealand on Wednesday.

Pakistan must now hope that Sri Lanka beat New Zealand by a big margin and England do the same two days later to dent the Kiwis’ net run rate.

Salman Ali Agha’s side must then follow it up by handing Sri Lanka a third defeat to knock them out and emerge as the second team to qualify for the semifinals from their Super Eight group.

WHEN it comes to having A-list siblings, these two nepo-sisters are at the top of their game.

The two women, who both have popstars for sisters, looked incredible as they stepped into their spotlight at London Fashion Week – but can you guess who they are related to?

The nepo-sisters in question are Rita Ora‘s sister Elena, 37, and Dua Lipa‘s little sis Rina, 24,

The pair were spotted posing for the cameras at London Fashion Week.

Dua’s sister Rina looked chic in white trousers and a striking turquoise jacket.

The aspiring model was spotted at the after party for the Burberry 2026 show.

WHINE & DINE

Brooklyn and Nicola’s life of nepo luxury… from £75k wine to supercar garage

Gill-igent

Nepo-baby with I’m A Celeb mum breaks down in tears and suffers ‘panic attack’

Meanwhile, Rita’s big sister Elena looked stunning in a black cut-away dress at the Royal Ascot Millinery Collective, which was held at posh hotel, Claridge’s.

At another London Fashion Week event earlier in the week, she looked equally incredible in a black and gold dress.

Elena works as Rita’s talent manager, creative director, and business partner.

The pair are extremely close, and the popstar involves her big sister in every aspect of her life.

Rita was just a year old when her parents moved her and three-year-old Elena to the UK to escape persecution in Kosovo.

But the pair have gone onto become a sibling powerhouse.

Rita has had Elena by her side since she shot to fame in 2012.

Elena previously said that her little sister’s success is a “team celebration” for both of them, as she has been such a big part of her fame.

“I get as proud of the success as Rita does. But I guess the public only sees her reaction to it,” Elena told Idris and Sabrina Elba on the Coupledom podcast, when she chatted to them in 2021 with Rita.

“It feels like a team thing. Obviously the public just sees Rita, but to us that’s just how it is, you know?”

Rita added: “Elena is really good at protecting me. I think that is so important in this industry.”

Together the sisters have negotiated movie roles, fashion brand deals and lucrative TV contracts.

But the sisters admitted on the podcast that there has often been a battle for Elena to be taken seriously.

“It’s really tough in such a male dominated industry to really stand up for yourselves and navigate this s**t,” Rita candidly admitted.

“What do they expect people in power to look like? There’s not an identity.”

Continuing, proud sister Rita said of Elena:“But she’s never lost her cool. She’s always kept it very together.” Rita says she has always had the same trusted people around her in her career.

“I try to keep my team very small. I don’t really like change. That’s why I’ve had the same team for over 10 years. If it’s not broke, don’t fix it.”

The star siblings also thrilled fans in 2023 when they appeared on Celebrity Gogglebox together, with fans hailing them “the most beautiful sisters”.

Meanwhile, Dua Lipa‘s sister Rina is forging a career as a model

The rising star has done well for herself and has already worked with fashion houses like Miu Miu and Versace.

The model has also walked the runway at the prestigious Milan Fashion Week.

Rina has also set her sights on becoming an actress.

Speaking about going on auditions, she told Nylon: “There’s something about walking into the room and saying, ‘Hi, nice to meet you,’ and having that energy and that aura and that little repertoire between people.

“You can leave feeling like you had a connection if you walk in and you’re a bit bubbly and you are happy to be there. I’m really happy to do really fun auditions. Even if I don’t get the job, that’s absolutely fine.”

Rina got her first taste of fame when her big sister pulled her and their younger brother Gjin up on stage at the Brit Awards.

It came in 2018, when the singer won the Best Female Solo Artist gong and invited her siblings to join her accepting the award,

Speaking to Off Set about the sweet moment, Dua said: “I didn’t even know what I was gonna say onstage and I was like, ‘Come with me! You two — with me.

“They were so terrified. When we got offstage, my little brother and sister were like, ‘Why did you do that to us?’ ”

“They were like, ‘We love you, but that’s crazy. Don’t do that one again.;”

The White House’s comment comes days after a senior Trump aide said Iran is one week away from having material for nuclear bomb.

