News Desk

Nov. 26 (UPI) — Four fire rescuers in Florida were arrested on multiple charges after an alleged waterboarding-related hazing ritual turned violent, deputies said.

The four employees in the Marion County Fire Rescue unit were arrested for the alleged waterboarding incident after sheriff’s deputies responded to Fire Rescue Station 21 in Ocala, according to the Marion County Sheriff’s Office.

Officials said the incident allegedly took place Nov. 16. The unidentified victim reportedly was in the middle of performing his duties, at which point Tate Trauthwein, a 19-year-old co-worker, threw the victim’s boots into a wooded area.

Edward Kenny III, 22, reportedly tried to grabbed the victim from behind and both fell.

Upon arriving, law enforcement learned it allegedly started as a harmless tease but violently escalated.

According to Marion County Sheriff Bill Woods, the victim was smeared with grease and the attackers sought a TikTok video on a locked phone.

The group removed the victim’s belt and then pants during the brutal attack, police said.

Trauthwein and Kaylee Bradley, 25, allegedly took the victim’s phone but refused to give his passcode. Trauthwein proceeded to strike the victim with the belt, police say.

An emergency service call interrupted the assault, authorities say.

Hazing incidents intended to be harmless have led to serious charges.

Last month, a Rutgers University fraternity in New Jersey was permanently shut down after a student was critically injured in an alleged hazing incident.

And earlier this year, nearly a dozen New York students were given an ultimatum to turn themselves in to authorities or be prosecuted as adults following an alleged high school lacrosse team hazing incident.

Meanwhile, Trauthwein, Kenn and Day face multiple criminal counts in Florida, including kidnapping, robbery and battery. Bradley was charged as an accessory to robbery.

Police in Washington say one suspect in custody following the shooting one block from the White House.

IS SHE a crusader or a Rebel without a cause?

That’s the question surrounding Rebel Wilson this week, as she stares down the barrel of yet another legal wrangling — while passionately claiming she’s a “whistleblower” fighting for justice.

This week, in a bombshell TV interview, the 45-year-old broke her silence on the legal battle she is fighting surrounding her feature film directorial debut.

The star, who was born and raised in Sydney, told 60 Minutes Australia she had been the target of “incessant . . . bullying and harassment” by the producers of her comedy musical, The Deb.

The producers are suing her for defamation, breach of contract and sabotage and the lead actress has also launched a lawsuit against her.

It comes just 18 months after Rebel accused Sacha Baron Cohen of inappropriate behaviour on the set of another production — which he denies — and eight years after a landmark defamation battle.

Now, with her star showing signs of waning Down Under, have the endless litigations and allegations destroyed Rebel’s career?

In the latest real-life drama, the producers of The Deb — Amanda Ghost, Gregor Cameron and Vince Holden — launched their legal action after Rebel claimed they had embezzled film funds.

She also accused Amanda of sexually harassing lead actress Charlotte MacInnes on set.

Charlotte, who denies she made claims of sexual harassment, is suing Rebel for defamation after the latter implied she had “changed her story” and was backtracking to save her career.

Rebel says the producers’ complaints against her are “an attempt to sling mud at [her] reputation”, and that all the muck and mess surrounding the project has been her “worst nightmare”.

‘Smear campaign’

She is now countersuing the producers, accusing them of financial misdeeds, misconduct and coercion.

She claims she had been subjected to suppressive measures, saying: “They locked me in a room and forced me to sign documents. I was like, ‘This is like the KGB.’ ”

The producers vehemently deny Rebel’s allegations, which she initially highlighted in an Instagram video in July 2024.

In the original clip, Rebel accused them of “bad behaviour”, “embezzling funds” and of perpetrating “inappropriate behaviour towards the lead actress”.

She subsequently claimed it was Amanda Ghost who had taken things too far with Charlotte. Rebel alleged Amanda had “asked [Charlotte] to have a bath and shower with her and it made her feel uncomfortable”.

In an extra layer to the mudslinging, both Charlotte and the producers have also accused Rebel of being behind several websites allegedly created as a smear campaign, which have since been taken down.

What is very clear is that she is not as loved here in recent years as I think she expected to be

Eleanor Sprawson, a journalist based in Australia, on Rebel Wilson

These websites accused Amanda, who is of Indo–Trinidadian heritage, of being akin to “the Indian Ghislaine Maxwell” and referred to her as a “full pimp” who was “procuring young women for the pleasure of the extremely wealthy”.

Rebel has denied any involvement in a smear campaign or the creation of websites against her legal foes, claiming she was heavily involved in getting them removed.

The cases rumble on and Rebel remains undeterred.

Not only does she stand by her story and appears willing to fight to the end, she is also loudly promoting new projects on Instagram and is looking forward to seeing The Deb finally hit screens in Australia in January.

Rebel’s history suggests she is not someone to be provoked.

In 2016, Rebel — who found global fame in 2011 comedy Bridesmaids, before her scene-stealing turn as Fat Amy in 2012’s Pitch Perfect — set fire to the media landscape in Australia after launching a legal battle against Bauer Media.

In a landmark defamation case, Rebel sued the publisher over a series of articles published in 2015, that accused her of lying about her age, real name, and details of her upbringing, to advance her career.

Rebel said these stories had painted her as a serial liar and fraud, and had caused her to lose major film roles in Hollywood. She added that they had been perfectly timed to harm her as her career peaked post-Pitch Perfect.

Initially, the judge ruled in her favour, granting her $4.5million (£2.3million) — the largest defamation payout in Australian history — which she vowed to donate to charity and film projects.

But a later appeal saw the damages reduced to $600,000 — and Rebel was also ordered to pay 80 per cent of Bauer’s appeal costs.

While the appeal court upheld the initial verdict, it found the actress had not proved she had lost specific Hollywood roles solely because of the articles written about her. Another appeal followed — this time from Rebel — but the courts didn’t budge on the reduced payout.

Standing outside the High Court of Australia in November 2018, the actress told reporters: “To me, it was never about the money, but about standing up to a bully and I have done that successfully.”

Such a stance — pushing back against oppressors — is what Rebel has always argued she is doing. More so, perhaps, than the average celebrity — because, as time has passed, Rebel has continued to set the cat among the pigeons.

Last year, she hit the headlines again, as she released her  autobiography Rebel Rising — taking to Instagram to identify Sacha Baron Cohen as the unnamed “massive a**hole” that a controversial chapter of the book centres on.

The Borat actor had directed and starred opposite Rebel in their 2016 movie Grimsby.

Rebel claimed she had been pressured to perform a “lewd act” that was never in a script.

Reflecting on the filming process, Rebel alleged Sacha made repeated, inappropriate requests to her, like: “Just go naked, it will be funny”.

She said she had felt “bullied, humiliated and compromised”.

‘The boy who cried wolf’

While no legal action was taken by either side, Sacha slammed the claims as “demonstrably false” and argued that all evidence — including film footage, production notes and eyewitness statements — contradicted her account.

The book was published in its entirety in the US, but was partially redacted in the UK and Australia — with any mention of Rebel’s allegations against Sacha blacked out due to the legal risk of defamation.

In March 2024, Rebel railed against her suppressors, writing on social media that she would not be “bullied or silenced by high-priced lawyers or crisis PR managers”.

And now she is doubling down on that promise, thanks to her latest public battle.

So, where does that leave Rebel, who, ten years ago was considered to be one of Hollywood’s funniest women.

Eleanor Sprawson, a journalist based in Australia, where Rebel initially found fame, says the temperature has changed towards the actress in recent years.

“What is very clear is that she is not as loved here in recent years as I think she expected to be,” Eleanor explains.

“She was loved, way back 20 or more years ago when she was in a comedy series called Pizza, and I think people were excited for her when she took off in Hollywood.

“So when she presented a local show called Pooch Perfect, TV executives definitely thought they were on to a huge winner: ‘Local girl turned Hollywood star returning to do humble Australian TV’-type thing.

“But in fact the show bombed — and it bombed literally when people were locked in their houses because of the pandemic, with nothing to do EXCEPT watch TV. I think it proves that Australians have not taken her to their hearts.”

She adds: “She certainly did herself no favours by slagging off that old show Pizza in her memoirs. This show is very fondly remembered about a kind of class of people who don’t get much exposure on Australian TV in general.”

No one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language

PR expert Quincy Dash

Meanwhile, Rebel could be seen as fighting causes that matter. In 2021, she donated $1million to the Australian Theatre for Young People.

She’s certainly combative, but has needed to be. In 2022, she came out as gay by posting an Instagram photo of her and her then girlfriend, now wife, Ramona Agruma.

Rebel revealed she’d had to “rush” her coming out after The Sydney Morning Herald contacted her representatives for comment on the new relationship

The actress also had to face constant scrutiny over her fluctuating weight, which — while she previously said made her the go-to funny girl.

But, as PR expert Quincy Dash tells The Sun, her litigious and provocative behaviour sometimes makes her seem like “the boy who cried wolf”.

He warns that “no one in the industry will want to work with her in the future if this behaviour is kept up. They’d be scared of legal issues or defamatory language.”

As it stands, Rebel is pushing ahead, and will next be seen in the Sky Original festive film Tinsel Town next month.

But as for her once-glistening career, she’s going to have to really ask herself: Does she really have a cause worth fighting for?

A Georgia judge has dismissed the sprawling 2020 election interference case against Donald Trump, ending the final effort to prosecute the president for allegedly attempting to overturn his loss to Joe Biden.

Peter Skandalakis, who took over the case after the initial prosecutor’s removal, asked Judge Scott McAfee to dismiss the charges on Wednesday.

Trump’s lawyer Steve Sadow praised the decision to end the “political persecution” against the president.

The dismissal concludes the last of Trump’s four criminal cases, only one of which saw trial and resulted in a conviction.

A Georgia appeals court removed Fulton County District Attorney Fani Willis from the case after it determined a romantic relationship with a special prosecutor created an “appearance of impropriety”.

Skandalakis, executive director of the nonpartisan agency Prosecuting Attorneys’ Council of Georgia, appointed himself to the case after Willis’ disqualification and when other state prosecutors declined to take the case.

In Wednesday’s motion to a Fulton County judge, he said he was discontinuing the case “to serve the interests of justice and promote judicial finality”.

“As a former elected official who ran as both a Democrat and a Republican and now is the Executive Director of a non-partisan agency, this decision is not guided by a desire to advance an agenda but is based on my beliefs and understanding of the law,” Skandalakis added.

Around five million votes for president were cast in Georgia in 2020, with Biden winning the critical swing state by just under 12,000 votes.

Trump and some of his allies refused to accept the result, and the state quickly became a focal point for efforts to overturn the election.

In January 2021, The Washington Post published a recording of Trump speaking with Georgia’s Republican Secretary of State Brad Raffensperger.

“I just want to find 11,780 votes, which is one more than we have. Because we won the state,” Trump said in the recording.

Willis began investigating Trump’s activities soon after the report, convening a special grand jury to weigh the facts.

Willis filed an indictment in August 2023 alleging that Trump conspired with 18 other defendants to interfere in the election result. The charges included racketeering and other state offences.

The group “refused to accept that Trump lost, and they knowingly and wilfully joined a conspiracy to unlawfully change the outcome of the election in favor of Trump”.

Four co-defendants took plea deals with prosecutors that resulted mostly in fines, suspended sentences and community service, including attorneys Sidney Powell, Kenneth Cheseboro, and Jenna Ellis.

Wednesday’s dismissal also applies to the remaining co-defendants, including former New York mayor and Trump’s former attorney Rudy Giuliani and Mark Meadows, chief of staff during Trump’s first presidency.

Mr Sadow, president Trump’s lead attorney in the case, praised the decision to drop the charges.

“The political persecution of President Trump by disqualified DA Fani Willis is finally over,” he said. “This case should never have been brought. A fair and impartial prosecutor has put an end to this lawfare.”

The Georgia election interference case was once considered the most threatening of Trump’s four criminal indictments, because he could not pardon himself from state-level charges if he returned to office.

Prosecutors brought Trump to the Fulton County Jail, where they took his mugshot.

Legal experts who closely followed the case were not surprised by its dismissal. A judge tossed out several of the charges in 2024, and Willis was disqualified a few months later.

Willis’ removal raised doubts about whether a replacement would take up such a complicated prosecution. Trump’s 2024 election essentially put his case on hold until his term ends in 2029.

“It was incredibly unlikely it was going to go forward anyway, because the amount of financial resources and man hours necessary to take on this case didn’t seem to be within the scope of what Peter Skandalakis had,” said Anthony Michael Kreis, a professor at the Georgia State College of Law.

However, Mr Kries was surprised by some of Skandalakis’ reasoning for dropping the case.

“I think the report itself to me is a little more surprising because it seems to give the president and some of his allies a lot of benefit of the doubt, given what the evidence brought forth looked like,” he said.

Trump has also faced a series of other criminal proceedings.

These include a 2024 conviction in a New York hush-money case, and he is appealing against it.

Two additional federal cases – one alleging he conspired to overturn the 2020 election and another accusing him of unlawfully retaining classified documents – were dropped following his return to the White House.

He also faces several high-profile civil lawsuits which are progressing through the appeals courts.

Earlier this month, Trump asked the US Supreme Court to review the $5m (£3.6m) civil case brought by writer E Jean Carroll, after a federal appeals court upheld the award and declined to rehear the matter. The court said he defamed and sexually abused Ms Carroll, allegations he denies.

In August, a New York appeals court threw out a $500m civil fraud penalty against Trump that resulted from a separate, civil fraud lawsuit brought by New York Attorney General Letitia James.

Welcome to Screen Gab, the newsletter for everyone who needs zone-out time while spending the holiday with family.

Whether you’re planning to get lazy on the couch together to alleviate your food coma, need to escape the latest round of anxiety-inducing conversation at the dinner table, or just want a streaming companion while feasting on leftovers in the days that follow the holiday, this special Thanksgiving edition of The Times’ weekly guide to at-home viewing has you covered. Just be warned: You must provide your own stretchy waistbands.

Below, find 12ish films and TV shows released this year that our pop culture experts at The Times are looking forward to catching up on this weekend. Gobble, gobble.

“Being Eddie” (Netflix)

A still of Eddie Murphy with his brothers, Vernon Lynch Jr. and Charlie Murphy, in Netflix’s “Being Eddie.”

(Eddie Murphy / Netflix)

For anyone who came of age in the ’80s inhaling comedy, Netflix’s new Eddie Murphy documentary hits a very particular nostalgia vein. Murphy wasn’t just another comedian; he was part of the glue that held Gen X together, the soundtrack to sleepovers, school hallways, summer camps and every half-rewound tape in the house. You passed around VHS copies of “Delirious” and “Raw,” their very pre-PC bits the kind of thing you quoted under your breath in class. You watched “48 Hrs.,” “Trading Places,” “Beverly Hills Cop” and “Coming to America” on a loop, and you mimicked his “Saturday Night Live” creations — Gumby, Mr. Robinson, Buckwheat — on playgrounds, at bus stops, anywhere kids gathered long enough to goof off. Murphy’s magnetism, timing and swagger helped turn him into a new kind of Black Hollywood superstar, and even with the inevitable peaks (“Shrek,” “The Nutty Professor,” “Bowfinger,” “Dreamgirls”) and valleys (“The Adventures of Pluto Nash,” “Norbit”), he carried that stardom across decades. This is more of a victory-lap retrospective than a warts-and-all documentary, and now 64, the famously private Murphy has never been one to reveal much anyway. But when I spoke with him nearly a decade ago while he was promoting the drama “Mr. Church” — candid, funny and strikingly self-aware about fame and longevity — it was a reminder that when he does open the door a bit, he can be as compelling offstage as on. If even a bit of that Murphy turns up here, “Being Eddie” might give us something we rarely get: Eddie talking like Eddie. — Josh Rottenberg

“Eddington” (HBO Max)

Joaquin Phoenix and Pedro Pascal in a scene from “Eddington.”

(A24)

Few films are as purpose-built to start arguments within a family as Ari Aster’s “Eddington.” (And even if you already saw the movie when it was released earlier in the year, it bears repeat viewing, especially in the context of the holidays.) Part contemporary Western, part social satire, the film will bring out PTSD vibes for its heightened, tense reenactment of the very specific mania of the early months of the COVID-19 pandemic. The mayor (Pedro Pascal) and sheriff (Joaquin Phoenix) of a small New Mexico town find themselves at odds over a variety of issues, as a tech company’s push to build a data center in the area looms over everything. If you think your weird relative has some strange ideas about the way the world works, fire up “Eddington” to really put them through their paces, as the film’s “everybody’s wrong” mindset is designed to expose the madness within us all. — Mark Olsen

“Nouvelle Vague” (Netflix), Directed by Jacques Rozier collection (The Criterion Channel)

Zoey Deutch as actress Jean Seberg in “Nouvelle Vague.”