The White House has insisted that last year’s strikes against Iran destroyed the country’s nuclear programme despite a recent claim by a senior US official that Tehran is a week away from having bombmaking material.

Karoline Leavitt, the White House spokesperson, told reporters on Tuesday that the June 2025 attack on Iran’s nuclear facilities, known as Operation Midnight Hammer, was an “overwhelmingly successful mission”.

The attack “did, in fact, obliterate Iran’s nuclear facilities“, Leavitt said.

But just this weekend, President Donald Trump’s envoy Steve Witkoff suggested that Iran is close to having enough material to build a nuclear weapon.

“They’re probably a week away from having industrial-grade bomb-making material,” Witkoff told Fox News on Saturday.

Since last June’s strikes, Trump has repeatedly hailed the attack, arguing that it eliminated Iran’s nuclear programme and led to “peace” in the Middle East. Operation Midnight Hammer came towards the end of a 12-day war Israel initiated with Iran that month.

But eight months later, US and Iranian officials are once again holding talks to reach a nuclear deal and avert another war.

On Tuesday, Leavitt said the destruction of Iran’s nuclear programme had been “verified” by Trump and the United Nations’ watchdog, the International Atomic Energy Agency (IAEA).

“That does not mean that Iran may never try again to establish a nuclear programme that could directly threaten the United States and our allies abroad, and that’s what the president wants to ensure can never happen again,” she added.

Last year, after the US attack, IAEA chief Rafael Grossi said Iran could resume uranium enrichment “in a matter of months”.

But the UN agency’s inspectors have not been able to assess Iran’s nuclear sites since the US strikes.

The Pentagon’s public assessment was that the Iranian nuclear programme was set back by one to two years.

There has been no official confirmation of the US claims that Iran has restarted nuclear enrichment after the attack.

After a visit by Israeli Prime Minister Benjamin Netanyahu to the US in December, Trump renewed his threats to attack Iran if it tries to rebuild its nuclear or missile programme.

Tensions have spiralled since then, with the US amassing military assets near Iran.

Still, Tehran and Washington are set to hold the third round of negotiations this year to push for a nuclear deal.

Iran, which denies seeking a nuclear weapon, has said it would agree to minimal uranium enrichment under strict IAEA supervision in exchange for lifting sanctions against its economy.

But Trump has repeatedly stressed that it is seeking zero enrichment.

Enrichment is the process of isolating and concentrating a rare variant, or isotope, of uranium that can produce nuclear fission.

At low levels, enriched uranium can power electric plants. If enriched to approximately 90 percent, it can be used for nuclear weapons.

Before the June 2025 war, Iran was enriching uranium at 60 percent purity.

Tehran had been escalating its nuclear programme since 2018, when Trump, during his first term, nixed a multilateral agreement that capped Iran’s enrichment at 3.67 percent. He instead started piling up sanctions on the Iranian economy, as part of a “maximum pressure” campaign.

The White House on Tuesday suggested the military option against Iran remains on the table.

“President Trump’s first option is always diplomacy. But as he has shown, he is willing to use the lethal force of the United States military if necessary,” Leavitt said.

The pitched battle for Warner Bros. took yet another turn Monday night as Paramount Skydance enhanced its bid for the storied studio.

The decision by Warner Bros. Discovery to leave the door slightly ajar for Paramount came after weeks of pressure from its leader, tech scion David Ellison, and his billionaire father, Oracle co-founder Larry Ellison.

The media company has been vying to acquire Warner since late last year, and that fight only increased after the “Casablanca” and “Harry Potter” studio chose Netflix as the winning bidder back in December.

The bidding war has divided Hollywood’s creative community, with filmmakers, producers and unions all staking positions on the deal.

The latest to weigh in was “Avatar” and “Titanic” director James Cameron, who reportedly described Warner’s sale to Netflix as “disastrous for the theatrical motion picture business” in a Feb. 10 letter to Sen. Mike Lee (R-Utah), chair of the Senate subcommittee on antitrust, competition policy and consumer rights.

“I am very familiar not only with ships that sail, but also those that sink,” he wrote. “And the theatrical experience of movies could become a sinking ship.”