(Photo from Netflix)

I’m not one for biopics, but as a person who owns “Slacker” on Blu-ray and has worn out a 1998 special issue of Cahiers du Cinéma focusing on the French New Wave, I was excited by the notion of Richard Linklater, the most European of American directors, re-creating the creation of Jean-Luc Godard’s 1960 breakthrough film “Breathless.” Appropriately presented in French, in period black-and-white and in the 4:3 aspect ratio, with look-alike stand-ins for Godard (Guillaume Marbeck) and stars Jean Seberg (Zoey Deutch) and Jean-Paul Belmondo (Aubry Dullin), “Nouvelle Vague” looks like a cinephile’s dream. I’ll watch it as a curtain raiser for my continuing exploration of the Criterion Channel’s celebration of director Jacques Rozier, whose long-form fictional films feel like cinéma vérité and whose 1963 “Paparazzi” documents the making of Godard’s “Contempt” and the news photographers fighting to get a shot of Brigitte Bardot. — Robert Lloyd

“KPop Demon Hunters” (Netflix)

Netflix and Sony Pictures Animation’s hit movie “KPop Demon Hunters” has gained a massive following since it was released in June.

(Netflix)

Is this the weekend I finally watch? That would be smart. I’ve already been berated by several scowling tweens, not to mention a few Oscar prognosticators, serene in their conviction that Netflix’s massive viral hit will leave the ceremony golden. Four of the animated movie’s earworms have cracked the Billboard Top 10 at the same time, a feat that could make a Gibb brother green with envy. In preparation for voting in some critics’ organizations, I’ll stream the movie at home, though I’m already wishing I’d gone to one of the film’s many sing-along screenings, just to feel the phenomenon firsthand. If you no longer recognize me on the other side, call it an occupational hazard. I’m done hiding, now I’m shining, like I’m born to be. — Joshua Rothkopf

“Billy Joel: And So It Goes” (HBO Max)

Billy Joel in concert circa 1977 as seen in “Billy Joel: And So It Goes.”

(HBO)

I have caught a few bits and pieces of this documentary while flipping channels, and always quickly switch it off. I’ve been a huge Billy Joel fan since “The Stranger” album and have seen him in concert a few times, including the show when he ripped up the Los Angeles Times’ review by music critic Robert Hilburn. The documentary is two parts and nearly five hours long, so I was determined to give it my full attention. Billy Joel is one of pop music’s treasures, and the ups and downs of his personal life should make for fascinating viewing. The bonus will be diving into the 155-track (!!!) playlist on Spotify that is a companion to the documentary. (HBO Max) — Greg Braxton

“Pluribus” (Apple TV)

Rhea Seehorn in “Pluribus.”

(Apple TV+)

Rhea Seehorn as a cranky, cynical, misanthropic writer who remains mysteriously immune, and super-angry, when an alien-generated RNA virus turns the world into one huge seemingly calm and helpful collective consciousness? Sign me right up. As Robert Lloyd points out in his excellent review, the hive mind is the most terrifying of all the sci-fi premises. The universal niceness that results here also seems very much at odds with it being a melting pot of all human experience so I can’t wait to see what creator Vince Gilligan (“Breaking Bad”) is going to do with that. But early glimpses of Seehorn’s Carol fighting for her, and humanity’s, right to be prickly and pissed off promises all kinds of insights into the difference between empathy and sedation, not to mention a fabulous chance to watch Seehorn shine as one of many women on TV today who are willing to state the obvious even when it appears no one is listening. — Mary McNamara

“Paradise” (Hulu, Disney +)

James Marsden and Sterling K. Brown in a scene from “Paradise.”

(Brian Roedel / Disney)

This Hulu drama caught my attention when it hit the streamer early this year, but at the time, I was already knee-deep in theories about Lumon as I dove into the second season of “Severance.” I couldn’t handle a political conspiracy thriller on top of that. Created by Dan Fogelman (“This Is Us,” “Crazy, Stupid, Love”), the series stars Sterling K. Brown as Xavier Collins, a secret service agent accused of killing the president, Cal Bradford (James Marsden). The murder and the search for the true killer unfold inside an underground community after a massive catastrophe threatens the extinction of the human race. So, that’s obviously a lot. But I’m never one to turn down a series that keeps you guessing — and my colleague Robert Lloyd confirmed in his review that this one does just that. I’ve also had enough people whose taste I trust recommend “Paradise” to me that I think it’s time to tune in. And it’s getting a second season that’s expected to arrive sometime in 2026. If anything, I’m just curious to see Fogelman’s take on this genre. Plus, I’ll watch anything Marsden or Brown are in. — Kaitlyn Huamani

“Adventure Time: Fionna and Cake” (HBO Max)

A still from Season 2 of “Adventure Time: Fionna and Cake.”

(HBO)

What’s Friendsgiving if not a time to reconnect with longtime pals who you might not get to see as often as you like? That’s why I’ll be spending my long weekend catching up on Season 2 of “Adventure Time: Fionna and Cake.” This spinoff of the acclaimed Cartoon Network series features gender-swapped versions of beloved “Adventure Time” characters — Finn and Jake — who are endearing in their own right. The first season of the show involved Fionna, a young woman with an unfulfilling job living paycheck to paycheck along with her pet cat, Cake, discovering that her world was an unauthorized creation of a cosmic entity. The pair then set off on a magical, multiversal journey to save it. There’s admittedly quite a bit of “Adventure Time” lore involved, but yearning for a fantastic escape from the daily stresses of a fairly mundane life is pretty relatable even if you aren’t personally acquainted with recovering ice wizards. The show is charming and weird and all about friendship — a cozy comfort I am definitely looking forward to getting wrapped up in again. — Tracy Brown

“Companion” (HBO Max, Prime Video)

Sophie Thatcher in the sci-fi thriller “Companion.”

(Warner Bros. Pictures)

The poster for “Companion” put me off due to a personal jinx: I don’t trust horror movies where the heroine has perfect hair. Usually, I dodge some dreck. But all year long, people have elbowed me to catch up with Drew Hancock’s debut about a nervous beauty (“Yellowjackets’” Sophie Thatcher) stuck in a vacation house with her newish boyfriend (Jack Quaid) and his cruel and snobby best pals. Produced by Zach Cregger of “Barbarian” and “Weapons,” it’s apparently an energetic, empathetic thriller packed with twists. If you like watching movies blank (as I do), don’t Google it. Spoilers abound. But “Companion” is streaming, and has been on every in-flight entertainment system I’ve come across since May. Assuming it lives up to the buzz, I may have to rewire my own codes. — Amy Nicholson

“All Her Fault” (Peacock)

In the series, Dakota Fanning and Sarah Snook play working mothers Jenny and Marissa.

(Peacock)

Upper-class mess is my favorite genre of TV. So I’ve been desperate to dig into this series that people in my orbit promise is one of this year’s most addicting shows. Based on a novel by Andrea Mara, the psychological thriller stars Sarah Snook as a mom who goes to pick up her son from a play date, only to be greeted by a stranger who claims there is no one there by that name. Uh, what? Twists and turns ensue from there in this deep dive of what it’s like being a working mother. Spoiler alert: It apparently gives a striking portrayal of male ego and incompetence, and how that shapes the lives of women around them. Gee, wonder what that’s like. The series also stars Dakota Fanning, Jake Lacy and Jay Ellis. — Yvonne Villarreal

“The Chair Company” (HBO Max)

Tim Robinson stars in HBO’s “The Chair Company.”

(Sarah Shatz / HBO)

Have you ever been slighted at work? Did you ever think it was part of a conspiracy to take you down? If the answer is no, you might be a normal person and this show may not be for you. But if you’ve ever wondered if something small could be much bigger, and if you get some sick satisfaction from going down rabbit holes on the internet to find answers to your questions, then this show is for you. “The Chair Company” is the latest series to come from comedic writers Zach Kanin and Tim Robinson, who stars as Ron, a man who becomes obsessed with reaching the manufacturer of the office chair he unexpectedly broke, leading him down a bizarre path involving an empty warehouse, a giant red ball and Jeeps. With the finale airing Sunday, it’s the perfect time to catch up on the show (episodes are only a half hour each). It’s already been renewed for a second season, which makes me wonder if we’ll get to the bottom of Ron’s mystery or if the chair will be pulled out from under us. — Maira Garcia

Nov. 26 (UPI) — Officials with the U.S. Air Force and the Republic of Korea Air Force met this month to coordinate security efforts for the first time in 72 years.

Respective leaders of the USAF and the ROKAF military police units convened in Washington on Nov. 14 to strengthen relationships, assess security risks and explore mutual training opportunities, USAF officials announced on Tuesday.

USAF Security Forces Director Brig. Gen. Brian Filler and ROKAF Military Police Agency commander Col. Jongsun Woo also met in Washington.

“Our fruitful discussions highlighted the bond between our forces,” Filler said. “This is not merely a tactical alliance, but a vital strategic partnership forged in shared commitment, mutual respect and a common purpose.”

“By strengthening our relationship through combined training, knowledge sharing and unified strategic planning, we aim to build a robust and resilient deterrent against any potential threat to our collective security,” Filler added.

The visit included a trip to Joint Base Andrews in Maryland, where Filler and Woo met with the 316th Security Forces Group commander and others, examined counter-small unmanned aircraft systems, observed a military working dog demonstration and learned about the work done by the Ravens special-asset force that protects Air Force locations, equipment and staff.

“The site visit was an opportunity to demonstrate security forces competencies, not only our everyday battle rhythm but our warfighting capabilities as well,”316th SFG commander Col. Joseph Bincarousky said.

“It was interesting to compare and contrast our forces,” Bincarousky added. “We discussed opportunities for partnership between our air forces’ security forces.”

He said the discussion included how they could train together and learn from each other’s respective strengths and challenges.

Such discussions helped to emphasize the relationship between the USAF and the ROKAF, their commitment to collaborative defense and the continued importance of “interoperability in maintaining peace and stability,” Filler said.

“I look forward to furthering the ability of our forces to operate in a combined environment and expand training opportunities to establish a cohesive force able to withstand the uncertainties of emergent threats in the Indo-Pacific,” Filler added.

The British Army has suspended the use of its controversial new Ajax armored fighting vehicles after dozens of soldiers became ill after riding in them. The U.K. Ministry of Defense confirmed that “around 30 personnel presented noise and vibration symptoms” following an exercise involving the tracked vehicles.

The Ministry of Defense said that the Army immediately put a two-week pause on using Ajax, following Exercise Iron Fist conducted on Salisbury Plain over the weekend. The ministry added that the “vast majority” of the soldiers affected “have now been medically cleared and are continuing on duty.” Others, however, “continue to receive expert medical care.” The statements were provided to Sky News by a Ministry of Defense spokesperson. Reportedly, the affected soldiers spent between 10 and 15 hours in the vehicles.

The decision was made by Luke Pollard, the defense procurement minister, and will now see a safety investigation carried out on the armored fighting vehicles. In the meantime, the Ministry of Defense said that “a small amount of testing of the vehicle will continue, in order to ensure that any issues can be identified and resolved.”

Speaking at Rusi, Luke Pollard said that safety was a “top priority” for the MoD and that’s why he ordered training be paused on Ajax until the military can establish the cause of the issues. He said he declared the vehicles safe earlier this month based on written evidence…

— Larisa Brown (@larisamlbrown) November 25, 2025

Perhaps most troubling is the fact that these kinds of issues are by no means new for the vehicle.

In the summer, soldiers were hospitalized after suffering hearing and other injuries caused by loud noise and vibrations inside the vehicles.

Earlier this month, the Ministry of Defense confirmed that a “small number” of soldiers had reported noise and vibration issues after trials that involved three variants of the tracked vehicle.

#1 Another wave of Ajax noise & vibration (N&V) chatter has followed IOC. I’m not going to weigh in on either side, but here’s how we might spot if N&V issues are real or rumour – an off-the-cuff thread. pic.twitter.com/OIqEy22Vkt

— Jon Hawkes (@JonHawkes275) November 26, 2025

However, a ministry spokesperson also told Deborah Haynes of Sky News that, following an investigation, “no systemic issues were found.”

Also in November, defense procurement minister Pollard said that “After all the problems [Ajax] may have had in the past, we have put those to bed now.”

Pollard was speaking as the Ministry of Defense announced the initial operating capability (IOC) for Ajax. This milestone required a squadron of 27 vehicles ready to deploy on operations from a pool of 50. By this point, 165 of the vehicles had been delivered from a total of 589 on order, in six different versions (Atlas armored recovery vehicle, Apollo armored repair vehicle, Ares armored personnel carrier, Ajax reconnaissance vehicle, Athena command post vehicle, and Argus engineering vehicle).

Ajax is a disaster.

It’s incredible that the platform was signed off for Initial Operating Capability given the ongoing issues with injuries to vehicle crews.

Coupled with the lack of clarity about how Ares and Athena will be used by the Infantry, our armoured capability is in… pic.twitter.com/7jJYr6bYiT

— Ben Obese-Jecty MP (@BenObeseJecty) November 25, 2025

The nature of the noise and vibration problem was already well known by that point.

In 2021, the Ministry of Defense published a review that revealed that, for almost two years, senior officers and ministry officials were aware of problems with the vehicles that put troops at risk.

The same review noted that, although the potential for hearing damage had been identified in December 2018, it wasn’t until November 2020 that trials were suspended for the first time. A year later, more than 300 soldiers had been offered hearing tests, and 17 of them were still receiving specialist treatment.

As well as these problems, the Ajax program has seen serious delays.

At one point, IOC was expected in 2017. In June 2021, the Ministry of Defense said that, although IOC had been delayed by another year, it had “90 percent confidence” that it would be declared in September 2021. Ultimately, the Army would have to wait until November 2025 for that milestone.

The summer of 2021 also saw a damning report into Ajax from the Royal United Services Institute (RUSI), a British defense and security think tank.

That report described it as a program in crisis, highlighting the vehicle’s excessive noise and vibration and asking what it said were the two fundamental questions about Ajax: “Whether the vehicle can be fixed, and whether it is worth saving.”

The RUSI report also provided more details on how the noise and vibration issues manifest themselves.

Taking noise first, RUSI reported that the main problem was due to the integration of the Bowman headsets for the crew radios. These headsets picked up the engine noise from what “has long been recognized as a noisy vehicle” and put the sound directly into the crews’ ears. While that problem can clearly be fixed with different headsets, it does raise alarming questions about how these noise tests were carried out.

Second and more worrying is the vibration issue, which is at least partly derived from problems with quality control in the fabrication of the vehicle hulls by General Dynamics Land Systems UK (GDLUK). The vibration not only leads to significant crew discomfort but also has other effects: “Preventing the main armament from stabilizing on the move, damaging the electronic systems that make Ajax a step-change in capability, and leading to a high rate of component failure, with the idler and rear road wheels shearing off with concerning regularity.”

If the future of the Ajax program was questionable in 2021, it is even more precarious now.

What is clear is that the British Army badly needs modern armored fighting vehicles.

The Ajax is the first new tracked armored fighting vehicle for the Army in almost 30 years. Some of the equipment it’s replacing, like the FV432 armored personnel carrier dates back to the 1960s.

Armed with a 40mm main gun, the Ajax is based on the ASCOD 2 armored fighting vehicles used by Spain and Austria and was selected by the United Kingdom in 2010 as the winner of the Future Rapid Effect System contract.

Ajax was never based on a “proven design” – it was based on Pizarro II which had been cancelled in Spain a couple of years before UK selection as a result of the Global Finacial Crisis. In effect, it wasn’t even based on a paper design. And then saw over 1400 design changes… https://t.co/RzmGQmdZ9K

— Francis Tusa (@FTusa284) November 26, 2025

The GDLUK proposal fought off competition from the rival CV90 offered by BAE Systems.

That saddest thing about this is that in a sane world the CV90 in UK service would be getting its major mid-life upgrade about now and we’d be planning for its replacement. https://t.co/wMlEF42WkM

— Defence With A ‘C’ (@defencewithac) November 26, 2025

The service’s most modern tracked infantry fighting vehicle, the Warrior, entered service in 1988. In 2021, the Ministry of Defense announced its intention to replace the Warrior with the Boxer, an 8×8 wheeled armored personnel carrier, which would appear to make the introduction of a new tracked IFV all the more urgent.

On the other hand, the decision to give up the Warrior shows that armored infantry is no longer a core capability within the British Army.

As the RUSI report states:

“If grouped within the Heavy Brigade Combat Teams alongside Challenger 3, Ajax cannot deliver infantry to the objective and cannot perform the divisional reconnaissance function. Alternatively, if made part of the Deep Recce Strike Brigade Combat Team, Ajax will struggle to be sustained operating independently. Ajax’s inability to peer-to-peer recover also makes it a poor independent unit, while its weight, complexity, and size make it hard to deploy with lighter forces, despite the British Army seeking to operate further afield with greater frequency.”

With a total program cost of £5.5 billion (around $7.3 billion), this is a huge investment for a vehicle the importance of which within the British Army is somewhat unclear, and which still has unresolved issues that can threaten the health of soldiers. That price tag also doesn’t consider the costs of any future technical fixes to the vehicle.

As it stands, the British Army will use Ajax primarily as a reconnaissance vehicle, a mission that it doesn’t appear immediately suited to, based on its considerable size and weight. The situation would have been different if the Army had planned to retain the Warrior IFV. After all, when Ajax was first drafted, it was expected to work in support of Warrior.