Actor Mark Ruffalo shot back at Cameron: “Are you also against the monopolization that a Paramount acquisition would create? Or is it just that of Netflix?” he posted on Threads over the weekend, adding that he was “speaking on behalf of hundreds of thousands of filmmakers worldwide.”

Regardless of which bidder prevails, consolidation in the industry is a major fear, particularly after waves of job cuts due to the pandemic and pullbacks in production spending amid streaming losses. And for the theatrical exhibition business, any merger revives concerns about an even greater decrease in films headed to theaters — particularly if the winning bidder is Netflix.

The health and future of cinemas is an especially sensitive topic in Hollywood. Box office revenue still has not returned to pre-pandemic levels, and some fear it never will, leaving theaters scrambling for alternative ways to fill their auditoriums.

Paramount has positioned itself as a champion for theatrical films, and David Ellison has said a combined Paramount and Warner Bros. would release 30 films a year.

But theater owner trade group Cinema United and the Writers Guild of America have warned that further consolidation would further concentrate the entertainment business, bringing more layoffs and theater closures.

Netflix co-Chief Executive Ted Sarandos has since tried to temper these concerns.

In a recent Senate subcommittee hearing, he pledged to maintain a 45-day theatrical window for Warner Bros. films, while also saying the deal would increase production investments going forward. In a recent letter to Lee responding to Cameron’s missive, Sarandos said he had previously spoken with the director in December about Netflix’s plans for Warner Bros., and that he had been “very supportive.”

Then there’s the politics of it all.

My colleague Meg James has written about Paramount’s efforts to use its political influence with the Trump administration to push its deal — and undermine Netflix’s. Paramount has declined to comment on the matter.

To put it mildly, Trump is a deeply unpopular figure in liberal-leaning Hollywood.

Creatives have feared a chilling effect on speech, particularly after Federal Communications Commission Chair Brendan Carr has aggressively tried to enforce long-dormant rules that require broadcast TV stations to give equal time to opposing candidates. The free-speech matter came to a head last year, when Carr warned that ABC could lose its TV station licenses after late-night host Jimmy Kimmel made a remark about slain conservative activist Charlie Kirk.

More recently, the equal-time rules resurfaced when CBS late-night host Stephen Colbert blasted his own network over its handling of his interview with Democratic Senate candidate James Talarico. Colbert said that CBS told him he could not air the interview because it would require giving equal time to Talarico’s opponents in the Senate primary and that he was instructed not to talk about the issue on the air, which he refused. CBS has disputed Colbert’s comments, saying he was not prohibited from airing the interview.

News industry insiders also raised concerns after the installation of Bari Weiss as editor in chief of CBS News. Two months into her tenure, she made the decision to pull a “60 Minutes” episode that investigated the alleged abuse of detainees sent from the U.S. to an El Salvador prison, a highly unusual step that critics interpreted as a decision to placate the Trump administration.

CBS News, which aired the episode in January, denied the claim, saying the piece had only been held for additional reporting.

On the film side, Paramount continues to make deals with creatives, including the irreverent South Park creators, who have churned out parodies of the Trump administration, “Wicked” director Jon M. Chu and writer, producer and actor Issa Rae, who in a statement earlier this year vowed to “tell stories for and by the diverse communities that have supported my work over the years.”

As the Warner Bros. deal drama unfolds, we’ll see how the lines continue to form in Hollywood’s creative class.

Stuff We Wrote

Film shoots

Number of the week

Sony Pictures Animation’s “Goat” led the domestic box office this weekend with an estimated three-day total of $17 million, beating out the Margot Robbie and Jacob Elordi-led “Wuthering Heights.”

The film, which was also produced by Warriors star Stephen Curry’s production company, has bucked the trend for original animated movies, which have largely faltered at theaters in recent years.

What I’m watching

Last week, I watched more Olympic figure skating (who didn’t watch Alysa Liu’s joyful, gold medal-winning performance?), but I’m also now re-watching 2000s teen detective drama “Veronica Mars.” I’m not Gen Z, but my newfound zeal for comfort TV is not unlike the story my colleague Stephen Battaglio wrote last year about young people’s interest in nostalgic shows.