Since the Ajax program was launched, drones have also significantly reshaped the battlefield. Not only do drones offer a cheaper, more survivable, and more flexible way of conducting reconnaissance, including from standoff distances, but the presence of attack drones adds a new dimension of threat to vehicles like Ajax.

⚙️ There will be a huge amount of pressure to move from Ajax to a raft of pet-favourite IFV’s for Armoured Infantry.

We must resist knee-jerk reactions. A series of entirely sensible short term decision making is part of the reason the Army is where it is. We need a longer term,… https://t.co/f596X0A4qS pic.twitter.com/WX8F8yc8S3

— The Other Chris (@TotherChris) November 26, 2025

Although the Ministry of Defense says that Ajax’s armor is designed to protect against at least some kinds of kamikaze drones, it also admits that the vehicles have yet to be fitted with electronic countermeasures to defeat such threats.

This would seem to be a prerequisite for any kind of operational capability, which makes it all the more puzzling that the Ministry of Defense is already talking about deploying Ajax as part of a future British Army presence in Ukraine, provided there is a ceasefire and an agreement covering such a force.

“When we have the ability to deploy incredibly capable platforms like Ajax and the brilliant men and women trained to use it to its fullest effect,” Pollard told Sky News, “there’s a clear opportunity for us to be able to enhance NATO’s capabilities on the eastern flank and any coalition of the willing deployment potentially in the future.”

Before that happens, the longstanding problems related to vehicle noise and vibration will have to be resolved, and a comprehensive counter-drone system will need to be installed. But with the latest pause on its use, it’s increasingly questionable if the Ajax program will survive long enough for that to happen.

Contact the author: [email protected]

The cast spent two weeks in the former British colony to film the storyline involving harrowing scenes of death and destruction but also of love and hope

The Call the Midwife Christmas specials were nearly thrown off course by a force 10 typhoon during filming in Hong Kong. But while the cast were ordered to stay in their hotel rooms and not venture out for two days, the filming was completed and now viewers will have not one but two specials on BBC1, airing on Christmas Day ad Boxing Day.

In the plot, half of the Nonnatus House medics make a mercy dash to Hong Kong after the mission building collapses, causing fatalities and leaving the orphans and expectant mothers with nowhere to go.

There is further danger when the nuns have a run-in with gun-toting gangsters and are threatened by a triad leader who steals the keys to the new building they have just secured for the mission.

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Jenny Agutter, who has played head nun Sister Julienne since the series launched in 2012, said that filming in Hong Kong was hampered by a typhoon so severe they were ordered to stay inside their hotel rooms and not leave.

“The winds became really bad on the Saturday night, when we weren’t working but we were told to be careful because it was going to get bad. In the early hours of the morning, it really was stronger. On Sunday, they said not to open the curtains of the hotel in case anything hit the window. But we were facing the water so there was little chance. Of course, I had a jolly good look outside because it was rather amazing seeing all the water whipped up.”

Jenny, 72, said that the Christmas special felt “quite epic” for being set in two locations many thousands of miles apart. “Hong Kong is a very peculiar, complex place. It’s no longer cosy because in many ways, not unlike we are today with the changes that are happening, it feels a little dangerous. What makes it easier is this community that are cohesive and are actually supportive.”

Annabelle Apsion, who plays Poplar’s Mayor and haberdasher Violet Buckle, said the storm was thrilling. “Our hotel looked out over the sea and you could see things going down the streets, it was exciting. I was in Hong Kong 35 years ago for Soldier, Soldier so it was amazing to go back all these years later. It was boiling hot so we had fans on us all the time because otherwise the perspiration would have shown on camera.”

Cliff Parisi, who plays her husband Fred, said he hadn’t been keen to fly half way around the world – but was glad when he did. “Hong Kong was extraordinary, a real eye opener. I’ve never been that far east before. I’ve always wanted to go but I don’t like flying long-haul. Of course, I went because it was work. But I got there, and we had the most fabulous time.”

“I do my own research so I became very immersed in the world of Chinese-Hong Kong organised crime,” Heidi, 63, explained. “I had to make up names of gangsters and gangs and when I handed the script over to our Triad advisor – which we’ve never had before – I got the message back that the names I’d chosen were so realistic that I’d have to change them or we’d all be in trouble. I was quite pleased with myself.”

Next year will see the hugely popular series take a break, while a prequel set in 1939 is made, featuring young versions of Sister Julienne (Jenny Agutter), the late Sister Evangeline (Pam Ferris) and Sister Monica Joan (Judy Parfitt).

But ahead of that comes the dramatic two-part Christmas special followed by and the 15th series set in Poplar, where the year has reached 1971.

At Christmas, the younger nurses left behind in London make the most of their freedom by throwing a party in Nonnatus House involving cocktails, cross-dressing and a cramped game of sardines.

Helen George, who plays Trixie Aylward, said she didn’t mind not going to Hong Kong. “I get to wear an angel costume to the carnvial. It’s probably the favourite costume I’ve ever worn. It’s got a 1970s twist. It’s a beautiful white coat with a fur trim and angel wings coming out of the back, and then these really cool glittery stars. For me, it was a lot of fun dressing up.”

But Laura Main, who plays Shelagh Turner, said she had loved every second of filming abroad. “It was just a life highlight, if I’m honest. All the places I’ve been over the past 15 years – South Africa, the Outer Hebrides, and now Hong Kong. What this show has allowed me to be part of is just amazing and I’m so grateful for it.”

– Call the Midwife, BBC1, Christmas Day and Boxing Day

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International Rights Advocates also sued Tesla for a similar issue, but that case was dismissed.

A United States-based advocacy group has filed a lawsuit in Washington, DC, accusing Apple of using minerals linked to conflict and human rights abuses in the Democratic Republic of the Congo (DRC) and Rwanda despite the iPhone maker’s denials.

International Rights Advocates (IRAdvocates) has previously sued Tesla, Apple and other tech firms over cobalt sourcing, but US courts dismissed that case last year.

French prosecutors in December also dropped a case filed by the DRC against Apple subsidiaries over conflict minerals, citing lack of evidence. A related criminal complaint in Belgium is still under investigation.

Apple denied any wrongdoing in response to the DRC’s legal cases, saying it had instructed its suppliers to halt the sourcing of material from the DRC and neighbouring Rwanda.

It did not immediately respond to requests for comment on the latest complaint.

IRAdvocates, a Washington, DC-based nonprofit that tries to use litigation to curtail rights abuses, said in the complaint filed on Tuesday in the Superior Court of the District of Columbia that Apple’s supply chain still includes cobalt, tin, tantalum and tungsten linked to child and forced labour as well as armed groups in the DRC and Rwanda.

The lawsuit seeks a determination by the court that Apple’s conduct violates consumer protection law, an injunction to halt alleged deceptive marketing and reimbursement of legal costs but does not seek monetary damages or class certification.

The lawsuit alleges that three Chinese smelters – Ningxia Orient, JiuJiang JinXin and Jiujiang Tanbre – processed coltan that United Nations and Global Witness investigators alleged was smuggled through Rwanda after armed groups seized mines in the eastern DRC and linked the material to Apple’s supply chain.

A University of Nottingham study published in 2025 found forced and child labour at DRC sites linked to Apple suppliers, the lawsuit said.

Ningxia Orient, JiuJiang JinXin and Jiujiang Tanbre did not immediately respond to requests for comment.

The DRC – which supplies about 70 percent of the world’s cobalt and significant volumes of tin, tantalum and tungsten used in phones, batteries and computers – did not immediately respond to a request for comment. Rwanda also did not immediately respond to a request for comment.

Apple has repeatedly denied sourcing minerals from conflict zones or using forced labour, citing audits and its supplier code of conduct. It said in December that there was “no reasonable basis” to conclude any smelters or refiners in its supply chain financed armed groups in the DRC or neighbouring countries.

Congolese authorities said armed groups in the eastern part of the country use mineral profits to fund a conflict that has killed thousands of people and displaced hundreds of thousands. The authorities have tightened controls on minerals to choke off funding, squeezing global supplies.

Apple says 76 percent of the cobalt in its devices was recycled in 2024, but the IRAdvocates lawsuit alleged its accounting method allows mixing with ore from conflict zones.

On Wall Street, Apple’s stock was up 0.8 percent.

AMERICAN Pie star Tara Reid told police she was drugged at a Chicago hotel bar – ending in a hospital dash with the star in a concerning state.

Distressing footage shows the actress, 50, looking unwell as she sits in a wheelchair, before being stretchered out by paramedics on Saturday night.

The Rosemont Public Safety Department confirmed on Tuesday that the actress had filed a report.

Reid has vowed she is willing to prosecute anyone involved.

The 90s film pin-up said the night was a “big blur”, but insisted she had only had one drink before being taken ill.

Speaking to TMZ Live on Tuesday, she recounted leaving her drink in the hotel bar to go for a smoke, and returning to find a napkin covering it that hadn’t been there when she left it.

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She said: “And then I drank my drink, and without even finishing my drink, I just passed out. And before I knew it, I was in the hospital eight hours later.”

The person who filmed the episode told the publication that Reid was yelling: “You don’t know who I am. I am famous. I’m an actress,” before medics arrived.

Tara was allegedly told by hospital doctors that she had been drugged, though said no tests were undertaken to determine what the drug was or her blood alcohol level.

She continued: “It was all kind of vague. It was all like very blurry, do you know what I mean? I can’t even explain it because I don’t even know what happened.”

When she came around, Tara left hospital with her agent and went straight to a signing before heading home.

A representative for the star said: “Tara Reid has filed a police report after an incident in which she believes her drink was tampered with.

“She is cooperating fully with the investigation. Tara is recovering and asks for privacy during this traumatic time.

“She also urges everyone to be careful, watch your drinks and never leave them unattended, as this can happen to anyone. She will not be making further comments at this stage.”

Tara’s screen career began in the 90s with small roles in the soap opera Days of Our Lives and teen sitcom Saved by the Bell: The New Class.

In 1998 she appeared in slasher flick Urban Legend, teen drama Cruel Intentions and cult hit crime comedy The Big Lebowski.

But it was as sexy virgin Vicky in American Pie and its sequels that really made her famous.

Tara’s career stalled in the mid-2000s with a string of critical and commercial flops including Josie and the Pussycats, Van Wilder and Alone in the Dark, for which she received a Razzie Award nomination for Worst Actress.

To make matters worse, she suffered two botched plastic surgery procedures in 2004, including breast implants and a body contouring procedure meant to give her a six-pack.

She later said she’d asked the surgeon for B cups, but he gave her Cs, and told US Weekly: “My stomach became the most ripply, bulgy thing. I had a hernia, this huge bump next to my belly button.

“As a result, I couldn’t wear a bikini. I lost a lot of work.”

She swapped the big screen for reality TV appearing in travel show Taradise and Celebrity Big Brother in the UK.

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In 2023 she appeared in Special Forces: World’s Toughest Test and was cruelly body-shamed over her slim figure.

She hit back in the Los Angeles Inquisitor, “So stop it. Leave me alone. Pick on me again on something else, but not on those two things. It’s not right.”

Nov. 26 (UPI) — Brazil is preparing to end the year with a grain harvest that could make history.

According to official estimates, the country could surpass 340 million metric tons of cereals, legumes and oilseeds in 2025, providing a significant economic boost amid global food uncertainty.

The latest figures from the Brazilian Institute of Geography and Statistics place expected production at 345.6 million metric tons in 2025, marking an increase of 18.1% over the previous season.

Officials attribute the gains to expanded planted areas, productivity improvements and relatively favorable weather conditions in the country’s main agricultural regions.

At the same time, the National Supply Company has projected a volume of 354.8 million metric tons for the 2025-26 season, supported by a 3.3% increase in cultivated area to 84.4 million hectares.

The estimated yield is 4,203 kilograms per hectare, although the agency warned that weather conditions remain critical to crop development.

Soybeans and corn will remain the main drivers of Brazil’s agricultural sector.

Brazil’s grain boom is reshaping global food costs. Backed by a powerful agribusiness lobby, Brazilian farmers have responded by increasing yields and planting in new regions, while port and rail operators race to keep goods moving, Agência Brasil reported.

However, the sector’s performance is not free of challenges. International pressure for environmental traceability and the implementation of the European Union Deforestation Regulation could raise regulatory costs for soybean and beef exporters that supply the European market.

Although the impact will be gradual, analysts warn that Brazilian producers will need to adapt to avoid losing ground in one of the world’s highest-income markets.

While producers argue that export growth supports Brazil’s trade surplus, rural employment and a relatively strong currency, environmental groups counter that expanding soybean and corn production risks driving deforestation and increasing pressure on traditional communities.

Still, the consensus among government agencies and international consultancies is that Brazil will end the year with one of the strongest harvests in its history, reinforcing its image as the “breadbasket of the world” and increasing agribusiness’s share of GDP.

Experts note that for ordinary consumers abroad, these dry-tonnage figures matter more than they appear. When Brazil exports more corn, soybeans and cornmeal, livestock feed costs can fall, which in the long run helps contain the prices of meat, dairy and cooking oil.

When the flow slows, the opposite occurs, and the effects can be felt in supermarket aisles from São Paulo to Shanghai.

British Chancellor Rachel Reeves announced the latest budget on Wednesday, setting out sweeping tax hikes which are projected to raise 26.1 billion pounds ($34.4bn) for the public purse by 2030.

The budget had been highly anticipated as a “make or break” moment for the UK’s governing Labour party, which has grappled with poor polling over the past year. Earlier this year, an opinion poll by YouGov found that if an election were to be held now, the far-right Reform UK Party, which takes a hard line on immigration, would come to power.

In an embarrassing turn, the country’s Office for Budget Responsibility (OBR) published its economic outlook as a result of the budget on its website two hours before the announcement – something it never normally does until afterwards. Reeves called the blunder “deeply disappointing” and a “serious error”.

Reeves acknowledged that the tax rises – to be paid in large part by freezing existing income tax thresholds, meaning more people will pay higher tax as their incomes rise with inflation – would adversely affect working people. This breaks a key pledge Labour made in its manifesto before last year’s general election.

“We are asking everyone to make a contribution,” Reeves told parliament.

However, she said the tax rises would help pay for nearly 22 billion pounds ($28.9bn) in fiscal headroom within five years. Reeves also said government borrowing would fall each year. Borrowing in 2025-26 is expected to be 138.3bn pounds ($183bn), falling to 112.1 billion pounds ($148.3bn) the year after and to 67.2 billion pounds ($88.9bn) by 2031.

While the UK’s budget deficit is forecast at 28.8 billion pounds for the financial year 2026/2027, Reeves said this would move to surplus in 2028 and forecast a 24.6 billion pound ($32.55) surplus for 2030/2031.

That will pay for welfare spending and means there “will be no return to austerity measures”, Reeves said.

“I said there would be no return to austerity, and I meant it. This budget will maintain our investment in our economy and our National Health Service. I said I would cut the cost of living, and I meant it. This budget will bring down inflation and provide immediate relief for families. I said that I would cut debt and borrowing, and I meant it,” Reeves said.

Here are five key takeaways from this budget.

1. Labour broke its promise not to raise taxes for working people

Reeves raised taxes by about 40 billion pounds ($52.6bn) in last year’s budget – the biggest hike in revenue-raising measures in decades – in what she said would be a one-off needed to put the government’s finances on an even keel.

This time around, while she did not increase income tax or National Insurance Contributions for working people, she did extend a freeze on the income thresholds at which tax must be paid.

This means that more people will be dragged into higher tax brackets as their income rises with inflation. The move will pull 780,000 more people into paying basic-rate income tax for the first time by the 2029-2030 fiscal year along with 920,000 more higher-rate taxpayers and 4,000 additional-rate payers.

“This ‘fiscal drag’ means that hundreds of thousands will start paying income tax for the first time, and all existing taxpayers will face higher liabilities,” Irem Guceri, associate professor of economics and public policy at Oxford University’s Blavatnik School of Government, said.

The previous Conservative government had already frozen these thresholds until 2028. Reeves, who was highly critical of that action at the time – saying it hurt working people – now plans to extend that to 2031.

“I know that maintaining these thresholds is a decision that will affect working people,” she said. “I said that last year, and I won’t pretend otherwise now.”

“I can confirm that I will not be increasing National Insurance, the basic, higher or additional rates of income tax or VAT [value added tax]”, the chancellor added.

Reeves said she will also target wealthier people via a “mansion tax” on those who own property worth more than 2 million pounds ($2.65m) and is reducing the amount of tax relief some higher earners can obtain on pension contributions. She also announced a 2 percentage point increase in tax rates on rental income, dividends and capital gains.

Nigel Green, chief executive of the financial advice firm DeVere, said these moves will have wider “behavioural impacts”. “People make long-term decisions about where to work, where to build wealth and where to retire,” he said.

“When rules around pensions tighten sharply, it undermines confidence in the broader system. Wealth moves where governments show stability over decades, not sudden extractions,” he added.

Following the announcement, Kemi Badenoch, leader of the opposition Conservative party, described Reeves decision to raise taxes, despite promising not to do so again, as “a total humiliation”.

2. Labour will spend money on welfare

One of the highly anticipated announcements of the budget was the scrapping of the two-child benefit cap from April 2026. Currently, parents can only claim special tax credits worth about 3,455 pounds ($4,571) per child for their first two children. The cap was imposed by the previous Conservative government. Reeves said this would lift thousands of children out of poverty.

“The removal of the two-child limit in child benefit is likely to provide significant support to families currently living in poverty,” Guceri said.

Experts said the move would appeal strongly to Labour Party backbenchers. “The two-child benefit cap is widely despised among rebellious Labour MPs as a major contributor to child poverty,” said Colm Murphy, senior lecturer in British politics at Queen Mary University, London. “Repeal was critical for Reeves to have any chance of political survival.”

Gregory Thwaites, research director at Resolution Foundation (RF), a British think tank that focuses on improving living standards, also said the move was a positive step towards reducing child poverty in the UK.

“That’s something that we’ve been campaigning for RF for some time, and we’re very pleased to see that. And then there are some welcome reforms to the tax system, as well. So, for example, charging the people who own very expensive properties a bit more money that will, that’s very welcome, as well,” Thwaites told Al Jazeera.

“Ultimately, budgetary responsibility should not just be seen in terms of fiscal balance but also measures of broader wellbeing,” said professor Jasper Kenter, professorial research fellow at Aberystwyth Business School. “Lifting the two-child benefit cap is important in this regard.”

GMB workers’ union General Secretary Gary Smith welcomed Reeves’s decision to tax wealth and to increase welfare spending, calling this budget the “final nail in the coffin for the Conservatives’ failed austerity project”.

“Key public services, essential national infrastructure, and communities across the UK suffered deep wounds because the Tories made the wrong economic choices – we must never go back to those dark days,” a statement from Smith read.

“The challenge for Labour is to grip the task of rebuilding our economy and country, lock in essential investment to create growth, and start bringing a bit of hope to people,” the statement added.

3. UK’s hated ‘rape clause’ will be scrapped

Reeves said she would scrap the so-called “rape clause”, which exempts women from the two-child benefit cap policy if they can prove their child was conceived non-consensually.

She described the exemption requirement as “vile, grotesque, dehumanising, cruel”.

“I’m proud to be Britain’s first female chancellor,” Reeves told parliament. “I take the responsibilities that come with that seriously. I will not tolerate the grotesque indignity to women of the rape clause any longer.”

4. Slower-than-expected economic growth forecast

In response to the budget, the OBR upgraded its forecast for economic growth for this year from 1 percent to 1.5 percent.

However, it downgraded economic growth for the following four years. GDP growth in 2026 is now expected to be 1.4 percent (down from 1.9 percent), while the OBR has downgraded its forecast for each of 2027, 2028 and 2029 to 1.5 percent (down from approximately 1.8 percent).

Much of the downgrade stems from lower expectations for productivity growth. Reeves insisted the sluggish outlook was the legacy of the previous Conservative government, however.

Reeves also announced a freeze on fuel duty and rail fares, as well as support with energy bills, causing the OBR to revise inflation down by 0.4 percentage points for next year, Guceri said. However, the OBR revised up its forecast for this year to 3.5 percent, “reflecting stronger real wage growth and persistent food price pressures”, she added.

5. The pound and financial markets responded positively

Sterling rose by 0.3 percent against the dollar to $1.3213 just in advance of the budget announcement, before settling back to roughly where it started by the end of it.

London’s blue-chip FTSE index and the FTSE 250 index rose by about 0.6 percent each in the wake of the budget.

“So far, markets showed little reaction to the Budget – something the Chancellor will view as a success,” Guceri said.

BANGKOK — A court in Thailand said Wednesday that it has issued an arrest warrant for a co-owner of the Miss Universe Organization in connection with a fraud case.

Jakkaphong “Anne” Jakrajutatip was charged with fraud then released on bail in 2023. She failed to appear as required in a Bangkok court on Tuesday. Since she did not notify the court about her absence, she was deemed to be a flight risk, according to a statement from the Bangkok South District Court.

The court rescheduled the hearing for Dec. 26.

According to the court’s statement, Jakkaphong and her company, JKN Global Group Public Co. Ltd., were sued for allegedly defrauding Raweewat Maschamadol in selling him the company’s corporate bonds in 2023. Raweewat says the investment caused him to lose $930,362.

Financially troubled JKN defaulted on payments to investors beginning in 2023 and began debt rehabilitation procedures with the Central Bankruptcy Court in 2024. The company says it has debts totaling about $93 million.

JKN acquired the rights to the Miss Universe pageant from IMG Worldwide LLC in 2022. In 2023, it sold 50% of its Miss Universe shares to Legacy Holding Group USA, which is owned by a Mexican businessman, Raúl Rocha Cantú.

Jakkaphong resigned from all of the company’s positions in June after being accused by Thailand’s Securities and Exchange Commission of falsifying the company’s 2023 financial statements. She remains its largest shareholder.

Her whereabouts remain unclear. She did not appear at the 74th Miss Universe competition, which was held in Bangkok earlier this month.

This year’s competition was marred by various problems, including a sharp-tongued scolding by a Thai organizer of Fátima Bosch Fernández of Mexico, who was crowned Miss Universe 2025 on Nov. 19. Two judges reportedly dropped out, with one suggesting that there was an element of rigging to the contest. Separately, Thai police investigated allegations that publicity for the event included illegal promotion of online casinos.

On Monday, JKN denied rumors that Jakkaphong had liquidated the company’s assets and fled the country, but there has been no immediate reaction regarding the arrest warrant. She could not be reached for comment.

Jakkaphong is a well-known celebrity in Thailand who has starred in reality shows and is outspoken about her identity as a transgender woman.

Saksornchai writes for the Associated Press.

Pope Leo XIV spoke about his upcoming first foreign trip as pontiff, a day before he is set to depart to Turkiye and Lebanon “to visit the beloved peoples of those countries rich in history and spirituality”.

It has been a whiplash-inducing month for the American rancher, one of United States President Donald Trump’s most steadfast voting blocs.

Starting with an October 19 quip from Trump that the US would increase beef imports from Argentina to the ensuing rancher backlash against the announcement of an investigation into the hyperconsolidated US meatpacking industry and the dropping of tariffs on Brazilian beef, ranchers have found themselves caught between the president’s desires to appease both them and the American consumer in the face of high beef prices.

US ranchers have enjoyed rising cattle prices, largely the result of the lowest herd numbers for beef cattle since the 1950s. Other factors constricting supply include the closure of the Mexican border to live cattle due to concerns over screwworm and steep tariffs on foreign beef.

Cattle prices paid to ranchers are separate from consumer beef prices, which, as of September, were $6.32 for a pound (453 grams) of ground beef, an 11 percent rise from September 2024 when they were $5.67 a pound. The Bureau of Labor Statistics did not release economic data, including the consumer price index for last month, because of the government shutdown.

Trump had no patience for the typically loyal ranchers objecting to his plan to import more Argentinian beef, which they saw as a threat to their recent economic gains.

“If it weren’t for me, they would be doing just as they’ve done for the past 20 years – Terrible! It would be nice if they would understand that,” Trump wrote in an October post on his Truth Social platform.

While Corbitt Wall, a commercial cattle manager and market analyst, is clear that he “totally supports Trump and everything he does”, he also saw hubris and a misunderstanding of the cattle industry by the president.

“There was not a person in the cattle business on any level that was not insulted by that post,” he told Al Jazeera.

Wall religiously follows prices across the cattle trade from ranch to slaughterhouse and has watched the futures market for cattle slide down by more than 15 percent since Trump’s October 21 announcement.

Futures prices dictate what ranchers can expect to sell cattle for down the line and sway current sale prices as well. For ranchers’ sake, Wall said he hopes Trump leaves the cattle market alone.

“He doesn’t live in this world, in this cattle world, and doesn’t realise the impact that a statement can make in our business,” Wall said.

Years of rough seasons

Oregon rancher David Packham said that while cattle prices have jumped in ranchers’ favour, many are still struggling in the face of years of rough seasons.

Years of drought across the country raised feed costs for all and pushed some ranchers to sell off cattle. Sticker prices on farm equipment from tractors to pick-up trucks have ballooned as well, especially on the back of supply chain challenges during the COVID-19 pandemic, and are expected to rise further on account of Trump’s tariffs.

Packham said he has regularly sold cattle at a loss and doesn’t want consumers to think ranchers are living high off the hog.

“I’m looking at a 40-year-old tractor that I use on a daily basis just to keep putting off replacing it, making repairs, although it’s difficult to find parts for now, just to keep it limping along because I couldn’t afford $100,000 for a new tractor,” Packham said. “When I say we’re not really making a whole lot of money, it’s because we have all this loss carryover.”

Packham was a registered Republican until Trump’s first term. The president’s Argentina comments and the subsequent chaos for the cattle industry have propped open a door for ranchers critical of Trump, but they represent a minority within the community, he said.

“I’m noticing more and more of them [ranchers] that had been cautiously neutral, that are now kind of like me and just saying, ‘You know what? No. This is bulls***. He’s a train wreck,’” Packham said.

‘Perennial issue’

One action ranchers can support, however, is Trump’s November 7 announcement of a Department of Justice investigation into the big four US meatpackers – Tyson, JBS, Cargill and National Beef – “for potential collusion, price fixing and price manipulation”.

Historically, ranchers looking to sell cattle have held little negotiating power as the four companies control more than 80 percent of the market.

However, a prior Department of Justice investigation into meatpacker price-fixing was started under the first Trump administration in 2020 due to a gulf created by falling cattle prices and rising consumer beef prices. The investigation continued under President Joe Biden’s administration but was never publicly concluded. According to Bloomberg News, the investigation was quietly closed with no findings just weeks before Trump announced the November antitrust probe.

James MacDonald, a research professor in agricultural and resource economics at the University of Maryland, views the administration’s antitrust investigation announcement as “entirely for political consumption”.

“It is a perennial issue that p***es off ranchers, and you can gain some political ground by attacking the packers,” MacDonald said.

Packham would prefer the new investigation to come at a different time and said that given the squeeze from the tight cattle market, packers are operating under slimmer margins and not from a position of absolute power.

On Friday, Tyson announced the closure of a Nebraska beef-processing plant that employed more than 3,000 people. MacDonald called the decision a “shock” indicative of the depths of the US beef shortage. The current low cattle inventory in the US came from years of drought, which wiped out grazing lands and slowed herd rebuilding. Replenishing the cattle supply chain is a years-long process.

“That’s sort of a fact and a fundamental, and it’s not going to change for a while,” MacDonald said.

MacDonald also doesn’t believe the increased Argentina imports will ease this shortage or lower prices as the country largely sends lower-grade, lean beef to the US, accounting for only 2 percent of imports. He expected that while the reintroduction of largely lean Brazilian beef will impact the import market, it holds less weight on overall beef supply.

McDonald also cited heifer retention numbers, which indicate how many female cattle that ranchers hold back to produce future herds years down the line, which are still low.

Tyson likely factored in these numbers when making the decision to shutter its Nebraska plant, and it doesn’t seem like the industry is expecting herd numbers to rebound either, McDonald told Al Jazeera.

“It’s Tyson saying we don’t think cattle supplies are going to recover anytime soon,” MacDonald said.

While the actual mechanisms of Trump’s recent policies might not budge consumers’ bottom lines or change the cattle market for the time being, Wall is more concerned about the ripple effects from the news cycle, saying ranchers “live and die” by the cattle markets. While his faith is shaken, Wall regardless believes that ranchers, conservative as ever, will show up for Trump when election time comes around.

“You look at what the other side has to offer, and there’s no way people are going to go for that,” Wall said. “So in the long run, they’ll stick with him.”

Spartacus has been missing from our screens for 12 years but now a new bloody era is on the horizon

Spartacus: House of Ashur is on the way, breathing new life into the unforgettable violent period drama.

The long-awaited series is going to be set in an unfamiliar world as not only does cunning Ashur (played by Nick Tarabay) survive his horrific series three death, he thrives.

Brought to life on MGM+ and Starz in the US, Spartacus: House of Ashur comes 12 years after the original Spartacus series came to an end.

As the wait is almost over for the iconic show to return, here’s everything there is to know about watching Spartacus: House of Ashur.

When will Spartacus: House of Ashur premiere?

There is just a matter of days left before the drama’s big debut with Spartacus: House of Ashur starting on Friday, December 5, on Starz in the US and Saturday, December 6 on MGM+ in the UK.

Those in the UK can get access to MGM+, which also features the Power franchise and Outlander, via an add-on subscription within Prime Video

The show’s confirmed release has been a long time coming with news of the spin-off first being announced back in 2023.

Spartacus: House of Ashur episode count and release schedule

Spartacus: House of Ashur is going to consist of 10 episodes with only the first two instalments dropping on December 5 and December 6. From this point on, a single episode is going to be released on the same days every week, continuing to bring this epic story to life.

And as long as there are no delays to the schedule, this means that the grand finale is going to be out on Friday, January 30, in the US and Saturday, January 31, in the UK. But fans are going to have to stay tuned in to find out how it all plays out.

Spartacus: House of Ashur cast

Actor Nick Tarabay will be reprising his devious role of Ashur from the original Spartacus series for his own spin-off House of Ashur. As this is an alternate reality, he will be joined by an abundance of new faces including Outlander icon Graham McTavis as Korris.

Other new cast members include Tenika Davis as Achillia, Jamaica Vaughn as Hilara, Ivana Baquero as Messia and Jordi Webber as Tarchon.

The only other original star to briefly join Tarabay in House of Ashur is actress Lucy Lawless as Lucretia. An early released clip has teased her appearing in the underworld where she once again comes face to face with Ashur.

Julius Caesar will be portrayed by actor Jackson Gallagher, a role which had previously been taken on by actor Todd Lascance. It was planned that Lascance would reprise the role but wasn’t able to due to scheduling conflicts with NCIS Sydney.

What is Spartacus: House of Ashur about?

As previously mentioned, Spartacus: House of Ashur is a spin-off from the original Spartacus drama which will be set in an alternate reality. It delves into what could have happened if Ashur hadn’t been decapitated on Mount Vesuvius 12 years ago.

Instead, Ashur has been gifted the gladiator school which had once been owned by Batiatus (John Hannah) as a reward for helping the Romans kill Spartacus and ending the slave rebellion. While Ashur may have been given all that he desired, will he truly be happy with his second chance?

Spartacus: House of Ashur will premiere on Friday, December 5, on Starz in the US and Saturday, December 6, on MGM+ in the UK.

Nov. 26 (UPI) — A former British Royal Marine pleaded guilty to injuring dozens of people, including children and babies, after driving his car into a crowd of people at a soccer victory parade.

Paul Doyle, 54, on the first day of his trial, changed his initial pleas in 31 charges linked to driving his Ford Galaxy Titanium into a crowd of people celebrating the Liverpool FC soccer club’s Premier League title in May.

More than 130 injuries were reported after Doyle accelerated into the parade crowd, sending bodies flying off his car — two of whom were babies aged six and seven months — according to The Guardian.

On Wednesday, shocking the court, Doyle reversed his not guilty pleas entered the day before, answering guilty to all 31 charges, the BBC reported.

The charges include dangerous driving, causing grievous bodily harm with intent, wounding with intent and attempting to cause grievous bodily harm, prosecutors said.

“By entering guilty pleas, Doyle has finally accepted that he intentionally drove into crowds of innocent people during Liverpool FC’s victory parade,” Sarah Hammond, chief prosecutor on the case for the Crown Prosecution Service, during the court proceedings. “Driving a vehicle into a crowd is an act of calculated violence.”

“This was not a momentary lapse by Paul Doyle — it was a choice he made that day and it turned celebration into mayhem,” she said, noting that dashcam footage from his car showed that he had become “increasingly agitated by the crowds.”

Doyle, on May 26, drove down the street where the celebration was happening, and which had been closed to non-emergency vehicles, on the way to pick up friends, but lost his patience with the crowd, accelerating rapidly into it.

Although people in the celebration tried to pull him out of the car before he actually hit people — he initially claimed he was scared for his safety and pleaded innocent to intentionally ramming parade-goers — police said 134 people were injured in the melee and more than 50 people required hospitalization.

Doyle was initially charged with seven counts related to six people, prosecutors added another 24 charges in August based on some victims he had hit that were aged between six months and 77 years old after he intentionally drove his car into the crowd of soccer fans.

With the guilty pleas, Judge Andrew Menary KC will now consider Doyle’s sentence based on harm caused, the defendant himself and the effects of the crime on the community, which prosecutors have portrayed as significant.

The maximum sentence for the charges, according to the BBC, is life in prison.

“It is inevitable there will be a custodial sentence of some length and you should prepare yourself for that inevitability,” Menary told Doyle.

Sentencing in the case is scheduled for Dec. 15 and 16.

The controversial US-Israeli backed Gaza Humanitarian Foundation is closing operations, after five months of massacres, stampedes and chaos. Despite that, the GHF says it did its job “successfully.” Soraya Lennie explains the group’s chaotic legacy.